Podcasts about steinway

In 2007, Yevgeny Sudbin released an album of music by Alexander Scriabin. Reviewing it in Gramophone, Bryce Morrison described it as a 'disc in a million'. Now, Sudbin has returned to the composer for his 25th recording for BIS, and offers a wide-ranging survey of music that includes two more of the piano sonatas. James Jolly caught up with Yevgeny Sudbin recently to talk about his relationship with the composer and his unique musical world.

One afternoon in Oslo changed the course of jazz piano history! In this episode, Adam and Peter dive into Facing You, the hit 1971 ECM release where a 26-year-old Keith Jarrett – torn between Miles Davis' electric band and his own acoustic instincts – walked alone into a studio and recorded eight completely improvised masterpieces. From the gospel-tinged “In Front” to the apex moment in “Lalene,” we explore his remarkable touch, bluesy intuition, and the distinctive distorted Steinway that producer Manfred Eicher perfectly captured. We place this album among solo piano giants (Monk, Tatum, Evans), lovingly examine Jarrett's “fussy” reputation, and show how this afternoon session laid the blueprint for his legendary Köln Concert. Five decades later, we jazz pianists are still chasing the magic Keith created that day.

Today, the Spotlight shines On naturalist and classical pianist Hunter Noack.Redefining what a concert hall can be, Hunter Noack hauls a nine-foot Steinway grand piano to mountaintops, forests, and beaches for his series "In a Landscape: Classical Music in the Wild."Hunter grew up in Central Oregon, where his love for music and nature took root. His concert series gives audiences wireless headphones and encourages them to wander through stunning settings while the music plays. It's part performance, part exploration—turning national parks and historic sites into living concert venues.Since founding the series in 2016, Hunter's brought classical music to over 75,000 people across the American West, many experiencing live classical music for the first time. He's performed in sun, snow, and everything in between—all to break down barriers between listener, music, and landscape.(The musical excerpts heard in the interview are from Hunter Noack's album In a Landscape)–Dig DeeperVisit Hunter Noack at hunternoack.com and the In a Landscape project at inalandscape.orgPurchase Hunter Noack's In a Landscape from Qobuz and listen on your streaming platform of choiceFollow Hunter Noack on Facebook and In a Landscape on Instagram, Facebook, and YouTubeBeloved scenic outdoor concert series announces 2025 tour dates for 10th anniversaryDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On naturalist and classical pianist Hunter Noack.Redefining what a concert hall can be, Hunter Noack hauls a nine-foot Steinway grand piano to mountaintops, forests, and beaches for his series "In a Landscape: Classical Music in the Wild."Hunter grew up in Central Oregon, where his love for music and nature took root. His concert series gives audiences wireless headphones and encourages them to wander through stunning settings while the music plays. It's part performance, part exploration—turning national parks and historic sites into living concert venues.Since founding the series in 2016, Hunter's brought classical music to over 75,000 people across the American West, many experiencing live classical music for the first time. He's performed in sun, snow, and everything in between—all to break down barriers between listener, music, and landscape.(The musical excerpts heard in the interview are from Hunter Noack's album In a Landscape)–Dig DeeperVisit Hunter Noack at hunternoack.com and the In a Landscape project at inalandscape.orgPurchase Hunter Noack's In a Landscape from Qobuz and listen on your streaming platform of choiceFollow Hunter Noack on Facebook and In a Landscape on Instagram, Facebook, and YouTubeBeloved scenic outdoor concert series announces 2025 tour dates for 10th anniversaryDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Le groupe post-punk de Dublin, Fontaines D.C., revient avec une édition enrichie de son quatrième album ‘'Romance'', dévoilant notamment un nouveau titre envoûtant : "Before You I Just Forget". C'est désormais officiel : Linkin Park se produira lors de la finale de la Ligue des champions de l'UEFA 2025, le 31 mai prochain à Munich. The Who : Zak Starkey, viré du groupe, se dit surpris et attristé, Roger Daltrey l'aurait accusé de moins bien jouer depuis la performance au Royal Albert Hall. Lenny Kravitz a ouvert les portes de son appartement parisien, révélant un lieu aussi chic qu'intime, avec une surprise de taille : une véritable boîte de nuit privée dans le sous-sol. Près de quarante ans après avoir immortalisé sa première guitare dans les paroles de "Summer Of'69", Bryan Adams est revenu sur l'origine de cet instrument emblématique acheté en Angleterre, dans un magasin de musique de Reading, alors qu'il avait 12 ans. La chanteuse de Garbage revient sur les difficultés rencontrées par les femmes dans l'industrie musicale, notamment dans les années 1990, époque où le groupe s'imposait face à une scène largement dominée par les hommes. Mots-Clés : Deluxe Edition, version live, rare, épuré, Starburster, clin d'œil, In Heaven (Lady In The Radiator Song)", univers cinématographique, David Lynch, groupe, américain, Pepsi Kick Off Show, coup d'envoi, match, prestigieux, football, européen, annonce, X (ex-Twitter), vidéo promotionnelle, remix, Numb, performance, éditions, Lenny Kravitz, batteur, Zak Starkey, fils, Ringo Starr, 1996, rumeurs, licenciement, Mirror, caillot de sang, mollet, guéri, jeu, intact, Hotel Roxie, mère, Roxie Roker, artiste, piano, collaboration, Steinway, Mohamed Ali, club, soirées, père, ambassade, Canada, muté, étranger, instrument, e-mail, inconnu, possession, mystérieux, interlocuteur, décédé, accident d'avion, mourir, propriétaire, légitime, constat, optimiste, anomalie, pop, grand public, position. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankxDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ciekawym porównaniem jest proces tworzenia fortepianów Steinway, które powstają po długim i skomplikowanym procesie, pełnym wyzwań. Podobnie jak drewno, które musi przejść przez wiele prób, aby stać się instrumentem muzycznym o doskonałym brzmieniu, tak i nasze życie, poddane cierpieniu, może stać się źródłem piękna i dobra. Przykłady wielkich artystów i myślicieli, którzy zmagali się z problemami psychicznymi, pokazują, że cierpienie może być drogą do głębszego zrozumienia i twórczości.Przykład życia Adama Chmielowskiego, znanego jako Brat Albert, ilustruje jak cierpienie może prowadzić do odkrycia głębszego sensu życia. Choć jego życie było pełne trudności, w tym utraty rodziców i zmagania z chorobą psychiczną, to właśnie przez te doświadczenia odkrył swoje powołanie do służby najbiedniejszym. Jego decyzja o porzuceniu kariery malarskiej na rzecz pomocy innym pokazuje, jak cierpienie może być przekształcone w coś pięknego i wartościowego.

Ką svarbu žinoti apie kredito istoriją ir nuo ko priklauso kredito reitingas? Kiek reikšmingas gali pradelstas mokėjimas ar keli eurai delspinigių?LRT Faktai: Nelaimė ir gelbėjimo operacija Pabradėje, kai pelkėje nuskendo šarvuotis ir žuvo keturi Jungtinių Valstijų kariai, prikaustė Lietuvos ir pasaulio dėmesį. Tačiau neeilinis įvykis sukėlė ir daug sąmokslo teorijų bei klaidinančios informacijos bangą.Rašytoja, žurnalistė Akvilė Kavaliauskaitė ir jos naujausias nostalgiškas romanas „Jausmai“, nukeliantis į 2009-uosius.Per kiek laiko galima pasiruošti maratonui? Ar tai įmanoma visiems? Ir kiek tam reikia laiko, jei sportas žmogaus gyvenime nėra savaitinės rutinos dalis.Šiauliuose savo istoriją pradeda simfoninis orkestras. Neseniai vyko pirmasis jo koncertas. Publikai pristatytas ir vienas brangiausių pirkinių – ketvirtį milijono eurų kainavęs „Steinway & Sons“ koncertinis fortepijonas. Juo pianistas Petras Geniušas skambino Čiurlionį.10–12. Ved. Ignas Andriukevičius

Prieš 35-erius metus į Lietuvos meno pasaulį įsiveržė provokatoriai – menininkų grupė „Post Ars“. Šiandien jie sugrįžta į Radvilų rūmus kaip šiuolaikinio meno klasikai. Apie naują parodą „Sankrova“ pasakoja jos kuratorė menotyrininkė Agnė Narušytė.Naujasis Rimvydo Stankevičiaus poezijos rinkinys „Kartais sninga juodai“ – ne netekčių ar atsisveikinimų, o tapsmo knyga. Apie naują knygą – pokalbis su autoriumi.Šiauliuose savo naują istoriją pradeda simfoninis orkestras. Surengtas pirmasis neseniai įkurto orkestro koncertas. Publikai pristatytas ir vienas brangiausių pirkinių – ketvirtį milijono eurų kainavęs „Steinway & Sons“ koncertinis fortepijonas. Juo Petras Geniušas skambino Čiurlionį. Apie profesionaliosios kultūros poreikį regione iš Šiaulių pasakoja Tomas Mizgirdas.LRT Klasika tęsia pažintį su Metų knygos rinkimuose dalyvaujančiomis knygomis ir jų autoriais. Apie knygą „Tėčio Marselio liežuvis“ pasakoja jos autorius Paulius Norvila ir iliustratorė Patricija Bliuj-Stodulska.Rubrikos „Be kaukių“ svečias – skulptorius Alius Berdenkovas.Ved. Jolanta Kryževičienė

