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10-28 Dirty Work Hour 4: The boys sit down with John Dickinson to talk Dubs hot start & they also bring you a brand new edition of the Sound SoireeSee omnystudio.com/listener for privacy information.

10-28 Dirty Work Hour 4: The boys sit down with John Dickinson to talk Dubs hot start & they also bring you a brand new edition of the Sound SoireeSee omnystudio.com/listener for privacy information.

The Pastors share a word from New Edition.Steve Harvey Morning Show Online: http://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

The JBP kicks the latest episode off by reacting to the FBI indicting over 30 people, including Portland Trail Blazers head coach Chauncey Billups and Miami Heat guard Terry Rozier, for their connections to Mafia-led gambling operations (30:50) before Joe recaps his run in with Ed Sheeran at the Knicks game (1:02:19). Later, New Edition announces a tour with Boyz II Men and Toni Braxton (1:21:05), plus the latest in new music - Leon Thomas' ‘PHOLKS' (1:25:25), Kehlani's ‘Folded Homage Pack' (1:32:47), Dave East's ‘Karma 4' (1:44:01), Hit-Boy and The Alchemist's ‘GOLDFISH' (1:46:11), and more. The crew also discusses Kevin McCall's most recent comments about Chris Brown (1:57:22), news that Al Sharpton was a confidential informant (2:07:16), the latest New York City mayoral debate (2:31:42), how close they can be with fake people (2:41:44), and much more!  Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: www.patreon.com/joebudden 

