Podcast appearances and mentions of Julianne Moore

The Ringer's Bill Simmons and Van Lathan are joined by Mina Kimes and David Lindhagen to revisit the 2011 classic ‘Crazy, Stupid, Love,' starring Steve Carrell, Ryan Gosling, Julianne Moore, and Emma Stone. Producers: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, Matt Pevic, and Chris Wohlers Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join hosts Gaius and Jackson on Back To The Blockbuster as we dive deep into the iconic film 'The Silence of the Lambs' on its 35th anniversary and its 2001 sequel, Hannibal, for its 25th anniversary. Explore the psychological thriller's enduring legacy crafted by director Jonathan Demme and screenwriter Ted Tally, based on the gripping novel by Thomas Harris. Delve into the unforgettable performances of Jodie Foster as the determined Clarice Starling and Anthony Hopkins as the chilling Dr. Hannibal Lecter, alongside a stellar cast including Scott Glenn, Anthony Heald, Ted Levine, and Kasi Lemmons. Unpack the film's intricate narrative and haunting atmosphere that continues to captivate audiences decades later. In addition, we reflect on director Ridley Scott's visionary approach with Hannibal and how the source material and screenplay by David Mamet and Steven Zaillian created a much different beast from its predecessor. We revisit the performances of Julianne Moore as Clarice Starling, Gary Oldman as the grotesque Mason Verger, and Ray Liotta as the corrupt Paul Krendler, alongside returning stars Anthony Hopkins and Frankie R. Faison. Explore the darker themes and intricate character dynamics that define a much different chapter in the Hannibal Lecter saga compared to the first movie and how they measure up side by side on their respective milestone anniversaries.Where To Watch The Silence of the LambsWhere To Watch Hannibal

Recent reporting in The New Yorker examines how schools, teachers and students in Minneapolis are being impacted by the recent actions of federal immigration enforcement agents. But conversations about how to navigate ICE's presence on and around school property are taking place among educators around the country. The Trump administration has also defended certain enforcement actions in court, leading to an uncommonly poetic court ruling lambasting ICE practices that circumvent judicial oversight. Join WNYC and Theater Of War for a series of programs hosted by Kai Wright and TOW artistic director Bryan Doerries that re-imagine works of journalism in innovative and engaging ways, including performances by acclaimed actors. Today's installment features Sam Waterston, Julianne Moore and Daphne Rubin-Vega performing The New Yorker's reporting, and the judicial ruling. 

Hosts Justin and Chuck revisit Boogie Nights, Paul Thomas Anderson's 1997 breakout, a disco-charged epic of ambition, excess, ego, and collapse. They step back into the sun-soaked 1970s porn boom, into the orbit of Jack Horner, Dirk Diggler, and a makeshift family chasing fame, validation, and the next high. Along the way, they spotlight the film's powerhouse ensemble, Burt Reynolds, Mark Wahlberg, Julianne Moore, Philip Seymour Hoffman, Don Cheadle, John C. Reilly, each performance balancing swagger, insecurity, comedy, and heartbreak. From roaming long takes and explosive party sequences to needle-drop highs, mixtape moods, and the tonal crash into the 1980s, they unpack PTA's filmmaking choices while digging into the rise-and-fall arc, the pull of chosen family, the spiral of addiction, and the reason the film still resonates nearly three decades later. Hosted by Justin Morgan Co-hosted by Charles Phillips Mixing and Music by Scratchin' Menace Follow us on Facebook and Bluesky for updates. Listen on Apple Podcasts, Spotify, YouTube, and all major platforms. Please subscribe, rate, and review. We appreciate the support!

The production group Theater of War invites top-notch actors to perform readings of works of real, hard-hitting journalism. Bryan Doerries, artistic director of 'Theater of War', previews Thursday evening's live program on WNYC, in which actors Sam Waterston, Daphne Rubin-Vega and Julianne Moore will read reporting from Minneapolis, about how schools and educators are navigating the incursion of immigration enforcement actions in schools. Learn more at our 'Theater Of War On The Radio' page.Graphic courtesy of Theater of War.

Boogie Nights 1997 Review: 200 episodes in, and Born to Watch hits a milestone with a film that feels weirdly, uncomfortably autobiographical.From the moment Whitey declares this the perfect way to celebrate the show's 200th episode, it's clear this isn't just another movie review. Boogie Nights is loud, chaotic, hilarious, messy, strangely heartfelt and absolutely stacked with characters who think they're on top of the world until reality comes crashing in. In other words, it's the ideal Born to Watch film.Set against the late-70s and early-80s adult film industry, Paul Thomas Anderson's second feature is a sprawling ensemble piece that follows the rise and fall of Eddie Adams, reborn as Dirk Diggler. Mark Wahlberg's breakout performance anchors the film, but this is never just Dirk's story. It's about a group of outsiders who form a surrogate family, chasing success, validation and meaning, until excess, ego and changing times pull them apart.The boys dig into the idea that Boogie Nights is really two films stitched together, the euphoric disco-soaked rise of the 70s, followed by the darker, cocaine-fuelled collapse of the 80s. It's a tonal shift that mirrors the characters' journeys, from optimism and community to paranoia, loneliness and self-destruction. When Little Bill exits the film, everything changes, and the show explores how that moment symbolises the end of innocence for the entire group.There's plenty of love for the ensemble cast. Burt Reynolds' Jack Horner is discussed as both mentor and flawed father figure, a man clinging to an artistic vision while the industry evolves without him. Julianne Moore's Amber Waves is heartbreaking and layered, especially when the conversation turns to her custody battle and the illusion of freedom within the industry. John C Reilly, Philip Seymour Hoffman, Don Cheadle, Heather Graham and William H Macy all get their flowers, with Hoffman's painfully awkward Scotty and Macy's tragic Little Bill standing out as performances that linger long after the credits roll.As always, the Born to Watch humour cuts through the heavy themes. There's banter, self-reflection, side-tracking, and more than a few laughs at the absurdity of certain scenes, including the legendary Alfred Molina drug-deal sequence, which the team agrees is one of the most anxiety-inducing moments PTA has ever put on screen.The episode also looks at Boogie Nights in context, how it landed in 1997 alongside juggernauts like Titanic and LA Confidential, why it underperformed at the box office, and how it grew into a cult classic that feels even richer with repeat viewings. It's a film you can dip in and out of, catch individual scenes, and still be completely absorbed.Ultimately, this Boogie Nights 1997 Review becomes a celebration, not just of the film, but of the journey Born to Watch has been on for 200 episodes. It's messy, honest, occasionally inappropriate, and full of love for movies that take big swings.And really, what better way to celebrate than strapping on the roller skates and heading back to the Valley?BORN TO WATCH – JOIN THE CONVERSATIONIs Boogie Nights Paul Thomas Anderson's most rewatchable film?Does the movie completely change once the 80s arrive?Which character hits hardest on a rewatch?Listen now on Spotify, Apple Podcasts, or at BornToWatch.com.au#BornToWatch #BoogieNights #PTA #MoviePodcast #FilmDiscussion #CultCinema #1990sMovies #MovieReview #PodcastLife #200Episodes