  Welcome to Hope for the Caregiver here on American Family Radio. This is Peter Rosenberger and I will be your host today through all things caregiver related. I've been a caregiver so long that the hospital Wi-Fi connects automatically. You know you've been a caregiver a long time when you call 911 and they say, Hey Peter, that's my life. I've been a caregiver so long my idea of vacation is waiting in the car during surgery. And even Siri whispers to me, bless your heart. We are still in Denver, in the hospital. And Gracie now has to go back into surgery on Monday or Tuesday. This left leg just does not want to heal up. This will be her 93rd and her 6th during this particular 10-week stretch we pulled. So yeah, I know a little bit about the journey. And I've learned a few things. I'm going to give you some practical things right now. Okay? Just some practical. We're going to get into some heavy stuff later on in the program. But I've got some practical things. One of them is when you're in an elevator. A couple of points in an elevator. For elevator etiquette. And it's not what you think. But it's... I always let ladies exit and enter the elevator before me. I hold the door and make sure they go in properly. I told one guy, there was a bunch of them, and this guy tried to go in. I said, no, you wait for me. I was raised in the South. I'll help the ladies, but I'm not going to help you. You're a grown man. I actually told him that on the elevator. I mean, I've spent a lot of time in the hospital. So these are things I observed. But a lot of people will line up in front of the elevator on the bottom floor. Now, why is that problematic? Why? Well, I'll tell you why. Because there are people going to be getting off that elevator, and they can't get off if there's some yahoo standing right in front of them. And I'm like, has it not occurred to you maybe to wait over to the side? Another thing is, don't be on speakerphone and having a conversation while on the elevator. I understand being on the phone. I'm often on Bluetooth, giving updates and so forth. But when I get on the elevator, I will tell whoever I'm talking to, I'm getting ready to get on the elevator. You keep talking, I'll listen. I got a buddy of mine I was talking to back in Montana. And I said, all right, I'm getting on the elevator. You talk, I'll listen. So he started asking me questions. And I'm like, you didn't understand the point. The point is, I'm getting on the elevator. I'm not going to talk. You talk, I'll listen. Well, what do you want me to talk about? Oh, for heaven's sakes. And so I just kind of, you know, but that's another thing. People get on the elevator and they got speakerphone going. And I'm like, I jump into the conversation sometimes, you know, figured it's there. It's a public conversation now. And then here's something else. And I'm not faulting you for this, but be aware that Be aware of a few things when you're walking into a hospital, into a corridor. Number one is if you're going around corners, drive in the right lane. Okay? Drive in the right lane. We're not in Great Britain. We're in America. Drive in the right lane. So hug the wall on your right side. So when you go around a corner, you're not doing like in NASCAR when you're getting way down low there. You got to go up a little high and come around because there's somebody else coming around that corner and they're driving in their right lane. I have been involved in many near collisions because people were hugging the left corner. Now, that may sound stupid to you, but you spend 10 weeks in a hospital, and then you come back and tell me what you think, okay? And this ain't my first 10 weeks in the hospital with Gracie. So these are things I observed that people are, this is a very big hospital, a lot of people, and everybody's busy, and I understand that. Here's another little tidbit. Situational awareness is everything. Be aware of how you are in space and in time as you're moving in and out of this labyrinth of of a place there where a lot of people are. People are very busy. This is, again, a teaching hospital. So it's very busy. It's always going 24-7. And you have to be aware of where you are in space and in time. Not just, you know... ambling along. I was on the elevator with two women, and they were older women, but not that old. Well, now that I think about it, they're probably younger than me, which, now that's just kind of sad, isn't it? They looked older, but I realized they're probably younger than me. Okay, well, all right, let me just go and cry over that one in the pantry. But Regardless, they were on the elevator and one of them had a walker and they were very nicely dressed. They were very pleasant ladies. And I held the door and they started walking. Well, I was in a bit of a hurry. And these two women, one of them was rather large. I mean, she wasn't gargantuan, but she's a big woman. And the other one was a bit hefty as well. And she had a walker, but a little, not a walker, but one of those things with wheels on it. You know what I'm talking about. And she would sit down and into the elevator and then get up and start moving. That's fine. I live with somebody with mobility impairments. I understand it. But I am always aware of Gracie and me in time and space. Always. When I'm walking anywhere with her, I'm aware of who's behind me, who's in front of me, who's to my left. I'm always aware of things like that. That's just the way I kind of Some of it's my martial arts training, check your six, always look around, head on a swivel. I get that. Some of it's just common courtesy and some of it is just, I just don't want somebody to run into me or me run into someone else. And these two women were ambling along for a little afternoon stroll. But they took up the entire corridor. You couldn't get around them. It was just not a space where I could. And they walked wide, and they were wide. And it wasn't just because of the one with the mobility device. It was just because they were big and clueless. And they went along at their stroll, and I had to go with their pace behind them. And I was in a bit of a hurry. I was like... You know, do you have to take up the entire hallway? You know, because there's always little carts or something on the side of the thing, and you can't easily pass in certain places. And, you know, crash carts and things such as that scattered around the corridor there. So it was like... And you say, you know, Peter, you're being petty. Well, yes, I am. But I've been here for 10 weeks, and I've just, you know... Move it, people. That's what I'm talking about. Thank you for that. That's what it feels like. I'm telling you, that's what it feels like. Move it, people. There's nothing like being in a hospital for a lengthy period of time to... force you into a different kind of, I don't know. But I never cease to be amazed on how people amble and stroll and mosey in a place where there's a high traffic area. And it's a bit jarring because I'm moving quickly. And I'm not just sitting there with Gracie all day long doing nothing. I mean, oh, I think I'll stretch my legs and go down to the cafeteria. I'm working. I have to work all the time. I mean, I don't have to work all the time, but I have to work I can't put my life on hold for 10 weeks. And I've written, by the way, I've written quite a bit here, 40,000 plus words since I've been here. Five published articles and I finished a new book that's going to be out next year. Got one coming out this summer and we'll talk about that. And then I've got a new book that'll be out next year that I think you're going to really like. But I've been working and then I've gotten shipments over to Africa and so forth. I mean, I work. And then I'm looking after her. I'm back and forth to the hospital frequently. I come to do this radio program. I do a live show on Wednesdays. And that's one of the reasons I went in a hurry that day because I had to get back over to the hotel across the street where I do a live show on Wednesday afternoons. And so I was, you know, wanting these women to move a little faster or at least move over, you know, just same thing as being on a highway. You don't go on the interstate at 30 miles an hour. And they just, you know, were clueless. I mean, truly clueless. And I see this a lot in the hospital. If you have to go into the hospital for an extended period of time, be aware that you're going to see high traffic areas and stay to the right. And don't stand right in front of an elevator blocking it so people on the elevator can't get off. You're not getting on unless they get off. And so give them space to maneuver. My father used to always say that. He said, keep moving forward, but give space to maneuver. That was one of his trademark lines. And he was such a student of observing people and their behaviors that he would probably chuckle at this. I don't know if you are, but I'm sorry. I just had to take this moment to vent out because I'm tired of running into people by the elevators and through the hallways of this hospital. Listen, we got more to go. This is Peter Rosenberger, Hope for the Caregiver, hopeforthecaregiver.com. We'll be right back. Thank you. Welcome back to Hope for the Caregiver. I am Peter Rosenberger, PeterRosenberger.com. PeterRosenberger.com. If you want to explore more of what I put out there for you as a family caregiver, I hope you'll take advantage of it. Right up at the top of the page, you say, check out Peter's Substack page. Well, what does that mean? Well, Substack is an online newsletter. And there are lots of different things that I put out there. You can put video and audio and print and so forth, and that's what I do. And On this page, my latest post is, what do you think? It's called What Do You Think? And it's from my book, A Minute for Caregivers, When Every Day Feels Like Monday. And I post these out every Monday. So if you go out today and subscribe to this, you'll get a missive on Monday to tell you about a new one. But right now, you can go out and read this today, look at it, and there's some other things out there. Some of it's behind a paywall, and you have to subscribe for that if that's your choice you want to do. But this I put out every Monday for free. And this is one I think that would connect deeply with you as a caregiver. I'll give you a bit of a preview of this, okay? And the concept behind it. That's the special bonus that you're going to get today on this program. Like I said, I've been here for a long time. I've devolved into elevator etiquette for a conversation topic. I mean, you get a little bit loopy here when you have these kinds of lengthy hospital stays. But I have often and embarrassingly inserted my opinion during Gracie's long medical journey. I know you're saying to yourself, no, Peter, that couldn't happen. You wouldn't give your opinion. You would be quiet and demure and genteel, and you would be a wallflower. I know you might think that. That may be your first inclination to go there, but... Let me dispel you of that and tell you that I have done this and I don't recall being frequently asked for my opinion, particularly by surgeons. Yet, as the team was observing Gracie's response during the recovery process of one of her surgeries, the lead surgeon looked at me and said, what do you think? All right, now think through that for just a moment. This guy is a serious surgeon, not a lightweight. You don't serve in this particular hospital, this teaching hospital. You don't serve in this capacity as a teacher, as the attending, unless you've got some real game to you. Let me just add, I don't let you work on my wife unless you have some real game to you. Okay? We're pretty hard on docs and surgeons. I had a resident tell me that, you know, I've never seen this before. They were looking at some stuff with Gracie and said, we've never seen this before. I looked at this surgeon and I said, you know, the first time I heard that from a surgeon, Ronald Reagan was president. And they couldn't believe it. I mean, they were stung it. They really don't know how to wrap their mind around that. So anyway, this surgeon looked at me, and he's not a lightweight surgeon. What do you think? Well, you know, four decades of living with Gracie, I understand nuances about her that no medical professional could ever hope to know. They don't have the kind of time to be brought up to speed on Gracie. I have a PhD in Gracie. And it came from the School of Hard Knocks. Most of them, she's knocked on my head. And I hear an amen from Gleason, Tennessee, where Betsy has just said amen. She listens to this program and she's saying amen. I've known Betsy and her husband Tommy for a very, very long time. They've known me since I was 14 or 15 years old. But anyway, the School of Hard Knocks, that's it. A lengthy list of unpleasant events, and I'm saying that with a great deal of diplomacy, has taught me and continues to teach me the value of keeping my opinion to myself and only sharing what I've witnessed and experienced to the best of my abilities. Now, sometimes it gets the best of me, I admit. But I try to stay with my experience. and what I've observed. So when the surgeon graciously sought my thoughts, I stayed on message. I shared what I've observed of my wife and her challenges and avoided speculating. Here's what I've observed. One of the things I've observed that post-operatively, when something can go wrong with a patient, it usually will go wrong with Gracie. That's what I've observed. And I went on to share with him some other things i've observed about her lengthy history nodding with understanding he ordered a few additional tests evidently in part based upon my response and he continued looking for solutions now as a caregiver i'm learning to stay in my lane i really am i don't Don't jump to conclusions that I'm not, even though I went on the whole elevator diatribe at the last block. I'm learning to stay in my lane while speaking with calm authority about what I know. recognizing that my experience is far worthier than my opinion. And I put a quote on there from Kurt Cobain. You may not know who he is. He's a particularly sad, tragic figure who was the lead singer, guitarist, songwriter for Nirvana, a very troubled young man who took his life when he was 27. He had been just a very sad, troubled man, but he was a very deep thinker. And he wrote something once that said, we have no right to express an opinion until we know all of the answers. And again, he was an extremely troubled young man. who sadly took his life. Many attempts tried to take his life before, dealt with drugs and so forth. But in the middle of his distress, he had such profound things that he said, the way he approached things. And I love that quote, we have no right to express an opinion until we know all the answers. And I think of my own life and how many times I have shot my mouth off with an opinion and I didn't even know what I was talking about. And I go back to what I said with this doctor. In my experience, this is what I've seen. This is what I've witnessed. This is what I've observed. And I thought that may be helpful to some of you as caregivers when dealing with your physicians and the medical providers treating your loved one or in general with anyone. Here's what I've witnessed. Here's what I've seen. Because your experience is unimpeachable. It's yours. You've experienced this. Your eyewitness is unimpeachable. This is what you saw. This is what you have encountered. And if you stay in that place, you're not going to get off into the weirdness of opinion. And I also think about that with our Christian faith. How many of us give our opinion versus, here's my experience. That's why I love going back to some of these hymns who have said it so beautifully, O God, our help in ages past. our hope for years to come, our shelter from the stormy blast and our eternal home. Well, that's saying, look, here's our experience. This is what we've seen, what he's done. You know, look at 1 Samuel 7, 12. Then Samuel took a stone and set it up between Mitzvah and Shem and called its name Ebenezer. For he said, thus far the Lord has helped us. And the word Ebenezer means stone of help. Do you know the only hymn that uses the word Ebenezer? It's from Come Thou Fount of Every Blessing. Here I raise my Ebenezer, hither by thy help I come, and I hope by thy good pleasure safely to arrive at home. Come Thou Fount of Every Blessing. It's such a great hymn. Sadly, the writer of that hymn, struggled with his faith. Even though he had that great line, bind my wandering heart to thee, prone to wonder, Lord, I feel it. And he struggled, I think, all of his life, or certainly later on in his life, and struggled with his faith. But at that time, he wrote that. Again, sometimes some of the best things can come from people who are struggling mightily with stuff. like Kurt Cobain or like the author of this hymn. His name was Robert Robertson. He wrote that hymn back in 1758. He was just a kid. He was just 22. Kurt Cobain was 27 when he killed himself. And I don't know if Robert Robertson ever... was able to resolve some of those issues in his life that he struggled with as he grew older, and he supposedly left the faith. I don't know. I have no idea. Somebody who knows more about him can maybe let me know. But he wrote this hymn, and it was a powerful hymn, and it's been sung all over the world. Here I raise my Ebenezer. Hither by thy help I've come. So far, thus far, the Lord has. This is my experience. You know, look at Revelation. They overcame by the blood of the Lamb and the word of their opinion. No, that's not what it says. It says they overcame by the blood of the Lamb and the word of their testimony, their experience. When I listen to preachers, one of the things I listen for is their experience. I'm not interested in really your opinion. Show me what the text says. Show me how you've seen this in your life or in others, what you've observed. And anchor me in this text. I'm not interested in your opinion that much. What I am interested in is understanding Scripture on an experiential level, to see these things fleshed out. And so when I talked to that surgeon, I said, look, in my experience, this is what I've watched with Gracie. I've seen this. I am testifying to this. And that was enough for this surgeon to use that in a protocol because it's firsthand experiential. That's the thing about our faith. We're not asked to take a leap of faith into the dark. We're invited by Scripture, asked, commanded by, to anchor our faith in the light. And this is the experience. I look at John, the Apostle John, when he's talking about Jesus being crucified. He said, I've witnessed this. Look