Ten years, 50,000+ copies, four languages, and about a million stories later… the second edition of Mastering Portrait Photography is here. Sarah flips the mic and grills me about why we did a new edition, what changed (spoiler: basically everything but one image), how mirrorless and AI have shifted the craft, and why a tiny chapter on staying creative might be the most important two pages I've ever written. There's a Westie called Dodi, a cover star called Dory, and a street scene in La Boca that still makes me grin. Enjoy! Links: Signed Copy of Mastering Portrait Photography, New Edition - https://masteringportraitphotography.com/resource/signed-copy-mastering-portrait-photography-new-edition/   Transcript: Sarah: So welcome back to the Mastering Portrait Photography podcast and today's a special one. Hi, I'm Sarah, and I'm the business partner of Paul at Paulwilkinsonphotography.co.uk and also his wife too. Now, you might already know him as the voice behind this podcast, but today I'm gonna get the rare pleasure of turning the microphone around and asking him the questions. So Paul, it's been 10 years since the first edition of mastering portrait photography hit the shelves, and with selling over 50,000 copies, multiple reprints and translation into four languages, it's safe to say it's had a bit of an impact, but as we all know, photography doesn't stand still and neither do you. So today we're diving into the brand new second edition. So Hello Paul. Paul: Hello. It feels weird saying hello to my wife in a way that makes it sound like we've only just met. Sarah: Mm. Maybe, maybe. Paul: The ships that pass in the night. Sarah: Yes. So I thought we'd start with talking about the, the first version. You know, how did it come about? A bit of the origin story about it. Um, and I'll leave that with you. Paul: Well, of course Confusingly, it's co-authored with another Sarah, um, another photographer. And the photographer and brilliant writer called Sarah Plater, and she approached us actually, it wasn't my instigation, it was Sarah's, and she had written another book with another photographer on the Foundations of Photography. Very popular book. But she wanted to progress and had been approached by the publisher to create Mastering Portrait Photography. This thing that we now have become used to didn't exist 10 years ago, and when she approached us, it was because she needed someone who could demonstrate photographic techniques that would live up to the title, mastering portrait photography. And we were lucky enough to be that photographer. And so that first book was really a, a sort of trial and error process of Sarah sitting and interviewing me over and over and over and over and over, and talking about the techniques that photographers use in portraiture. Some of it very sort of over the sort of cursory look, some of it in depth, deep dives, but all of it focusing on how to get the very best out of your camera, your techniques, and the people in front of you. And that's how it came about. I mean, little did I know 10 years ago we'd be sitting here where we are with Mastering Portrait Photography as a brand in and of itself.This is the Mastering Portrait Photography Podcast Yes, because the book sold so well. Sarah: And did you expect it to do as well as it Paul : Oh, I'm a typical photographer, so, no, of course I didn't, you know, I kind of shrugged and thought it'd be all right. Um, and, and in some ways, because you have to boil it down into, I think there's a 176 pictures or there, there were in the first book or somewhere around there, a couple of hundred pages. There's this sense that there's no way you can describe everything you do in that short amount of space. And so instead of, and I think this is true of all creatives, instead of looking what we achieve. We look at the things we haven't done. And I talk about this on the podcast regularly, the insecurity, you know, how to, how to think like a scientist. That's something that will come up later when we talk about the new version of the book. But no, I, I thought it would be reasonably well accepted. I thought it was a beautiful book. I thought Sarah's words were brilliant. I thought she'd captured the, the processes that I was talking about in a way that clarified them because I'm not known for my clarity of thought. You know, you know, I am who I am, I'm a creative, um, and actually what happened was the minute it was launched, the feedback we got has been amazing. And of course then it's gone on to be translated into Italian. A couple of different Italian versions for National Geographic. It's been translated into Korean, it's been translated into German, it's been translated into Chinese. Um, and of course, technically it's been translated into American English. And, and one of the reviews that made me laugh, we've got amazing reviews on Amazon, but there is one that kind of made me laugh, but also upset me slightly, is that both Sarah and myself are British authors. Using English uk, UK English, but for the international market right from the get go the book was using American spellings, Sarah: right? Paul : We didn't know that was what was gonna happen. We provided everything in UK English and of course it went out in with American English as its base language. Its originating language. Um, and that's one of the biggest criticisms we Sarah: got. Paul - Studio Rode Broadcaster V4 (new AI): And when that's the criticism you're getting that people are a bit fed up that it's in American English and apologies to my US friends, of which I have many. Um, it was the only one that really. I don't like that. So I thought, well, it must be all right. And so for 10 years it's been selling really well. book. I never knew it'd be in different languages. Um, it was in the original contract that if the publisher wanted to do that, they could. And really, I only found out it was an Italian when I started getting messages in Italian from people who'd bought the book in Italy. And then of course, we found out. So it's been a remarkable journey and. I don't think I've been as proud of something we've done as I have of the book. I mean, me and you spent hours pouring over pictures and talking about stories. Sarah had to then listen to me. Sarah: Yes. Paul: Mono, sort of giving these sort of diatribes on techniques and things we do. Um, you know, and I think, I think it's a remark. I, well, I still think it's a remarkable achievement. I'm really proud of it. Sarah: Yes. Did, did you think the second edition would, would happen or, um, or how did it come about? Paul: No, not really. Because if you remember, we did a sort of interim update, which was just off the ISBN, so the same ISBN, same book number, but we'd been asked if there was anything that needed tweaking minor word changes, those kinds of things. And I assumed not really being, you know, that time experienced with this stuff is that was. Was a second edition, it was basically a reprint. So I sort of assumed that was the end of it. And then, um, we were contacted the end of last year, um, to say that with the success of the book over the past decade, would we consider, uh, refreshing it properly refreshing it, a new updated edition because of course there's lots of things that change over time. Um. And it's, it was worth having another look at it. So no, I didn't expect it, but it was an absolute joy when the email came in It must have been. It's, it's one of those things that's so lovely when other people appreciate it and know that, um, it would be really good to have a, have another go at it and, uh, see what's changed. Sarah: So it kind of brings me onto what, what have you changed in it? What's, what are the new, the new bits that are in the second edition? Or was it even that from the first edition? You, you knew that there were things you'd love to include? Paul: Well, in a decade, so much changes. I. The equipment is the most obvious. You know, there's a chapter at the beginning on Kit, so you know, one of these dilemmas with books. I think again, we took advice from the publisher as to what do you include in a book? And the publisher were really keen and have stayed really keen that there's a chapter on the kit at the beginning. Um, and apparently that just helps a very particular part of the market sell. So that's fair enough. No problem with that. It's quite fun talking about technology. I don't mind it. Um, but of course that technology's evolved, so we had to update all of that to reflect the fact that 10 years ago we were just beginning to talk about the advent of mirrorless cameras, but they were nowhere near the quality of a digital SLR, for instance. Well, now mirrorless is the professional choice. Everything has gone mirrorless because it's got fewer moving parts. The sensors have increased in, um, sensitivity to focusing, you know, there's a million reasons why that's happened. So of course we've updated all of the technology. I think more importantly, certainly from my point of view is in those 10 intervening years, I've changed every picture. Our clients, the techniques, the. Post-production, the thought processes, um, even down to the fact that with mirrorless cameras, you can actually shoot in a slightly different way. I mean, I'm a traditionalist in many ways. I grew up with a film camera. Yes. So, you know, metering either using a meter or very careful control. Because your dynamic range is pretty limited. Um, maybe the fact that you would focus on a point and then wait for whatever it is that's moving through it, to move through it and take your, take your picture. Um, these were the kind of techniques, you know, lock your focus repose when I started, even even A-D-S-L-R, you know, I'll give you a really good example on how the technology has helped, though. It's not actually part of this book, but it's a, it's a really good illustrative point. Um, technology isn't the be all and end all of photography. What goes on in your head is what matters, but the technology is the enabler. And I work with the hearing dogs every week. We photograph running dogs all the time and with the DSLRs I was using, it would just take four goes, maybe five goes to get that perfect moment where the dog is spot perfect in focus. It's airborne, its paws are off the floor. Everything about it is absolutely right. Four or five goes, you know, because I'm shooting at maybe 10 frames a second. The focusing is more or less keeping up because of course, every time you take a picture, the mirror slaps up and the focusing then has to predict where the dog might have ended up. It's not doing, it's not tracking it at that point, and then you move to mirrorless. Um, and the Z9 that I use now, the Nikon is an unbelievable piece of kit. It locks onto the dog. I can shoot at 20 frames a second. Um, and one of those shots is invariably the shot I'm looking for. And, and that sounds like I'm cheating in some ways, but when you are a professional photographer, your job is to do the very best for your client. And so instead of spending an inordinate, inordinate amount, it's not easy for me to say a very long time. Um. You know, trying to get the right shot. Now I can do it very quickly and move on to another shot so we can provide a wider variety to our clients. And that's true with running children too. Yes. So the technology has changed and the techniques have changed with it. Um, now you're seeing on the back of your camera or through the viewfinder exactly the image. Not a facsimile of it, not a mirror. Prism view of it, you're seeing precisely what you're gonna capture. Um, and that gives you a huge amount of confidence in the shot and a huge amount of control too. You can really fine tune exactly how you want the exposure to be. For instance, you know, you don't have to worry about, is that right? Let's must check the histogram afterwards. You can check the histogram, live in the viewfinder and all these little bits, just make your job different. They, you connect with the shot in a different way. You connect with a client in a different way, and that's the tech side. But I've also, you know, I, in 10 years, I'm 10 years older. You know, in some ways I'm 10 years faster. In other ways, I'm 10 years slower. You know, the cameras are quicker, my shots are quicker, my knees are slower. Um, and it's a different perspective on life. I also teach a lot. The podcast, the book itself, the first edition of the book, led us to the podcast and the website where we run workshops and everything else. So all of this cumulative knowledge, when you look back at the old book, and while I'm still massively proud of it, the new edition was a wonderful opportunity to sit down and say, what would I like, how would I like to be represented this time? Yes, and it's a much more grown up approach, I think. I mean, I, I wasn't a kid back then, but this time around because the book was successful, instead of providing 10 pictures for every slot, I provided the picture I want, in that slot. Right? And so the book is much closer to how I would like it to be as a photographer. Every picture. Now, I could tell you a story about every single picture, every single client, and having the luxury of success on the first version gave me the luxury of being able to do more of what I wanted in this version. This is much more reflective, I think. Of me personally. Yes. And so I've, I've loved it. It's absolutely, it's such a, a lovely process to go through. Sarah: So how many pictures have been changed between the two versions? Paul: All bar one. Sarah: bar one. How intriguing. So will you tell us what the one is, or is that Paul: can, you can go and find that out for yourself. Yeah, so there's one single image that hasn't been changed. There's single image that hasn't been but every other image has has changed from the first edition. Uh, just a caveat to that, of course, some of the kit pictures, uh, 'cause they were generic, they've stayed the same. But every portrait, Wow. every single portrait except for one, has been changed. Sarah: And how did you go about choosing those pictures? 'cause I can imagine, you know, if you're starting effectively with a blank canvas for where the images have gotta go, uh, how on earth did you do that Paul: Um, slowly the publisher will tell you, uh. The thing to you have to remember though, is that this is an updated edition. Yes. And that was the contract. It was not a complete start again. So, although I had the opportunity to change every picture, every picture had to fit into an almost identical space because they weren't gonna redesign it. Right. It's updated edition and we have to be clear about that. So part of the puzzle was not just, which pictures do I want to illustrate, which point. It was, which pictures in the same shape previous do I want to illustrate? I mean, there's some wiggle room in there, but the designers did not want to do a full redesign. That was not what we were contracted for. Um, obviously the words were being updated too. And both Sarah and myself, um, I mean, since the first book I now write for magazines and online articles and things all the time, I write for all sorts of photography stuff. Um, and so actually both Sarah and myself wrote words this time round. Um, but nonetheless, we couldn't change too much. We could bring it up to date, but there, there were still bits that, you know, if I was being truly honest, there are things that I think in the past 10 years have become less relevant. And things, it would've been nice to have put some different stuff in, but that again, this is an updated edition, um, not a complete from the ground up rewrite. So actually I sat down and I looked at all of the, um, chapters and the words that we'd written in the first edition and thought about what we were trying to illustrate and went back to sort of basics really, and where I already had pictures in the portfolio. Um, we used pictures of great clients, interesting light, interesting locations, interesting techniques where there are certain things where, I'm not sure, the first time round, um, the illustrations of them were as good as I, as strong as I would've liked. I shot them again here in the studio, so things like the lighting pattern. You know, I have, I've talked about them for 10 years, these lighting patterns. So it was a really nice chance to sit Katie, who works for us in the studio, uh, to sit Katie in front of the camera and say, right, this is what we're gonna do. And I worked every lighting pattern and redrew every diagram to make that absolutely on point, which I think the first time round, while they are very, very good. They're not what I would've liked them to be this time round. So there was that side of it too. And then of course, and I'm sure you're gonna come onto it, there's a couple of, well, there's a new chapter in there which did give us a chance to explore something a little bit different. Um, so yeah, it was just a long process of finding pictures that if I'm gonna put my name to it, are the ones that I would like. Yes. And it's not always the best picture. It's not always the competition winners. they're in there. They are in there. Of course they're in there. Um, but I think this time round, um, I really enjoyed reminiscing. I think some of the pictures in there, they're all beautiful pictures, don't get me wrong. But some of the people I picked to be in them are people because actually that was a moment that I will remember for the rest of my life for all sorts of reasons. And I think the, the strongest example of that is our cover shot is Dory now. The story of Dory. That sounds really weird. The story of Dory? photo. Dory. Story of photograph. Oh yeah, my you met Dory? Or should we go with I dunno if the story of Dory that's like, sounds like a children's book. That'd be a great chance to write a children's book. So Sarah and I were having dinner. Dory was working in the restaurant that, uh, we are having dinner in. Um, I laughed to Sarah and said, I think, um, Dory would photograph beautifully. Sarah said, we'll, go and ask her. And I asked her and she said, no. She absolutely said no, categorically. And I said, okay. Then I wrote our email address, sorry, I wrote our web address. Uh, on the back of a, of a napkin and handed it to her. I said, look, you know, if you're not interested, that's fine, but have a look at my work. Um, and this was after the first edition of mastering portrait photography, and my idea was for Dorie to come to the studio and we'd film some stuff where we photographed her and use it for information, stuff for people who read the book and maybe create some YouTube videos and things. Um, anyway, at four o'clock in the morning, got an email back from Dory saying, actually, I've just looked at your work. Yes, please. And Dory has gone on to be someone we've worked with fairly regularly. Um, mostly, um, because she's just the nicest person in the world, but also she's supremely photogenic and you bring those two things together and they're the kind of people I love to work with. I love to celebrate. Photography with, so her picture, one of those pictures I shot in that session is the cover shot in the book and she features later on as well. 