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

Eine Gesellschaft, die verarmt, starke Umweltzerstörung, Einwanderer als Sündenböcke, die in Käfigen gehalten, deportiert oder getötet werden von bis an die Zähne bewaffneten Einsatzkräften, ein autoritärer Polizeistaat – klingt vertraut? Jedesmal, wenn ich diesen Film von 2006 anschaue, rückt der Film näher an die Realität und kommt er mir weniger wie ein Science-Fiction und mehr wie eine Reportage vor.Aber CHILDREN OF MEN ist nicht nur eine große und berührende Erzählung über die Zerbrechlichkeit von Zivilisation und das Bewahren von Hoffnung, er ist auf vielen Ebenen auch ein herausragender Film. Vielleicht das realistischste World Building der Filmgeschichte, ein fantastisches Drehbuch mit einer Dramaturgie, die einen nicht mehr loslässt, atemberaubende Kameraarbeit, vielschichtige Charaktere und herausragende Schauspieler von Hauptrollen bis in die exzellent geschriebenen Nebenrollen.Wir haben CHILDREN OF MEN in einer Wiederaufführung im Capitol in Mainz gesehen – und auch die Unterbrechung durch einen Feueralarm im Kino konnte unsere Begeisterung nicht schmälern. Am Mikrofon direkt nach dem Kino: Johanna und Thomas. (Ausnahmsweise spoilern wir von Anfang an.)

Welcome to the revolution. Today we are talking about the movie Mockingjay Part 1. This one brings up Julianne Moore as a president, Peeta looking really rough, and men climbing trees like squirrels. If you are a lumberjack, please let us know how fast you can climb a tree, because I just don't think it an be as fast as these guys. Become a supporter of this podcast: https://www.spreaker.com/podcast/book-cult--5718878/support.

Jann Arden speaks with Lisa Genova, a renowned author and neuroscientist, about her unexpected pivot from studying the brain to writing impactful fiction that explores neurological conditions. They discuss Genova's personal experiences with Alzheimer's in her family, the importance of empathy in understanding mental illness, and her latest novel, 'More or Less Maddy,' which tackles bipolar disorder. The discussion also touches on the challenges of being a single parent and wisdom for aspiring writers. More About Lisa: Acclaimed as the Oliver Sacks of fiction and the Michael Crichton of brain science, Lisa Genova is the New York Times bestselling author of Still Alice, Left Neglected, Love Anthony, Inside the O'Briens, and Remember: The Science of Memory and the Art of Forgetting. Still Alice was adapted into an Oscar–winning film starring Julianne Moore, Alec Baldwin, and Kristen Stewart. Lisa graduated valedictorian from Bates College with a degree in biopsychology and holds a PhD in neuroscience from Harvard University. She is featured in the documentary films To Not Fade Away and Have You Heard About Greg. Her TED talks on Alzheimer's disease and memory have been viewed over eleven million times. https://www.lisagenova.com/ *Episode photo credit Greg Mentzer* #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! ⁠www.jannardenpod.com/voicemail/⁠⁠ Get access to bonus content and more on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/JannArdenPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.jannardenpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/jannardenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices

What does 2017's KINGSMAN: THE GOLDEN CIRCLE (aka Kingsman 2) have to do with New Year's Eve, the holiday season, or even anything in the month of December? NOTHING!  But our original choice wasn't streaming on any services this month, so we decided to finally circle around back to one of our fav fake presidential actors, the legendary Bruce Greenwood, last seen (by us) as the potus in NATIONAL TREASURE: BOOK OF SECRETS (aka National Treasure 2). This time out Bruce is the unnamed "President of the United States" in an R-rated, edgy, action comedy from a true British Knight, director and co-writer Matthew Vaughn, surrounded by a impressive cast including Colin Firth, Mark Strong, Halle Berry, Julianne Moore, Channing Tatum, Pedro Pascal, Emily Mortimer, and introducing the one and only Sir Elton John, in maybe his most outlandish performance ever in front of a camera. Find us on most social media sites @Fake_President (Instagram, Bluesky, Threads) or email us at fakepresidents [at] gmail.com to join the convo and suggest our next subject!

On the eve of 2026 come hang with the Erotic Thriller Club as the ball gag drops! We're ringing in the new year right with the Madonna/Willem Dafoe classic Body of Evidence. Finally we will know the answer to “is it illegal to bang a man to death?”

This summer we are curating your Lowbrow podcast playlist bringing you the insanely popular and always funny - brutally honest reviews from our friends on The Spill. Enjoy! Sirens, starring Meghann Fahy, Milly Alcock, and Julianne Moore, has been one of the most-watched TV shows in Australia for the past week, so now it’s time for a brutally honest (and very emotional) review.From where the story began, how it was adapted for Netflix, and what the cast really went through bringing this story to life on screen (let's just say the main actress lost some toe nails) we’re here to talk through all the behind the scenes stories that will change the way you see Sirens.We also need to talk about those glaring plot holes in the series, the unexpected scene that gave us chills, Kevin Bacon's villain story, and then unpack exactly what happened in that surprise finale scene, along with why the show needs to come back for a second season. Subscribe to Mamamia Listen to more from The Spill here GET IN TOUCH:Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP!Read all the latest entertainment news on Mamamia... here. THE END BITSThe Spill podcast is on Instagram here.Read all the latest entertainment news on Mamamia... here. Subscribe to MamamiaCREDITSHosts: Laura Brodnik and Ksenija LukichExecutive Producer: Monisha IswaranAudio Producer: Scott StronachBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

I've been covering Amanda Seyfried's work consistently since starting my career — particularly starting the best part of my career, focusing on interviews. In fact, one of my very first press days was for Atom Egoyan's Chloe, which Seyfried headlines alongside Julianne Moore. With every press day that followed, I was constantly struck by Seyfried's general warmth and her passion for her work, but especially by her openness while talking about it. About 25 years into her career, I'm still wowed by those same qualities, but a new one surfaced during our latest conversation, our very first Collider Ladies Night interview. It's the importance Seyfried puts on being there for actors on the rise, like her The Housemaid co-star, Sydney Sweeney.The two star in the highly anticipated adaptation of Freida McFadden's incredibly popular novel. Sweeney plays Millie, a young woman who accepts a job working as a housemaid for Seyfried's character, Nina Winchester, and her family. Initially, it seems like a dream gig. The Winchester home is beautiful and Nina appears to be a lovely employer. However, on day one of the job, things take a turn. Or rather, Nina takes a turn.In celebration of The Housemaid's release this weekend, and The Testament of Ann Lee's upcoming rollout, Seyfried joined me for a Collider Ladies Night conversation to discuss the experiences that led her to this moment — a truly exceptional moment during which she has two wildly different films hitting theaters at about the same time, both featuring breathtaking work from her. Hosted on Acast. See acast.com/privacy for more information.

