Podcasts about piano music

Contemporary Piano Music Ep194 - Modern - New Age - Neoclassical Piano mix 2026https://www.youtube.com/@NewAgePianoMusicmixes0:00:00 - Abandoned Toys – Lorelei's Chamber of Verdure and Blossom0:03:10 - Karen Marie Garrett – The Piano Called0:06:21 - Luigi Rubino – Voice In The Eyes0:10:18 - Michael Logozar – Through the Fog0:15:01 - Dmitry Evgrafov – While the Glacier Was Melting0:18:19 - Keiko Matsui – Ever After0:23:55 - Ludovico Einaudi – UNO0:27:37 - Joe Bongiorno – Never Forgotten0:31:30 - Joep Beving – Zoetrope0:35:18 - Ola Gjeilo – January0:37:42 - Michael Nyman – The Promise0:41:52 - Rick Wakeman – The Grey Havens0:45:52 - Moon Ate the Dark – Bellés Jar0:50:24 - Brian Crain – Rain0:54:51 - Gary Girouard – August

Contemporary Piano Music Ep193 - Modern - New Age - Neoclassical Piano mix 2026 - Newagehttps://www.youtube.com/@NewAgePianoMusicmixes0:00:00 - Abandoned Toys – As Anastasia Shimmered Unearthly0:03:03 - Renara Akhoundova – Life0:12:41 - µ­²´ÊÕ²Ø – In The Grey Of The Sky0:15:46 - Sophie Hutchings – Sunlight Zone0:20:29 - Eiko Yamashita – Fantasia0:27:07 - David Lanz – Return to the Heart0:30:22 - Brian Crain – Snow0:34:04 - Bing & Ruth – And Then It Rained0:38:50 - Arc Of Doves – Outro0:46:08 - Yuhki Kuramoto – Lonely Passing Through The Flower Valley0:51:50 - aeterna nox & gothic nox – the walk at the underground kingdom

If you're someone who sleeps better with calming sounds in the background, you'll love this episode from the Sleep Sounds Meditation for Women podcast. With soothing music, nature sounds, and gentle rhythms, it's designed to help you drift off naturally—so if it helps, be sure to follow it. https://podcasts.apple.com/us/podcast/sleep-sounds-meditation-for-women/id1561823609 Learn more about your ad choices. Visit megaphone.fm/adchoices

Contemporary Piano Music Ep192 - Modern - New Age - Neoclassical Piano mix 2026https://www.youtube.com/@NewAgePianoMusicmixes0:00:00 - Abandoned Toys – Where Tides Defy the Moon0:05:37 - Niklas Paschburg – Oceanic0:09:18 - Balmorhea – Baleen Morning0:12:39 - Dominique German – Alone with Him0:15:42 - Philip Wesley – The Unknown0:20:43 - Fryderyk Chopin – Nocturne No.20 - Op.P1 No.16 - in C#m (BI 49)0:24:36 - Dmitry Evgrafov – Shapes of Dying Stars0:27:43 - Hideyuki Hashimoto – With Blue0:31:00 - Naoyuki Onda – Temple In The Twilight0:34:54 - Josh Kramer – No Longer Your Home0:40:01 - Renara Akhoundova – Jerusalem0:48:45 - Alex Kozobolis – But The Clouds Were Indifferent To His Tears0:51:47 - Danny Wright – As the Years Pass0:55:34 - Ola Gjeilo – Aeon

Aunque el repertorio de Rodolfo Ritter abarca a muchos compositores, se ha especializado en la música para piano de Ponce. Charlamos con él en este podcast acerca de su nueva grabación con el primer volumen de las obras para piano de Ponce. 

Contemporary Piano Music Ep191 - Modern - New Age - Neoclassical Piano mix 2026https://www.youtube.com/@NewAgePianoMusicmixes0:00:00 - Abandoned Toys – A Soft Shadowed Innocence0:04:19 - Michael Nyman – Nyman: The Piano - The Heart Asks Pleasure First0:05:49 - craig armstrong – childhood 20:07:30 - Amy Lauren – August0:12:24 - Clem Leek – Trying Too Hard0:14:53 - Mathias Grassow & Bruno Sanfilippo – Piano & Drones 10:24:48 - Daniel Robbins – Prison Stars0:29:32 - Hiroshi Yoshimura, Satsuki Shibano – Afternoon Walk0:34:30 - Dustin O'Halloran – Opus 200:41:37 - µ­²´ÊÕ²Ø – A Tale From The Past0:43:50 - Stephen Peppos – The Essence Of0:49:40 - Moon Ate the Dark – Sleepwalk

Contemporary Piano Music Ep190 - Modern - New Age - Neoclassical Piano mix 2026https://www.youtube.com/@NewAgePianoMusicmixes0:00:00 - Abandoned Toys – Said the Sun to the Moonblind Shadows0:03:58 - Josh Kramer – Finding You0:06:22 - Mathias Grassow & Bruno Sanfilippo – Piano & Drones 30:14:50 - craig armstrong – satine's theme0:19:40 - Vangelis – To a Friend0:24:57 - Sophie Kazandjian – Lights Appear0:27:12 - Stephen Peppos – Silhouette0:30:56 - Dominique German – In Your Presence0:36:46 - Erik Satie – Gymnopédie No.30:39:16 - Eiko Yamashita – Eternal Dream0:44:26 - Carlos Cipa/Sophia Jani – Anouk's Dream

Drift into profound rest with Piano & Thunder for the Perfect Deep Sleep, a deeply calming soundscape blending ambient piano music, a soothing thunderstorm ambience, and powerful 1 Hz delta wave binaural beats. Soft, slow piano melodies create a warm and peaceful emotional atmosphere, while steady rainfall and distant rolling thunder provide a comforting natural rhythm that quiets the mind and masks distractions. Beneath it all, 1 Hz delta waves gently guide the brain into the deepest stages of restorative sleep, supporting full-body relaxation, recovery, and uninterrupted rest throughout the night. -- ✨ ⁠Support the show with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Premium (Ad-Free)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Contemporary Piano Music Ep189 - Modern - NewAge - Solo Piano mixhttps://www.youtube.com/@NewAgePianoMusicmixes0:00:00 - Abandoned Toys – Ripples of Calm Disheveled Air0:04:13 - Oskar Schuster – Les Sablons0:06:50 - Kevin Kern – Imagination's Key0:10:05 - Hideyuki Hashimoto – Earth0:13:01 - Pill-oh – Notebook0:16:55 - Mary Martin Stockdale – Healing0:20:58 - Niklas Paschburg – De tweete Gleem0:24:23 - The Tumbled Sea – emily's song0:28:58 - Gary Girouard – Winter's Wonder0:32:50 - Luigi Rubino – Before Love0:35:35 - Ann Margaret Hogan – Earth0:41:58 - Min Ti – On Sleepless Nights0:44:27 - Ola Gjeilo – Stone Rose0:48:47 - Lee Siwon – The Family Is Sleeping0:51:21 - Philip Aaberg – Elegy0:54:13 - Amy Lauren – Summer's End

Contemporary Piano Music Ep188 - Modern - New Age - Solo Piano mixhttps://www.youtube.com/@NewAgePianoMusicmixes0:00:00 - Abandoned Toys – The Siren's Final Serpent0:05:12 - Bosques de mi Mente – Todavía hay esperanzas para las aves0:08:58 - Helen Jane Long – If I Could0:11:22 - Fryderyk Chopin – Nocturne No.9 - Op.32 No.1 - in B0:16:15 - masakatsu takagi – Kaze Kogi (Piano)0:20:20 - Clara Ponty – Fifer's Tale0:24:23 - Joep Beving – Day Dream 0:28:22 - Ralph Zurmühle – La Plana0:37:31 - Mathias Grassow & Bruno Sanfilippo – Piano & Drones 70:43:31 - Vangelis – Moonlight Reflections0:46:36 - Yuki Murata – cherry blossoms0:50:26 - Hans Peter Neuber/Lutz Ambrosius/Paulo Arantes – Pianeubica

Contemporary Piano Music Ep187 - Modern - New Age - Solo Piano mixhttps://www.youtube.com/@NewAgePianoMusicmixes0:00:00 - Abandoned Toys – Requiem for Annissa0:04:10 - Suzanne Ciani – 4 O'Clock in the Morning0:07:53 - Luigi Rubino – Last Dance0:11:00 - Fariborz Lachini – Parandeh (Solo Piano)0:16:23 - Hiroshi Yoshimura, Satsuki Shibano – Voice Coming0:19:43 - Anna Rose Carter – Sesom0:22:48 - Luke Howard – Nocturne0:26:08 - Ann Margaret Hogan – Nocturne0:30:15 - Yuki Murata – in the morning0:34:25 - Fryderyk Chopin – Nocturne No.8 - Op.27 No.2 - in Db0:40:35 - Hans Peter Neuber/Lutz Ambrosius/Paulo Arantes – Loving The World0:51:28 - Dominique German – Meditational Song I

Contemporary Piano Music Ep186 - Modern - New Age - Solo Piano mixhttps://www.youtube.com/@NewAgePianoMusicmixes0:00:00 - Abandoned Toys – Aisles of Broken Magic0:05:03 - Dmitry Evgrafov – Peals of Thunder0:08:15 - Alexandra Stréliski – Valse Pour Maman0:10:28 - masakatsu takagi – Tamame0:15:55 - David Nevue – Hymn Of Remembrance0:21:18 - Ben Woods – From Blue to Grey0:28:34 - craig armstrong – sunrise0:32:18 - Fennesz + Sakamoto – 03220:37:47 - Luigi Rubino – D'Inverno0:40:33 - Yiruma – Falling0:43:58 - bartois – when i wonder0:48:27 - Clara Ponty – Bridge Of Clear Light0:52:07 - Brian Crain – Fire0:56:26 - George Winston – Night, Part Three: Minstrels

