Behind The Lens

This week on BEHIND THE LENS, we've got a lotta laughs thanks to director/writer/producer GREG PORPER and co-director/co-writer/ and editor JOHN SCHIMKE, who talk about their new, and often side-splitting comedy that opens this Friday, DON'T TELL LARRY. And who doesn't love musical theater, especially fresh off last week's exhilarating Tony Awards? Also on hand talking about their new film and first collaboration, EVERYTHING'S GOING TO BE GREAT, are two filmmakers whose work I have long admired, director JON S. BAIRD and writer/producer STEVEN ROGERS. Kicking things off is my exclusive interview with director JON S. BAIRD and his partner in crime for EVERYTHING'S GOING TO BE GREAT, writer STEVEN ROGERS. EVERYTHING'S GOING TO BE GREAT is a love letter to the theater and everyone who had a dream. A dramedy at heart, as we hear with the rousing opening strains "There's No Business Like Show Business", we meet the Smart family. Led by Buddy and Macy Smart, theirs is an unpredictable life of regional theatre while trying to raise their sons, Les and Derrick. Les dreams of nothing but a future in the theatre (and dare I say that his dreams also include conversations with Tallulah Bankhead, Noel Coward, and Ruth Gordon) while Derrick wants only to stay in one place, go to school, have friends, and play football. Often living on a shoestring, if even that, Buddy refuses to give up on his dreams for the family, while Macy has to try and keep the family together and afloat. A true journey of self-discovery while grappling with identity and belonging, each member of the Smart family learns the power of owning the spotlight, no matter what stage of life you're in. Shifting gears, we move on to laugh-out-loud hilarity with DON'T TELL LARRY, a film that I like to describe as "I Love Lucy" on crack, and my exclusive conversation with co-director/co-writers GREG PORPER and JOHN SCHIMKE. John also serves as the film's editor. Talking with them, I understand completely how the comedic tone of this dark comedy arose. Greg and John are a barrel of laughs themselves. DON'T TELL LARRY is the story of Susan, who tells a harmless little white lie about an office party to her truth-obsessed co-worker Larry in order to secure a promotion. It doesn't take long before she finds herself in over her head when tragedy strikes, and all signs point to Larry as responsible. Terrified her secret will be exposed, Susan ropes in her well-meaning but clueless co-worker Patrick to help cover up her tracks—but every move they make unleashes a whirlwind of chaos. From random drug tests and car explosions to a suspicious detective and a rising body count, Susan's workweek spirals into a full-blown clusterf*ck. http://eliasentertainmentnetwork.com

This is a fun episode of BEHIND THE LENS as I'm doing something this week that I haven't done before – and that is give you an interview with a film's director, followed by my interview with his cinematographer. The film is the thriller BARRON'S COVE. The director/writer is EVAN ARI KELMAN. The cinematographer is MATTHEW JENSEN. But hilarity also ensues today thanks to co-writers/directors DAVID JOSEPH CRAIG and BRIAN CRANO as they talk about their new laugh-filled collaboration, I DON'T UNDERSTAND YOU. First up, I DON'T UNDERSTAND YOU. Based on their own life experiences, David and Brian give us Dom (Nick Kroll) and Cole (Andrew Rannells), a couple on the verge of adopting a baby, embark on an Italian vacation — the perfect opportunity to reconnect before the new addition arrives. Everything is picture-perfect, the epitome of a European babymoon, when things begin to spiral out of control. Lost on the way to dinner, their car gets stuck in a ditch, stranding them in rural nowhere during a torrential downpour. These two Americans, who are used to being catered to, are now in a foreign land with no cell service, zero comprehension of the Italian language, and, as fear takes over, escalating turmoil that could explode at any moment. Co-Written and Co-Directed by Brian Crano and David Joseph Craig, I DON'T UNDERSTAND YOU stars Nick Kroll, Andrew Rannells (who was a Grand Marshall in yesterday's pride parade in Hollywood), Morgan Spector, Nunzia Schiano, Eleanora Romandini, Paolo Romano, and Amanda Seyfried. Then we switch gears from laughter to the nail-biting tension of a thriller – BARRON'S COVE. Written and Directed by EVAN ARI KELMAN, BARRON'S COVE stars Garrett Hedlund, Brittany Snow, Christian Convery, Hamish Linklater, Stephen Lang, and Raul Castillo. BARRON'S COVE follows a father with a violent past (Hedlund) as he grieves the sudden loss of his only child. Convinced of a cover-up and intent on obtaining answers about his son's death, he kidnaps the troubled boy he holds responsible – the son of a prominent local politician, which ignites a media firestorm and frenzied manhunt. But as he grows ever closer to uncovering the truth, he is left to wonder whether his pursuers are really seeking to protect the boy or merely the secrets he keeps. http://eliasentertainmentnetwork.com