'cause she's come back with her husband and her kids and it's just a delight. And then there, you know, there are people from all over the world. Um, and so there's a lot of memories in there for both me and for you I Yes, Um, and it was, uh, just a pleasure to go through it. Oh, and the other thing is every single shot is shot since we published the first edition. So I did limit us to the past 10 everything is limited to what, what you've captured in the last 10 years? Yeah. Yes. Because figured that, um, if you're gonna do an updated edition, then, although there were pictures in the first version of the book, I would've loved to have had in there that never made it. Why don't we start from that point and move forwards? Other than the one Other than other than the one other than, one Sarah: so you've, you've talked a little bit about how you've changed and that's been reflected in the book. You've talked a little bit about how the technology has changed, but probably one of the biggest changes has been post-production, um, the introduction of, of ai. So is that reflected in the book, Paul: Yeah, of course it is. Um, the post-production chapter, um, I mean, the thing with post-production is that's a volume of books in and of itself. Uh, we put it into the book Sarah and myself, because I think it was important to note that an image isn't generally finished in camera. It's finished when it's finished. And this is true for film, by the way. This is not news, you know? Um, and it's for as long as film has been shot, transparency's and negatives. People have been doing a certain amount of post-production on them afterwards in their development tanks. Um, or whether they're doing hand toning or something is', this isn't new for me. I think you're about halfway there. Now, the second half might be a very short half, but it's almost certainly gonna evolve, at the very least, um, brightening controlling your tones and cropping. Okay. Maybe a bit of sharpening if that's your thing. So we put that chapter in just to make the point that there is a finishing stage. That was 10 years ago. In those 10 years, everything has changed. Yes. Yes. You know, even if I just kept it to the Photoshopping that we had in the first edition, all of that is different. I. And of course AI has now arrived. Um, I mean, it's a precocious child of a technology at the moment, but it's growing up really very fast and it's gonna affect us in every single element of us as creatives of, of us as business owners. There's, there's no part of our work. Even. Even the people that say I don't believe in AI are using cameras that have AI in them. You know, there's no way of escaping it. It's here with us and you can fight it if you want. And there are bits of it that I'm not that comfortable with. Certainly some of the training, the way they did it on images, without any acknowledgement of copywriting things, it's problematic. But in the end, it's here, it's now, and if you don't embrace it, the people who are in your market as a professional competing with you. Are embracing it so there's no getting around it. So yeah, there's a part of our post-production now talks about specifically EVOTO.AI, which is the app that we use. There's others as well re Bloom and a few others that do a very similar thing. Um, and we've put it in there. Again, not as this is what AI does, but for make, to make people aware that AI is now part of the puzzle. Use it, don't use it. And that's completely your choice. The same as it is with Photoshop. But it's a good place to just remind people. That this is the direction of travel for a good chunk of the industry. So yeah, we've changed that quite a lot. Sarah: And a section at the end. Is it Paul: my favorite section? Yes. this Sarah: a, this was a request from you to add this in. Paul: Yes, yes. Um, there's a, one of the things with doing this as a job, and it's not just a risk, it really does happen, is you find yourself. Sort of burnt out isn't the right word for it, really, or the right phrase for it. But you find yourself same old, same old, same old. You get good at stuff, you get known for stuff. People ask you to do that stuff. You do more of it. You, you're still good at it, but eventually you start to find yourself just a little bit flat. Um, and it happens all the time. And so I put a chapter and I asked the publishers if we could wiggle some stuff around and make some space to put one specific chapter in. It's not a long chapter, but to me it might be the most important chapter in there. It's about staying creative. It's just little techniques, little ideas for staying on top of your game, thinking of new things, being a creative. And, and being a creative is something you have to work at. You can't just, you don't just invent ideas. You have to be open to seeing things and thinking things and trying things, experimenting, working with different people, having mentoring. These are all the facets that I wanted to just in a very short chapter, 'cause we could only squeeze in a couple of pages. But it's the chapter that I think I am the most proud of Sarah: Yes. And knowing you as well as I do, you know, it's part of my challenge in the business is making sure that you keep motivated and keep being creative. So I, I know how important it's, and how we have to put shoots in the diary and, and do things that are just for you, for no other reason. Just than just to let you play. So I, I can see how important that is. Paul: Yeah. I'm, I'm aware of just how much cotton wool you wrap me in and I can feel it building as well. I always know when I'm not firing on all cylinders, because you start to sort of wrap cotton wool around me and start to think about putting it in other things that we need to do, or just a break to get away for a week. You know, there's those things. It's really hard. It's hard being a creative, as in it's hard to be a creative a hundred percent of the time, and b, creative a hundred percent of the time. The, the, you know, being called a creative is one thing, but actually being creative is a process of invention and experimenting and doing things that you haven't done before. That's the point of being creative. Um, and so, yeah, I'm always aware when I'm clearly starting to feel a bit frazzled because I can feel you starting to. Talk about doing other things. Sarah: So what I didn't realize is what you said earlier, that the, all the images have all been taken since the last book. Um, and they're from clients we've had all around the world as well. So I wondered if it would be. Nice to pull out a couple of our favorite images. Um, I sort of going on from your comments about staying creative. One that jumps out to me is when, um, Vivian and Dody came to the studio and, you know, this was a, a lady who came in with her West Highland tert. So Westy Westy, it's a white west. Highland, ter. And, um, we did some beautiful shots indoors, outdoors, um, having lots of fun. And then you built this, uh, amazing scene, um, which is including in the, included in the posing chapter. Do you wanna just explain and tell me a little bit about that one? Yeah. Um. Paul: Um, you know, Dodie, sorry. Vivian had emailed Dodie didn't email, obviously Doty's Do's dog, Vivian Vivian emailed to say she wanted a shoot with her dog. And I kind of, I say I distinctly remember the email. I remember what she said in the email, which is that she couldn't find another photographer who photographed the owner with their dog. Now, I dunno how hard Vivian looked. I'm not, I'm sure there's a lot of photographers listening to this that photograph dogs with their owners and I judge a lot now as a, as a judge and as a coach. So I know it to. Out there. But anyway, she landed on us and I'm thrilled that she did Vivian and, uh, Dodie turned at the studio. And Vivian is just beautiful. She's elegant. She has a real sort of gentle way about her, uh, and this beautiful little West Highland ter, which was for the first 10 minutes, I have to be honest in now. Backstory, my Nan had repeatedly West Highland Terriers. My Nan repeatedly did not train her. Westie, my Nan's dogs repeatedly bit us all of us as kids, as teenagers, as adults. Even my dad would like shut the door and run because this dog would go for him. And so when she turned up with this little Westie, I must admit I backed away. However, Dodi, just like Vivian, was gentle and calm and just followed her around and, and he would sit. In the studio just looking at her while we worked, if it was shots for her on her own. And then when she scooped him up or we tried to do something with him, he was so patient and so well behaved. So I've got this incredible client who wants to do these shots, and at the end of the shoot sometimes the greatest privilege you get is to say to someone, how long have you got? And if they've got a little bit more time. What you can do is say, would you mind just trying a few bits with us? So we cleaned the studio out. It's a white, the, the dog was a white dog. Vivian had a light colored outfit and this kind of fair, and she was just, it. It struck me that we could do something interesting with the white walls of the studio, the white floor of the studio, the white posing blocks that I've had probably for 20 years here. And so I did a couple of things and we, we shot some different combinations and then in the post-production STA stage, I built a model of our studio in 3D in blender, it with blocks exactly the same. And then I can create almost any scene I wanted around this shot that's right in the middle of Dodi looking up at Vivian. Um, and it was one of those shoots that, I mean, every shoot in here, there's a story similar to this where I could tell you it's a shoot I'll remember forever. Um, and it was, and it was just a, a real luxury and, and just, you know, I dunno if Vivian listens to the podcast, but hello. Um, and Vivian's also very kindly sourced books from China for us. Yeah. yes. It's hard to get hold of some of these things when you are not in country. So we're still in touch with her very much. He's a lovely client. Another one that, um, oh, actually there's quite a few in the book from where we work as master photographers with Crystal cruises and so, um. Sarah: We've got this lovely line where we talk about the book, where is it From Venice to Vietnam and Haddenham to Hawaii. Yeah. But, uh, one of my favorite shoots that's included is Christine, when we were in Brena Aires, and actually this is from this year when we were in South America and there's quite a few people that we borrowed on the ship to get some pictures. And also what a lovely opportunity. I think it's in locations. Um. Where there is it and where was it? It was in Le Bocca. Wasn't Itca Le Bocca with Christine? Do you Well, a little bit about that one? What's Paul: It has been a, a real luxury for us in the intervening 10 years. So a lot happened in 20 14, 20 15. And one of the things that happened around the time of the book was they were asked to work with Crystal Cruises, a company that provided the photography to them. Interviewed myself and Sarah. Sorry, us too. It's weird talking, made a third person and giving it right here. Um, interviewed us as a team and ever since then we've been traveling the world with them grading high-end portraits for these beautiful international clients. Um, and this time round the deadline. Not the instigation, but the deadline for the book came up while we were working for about seven weeks around South America on the cruise. So I already had earmarked images from previous cruises, previous visits to different places. But when I was on the ship, there were a couple of people, um, that really leapt out just. Ship. And one of the great luxuries when you have something like a book or you like you've become well known as a photographer, is you can say to people, would you mind stepping in to allow us to take some photographs? So there's a couple of people from the crew where you have to get permission to work with the crew. Um, there's, um. Uh, Barbara is one of the team on there. Uh, say Hi is one of the people on there, um, who were crew members that we just loved the way they were with us. They made our lives wonderful. And so we photographed them specifically to put them in the book. Um, and then there's a client of ours, which is the one you've alluded to, which is Christine Now. We met Christine at the end of another shoot, and this is. Um, I mean, remember this is still the Mastering Portrait Photography podcast, and so it's always worth remembering some of the things that you can do as photographers. This is not just an interview about me in a book, but here's some ideas for you that work. So on the ship, we had just done a shoot, an amazing shoot, and a lady who was in that shoot was showing her images round the bar to all of her friends on our iPad. Now we were drinking, we were sat and we were sat next to this lovely lady who was very quiet and we'd said hello and had a quick chitchat, but not majorly a long conversation. When our client handed us back the iPad, Christine, who was the lady who was sitting with us, said, do you mind if I have a look? And I said, yeah, of course. It'd be my pleasure. You know? So she had a look and she said, would you be willing to do that for me? And I said, well, of course we would, you know, this is what we're here for. Um, and so we arranged to do a couple of different bits. A couple of it is actually two different shoots, but we did a site visit to Le Baca, this area in Buenos Aires. Is that right? Yes. Bueno Aires. Was it? No. Yes. Yes, it was. Bueno Argentina. Yeah. Thank you. Are confused. So we, we did a couple of visits to this place in, uh, bueno Aires Laca to go and check it out for different locations. Uh, myself and you and Keith, who's our client, strictly speaking, who runs the, the photo. Um, company found all these locations and went the following day with Christine to go and explore this really beautiful, touristy area of leer. It's very characterful, it's very hot. Um, very intense actually. There's a lot going on and you do have to have your head on a swivel. Yes. it's quite notorious for pickpockets and thefts and so you do have to be careful. So, Sarah, I mean you, sorry, this is really weird. So I'm used those to talking on my own. So you and me, we were working as a team with Keith. Christine was not. Christine was stealing sausages from barbecue places and running them down alleyways that probably she shouldn't have been. Christine everywhere, but really where we wanted her to be, which was safe and in our site. Um, and if you remember, we kind of, um, we went round a corner. In fact, we were just heading back to the car. We, so Christina had arranged the driver and we'd gone round the corner, haven't we? And we were in this little street. And I just, I looked over the top of the cars to the street shops, the shop fronts on the other side of the road and thought that would make a great picture because the color of Christine's dress, the color of these shops, the whole scene would just be something interesting. But I'm shooting across the road through cars. Um, we've got Keith on the other side of the road with her. You are on the side of the road with me. Both of us trying to keep eyes everywhere 'cause we've now stepped out of the touristy bit. We are now in an area where, strictly speaking, you shouldn't be hanging around with a 10,000 pound camera. Yes. Um, so I dragged the shutter. I got, I got everything else. I wanted it and dragged the shutter in a gap between the cars as somebody walked past. And I have this shot of Christine killing herself, laughing, looking at the camera. Um. With somebody walking past and it has this real vibe of a street shot, a candid shot. It's not, it's been staged, but it's one of my favorite shots in the book because it's, to me, every time I look at it, and this is true of your clients too, and when you're listening, the photographers are listening to this. Remember this every picture, if you've created an experience around it, that picture. We'll hold memories for that client of yours. And it's true for me too. This experience was amazing. We're still in touch with Christine. She's desperate for us to go out and visit her in Texas. Um, but it was such a privilege, such a pleasure. So much laughter and that every time I open that page in the book, that's what it takes me it. I I'm with I love the colors, I love everything about it. And it's nice that it's such a lovely story too. crazy story. Sarah: So who do you think the book is for? Who do you think we'd pick it up and find useful? Paul: Well, I'm hoping another 50,000 people will be. I've, I don't, I don't have total control over that. Um. It's really this, I think there's something for almost any portrait interested photographer in there. Um, if you are already a pro, you're probably not gonna pay a lot of attention to the kit chapter at the beginning. That won't be your shtick. Um, but there will be stuff on posing and interactions and some of the post-production might be of interest. Um, if you are ready. You know, a supremely experienced photographer, you might like it simply 'cause the pictures are really beautiful. I still buy photo books because I will pick them up, look at the pictures and think, do you know what? I'm gonna use that idea. I'm gonna meld that into something else I'm doing because I like, I love seeing. Great photographs. If you are truly a beginner, there's enough in there to get you going. And some of the techniques are a little bit further out there, but mostly it builds on this idea that you have a camera, you have a client, you have your subject, and you're gonna create an experience. And then from that experience, great pictures. So I think it's broader than possibly the mastering portrait photography title gives it. Um, but it covers a little bit of all bases. And it certainly has enough in there to say, actually there's, there's stuff in there that if you do this, it really is quite, um, sophisticated. Yes. Do you, we don't know at this stage in terms of whether it'll be translated into other languages that that usually comes a year after, doesn't it? After the, you last time, say. It was only when I started getting emails in Italian. Yes. Um, that I noticed what happened. And we didn't know if you remember that it was in Chinese and Korean no. we started to put the marketing together for this book. Yes. And we asked the publisher AB, in absolute terms, how many copies have you sold? Yes. And they back with different language versions that we never knew about. Yeah. So, you know. Been been a, a journey of discovery, a journey. a journey. Yes. So, yeah, who knows? I, I really hope they do, uh, create some, uh, different language versions of it. 'cause there's nothing quite like seeing your work in Italian, Yes. So, And, and Chinese, I think that's the one I find the, the most intriguing. Sarah: So the book is officially launched next Tuesday, I believe. Is the 28th. The 28th. Um, so what, what's on the horizon next is what, what are you gonna be doing with the book and knows? Um, I mean, obviously the first thing we've gotta do is get through the launch of the book. Yes. Um, which is exciting. And obviously us two have been walking the studio trying to figure out how to tidy the whole place up. 'cause we haven't done a full on party probably since the last book. No. Or thereabouts. So we've we're inviting. Everybody who's featured in the book Yeah. Um, to a, a launch at the weekend. Yeah. Um, and we are refreshing all of the pictures in the studio, uh, to reflect the pictures that are in the book as well. And it's just, it'll be such a lovely thing to do and it's, I can't wait to see everything when it's up. Yeah. So that's, but next week's gonna be a bit fraught It's 'cause in the middle of all that, I think I've got five shoots to work my way through. Right. I don't sleep much. I a challenge. Yeah. I'm not, I'm I'm not being super, thankfully. Um, so there's that. And then, you know, once that gets rolling, of course I go back to our regular job. I'm judging for the British Institute. Professional photographers print competition straight after. So we've got. A big bash on the Saturday night. Yeah. Uh, for all of our, all the people in the book on the Sunday, we're inviting anybody's around to come and a studio open day, studio open day in the afternoon. And then at some point in that afternoon, I have to go all the way up to Preston Salubrious, uh, Preston, to go and begin the process of judging the print competition for the 2025 print masters. So a lot going on. And you're gonna be busy signing books as well. yeah, It's been a while since I've had to sit and do a big a book signing, but there's a load of that going on. Yeah. Uh, it's just lovely. exciting. It really is. Well, I think that just about brings us to the end of everything. So I've enjoyed being on the other side of everything. Sarah: So I'd just like to say, Paul, thank you ever so much for letting me do that and sitting on the other side of the mic today, um. We have got a limited number of copies here at the studio that Paul can sign, but they will be available at all. Good bookshops, um, with water zones. I think there's some competitions going where they will be with Graphistudio and with. Um. A professional photo. Yeah. Yep. So there's, there's lots of ways for you to get your hands on it and uh, we'd love to know what you think of it and um, especially if you've got the first version and seeing the second version, we'd love some feedback 'cause we are so proud of it. And especially with the pictures in there, and if you can tell us what's that, what's the picture in there that, that haven't been changed? That will be even better. There's no prize. So, no, thank you. Thank you very much. Well, it's a pleasure. And you know what you've gotta say now, don't you? What's that? If you've enjoyed this podcast, is it? No. If you've enjoyed this podcast, please head over to mastering portrait photography.com, which is full of articles. And as it happens, I'm doing all of the behind the scenes diagrams and stories for the images that are in this book. It'll probably take me 10 years to get there, but there's a couple of hundred of those. Uh, and of course, whatever else you do. be kind to yourself. Take care guys.  