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses his work with NYU media studies professor Mara Mills as they produce Tuning Time, a podcast about the politics of time stretching technology. Professor Mills is an interdisciplinary scholar in the fields of disability studies, Science and Technology Studies, and sound studies. She teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is a radio writer and producer. He is one of the co-founders of the podcast network Radiotopia from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The first panel concluded with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses his work with NYU media studies professor Mara Mills as they produce Tuning Time, a podcast about the politics of time stretching technology. Professor Mills is an interdisciplinary scholar in the fields of disability studies, Science and Technology Studies, and sound studies. She teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is a radio writer and producer. He is one of the co-founders of the podcast network Radiotopia from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The first panel concluded with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses his work with NYU media studies professor Mara Mills as they produce Tuning Time, a podcast about the politics of time stretching technology. Professor Mills is an interdisciplinary scholar in the fields of disability studies, Science and Technology Studies, and sound studies. She teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is a radio writer and producer. He is one of the co-founders of the podcast network Radiotopia from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The first panel concluded with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses his work with NYU media studies professor Mara Mills as they produce Tuning Time, a podcast about the politics of time stretching technology. Professor Mills is an interdisciplinary scholar in the fields of disability studies, Science and Technology Studies, and sound studies. She teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is a radio writer and producer. He is one of the co-founders of the podcast network Radiotopia from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The first panel concluded with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses his work with NYU media studies professor Mara Mills as they produce Tuning Time, a podcast about the politics of time stretching technology. Professor Mills is an interdisciplinary scholar in the fields of disability studies, Science and Technology Studies, and sound studies. She teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is a radio writer and producer. He is one of the co-founders of the podcast network Radiotopia from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The first panel concluded with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses his work with NYU media studies professor Mara Mills as they produce Tuning Time, a podcast about the politics of time stretching technology. Professor Mills is an interdisciplinary scholar in the fields of disability studies, Science and Technology Studies, and sound studies. She teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is a radio writer and producer. He is one of the co-founders of the podcast network Radiotopia from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The first panel concluded with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses his work with NYU media studies professor Mara Mills as they produce Tuning Time, a podcast about the politics of time stretching technology. Professor Mills is an interdisciplinary scholar in the fields of disability studies, Science and Technology Studies, and sound studies. She teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is a radio writer and producer. He is one of the co-founders of the podcast network Radiotopia from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The first panel concluded with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses his work with NYU media studies professor Mara Mills as they produce Tuning Time, a podcast about the politics of time stretching technology. Professor Mills is an interdisciplinary scholar in the fields of disability studies, Science and Technology Studies, and sound studies. She teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is a radio writer and producer. He is one of the co-founders of the podcast network Radiotopia from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The first panel concluded with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Episode Topic: Art & Religion in Liszt's Piano Music (https://go.nd.edu/273a1e) Discover the profound intersection of faith and music in the life of Franz Liszt. A recent event featuring musicologist Nick Chung and pianist Isaac Parlin explored how the composer's deep Catholic faith shaped his masterpieces, challenging the narrative of 19th-century art as a substitute for religion.Featured Speakers:Nicholas Teh, Associate Professor of Philosophy, University of Notre DameIsaac Parlin, Master's Student of Music in Piano Performance, The Juilliard SchoolNicholas Chong, Assistant Professor of Musicology, Mason Gross School of the Arts, Rutgers UniversityRead this episode's recap over on the University of Notre Dame's open online learning community platform, ThinkND: https://go.nd.edu/e43512. This podcast is a part of the ThinkND Series titled On Catholic Imagination. (https://go.nd.edu/78e374)Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

Hello Beautiful, I'm so grateful you're here with me.

Summary: You are what you eat, right? Find out what tuatara eat and how they eat it in the seventh episode of Tuatara.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes: “Tuatara” Royal Ontario Museum, https://collections.rom.on.ca “Microstructure of dental hard tissues and bone in the Tuatara denture, Sphenodon punctatus,” by J.A. Kierser, T. Tkatchenko, M. C. Dean, M. E. H. Jones, and N. J. Nelson. Front Oral Biol. 2009:13:80-85. https://pubme.ncbi.nlm.nih.gov/19828975 Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… This is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. We have made it to the seventh episode of Tuatara and the seventh thing I like about these super cool reptiles is their diet and dentition. We have hinted a bit about what they eat but today we'll take a closer look at what that is specifically and how their teeth help.  Let's start with food. Tuatara are carnivores. They eat mainly invertebrates like worms and arthropods such as beetles, millipedes, spiders, and weta. Weta are insects native to New Zealand that look similar to crickets but like crickets on steroids. Weta have big bodies, spiny legs, and tusks. They look kind of like a cricket and a warthog had a baby.     The majority of the tuatara diet is made up of invertebrates but they will also eat lizards, seabird eggs and chicks, and occasionally they venture in to cannibalism and will eat young tuatara. Because of this, juvenile tuatara are active during the day while adult tuatara are active at night. I mean, really, if your relatives might eat you at night, then who wouldn't want to avoid them.  Humans that live on the islands where tuatara are found always know when they've been hunting because they will see headless birds. Definitely not something you want to come across on a relaxing walk in nature. Why is this the indicator of the tuatara? The tooth pattern of the tuatara is unique. Just like almost everything else about them. They have two incisor like teeth in front of their top jaw. And they have three rows of teeth (I was not able to find an actual count but am guessing it's around 85 teeth). One row of teeth lines the bottom jaw and two rows line the top jaw. The bottom row of teeth fit neatly into the two upper rows of teeth when the jaw is closed. Wait for it, we almost have our answer. The jaw motion of the tuatara is also unique. Instead of an up and down motion, like chewing, they have a forward and backward motion, like sawing.  And there it is! This is why the birds that tuatara hunt are missing heads. They saw them off with their unique teeth. Hah! Didn't see that coming did you? Besides the unique pattern of teeth, the structure of their teeth is also unique. They have acrodont teeth which means they are rootless and attached directly to the bone of the jaw. They kind of emerge from the actual bone. This is unlike any other reptile teeth alive today. The teeth are serrated which helps with the sawing motion. Tuatara cannot replace lost or cracked teeth. Once the tooth is gone, it is gone. As tuatara age their teeth wear down from use. They are eating crunchy invertebrates and bony vertebrates, so they do take a beating. Tuatara can live for up to 100 years, so the older tuatara have to switch their diet to softer prey as their teeth wear down.  Now for a long time, we thought they didn't have real teeth. We thought they were just bony protrusions that stuck out of the jaw, but some researchers in 2009 looked more closely at the teeth. They looked at teeth from a juvenile as well as an adult and found layers of typical tooth material. This was a surprise. Using Scanning Electron Microscopy, which is a sophisticated imaging technique that uses an electron beam to examine the surface of various materials, researchers found evidence of enamel containing dentine tubules, dentine, and cementum. All of these are found in other types of teeth. It's not just serrated, bony material sticky up in their mouths. They have actually teeth. They are different then your average tooth, but they are teeth none-the-less. These tuatara are just full of surprises! I hope you enjoyed our dental adventure because my seventh favorite thing about the tuatara is what they eat and how they eat it!   If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about the tuatara.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, piano extraordinaire.

Hello Beautiful, I'm so grateful you're here with me.

Summary: The term “living fossil” is a bit controversial but does it fit the tuatara? Join Kiersten to find out.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes:  “New study shows modern tuatara are little changed from 190 million year old ancestors.” Harvard University Department of Organismic and Evolutionary Biology, March 2022. https://www.oeb.harvard.edu/news Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… This is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. The sixth thing I like about the tuatara is how long they have lived. Just like another animal we have talked about, the coelacanth, the tuatara appears in the fossil record from way back in time. The first time we see the tuatara in the fossil record is during the Jurassic period. Now, of course, a certain book and movie series has made this a very popular time in Earth's history, so you may be familiar with this time period. It is famous for being the age of dinosaurs, at least some of the most popular and recognizable dinosaurs.  The term living fossil has been tossed around in reference to the tuatara, as well as the coelacanth, but this term is controversial. It is quite the romantic phrase actually. To think that an animal is so well adapted to the world it lives in that is hasn't changed since the first time it appeared on this planet is a notion that a lot of us want to believe, but is it true? The first major problem with this concept, is that there is no real definition of what makes an animal or plant a living fossil.  Charles Darwin coined the term “living fossil” in 1859. According to Darwin's definition a living fossil is a species or group of species that is so little changed that it provides an insight into earlier, now extinct, forms of life. A living fossil can also be described as an organism that has remained relatively unchanged over millions of years, or one that has no, or very few, close surviving relatives. It certainly sounds like we have stumbled on another controversy here. In the last episode we answered the question of whether the tuatara is a lizard or not. Spoiler here, listeners, if you haven't heard the previous episode and you don't want a spoiler to this question, stop listening now and go back and listen to last week's episode. With that warning, let's move on. We have established that tuatara are not lizards, they are reptiles but not lizards for various reasons. Shall we jump into the next controversial question then? Are tuatara living fossils? Let's look at Darwin's definition first. How much  have tuatara changed since they first appeared in the fossil record? A 2022 study from Harvard University's Department of Organismic and Evolutionary Biology may give us some insight. Tuatara are the last remnant of the Rhynchocephalians. These reptiles peaked in abundance in the Jurassic period. Then they disappeared from the fossil record.   Two researchers were looking through the archives in the Harvard Museum of Comparative Zoology and came across something that had been sitting in the drawers for decades, a tuatara fossil. This fossil was discovered in northern Arizona in the Kayenta Formation of the United States in 1982. Professor Stephanie Pierce and postdoctoral fellow Tiago Simoes jumped into examining this forgotten fossil. They used micro-CT scans to examine the fossil in three dimension. Then they digitally pieced the puzzle together revealing a full unflattened skull. It greatly resembled the modern day tuatara. It had rows of interlocking teeth that extended directly from the bone and it had two holes behind the eyes, just like the modern day tuatara.  Pierce and Simoes named the fossil Navajoshenodon sani which means “old age” in the indigenous language of the Navajo. This fossil provides the first nearly complete skull of any fossil sphenodontine in the world. It also places the tuatara in the Late Triassic. They may be older than we thought.  So how does this help us determine the answer to the living fossil question? It does give support for both descriptions. The modern day tuatara is similar enough to the fossil that it gives us insight into a long dead relative, and it seems to have changed very little from the long ago fossil of a creature that roamed the planet with dinosaurs.  Unlike the coelacanth, which is definitely not a living fossil, maybe the tuatara is a living fossil. It is food for thought and that is one of the reasons I started this podcast. I hope you will continue to think about this small living fossil controversy because it is my sixth favorite thing about the tuatara. If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about the tuatara.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, piano extraordinaire.