A fun BEHIND THE LENS for you this week, thanks to writer/director CARLYLE EUBANK, who joins me talking about his feature directorial debut, BROKE, and director JAMES BAMFORD, who breaks it all down for THE LAST GUNFIGHT. Some of you might recognize Carlyle's name and if you do, it's probably thanks to "The Signal" which was written by Carlyle and directed and co-written by his brother William, or "Muzzle" starring Aaron Eckhardt which he co-wrote with William and which was directed by John Stalberg, Jr. But as Carlyle now steps into the director's chair with BROKE, this is 100% Carlyle Eubank. BROKE is a contemporary western that follows the story of True Brandywine, played by Wyatt Russell, a bareback bronc rider clinging to his fading rodeo career. When True gets trapped in a freak spring blizzard, he must battle injuries, illness, and the bitter cold. While fighting for his survival, True is forced to face his choices and the circumstances that led him to his tenuous situation. Then we shift gears with THE LAST GUNFIGHT and yet another exclusive interview with one of my favorite directors and a fantastic guy in general, JAMES BAMFORD. We chat so often that letting only a couple of months go by without talking is like going through withdrawal. James is a fantastic director. He came up through the stunt world as a stuntman, stunt coordinator, second unit director, and ultimately feature director, so you know that his action is going to be spot on in every film. His films are always action-packed, boast excellent casting, superlative well-choreographed and executed action, and solid stories. Some of my fave Bamford films include "Shadow Land", "Air Force One Down", "Utopia", "Man With No Past", and "High Ground". http://eliasentertainmentnetwork.com

This week on BEHIND THE LENS it's all about horror as we take a look at two distinctly different types of horror films and three talented filmmakers. One film, ROSARIO, is dark and twisted and steeped in ancient lore and curses and comes from FELIPE VARGAS. The other, A BREED APART, courtesy of THE FURST BROTHERS, NATHAN FURST and GRIFF FURST, has a lighter comedic bent that may have you rethinking getting yourself a cute, cuddly puppy, but is a horror film horror nevertheless, and with a bit of action thrown in. First up, NATHAN FURST and GRIFF FURST, aka THE FURST BROTHERS, co-writers, co-directors, and co-editors of A BREED APART. A BREED APART is the tale of a group of social media influencers who find themselves on a private island owned by the famous Vince Ventura. Expecting a weekend of unrivaled viral opportunity, it doesn't take long before our five "contestants" find themselves as part of their own horrific reality show when the guests are pitted against each other to capture the island's legendary man-eating dogs before they become victims of the monstrous canines. Succeed and win $1 million and the island itself. Plus, you're doing wonders for pet adoption! Then we switch gears and go deep and dark with director FELIPE VARGAS talking about ROSARIO. Directed by Felipe and written by Alan Trezza, ROSARIO is the story of a Wall Street stockbroker, Rosario Fuentes, who returns to her grandmother's apartment after her sudden death. While sorting through her Grandmother's belongings, Rosario uncovers a horrifying secret—a hidden chamber filled with occult artifacts tied to dark generational rituals. As supernatural occurrences plague her, Rosario must confront her family's buried secrets and face the truth about the sacrifices and choices they made. http://eliasentertainmentnetwork.com

An interesting movie mix for you this week on BEHIND THE LENS thanks to director DUNCAN SKILES and his new film NEIGHBORHOOD WATCH, and director LORCAN FINNEGAN and his latest THE SURFER. As different as night and day, both films showcase storytelling creativity and some incredible – and indelible – performances, most notably from Nic Cage in THE SURFER. First up, NEIGHBORHOOD WATCH. Directed by DUNCAN SKILES, who you may know best for directing THE CLOVEHITCH KILLER, NEIGHBORHOOD WATCH rises and falls on the compelling mystery plot and the performances by Jeffrey Dean Morgan as Ed and Jack Quaid as Simon. As you will hear from Duncan in this pre-recorded exclusive interview, he was drawn to writer Sean Farley's script for its unique and heartwarming dynamic between Ed and Simon. Duncan found it sweet, bittersweet, and not overly sentimental. The script had a mix of elements – thrills, mystery, and comedy – which appealed to him, and which he brings to life with a naturalistic look and feel thanks to cinematographer Luke McCoubrey. After THE CLOVEHITCH KILLER, Duncan was looking for something lighter, and this script was an easy read where he found himself rooting for the characters and wanting to spend time with them. Then we switch gears and hit the western coast of Australia with the sun and the surf with director LORCAN FINNEGAN and THE SURFER with a total mind fuck, batshit brilliant performance by Nic Cage. Needless to say, I love this movie! A psychological thriller directed by Lorcan Finnegan, a man identified as "The Surfer" – played by Cage – returns to the idyllic beach of his childhood to surf with his son, played by Finn Little of "Yellowstone" fame. But his desire to hit the waves is thwarted by a group of locals led by Scally – maniacally played by Julian McMahon – whose mantra is "don't live here, don't surf here." Humiliated and angry, "The Surfer" is drawn into a conflict that keeps rising in concert with the punishing heat of the summer and pushes him to his breaking point. Take a listen as Lorcan breaks down THE SURFER from Cage to story to casting to cinematography to editing to sound to score, and even the appearance of native snakes and a kookabura. http://eliasentertainmentnetwork.com