at John 1935. He who saw it has borne witness. His testimony is true. And he knows that he is telling the truth that you may also believe. It's almost like John, and I don't know, if you're a theologian or scholar, you could tell me, but it's almost like he is saying this as an affidavit in court. Like, do you swear to tell the truth, the whole truth, and nothing but the truth? And he's saying, if you go back and look at the message, sometimes it helps me to understand it if you go back and look at different translations and paraphrases. In the message, it says, "...the eyewitness to these things has presented an accurate report. He saw it himself and is telling the truth so that you also will believe." I gave a firsthand account of credible witness to my wife's medical journey. The surgeon acted on that and made some changes in this. The Apostle John, the prophet Samuel, gave credible witness to what God has done. John gave witness to that. This is what happened to Jesus on the cross so that we will also believe. That's not stepping into the dark. That's acting on the light. And that is hope for the caregiver. This is Peter Rosenberger, PeterRosenberger.com. We'll be right back. Peter Rosenberger. He's not a preacher, but he's got great hair. Welcome back to Hope for the Caregiver. I am Peter Rosenberg. Glad to be with you today. And you know what? You may have just turned this show on midstream. You might be right here in the middle of the show. And you've been up all night having a conversation with the ceiling fan. And you wake up and you hear a program that's for family caregivers of all things. And you think, where has such a program been? Well, it's been right here. But I'm glad you're here with us now. And I've been doing this for 14 years. I've been on American Family Radio now for seven years. And I understand how difficult this journey is. I really do. And I understand what brings me comfort. And I ask you, think about that for just a moment. Most of you know my story. And if you're brand new to the audience and you're just coming in halfway through the show, that's okay. Four decades later. And on Monday or Tuesday, my wife will have her 93rd surgery. Car wreck back in 1983. Now think through the lengthy amount of time this is. How many hospitalizations? We've been here for this particular stretch for 10 weeks. Doesn't show, I don't know when we're going home. But we can't go home until this is done. And I understand how difficult this journey is. So what brings me comfort? What brings Gracie comfort in this? Is it anesthesia? Is it painkillers? Well, it helps ease her pain. But is that what brings her comfort? Is that what brings me comfort? What brings me comfort? I mean, think about it. I mean, I'm working out of a hotel room across the street in not the best part of town in Aurora, Colorado. I'd like to be at home. I could have been out on the snowmobile. and enjoying a beautiful Montana winter. Instead, I'm over here in a hotel, and sometimes I know the other night I had ramen noodle soup. I was tired. I didn't feel like going anywhere, so I just had ramen soup. I remember I was staying at a hotel down the road here. There's several hotels across the street, but now I've camped out at this one. I've been here now multiple times. We've been out here, and this is where I'm going to be permanently, but I don't think we're going to have to come back for another stretch. But I was staying at one down the road, and they got it messed up. This was some years ago. And they got it messed up in our room. But I was in the middle of Gracie's surgery, and I didn't do anything about it until about a week or two after she'd kind of stabilized. And I was checking out one. I mean, I was at the counter, and they had a little, you know how hotels do, they have a little place where you can buy overpriced items. And they had some soup. And I just, you know, it goes back to my college days, some ramen soup. And I had there on the counter my dinner that night because I was tired and I didn't feel like going anywhere. And I paid overpriced ramen soup, you know, and you know how much that stuff costs. But I mentioned the night manager. I said, look, I'm just now getting back with you. But when we got here, they were supposed to have this kind of room for my wife. They didn't have it. They really kind of messed it up and it was very difficult. And I just want to bring that to your attention. And she saw my soup on the counter there and she said, oh, I'm so sorry. Here, take that on us. It's the least we could do. And I used a great deal of restraint. You have no idea the torque involved in this. And I almost said, but I didn't say, it's ramen soup. There ain't no leaster. Of course, it's the least you could do. But she was very sincere, and I let it slide. Eventually, I talked to the daytime manager, and they worked out the problem and got it all squared away. So, you know, this is the way I'm living here. And Gracie's not certainly enjoying where she is. I mean, she's had now, this will be her sixth surgery in this 10-week stretch here. This leg just doesn't want to heal. And they have to go in there and redo something even different now. And so here we are. But we can't leave. This is for all the marbles. If we get this right, she has a better quality of life. If we get it wrong, she's in pretty dire circumstances for the rest of her life on earth. And so I get the journey. What brings me comfort? What has settled my heart down? What has given me the ability to focus and be clear-headed during this? And that is thinking on the things of God. Not abstractly. I'm talking about up close and personal, really contemplating these things. I've been studying. I've been going through the book of John while I'm here. And I am resolved to these things because I know that there's a greater work going on. And that I go back to what I've been saying over the last couple of weeks here with the Heidelberg Catechism. What is my only comfort in life and in death? And that is I belong to Christ. And in this world, he will see fit to allow us to go through very painful things, sometimes horrific things. I don't know why. I'm not really all that excited about it. I don't like it. But I am so committed to this because I see that he has saved me from something far worse. And I belong in his service. And that this is where he's asked us to go. And this is what Gracie said when I was praying for her. I mentioned this two weeks ago before her 91st surgery. And I was like, Lord, this is too many. Gracie said, no, it's not. This is how many he thinks is necessary. And we're going to do what he has led us to do. And I know that, I think it was Karl Marx or Stalin or somebody, one of those guys, who said that religion is the opioid for the masses, right? I can't say that I disagree with that. But I'm not talking about religion. I'm talking about theology. Understanding and knowing, discovering, learning about God. Religion is man's attempt to do these things. Theology is studying what God has already shown us in His Word. That we can know Him. And I've said this before on this program, but I had a caller call in to the Wednesday live show that I do and asked, is suffering required in order to grow in our Christianity? And my answer was, suffering is required to be a human being. In this world, we're going to have it. I mean, it's part of the condition. And you can live your whole life without being afflicted by trauma or disease of any magnitude, not even approaching anywhere near where Gracie is. But you're still going to die. Your body's going to get old and die. Unless Christ returns, none of us are getting out of this thing alive. That's just part of the human condition. It's how we trust God in those things. That's where the difference is. And I go back to this surgical event that we're dealing with here in our life right now. Now, these surgeons that I've been working with here, and they're wonderful men. I've worked with them now for some time, and I've gotten to know them a little bit, but I don't know them all that well. I don't know, for example, her attending surgeons, wife and kids and all those kinds of things. I really don't know a lot of his background. I know where he's from, but that's pretty much about it. But this man, who I barely know, will take my wife into a room with a bunch of strangers who I do not know, and they will do ghastly things to her body with ghastly tools that I wouldn't want to even touch. And then when he comes out, I'll thank him. And Gracie does too. She took his hand one time. Thank you. How often do we do that to people who wear white lab coats or surgical scrubs? Thank you, doctor. Thank you, doctor. And we treat them with reverence and respect, and we barely know them. We don't know where their doctrinal stances are. We don't know what they believe, why they believe it. We don't know those things. We just know that they've been certified to do such and such by the governing authorities of the state and the medical licensing board, and this hospital has vetted them, and the teaching university they went to has properly instructed them. And we take that on faith, even though we've never looked at their transcripts. we've never looked at their grades we don't know anything about them but we will let them go in there and do things to our loved ones and we will thank them for it how much more can we approach the king of kings and lord of lords when he does these things how much more skilled is he and we can know him he has made it possible that's what theology is he's laid it all out this is who i am Now, we will never know Him absolutely because we're not infinite beings like He is. But we can know Him truly. He's immutable. His loving kindness never fails. His grace, His mercy, His wisdom, His justice, His wrath, all of those things laid out. Corrie Ten Boone once said, don't be afraid to trust an unknown future to a known God. What brings us comfort is that I am not trusting Gracie to a bunch of people in medical gear that I don't know. I'm trusting her to the one I do know. You're going to hear me do this probably for the rest of the time I have a program. But I love to quote my father. And mom told me this story about him one time. And I've seen this in his life. And I have so many great, wonderful memories of things that he has said and imparted to us. But she was struggling with something young into their marriage. And I don't know how young it was, mom. Mom listens every week. I don't know how young you were, but it was some time ago. And she kind of popped off. How do you know that? because dad was sharing something from scripture with her she said well how do you know this and dad responded very calmly because i know god because i know god what gives me comfort i know god he's told me who he is and i take him at his word And that's what strengthens me. That's what equips me. That's what settles me down. I can produce a lengthy line of people, some of them in this audience, who have known me for a very long time and would say, yeah, that ain't Peter. That's evidence of the redemptive work of Christ in Peter's life because that ain't him. We know Peter. We've seen his work. And that's not me. And thanks be to God, it isn't me. It doesn't have to be you either. We don't have to be reactive all the time. We are invited by Scripture to cast all our cares on Him. We're invited to walk in His statutes, to trust Him, to take Him in His Word. And He gives us all the evidence that we need of said step of faith. And like I said in the last block, we're not stepping by faith into the dark. We're stepping by faith into the light. The credible testimony of others who have observed this, who have walked this, like John himself said in the Gospel of John, I saw it. I was there. Like I said to that surgeon, here's what I've seen. And so when I look at people like my father and like so many who said, here's what I have observed. Here's what I know. Here's what I've experienced. That is what comforts and strengthens me and equips me and fortifies me. And then I could take that into Gracie's hospital room and offer her the same comfort that I myself have received from the God of all comfort. And you know what that is? That is hope for this caregiver. This is Peter Rosenberger. We'll be right back. Welcome back to Hope for the Caregiver. This is Peter Rosenberger. Do you know what that hymn is? That hymn is called Abide With Me. And it's from my CD, Songs for the Caregiver. I've always loved this hymn. This is my mother's favorite hymn. And I've played this countless times. You can see this, like I said, on my CD, Psalms for the Caregiver. You can download the whole thing wherever digital music is streamed, or you can call Logos Bookstore in Nashville, Tennessee and get a copy of it. They're the only ones that care. It's all out at my website, PeterRosenberger.com, but that's not the purpose of me telling you all this. I used to play this hymn and many others in the sanctuary church where we attended in Nashville for many years and My pastor at the time asked me to play on Sunday mornings as people were coming in to help create a more reverent atmosphere for the church. So people would just talk, you know, yabber. They would come in and be more reflective. So I would work out a lot of these hymn arrangements that I did there. And during the week, I would practice this. And I noticed that I wasn't alone in the sanctuary. And at the back, there was a custodian there at the church And he would be putting hymnals back in the racks and sweeping and straightening it up, very much like my father used to do when he was a young man. And I've got a picture of my father when he was working at a church as a custodian. So I had a very special place in my heart for custodians of churches, and this man was no exception. And I would stop and ask him, I'd say, hey, do you want me to play something for you? And he said, no, just keep playing, just keep playing. So I'd play and sometimes I'd practice there for an hour, maybe more. And a beautiful Steinway up at the front of the church. And that's the cover of my CD is me playing in that sanctuary by myself. Except I have one picture of me playing there. It was taken from the choir loft area where I was. And you can make out Mike in the very back there. And that picture hangs on a wall in my parents' home. I gave that to my father and That picture is juxtaposed against the picture of my dad when he was in the sanctuary serving. Now, why am I telling you all this? Well, this week in the news, they released more of the writings from the shooter at the Covenant School there in Nashville. The first victim that she shot and killed was Mike, the custodian who used to listen to me play the piano. Two years ago this week, I went back to Nashville to play at his funeral And I played for him one last time. I look at the horrific things about that event, and it's still surreal. It's hard to believe. Hard to believe it happened. And the unspeakable tragedy with so many. I refuse, and if this gets me in trouble, you can write letters to peter at the internet dot Google. But I refuse to call this individual a transgender or a guy. was a girl it was a woman 28 years old i believe who was very very very disturbed according to the news reports she had been writing horrifically violent plans for some time and i don't know why it wasn't caught i don't know why nobody seemed to intercept this or say something, but I just know that from the facts, she showed up that day, and Mike was the first person in her path, and she shot and killed him. And I think about all the times that Mike said to me, just keep playing, just keep playing. So I do, and I played at his funeral two years ago this week, and I played, the opening hymn was Great Is Our Faithfulness, And I got to tell you all, I laid into it. I didn't hold back. I didn't play it like a mourner. Mike wouldn't have wanted me to. Play it with conviction. Play it like a believer. And he would want me to do so. I said, this time I was in the front of the church in the choir loft area, different sanctuary. But Mike's casket was just, instead of him being at the back of the church sitting there listening, His casket was right there up front, just 10, 15 feet away from me. And these are hard things. We don't have the words for it. We groan. But we're not alone in our groaning. And I just want to leave you with today. I know this is a bit of a somber note for the show, but I wanted to leave this with because I never forget that the reason why people listen to this program is because they're hurting. And the reason why people give me an hour of their time to listen to this is because they feel like they're drowning. And I understand that sometimes the person who understands you the most is the one who's bled like you have. And I have. Still do. Many times in that sanctuary when I was playing, I was pouring out my heart because I didn't have the words for some of the things that Gracie and I were going through. Mike kept saying, just keep playing. Just keep playing. Just keep playing. The Spirit groans on our behalf. Scripture tells us to pray without ceasing. Just keep praying. Just keep praying. when we don't have the words. And that's why I'm grateful for music. I wish I had the caregiver keyboard here at this hotel while we're in this hospital visit, but I don't. So I have to make do. I look forward to being able to getting home and playing the piano some more. Just keep playing. It's a hard thing to read about that in the news. And this is the world we're in. And it's not going to get any better anytime soon. It doesn't look like. But we are not absolved from walking into that craziness and heartache with the confidence of the gospel. And that is what I am committed to doing. I've been writing a song when the shooting occurred. I've been writing a song that had it for about a month or two, but it wasn't finished. I finished it right after the shooting. In fact, I finished it within that evening because I was just so overwhelmed by watching this. And I had Gracie sing it. I titled the piece Covenant Lament. I really didn't know what else to call it. What else can you say? He's just lamenting. And I went to the words of Scripture that helped shape this. This is all Scripture. And I wanted to leave this with you all today. At the end of this program, some of you are groaning. Some of you are weeping. And I want you to know that there's one who weeps for us and groans for us. And we can trust him. Listen to Gracie sing as we take the show out today. And thank you for your time. I'm Peter Rosenberger. And I remember what my friend Mike told me. Keep playing. Just keep playing.