Summary: Is the tuatara a lizard? We have hinted at it for a few episodes. Join Kiersten to find out if the tuatara is or is not a lizard.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes: “It's not a lizard or a dinosaur: the tuatara is something else entirely,” by Bec Crew. Australian Geographic, https://www.australiangeographic.com.au “New study shows modern tuatara are little changed from 190 million year old ancestors.” Harvard University Department of Organismic and Evolutionary Biology. https://www.oeb.harvard.edu Parietal Eye, https://www.sciencedirect.com/topics/veterinary-science-and-veterinary-medicine/parietal-eye Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… This is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. During the last few episodes of tuatara, I have asked the question of whether the tuatara is a lizard or not a lizard. Today we are going to answer that question. The fifth thing I like about the tuatara is the unusual quirks that make them a unique reptile. We have established that the tuatara is in an order of reptiles all by itself, Order Rhynchocephalia. This means that they have no living relatives. That in itself doesn't mean they are not lizards, it just means they are not related to any living lizards. So let's look at a few more attributes of the tuatara that will help us answer our question. In the last episode we discussed the third eye, or parietal eye of the tuatara. Now other species of reptiles, mainly lizards, have a third eye as well. Certain iguanas, skinks, and monitors have a parietal eye, but their third eye is primitive and is not visibly seen at any stage of their development. The basics of the eye are there but it is hidden under a scale. The tuatara's eye is much more developed and is exposed in young hatchlings. For more in depth discussion of the tuatara's this eye, please listen to the previous episode. There are several things about the tuatara's skeleton that also sets it apart from lizards.  One is the teeth. The tuatara has three rows of teeth. One row in the lower jaw and two in the upper jaw. When the tuatara bits down the lower teeth fit into the groove between the two rows of upper teeth. That is very unusual and as far as we currently know, no other reptile has a tooth formation like this. The teeth are fused to the jaw and have no roots, which is unlike most lizard teeth. Tuatara teeth are not replaced during their lifetime and as they age and their teeth wear down, they have to switch to softer prey.  Another strange and interesting thing about the tuatara's jaw is that when it eats the jaw doesn't open and close in the typical chewing motion of most animals. It moves forwards and backwards slicing their prey like a saw. Locals of the islands where tuatara live always know when the reptiles have been hunting because they find birds with their heads sawed off.  Another unique attribute of the tuatara skull is the complete lower temporal bar that closes the lower temporal fenestra. The temporal fenestra is the opening in the skull behind the eye socket. Most modern lizards do not have a complete temporal bar. Researchers believe the complete bar in the tuatara is used to stabilize the skull during biting. It's a unique jaw motion and it makes sense that the skull needs a bit more support. As we travel down the skeleton of the tuatara we see some more unique features. The spine is made up of hourglass shaped vertebrae. This shape can be found in fish and amphibians but is unique reptiles to the tuatara. Each vertebrae has a tiny hole through which a rennet of the notochord passes. This was typical in early fossil reptiles but not in modern ones.  Could there be more unique features of this amazing reptile? Yes. We are not done with the odd features of the tuatara. Their ribs have some unique features as well. They have extra ribs, or rib-like bones, called gastralia that are not attached to the ribcage. These are also found in a few lizards and crocodiles. The tuatara have unicate processes on the actual ribs that are indicative of birds, and are found in modern bird skeletons, but are found only in the tuatara in the reptilians. The pelvis and shoulder girdles of tuatara are also completely different from lizards. Tuatara have a different rotational angle that allows them to push their body up off of the ground to move, should they choose to, where as lizards have a more sprawling motion when they walk. Tuatara don't often hold themselves up to walk as it is tiring. Tuatara are also equipped for a cooler habitat than lizards. They have a unique hemoglobin structure that allows them to survive very cold temperatures. One last unique attribute of tuatara that I will mention in this episode is how long they live. Tuatara can live up to one hundred years! That is definitely longer than any lizard we know of today.   So knowing about all these different and unique attributes of the tuatara, we come back to the question of whether they are lizards or not lizards. Science says, no they are not lizards and those that study the tuatara are definitely offended when they are called lizards. If anyone ever asks or incorrectly refers to the tuatara as a lizard, you can now politely inform them that they are incorrect. Tuatara are not lizards, reptiles yes, lizards no. My fifth favorite thing about the tuatara is that they are truly not lizards. If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about the tuatara.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, piano extraordinaire.

Summary: Are tuatara eyes like every other reptile's eyes? Maybe. Join Kiersten to find out what makes tuatara eye so special.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes: “The lonely eye,” by I R Schwab and G R O'Connor. Br J Ophthalmic. 2025 Mar:89(3):256. Doi:10.1136/bio.2004.059105 “Reptilian Eyes and Orbital Structures,” Jeanette Wyneken. 2012 Proceedings Association of Reptiles and Amphibian Veterinarians. https://cdn.ymaws.com Parietal Eye, https://www.sciencedirect.com/topics/veterinary-science-and-veterinary-medicine/parietal-eye Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… This is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. As I begin episode four, I want to remind you of the question I posed at the beginning of the third episode. Is the tuatara a lizard or not a lizard? It is definitely lizard like. This episode, episode four, we will be talking about an attribute that might shed some light on the answer to this question. The fourth thing I like about the tuatara is their eyes, all three of them. To start, let's look at the anatomy of the general reptile eye. Reptilian eyes are similar to other vertebrate eyes in the fact that they are layered, filled with fluid, and have a lens that focuses light on a retina. The structure of the eye includes three chambers. The anterior chamber is the fluid-filled space inside the eye between the iris and the cornea's innermost surface. The posterior chamber is a small space directly behind the iris, close to the lens, and bordered by the ciliary muscles. The anterior and posterior chambers are filled with aqueous humour. The third chamber is the vitreous chamber located between the lens and the retina and filled with vitreous humour.  Tuatara have two lateral eyes, one on each side of the head, that rest in a bony orbit. They are separated by a cartilaginous interorbital septum. A periorbital membrane lines the orbital bones and septum that connects to the orbital membranes and the internal parts of the upper and lower eye lids. Whoa! We got a little scientific for a moment there, but anatomy can do that! These two lateral eyes are placed on the opposites sides of the head so they can have a wide perspective of their environment. Typically we see this eye position in prey animals and not all lizards are prey animals, but many of them are. Tuatara, as full grown adults, don't have to worry too much about being eaten, but this eye placement is very helpful, none the less.    Most diurnal reptiles can see some amount of color, whether they see color the same way other vertebrates see color is still being studied, but the presence of cones is proof that they can see colors. Cones are useful in bright light, so reptiles active during the day will have more cones that those that are crepuscular, active at dawn and dusk, and those that are nocturnal. More rods are present in the eyes of nocturnal animals and these help pick up light and dark shades. Tuatara are active during the day and night, but are most active after dark; therefore, they most likely have more rods than cones.  They do have both upper and lower eyelids and are capable of closing their lids. They do not appear to have a nictitating membrane, which is another protective lens that can open and close over they eye, that some other reptiles have. They also have pupils that can contract and expand to allow various levels of light into the eye. When looking at close up photos of the tuatara's eye the pupil is circular or oval along the vertical horizon. Interestingly, pupil shape in reptile eyes varies with behavior of the animal. Diurnal reptiles tend to have to have round pupils while nocturnal hunters have slits. Reptiles with slit pupils will have a pupil that is perpendicular to their orientation because that offers the best focus. The shape of the pupil has a profound influence on the retinal image because of the way light is allowed into the eye. Who knew the anatomy of the reptilian eye could be so fascinating. Okay, let's get to that third eye I mentioned. There are actually two orders of reptiles that have a third eye, Order Squamata, which includes lizards and snakes, and Order Rhynchocephlia, which includes only the Tuatara. Lizards and the tuatara are the only reptiles that we know of that have third eyes. The third eye is also called the parietal eye and is found on the dorsal portion of the skull. It is smack dab in the middle of the top of the skull, because where else would a third eye be found? Anatomically speaking the parietal eye cannot focus on images like lateral eyes, so the third eye is not used for vision. At least not the parietal eyes on the current living tuatara. But this eye is more similar to lateral eyes than you might expect. The parietal eye is ventral to a parietal plug that is very similar to a cornea. Immediately below the plug is a lens that is remarkably similar to the lens in the lateral eyes. Below the lens are layers of pigment and photoreceptors. Photoreceptors detect light. Now we see where we are going with this whole third eye anatomy, maybe.  For a long time we thought that the parietal eye was used to detect light. It helped the animal tell when it was day and when it was night, and probably helped set animal's the circadian rhythm. It helps the tuatara determine the changing of the seasons based on differences in the light cycle. But is that all there is to it? Some researchers believe that the third eye might be included in melatonin synthesis was well as other hormones. What it truly does is still a mystery. So….does this help answer our question about whether the tuatara is a lizard or not? Some lizards do have third eyes, just like the tuatara so leaning towards yes? Before you comment though, let me through out one more thing about the tuatara's third eye. When they are newly hatched the third eye is  exposed and looks just like their lateral eyes. I'm not joking, search for tuatara hatchling third eye and you'll see what I'm talking about. It's very cool! As the tuatara ages the third eye is covered over with a clear scale obscuring it from view.  I hope you have enjoyed this discussion about tuatara eyes because it's my fourth favorite thing about these interesting reptiles. If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about the tuatara.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, piano extraordinaire.

