Podcast appearances and mentions of giles nuttgens

“Make a sound and I'm going to drown you in the lake.”A Sundance Standout That Earned Cinematography HonorsScott McGehee and David Siegel, the directing duo behind The Deep End, began developing the project in the late 1990s. Inspired by the 1940s novel The Blank Wall by Elisabeth Sanxay Holding and the 1949 film adaptation The Reckless Moment directed by Max Ophüls, they set out to create a modern noir thriller centered around a mother's fierce love and protection for her son. With the help of cinematographer Giles Nuttgens, they crafted a visually stunning and emotionally charged film that caught the attention of the Sundance Film Festival and beyond. Join us – Pete Wright and Andy Nelson – as we continue the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about The Deep End.A Mother's Love, a Son's Secret, and a Blackmailer's AgendaIn our discussion of The Deep End, we explore the central premise of the film – a mother who discovers a dead body and believes her son is responsible. Tilda Swinton portrays Margaret Hall, a woman who makes a quick decision to cover up the crime. As the plot progresses, a blackmailer enters the picture, complicating matters further. While we both appreciate aspects of the film, we find ourselves divided on the effectiveness of the story and Swinton's performance. The cinematography, however, remains a standout element, earning its Independent Spirit Award nomination.Other Discussion PointsThe supporting performance of Goran Visnjic as the blackmailer Alek Spera and how his character evolves throughout the filmThe film's handling of the son's sexuality and the potential consequences of his father discovering the truthThe use of Lake Tahoe as a setting and its contribution to the overall atmospherePacing issues and plot points that we found problematic or unbelievableThe Deep End is an intriguing and visually captivating thriller that sparked a lively discussion between us. While we may not see eye-to-eye on all aspects of the film, particularly Tilda Swinton's performance and the overall effectiveness of the story, we agree that the cinematography is truly remarkable and worthy of its Independent Spirit Award nomination. The film's exploration of complex themes and moral dilemmas makes it a thought-provoking watch, even if it doesn't quite hit the mark in all areas. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxd Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Become a Member Today! $5 monthly or $55 annuallyVisit our WATCH PAGE to rent or purchase movies we've talked about on the shows that are part of The Next Reel's family of podcasts. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. Enjoy!Build your own website (or one for your granny!) with Squarespace. Try it today!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked!You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Episode 304."Hell or High Water"Cinematographer: Giles Nuttgens.Filmography includes: Hell or High Water The Wedding Guest and Enola Holmes 1 and 2. Giles lensed David Mackenzie's Hell or High Water, which premiered in Un Certain Regard at 2016's Cannes Film Festival to critical acclaim. Starring Jeff Bridges, Chris Pine and Ben Foster, Nuttgens earned a 2017 BAFTA Film Award nomination for Best Cinematography for his work. In 2016 Nuttgens also worked on The Fundamentals of Caring, which first screened at Sundance.With his latest release, Montana Story, earning the 2021 Platform Prize at Toronto International Film Festival, Giles Nuttgens, BSC is an award-winning cinematographer with 25 years of experience. Shot on 35mm, the film marks Nuttgens' reunion with directors Scott McGehee and David Siegel, with whom he shot, among others, his first U.S. feature The Deep End (2000), earned the Best Photography award at Sundance Film Festival. Another long standing collaboration links Nuttgens with prolific British director, Michael Winterbottom, for whom he photographed Greed with Steve Coogan and The Wedding Guest starring Dev Patel.  Nuttgens and Winterbottom are preparing another film, set in 1930's Palestine under British colonial rule. Nuttgens shares other titles with director David Mackenzie, from Young Adam, starring Ewan McGregor and Tilda Swinton, to the critically acclaimed Hell or High Water – BAFTA nominated for Best Cinematography and Oscar nominated for Best Picture. Since completing Montana Story, Nuttgens photographed Enola Holmes 2, a new film following upon the blockbuster success of the first Legendary Pictures movie, starring Millie Bobby Brown, Henry Cavill and Helena Bonham Carter, about Sherlock Holmes' inquiring little sister.  Nuttgens' career has seen him filming all over the world, from his start in the industry shooting documentaries in 16mm for the BBC to the transition to feature films, working for Lucasfilm as 2nd Unit DP on Episodes 1,2 and 3 of Star Wars.He has shot multiple projects set in India, including Deepa Mehta's Oscar nominated Water, which also won Nuttgens a Canadian Genie Academy Award for Best Cinematography.  In 2018, he spent six months in Anatolia and Detroit, filming the dystopian feature Grain for acclaimed Turkish director Semih Kaplanoğlu, one of the last films to be shot on 35mm Black and White Kodak stock. His upcoming project, 'The Friend' is once again with David Siegel and Scott McGehee, set in New York and scheduled to start shooting early summer.Welcome, Giles Nuttgens.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:@mdmcriticEmail: Mondaymorningcritic@gmail.comYouTube: Monday Morning Critic Podcastwww.mmcpodcast.com