Auf Martins Wunsch hin sehen wir uns Peter Farellys „Green Book – eine wunderbare Freundschaft“ an. Dabei besprechen wir die naheliegenden Themen Rassismus und Homophobie. Neben diesen großen Themen zeigt der Film ein schönes Zeitkolorit der Südstaaten in den 60er Jahren, aber auch das Entstehen einer sehr ungewöhnlichen Männerfreundschaft. Tony Lipp und Don Shirley könnten wohl unterschiedlicher kaum sein, finden aber beide zueinander. Ob der Film die angesprochenen Probleme direkt und eindringlich oder eher (zu) leicht bekömmlich zeigt, müsst ihr für euch selbst entscheiden. "I went to films" erscheint mehrmals im Jahr mit einem neuen Audiokommentar zu einem Film.

Jenny Huang is a TWO-time “Top Piano Teacher” recognized by Steinway & Sons, a Steinway Teaching Artist, and a Yamaha Distinguished Guest Artist. She holds a Master & degree in Piano Performance from the Mannes School of Music at The New School, where she studied with Grammy-nominated pianist Eteri And japaridze. She received her Bachelors degree in Piano Performance from the Oberlin Conservatory of Music, where she studied with internationally acclaimed piano pedagogue Alvin Chow Jenny Huang is a trailblazing marketing executive, revolutionizing the advertising industry with creativity, inclusivity, and equity. She is recognized as one of the most promising leaders in advertising. Honored by Campaign US as Inspiring Women& and by Ad Age as Rising Star & (one of only seven globally), Jenny's unique blend of creativity and strategy has taken her from the concert stage to the boardroom, captivating consumers through storytelling and innovation.In 2023, Jenny became the first Director of B2B Brand Marketing for Gannett USA TODAY Network's national business, revitalizing the nation's leading media publisher, and driving steady growth in digital advertising revenue. Previously, she made her mark at BBDO and Omnicom Group as the first Cultural Lead for Omnicom Group's Asian Leaders Circle and developed award-winning campaigns earning her 10 Cannes Lions. Dedicated to advancing the industry and mentoring future leaders, Jenny has judged prestigious awards like the AAF American Advertising Awards, The Shorty Awards, and the ANA B2 Awards.Follow Jenny Huang: Jenny Huang Instagram https://www.instagram.com/thejennyhuang/ Jenny Huang LinkedIN https://www.linkedin.com/in/jennyhuangmusic/ Jenny Huang Website https://www.jennyhuangmusic.com/aboutFollow Dr. Judith:Instagram: https://instagram.com/drjudithjoseph TikTok: https://www.tiktok.com/@drjudithjoseph Facebook: https://www.facebook.com/drjudithjoseph Website: https://www.drjudithjoseph.com/Sign up for my newsletter here: https://www.drjudithjoseph.com/newsletter-sign-upDisclaimer: You may want to consider your individual mental health needs with a licensed medical professional. This page is not medical advice.

Extrait : « … Y a rien à faire, dès le départ, cette chanson m'a attrapé, pour ne plus me lâcher. Faut dire que Gros Naze, quand il était toup'ti, il a joué au piano, et pas sur un orgue Bontempi non, sur un vrai, avec des touches aux pieds pour les effets sonores qu'au début j'avais du mal à atteindre. Je m'en veux terriblement de ne pas avoir persévéré, aujourd'hui, p'tet que je serais le nouveau Rachmaninov, mais me fallait choisir entre les filles et le piano, forcément y a pas eu débat très longtemps. C'est fou le nombre de trucs que j'ai abandonnés pour les filles, le piano, le foot, le judo et le karaté, la gloire, les médailles olympiques, les salles combles, un Steinway & Sons pour moi tout seul. Mais bon, faut pas regretter, on se marre bien aussi avec les filles … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde.Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Some of the most famous pianists in the world, including Van Cliburn and Vladimir Horowitz, relied on Franz Mohr, chief concert technician at Steinway & Sons in New York, to ensure that their concert pianos were ready for performances. A master piano tuner, Mohr was sought-after for his intricate knowledge of pianos and great skill developed over decades. Mohr believed his skills were an avenue to serve God, and he regularly shared his faith with pianists and performance staff. When the nation of Israel was preparing to build the tent of meeting and other items necessary for worship (Exodus 31:7–11), they needed individuals with expert skills. God appointed two skilled artisans, Bezalel and Oholiab, to do the work and filled them with the “Spirit of God, with wisdom, with understanding, with knowledge and with all kinds of skills—to make artistic designs” (vv. 3–4). In addition to their specialized skills, God empowered them with His Spirit to guide their work. Their willingness to use their unique talents in service to God allowed the Israelites to appropriately worship Him. Whether or not we consider ourselves artistic, each of us has unique, God-given gifts that we can use to serve others (Romans 12:6). Empowered by the Spirit, we can serve and worship God through our work using the wisdom, understanding, and skills He’s given us.

Warum kein Steinway? Wie lang ist der Bremsweg? Und woraus ist der 6er oben? Echt jetzt!

Maurice Ravel was born 150 years ago, on March 7, 1875, and he is the subject of numerous tributes this season. Bertrand Chamayou recorded the complete piano works ten years ago for Erato ('No one who loves French music or exquisite piano-playing will want to miss this' wrote Patrick Rucker in Gramophone), a set that incidentally has just been released on LP. So, by way of a supplement, he has curated a programme that weaves a handful of Ravel transcriptions together with tributes and memorials by other composers. James Jolly went to visit Bertrand at his home in Paris this week to talk about the new album, but also to discuss Ravel's place in the pianist's repertoire.  This Gramophone Podcast is given in association with Wigmore Hall

“This video includes copyrighted material from [Paul McCartney and Wings]. The material is used for the purpose of commentary and criticism, which falls under the fair use doctrine of copyright law. No copyright infringement is intended. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS”This episode will fall somewhere between musical instruction and philosophic talk as I sit at my Steinway piano and begin to learn the Sir Paul McCartney song "Maybe I'm Amazed" as well as discover its possibilities for improvised variation - all in real time.More on this episode with your host, Mitch HamptonThis episode is one featuring your host in a solo stream. It promises to be a live demonstration of how I approach any piece of music for the first time - when I am learning it with an eye or ear towards possible future performances and integration into a repertoire. Although the song chose is a quite famous one from Paul McCartney - “Maybe I'm Amazed” - I will be also treating it as any jazz improviser who happens to be an instrumentalist would, putting the focus on it as a piece of music more than as poem or lyric. Many of the topics to be covered will only be announced in the stream but will encompass such matters as the diversity and specificity of musical styles and languages, the nature of any artistic practice itself - with its attendant matters of regular exercise and craft and the lifelong art of learning any new things. I hope the stream will be of interest to a wide variety of people.#beatles#sirpaulmccartney#wings#rock#pop#1970s#1970#lindamccartney#1960s#jazz#improvisation#musiclesson#education#style#musictheory#classicalmusic#lifelonglearning#humanities#arts#letters#instruction#piano#solopiano