Summary: Join Kiersten as she takes you on a slow look at tuatara reproduction.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes: “Novel mating behaviors in male tuatara (Sphenodon punctatus) expand our understanding of reptile courtship,” by Sarah K. Lamar, Diane K. Ormsby, and Nicola J. Nelson. Austral Ecology, vol 49, Issue 2. https://doi.org/10.1111/aec13496 “Tuatara.” San Diego Zoo Wildlife Alliance, https://animals.sandiegozoo.org Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… This is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. Welcome back to Ten Things I Like About after a year end break. I hope the new year treats you well and opportunities abound. Let's get started! We will continue with Tuatara. The third thing I like about tuatara is reproduction. As we travel along with the journey of discovery with tuatara, I want to pose a question to you. Is the tuatara a lizard? Or is it something else? Based on the physical description I outlined in the first episode, they seem to be lizards, if not very lizard like. But I want you to keep this question in the back of your mind as we progress through each new episode. We will revisit this question at the end of this series and see what we all think. Okay, let's talk about how baby tuatara are made. Tuatara mating and reproduction is not like anything else in the reptile world. Long incubation periods, extensive maturation, and unusual consummation marks the reproductive cycle of the tuatara. It all begins sometime between January and March when males begin showing off to attract a mate. Remember those spines that they have on their neck and back, well they are there for pretties. They can fan out and shake the larger crest of spines in hopes of attracting a lady. For a long time we thought this was all the males did during the breeding season, but a study that looked more closely at males on Takapourewa Island revealed many more tricks they use to catch the ladies eye.  Boys will come a courting at a female's burrow and it can get complicated and lengthy. It might be a good idea that she gets to stay at home once all the excitement begins. First, the male adopts body positions that make him look big, such as inflating the body and gular region (that's the chin area), elevating his body off the forest floor (the up part of a push-up), and erecting those spines on his neck and back. Next, the male will begin the slow proud walk, also known as stolzer Gang, in a circle around the female. He'll perform this slow exaggerated walk in concentric circles, pausing occasionally, and decreasing the circle circumference with each pass. If the female is interested, she will leave her burrow entrance, allow the male to paw at her, and then mount her from behind. If there are obstacles in the male's circular path, they will climb over, or go around. If the obstacle is too big to conquer, they'll just shorten the circle to a semi-circle. I mean you gotta give them props for not getting distracted from their goal. The proud walk can last up to 44 minutes.    A few novel behaviors were observed by researchers studying the Takapourewa population. Mirrored head bobbing between the male and female was observed a few times, something that has not been seen in reptiles before. The male would bob his head a specific number of times and when he paused, the female would bob the small numbers of times. This was a very exciting discovery that will need more research to determine what it means and if it is found in other populations of tuatara, but how very interesting. Vocalizations in tuatara are typically limited to croaks emitted when handled, or during aggressive moments between males, but these researchers encountered several males that purred during the mating process. We aren't sure what this means or if this is a wide spread behavior but it is another exciting discovery. Once the female has accepted the male and he mounts her from behind, he positions his pelvis so that both of their cloacas come in contact. This is how he spreads his sperm to her. Males do not have special reproductive organs like most other reptiles. So they perform the cloacal kiss to pass their sperm to the female. Male sperm are fast swimmers. They are actually the fastest sperm in the reptile kingdom, moving two to four times faster than any other reptile's sperm. The female can store the sperm for 10 to 12 months.  Before all this happens, the female has been working on creating the eggs inside her body. It can take three years for a female to create and egg with yolk and an additional 7 to 8 months to create the shell. A female is only able to successfully breed every three to five years.  Once the eggs are ready and fertilized, the female can lay 1 to 19 soft-shelled, white eggs in her burrow. Incubation is extremely long at 12 to 15 months! Yes, it takes a year or more for baby tuatara to hatch into the world. This is unheard of in reptiles. Maybe not the best survival tactic for a species, but as we can see tuatara don't do anything quickly. Similar to some other reptiles, temperature during incubation is important to the sex of a hatchling. Warmer temperatures produce males while cooler temperatures create females.  The eggs are on their own during incubation and the hatchlings have to fight for life alone as soon as they emerge from the burrow. Neither parent remains at the nest to protect the eggs or hatchlings. If they survive their early years, they have to wait ten to twenty years before they can join the reproductive cycle.  In this episode, I think we've proven that tuatara don't do anything fast and that's why their reproductive cycle is my third favorite thing about them.     If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about the tuatara.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, piano extraordinaire.

Summary: Where do tuatara live? Can I see one in MY backyard? Join Kiersten to find out if you can see a tuatara in your own backyard.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes: “Distribution of tuatara”, Te Ara: https://teara.govt.nz/en/map “Tuatara” by Marc E. H. Jones and Allison Cree. Current Biology, Vol 22, Issue 23, PR986-R987, Dec 4, 2012. DOI: 10.1016/j.cub.2012.10.049, https://www.cell.com/current-biology “Sphenodon punctatus (Tuatara)” Animal Diversity Web: https://www.animaldiversity.org Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… I'm Kiersten, your host, and this is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. Last week's overview of the tuatara probably made you want them in YOUR backyard, but they are only found in a small section of the world. This week we are going to find out where the tuatara live. The second thing I like about the tuatara is where they are found.  To see a tuatara in the wild you will have to visit New Zealand. They are found on different islands surrounding the main island of New Zealand as well as on the mainland. Those found on the mainland are there due to a reintroduction program begun in 2005.  The islands where you can find tuatara are fairly inaccessible which probably helped save them from extinction. The ones on the mainland were extinct before Europeans ever came to the island.  There are about thirty islands surrounding New Zealand where you can find tuatara today. Those island include Poor Knights Island, Hen and Chickens Island, Little Barrier Island, Cuveir Island, Mercury Island, The Alderman Island, Karewa Island, Plate Island, Moutoki Island, Moutohora Island, and Tiritiri Matangi Island. These are all off the northern coast. Sphenodon punctatus occurs naturally on all of these islands except Moutohora and Tiritiri Matangi Islands where the Northern Tuatara were introduced to help increase their population. Tuatara can also be found on Stephens or Takapourewa Island, Trio Island, Titi Island, The Brothers Island, and Matiu or Somes Island. Sphenodon guntheri occurs naturally on The Brothers Island and was introduced to Titi and Matiu Islands to boost their population. Please excuse any mispronunciations.  A scientific paper published in December of 2012 states that “there are about 32 natural populations of tuatara living on small offshore islands, a few island reintroductions, and at least one reintroduced mainland colony on the North Island [of New Zealand]. Most of the populations include just tens or hundreds of animals, but there are estimated to be at least 30,000 on Takapourewa Island.” End quote. The habitat that tuatara live in is an odd choice for a reptile as the islands are riddled with cliffs and exposed to strong winds. The vegetation is salt and wind tolerant; therefore, are pretty tough plants. The average temperature is below what the typical reptile can tolerate but tuatara are adapted to survive temperatures as low as 45 degrees Fahrenheit.  They spend their days in burrows that are dug by seabirds such as petrels, prions, and shearwaters when they are available or they will dig their own burrows. They also spend time soaking up the sun on the cliffs. Tuatara are more active at night leaving their burrows or basking spots to hunt for food. This episode is a bit shorter than my usual episodes and I do apologize. I will make it up to you in future episodes of the tuatara. Thank you for visiting with me to find out where the tuatara lives. It is my second favorite about this seriously cool animal. As the holiday season is upon us, I will be taking a break until the new year. We will pick up where we left off with the tuatara in January 2026. If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me in January 2026 for another exciting episode about the tuatara.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, my very own piano playing hero.

Summary: Tua-what? Join Kiersten to find out what the tuatara is.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes:  “Sphenodon punctatus (Tuatara)” Animal Diversity Web: https://www.animaldiversity.org Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - Welcome to Ten Things I Like About… This is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  My name is Kiersten and I have a Master's Degree in Animal Behavior and did my thesis on the breeding behavior of the Tri-colored bat. I was a zookeeper for many years and have worked with all sorts of animals from Aba Aba fish to tigers to ravens to domesticated dogs and so many more in between. Many of those years were spent in education programs and the most important lesson I learned was that the more information someone has about a particular animal the less they fear them. The less they fear them the more they crave information about them and before you know it you've become an advocate for that misunderstood animal. This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. The next unknown animal I have chosen takes us on a journey through ancient times. We haven't ventured this far back in time since we talked about the coelacanth. Welcome to the first episode of tuatara. The first thing I like about this unknown animal is their continued existence.  You may be saying tau-what? Tuatara is our next animal. Let's jump right into the classification which will answer some of your initial questions. Like what the heck is a tuatara? Remember classification is the way scientists identify different living things including animals and plants so that we all know who exactly we are talking about.  The classification of the tuatara is as follows:   Kingdom: Animalia (that's the animals) Phylum: Chordata (chordates) Subphylum Vertebrata (that's the animals that have an internal skeleton or the vertebrates) Class: Reptilia (that's the reptiles) Okay! Now we're getting somewhere. Tuatara must be a reptile! Order: Rhynchocephalia (there is only one reptile in this order) You guessed it! The tuatara. Family: Sphenodontidae Genus: Sphenodon Species: punctatus The scientific name for the tuatara is Sphenodon punctatus.  There are two recognized species of tuatara. The Brother's Island Tuatara is Sphendon guntheri. The first tuatara, Sphenodon punctatus, is referred to as the Northern tuatara.  Now, we know this animal is a reptile, but what does it look like? Is it small? Is it large? Is it green, brown, or purple?  Tuatara can be green, olive, or brick red in color. Their adult size ranges from 15 inches, or 40 cm, in the female to 24 inches, or 60cm, in the male. Both male and female have two crests of dull-edged spikes that travel down the back of the head to the neck with the second on the middle of the back along the spine. The male's crests will be larger than the female's which helps to distinguish the sexes from each other. They have four short legs and a long tail that usually exceeds the length of their body. They look a lot like a lizard, but they aren't exactly lizards. We will dissect that statement in a future episode. They have no external earhole but they do have ears. They have two eyes that can focus independently and are placed on the sides of the head.  They have a variety of scale structures along their body giving them a dinosaur-ish look. There are a few attributes that set tuatara apart from other species of reptiles. One of those is their third eye. Yes, they have a third eye, a parietal eye, right in the middle of the top of their head. It has a retina and is functionally similar to a normal eye. In juveniles it is exposed but as it ages a scale grows over it. We are currently uncertain of its purpose.  Another attribute that sets the tuatara apart is their teeth. Tuatara teeth are fused to the jaw bone, unlike any other toothed reptile. This is an acrodont tooth structure. This speaks to the age of this species of reptile. The tuatara is the only living specimen of Rhynchocephalia. All of them, expect the tuatara, went extinct in the late Cretaceous period. We will dive into this topic in a future episode.  One last thing about the tuatara before we end the first episode of this new series. One tuatara, many tuatara. When talking about the tuatara, the singular is the same as the plural.  Thank you for choosing to start this series with me. We are going to have a fun time with the tuatara. My first favorite thing about them is them!   If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week to find out where the tuatara are found.   (Piano Music plays)   

In 1882, inventor Edward Johnson set up a one-of-a-kind Christmas display in his New York City home...and it changed the face of Christmas as we know it.Music in This Episode"Vessel Five" — Blue Dot Sessions, via Free Music Archive"In the Saloon" — Piano Music, via Pixabay"Whispers of the Heart" — Lite Saturation, via Free Music Archive"Vessel One" — Blue Dot Sessions, via Free Music Archive"Sunday Morning" — Maarten Schellekens, via Free Music Archive"World of Dreams" — Tune Tank, via PixabayOrder your copy today! Of Christmases Long, Long AgoConnect with Me Links to all the things https://christmaspastpodcast.com/links Email: christmaspastpodcast@gmail.com BooksOf Christmases Long, Long Ago: Surprising Traditions from Christmas Past (2025, Lyons Press and Recorded Books) It's Christmas as you've never seen it before, and it makes a great gift for all the Christmas lovers in your life. Christmas Past: The Fascinating Stories Behind Our Favorite Holiday's Traditions (2022, Lyons Press and Recorded Books)

Did you know there's MAGIC in your Meditation Practice? Say Goodbye to Anxiety and Hello to More Peace & More Prosperity! Here Are the 5 Secrets on How to Unleash Your Meditation Magic https://womensmeditationnetwork.com/5secrets Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player. Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life. If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want! Namaste, Beautiful,