National lets hug day. Entertainment from 1977. Oldest groom, 40 feet pig baloon flies over england, Illinois became 21st state, Alka Seltzer went on sale. Todays birthdays - Ferlin Husky, Andy Williams, Ozzy Osbourne, Mickey thomas, Daryl Hannah, Julianne Moore, Brenden Fraser, Anna Chlumsky, Andy Grammer, Amanda Seyfried. Robert Louis Stevenson died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/The hug song - Zia MohajerjasbiYou light up my life - Debby BooneHere you come again - Dolly PartonBirthday - The BeatlesBirthdays - In da club - 50 Cent http://50cent.com/There goes my everything - Ferlin HuskyIt's the most wonderful time of the year - Andy WilliamsCrazy train - Ozzy OsbourneSarah - StarshipDegenerated - The Lone RangersKeep your head up - Andy GrammerExit - Whatever it takes - Cowboy Roger Lawson     http://www.cowboyrogerlawson.com/#/countryundergroundradio.comHistory & Factoids about today webpage

Forrest, Kristina Oakes, Conan Neutron and Matt "The Letterhack" Strackbein talk about the classic Coen Brothers movie The Big Lebowski Written in the early 1990s, but not released until 1998 because John Goodman and Jeff Bridges had been quite busy. Starring Jeff Bridges as Jeffrey "The Dude" Lebowski, John Goodman, Steve Buscemi, John Turturro, Julianne Moore, David Huddleston, Phillip Seymour Hoffman, Sam Elliott and Tara Reid. The Dude is bumming around Los Angeles, minding his own business, when a case of mistaken identity throws him into a kidnapping plot. #coenbrothers #thebiglebowski #jeffbridges #noirvember #noir #lebowski #film #moviepodcast #coen #bartonfink #stevebuscemi #johnturturro #johngoodman #1998 #fargos #fargo #neonoir #hostagedeal #kidnapping Forrest and Kristina are starting a new YouTube channel/show The Absurdity Space!! https://www.youtube.com/@UCa3LavkP9F_NxOnl0A2soXQ We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

Gay homosexuals Nick and Joseph review ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cookie's Fortune - a 1999 American black comedy film directed by Robert Altman and starring Glenn Close, Julianne Moore, Liv Tyler, Patricia Neal, Charles S. Dutton, and Chris O'Donnell.Additional topics include:Jack Ferver: My TownKevin Spacey's homelessnessThe Pope's favorite moviesThe death of the Kessler TwinsJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

We've alluded to our love of this movie for a long time... It's time to look 2 minutes ahead, and talk about the incomparable NEXT.Nicolas Cage stars as Shy, Socially Awkward Nicolas Cage. Usually that would work, for some reason it doesn't here. Director Lee Tamahori, who has proven himself as an incredibly talented director, also seems to be having an off day. Jessica Biel and Julianne Moore are there to raise the bar, but can't save this movie from itself. It's a real mystery why this movie doesn't work and yet is one of the most enjoyable films in history. Greg and Joe can't stop watching and talking about it.... So where is the magic that makes this amazing? They find that one of their favorite editors, Christian Wagner, brought much of the magic. Cinematographer David Tattersall does some arresting work. Production designer William Sandell brings his A-Game. Writer Gary Goldman wrestled with tough source material, and brought some contemporary ideas to the script. Great people, above and below the line, make this a sneakily great movie, one that we will rewatch forever. We do a lot of episodes for them. This one is for us. Subscribe to Great Bad Movies wherever you listen to podcastsMore Great Bad Movies online:InstagramGreat Bad Movies WebsiteYouTubeEmail us at greatbadmoviesshow@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Burn it all down on episode 187 of The Horror Stans Podcast! For this one we are covering Hulu's remake of The Hand That Rocks the Cradle! Listen as we discuss if we liked this more then most of the critics, the differences between the two films, the unexpected brutally the film sometimes has, queens Maika Monroe and Mary Elizabeth Winstead great performances, review the Scream 7 trailer and where the hell is Julianne Moore's character?! We hope you enjoy!Please give us 5 stars!Instagram and Twitter: @horrorstansTikTok: @horrrorstanspodcastSteve: @screamsteve/@stesta621Matt: @mcavo92