This week, Coleman-Mach has announced a new variable-speed RV air conditioner, Suburban and AquaHot have new RV heaters, Ford recalls hundreds of thousands of Super Duty trucks and becomes the recall leader, and new special edition packages from  @Leisurevans  and  @CoachmenRVs    Get 25% Off RV Life Pro here: https://my.rvlife.com/bill/signup/3?s=rvtw&coupon=QE7KAHVF3E Get free shipping on orders over $99 at Etrailer: https://www.etrailer.com/vehicle-finder.aspx?etam=p0001 Get your first month of Mile Marker Membership FREE at https://rvmiles.memberful.com/checkout?plan=96363 with code RVMILES.  Subscribe to the RV Miles Podcast Channel: https://www.youtube.com/RVMilesPodcast.  ****************************** Connect with RV Miles:  RV Miles Facebook Group: https://www.facebook.com/groups/rvmiles Shop the RV Miles Amazon Store: https://www.amazon.com/shop/rvmiles RV Miles Mailing List: https://rvmiles.com/mailinglist Mile Marker Membership: https://rvmiles.com/milemarkers

Speculating on the next Warhammer 40k edition! When will 11th Ed. drop in 2025 and what new rules or factions will it bring? Costs of running a game store https://spikeybits.com/game-store-fails-hidden-cost-of-gaming-tables/ Bourbon & Bolters Retreat: LVO Tickets On Sale Now! Monument Hobbies has some of the best paints in the business: Get yours here Get your hobbies for less from Fabricators Forge   J15 Games Has Your Game Aids, Tokens and Templates! Get them here:  Join our Discord Heretic Swag Essential Hobby Products & Tools List  Buy Wyatt's Miniature:  Table of Contents 00:00 Opening 03:38 News 71:26 11th Edition Welcome to , a new place for bringing the hobby back to wargaming! A podcast hosted by Rob Baer, Kenny Boucher & Wyatt Turk. Become a Veteran of the Long War! http://thelongwar.net/