Show Notes: Daniel Brotman shares his journey from undergrad to medical school. After finishing a year of research in Boston, he decided to work for a year before applying for medical school. He had already taken the MCATs and taught Stanley Kaplan during his year off. He also worked in the lab at Brigham and Women's Hospital. Music and Circadian Rhythm  Daniel talks about his love of music. He considered himself a better musician than singer, and he loved playing piano. He has a 1930 Steinway piano and plays piano karaoke for fun. He has been participating in a music group at Harvard and has heard about other Harvard alums joining similar groups. From music the conversation turns to circadian rhythms, which are rhythms that cycle through the body based on the action of the circadian pacemaker. Circadian rhythms are synchronized to the 24-hour day based on visual stimuli, such as light coming into the suprachiasmatic nucleus of the hypothalamus. Internal Medicine and Finding Work/Life Balance  Daniel was accepted to medical school after his year of research. He started at the University of Virginia and found it to be a beautiful, traditional place. He initially didn't want to do internal medicine but discovered his passion for it at the end of his third year. He married his first wife, Edith, while in medical school. Daniel graduated from medical school and went on to become a hospitalist at the Cleveland Clinic. He chose to practice inpatient medicine due to his love for it and the intense work required for his family. Hospital medicine was a new field at the time, and Daniel's career began there. Working as a Hospitalist Daniel explains that being a hospitalist means practicing in the hospital rather than having an outpatient practice. Patients often come in through the emergency room and need an inpatient doctor to help them through their acute illness. Daniel's role is also as a consultant to help surgeons care for their patients who have medical issues or help other disciplines help care for their patients who have medical issues. Hospital Medicine is defined by the site of practice being in the hospital, similar to an emergency room medicine doctor practicing in the emergency department. After leaving the Cleveland Clinic, Daniel returned to Hopkins, where he started the Hospitalist program.  He learned that humility is essential in healthcare, as taking care of patients alone doesn't make for a good team. He also learned that medicine quickly gets out of date, with many concepts still valid but some completely turned on their heads. Overall, his experiences and lessons learned over the years have helped him become a more effective and compassionate healthcare professional. The Goldilocks Phenomenon Daniel Brotman discusses the importance of humility in healthcare, particularly in the context of medical knowledge and practices changing. He gives the example of beta blockers and heart failure treatment. He explains that beta blockers can drive patients into congestive heart failure by reducing their heart pumping activity, which is crucial for patients with weak heart muscles. However, studies have shown that beta blockers can be beneficial for those with weaker heart muscles. Daniel discusses the Goldilocks phenomenon, where doctors should not just jump on the latest research from journals but also not gravitate towards every new strategy published in medical literature. This can lead to side effects or challenges with the effectiveness of new drugs. He suggests that doctors should not rely solely on society's guidelines, as they may not always be updated over time. Instead, they should look for guidelines synthesized by knowledgeable professionals who have considered all issues and come up with a synthesis that makes sense. He also discusses the importance of humility in healthcare, stating that it is essential to rely on the expertise of colleagues and the entire team rather than oneself. AI in Healthcare The conversation turns to AI in healthcare such as Bridge, which listens to doctor conversations and creates notes based on them. While Bridge is effective in some cases, it struggles to put things fully in context. For example, it might report that the patient denies edema, which is not what it intended to convey. Despite this, it can create a note without looking at anything. However, there are potential areas where AI can make errors, which doctors should be aware of.  And it cannot provide a diagnosis. Doctors should be cautious when using AI tools, as the consequences of not double-checking their work can be significant. AI is expected to be beneficial in making recommendations for treatment strategies, but it should not replace doctors' work.  Directing the Hospitalists Program at John Hopkins Daniel has been directing the Hospitalist program for almost 20 years. He has since become a full professor and has an endowed chair named after John Flynn, a mentor and resident. He enjoys helping junior hospitalists navigate their career paths, which can be diverse and include research, quality improvement, or patient care. He has a great team of doctors to work with and mentor. One of the biggest challenges of leading a group of 50 hospitalists is delegation. Brotman has worked on developing ways to trust junior leaders and structure supervision in a way that maintains quality control. He has also learned to provide feedback to junior leaders, as they are high-performing and smart. Another challenge in leadership is trying to harmonize the economics of their work with clinical outcomes or academic outcomes. Many doctors feel pressure to be productive, which can negatively impact patient care.  Influential Harvard Professors and Courses Daniel discusses his experiences at Harvard, including his involvement in research and coursework in circadian rhythms with professors, which he found to be a significant part of his junior and senior year. He also mentions his passion for science and his focus on mastering content to pass tests. His interests have expanded since then, and he still enjoys reading non-fiction books and entertaining activities. He also enjoys skiing, although he was not very good on the ski team in his freshman year. Timestamps: 00:02: Dan's Journey from Harvard to Medical School  03:36: Understanding Circadian Rhythms  06:00: Medical School and Early Career  08:40: Hospitalist Career and Lessons Learned 22:26: AI in Medicine and Leadership Challenges 32:43: Personal Reflections and Broader Interests  37:19: Final Thoughts and Contact Information  Links: John Hopkins website: https://www.hopkinsmedicine.org/som/ Email: brotman@jhmi.edu Featured Non-profit This episode's featured non-profit is Innovations for Poverty Action (IPA) recommended by Colin Teichholtz who reports: “Hi. I'm Colin Teichholtz, class of 1992 the featured nonprofit of this episode of The 92 report is Innovations for Poverty Action, or IPA. IPA discovers and advances what works to improve the lives of people living in poverty around the world. IPA has country offices throughout Africa, Asia, Latin America and the Caribbean. IPA is all about more evidence and less poverty. I've personally been a supporter of IPA for over a decade, and as of earlier this year, I'm honored to have the opportunity to serve as a member of the board. You can learn more about IPAs work at poverty, dash, action.org, and now here is Will Bachman with this week's episode.” To learn more about their work visit: https://poverty-action.org/

Steinway artist Dan Knight treats our ears to favorite love songs in exchange for love stories at this Talk of Iowa event.

Programa especial desde o Teatro Colón da Coruña no festival Coruña Comunica Ciencia. (0:16) Radioteatro "As aventuras de José Rodríguez e dous franceses" en directo coas voces de Avelino González, Caxoto, Manu Fernández e Estíbaliz Espinosa, o piano de Juanjo Fernández e o contexto de Xabier Pérez Couto. (44:48) Conversamos con David Ballesteros e Quantum Fracture (José Luis Crespo) sobre o festival. Coñecemos algúns dos premiados dos Prismas 2025: Antonio Martínez Ron e Virginia Luzón. (53:58) Unha espontánea sobe ao escenario e ponse ás teclas do marabilloso piano Steinway do Teatro Colón.

Last August Gramophone's James Jolly travelled to Montana in the USA, to sample the musical, artistic and architectural wonders of Tippet Rise, an arts centre created by Peter and Cathy Halstead on a 12,000 acre working ranch. As well as possesssing a wonderful concert hall, Tippet Rise also plays host to numerous large sculptures, some of which can also be used as performance spaces. And for a number of weekends each year musicians from all over the world come to perform at Tippet Rise.  In 2024, pianists Yevgeny Sudbin and Jean-Efflam Bavouzet were among the performers and James took the opportunity, made considerably easier by Tippet Rise's state-of-the-art recording facilities, to sit down with them to talk about pianos, recording, repertoire and the place in which they all found ourselves … The photograph was taken in The Olivier Music Barn, Tippet Rise's concert hall, in front of Mark di Suvero's painting Seminal (1978-82, acrylic on linen).

This week, Ira spoke with David Garfield, performing (with the David Garfield Quintet) at Maxan Jazz December 13-14. In this episode of “Talk About Las Vegas With Ira,” talks about starting early with music (with a Steinway grand piano in the house); how he got bitten by the rock and roll bug; why a trumpet solo in “Spinning Wheel” converted him to jazz; how jazz endures (improvisation makes it timeless); what keeps him laughing and smiling with his music; working with Smokey Robinson; how he looks at jazz today as opposed to 30 years ago; the difference in vibes between jazz and rock musicians; celebrating 50 years of playing music; his six “Outside The Box” CDs; and his future projects. (Also Watch Full Podcast Video)

The 1895 Horseless Carriage Contest sponsored by the Chicago Times-Herald (aka "first" auto-race in America) - a peek into the WHAT, WHY. WHEN. WHERE, WHO beyond the auto history lore of a Duryea victory on a cold and snowy, Thanksgiving Day in Chicago. David Schmidt is a Director at the Society of Automotive Historians (SAH) as well as Panel Chair for the SAH Bradley Award. He is also a member of the Porsche Club of America and Fuelfed, a private club for enthusiasts of European cars. Born in Detroit, his father and grandfather both worked for GM at Fisher Body. Being a product of a certain generation he experienced the muscle car era first hand cruising the famed Woodward Avenue in the late 1960's. David received a BA from Michigan State University, MA and PhD from Indiana University and after a career in financial services retired from TIAA. As an auto enthusiast, he can be seen driving about town in a 1967 Volvo Amazon or 1989 Porsche Carrera. The importance of this event is perhaps best captured that same year by Peter Studebaker of the eponymous wagon maker who, with prescience, commended the sponsoring newspaper “... for transferring the manufacture of the motocycle (a term applied to the horseless carriage after a naming contest) concentrating the inventive faculties of the nation on this [horseless carriage] new departure.” ===== (Oo---x---oO) ===== 00:00 Introduction and Sponsors 00:16 The 1895 Horseless Carriage Contest Overview 00:37 Presenter Background: David Schmidt 01:21 Significance of the 1895 Race 02:53 Race Day Preparations and Challenges 07:10 The Thanksgiving Day Race 08:44 Post-Race Analysis and Awards 10:07 Impact and Legacy of the 1895 Race 10:43 Why the 1895 Race Was Held 11:29 The Role of the Chicago Times Herald 14:56 Rescheduling and Final Preparations 16:08 The Birth of American Auto Racing 16:28 Why Chicago? 18:18 The Bicycle Craze and Its Influence 19:44 Chicago: The Transportation Hub 20:30 Unsung Heroes of the Horseless Carriage 21:18 The Tragic Tale of Hieronymus Muller 22:06 Charles B. King: A Prodigious Inventor 23:36 The Electrobat: An Electric Pioneer 24:56 The Battle of Electric vs. Gasoline 26:23 Steinway's Automotive Adventure 27:34 Conclusion and Acknowledgements ==================== The Motoring Podcast Network : Years of racing, wrenching and Motorsports experience brings together a top notch collection of knowledge, stories and information. #everyonehasastory #gtmbreakfix - motoringpodcast.net More Information: https://www.motoringpodcast.net/ Become a VIP at: https://www.patreon.com/ Online Magazine: https://www.gtmotorsports.org/ This episode is part of our HISTORY OF MOTORSPORTS SERIES and is sponsored in part by: The International Motor Racing Research Center (IMRRC), The Society of Automotive Historians (SAH), The Watkins Glen Area Chamber of Commerce, and the Argetsinger Family - and was recorded in front of a live studio audience.

The British pianist Charles Owen has made some fine recordings, securing a quartet of Gramophone Editor's Choice accolades for albums of Poulenc, Jonathan Dove, Liszt and, with the violinist Augustin Hadelich, a collection of Czech music. Now, for Avie, he turns his attention to the music of Robert Schumann from the 1830s, including Carnaval, Papillons, the Intermezzi Op 4 and the Abegg Variations. James Jolly caught up with Charles recently in London to talk about the album, how Schumann's fascination with the duality of his character infuses these early works, and also about the luxury of recording in a beautiful restored barn deep in The Cotswolds without having to worry about the strict timetable of a commercial recording studio.

Wie sehr Wolfgang Amadeus Mozart das Hammerklavier schätzte - er komponierte nämlich nicht für einen Steinway - erzählt unser heutiges ZOOM.

We join the table of Hannah Wright from the Inn Between Podcast to create Steinway and Mabel! Steinway is a tween boy, loyal bad guy minion in the Lich King's Army. Mabel is the skeletal balloonist of an advanced balloon airship! But these two have crash landed and desperate to find a fuel source in the nearby cave: a black pudding! Will you help these two get airborne? And note: I've included the raw transcript from Zencastr for this episode as well (will work to go back and retrieve and upload others as I'm able). Please note the transcripts are the UNEDITED version, not the final edit you are listening to. Podcast art by Chauncy Riley (https://www.behance.net/graphicsbychauncy), Graphics by Chauncy. Visit our website at https://sidekicksandsidequests.com (https://sidekicksandsidequests.com) Twitter Page (https://twitter.com/SideKQPodcast) Facebook Page (https://www.facebook.com/SideKQPodcast) Subreddit Page (https://www.reddit.com/r/SideKQPodcast) Instagram Page (https://www.instagram.com/sidekqpodcast) Discord Server (https://discord.gg/yraJJ6JHEd) Support the podcast AND use Zencastr at the same time by going to my referral link (https://zencastr.com/?via=sidekqpodcast) Special Guest: Hannah Wright.