We've got another big new release review this week. All three of us watched the latest Netflix original movie Enola Holmes, an adaptation of the YA books of the same name about the younger sister of Sherlock Holmes. We also chat about Rivers of London, The Devil All the Time and Shakespeare Uncovered. 0:00:00 – The Start of the Show 0:02:59 – What Have You Been Consuming Lately? – 0:03:36 – Shakespeare Uncovered [Rob's Review] – 0:10:56 – Dune by Frank Herbert [Sandro's Review Update] – 0:15:13 – The Devil All the Time [Sandro's Review] – 0:20:06 – The X-Files [Jen's Review Update] – 0:21:20 – Rivers of London by Ben Aaronovitch [Jen's Review] 0:33:57 – Enola Holmes [Spoilers From 1:11:25] 1:23:43 – The End of the Show Follow the Show! Facebook: http://fb.me/nerdoutwithrobjenandsandro Instagram: https://www.instagram.com/nerd_out_podcast/ Omny: https://omny.fm/shows/nerdout (Head here for links to iTunes, Spotify, Google, etc) Please send in any questions, review recommendations or feedback to "feedback.nerdout@gmail.com Follow the Hosts! Rob Lloyd - Facebook: https://www.facebook.com/roblloydactor/ - Twitter: https://twitter.com/futurerobby - Instagram: https://www.instagram.com/futurerobby/ Jen Speirs - Twitter: https://twitter.com/Jenz00r - Instagram: https://www.instagram.com/obiwanjenobi/ Sandro Falce - Twitter: https://twitter.com/sandrofalce - Instagram: https://www.instagram.com/sandrofalce/ Check out Sandro's other podcast - Oldie But A Goodie! Subscribe through the links and RSS feed here: https://omny.fm/shows/oldie-but-a-goodie See omnystudio.com/listener for privacy information.

Lauded cinematographer Giles Nuttgens recently completed photography on director Wash Westmoreland’s period drama Colette, starring Keira Knightley as a struggling French novelist. Previously, he lensed David Mackenzie’s Hell or High Water, which premiered in Un Certain Regard at 2016’s Cannes Film Festival to critical acclaim. Starring Jeff Bridges, Chris Pine and Ben Foster, Nuttgens earned a 2017 BAFTA Film Award nomination for Best Cinematography for his work. In 2016 Nuttgens also worked on The Fundamentals of Caring, which first screened at Sundance.The film follows Craig Roberts, Paul Rudd and Selena Gomez as a trio who connect on a life changing crosscountry journey. The last film to ever be shot on black-and-white Kodak 35mm film, Nuttgens shot Grain in Istanbul. Ironically, the movie tells the story of a seed geneticist attempting to save the last batch of genetically unmodified wheat. Nuttgens’ other feature credits also include: Young Ones and God Help the Girl, which both premiered at the 2014 Sundance Film Festival; and The D Train (starring Jack Black and James Marsden) and What Maisie Knew (starring Julianne Moore and Alexander Skarsgard) – both shot with his long-time collaborators, the directing team Scott McGehee and David Siegel. With director Deepa Mehta, Nuttgens lensed Midnight’s Children, based on the bestselling Salman Rushdie novel. Nuttgens’ also shot Mehta’s elemental trilogy Fire, Earth and Water. Water received a 2007 Oscar nomination for Best Foreign Language Film and earned Nuttgens the 2006 GENIE Award for Best Cinematography. In 2007, Nuttgens’ “sigh-inducingly evocative” (the Telegraph) cinematography for Mister Foe earned Best Cinematography awards at the Copenhagen Film Festival and British Film Festival in Dinard, as well as a Best Cinematography nomination at the 2008 Evening Standard Awards. Nuttgens first worked with McGehee and Siegel on The Deep End, a film which earned Nuttgens the 2001 Sundance Film Festival Award for Best Cinematography and a nomination in the same category at the 2002 Independent Spirit Awards. BBC trained, Nuttgens was one of the youngest cameramen ever to be appointed to the BBC and worked on a variety of dramas, documentaries and news program. Nuttgens remembers an exceptional experience in his early career spending four months in the Brazilian jungle sleeping on the sandbanks on the side of the Araguaia River. There, he ate dried manioc flour and the red-bellied Amazonian piranha that he fished for every day. Giles Nuttgens is represented by DDA.

It's all aces on BEHIND THE LENS this week with actor CHRIS KLEIN live, talking his new film GAME OF ACES, a throwback to the days of Saturday afternoon serials with a little bit of Indiana Jones! Plus hear excerpts of film critic debbie elias' exclusive interview with legendary cinematographer GILES NUTTGENS, as they talk HELL OR HIGH WATER! http://behindthelensonline.net http://eliasentertainmentnetwork.com

Giles Nuttgens is a British cinematographer who began his career with the BBC TV for the Natural History documentary unit in 1984, and rose up through the camera assistant ranks, and by the age of 25 he was one of the youngest film cameramen ever in the BBC. After many years living in Paris, he relocated to Barcelona in late 2003. Although best known for independent films, he also has worked on major commercial productions such as the recent Star Wars prequels, and Swimfan. He has also collaborated on more than one occasion with Scott McGehee and David Siegel on The Deep End and Bee Season, and David Mackenzie on Young Adam, Asylum and most recently Hell Or High Water. He won the 2001 Sundance Film Festival's Cinematography Award for The Deep End. It was an honor to speak with Giles about his work on one of the Best films of the year Hell or High Water. The film is currently playing nationwide and I'd highly recommend it to anyone with a passing interest in film. The film centers on a divorced father who's trying to make a better life for his son.