It's a fun BEHIND THE LENS this week thanks to writer/director/actor Rachel Suissa who I spoke with a few weeks ago specifically for today's show which is a salute to Mothers and Mother's Day courtesy of Rachel's new film GREEK MOTHERS NEVER DIE. Based on Rachel's own life, mapcap adventures, and mother-daughter angst, GREEK MOTHERS NEVER DIE is a love letter not only to Rachel's own mother, but mothers everywhere. Written, directed and starring Rachel Suissa, GREEK MOTHERS NEVER DIE is a delightful rom-com, brimming with Greek passion and plenty of family drama, as late bloomer Ella dreams of becoming a singer, but her overbearing Greek mother, Despina insists she take over the Gyros business and marry a Greek man. Rachel is animated, engaging, and thoughtful, all things that you'll hear in this exclusive conversation as we break down every element of the film, starting with highlighting its universal appeal and personal connections that it evokes. Rachel bares it all as she talks about the genesis and journey to make the film and shares anecdotes about her mother's influence, including a humorous scene where her mother bribed someone to hang out with her. We discuss the film's casting, particularly Abby Miner as Ella, which has a genuine and authentic feel. As we break down the production elements of GREEK MOTHERS NEVER DIE, we dive into the cinematography, editing process – and Rachel's unique method for selecting an editor, location and a favorite highlight of mine, the use of comic book graphics as scene interstitials, as well as the importance of music, which blends Greek and American themes. And Rachel even gives us some early intel on her next film, another fish out of water tale called "The American." http://eliasentertainmentnetwork.com

I think you'll enjoy this week's BEHIND THE LENS and the films we are discussing, but more than that, the filmmakers and actors I'm speaking with. Some jam-packed interviews today as we kick things off with my exclusive interview with actors CLAES BANG and JONAH HAUER-KING, together with writer/director NICK HAMM talking about his beautiful epic WILLIAM TELL. And then you'll hear from writer and executive producer CHARLENE DAVIS and director/producer DAFNA YACHIN discussing their new film, RELATIVE CONTROL. This first interview is one of those times I wish we could have done the interview in person; of course, I wish that with every interview. But in this case, these three gentlemen are so much fun and have such a wonderful rapport that I know that being together in person would have been an even bigger blast than what you're about to hear. I'm talking about CLAES BANG, JONAH HAUER-KING, and NICK HAMM and their wonderful film, WILLIAM TELL. Written and directed by Nick, based on the play by Friedrich Schiller, they have beautifully married history and legend and brought it to life in an indelible epic result. Then we shift gears and dive into RELATIVE CONTROL with the women behind this gem – director DAFNA YACHIN and screenwriter CHARLENE DAVIS. As you'll hear, Charlene and Dafna break down the film from script to screen. Written by Charlene, the script – her first after a decades long career as an attorney – is based on Charlene's personal experiences – was developed over a few years and speaks to not only the challenges of caring for aging parents, but caring for yourself as time marches on and the responsibility for caring for your parents overtakes one's own life. There is some magical casting here with Teri Polo as Sara and Patrick McDade as Sara's father Joe. Their chemistry truly captures the dynamic of a daughter and father navigating complex family dynamics. While Charlene focuses more on the script, Dafna dives into Anthony Berenato Jr's cinematography, developing a visual tonal bandwidth of lightness and bright tones versus the heavier subject matter, working with editor John Knapich, and some of the production challenges which involved a 14-day shoot, the impact of the pandemic, and shooting in 100 degree Delaware heat in July and August with the film set in the Fall/Winter. http://eliasentertainmentnetwork.com