This week on The Music in Me, I keep the soulful vibes going with a storytelling journey through the world of male R&B groups! Following last week's celebration of girl groups, this episode shines the spotlight on the smooth harmonies, heartfelt lyrics, and unforgettable style of the men who helped shape R&B history. From the timeless classics of The Temptations and The Four Tops to the 90s powerhouses like Boyz II Men and Jodeci, I dive into how these groups changed the sound of music forever — and how their influence still lives on in artists today. Plus, don't miss a fun and entertaining Fun Fact Segment packed with stories and surprises about your favorite R&B legends! MALE R&B GROUP AND SONGS MENTIONED...The Drifters - "Under the Boardwalk" and "Save the Last Dance for Me"The Platters - "Only You" and "The Great Pretender"The CoastersThe Four Tops - "Reach Out I'll Be There"Smokey Robinson and The Miracles The Temptations - "My Girl"New Edition - "Candy Girl", "Cool It Now", and "Can You Stand the Rain"Guy TroopTony! Toni! Tone!Boyz II Men - "End of the Road" and "I'll Make Love to You"Jodeci - "Forever My Lady" and "Come and Talk to Me"Blackstreet - "No Diggity"Dru Hill - "In My Bed" and "How Deep is Your Love"112 - "Peaches and Cream" and "Cupid"Jagged Edge - "Let's Get Married" and "Where the Party At"Next - "Too Close" B2K - "Bump, Bump, Bump"Pretty Ricky - "Grind With Me" and "Your Body"Day26 - "Since You've Been Gone"R&B Girl Groups – Queens of Harmony and Soul Ep. 90What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

Glen Powell on Starring in the New Edition of “The Running Man”

What's the ultimate goal of yoga? According to Patanjali—it's liberation. In this episode, I dive deep into Kaivalya Pada, the final and most mystical book of the Yoga Sutras, to explore how we disentangle from the mind's illusions and return to our true nature as pure consciousness (Purusha). We unpack the mechanics of karma, the role of Dhyana in neutralizing mental patterns, and how to finally recognize yourself as the witness, not the mind. You'll learn:

Napa Valley icon Tor Kenward joins host Billy for a wide ranging conversation spanning five decades of wine, food, and culture in the Valley. Tor traces his journey from a 1970s arrival when Napa had fewer than 50 wineries through the post Judgment of Paris boom, his culinary collaborations with Julia Child, Thomas Keller, and the American Institute of Wine & Food, the founding of the School for American Chefs with Madeleine Kamman, and the creation of TOR Wines, a Burgundy minded, single vineyard model sourcing elite blocks from sites like To Kalon, Vine Hill Ranch, Martha's Vineyard, Melanson Pritchard Hill, Hyde, Beckstoffer Dr. Crane, and more. We also dig into Tor's updated book, Reflections of a Vintner: Stories and Seasonal Wisdom from a Lifetime in Napa Valley with forewords by Robert Parker and Thomas Keller and an afterword by Karen MacNeil, plus candid takes on climate, pricing, and Napa's fifth season, the future.Key Topics & Takeaways1970s Napa, up close: fewer than 50 wineries, campgrounds over hotels, and meeting legends like André Tchelistcheff and Joe HeitzJudgment of Paris impact: how one blind tasting accelerated Napa's global credibility and tourismCulinary engine of Napa: Julia Child, AIWF, Copia, and launching the School for American Chefs with Madeleine KammanFrench Laundry era: early friendship with Thomas Keller; hospitality lessons borrowed from Europe and made Napa specificBuilding TOR Wines: why Tor chose a single vineyard Burgundy mindset over a Bordeaux style estate modelVineyard character, not just variety: how To Kalon vs Pritchard Hill vs Vine Hill Ranch show dramatic Cabernet diversityContracts and farming voice: leasing elite blocks, co deciding canopy, crop load, and timing with family growersThe book's format: a vintage year told month by month January to December plus Déjà Vu, the future of NapaHeadwinds and hope: consumption shifts, fire seasons, pricing ceilings, and why recent cool vintages can be outstandingPrice tiers that make sense: maturing region dynamics, icon wines can command premiums while broader tiers stabilizeLinks & ResourcesReflections of a Vintner: Stories and Seasonal Wisdom from a Lifetime in Napa Valley updated editionLink: https://www.amazon.com/Reflections-Vintner-Tor-Kenward-ebook/dp/B0F37B1GMKChapters00:00 Introduction to the Vent Wine Podcast00:23 Meet Napa Valley Legend Tor Kenward03:04 The Impact of the Judgment of Paris05:21 Founding Tor Wines and Napa's Evolution07:48 Reflections on Napa's Culinary and Wine Scene18:26 The Transition from Sweet to Dry Wines23:02 Napa's Hospitality Revolution26:48 Starting Tour Wines: A Family-Owned Venture27:39 Focusing on Single Vineyards: A Burgundy Approach29:49 Leasing Vineyard Blocks: Building Relationships30:55 Production Numbers and Collaborations31:44 The Unique Characteristics of Napa Valley Wines36:28 Writing the Book: Honoring Napa Valley's Legacy42:59 Climate Change and Napa Valley's Future46:32 The Premiumization of Napa Wines50:10 Conclusion and Final ThoughtsThe Vint Wine Podcast is hosted and produced by Billy Galanko. For more content follow Billy on Instagram @BillyGalanko_wine_nerd and for partnerships and collaborations please email Billy@thewinepod.com. Cheers!

While Elizabeth Shaw may not be well known here in Ireland, the Belfast-born author has been a household name in Germany ever since she travelled to the GDR after World War II, to participate in the building of the communist state through her hugely popular children's books.Joining Seán is Fergal Lenehan, an Irish Academic Researcher based in Germany who has co-written (with Sabine Egger) the afterward for the book ‘How I Came to Berlin', Shaw's memoir, which has been newly published by Lilliput Press…

Jeff and Colgan talk about keywords they're looking forward to playing in M4E.Discord: https://discord.com/invite/udrtfysHContact Email: theothercoastpodcast@gmail.comPatreon:  https://www.patreon.com/theothercoastPaypal:  https://paypal.me/jeffsyin

Maryland head coach Mike Locksley joined the IMS Radio to reflect on the Terps' 4–0 start and first-ever win at Wisconsin. Locksley praised his team's growth and resilience of his young roster and credited true freshmen Malik Washington, Zahir Mathis and Sidney Stewart. Locksley explained how Maryland has leaned more on high school recruiting than the transfer portal, likening the approach to NFL teams building through the draft. He also described collaboration across the staff and roster management. With new athletic director Jim Smith on board, Locksley sees fresh opportunities to leverage the Baltimore/Washington markets and corporate support to push the program forward. The coach acknowledged that last season he spread himself too thin and "lost the locker room," but said the addition of new assistants and his time investment in building relationships with players has freed him to reconnect with players. That, he believes, has helped restore strong vibes inside the program. He also praised veteran receiver Shaleak "Punch" Knotts for his patience and breakout performance, highlighted special teams as a new strength, and noted the program's expanded life-skills training to help players manage NIL money. Also: -- Locksley reveals his favorite win of all-time and his favorite Maryland uniforms, New Edition song and go-to crab spot. -- Maryland loses out on a top basketball recruit. -- What did Buzz Williams get in his latest commitment? -- Will Maryland beat Wisconsin and what's the updated prediction on the rest of the season? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Harry enlists some MESBG Greats to weigh in on a Year Since the War of the Rohirrim edition was announced... Was it an improvement to the game!?

The Beat Club Podcast is back with an unforgettable all R&B edition of Keep It or Cut It! Hosted by Dee Loopz, Motivate Merren, and Trench Got Game, this episode dives deep into sultry vibes, smooth grooves, and hard-hitting critiques as producers from around the globe submit their best R&B beats for live feedback

In this episode, DJ, professor, and author Amani Roberts dives deeper into the leadership and life lessons hidden in music. From the genius of Prince and the reinvention of New Edition to the resilience of Destiny's Child, Amani shows how creativity, collaboration, and failure all shape great artistry—and great leadership. Alongside Galen Bingham, he connects the beats of music history to practical wisdom for business, courage, and personal growth. Subscribe, leave a review, and join the VIP Community for exclusive content—plus instant access to the full conversation with Amani Roberts on Patreon.

In this episode of “The Pulse”, She is known as the Bad Girl of Comedy.  After 30 years in the game Luenell is still going strong.  Luenell joins Bill to talk all about her career and much more on this episode of The Pulse.   “The Pulse” has welcomed names like Marlon and Tito Jackson, Michael Rapaport, Scott Wolf, Kevin Bacon, Kathy Griffin, Hank Azaria, Sarah Silverman, Sheryl Lee Ralph, Joey McIntyre, Lewis Black, Ruben Studdard, Clay Aiken, Jeff Ross, New Edition, Macy Gray, DJ Jazzy Jeff, Donnell Rawlings, Vivica A. Fox, Bill Bellamy, Michael Blackson, Gavin Rossdale, Sheila E., Jay Mohr, Jerry O'Connell, Star Jones, Mo'Nique, Craig Ferguson, Darryl McDaniels, Kenny Lattimore, Tommy Davidson and more. In addition to the Podcast The Pulse airs on TV in Philadelphia every Monday night at 6:30pm on FOX 29 as well as airing every Friday on FOX Soul.

New Edition of ibiza Ultra Sounds

The Lads head to The Dominion Cup & Border Princes as the Blood Bowl Summer season heats up!SeanH1986 joins the lads to delve into EuroBowl win rates by Coach  ELO rating.It's time for another Glance @ GLAM with lots of movement going on in the rankings.Finally, the lads have a quick chat about "What we know" of the upcoming Blood Bowl: Third Season EditionMusic from this episode:Get With You - The Damn TruthMagic Mountain - Hollow ShipDog Dribble - Getdown ServicesWhich One Is the Jellyfish? - Aunt Cynthia's CabinGame Over - AntelopeContact us: Join us on our Eye of Nuffle DiscordFind us on FacebookEmail - eyeofnuffle@gmail.com    

(00:00-28:54) Please, if you would, change my name. Tim got "This Guy'd" by Jackson right before the show. Martin dabbling in some SEC podcasts. Outer Banks. The Stifel Charity Classic moving to October next year and becoming part of the playoffs. Audio from The Gashouse Gang on KMOX of Brant Brown talking about Jordan Walker's preparation. Mo Blooms. Computer virus kept Doug out of the fantasy playoffs.(29:02-59:11) Former Cardinal Adam Wainwright joins the show talking about his Homerun Derby X Title. Disappointed he didn't hit any homeruns after 2017. Wishing the NL would have stayed away from adding the DH. Losing a lot of the strategy of National League baseball. Pitchers tipping pitches. Performing this weekend at Worldwide Technology Raceway. Bill Murray & His Blood Brothers. Adam's thoughts on Brant Brown's Jordan Walker comments. Comparing Walker being under the microscope to the Colby Rasmus situation. Jackson turns on his mic, and Waino's gotta go.(59:21-1:20:20) Congrats to New Edition for getting a street named after them in Boston. Lemmings Open a month from today. Harrison Bader on a heater with the Phillies. The Legend of Columbia has some restaurant recs for Tim. How'd he become The Legend? Jackson's bragging about his Uber rider rating. His 5.0 rating is down to 4.83.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What a time Boston had celebrating the legendary group New Edition over the weekend.