When I look around at the crumbling empire I helped build, I wonder how it all went so wrong. How did so many people lose their minds, the legacy media lose its objectivity, and so many so-called “educated” people lose their grip on reality?What is Trump Derangement Syndrome anyway? I think, as someone who lived it and has been online for the last 30 years, that the people with all of the power could not let go of that power, just like the South during the last Civil War. The South had built for itself a utopian version of America, one not rooted in reality, but one they deeply believed in. The same is true for the Left today. I know, I helped build it. I believed in it too and thought it would last forever. Trump's win in 2016 was a sign that half of the country was not happy with how things were going and wanted change, just as much of America understood that a country that proclaimed all men are created equal could not keep slaves.And just as the freeing of the slaves sent the South into mass psychosis that would lead to Jim Crow laws and the oppression of Black Americans, after eight years of deeply rooted propaganda that said Trump was a racist and for him to win would be an existential threat to our way of life, one our country could not survive, sent those of us inside utopia cascading into madness.And so we began fighting a Civil War. Not at Gettysburg or Shiloh, but on Facebook, Twitter/X, YouTube, and TikTok. But only one side is cutting off friends and family. Only one side has no plan for the rest of America on the outside. Only one side seems prepared to become violent to preserve their utopia. I thought November of 2024 was like the burning of Atlanta. Not quite the end of the war, but almost. Now, after Charlie Kirk's assassination and the fracturing of the Right, I'm not so sure.What I do know is that so much of what defines our Civil War, so much of what explains the Left's mass psychosis, took root in 2008.What is an American?2008 was the crisis that sparked the Fourth Turning, according to Neil Howe, who co-wrote the book with William H. Strauss. It wasn't just the election of the first Black president, or the launch of the iPhone, the rise of social media, or the $800 billion bailout of Wall Street that birthed two populist movements on the Left with Occupy and on the Right with the Tea Party. It was also the year an idea contagion began to spread.In April of 2008, Obama was recorded writing off half the country as people who were “bitter” and clinging to “guns and religion.”“Senator Hillary Rodham Clinton activated her entire campaign apparatus to portray Mr. Obama's remarks as reflective of an elitist view of faith and community. His comments, she said, were “not reflective of the values and beliefs of Americans.”Those comments were not seen as racist, yet months later, in October, when Sarah Palin said more or less the same thing, she was called an “Islamaphobe.” Seven years after 9/11, that is what the Left was worried about, not “Radical Islamic terrorism.”From the Washington Post, “Palin's words avoid repulsing voters with overt racism. But is there another subtext for creating the false image of a black presidential nominee “palling around” with terrorists while assuring a predominantly white audience that he doesn't see their America?”Race and racism became the dividing line after that. By 2010, the idea that the Tea Party was racist became a big story. ABC News still had some objectivity and attempted to tell both sides.Reason's Michael Moynihan made a video montage showing how widely accepted it was to call the Tea Party racist. Two years later, in 2012, amid Obama's re-election, Mitt Romney and the Republicans had no idea what they were up against. I was among those fighting Obama's media wars on Twitter, having followed him since the beginning. We were his loyal flock, building the narratives, correcting the bad news, reshaping, retooling, deconstructing, and reconstructing reality to push pure propaganda and keep our side in power.As wealth shifted leftward, thanks to the rise of Silicon Valley, Big Tech also leaned Left. Google, YouTube, Facebook, Amazon, Audible, and book publishing. It was in every university and every institution as society began migrating online. We were in control of all of it.To combat the idea of the racists and the “bitter clingers,” public schools and universities began teaching Critical Race and Gender Theory. It was the beginning of the Great Feminization and the Great Awokening. This contagion was seeded on sites like Tumblr with the oppressor/oppressed mindset, free Palestine, open borders, and a choose-your-gender worldview. It wasn't just Twitter by then. It was all of Hollywood, too, and most of our culture. That's why, in February of 2012, HBO released the movie Game Change, a retelling and repurposing of the 2008 election.Where Palin had been portrayed as a ditsy know-nothing we all laughed at on SNL…Now, Julianne Moore's version was darker and more sinister. A Never Trump narrative was just beginning as Steve Schmidt of the Lincoln Project and Nicolle Wallace were portrayed as the heroes, not to mention the only “good Republican,” John McCain, who stood up to the “racists” and “bitter clingers.” Our superpower in the Obama years was manipulating the flexible nature of words to make them mean anything we wanted them to mean, like “binders full of women.” That would become “Good people on both sides.” Or “Fight like hell.” “When you're famous, they let you do it.”The reality we shaped was everywhere - at gas stations, airports, and magazine covers in the check-out line. Having control of that - the background noise - is what the Left has been fighting to preserve. It is a fight they are losing thanks to the rising voices on the Right, and Trump himself, who are exposing them.But it was accusations of racism and Islamaphobia that would become Obama's most powerful weapon to win. It is the cryptonite of the Ruling Class and what has divided this country for ten years. What a difference 17 years makesBack in 2008, Obama was accused of being a Muslim Socialist, not born in America, who “palled around with terrorists.” Now, one of the new leaders of the Democratic Party is a Muslim socialist, not born in America, who pals around with terrorists. Zohran Mamdani not only feels no shame in admitting this, but he also won because of it. Identity is everything now, so why not scream it from the rooftops? Anyone who complains can easily be dismissed as a racist or an Islamaphobe. In Mamdani's New York, there is an oppressive ruling class keeping the Black and Brown workers poor, instead of the reality, an enclave for the guilty white liberals who fund their movement. But for those checks to keep flowing in, they have to give those guilty whites what they so desperately crave, confirmation that they are the Good White People Doing Good Things, and those “bitter clingers” over there are the “racists” who want to oppress the Black and Brown people they protect. Just give us absolution from our sins of wealth and privilege.Guys like Ken Burns live comfortably away from the harder realities of everyday life in America. Trust me, I know. I used to see him every year at the Telluride Film Festival. His telling of the American story must lead with race and must be yet another lecture to those with less wealth, less power, and less representation in culture - hated people in their own country, forced to accept that America is a corrupt, rotten, imperialist, and white supremacist empire. Making everything about race justifies the ruling class's place atop the wealth hierarchy. Nothing in that hierarchy can be disrupted, so the oppressed must remain oppressed. And for now, there is no way out except to do what I did, escape. Find the truth. Get to know the people they've been told to dehumanize. The Left's idea of utopia erases the value of being an American citizen. It seeks to align with a global world order of like-minded people. Yet, for so many in MAGA, being born American is hitting the jackpot. Nothing is more valuable than the rights all of us have as citizens, no matter our skin color. And yet, the ruling class in America for the past 17 years has decided none of that should matter because our identity is not where we were born. Our identity is whether we are white or not. If you oppose illegal immigration and support mass deportations, you are a racist, according to them, and your citizenship matters less than your white privilege. And that is how illegal immigrants became the oppressed group that governors like Gavin Newsom and JB Pritzker are willing to fight to protect. And ordinary American citizens can be thrown away like human garbage. The New York Times' Peter Baker loved reporting how bad the ticket sales are at the Kennedy Center, never once acknowledging how Trump tried to open it up to the underclass who'd been shut out for years. They see Trump's inclusion of the wrong half of America as taking something away from them, their glory days of utopia. The ballroom will be something lasting, a monument to the half of the country that fought for representation and a permanent structure to remind them of that fight. Here are Walter Kirn and Matt Taibbi from America This Week.The Bitter ClingersNow, it's the Left who are the bitter clingers. They can't accept defeat, and they won't let go of the past, of utopia. Hillary Clinton is a bitter clinger who can't get over the 2016 election. Barack Obama is a bitter clinger who had to call Charlie Kirk a racist when he felt his own legacy dimming. Nancy Pelosi is a bitter clinger who helped manufacture a delusion about January 6th just to obtain absolute power. Barbra Streisand, Rosie O'Donnell, Katie Couric, Richard Gere, Rob Reiner, Bruce Springsteen, Martin Sheen, Robert De Niro, and Jane Fonda are all bitter clingers who have never even seen the other half of the country, much less understood it.Those of us on the other side see the danger of utopia, what 17 years of it has done to the minds and bodies of children, what it's done to women and girls, and boys and men. What infusing propaganda into culture has done to truth and art. It is a manufactured reality that reflects an American utopia that doesn't exist and never did, just like the antebellum South. As the Southerners back then were the “bitter clingers,” so too are today's Woketopians, the virtue signaling army at war with the trolls. They are the ones who can't stand people who are not like them and the ones who can't move on from the past. So they fight on, hoping that this time it's not gone with the wind. end// This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