This week on BEHIND THE LENS we're going from the Old West down into the deep blue, or not so blue, sea, discussing two wonderful films with two terrific filmmakers – LAST BREATH and GUNSLINGERS. First up, take a listen to my exclusive interview with director ALEX PARKINSON talking about LAST BREATH. Currently in theatres, LAST BREATH is a heart-pounding film that follows seasoned deep-sea divers as they battle the raging elements to rescue their crewmate trapped hundreds of feet below the ocean's surface. Based on a true story of events that occurred in 2012, as well as Alex's 2019 documentary on the incident, LAST BREATH is an electrifying story about teamwork, resilience, and a race against time to do the impossible. Then it's time to hear from writer, director, and editor BRIAN SKIBA talking about his new film, the rootin' tootin' western GUNSLINGERS. Talk about a fun film! Action packed, lots of shootouts, a hanging, a solid story with amazing cast, cinematic in scope thanks to widescreen scenes, and it's got Nicolas "Fucking" Cage(!!!!!) in another one of his unique, show stopping, and indelible roles. I always enjoy speaking with Brian, especially when it comes to westerns and he has outdone himself with GUNSLINGERS. http://eliasentertainmentnetwork.com

This week on BEHIND THE LENS, we're talking about a very special film about a very special woman that was made by another special woman. The film is AUDREY'S CHILDREN and that special woman is pioneering pediatric oncologist Dr. Audrey Evans and her groundbreaking work in the 1960s and 70s at Children's Hospital of Philadelphia, or CHOP as it is more commonly known. And that special filmmaker is director AMI CANAAN MANN. AUDREY'S CHILDREN tells the untold true story of visionary British physician Dr. Audrey Evans, who burst onto the scene in 1969 as the first female Chief of Oncology at the world-renowned Children's Hospital of Philadelphia. Battling sexism, medical conventions, and the subterfuge of her peers, Evans developed the first Neuroblastoma Staging System, co-founded the first Ronald McDonald House with the Philadelphia Eagles for families of CHOP cancer patients, and, ultimately, impacted the lives of millions of children and families around the world. It was wonderful to reconnect with AMI CANAAN MANN after more than a decade since we last spoke about her work with "Texas Killing Fields". And as you'll hear in this exclusive conversation, we cover everything from Mice to Ronald McDonald as Ami emphasizes the importance of capturing Audrey Evans's story, particularly her groundbreaking research in pediatric oncology. Mann praises the cast, particularly Natalie Dormer and Jimmi Simpson, for portraying Audrey and Dan. http://eliasentertainmentnetwork.com

This week on BEHIND THE LENS is my exclusive interview with writer/director/costume designer/producer and actor Colin Henning as he talks about his feature directorial debut, the beautifully moody and metaphoric APPALACHIAN DOG. Not only am I enchanted by this sultry, post-WWII, Southern Gothic delight, but by Colin himself who is already one of my favorite filmmakers of the next generation. He is articulate and thoughtful both in discussing the film and with the film itself. Every frame shows Colin's care, thought, and purpose in the production and his performance. Written & Directed by Colin Henning, APPALACHIAN DOG stars, among others, Georgia Morgan, Hayleigh Hart Franklin, Brooke Elizabeth, Colin Henning, and Aaron J Stewart and was shot on location in the Appalachian Mountains in North Carolina and, as you will see on watching the film, in the dead of winter. APPALACHIAN DOG is a Southern Gothic tale about husband and wife, Marion and Teddy, and Marion's friends Peggie, Cate, and Andrew. It's post-war 1946 and Teddy has just returned after 5 years in the war. A tailor by trade, suffering from PTSD and poor eyesight, Teddy is unable to return to his work and must rely on Marion to support them. Marion, a seamstress who worked with Teddy before the war, has honed her skills and built up the tailoring business in his absence, bringing on her friend Peggie as her assistant and fellow seamstress. In this extended exclusive conversation, COLIN HENNING and I dig deep into this moody, metaphoric film and its character study exploration, with the Appalachians very much as one of the main characters. As you'll hear, the strength of APPALACHIAN DOG lies in its location, Aidan Macaluso's exquisite cinematography, and Chad Hylton's magnificent sound design, which immerses viewers in the claustrophobic, isolated setting. Going beyond the production elements of the film, Colin also talks about wearing so many hats and how he maintained an emotional separation between his roles, including as a main actor, while staying true to the story's meaning. APPALACHIAN DOG is also the feature debut of Colin and Chad's company and what a debut it is! http://eliasentertainmentnetwork.com