start HBCU Huddle Game of the Week: Tennessee State v. North Dakota State00:09:00 Week 2 picks00:22:00 Polls (BoxToRow & national)00:24:00 Huddle on the YardMike Wallace's trip to JSURonni Williams returns to MVSU00:34:00 Culture Maker: Marching 10000:46:00 Pick 6: Favorite New Edition Songs

In this episode of “The Pulse”, Psychic Medium John Edward joins Bill Anderson.  John talks about how he has helped thousands of people deal with grief by connecting them to the other side.  John also tells us how he has worked with an FBI Special Agent solving some of the nation's toughest cases.   “The Pulse” has welcomed names like Marlon and Tito Jackson, Michael Rapaport, Scott Wolf, Kevin Bacon, Kathy Griffin, Hank Azaria, Sarah Silverman, Sheryl Lee Ralph, Joey McIntyre, Lewis Black, Ruben Studdard, Clay Aiken, Jeff Ross, New Edition, Macy Gray, DJ Jazzy Jeff, Donnell Rawlings, Vivica A. Fox, Bill Bellamy, Michael Blackson, Gavin Rossdale, Sheila E., Jay Mohr, Jerry O'Connell, Star Jones, Mo'Nique, Craig Ferguson, Darryl McDaniels, Kenny Lattimore, Tommy Davidson and more. In addition to the Podcast The Pulse airs on TV in Philadelphia every Monday night at 6:30pm on FOX 29 as well as airing every Friday on FOX Soul.

Both Down Episode 183 – Blood Bowl New Edition (Season 3) – What??? A NEW EPISODE ALREADY??? Not even a week since the last one and here you go. It’s another quick one, but it’s about the new Season. Don’t … Continue reading →

NEW EDITION ANNOUNCED FOR BLOOD BOWL!!! https://www.warhammer-community.com/2023/06/05/meet-the-star-player-who-clears-the-pitch-with-fouls-and-foulness-alike/ — Get Your BHPC Loot here: https://boneheadpodcast.com/shop https://shop.spreadshirt.co.uk/bonehead-podcast/ Patreon Link: https://www.patreon.com/c/TheBoneheadPodcast Come join us on the Bonehead Podcast Discord: https://discord.gg/yGtuTseENb #BloodBowl #GamesWorkshop #BoneheadPodcast -- Games Workshop,Games Workshop Bretonnian Team,Blood Bowl, Blood Bowl Team, Blood Bowl 2, Blood Bowl 3, Blood Bowl 2020, Warhammer, Games Workshop, Bonehead Podcast, Bonehead Championship, Dungeon Bowl, Blood Bowl Sevens, 3D Printing, 3D Printing Miniatures, 3D Printing Blood Bowl, Top 5 Friday,Blood Bowl Norse ,Blood Bowl Norse Team,Blood Bowl Norse Models,Blood Bowl 2 Norse ,Blood Bowl 3 Norse ,Blood Bowl 2020 Norse ,"

(0:00) Leroy Irvin & Cerrone Battle begin the final hour of the show with the Entertainment Report - featuring a Weapon movie review and further celebration of Boston supergroup, New Edition, on New Edition Day. The duo discuss their choices for sports that require the most work. Callers start to weigh in. (14:48) Leroy & Cerrone highlight the fact that boy bands don't exist in this day and age. Callers continue to weigh in. The duo react to Payton Tolle's impressionable debut at Fenway. (24:07) Irvin & Battle stay Above The Rim as they preview the College Football season and Cerrone gives his outlook on Bill Belichick and UNC. More callers and their hardest sport of choice. (34:45) The Playa's Call - Time where the panel takes time to acknowledge someone in sports/life. ------------------------------------------- FOLLOW ON TWITTER/X: @BostonLIrvin | @Cerrone_Battle | @jorgiesepulveda

WBZ NewsRadio's Mike Macklin reports.

(0:00) Leroy Irvin & Cerrone Battle begin the show celebrating New Edition Day and dedicating today's Music of the Day to the legendary Boston group. The duo give New Edition and its members their flowers, as Boston is throwing a block party and naming a street in their honor. (11:17) Leroy & Cerrone react to the shocking release of Jabrill Peppers. They speculate on the different possibilities as to what led to the surprise cut of arguably the Patriots' best Safety. Andrew Callahan comments on potential reasons for Peppers' release. (22:32) Irvin & Battle break down the latest signing for the Patriots - backup QB, Tommy DeVito. Another mediocre player hyped up? (32:49) Latest reporting on Christian Gonzalez' hamstring injury has him questionable for Week 1 against the Raiders. Leroy highlights the narrative that diminishes Gonzalez' importance to the Patriots defense. ------------------------------------------- FOLLOW ON TWITTER/X: @BostonLIrvin | @Cerrone_Battle | @jorgiesepulveda

A Salem State student could be facing criminal charges after a hoax bomb threat, a former Boston City Councilor is scheduled to be sentenced Friday, and Boston honors "New Edition". Stay in "The Loop" with WBZ NewsRadio. 

Michael Bivins joined the show to talk about New Edition Day tomorrow in Boston! The secret sound is back! Listen to Billy & Lisa weekdays from 6-10AM on Kiss 108!   

Huge trade in the NFL and the Patriots were nowhere near it // Scheim says missing out on Parsons is a huge swing and miss for Vrabel // Fantasy drafts and world record putts // Wiggy praises Mike Bivens and New Edition for getting their own street // Callers agree that not trading for Parsons is a massive whiff // They Said It: Jerry Jones doubles down on his Micah Parsons trade // What's a Mike Vrabely football team look like exactly? // The News With Courtney: New motto, seal and flag, same good 'ol Mass to us // Perhaps the most triumphant weekly "Rap Up" from our guy Akrobatik // Wiggy says whoever likes Parsons trade knows nothing about football // Hill Notes reacts to the Parsons trade // Crossover with Keefe, talking best fantasy football loser punishments //

Wiggy praises Mike Bivens and New Edition for getting their own street // Callers agree that not trading for Parsons is a massive whiff // They Said It: Jerry Jones doubles down on his Micah Parsons trade //

What if the final stages of yoga aren't about flexibility—but inner mastery? In this episode, I dive deep into Book 3 of the Yoga Sutras, where Patanjali explores the advanced limbs of yoga—Dharana, Dhyana, and Samadhi—and how their fusion, called Samyama, unlocks not just insight, but mystical abilities (siddhis). We explore:

In this episode of “The Pulse”, Stella Cole joins Bill Anderson.  Stella talks all about her career including how taking a chance during covid led to much of her success. “The Pulse” has welcomed names like Marlon and Tito Jackson, Michael Rapaport, Scott Wolf, Kevin Bacon, Kathy Griffin, Hank Azaria, Sarah Silverman, Sheryl Lee Ralph, Joey McIntyre, Lewis Black, Ruben Studdard, Clay Aiken, Jeff Ross, New Edition, Macy Gray, DJ Jazzy Jeff, Donnell Rawlings, Vivica A. Fox, Bill Bellamy, Michael Blackson, Gavin Rossdale, Sheila E., Jay Mohr, Jerry O'Connell, Star Jones, Mo'Nique, Craig Ferguson, Darryl McDaniels, Kenny Lattimore, Tommy Davidson and more. In addition to the Podcast The Pulse airs on TV in Philadelphia every Monday night at 6:30pm on FOX 29 as well as airing every Friday on FOX Soul.

In this episode of “The Pulse”, The Indie King of Neo-Soul Eric Roberson joins Bill Anderson.  Eric talks to Bill about his 30 plus years of self-published success and reveals what keeps him going and where the inspiration comes from.   “The Pulse” has welcomed names like Marlon and Tito Jackson, Michael Rapaport, Scott Wolf, Kevin Bacon, Kathy Griffin, Hank Azaria, Sarah Silverman, Sheryl Lee Ralph, Joey McIntyre, Lewis Black, Ruben Studdard, Clay Aiken, Jeff Ross, New Edition, Macy Gray, DJ Jazzy Jeff, Donnell Rawlings, Vivica A. Fox, Bill Bellamy, Michael Blackson, Gavin Rossdale, Sheila E., Jay Mohr, Jerry O'Connell, Star Jones, Mo'Nique, Craig Ferguson, Darryl McDaniels, Kenny Lattimore, Tommy Davidson and more. In addition to the Podcast The Pulse airs on TV in Philadelphia every Monday night at 6:30pm on FOX 29 as well as airing every Friday on FOX Soul.