This week on Another Pass, Sam and Case are joined by Erin Callahan to dig into Paul Thomas Anderson's sprawling emotional epic, Magnolia. We talk about intersecting lives, the weight of coincidence, and whether a few small edits could make this frog-filled fever dream even more powerful. #AnotherPass #Magnolia #PTAnderson #MoviePodcast #FilmDiscussion Another Pass Full Episode Originally aired: November 14, 2025  Music by Vin Macri and Matt Brogan Podcast Edited by Sophia Ricciardi Certain Point Of View is a podcast network brining you all sorts of nerdy goodness! From Star Wars role playing, to Disney day dreaming, to video game love, we've got the show for you! Learn more on our website: https://www.certainpov.com Support us on Patreon! patreon.com/CertainPOVMedia Join us on Discord: https://discord.gg/wcHHer4 PODCAST SHOWS: ▶ Another Pass - https://www.certainpov.com/another-pass-podcast Outline  Introduction to Podcast and Guests (00:00 - 02:47) Introduction of podcast hosts Case Aiken and Sam Alicea alongside guest Erin Callahan, comedian and performer based in LA. Overview of the podcast's goal of analyzing fascinating but flawed movies and discussing 'Magnolia' by Paul Thomas Anderson. Film Reception and Initial Impressions (02:47 - 06:41) Discussion on the film's commercial performance (barely recouped budget). Observations on how the interconnected plotlines initially seem scattered but progressively reveal ties. Personal Reactions and Character Complexity (06:41 - 09:43) Sam expresses strong dislike for the film, citing an emotional aversion to nearly all characters except the frogs. Recognition of standout performances by William H. Macy and Philip Seymour Hoffman despite overall dislike. Overview of Film Narrative and Themes (09:43 - 19:46) Aaron explains the ensemble format, interconnected stories set in San Fernando Valley culminating in a biblical-style frog plague. Major theme identified: dysfunctional relationships between parents and children. Cops and Authority Portrayal (19:46 - 29:25) John C. Reilly's character depicted as a well-meaning but incompetent cop, demonstrating systemic failures in law enforcement. The film's critical stance towards police, contrasting with mainstream media depictions at the time. Character Analysis: Donnie and Stanley (29:25 - 39:23) William H. Macy's character as a former quiz boy who symbolizes a lost potential and relatability to gifted child experience. Debate on whether his storyline is essential or expendable in a trimmed-down version of the film. Entertainment Moguls and Their Families (39:23 - 49:49) Comparison of Earl Partridge and Jimmy Gator as similar figures of industry power who have harmed their children and spouses. Tom Cruise's Frank T.J. Mackey characterized as a 'manosphere' guru shaped by family trauma. Claudia and Themes of Control and Addiction (49:49 - 59:40) Claudia viewed as a victim of parental control, drug addiction, and neglect juxtaposed with her father's manipulative behavior. Biblical allusion of plague of frogs as symbolic of parental failure to 'let their children go.' Frank T.J. Mackey and Masculine Performance (59:41 - 01:09:41) Spotlight on Tom Cruise's versatile and immersive performance as Frank T.J. Mackey, exploring the emotional façade and trauma underlying his character. Mention of Cruise's Oscar nomination for the role and the improvisation he brought to the emotional father-son scenes. Julianne Moore's Character and Themes of Caregiving and Betrayal (01:09:41 - 01:20:56) Detailed discussion of Linda Partridge showing vulnerability, guilt, and emotional complexity amid caregiving for a dying Earl Partridge. Exploration of betrayal themes and intimate family dynamics. Film Length and Narrative Structure Discussion (01:20:56 - 01:32:27) Consensus on the film's excessive length complicating viewer engagement. Suggestions to streamline or reimagine — either cut characters and subplots or expand into a miniseries format. Potential Edits and Streamlining Approaches (01:32:27 - 01:43:10) Aaron recommends removing William H. Macy's character to focus tightly on key children and their relationships with their parents. Both emphasize retaining vital scenes such as the frog plague, quiz show elements, and key emotional arcs. Lighthearted Closing and Future Topics (01:43:10 - 01:53:43) Humorous tangent on frogs and Ninja Turtles. Promotion of next episode on 'Highlander 2: The Quickening.'  

This week we are discussing Evolution (2001) with special guests Courtney and Hannah from That Nostalgia Show! We're talking the dubious educational value of the movie, the strangely stacked cast, the painful 2001-ness of it all, and debate the relatability of Julianne Moore's character. We wonder when we as a society stopped mooning, second-guess David Duchovny's career decisions, laugh at the US-centrism, and desperately try to find any bright spots among all this alien goo.Please support our guests and check out That Nostalgia Show, available wherever podcasts are found!Send us an email at scullynationpod@gmail.com or follow us on Instagram!

Tonight on On Trial, we are comparing and contrasting the 1992 The Hand That Rocks the Cradle with the 2025 Hulu remake. The original, directed by Curtis Hanson, starred Annabella Sciorra as Claire Bartel, a new mother targeted by Rebecca De Mornay's chillingly composed nanny, Peyton Flanders, alongside Matt McCoy, Julianne Moore, and Ernie Hudson. It defined the early '90s domestic thriller — glossy, paranoid, and simmering with class and gender tension. The new version, directed by Michelle Garza Cervera, stars Maika Monroe as Polly Murphy, Mary Elizabeth Winstead as Caitlin Morales, and Raúl Castillo as her husband Miguel, with a supporting cast that reframes the story through a modern lens of influencer parenting, fertility tech, and curated perfection. Tonight, we put both films on the stand: Has the remake deepened the original's themes of trust, vengeance, and control — or traded its bite for sleek, algorithmic polish? We're finding out which one truly rocks the cradle.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

On this weeks episode of One For The Road I am joined by Brad Garrett is an Emmy and SAG Award winning actor, comedian, and writer. He won three Emmys for his role as "Robert Barone" on the iconic television series EVERYBODY LOVES RAYMOND and received an Emmy nomination along with a Screen Actors Guild nomination for Outstanding Lead Actor in a Miniseries or Movie for his portrayal of "The Great One" in the telefilm GLEASON. Brad most recently co-starred in the Apple TV Plus series HIGH DESERT, and guest starred in the Peacock series BUPKIS following Pete Davidson's life. He starred in FX's FARGO (Season 2) as well as the Jim Carrey-produced Showtime series I'M DYING UP HERE (Season 2). He is also Co-creator/Executive Producer with David E. Kelley on BIG SHOT (Disney+). In features, Brad appears in CHA CHA REAL SMOOTH (Apple) directed by Cooper Raiff and starring Dakota Johnson as well as WILDFLOWER with Jean Smart and Dash Mihok, which premiered at Toronto International Film Festival. He also co-starred opposite Julianne Moore in GLORIA BELL (A24) directed by Sebastian Lelio.If you want to connect with me via Instagram, you can find me on the instahandle @Soberdave https://www.instagram.com/soberdave/or via my website https://davidwilsoncoaching.com/Provided below are links for services offering additional help and advice.www.drinkaware.co.uk/advice/alcohol-support-serviceshttps://nacoa.org.uk/Show producer- Daniella Attanasio-MartinezInstagram - @TheDaniellaMartinezhttps://www.instagram.com/thedaniellamartinez/www.instagram.com/grownuphustle Hosted on Acast. See acast.com/privacy for more information.