Summary: Do ants need conservation efforts? Join Kiersten to find out.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes:  “Tales from the Ant World” by Edward O. Wilson “Adventures Among Ants” by Mark W. Moffett “Silent Spring” by Rachel Carson Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… I'm Kiersten, your host, and this is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. The final episode of ants has arrived. As my loyal listeners know, this episode is typically about conservation and how we can help the animals or plantsman highlighted in this series, but the question I have about ants is whether they need conservation or do we need to conserve other animals and plants against ants. Let's find out. The tenth thing I like about ants is conservation. The answer to this question may be both. Within our lifetimes it is thought that some species of ants have gone extinct, but not much research has been done on invertebrate extinction. I cannot say why, maybe it doesn't happen often, maybe invertebrates that were undiscovered are the one that go extinct, or maybe no scientist has taken the time, or had the funding, to research this topic. One species of ant that was thought to be extinct was Myrmecia apicalis, a bull ant found outside of Australia. The only species of bull ant found outside of Australia. Somehow this species was able to cross an ocean and settle in New Caledonia. You probably noticed that I said it was thought to be extinct. Our ant hero Edward O. Wilson was on a trip with other scientists that happened to find a colony of Myrmecia apicalis on an island proving that it had not gone extinct. It was a joyful discovery but not one without concern. The ants had survived when we thought they had succumbed, but other ants, invasive ants had also come to the island and the excitement at finding Myrmecia apicalis was tempered with the knowledge that the invasive fire ant neighbors might wipe them out.  As Edward Wilson said in his book Tales from the Ant World, “The dark fate of this exquisite little species is entirely up to humanity. Myrmecia apicalis can be saved, along with other species still unrecognized, only if the little fire ants are halted and pushed back, and if the woodlands where the New Caledonian bull ant and probably other endangered species yet to be identified live are turned into carefully monitored reserves.” End quote. I could not say it any better. On the other side of conservation efforts are invasive species. An invasive species as defined by the U.S. Department of Agriculture and Interior is an exotic species that is introduced, non-native or alien and is also harmful in some way to the environment or to humans or both. I definitely think fire ants qualify. Solenopsis invicta, more commonly known as The fire ant, is one of the most successful invasive species of all time. Solenopsis invicta was probably introduced into the United States in the 1930s somewhere in Alabama. They establish themselves quickly and new colonies grow quickly. They can create new queens and more colonies within a year. By the 1940s it was well on its way to dominating the entire southern United States and found its way to Hawaii, Australia, New Zealand, and China. It also spread south onto the islands of the Lesser Antilles.  Anywhere fire ants go, destruction follows. They are omnivorous and eat anything and everything that gets in their way. In pineland habitats, imported fire ants attack and consume small mammals and ground nesting birds. In the 1950s the U.S. Department of Agriculture said we must stop this destructive invasive species by any means. They decided to spray pesticides everywhere the ant was found all at one time. That would surely get rid of the problem. But that would also kill every other insect in the vicinity, poison mammals, birds and other vertebrates, pollute water sources, and expose humans to debilitating poisons. If even one fire ant colony survived it was all for not because that colony could start the process all over again within a few years. Thank goodness Rachel Carson and Edward Wilson spoke out against this option and widespread pesticide use was discontinued before more damage could be done. One thing we can thank fire ant for here in the United States is the launching of the new era of environmentalism. A time of more thought and less gut reaction. So how do we combat imported fire ants? One mound at a time. If we kill off the queens before they make more queens, then we can help. We will probably never extinguish them in their introduced habitats but we can fight the good fight by implementing targeted insecticide use and boiling hot water.  Another ant that has dominated the planet is the Argentine ant, Linepithema humile. This ant is native to Northern Argentina and has been found on almost every piece of land on the planet. They have colonies that can span hundreds of square kilometers and they are indomitable. A quote form Mark Moffet's book Adventures Among Ants give us a glimpse of the Argentine ant problem, “Argentine ants are as tenacious in the wars they wage with other ant species as they are in battles with their own, annihilating even California ants with far bigger and meaner workers. Though the Argentines can't sting and are too small to bite humans, they use the energy-rich honeydew from their homopteran herds as fuel to quickly find and dominate every food resource they can reach, thereby leaving the competition hungry. But their depredations go further than that, for even when native species don't vie for the same resources and offer no physical threat, the Argentine ants plunder their brood for an easy meal.” End quote. Isn't it great that this species of ant made it around the world?  I guess the answer to the conservation question about ants isn't as straight forward as some of the other species of animal and plant I have highlighted, but what we can say is that yes, they are in need of conservation whether from habitat loss or the invasion of other ants. Humans do have a role in the future of ants. Thank you for listening to the final episode of ants because the tenth thing I like about ants is conservation. I do have one final comment before signing off and that is a recommendation to read the books I have been referencing for this series. Any of the books by Edward O. Wilson will change your mind about ants, which I hope this series has at least partially done, and the photography and storytelling in Mark Moffet's book Adventure Among Ants gives you a look into the ant world that will blow your mind. It is well worth your time. If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me in two weeks for another exciting series about an unknown or misunderstood creature.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, my very own piano playing hero.

Summary: Ants are such diverse organisms that extremes have evolved. Join Kiersten to learn about some ant extremes.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes:  “Tales from the Ant World” by Edward O. Wilson Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… I'm Kiersten, your host, and this is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. In this penultimate episode I thought we'd talk about the extremes of ants. The fastest, the slowest, the fiercest, and maybe a few more. The ninth thing I like about ants is the extremes. Edward O. Wilson studied ants for his entire life, give or take a few years when he was still in diapers, and that was 92 years. He discovered species we didn't know about and described ant behaviors that boggled our human minds. It is no surprise that he included some of the extremes of ant life in his writings.  Something I had no idea about when I decided to pick ants as my next topic was that each species of ant has it's own tempo. Not unlike music, this is the speed at which worker ants get things done. Some colonies are speedy as a tornado and others are as slow as molasses in winter, but they all get the job done. Each tempo fits the niche that a specific species fills in their habitat. Sometimes fast wins the race while other times slow persistence fairs better.  The fastest ants on Earth may very well be the workers of the genus Ocymyrmex. There are 34 known species in this genus and are found in most of eastern and southern Africa. Their chosen habitats are hot, hot, and hotter. Ocymyrmex, or swift ants, have streamlined bodies with very long legs attached with thick segments at the base. The mandibles are narrow and fit tightly against the head when folded. Their spiracles, air holes through which they breathe, are large. Ocymyrmex are built to be sprinters.  On a trip to Gorongosa National Park in Africa, Edward Wilson came across a colony of Ocymyrmex and wanted to grab a few for the Harvard University Lab. By this time in his career he'd caught a lot of ants, so he was well versed in the best ways to snatch a few specimens. The first obstacle he had to overcome was the extreme heat emanating from the mud flat on which the ants were running. It felt like a stove top, so kneeling down to catch some ants was going to be a challenge, but he was up for it. He positioned himself above the workers, readied his forceps, and caught not one single ant. The workers were just moving too fast. He could barely follow them with his own eyes much less grab them with forceps. A quote from his book Tales from the Ant World, “The ants were moving like a sizzle of water droplets in a frying pan, difficult even for the eye to keep track.” End quote. Those are some fast ants! Ocymyrmex are made for sprinting but another ant, which is a double extremist, is made for marathons. Ants in genus Cataglyphis are long-distance runners and Cataglyphis bicolor is one of the most heat tolerant animals known to western science. These ants live in the Sahara desert and are mainly scavengers. They search for dead insects and other arthropods that have succumbed to the heat of the desert to dismantle and bring back to the nest.  Cataglyphis bicolor can withstand temperatures up to 158F,  or 70C, but they must keep moving. If they stop, they fry. Talk about a good reason to keep moving. Let's look at the opposite side of tempo, the slowest ants in the world. Ants in genus Basiceros are as slow as ants can get without dying. These ants are found in Central and South America. They are not well studied and; therefore, poorly understood. The main problem is they are incredibly difficult to find. If you can't find it, you can't study it.  What we do know is Basiceros ants are medium in size and rely on their camouflage to survive. Their opaque brown color closely matches the fallen leaves and mold in which they live. They do hunt for food and like any other slow moving predator they are ambush predators. They simply wait for prey to come to them, lunge, strike, and seize it. They will stalk prey, as well, just at a very slow pace. If they are discovered by something, or someone, uncovering their hidden pathways under the leaf litter they freeze and will remain still for minutes at a time to protect themselves. Edward O. Wilson says of them, “Their tempo may be as slow as an ant species can employ and still survive.” End quote. The Basiceros ants are also an extremist twofer. They are the slowest ants and also the dirtiest ants, which may be a linked trait. When Edward Wilson stumbled across some Basiceros in Costa Rica and transferred a colony to Harvard to study, they realized that the brown color of the ants wasn't just camouflage to blend in with the dirt, it was dirt. The bodies of these ants are covered in coiled and feather-shaped hairs that essentially collect dust and debris. They use the dust and debris to hide amongst the leaf litter.   The colony of Basiceros studied at Harvard demonstrated this in an unexpected way. At the university, the colony that was brought back and housed in tunnels made of plaster of Paris. Within several weeks of living in the man-made tunnel the ants had turned white! They had replaced their dirt colored garments with the white plaster of Paris so they could blend in with their new habitat! For the last extreme we will discuss lets's look at timidity and fierceness, both serve ants well in different situations. Dolichoderus imitator is probably the most timid, or least offensive, ant in the world. This small ant lives in the Amazon rainforest of South America. Most colonies typically consist of a few hundred workers and a rarely seen queen. They nest in random cavities of decaying leaf litter and do not set up permanent colonies. If they are disturbed, by person or predator, they scatter in all directions. Nothing seems to be directed; although, they do pause long enough to pickup the closest larva or pupa to take with them. The individuals will shelter in any covered place they find nearby waiting for the danger to pass. The colony will reconvene in another random clump of leaves elsewhere. Maybe the transience of their nests breeds timidity for survival reasons.  On the other side of the coin is fierceness. There are several candidates for the fiercest ants in the world. Our first candidate is the bull ants from Australia. They are in the genus Myrmecia and the largest workers are the size of hornets. They nest in craters of soil and are not intimidated by any creature that comes near, including something as big as a human. Edward Wilson has seen them lock their large eyes onto an animal simply walking by the nest. Sentries will turn and watch and if you come close, they walk toward you. If they catch you, you will regret it. When the interloper makes the correct decision to leave, they follow up to 10 meters, or 32 feet, to make sure you don't come back.  Bull ants are pretty scary due to their size, but ants that live in symbiosis with a specific bush or tree are even scarier, especially if you come in contact with them in their home. The guardian ant, Pseduomyrmex triplar, are found in palo alto trees common in Colombia. In 1770 Jose Celestino Mutis happened upon these ants in an unpleasant encounter. He paused under a palo alto on a hot sunny day and quickly found himself covered in red ants that were continuously stinging him. There were so many and they were stinging so fiercely that he had to remove all of his clothes and jump into the nearest body of water.  Edward Wilson gives his vote for most ferocious ant to the tree-dwelling Amazon ant Camponotus femoratus. These ants are also know as the epiphyte garden-ants. They live in the trees and use soil and vegetable detritus gathered from the ground and surrounding branches to build spherical ant-gardens around certain species of epiphytes. Epiphytes are plants that grow on the surface of another plant but does not harm the host plant. The ants' nest is held together in part by the roots of the epiphyte. A quote from Edward Wilson's book Tales from the Ant World tells us all we need to know about why he voted these as the fiercest ants in the world. Quote, “When I turned and walked downwind toward the colony, a swarm of workers erupted almost instantaneously. As I came closer, but still without touching the nest, the defenders went berserk. Piling up on top of one another, they reached out toward me with the abdomens of many pointing in my direction and spraying a cloud of formic acid.” End quote. I see what he voted the garden ants as the fiercest ants in the world! There are many more extremes in the ant world, but I have already gone over time for this episode. I'm glad you joined me for my ninth favorite thing about ants, their extremes.  If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about ants.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, my very own piano playing hero.