Pastor Frederick Douglas Haynes shares an inspiring story about gospel singer Smokie Norful writing I Need You Now during a personal crisis, highlighting how challenges can spark creativity. News updates include Tropical Storm Erin nearing hurricane status, President Trump meeting with Vladimir Putin, and Air Canada preparing for a strike. In sports, the NBA schedule drops, Tyreek Hill’s growing family grabs headlines, and Pat Riley is set to get a Lakers statue. The Hot Spot covers New Edition’s 42nd anniversary and their new Boston street name, Offset reflecting on mistakes in his marriage to Cardi B, and Venus Williams getting her own Barbie doll. The crew wraps with a fun debate on which artist they’d listen to for a 12-hour road trip.See omnystudio.com/listener for privacy information.

This episode blends inspiration, entertainment, and laugh-out-loud moments. Pastor Frederick Douglas Haynes opens with a message about finding creativity in crisis, leading into national news updates, NBA highlights, and celebrity stories like New Edition’s anniversary celebration, Offset’s public reflection, and Venus Williams’ Barbie doll honor. Gary with Da Tea covers Anthony Mackie’s breakup and Nene Leakes’ status with RHOA, while prank calls and Black Tony’s antics keep the comedy flowing. Denzel Washington’s comments on sports commentary and Pete Davidson’s openness about addiction spark discussion before the crew dives into a trending topic on petty revenge, with outrageous listener stories. The show closes with a spirited Battle of the Sexes, Barack Obama’s remarks on democracy, lighthearted sports banter, and Anderson Paak’s tale of speaking his Super Bowl halftime dreams into reality.See omnystudio.com/listener for privacy information.

Under Review HR 3 8.8.25 Reed Carringer Joins and New Edition of In Or Out

In this episode of “The Pulse”, Bill Anderson is joined by Lisa Lisa.   Lisa Lisa talks to Bill about her 40 year career, her battle with cancer, and why her family tried to talk her out of getting into the industry.   “The Pulse” has welcomed names like Marlon and Tito Jackson, Michael Rapaport, Scott Wolf, Kevin Bacon, Hank Azaria, Sarah Silverman, Sheryl Lee Ralph, Lewis Black, Ruben Studdard, Clay Aiken, Jeff Ross, New Edition, Macy Gray, DJ Jazzy Jeff, Donnell Rawlings, Jim Lampley, Vivica A. Fox, Bill Bellamy, Michael Blackson, Gavin Rossdale, Sheila E., Jay Mohr, Jerry O'Connell, Star Jones, Mo'Nique, Craig Ferguson, Darryl McDaniels, Kenny Lattimore, Tommy Davidson and more. In addition to the Podcast The Pulse airs on TV in Philadelphia every Monday night at 6:30pm on FOX 29 as well as airing every Friday on FOX Soul.

(00:00-8:51) Tim should never doubt himself. 1988 was a big year with New Edition and Kirk Gibson's homerun. The next generation of world-class athletes. Will players start to shut it down earlier? Social media affecting players' mental health. Andrew Luck pioneering shutting it down a bit early instead of a bit late.(9:00-23:46) TaylorMade using a photoshopped photo of Scottie Scheffler's hairline. Sports Illustrated reporting on it. The center of the peninsula has lost some land. Jackson was startled by some aerial shots from Sweet Sweet Ky's wedding. Are there any women out there into bald men? There is a dating app for bald people.(23:56-32:51) E-Mail of the DaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In today’s Rickey Smiley Morning Show Podcast recap: First, heartbreaking news from Arizona, where a nursing home blaze claimed at least nine lives, highlighting growing concerns over emergency preparedness in eldercare facilities. Shifting to celebrity headlines, actor Columbus Short has been granted a temporary restraining order after his wife accused him of choking her—and he contends she physically harmed their puppy—signaling a bitter domestic dispute. In music industry news, Beyoncé’s team confirmed that unreleased tracks were stolen from a rental vehicle belonging to her choreographer in Atlanta. Over five thumb drives storing upcoming material were taken, and police have since issued a warrant for a suspect. Lastly, legendary producer Jermaine Dupri praised New Edition as the "best group ever", sharing his appreciation during an appearance on the Fat Joe & Jadakiss podcast. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Legendary producer Jermaine Dupri praised New Edition as the "best group ever", sharing his appreciation during an appearance on the Fat Joe & Jadakiss podcast. See omnystudio.com/listener for privacy information.

RUNDOWN Mitch and Hotshot open Episode 339 by revisiting one of Seattle sports fans' oldest wounds — the Sonics' departure — while Oklahoma City dances in the NBA Finals. That leads to a spirited deep dive into Boston's music history, with Hotshot tested on everything from Aerosmith to New Edition. Mitch drops a classic Sonics tale: the time he painted his face in silent protest on a live Sonics pay-per-view broadcast. Pete Carroll makes a podcast appearance — not here, but on Get Got with Marshawn Lynch and Michael Robinson — and throws light shade at Earl Thomas while diplomatically reflecting on his Seahawks departure. Marshawn lets him cook. Mariners No-Table, Brady Farkas reacts to a 30-run explosion in Chicago, marvels at Cal Raleigh's historic pace, and debates whether Cal should skip the Home Run Derby to stay fresh. JP Crawford's All-Star case gets real, Solano suddenly looks irreplaceable, and the lineup finally shows life from top to bottom. Jason Puckett returns for the KJ-Aren'ts, where Mitch discovers Puckett's age through a Thunder hate-watch article and recounts legendary sideline reporting drama during the 1996 NCAA Final Four.   GUESTS KJ-Aren'ts; Jason Puckett | Former KJR Host Mariners No-Table; Brady Farkas | Host, Refuse to Lose Podcast   TABLE OF CONTENTS 0:00 | Sonics PTSD flares up as Thunder hit the Finals. Mitch challenges Hotshot to a musical trivia duel centered on Boston legends. 10:45 | Aerosmith, Boston, New Kids, New Edition, The Cars — and a surprise Dropkick Murphys finale. Mitch makes the case that Boston might outrank Seattle in music legacy. 21:03 | Pete Carroll joins Get Got and casually dunks on Earl Thomas. Marshawn just lets it ride. Pete also explains how control and roster vision led to his Seahawks exit. 29:24 | Mitch declares Cal's historic tear the most electrifying run by a Mariners hitter since Griffey '94 — name-dropping Mantle, Bench, and A-Rod along the way. 49:23 | Guest: Mariners No-Table with Brady Farkas. The Mariners explode for 30 runs in Chicago, Cal Raleigh enters historic territory, and Mitch argues he should skip the Derby to stay fresh. Farkas sees the other side. 1:22:03 | Guest KJ-Aren'ts Part 1: Mitch finds out Puckett's age by reading The Athletic, where Puckett is quoted from a Thunder hate-watch at Mike's Chili Parlor. 1:41:12 | Guest KJ-Aren'ts Part 2: Mitch tells the story of being banned from the Final Four — then shows up on live TV in full Syracuse face paint. Kevin and Marcus nearly lose it on air. 2:03:54 | Other Stuff Segment: Mitch confesses to miscrediting “The Twist” and recycling a decade-old John Olerud story, while Scott gleefully mocks his declining fastball. They also swap nostalgic war stories — Scott streaming Game 7 from a spaghetti joint, Mitch sideline-reporting with Syracuse face paint — before spiraling into Rick Ocasek's death, landline superiority, and the glory days of Queen Anne's Spaghetti Factory.