This week we are thrilled to welcome makeup artist Hung Vanngo! Hung is best-known as the glam guru creating elevated, flawless and snatched looks for starlets like Julianne Moore, Scarlett Johansson and Laura Harrier. Tune in as the newly-minted brand founder shares all of his next-level eye makeup secrets. But first, we hear first hand about Hung's personal journey from refugee camp to in-demand Toronto makeup artist to becoming the visionary behind Selena Gomez' rosy and radiant wedding look.You'll find out: Why Hung launched his new, namesake makeup brand with a whopping eight eyeshadow palette colourways. How to choose the right eyeshadow texture — matte, satin, metallic, or 3D matte — to achieve his signature celebrity eye look.Hung's expert tips on how to apply eyeliner the right way, including why he prefers brown over black and when to use gel eyeliner vs kohl eyelinerThe story behind Hung's newly launched long-wear gel eyeliner pencil, inspired by the iconic Marc Jacobs Beauty Highliner Gel Eye Crayon (RIP

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.On the occasion of Paul Thomas Anderson's latest film One Battle After Anotherin theaters, we look back at the director's ambitious, unwieldy, and under-loved 1999 feature Magnolia starring a massive ensemble that includes returning PTA collaborators Julianne Moore, John C. Reilly, Melora Walters, Philip Seymour Hoffman, William H. Macy and Philip Baker Hall alongside a career-best Tom Cruise in a showstopper supporting turn that would net him his third (and, to date, last) Academy Award nomination for a performance. Still his longest, most sprawling effort, Magnolia is a definitively Paul Thomas Anderson picture in both milieu and concern setting its sights on flawed, idiosyncratic characters living in and around the San Fernando Valley. But Magnolia also represents a distinctive pivot in Andersons career, as he begins to operate in a decidedly more minor key that would come to define the second act of his career in the 21st century.We begin with a thorough examination of Paul Thomas Anderson as filmmaker, his strengths and his shortcomings. Then, we ask an obvious, but slyly difficult question - What exactly is Magnolia about? Finally, we discuss the film as it relates to Anderson's oeuvre, how it informs and supplements his later work and how its flaws become more apparent as his filmography evolves.Read Nick Pinkerton's piece The Master? at The Point....Our theme song is "Mirror" by Chris Fish

Ryan and Dylan discuss three films from PTA's legendary career: Magnolia, Punch Drunk Love, and Inherent Vice.

That's not my Clarice...Well it may not be Marc's but I personally prefer Julianne Moore. I also seem to like this film more than Marc but not by a lot...In an episode I thought we would be super divided instead we seemed to be on the same page. We appreciated many elements of the film with others falling flat or simply being done better in the novel or the Hannibal TV series. This is a strange episode to promote, as it was excellent but not explosive as I expected which left us with a respectful and balanced review with zero arguments...What do we know you may like the new zen hosting team.

Tonight on Triple Feature, we peel back more than just plot—this episode explores how each film was built, the bold choices behind them, and what makes them tick both on screen and in the cutting room.First, Sinners, the ambitious 2025 hybrid of Southern Gothic horror, musical, and supernatural thriller from Ryan Coogler. Coogler not only directed but wrote and produced, putting this deeply personal project through his Proximity Media banner. It was rumored to have sparked a fierce studio bidding war early on. The film was shot over spring and summer 2024 on location in Louisiana, and it pushed technical boundaries by being shot on 65 mm film—including IMAX 15-perf and Ultra Panavision 70 formats—allowing Coogler and cinematographer Autumn Durald Arkapaw to shift between widescreen and immersive aspect ratios. Coogler also consulted real-life twins to help Michael B. Jordan ground his dual roles—Smoke and Stack—with distinct emotional and physical nuances. The production even reused costumes originally designed for Blade after that project shifted direction, thanks to designer Ruth E. Carter.Sinners is more than a genre film: it's built with weight, history, and intention, demanding you think about racially charged myth, redemption, and community as much as it scares you.Next up is Drop, directed by Christopher Landon and co-written by Jillian Jacobs & Chris Roach. On paper, it's a taut thriller: a widowed mother on her first date in years suddenly receives chilling anonymous messages via “DigiDrop” threatening the lives of her son and sister unless she follows orders—including committing murder. But behind that premise, the film draws from a real-life anxiety: the idea of unexpected AirDrops in public spaces. Production began in Ireland in April 2024, and the movie's contained setting (almost entirely within a restaurant and tied intimately to a digital device) turned constraint into tension. The director even explained that the final act's identity reveal and pivot underwent dramatic changes deep into post-production. The villain behind “Let's Play” commands the narrative with digital terror—a modern twist on classic “phone call from nowhere” horror tactics.Lastly, Echo Valley brings us out of the city and into Pennsylvania farmland, where Julianne Moore plays a horse trainer whose life becomes entwined with the state of her daughter, played by Sydney Sweeney. The screenplay, penned by Brad Ingelsby, layers in addiction, familial secrets, and the quiet violence that festers in isolated communities. Moore anchors the emotional ground, imbuing her character with both grief and steely resolve, while Sweeney provides the restless, volatile counterpart. The tension in Echo Valley often breathes through landscape and silence—what's not said becomes as dangerous as what is. The film has been praised for allowing Moore and Sweeney to take the emotional reins and carry scenes with minimal exposition, trusting the actors and the visuals to convey the weight.Three films. Three different modes of storytelling: Sinners with its genre-bending ambition and technical daring; Drop with its high-concept, digital-age suspense and careful spatial design; Echo Valley with its character-driven brood and sense of place. All three ask us to lean in—not just watch, but feel the mechanics behind them. Strap in.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Ralph Compiano and Barter (Carter Ferryman) delve into the cinematic world of writer/director Paul Thomas Anderson before the release of his 10th feature film 'ONE BATTLE AFTER ANOTHER' starring Leonardo DiCaprio.They rank all 9 of PTA's films, discussing their personal experiences and insights on each one, from the debut feature 'HARD EIGHT' to the latest release 'LICORICE PIZZA'.They also discuss some of the best performances PTA has gotten out of actors including Adam Sandler, Tom Cruise, Joaquin Phoenix, Philip Seymour Hoffman, Julianne Moore, John C. Reilly, Burt Reynolds, Josh Brolin, and more.In this engaging conversation, the two explore the intricate themes of love, greed, and the human condition as depicted in 'THERE WILL BE BLOOD' and 'BOOGIE NIGHTS', the brilliance of Daniel Day-Lewis's performances, and the impact of cinematography and music in creating unforgettable cinematic experiences.The discussion highlights the significance of rewatching films to uncover deeper meanings and the joy of sharing these artistic treasures with others.