Summary: We know ants are farmers, but are they also ranchers? Join Kiersten to find out!   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes:  “Adventures Among Ants” by Mark W. Moffett “Trophobiosis is a tropical rainforest on Borneo: Giant ants Camponotus gigs (Hymenoptera: Formicidae) herd wax cicadas Bythopsyrna circulate (Auchenorrhyncha: Flatidae),” by Martin Pfeiffer and Karl Eduard Linsenmair “Aphid-farming ants,” by Annie B. F. Ivens and Daniel J. C. Kronauer “Ecological consequences of interactions between ants and honeydew-producing insects,” by John D Styrsky and Micky D. Eubanks Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… I'm Kiersten, your host, and this is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. Two episodes ago we found out that ants are farmers, at least some species of ants are farmers and they are amazingly well organized and productive farmers. The other side of sustained food production is ranching. Ranching is a form of agriculture focused on raising livestock for various uses. Are ants ranchers? Let's find out! The eighth thing I like about ants is their ranching activities. For those of you listening in order, last episode we learned about the Weaver ants of Africa that live in trees. They are some of the coolest ants out there with special physical adaptations  and behavioral adaptations that help them survive in the tree. One of the activities I didn't talk about, because I was saving it for this episode, is their ranching. The weaver ants, Oecophylla longinoda, use other insects as a form of food resources. Now they do hunt other insects and tear them apart and eat the bits, but they also corral certain insects and use the honeydew that those insects produce as food. Mealy bugs, plant hoppers, and scale insects are some of the “cattle” that Weaver ants utilize. These insects are all sap-sucking species that tap a plant for it's sap and drink it. The ants love the honeydew, or doo-doo, that comes out the other end of these insects. Yes, that's correct, the ants are eating their excrement which is actually more nutritious than nectar.  The Weaver ants are protective of their livestock keeping them from harm and moving them to fresher pastures, just like human cowboys. They often build leaf tents over and around their charges keeping them hidden from predators and controlling their movements so they can gather the honeydew for as long as the insect lives.  Who knew ants were ranchers? It's not only Weaver ants that exhibit this behavior.  Some species of Formica ants are also ranchers. They will tend similar insects as the Weavers including Mealy bugs, plant hoppers, scale insects as well as whiteflies and aphids. I found several papers talking about the relationship between Formica ants and aphids. They really treat these aphids like humans treat cattle. The ants tend them, watching them to protect them from predators, they will pick them up and remove them from a plant when danger arises (okay humans can't pick up cattle, but we can escort them to another area when needed), and when the part of the plant that the aphids are eating from begins to run dry the ants will take them to greener pastures. The ants are after the honeydew, of course, the excrement from the aphids, just like the Weaver ants. It is high in concentrated sugars and carbohydrates that keep the ants running.   Giant ants, Camponotus gigas, from the tropical forests of Borneo herd wax cicadas. They are incredibly well organized in their herding and perform three behaviors to help gather as much honeydew from these cicadas as possible. Some of the ants are collectors and spend about 80% of their time sitting below the cicadas to collect the honeydew as it comes out. Ants that spend their time collecting often focus on one cicada, returning to the same individual after each collection. There are also secondary gatherers that collect honeydew from the body parts of the primary collectors and receive honeydew via trophallaxis, or passing of regurgitated liquids to another insect. This allows the primary collectors to spend more time collecting directly from the cicadas. The secondary gatherers take the collected food back to the nest. A third worker might sometimes stand in front of the cicada and perform what the researchers called “antennating from ahead”. One or more ants will sit in front of the cicada or next to it and gently tap it with its antenna. At times this seems to encourage the cicadas to pass honeydew more frequently, but sometimes it didn't do anything, except possibly annoy the cicada. It's so interesting that these Giant ants of Borneo have adapted such specialized behaviors to collect excrement from another insect. It may seem like the ants may be controlling the aphids or cicadas and taking advantage of their production, which is not entirely false. Many ant colonies restrict the movement of their insects just like humans do with cattle, allowing them to go only where they want them to go, but its not always bad for the cattle. Aphids are not the most cleanly insects and they congregate in large groups, as any gardener listening to this episode will tell you. A group of aphids can suck a plant dry! Anyways, the ants retrieve the honeydew almost immediately once it is excreted. This is an advantage to the aphids, because it cuts down on fungus that can grow on the excrement and sicken the aphids. The ants are also protecting them from predators. Some ants remove Ladybugs, their larvae, and pupae from the plants that the aphids have chosen to feed upon. Ladybugs love a juicy aphid! Parasitic wasps that feed on aphids are also on the ants' radar. One of the questions that researchers have about this mutualistic relationship is whether it's obligate or facultative. Turns out it can be both. Facultative mutualism is a relationship where both parties benefit from each other's company but do not rely on each other. The previous discussion is an example of this. The Formica ants tending these aphids can walk away and find food elsewhere and the aphids can also go about their business without the ant ranchers. Obligate mutualism is when one or both parties is reliant on the other for survival. Some ants and aphids have evolved to rely on the other for survival. Some species of aphids and other insects have lost their ability to protect themselves without the help of ants. Some ants rely on the aphids and other sects to provide honeydew, they have lost the ability to go out and look for other food. Certain aphids live inside the ant colony and have lost the ability to grow wings and fly to find a mate. They just reproduce asexually throughout their entire lives and never the the ant colony at all. If these aphids left the ant nest, they would not survive. I guess we have proven that ants can be ranchers, as well as farmers. Thanks for joining me for this episode of ants as ranching is my eighth favorite thing about them. If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about ants.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, my very own piano playing hero.

Summary: How do colonies of ants live in trees? Find out in this episode about arboreal ants.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes:  “Adventures Among Ants” by Mark W. Moffett Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… I'm Kiersten, your host, and this is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. We are rounding the bend with the ants series and there is no better way to do that than to take to the sky. The title of this episode is Arboreal Ants. There are ants that live in trees and never touch terrestrial earth their entire lives. You thought the Leafcutter ants were amazing, well hold on to your hat because the seventh thing I like about ants is the colonies that live in the trees. Arboreal ants, which are ants that live in trees, are found on many different continents and there is more than one species, but we are going to focus on one species in particular so we can really see their amazing qualities in detail. We're spending some time with the Weaver ants of Africa, Oecophylla longinoda. Now living in a tree for an ant is no small feat, so how do they do it? Terrestrial ants dig into the dirt and create many chambered nests. It's kind of difficult to dig into  a tree, so where are arboreal ants living? Weaver ant nests are most common in the outer, uppermost branches of trees where the sun light is bright. Here, the ants will bind adjacent healthy leaves together to create a treetop tent. The size of each nest will vary but is often between the size of baseball or a volleyball. They are as light as an inflated ballon and can withstand wind, rain, and enemy invasions. To begin building a nest, a worker ant will pull the edge of a leaf toward the edge of another leaf. If her bending is successful other workers will come to her aide.  Now weaver ants get their name from the next step. To keep the leaves together they employ their larvae. If you're think, “What?” I hear ya! The larvae are picked up by workers and taken to the edge of the leaf connection. The workers tap the larvae on the leaf to encourage the larvae to release silk. Yes, the larvae of many species of ants create silk. The Weaver ants use this silk to secure the leaves together. The motion of shuttling the larvae back and forth to connect the leaves with the silk is where the weaving comes in. The nests may last for years because when one leaf dies the ants will just weave in another living one.  The nests are larger enough to house thousands of ants, but the weaver ants don't have just one nest in the tree. They travel all over the tree that they call home, so they often build other trees  op tents so they can maximize their resources. They don't stick to one central nest, they have the ability to move around when they need to. One territory can have multiple nests. The queen is often in a nest that is the most centralized to the territory, but her eggs are distributed throughout all the nests. With all of these spread out workers, Weaver ants have to have an excellent communication strategy. And boy, do they! Earlier we learned that pheromones are integral to ant communication. It's the same with weaver ants, but they have a specialized gland that helps the pheromones that they use to create their paths last longer than terrestrial ants. They have an anal gland that helps them make their poop a bit more than just poop. To keep their pathways from wearing away too quickly, weaver ants use their feces to create longterm smell paths. The droplets of worker excrement hardens into a shellac like substance that can last for months.  This form of communication also allows these ants to do something most other ants do not, defend a specific territory. Weaver ants are known to defend  their treetop territories from other ants they encounter. With the pheromone lines drawn already it gives them an advantage in skirmishes. Their scent is already laid down. If a weaver ant encounters an enemy worker, she will race back to more familiar territory to recruit help. She does this by mimicking fighting motions and other workers will follow her prepared for battle. So what do weaver ants eat? This species of ant is omnivorous. They eat both meat and veggies. One of the coolest things they target is nectaries created by trees. These are spots on the leaves of trees that seep nectar. This isn't like the sap that leaks from the tree's bark, this is like the nectar that a flower produces. When they find a nectary, the weaver ants will built a tent around it to hide it from other animals that might be interested in this pot of gold as well.  Weaver ants do eat meat in the form of other insects, Mark Moffett retells an experience he had in Cambodia as he watched some local Oecophylla drag a 5 cm long scorpion up a tree to pull it apart, as well as other meat items such as birds, bats, and other ants. The protein is eaten mainly by the larvae while adults typically consume sap and nectar. Does the tree benefit from the ants in residence or are they detrimental? This is a question that ecologists try to answer through cost/benefit analysis. Some benefits to the tree are weaver ants culling leaf eating insects before they can defoliate the tree. Foliage lasts longer in areas where the weaver ants live. The ants also provide a bit of fertilizer to the tree as well by pooping on the leaves. Trees can absorb some nutrients through their leaves. On the cost side, some of the leaves the weaver ants use to create their nests are permanently lost, but considering the small percentage of leave the ants use, I think the benefits outweigh the costs.  I hope this quick foray into the treetops with these arboreal ants was worth it, because treetop living ants is my seventh favorite thing about ants. If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about ants.    (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, my very own piano playing hero.