Join the charismatic and quirky pianist John Valby as he brings his unique blend of humor and musical talent to the prestigious Steinway & Sons studio. Dressed in Disney attire and sipping on a Budweiser, John's presence alone stirs up the atmosphere. When he realizes he's left his keyboard behind, hosts Opie and Anthony, encourage him to use one of Steinway's finest pianos. What starts as a playful escapade quickly turns into a memorable performance as John, despite his disheveled appearance and the faint aroma of alcohol, delivers a beautifully wholesome tune. However, the fun takes an unexpected turn when John decides to play a song that shocks the Steinway staff, leading to an uproar and ultimately, their eviction from the premises. Watch as humor, music, and mischief collide in this unforgettable episode. Don't miss out on the laughter and the tunes!See omnystudio.com/listener for privacy information.

Breaking down the Trump incident on the golf course.  Also, had an amazing weekend with my oldest and dearest friends Buzzy and Stork, a great Opie and Anthony story about the time John Valby got kicked out of Steinway and Sons for playing his dirty songs, some football talk and more!   Join the Private Facebook here: https://www.facebook.com/groups/203909694525714 #opieandanthony #trump #funnypodcast #radiogold #comedySee omnystudio.com/listener for privacy information.

Alan talks with Roger Rosenblatt about his new book “A Steinway on the beach.” It explores that great mystery of how being wounded—emotionally or physically—is both an inescapable part of life and a chance to illuminate it. It's seeing the wound as the place where the light enters you.

The Watermelon wanking misfit morons never left, they just schlepped out to Steinway street & some weed shop where they are having an "art" show & antisemitic sticker making sessions where the defacto head watermelon wanker shmizzy abc nyc is providing the shit making supplies and proudly posting the Jew Hating art on her instagram tagging everyone including the cactus cunt who clearly can't google the definition of genocide and thinks the upside down red triangle is a nice touch to his terrorist tool propaganda. 324 days since Oct. 7th and they choose to NOT learn a damn thing. What they will learn is that Hamas Hates Them Too. Their Jew hate only makes our Jewish Pride stronger. Makes us louder. We've been here a helluva lot longer. And the facts still fuck up their feelings. Thanks for listening. And to those that had the courage and the humanity and the braincells to stand up to the Jewish Hatred thanks. we see the very very very few of you. Follow along @doodlehedz on tha gram.

The Richard Syrett Show, August 9th, 2024 Subscribe to Richard's newsletter, "Why I Fight" Scroll to bottom of page https://sauga960am.ca/programs/the-richard-syrett-show Port Coquitlam mayor calls on authorities to 'take action' against local imam who called for annihilation of Jews  https://www.westernstandard.news/news/watch-poco-mayor-calls-on-authorities-to-take-action-against-local-imam-who-called-for-annihilation-of-jews/56762 Brad West, Mayor of Port Coquitlam The Democrats Left Their Best Player on the Bench Because He is JEWISH https://publiusnationalpost.substack.com/p/the-democrats-left-their-best-player  Mel K, Host of The Mel K Show where she exposes the truth and explores our hidden history. https://themelkshow.com  on X @MelKShow THE LIMRIDDLER Power display with a throw and a swing. Sounding the tone of a taut Steinway string. Pummel and trounce So resisters renounce. Malleus helps make the ossicles sing Children's Vaccines Reconsidered https://publiusnationalpost.substack.com/p/unavoidably-unsafe-childhood-vaccines  Edward Geehr M.D. and Jeffrey Barke M.D. Authors of Unavoidably Unsafe: Childhood Vaccines Reconsidered https://unavoidablyunsafe.org Desperate Trudeau govt now seeks retired RCMP to confiscate guns from licensed owners https://www.westernstandard.news/opinion/bernardo-desperate-trudeau-govt-now-seeks-retired-rcmp-to-confiscate-guns-from-licensed-owners/56581 Tony Bernardo - Executive Director of the Canadian Shooting Sports Association https://cssa-cila.org THERE'S SOMETHING HAPPENING HERE! Can Tim Walz Survive the "Stolen Valor" Scandal? Greg Carrasco, Host of "The Greg Carrasco Show" Saturday Mornings 8-11 on Sauga 960 https://www.gregcarrasco.com The answer to today's Limriddle is HAMMER The first five to answer correctly were: 1. Richard Smart, Ancaster, Ontario 2. Duncan Ruxton, Thunder Bay, Ontario 3. Sue Somerville, Calgary, Alberta 4. John and Mary O'Brien, Burlington, Ontario 5. Rosalind Mitchell, Peterborough, Ontario Power display with a throw and a swing. The hammer throw involves swinging the hammer (which is really a steel ball on a wire) before throwing it for maximum distance. In the current Olympics, Canada has won gold in both the men's and women's hammer. Sounding the tone of a taut Steinway string. To sound the notes on a Steinway piano, you need to hit the key that causes the hammer in the piano to sound the desired note. Pummel and trounce So resisters renounce. To hammer another person means to hit them with force. Mallues helps makes the ossicles sing. The malleus of the ear is also known as the hammer. It causes the ossicles to sing through vibration. Learn more about your ad choices. Visit megaphone.fm/adchoices

I don't know about you, but this summer is going by very quickly. I know some of you may be going back to school this week or preparing to go back in a few weeks; here in New York, we still have a little summer left, as we don't start back until after Labor Day.But regardless, it's quick.At the beginning of the summer, I made a list of 5 things I wanted to work on outside of teaching. In this episode, I'll share what was on that list, how it's going so far, and what I'm spending time on this month.For show notes + a full transcript, click here.Resources Mentioned*Disclosure: I get commissions for purchases made through links in this post.Mendelssohn's Songs Without Words“Stella the Steinway's 100th Birthday” (Piano Magazine)Debussy's Deux ArabesquesBach's French Suite VI in E MajorDebussy: A Painter in Sound(Stephen Walsh)Ep. 064 - How I Plan a Year of Student Repertoire20 Books to Read in 2024 (2024 Book List)Movement That Fits: Dalcroze Eurhythmics and the Suzuki Method (Joy Yelin)Move It!: Expressive Movements with Classical Music for All Ages (John Feierabend)Piano Pantry Podcast, Ep. 104 - Streamline Your Group ClassesInspired Piano Teaching (Marvin Blickenstaff)The Piano Conference 2025If you enjoyed this episode, please leave a review in Apple Podcasts >>Find me on Instagram: @ashleydanyew

Terry Lowry is a prolific composer, conductor, Steinway artist, and host of the podcast Tone Poem. With over 200 compositions to his name, he has performed across North America and Europe and leads several ensembles, including the Carroll Symphony Orchestra. He co-founded Musical Overture, an online music platform, and is deeply involved in music therapy and education programs in his community. Learn more about Terry's work at musicaloverture.com.In this episode, Seth, Allyson, and Terry discuss:The analogy between conducting and teaching, focusing on how both roles involve knowing the material, empowering others, and facilitating a conducive environment for learning or performance.Terry's journey into music and conducting, starting with his childhood experiences performing with his father and leading an instrumental ensemble at a young age.The creation and impact of Musical Overture, a platform connecting musicians worldwide, and the development of Gig Room, a revolutionary tool for real-time online music collaboration.The groundbreaking e-concerts hosted using Gig Room, including performances with musicians from different continents and the story of a Syrian refugee who transformed her life through music.The future of music education and performance with projects like the Stars Align initiative, aiming to connect people globally through live virtual music experiences.Key takeaways:Conducting and teaching share similarities in preparation, communication, and fostering a collaborative environment.Musical Overture and Gig Room bridge geographical gaps, enabling musicians to collaborate and perform together in real time.Technology like Gig Room can enhance music education by providing opportunities for virtual rehearsals and performances, leading to greater confidence and preparedness among musicians.Innovative projects like Stars Align demonstrate the potential of virtual platforms to create large-scale, impactful musical events that unite people worldwide.Learn more:Visit Musical Overture to explore the platform and Gig Room.Watch the documentary “Hear Us” on Apple TV and Amazon Prime to learn about the world's first e-concert and its impact.Subscribe to the podcast to hear more inspiring stories from educators and industry professionals leveraging technology in virtual learning.About the hosts:Seth Fleischauer is dedicated to exploring the intersection of education and technology through insightful conversations with experts and practitioners in the field of live virtual learning.Allyson Mitchell is an enthusiastic co-host who brings energy and curiosity to discussions, highlighting the transformative power of innovative educational tools and methods.Tami Moehring is a seasoned educator and podcast host who excels in creating an inviting atmosphere for guests. Her warm introductions and keen interest in educational innovation make her a valued voice in discussions about the future of education.Host Links:1. Browse amazing virtual learning opportunities at Tami Moehring and Allyson Mitchell's CILC.org2. Seth Fleischauer's  Banyan Global Learning helps schools leverage technology for teacher and student wellness including AI literacy PD for teachers and, for students, live virtual learning experiences in Character Education: banyangloballearning.comSubscribe to Why Distance Learning for more engaging interviews and insights into the evolving landscape of virtual education. Available on all major podcast platforms. Visit Be Podcast Network to learn more about the network and discover other educational podcasts.

In this episode of Music to Compose You, I am thrilled to have renowned piano technician and tuner Marc Wienert on the broadcast.It's not everyday that a novel is written about a piano tuner. And yet, a book about a piano obsession turned into a NYT bestseller and it features our guest, Marc Wienert.The reason is that piano tuning is much more than the sum of its parts. Marc Wienert brings a holistic mind, spirit and aesthetic approach to his craft. His musings about the world of piano and beyond will open up portals of discovery.In today's episode, Part 1 of 2, we talk about:- How Marc pivoted from composing music to a life where the piano became center stage.- His approach tuning pianos to pitches outside the norm and the effects in body, mind and spirit.-Why "Pythagorus set the goal posts" and how Marc applies ancient wisdom to his craft.-Marc shares 2 experiences that were transformational to his getting to the highest level of his mastery.-Why the 'good stuff' really doesn't happen until you reach a high point of excellence (98-99.8%) in tuning and beyond...-Alignments, attitude, architypes-What is with the Steinway sound?-Why vibration is the 'brick and mortar' of the universe...And so much more!Don't miss today's foray into an extraordinary mind and meeting with the incredible Marc Wienert.LINKS MENTIONEDJoin the Patreon book club and moreVisit the WEBSITESweet Sleep Free MP3 DownloadHeaven's Melody Ancient Frequency Wellness TracksFREE Piano Tutorials: Golden Tone Technique Follow on YouTube, Instagram, Facebook, Spotify