AudioFile awards Earphones to exceptional audio experiences—it's our version of a starred review, specifically for the audiobook. Host Jo Reed and AudioFile's Laura Rossi discuss three recent Earphones Award-winning audiobooks that delve deeply into the human experience. Laura and Jo discuss the controversial, posthumously published NOTES TO JOHN by Joan Didion, read by Julianne Moore; CRY FOR ME, ARGENTINA: My Life As a Failed Child Star by comedian Tamara Yajia, read by Tamara Yajia; and the highly anticipated memoir by Jen Hatmaker, AWAKE, read by the author. Read our reviews of the audiobooks at our website:  NOTES TO JOHN: Published by Random House Audio CRY FOR ME, ARGENTINA:   Published by Bloomsbury Publishing AWAKE: Published by Simon & Schuster Audio Discover thousands of audiobook reviews and more at AudioFile's website   Support for AudioFile's Behind the Mic comes from Blackstone Publishing: an independent, award-winning publisher of bestselling books and audiobooks. Find your next great listen at BlackstonePublishing.com.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Well, it was high time we take a bite out of the second Jurassic Park movie of the 90s. Widely known as a far inferior sequel, (and they're right) but it was directed by Spielberg so how bad could it be? Me and Charles take the opportunity to tell you exactly how bad and just all the many reasons this was doomed from the start. There is no better co-host than Charles to talk about the films that electrified him as a youth seeing them multiple times in the theater. We talk the MANY differences from the novel to the screen, just how weird the whole daughter storyline was, and just why it fell apart as soon as they got off that island.---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @lauren_melanie  & Charles @charleshaslamFollow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Meghann Fahy's outstanding performance in Sirens earned her a second Emmy-nomination — this time for Lead Actress in a Limited or Anthology Series or Movie. She plays the sharp, dark, and funny Devon DeWitt, a role that Fahy says she hadn't had the opportunity to step into before, and the first pilot that she really chased after loving the script. Fahy shares what it was like to pursue acting in NY as opposed to LA, her love of singing, and the best things about working with Julianne Moore on set. Video episodes available on Still Watching Netflix YouTube Channel. Listen to more from Netflix Podcasts.

Nikki Glaser joins Jenna in Studio 1A as co-host for the day. She answers a rapid-fire round of questions on the latest in pop culture and reveals some hot takes. Also, Julianne Moore joins to discuss her continued love for acting, her latest Netflix show ‘Sirens,' and her partnership with Eli Lilly. Plus, Hoda is back to share the story of a remarkable New Orleans principal who is inspiring her students and many others. And, Chrissy Teigen stops by to raise awareness about an issue very personal to her.

We want more movies about unhinged women. Please.SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

On today's episode, the boys continue the first two movie series. This time, it's Silence of the Labs and Hannibal. The boys review Silence of the Lambs, a quintessential horror film that needs no introduction, and it's hotly debated sequel Hannibal.Support the showCatch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.

What can you expect when you're on top? You know? It's like Napoleon. When he was the king, you know, people were just constantly trying to conquer him, you know, in the Roman Empire. So, it's history repeating itself all over again.Enjoy our podcast review of BOOGIE NIGHTS (1997), directed by Paul Thomas Anderson and starring Mark Wahlberg, Burt Reynolds, Julianne Moore, Don Cheadle, John C. Reilly, and Heather Graham! Chris and Altaf discuss the inevitability of change as culture moves forward, why family matters when you go through dark times, and Marky Mark's fat hog!Support the showPodcast theme song by Jaron Jon - https://www.instagram.com/jaron.jon/VIDEO PODCAST: https://www.youtube.com/@moviesthatchangedusREACTION CHANNEL: https://www.youtube.com/nicedudemovienightMERCH: https://nicedudemovienight.com/PATREON (early access, exclusive podcasts and polls): https://www.patreon.com/moviesthatchangedusTWITTER: https://twitter.com/nicedudemoviesINSTAGRAM: https://www.instagram.com/moviesthatchangedusBUSINESS INQUIRIES: alex@risingsunsagency.com

Listen to this PREVIEW of the 25th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Mattie Lucas about two Best Actress Oscar winners who were overlooked for a leading performance earlier in their careers: Julianne Moore ("Safe") and Reese Witherspoon ("Election"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Safe" - Sony Pictures Classics

“Our goal in writing [Sirens] was to write something that makes you think, and offers the opportunity to re-examine your own assumptions that you made about these characters. And it's taxing. We ask some difficult questions. It's not The Perfect Couple. It's not a murder show. We're going after something thematically that's really large and really ambitious, and that's why the Greek mythology came to mind. These are epic stories. These are about blood, and moms, and torture, and trauma, and pain. These themes are not tiny. These are complicated, juicy stews,” says showrunner and creator, Molly Smith Metzler about why she wanted to invoke big themes from Greek drama in her TV show Sirens.  On today's episode, we chat with Molly Smith Metzler, showrunner and creator of the hit Netflix limited series Sirens starring Julianne Moore, Meghann Fahy and Kevin Bacon. The show is based on her stage play Elemeno Pea from 2011. Smith Metzler talks about making the transition from playwriting to television and what she learned about being in the writer's room for Orange is the New Black.  "Everything you do in a [writer's] room is an offering. I'm here to serve, I'm here to serve you. Come in with ideas, offer them. If they don't hit, back off of them. You are a sous chef and a waiter," she says.  She also talks about writing edgy female characters unapologetically, like the ones in Sirens, and the numerous times she was asked to remove a certain risqué scene from the pilot script – which she refused to do. "We have to write these women in their truest form – they're complicated, and they don't have to explain themselves, either. My job is not to soften her so an audience won't turn off the TV show," she says.  To hear more about creating Sirens listen to the podcast. 

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Part 3 of Boogie Mikes tackles Paul Thomas Anderson's Magnolia, his 3 hour epic drama starring Tom Cruise, Julianne Moore, Philip Seymour Hoffman, John C. Reilly, William H. Macy, Jason Robards, Melora Walters, Philip Baker Hall, and Jeremy Blackman. NON-SPOILER REVIEW OF MAGNOLIA: Production Stories, Reception, Awards & The Tom Cruise Career Checkpoint - 2:01 Roger Ebert's Take + Non-Spoiler Script Thoughts - 11:07 Review of the Performances - 15:45 Review of the Production Values - 20:51 Final Non-Spoiler Sales Pitch - 26:26 SPOILER FILLED REVIEW OF MAGNOLIA: 28:52 Why this movie is so PTA: and yet, why does he use so many narrative devices? - 30:36 Asking some major questions - 36:39 The Big Themes - 40:10 That Ending: and what a mess we are trying to reckon with it - 44:31 More Bests & Worsts - 1:03:20 OUTRO: Please let us know your thoughts and explanations re: Magnolia. We'd love to read them. Here's a linktree to all of our socials, and where else you can find our podcast. Please rate, review, like, and subscribe and help us spread the word about our show in a positive way. We thank you very much for doing so. https://linktr.ee/mikemikeandoscar