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Summary? Can ants be farmers? Join Kiersten to find out!   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes: “Tales from the Ant World” by Edward O. Wilson “Adventures Among Ants” by Mark W. Moffett Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… I'm Kiersten, your host, and this is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. Can ants be farmers? In this episode we are going to find out. The sixth thing I like about ants is their farming abilities. You may have heard of leafcutter ants. These are ants that cut leaves and carry them back to their colony. They are often highlighted in nature television programs. It's mesmerizing and charming watching a line of ants traveling with various sizes of leaf pieces held above their heads. Leafcutters will fall into one of two genera: Acromyrmex and Atta. There are 39 species that we currently know of and they are all found in the New World. Atta are most prevalent in the tropics of South America but there are two species that can be found in North America, one in Texas and Louisiana and one in Arizona.  Leafcutter ant nests can extend 7 meters, or 22 feet, into the earth and contain eight thousand chambers. The largest chamber is typically the ant waste chamber which is buried as far down as they can make it. The title of this episode is farmers so how does that relate to our leafcutter ants? Well, leafcutter ants are farmers. I used to think that they cut those little pieces of leaves to eat themselves, but that is not what they are doing. They take the leaves back to their nest where they feed it to fungus. They tend the fungus like farmers and then they eat the fungus, or rather the larvae eat the fungus. So I guess every leaf cutter ant eats the fungus at some point in their life.  The adult workers ants eat the sap from the leaf fragments that they cut. This is what energizes them to process the leaves. The leaves have to be mulched first before it is fed to the fungus. The fungus will grow and grow and grow in the leafcutter nest. It will fill up the majority of the chambers with a lightweight spongy structure that kind of looks like a human brain and is called a fungus garden. The ants tend the fungus by adding new leaves to the top and sides while they removed the older bottom portions.  It is unusual that ants are completely dependent on vegetation, but leafcutter ants are. The fungus is actually high in protein and that helps the larvae grow big and strong.   The largest nest that Mark Moffett ever came across during his studies was in the Kaw Mountains of French Guiana. The above ground soil mounds were chest high and ranged over a 14 meter wide area. It ranged over about 160 square meters in total. If we compared this to a human made structure, it would be bigger than the Empire State Building in New York City. This nest probably housed millions of workers.  A nest of this size can require an excavation of 40 tons of soil. It must house the queen, the brood, and the workers but even with millions of ants it's the fungus gardens that take up most of the real estate. The ant population can weigh up to 15 to 20 kilograms and utilize 280 kilograms of leaves. That's enough plant matter to blanket a soccer field. Now, this is a lot of living things inside an enclosed space, so it gets hot and humid. To combat increasing heat and humidity which slows down fungal growth, the ants have installed air conditioning ducts. The long tunnels that open above ground are placed strategically around the nest to release humidity and heat. If it get too cold, the tunnels will be closed off.  The only reason leafcutter ant nests can support millions of workers is because they are farmers. Just like humans, farming allows the ants to support a larger population by creating their own resources. These ants use incredibly advanced farming techniques. Humans will use various farming equipment to produce large quantities of crops, but for leafcutter ants its all hands on deck. The ants within this species are highly polymorphic, meaning sizes between workers vary greatly depending on your job. The largest soldier ant is 200 times bigger than that of a small worker. These colonies are run like assembly lines of self-directed individuals. Many steps are managed by ants in a variety of sizes. Mid-size workers cut the foliage, carry it into the nest, and deposit it onto the garden surface. Smaller ants with 1.6 millimeter wide heads take the next step which is shredding the greens into scraps.The next step is accomplished by even smaller ants who chew up the scraps into moist pulp. Still smaller ants will insert the pulp into the gardens. Then ants with 1 mm sized heads will lick the pulp and seed it with tufts of fungus from established fungal gardens. This is just like a human horticulturist using cuttings from a vine to establish a new crop! The smallest workers with a head width of 0.8mm remove contaminants from the gardens such as bacteria, yeast and spores.  Just like any good farmer, the ants use fertilizer to help their gardens grow. They don't have to go far to get the fertilizer, they just poop on the leaves. The ammonia and amino acids in the feces helps breakdown the leaves and encourages growth.  To retrieve the plant matter that grows the fungal gardens, leaf cutter ants will maintain almost permanent trails. Other species of ants trails vary depending on where they can find resources, but leafcutter ants are loyal to their grocery stores. Another caste of ants larger than the workers we have already discussed but smaller than soldiers that defend the nest are the maintenance crew for the paths. They will dismantle anything that gets in their way. They haul off debris that they can heft and chew through things they can't. They widen and smooth out the path until traffic is flowing again. They can do this quickly as they are present on the paths at all times! Boy, don't we all wish our highways were that well maintained! There is still one more layer to these superhighways. Worker ants that are smaller than the ladies hauling the leaf parts home will scamper about under the plant carriers and reinforce the pheromone trails. As we discussed before, these pheromone trail are super important for ant communication.  With all of these layers of responsibility, levels of workers, and intricate cooperation, some believe that leaf cutter ants are the gold standard of superorganisms. Quoting from Edward Wilson's book, Tales from the Ant World, “So well-marked and powerful is the division of labor among members of a leaf colony that individual colonies can be reasonably called a superorganism.” The definition of a superorganism is an organized society that functions as an organic whole. Leafcutter ants must have every layer of worker functioning correctly to survive, any deviation and the whole organism dies.  Edward Wilson goes on to say, “The leafcutters are superorganisms that succeed under natural conditions.” I think we have established that ants can be farmers and very successful farmers at that! Thanks for joining me for episode six because my sixth favorite thing about ants is their ability to farm.  If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about ants.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, my very own piano playing hero.

Summary: Let's talk ant anatomy! Join Kiersten as she discusses basic ant anatomy, as well as a few unbelievable anatomy specializations.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes: “Ant Body Structure” - Harvard Forest: https://harvardforest.fas.harvard.edu “Ant Anatomy” - Ask a Biologist, Arizona State University: https://askabiologost.asu.edu/explore/ant-anatomy “Tales from the Ant World” by Edward O. Wilson “Adventures Among Ants” by Mark W. Moffett Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… I'm Kiersten, your host, and this is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. So far we have talked about some extraordinary ant behaviors and we have so much more to explore, but I thought we should look at an individual ant before we move forward. The fifth thing I like about ants is their anatomy. Ants are classified as insects, so they have three body parts: head, thorax and abdomen. They have an exoskeleton made of chitin. Chitin is the second most abundant amino polysaccharide polymer found in nature. It is hard and protects the internal organs of insects and gives their body structure.  The head of an ant typically hosts two compound eyes, two antennae, two mandibles and a mouth on the outside while internally it houses the brain. Many species also have ocelli in the middle of the head, as well. The compound eyes contain hundreds of lenses that combine to form a single image. Species that use vision to hunt for prey will have larger compound eyes, while those that rely on other senses will have smaller compound eyes. All species of known ants have antennae, typically two. The antennae will be constantly moving as the ant tastes, touches, and smells everything it comes in contact with. The antennae will bend in the middle like a human elbow allowing maximum flexibility. Mandibles are super important to ants and they will vary by species. Some of them are extremely specialized and we will go through a few of those species in a moment. In general, mandibles are used to grasp anything ants need to pick up or carry. They are also used to bite, crush, cut, dig, fight, and hunt. Just behind the mandibles is the mouth which is used to eat, clean themselves, and groom nestmates. The last item on the head is the ocelli. Ocelli are simple eyes that detect light. Ant head shape will vary greatly between species and that is dependent on what they eat and how they build nests. The second segment is the mesosoma. Now, I just said ants have three segments and the second segment was the thorax, right? I did and this is technically correct, but the last two segments aren't clearly visible. The mesosoma actually contains the thorax and the front of the abdomen. The mesosoma segment is full of muscles and is where the legs attach to the ant's body. Ants have six legs. Their legs are made for movement and most ants can run fast when needed. Each leg has four segments and a hooked claw at the end of each leg helps the ant climb and hang onto surfaces. The third segment is the abdomen which is made up of the petiole and the gaster. This is the segment that contains all the important internal organs that keep the ant alive, besides the brain which is located in the head. The heart, the digestive tract, and the chemical weaponry is all found in the gaster. The chemical defense system will vary by species. Ants can have a stinger with which to inject venom into prey or predator or they may have a small opening through which they can spray acid to stun prey or defend themselves. In between the mesosoma and the gaster is the petiole. This structure attaches the mesosoma and the gaster together giving the ant enough flexibility to sting or spray acid in different directions. Some species of ants will have a second attachment segment called the post-petiole.  Ant can have separate classes of workers, major and minor workers. They perform different activities. Minors typically take care of the young, clean and build the nest, and gather food. Majors are often soldiers, guarding and defending the colony. Some species will have size differences between these castes and can have modified anatomy to fit their specific jobs. Queen anatomy is slightly different as they are the only ant in the colony making babies. The body will still have three segments, like an other ant as well as all other anatomical parts we have discussed thus far. They will have wings at birth so they can make the nuptial flight but they will lose them soon after reproduction and establishing her new colony.   The queen is typically larger than the other worker ants in the colony. Her gaster will be large because it contains all of her important life-giving organs and her reproductive system. Her mesosoma is also large because she needs more muscles to power flight. As I have stated before, all workers in a colony are female, so male ant anatomy is slightly different. They have wings like the queen so their mesosomas are large and muscular. They may be bigger than some workers but are often not as big as a queen. Their eyes are typically smaller and their antennae are straighter. Their reproductive organs will be large. They don't live very long and are made for only one thing, mating.   Now ant anatomy can be specialized for certain species and I thought we'd talk a little about some of these unique features. Certain canopy ants that spend most of their lives in trees have an internal sac to store liquid called a crop. They can transport tree sap to their sisters in this sac and regurgitate it to feed to them when needed. Kinda like birds. There is also an oral pocket that most ants have in which they store detritus that they clean off each other or strain off a meal before consuming it. Once a day, ant workers will spit out a pellet in the midden pile that is full of this detritus, like an owl pellet! Weaver ants have a sternal gland specific to their family that releases a short-range pheromone during war or hunting to call her sisters to her aide. One on the most diverse parts on an ant is the mandibles. Each species' will shapes will be dictated by what they eat. Some are so specialized that they are modified to eat only one type of prey.  One of the most abundant ants in the world, the dacetines, are small ants with long mandibles that snap together like spring traps. Why would such a small ant need such vicious, fast snapping mandibles? Because they eat springtails. Springtails are small invertebrates that jump fast and high, so these ants have developed mandibles that help them catch this specific prey. Thaumatomyrmex, or miracle ants, have mandibles that look like wicked pitchforks. Their mandibles consist of a flat base that ends in a row of long spikes. Yikes! Why do they need such scary looking mandibles? They eat polyxenid millipedes. These millipedes are covered with dense bristles that ward off most predators. The thaumatomyrmex mandibles allow them to impale the millipedes without worrying about the dense bristles. These ants also have an additional adaptation that allows them to eat these scary millipedes; pads on their forelegs that help them scrub the bristles off the millipede exposing the soft bodies.  There are so many more amazing anatomical adaptations in the ant world, but I only have so much time. Thank you for joining me for the fifth episode of ants because my fifth favorite thing about ants is their anatomy. If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about ants.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, my very own piano playing hero.