Send us a Text Message.Today's episode is an interview with Elizabeth Grace. Her's is a story of incredible strength and resolve in discovering how to play the piano with ease and without pain through the Taubman Approach. Her harrowing journey in the Taubman work, through the support and encouragement from her family and husband, was accompanied with superior focus and determination to learn all that she could. The end result is stunning. She is a master teacher and is performing at the highest level. Don't miss a second of this interview. www.bethgrace.com Elizabeth Mueller Grace, NCTM, enjoys a multi-faceted career as performer, teacher, clinician and adjudicator. An award-winning pianist, her performances have been praised for their “depth of sound, intelligent interpretation and fluid technique.” (Omaha World Herald)A frequent collaborator, Ms. Grace is a member of the Capriole Duo with Barbara Leibundguth, former co-principal flutist in the Minnesota Orchestra. The acclaimed ensemble has performed extensively together throughout the United States since 1984. The Duo was chosen to perform at the National Flute Conference in Chicago, toured under the auspices of the Midwest Arts Council and was featured on the Ruel Joyce Series in Kansas City. Ms. Grace has appeared with the Ives Quartet on the Chamber Music Tulsa Series, and has performed in ensembles nationwide, including at the University of Texas, University of Denver, Drake University and the Lawrence Conservatory of Music. Ms. Ms. Grace regularly concertizes with Dr. Janet Fetterman in duo-piano and four-hand collaborations. The duo was featured as the Conference Artists for the Missouri Federation State Convention.Ms. Grace was selected as a 2021 Steinway and Sons Top Teacher and was the winner of the 2014 Kansas Outstanding Teacher of the Year. A dedicated and enthusiastic teacher, she has taught at Rice University, Houston, Texas and Creighton University in Omaha, Nebraska. Her students frequently win top prizes in competitions and festivals.Ms. Grace is certified at the Master Level of the Taubman Approach through the Golandsky Institute, New York City, and has been involved with the Taubman Approach since 1986.  She regularly coaches with Edna Golandsky and John Bloomfield, New York City. She has extensive experience teaching the principles of injury prevention and recovery. Her work with injured musicians is described in Preventing and Resolving Piano Injury and is featured onMajoringinMusic.com and MTNA.org.The recipient of numerous prizes and awards, Ms. Grace served as Keyboardist in the Houston Symphony, Topeka Symphony and as PrincipaThis Summer, Edna Golandsky, renowned pedagogue and leading expert on the Taubman Approach will release her first book with Amplify Publishing Group. Entitled ‘The Taubman Approach To Piano Technique: A Comprehensive Guide To Overcome Physical Limitations and Unlock Your Full Pianistic Potential.' Visit: www.ednagolandsky.com to learn more.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

durée : 01:05:00 - Les Nuits de France Culture - par : Albane Penaranda - Le chanteur québécois Robert Charlebois a derrière lui plus de cinquante années d'une riche carrière. En 2012, il s'accompagne au piano, le Steinway du studio 119 de Radio France, invité par Hélène Hazéra. "Placotage", tutoiement, chaleur et bonne humeur de rigueur… - invités : Robert Charlebois Musicien et acteur

I'm Josh Cooperman and this is another installment of the CXD Icon Registry. A gentleman and creative legend, Dakota Jackson is the June 2024 Icon Register inductee. Jackson was my guest on episode 241. That episode aired back in October of 2019. While much of the actual recording of conversations tends to blur, this session remains crystal clear in my mind. Dakota and I met in person at a gallery on La Cienega Blvd in West Hollywood.  What I remember most vividly is the manner in which the conversation took place. I have long held a fascination with artistically designed furniture and I recall this sense of wonder as Jackson shared his upbringing in a family of magicians. How this background in magic and performance shaped his ideas about furniture and how that same sense of showmanship could be applied. We spoke about the desk commissioned by Yoko for John Lennon. This idea that a piece of furniture could be commissioned upon which love letters and music were written, but that it also possessed a secret known only to the designer and recipient. That type of connection far exceeds the typical design relationship. Therein lies another remarkable lesson about how design talent can elicit the same type of trust that a magician can. Suspending logic in order to truly believe the performance taking place in front of you. That same type of magic is what great designers do. Their clients suspend logic in order to believe the story the design is telling. That type of trust does not come easily. And not every piece must contain secret compartments, the work is beautiful, elegant and of superior workmanship. This is also evident in the pianos he has crafted for Steinway & Sons. Instruments, to me are similar to the tools used by magicians. The ability to pull sound from an instrument is a gift, as is creating art through furniture. Enjoy this re-airing of my conversation with designer and creator of furniture, Dakota Jackson. Thank you, Dakota for making this world a more magical place than you found it. Congratulations on your addition to the Convo By Design Icon Registry. Thank you for listening and subscribing to the show. Thank you to my partner sponsors Design Hardware, ThermaSol, TimberTech and Pacific Sales. these are amazing partners all, they support the trade and I love sharing these amazing resources with you. Thanks again for listening, until next week, be well and take today first. - CXD

The Sound Chaser Progressive Rock Podcast is on the air. The show this time I am calling The Compilation Compilation. That is right, every piece of music on this show is selected from a compilation album. These would be such things as music label samplers, festival concert recordings, multi-artist tributes to bands, and charity-benefit cds. We will sort through compilations of the vinyl and cd eras, identify some of the types of compilation albums, and find a few obscure objets d'art along the way. It's an enjoyable journey through some surprising discoveries on Sound Chaser. Playlist1. BLAMMO - You Never Should Have Sold Your Mellotron, from Best of Baltimore's Buried Bands IICOMPILATIONS: THE EARLY YEARS2. Hatfield and the North - Your Majesty Is Like a Cream Donut, incorporating Oh What a Lovely Lifetime, from V3. Global Village Trucking Company - You're a Floozy Madame Karma (But I Love Your Lowdown Ways), from Greasy Truckers Live at Dingwalls Dancehall4. Jane - I Need You, from That's BrainEND COMPILATIONS: THE EARLY YEARS5. Peter Howell - The Leisure Hive, from Earthshock6. Steve Roach - The Disintegration of the Persistence of Memory, from Dali: The Endless Enigma7. William Goldstein - Whale Two, from AtmospheresRECORD LABEL SAMPLERS8. Lana Lane - Tears of Babylon, from Think Tank Media Sampler Vol. 49. Alkemy - Inner Pulse, from Unicorn Digital: Progression In Balance Vol. 210. Star One - High Moon, from When Worlds Collide: Inside Out Music Sampler - Vol. 2END RECORD LABEL SAMPLERSTHE SYMPHONIC ZONE11. Berry, Phillips, LaBrie, Sherinian, Bonilla - Tarkus, from Encores, Legends & Paradox12. That Joe Payne - What Is the World Coming To, from Prog 121: 55.89.144.23313. Solution Science Systems - Tomorrow's Dreams Today, from Ghost NotesRECORD LABEL SAMPLERS 214. Myros - Dwalyn, from Molecule [Kaliphonia label]15. Patrick Broguière - Ouverture de Brocéliande, from Le Meilleur du Progressif Instrumental [Musea label]16. Kyrie Eleison - The Fountain Beyond the Sunrise, from Back to Life: Mio 2004 SamplerEND RECORD LABEL SAMPLERS 2LIVE PROGRESSIVE ROCK FESTIVALS17. Quidam - Pöne (Burning Inside), from Proglive '97 Corbigny18. Arena - Medusa, from Progfest '9719. The Flower Kings - The Flower King / Stardust We Are, from Progday '98END PROGRESSIVE ROCK FESTIVALSLEAVING THE SYMPHONIC ZONETRIBUTES20. Howe, Colaiuta, Eckhardt, Forman, Richman, Goodman - Dance of Maya, from Visions of an Inner Mounting Apocalypse21. James Combs - See Emily Play, from A Fair Forgery of Pink Floyd22. Brand X (West) - Red, from Schizoid Dimension: A Tribute to King CrimsonEND TRIBUTES23. Revolver - Frank Zappa In Memorium, from Polish Art-Rock Vol. 124. Mark Robertson - Liszt: Sonnetto 104 del Petrarca, from Steinway to Heaven25. Tesseract - On the Edge of an Eclipse, from Bay Prog26. Roy Vogt - Labyrinth, from Shroom Records Sampler27. Sotos - Maelstrom Pt. 3, from Cuneiform Progressive II28. Blissful Behemoth - Still as Young as I'm Old, from A Reflection29. Andy Neve - Speak to Me, from Harmony for Elephants

Two years ago, a Portland Jewish family’s home was destroyed in an arson. As they got rid of all their burned belongings, the one thing they couldn’t bear to do was toss out with the rest of the burned remains a 100 year-old Steinway grand piano that had belonged to “Grandma Bess.” Much of it was intact, though not restorable. They reached out to musicians and artists and ultimately found their way to Jennifer Wright. She’s a classical pianist by training, a composer and a sound artist who works with found instruments and other objects.   The family, who wants to keep their identity private, worked with Wright over the next two  years on turning the grand piano into a mixed media exhibit, including a newly formed glass piano and textile art made with the burned strings. In a statement that is included in the exhibit, the family wrote: “Seeing the piano transformed from a burned and destroyed object into the foundations of new instruments, furniture, art, beauty, and community awareness is a balm for the wounds of waste and loss. … Finding connectedness is an antidote to hate.” We visit the Oregon Jewish Museum and Center for Holocaust Education to talk with Jennifer Wright and OJMCHE director Rebekha Sobel.  

I had always assumed that piano keyboards were standardized and unchangeable. That it was our job as musicians to adapt to the instrument, rather than making it adapt to us. I'm delighted to find that I was mistaken!  Pianist, vocalist, composer, singer-songwriter, actor, and entrepreneur, Hannah Reimann began her career as a concert pianist with a pedagogical lineage that traces back through generations to Beethoven via her teachers, German Diez, Arminda Canteros, Kenneth Cooper etc. and a touring history with violist Paul Coletti with whom she performed together with internationally in the 1990s and early 2000s. She is currently completing both a solo piano album of new music and a pop EP of original songs. Her show, Both Sides Now, The Music of Joni Mitchell, has been heard in four states for the past 12 years. She has led a multi-genre life since she was a teen, singing in bands, playing Beethoven Sonatas and Mozart Concertos, and competing in a piano competition. In 1997, Hannah independently rebuilt her Steinway piano to better accommodate her hand size. Her success with the instrument has made her the face of the stretto piano as a producer of concerts. Ms. Reimann was featured on the front page of the Wall Street Journal as a “musician on a mission to make the world safe for small pianists.” For more than 30 years, her goal has been to influence piano manufacturers worldwide to offer narrow-key pianos (which we now generically call “stretto”) and to produce concerts with them everywhere. She created the nonprofit Stretto Piano Events in 2024 after founding the festival and concert series in 2021.   Read more at the website, instagram, Facebook, or see the concert schedule online. You can donate to Hannah's initiative HERE.    Thanks for joining me on Crushing Classical!  Theme music and audio editing by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams.  You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!    

Hunter Noack tows a Steinway grand piano across the West, performing his music in front of breathtaking scenic backdrops like Mount Shasta and Applegate Lake.

Get ready for an exhilarating conversation with Kristhyan Benitez, a Grammy-winning concert pianist and esteemed Steinway Artist known for his mastery of Latin American music, for our upcoming episode!In our discussion, we delved into Kristhyan's impressive career accomplishments, exploring his numerous stellar awards and recognitions, and examining how his diverse identity shapes his creative journey.In this revealing interview, we'll touch upon✅ Kristhyan's critically acclaimed third studio album, "Latin American Classics," which clinched the Latin Grammy for "Best Classical Album" in 2021.✅ His Passion for Piano Exploration through Improvisation: insights into his creative process when approaching improvisation in both studio and live settings.✅ Collaborations with Renowned Figures, Spanning from Legendary Conductors to Latin American Music Icons.✅ The Influence of Identity Complexity on Artistic Expression and Career Trajectory.✅ His exciting venture with his alter-ego, "Benitez," experimenting with electro-acoustic music.And much more!

Stormin' Norman Seldin's musical odyssey is a testament to the transformative power of passion and perseverance. From humble beginnings in bars and juke joints to commanding stages at Madison Square Garden and even gracing the halls of the White House, Seldin's trajectory is nothing short of remarkable.At the heart of his artistry lies a fusion of American Roots music and classical finesse, nurtured since childhood with early piano lessons at Manhattan School. Credited as a pioneer of the legendary Sound of Asbury Park, Seldin's innovative blend of Rhythm and Blues, Rock, Pop, Doo-Wop, and Jazz defined an era and birthed a musical movement along the Jersey Shore in the '60s.Today, Seldin stands tall as one of Steinway's esteemed Artists in Residence, a testament to his unparalleled skill and dedication. With his official biography, "You Don't Know Me," penned by historian Charlie Horner, offering insights into his extraordinary journey, and an upcoming album promising fresh musical delights, Stormin' Norman continues to enchant audiences and inspire generations with his timeless artistry. Stormin Norman Seldin is truly Someone You Should Know. Tip Jar:Click here to buy the Rik Anthony a cold one.Show Links:Click here to go to Norman's WebsiteClick here to go to Norman's FacebookClick here to purchase Norman's BookNorman's Email is normanseldin@aol.comTo purchase a vinyl copy of A Timeless Memory call 732-245-4777All music used by permission from the artistSomeone You Should Know 2024 // CatGotYourTongueStudios 2024How to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.