Everybody's gotta start somewhere, and that applies to Curtis Hanson as much as it applies to anyone else. Still, it's weird to think of the man behind L.A. Confidential and 8 Mile as the director of THE HAND THAT ROCKS THE CRADLE - a movie that, to be charitable, is not quite on the same league as his other work. But can we at least agree that Rebecca De Mornay deserved her MTV Movie Award? Listen to this Real Talk segment to find out!TIMELINE00:01:26 The Hand With The Baby00:02:25 Real Talk00:54:56 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, The Summer of the (MTV) Bangers continues with another thriller, this one aimed at the Dawson's Creek generation, as we cover DISTURBING BEHAVIOR! Until then, let us know what you thought of The Hand That Rocks The Cradle: Are you excited about the upcoming remake? Could you muster any sympathy for Rebecca De Mornay's character? Do you share Alex's strong feelings for Julianne Moore's smoking? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

June 20-26: Julianne Moore is allergic, the biggest artwork ever, Reddit gets a thumbs up, Nicole Kidman is a terrible witch, Lindsay Lohan gets a magic car, Dwayne Johnson balls, Jon Stewart leaves (the first time), and Mr. Robot fights Evil Corp. All this and more from 30, 20, and 10 years ago.

Devon DeWitt ventures to a seaside estate to collect her estranged sister, now the indispensable personal assistant to an idiosyncratic socialite. She finds Simone has changed her image, and her presence on the island threatens to upend the new persona Simone has crafted. Devon disrupts plans for Kiki Kell's annual summer gala, pleading with Simone to return home and care for their ill father. But she finds Kiki's influence on her sister and the island's high-society ladies strangely cult-like, and rumors swirl about why the billionaire's first wife is unaccounted for.The Netflix comedy-drama “Sirens” features Emmy nominee Meghann Fahy, Julianne Moore, and Kevin Bacon. Filled with lavish settings and costuming, the tone of the series veers from farcical to deeply dark as the story explores themes of class, power, and trauma.OUR SPOILER-FREE REVIEWS OF "SIRENS" BEGIN IN THE FINAL 11 MINUTES OF THE EPISODE.In Crime of the Week: pain in the grass. For exclusive podcasts and more, sign up at Patreon.Sign up for our newsletter at crimewriterson.com.

Gay homosexuals Nick and Joseph review ⁠⁠⁠⁠Magnolia - a 1999 American drama film written, directed and co-produced by Paul Thomas Anderson. It stars Jeremy Blackman, Tom Cruise, Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, Ricky Jay, William H. Macy, Alfred Molina, Julianne Moore, John C. Reilly, Jason Robards, and Melora Walters.Additional topics include:Locarno and Venice Film FestivalsCatfishingBlack filmmakers who are not Tyler Perry: Gordon Parks, Gordon Parks Jr, Bill Gunn, Wanuri Kahiu, and Justin Douglas PowellThe deaths of Mark Snow and Jewel Thais-WilliamsJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

It's another packed episode of the Empire Podcast, the show that dares to ask the big questions: isn't the Mona Lisa just a woman sitting down? Who's the richest Northern Irish person? Can you buy stocks in Glen Powell? Join the pod team — Chris Hewitt, Helen O'Hara, James Dyer, and Amon Warmann — as they tackle those questions, discuss the original 1977 print of Star Wars that Chris and James saw last week at the BFI, look at the week's movie news (Dune! Saw! Clayface! Naked Gun!), and review Danny Boyle's 28 Years Later, and the new Pixar joint, Elio. And guest-wise we've also got you covered as Chris sits down with Echo Valley's star-director duo, Julianne Moore and Michael Pearce, [26:05 - 40:09 approx] and the stars of 28 Years Later, Jodie Comer and Ralph Fiennes. [1:06:45 - 1:22:26 approx] Will Ralph commit to starring in Chris' new play? Give it a listen and find out. Enjoy!

We have Irish acting royalty joining us this week – star of the stage, Killing Eve, Fleabag, Harry Potter, Star Wars, the list is endless – it's the incredible Fiona Shaw! Fiona is in the midst of promo for 2 films, Echo Valley and Hot Milk, and she found time to join us for a spot of brunch at Mum's. We heard about life between London & New York (and Sri Lanka), her routine of a smoothie for breakfast every morning, working with the formidable Julianne Moore, her mum singing daily when she was growing up, and discovering and cooking Sri Lankan food with her wife. Fiona's fantastic in both films – of course – don't miss Echo Valley, which is out now on AppleTV+, and Hot Milk, which is released in cinemas on the 4th of July. Hosted on Acast. See acast.com/privacy for more information.

Dakota Johnson's ‘Materialist' and the live action ‘How to Train Your Dragon' premier in theaters this weekend. ‘The Life of Chuck' has genius creative and star power behind it - this is one we will definitely be checking out. Sydney Sweeney and Julianne Moore have a new movie ‘Echo Valley' out this weekend as well. Katy Perry and Orlando Bloom might be on the rocks. Protests will be happening throughout the country this weekend - be safe out there! Taylor Swift and Travis Kelce were spotted enjoying an NHL playoff game in Florida. Still stumped for Father's Day gift? Here are the most popular options this year!

Zoe Saldaña talks new animated film, 'Elio'; Keanu Reeves discusses upcoming film, 'Ballerina'; Sydney Sweeney and Julianne Moore discuss new film Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's show an all-star team of super agents join Julia to gab including guest host Amy Nicholson, film critic for the Los Angeles Times. Their first mission: Mission Impossible: The Final Reckoning, the supposed final installment of the Tom Cruise action juggernaut. Like Cruise on to a vintage biplane, Dana jumps on the call to discuss all the film's death-defying stunts, clunky exposition, and lasting cultural impact. Next, they're joined by Slate senior editor Rebecca Onion to dish on Sirens, Netflix's pastel-hued dramedy starring Meghan Fahey, Milly Alcock, and Julianne Moore. Finally, Slate's music critic Carl Wilson arrives to grapple with the hugely successful, but critically polarizing, new Morgan Wallen album I'm the Problem. In an exclusive Plus segment, Amy, fresh from the Riviera, shares with Julia and Dana her favorite films and moments from the 2025 Cannes Film Festival. Endorsements: Amy: The 19th season of the British game show Taskmaster, wherein a group of comedians are made to do impossible tasks by host Greg Davies. Carl: The Mock Trial-centric live episode of the musical improv podcast Off Book, and the podcast itself while you're at it.  Julia: The quintessentially American, summertime experience of eating a hotdog on a ferry as well as the 2011 film Money Ball. You can also hear more from Amy on her podcast Unspooled and from Carl on his substack Crritic!.  Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen. Podcast production by Benjamin Frisch. Learn more about your ad choices. Visit megaphone.fm/adchoices