Summary: Did you read that title right? Yes, you did. Some ants make slaves of other ants! Join Kiersten to find out how.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes:  “Tales from the Ant World” by Edward O. Wilson “Adventures Among Ants” by Mark W. Moffett Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… I'm Kiersten, your host, and this is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. In the last episode we talked about communication and how pheromones allow ants to give each other important messages and instructions. This is an amazing adaptation that makes them one if the most efficient organisms on the planet, but it does have a downside. Relying on pheromones as your main source of communication can lead to loop holes that others will take advantage of and by that I mean enslavement. Yep! Some ants enslave other ants. It's not exactly something I like, but it is incredibly interesting. So, the fourth thing I find interesting about ants is how they use and misuse pheromones to their greatest advantage. We discussed how ants know who is allowed to come in and out of a colony in the last episode. When ants emerge from their pupal stage their body oils absorb the unique smells of their colony. This gives them the key to re-enter their colony when they venture out, and it helps protect the colony from intruders, but it can also be used to enslave them.  Let's find out exactly how this works. The workers of ant species specialized to be slave-makers will raid colonies of other species. Workers from Polyergus lucidus or Formica subintegra will raid the colony of a vulnerable species such as Formica subsericea. When they raid the colony they have one target, the pupae. The adults of the colony being raided certainly put up a fight and ants on both sides of the battle will lose their lives but the raiders will retrieve at least some of the pupae they were after. That pupae is taken back to the raiders colony and settled in with the nursery there. Within a few days or weeks, the raided ants will emerge and soak up the scent of their new colony. They believe this is their home. It's where they are meant to be. They accept the raiders as their sisters and the raiders accept them as their own. So, the enslavement isn't like what we think of from the human perspective. It is a bit more like capture and domestication of wild animals. In the north temperate zones of North America, Europe, and Asia ant slavery is common especially in the subfamily Formicinae. Oddly, slavery is known in only temperate areas. Five species of Polyergus ants are known to be slave-makers and these ants range across North America, Europe, Russia, and Japan. All of them enslave ants in the genus Formica.   Let's follow a specific raid detailed by Mark W. Moffett in his book Adventures Among Ants. At Sagehen Creek Field Station in the Sierra Nevada of the United States, Moffett and his graduate student watched a raid between Polyergus breviceps, also known as Amazon ants, and Formica argentea. The Amazons were raiding the Formica colony. They watch as the Amazons forced their way inside the Formica colony and then head out the other side with the pupae of the Formica. They flipped a rock to find out what was going on inside and expected to see a war going on between the raiders and the Formica, but that is not what they saw at all. The only fight they saw was one Formica ant in a tug of war with a n Amazon over a pupa, but all the other Formica were just walking around, business as usual. These species of Formica only fight raiders by putting up blockades of dirt. Once the raiders destroy those blockades and enter the colony, the residents just give up and let the Amazons raid the nursery. Mark and his student followed the Amazons back to their own colony and were amazed at what they saw. The Amazons were greeted by adult Formica slaves that took the pupae that they'd just raided from them and scuttled off with the stolen pupae. Other adult Formica ants exited the Amazon colony and picked-up the raiding party and carried them back into the colony where they would be waited on hand and foot. The majority of the time, the Amazons never did anything for themselves they just laid around maybe grooming one of their sisters as the Formica slaves did everything in the colony. A quote from Moffett's book explains everything we need to know about the fate of the stolen Formica pupae, “Assimilated into the wrong society, the ants are duped into a life of servitude, doing all the drudge work their masters won't: building nests, foraging for prey, harvesting honeydew, slaying free-living Formica that enter their territory, and taking care of the brood. The Amazon slavers' only job is to go on raids, replenishing the store of Formica pupae as their enslaved workers age and die.” End quote. The other side of this raiding behavior is also quite interesting. The Amazon ants can't actually take care of themselves. The literally can't do anything but raid Formica nest to steal pupae. They cannot create nests, they cannot find food for themselves, the cannot take care of themselves. They must have slave ants to do it for them.  Moffett tells his readers about an instance when he dropped a piece of his turkey sandwich near an Amazon worker. She walked right by completely ignoring it, not knowing it was a tasty bit of food. It remained where it fell until a Formica slave ant came upon it and took it to the colony.  The Amazon raiders are so out numbered when they enter a Formica colony that, if the Formica actually fought back, the Amazons would lose, but these species have evolved in this unusual dance for years. The Amazons are now dependent on the Formica for survival. Maybe the Formica have accepted the raids as just another day in the colony. Polyergus aren't the only ants that make slaves. It seems to be spread through the ant kingdom. In Yosemite National Park, Edward Wilson came across a raid in progress. The raiders were Formica wheeleri and they had four different species of Formica spread throughout their colony with some of the enslaved ants participating in the raid on another nest.  You would think that slave-making would be a dead end evolutionarily speaking for the ants that adopt this behavior, but it doesn't seem to be causing any of them to go extinct yet. It can degenerate into social parasitism though. Strongylognathus testaceus has completely lost their raiding warrior spirit. The newly mated queen simply moves into a colony of another species and sets up shop right next to that colony's queen. The host colony workers take care of both queens. When the parasitic queen lays eggs the host workers take care of them as well. The adult parasitic ants just kind hang out with the other workers but don't do any work at all. Talk about the couch surfing friend that just won't leave! How did slave making evolve in ants? No one is sure of an answer, but the most accepted hypothesis is that the first slave-makers were competitive species that raided other colonies for whatever they needed and took the pupae as part of their booty and most likely ate them. Some of the pupa survived and became the first slaves. Evolution and survival took over from there. Nature can be so very interesting. Thank you for joining me for the fourth episode of ants. I know it was a choice to listen to this specific episode based on the title, but I am glad you did listener's, because my fourth favorite thing about ants is how the use of pheromones have evolved into something so surprising. If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about ants.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, my very own piano playing hero.

✨ Support the show with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Premium (Ad-Free)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- Find your flow with Alpha Mountain River, an 8-hour sleep and meditation soundscape that blends gentle ambient piano music, the soothing sound of a calm mountain river stream, and subtle 12 Hz alpha wave binaural beats. The soft piano tones create a serene musical backdrop, while the river stream provides natural white noise to mask distractions. Beneath it all, 12 Hz alpha waves help promote mental clarity, relaxation, and focus—making this track ideal for both deep sleep and daytime concentration. Best For: Falling asleep quickly and staying asleep all night Stress and anxiety relief Meditation, yoga, and mindfulness practice Enhancing focus, memory, and creativity with alpha waves Studying, reading, or working in a calm background atmosphere

(1) Tigers continued.... then Around the NFL, Lamar out and looking ahead (2) Jason Fitz from Yahoo! joined J&J to discuss Bad Bunny at Super Bowl & NFL (3) Jason & John tribute to local preps and outdoorsman Larry Rea

✨ Support the show with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Premium (Ad-Free)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- Immerse yourself in deep relaxation with this 8-hour soundscape combining deep brown noise, peaceful ambient piano music, and gentle 8 Hz theta wave binaural beats. Brown noise provides a warmer, deeper texture than white noise, making it especially effective for masking distractions, easing anxiety, and calming the nervous system. The soft piano melodies add a soothing musical backdrop, while the 8 Hz theta waves help the mind shift into a relaxed, dreamlike state—perfect for deep sleep, meditation, or stress relief. Best For: Falling asleep quickly and staying asleep all night Relieving stress, anxiety, and restlessness Deep meditation, mindfulness, and visualization Enhancing focus and creativity with theta waves Creating a calm sleep environment with rich sound layers

Hey, it's Katie and I want to welcome you to this special bonus episode. It'll be here for you completely ad-free for the next week so you can get a feel of what it's like to be a PREMIUM member. If you'd like an easy ad-free experience for all of our podcasts - that's over 200 episodes each month, then JOIN PREMIUM today at https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at hello@womensmeditationnetwork.com to make a request. We'd love to create what you want!  Namaste, Beautiful,

Description:Settle in for a truly peaceful experience with this episode, where you'll enjoy 10 hours of gentle rain sounds blended seamlessly with soothing piano music. Designed to help you unwind, drift off to sleep, or simply find a moment of calm, this soundscape is perfect for relaxation, meditation, or background ambiance while you study or work. Let the calming melodies and the soft patter of rain create the ideal atmosphere for rest and restoration.Take a moment to pause, breathe deeply, and let your stress melt away as you listen. Whether it's bedtime, a midday break, or you just need a peaceful environment, this episode is your companion for serenity and better sleep.Stay tuned for more episodes designed to bring peace and relaxation to your daily life.DISCLAIMER

Episode Title: 10 Hours of Relaxing Rain and Piano Music for SleepDescription:Let the gentle sound of rain and soothing piano melodies guide you into deep relaxation and restful sleep. In this episode of the Be Calm and Relax Podcast, we offer a continuous 10-hour mix designed to help you unwind, ease stress, and drift peacefully into slumber. Whether you're settling in for the night or taking a moment to reset during your day, this calming blend of rain and piano will create a peaceful environment for your mind and body.Take a deep breath, close your eyes, and allow yourself to be carried away by tranquil sounds. Remember, making time for relaxation is essential—give yourself permission to rest.Tune in next time for more calming experiences to help you find your peace.DISCLAIMER

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

There is a span of nearly six decades between the first and last of the compositions on this album of piano music by Czech composer Alois Hába, with works written during various creative periods and with differing intentions. As a whole, they document both the development of the composer's musical thinking and goals and the diversity of approach to composing for the piano in the 20th century.

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,