Jazz pianist and Steinway Artist Jason Moran, live from Big Ears Festival, talks hip hop, the next generation, the algorithm, Monk & Duke, visual art, and creative approach.

Episode SummaryIn this conversation with filmmaker and self-described Renaissance Man Stewart Schulman, we discuss his multifaceted career and his collaborations with John Bayless, highlighting projects like One Hand One Heart and the award-winning feature documentary Left Alone Rhapsody: The Musical Memoir of Pianist John Bayless. Schulman shares  Bayless' life from childhood illness and genius piano playing at age four to Julliard as Leonard Bernstein's protege; from his Baptist upbringing to conversion to Judaism; and from playing the piano around the world as a Steinway then Yamaha artist with two hands to his re-invented life post-stroke re-learning to play the piano with his non-dominant left hand.  Stewart's stories about his life and the filmmaking process are delightfully accented by John's music and one-man show, One Hand One Heart.  I hope this episode (and John Bayless episode!) inspires you to see the fabulous film, Left Alone Rhapsody.About Stewart SchulmanI love stories. Watching them.  Telling them. They're journeys that open our minds—our hearts—and show us new ways of thinking.  I aim for my work to be entertaining and socially relevant—challenging perceptions and inspiring ‘change'.  It's how we grow.  People I work with have called me a “Renaissance Man”—because I've explored many different creative mediums to broaden my skills as a writer, director and producer. They also tell me I bring an even-keeled temperament to the table, keep my work environments professional and enjoyable, and get the job done right.    Contact me with questions.  I look forward to working with you in the future.  https://www.stewartschulman.com/Act Two MediaWorksFrom This EpisodeLeft Alone Rhapsody: The Musical Memoir of Pianist John BaylessWatch the trailer for Left Alone Rhapsody.Watch at Reel Abilities Film Festival in New York City on April 4th, with a live performance by John Bayless on April 8th Free Tickets HereWatch at the Sarasota Film Festival on April 10th Tickets HereWatch at the Jewish Film Festival of Pittsburgh on May 2nd, with a live performance by John Bayless Tickets HereWatch the Long Island Premiere on May 9th at the Jeanne Rimsky Theater , with a live performance by John BaylessJohn Bayless – One Hand One Heart: My Life & My Music This new ‘one-man-one-hand only' play—with music by Gershwin, Bernstein, Puccini, Mancini, Rachmaninoff, Rodgers, Legrand and the world-renowned concert pianist, John Bayless, himself—takes audiences on the journey of John's remarkable life. John talks openly about his highs and lows, and his determination to create a second act for himself as an artist.The play begins with a 4-year-old John becoming a musical prodigy in his hometown of Borger, Texas, which sets him on a life-long adventure and a 30-year career as a concert pianist, which is suddenly halted by a debilitating stroke. John shares the "hell" he faced, post-stroke, trying desperately to journey back to life  to be an artist in a new way. His spiritual awakening led him to his unbelievable comeback, concertizing with his left hand all alone!  This inspiring one-man show evokes laughter and tears, showcasing John's astonishing musicianship, as he shares his amazing life-story.Music featured in the episode:That's It! composed by John Bayless  with Robert Freedman, featured in One Hand One HeartWinter Tableau  composed by John Bayless, used in collaboration with choreographer Heidi LatskyRhapsody in Blue by George Gershwin, reimagined for one hand by John BaylessHeidi Latsky Dance Find and Follow Carole and Wisdom Shared:https://www.caroleblueweiss.com/Subscribe to my YouTube channelFollow me and send me a message on FacebookFollow me and send me a message on LinkedInFollow me on InstagramFollow me on TikTokFollow me on ThreadsThe Wisdom Shared TeamAudio Engineering by Steve Heatherington of Good Podcasting WorksCo-Producer and Marketing Coordinator: Kayla NelsonProduction Assistant: Becki Leigh

Dr. Elaine Harriss, a professor in the University of Tennessee at Martin Department of Music and recent inductee into the Steinway & Sons Teachers Hall of Fame, has been teaching piano for more than 50 years. She began teaching music as an undergraduate student in Nashville and continued in Monroe, Louisiana where she taught in an all-Black school during the early days of integration. In this episode, she shares inspiring stories from her award-winning career along with tips for parents who want to discover ways they can incorporate music into the lives of their children. This episode is sponsored by the Reelfoot National Wildlife Refuge.

Episode SummaryMy special guest for this episode is pianist John Bayless, whose story is featured in the incredible documentary Left Alone Rhapsody: The Musical Memoir of Pianist John Bayless. In our conversation, John reflects on life before and after his stroke.  Post-stroke, John's resilience shines through as he embarks on a remarkable path of self-recovery and discovery. Teaching himself to play with just his left hand, he defied the odds and embraced a new chapter. John's story and music  make this episode a must-listen, just as the documentary is a must-watch.About John BaylessJohn Bayless is an internationally renowned concert pianist, composer, improviser, and prolific recording artist.  A protégé of Leonard Bernstein and a Yamaha artist, John is a crossover artist known for how he blends classical training and piano technique with popular music in imaginative improvisations. Despite a debilitating stroke halting his illustrious 30-year career, John refused to surrender. Instead, he embarked on a second act, teaching himself to play with just his left hand. This story is brilliantly shared in Stewart Schulman's documentary Left Alone Rhapsody: The Musical Memoir of Pianist John Bayless. From This EpisodeLeft Alone Rhapsody: The Musical Memoir of Pianist John BaylessWatch the trailer for Left Alone Rhapsody.Watch at Reel Abilities Film Festival in New York City on April 4th, with a live performance by John Bayless on April 8th Free Tickets HereWatch at the Sarasota Film Festival on April 10th Tickets HereWatch at the Jewish Film Festival of Pittsburgh on May 2nd, with a live performance by John Bayless Tickets HereWatch the Long Island Premiere on May 9th at the Jeanne Rimsky Theater , with a live performance by John BaylessThe John Bayless Fund for Brain ResearchYamaha's DisklavierMusic featured in the episode:Circle of Life, from the album "Circle of Life: The Music of Elton John in the Style of Bach"Goodbye Yellow Brick Road,  from the album "Circle of Life: The Music of Elton John in the Style of Bach"  Find and Follow Carole and Wisdom Shared:https://www.caroleblueweiss.com/Subscribe to my YouTube channelFollow me and send me a message on FacebookFollow me and send me a message on LinkedInFollow me on InstagramFollow me on TikTokFollow me on ThreadsThe Wisdom Shared TeamAudio Engineering by Steve Heatherington of Good Podcasting WorksProduction Assistant and Marketing Coordinator: Kayla NelsonProduction Assistant: Becki Leigh

Classical music is pervasive and ubiquitous and yet for many people, it is difficult to connect with. We met one classical pianist who makes it her mission to connect with audiences and bring her joy of classical music to the masses. She is the extraordinary Jeeyoon Kim. a multi-hyphenate musician-author-blogger-podcaster-educator-and-performer. Our Athletes and the Arts founder Randy Dick caught up with Jeeyoon recently and he's here with her on our show today.For more on Jeeyoon, go to https://www.jeeyoonkim.comInstagram @jeeyoonkimpianistX: @jeeyoon_pianistFor Athletes and the Arts, go to www.athletesandthearts.comBio: Award-winning classical pianist Jeeyoon Kim has delighted audiences across the United States and the world with her combination of sensitive artistry, ‘consummate musicianship, impeccable technique, and engaging and innovative concert experiences.' (New York Classical Review)​From the start of her career, beginning with her celebrated 2016 debut album, 10 More Minutes, Jeeyoon has thrilled classical music fans with her artful performances. Through her unique performance presentations, Jeeyoon has connected with concert attendees decidedly younger than the average by engaging in musical conversations from the stage. Her second album and concert project, Over. Above. Beyond., further stretched the mold for classical piano performances by collaborating with New York-based artist Moonsub Shin. Jeeyoon's collaboration with the artist delivered a multimedia experience that was also captured in an award-winning music video. Kim's following project titled, 시음/si-úm/, began during her 2020 residency at the Banff Centre for Arts and Creativity for their 'Concert in the 21st Century' program. This concert project incorporates poetry and black and white photography. Jeeyoon's dedication to pushing the boundaries of traditional classical music to connect with a new audience has inspired a dedicated and passionate fanbase that defies conventional wisdom.Jeeyoon began studying the piano when she was just four years old, and her love of music propelled her through her undergraduate studies in piano performance in her native Korea. After moving to the United States, she received her Master of Music and Doctor of Musical Arts in Piano Performance with Distinction from Indiana University's renowned Jacobs School of Music.In pursuit of a deeper understanding of music education, she earned a second master's degree in piano pedagogy from Butler University, where she concurrently served as a faculty member. As a testament to Jeeyoon's abilities as an educator, she was recognized with the 'Top Music Teacher Award' from Steinway & Sons for three consecutive years, from 2016 to 2018.Jeeyoon is an author, educator, public speaker, podcaster, and award-winning performer. In 2021, she published her first book, Whenever You're Ready, offering readers a personal glimpse into her life. This self-help book in a concert-style structure shares wisdom and insights gained from Jeeyoon's musical experiences. After a successful reception throughout North America and Europe, the book was published in South Korea in 2022. The book, translated into Korean by the author herself, has made it to the top 3 best sellers in South Korea in the self-help category. Jeeyoon Kim currently resides in San Diego. Between a busy concert touring schedule, she happily practices her piano daily, maintains a studio full of dedicated piano students, and surfs each morning at sunrise.

Get more LVwithLOVE Thank you to our Partners! WDIY Wind Creek Event Center Michael Bernadyn of RE/MAX Real Estate  Molly’s Irish Grille & Sports Pub Banko Beverage Company VIDEO VERSION: https://youtu.be/tIa75jAJYzc Today we’re talking with Bethlehem Bach Choir Conductor and Artistic Director, Dr. Christopher Jackson, ahead of the February 18th Greg Funfgeld Family Concert: Dancing with Bach! performance at the Zoellner Art Center. Greg Funfgeld Family Concert: Dancing with Bach! | Sunday, February 18th at 3 PM – Zoellner Arts Center, Lehigh University “The Greg Funfgeld Family Concert is a wonderful way for young people to learn about classical music, dance, and singing in a warm and welcoming atmosphere! Under the direction of Christopher Jackson, The Bach Choir and Bach Festival Orchestra partner with the dance departments of The Lehigh Valley Charter High School for Arts and Muhlenberg College to bring you an invigorating fusion of music and dance, featuring Brahm's Liebeslieder Waltzes and Bach's First Orchestral Suite. In addition to our dance collaborators, we also welcome two very special guests to the stage: Greg Funfgeld, Artistic Director & Conductor Emeritus, and Steinway artist, Eugene Albulescu on piano four hands.” – https://bach.org/familyconcert GUESTS Dr. Christopher Jackson :  Conductor and Artistic Director, Bach Choir of Bethlehem LINKS Greg Funfgeld Family Concert: Dancing with Bach! Sunday, February 18th at 3 PM – Zoellner Arts Center, Lehigh University https://bach.org/familyconcert/

This week Joanna and Stephen are joined by a very special guest, Stephen's personal piano tuner, David Widdicombe. From concert grands, upright 'domestics' and honkytonks, David has tuned them all. Having worked with the world's most prestigious piano makers, Steinway, for 3 decades David tells us about his life working alongside the world's most gifted players, how fractions of millimetres make all the difference and how to get the perfect 'temperament' from your own “Joanna”.