Hilarity ensues this week on BEHIND THE LENS thanks to director/co-writer/actor ROB TAYLOR and co-writer/producer/actor NIC COSTA as they discuss their wild and wacky new comedy film RAGING MIDLIFE in this exclusive interview! And what a wild and wacky ride it is! RAGING MIDLIFE is the story of Mark and Alex (wonderfully played by Matt Zak and Nic Costa, respectively), two fanboys who are on a quest to recover a cherished 80s wrestling tank top worn by their idol, "Raging Abraham Lincoln," after Tyler, a grieving daughter determined to fulfill her late father's wish to be torched in the shirt, outbids them in an online auction. Hilarity ensues as Mark and Alex will stop at nothing to find and retrieve this beloved tank top they lost as children, except maybe romance, as sparks fly between Alex and Tyler, forcing Alex to choose between love and the ultimate piece of wrestling memorabilia, not to mention his lifelong BFF Mark. As you will quickly hear, it's not just RAGING MIDLIFE that's wild and wacky, but so are its creators NIC COSTA and ROB TAYLOR who bring so much laughter to this exclusive interview. Listen as we break down the entire film starting with its inception back in 2002 and the decade-long process to bring it into the present of 2025. Highlighting its unique blend of nostalgia and pop culture references, RAGING MIDLIFE features a large cast and approximately 20 different locations. Something that you may not hear any other filmmakers talk about are the challenges involved with securing a federal courthouse as a shooting location. Nic, who is also an attorney (although it didn't really help him in getting the courthouse) gives all the ins and outs and hoops he had to jump through for this important location. Rob dives into the cinematography and working with cinematographer Eric Macey and developing a visual grammar inspired by 1980s filmmakers. Similarly, composer Lisa Molinaro's score and the 1980s-influenced needledrops featured licensed tracks and original compositions which Nic discusses in terms of licensing challenges and costs. Another interesting topic that we touch on is film tax credits and their impact on productions, especially with lo budget/no budget/micro budget indie films. Of course, we spend quite a bit of time talking about casting and character development, most notably with Paula Abdul's Mary Todd. BTW, Paula delivers a really strong performance that is far different from "cameos" she has had in other films. And Star Trek fans will be tickled to hear what Nic and Rob have to say about Trek legend Walter Koenig and his role in RAGING MIDLIFE. http://eliasentertainmentnetwork.com

We go from one end of the spectrum to the other this week on BEHIND THE LENS as we take a look at writer/director Atom Egoyan's dramatic new thriller SEVEN VEILS and everyone's favorite (and looney) pig and duck, Porky and Daffy, in writer/director Peter Browngardt's feature animated directorial debut LOONEY TUNES: THE DAY THE EARTH BLEW UP. First up today is my exclusive interview with one of my longtime favorite directors – ATOM EGOYAN. Written &mps; Directed by Atom, SEVEN VEILS stars Amanda Seyfried who reunites with Atom after their 2015 film Chloe, as well as Rebecca Liddiard, Douglas Smith, Mark O'Brien, Vinessa Antoine, Ambur Braid, Michael Kupfer-Radecky. Premised on the biblical tale of Salome, which has been told in countless ways over the years, most notably as a 19th-century opera by Richard Strauss and written by Oscar Wilde, Atom has taken his love for the tale which he has directed on the stage numerous times since 1996 and now explores what a production of Salome would mean in our current culture. This led him to write SEVEN VEILS about a remount of Salome that he filmed at the same time the opera was being performed on stage by the Canadian Opera Company in 2023, using the opera singers from Salome in the film. Switching gears now, we go from the seductive and sensual to sarcasm, satire, slapstick, and pure unadulterated joy with Porky Pig and Daffy Duck in LOONEY TUNES: THE DAY THE EARTH BLEW UP and my exclusive conversation with writer/director/animator PETER BROWNGARDT. Listen as Peter talks about animation and dialogue going hand in hand aka what came first the pig or the duck egg and working with 11 writers/animators to develop the emotion through drawing, dialogue and voicing, the classic hand-drawn visuals, paying homage to the past – including many classic films – while adding some contemporary notes, melding genres, music and score, getting a greenlight from Warners to make the film, and of course Peter's own learning curve with his first feature after hundreds of Looney Tunes shorts. http://eliasentertainmentnetwork.com

It's a fun episode of BEHIND THE LENS as writer/director TIFFANY KIM STEVENS joins me in discussing her new quirky comedy TRIGGER HAPPY, plus my exclusive interview with director DITO MONTIEL talking about his latest dysfunctional family comedy RIFF RAFF. First up is my exclusive interview with director DITO MONTIEL talking the brilliantly conceived RIFF RAFF. Boasting an A-list cast led by Jennifer Coolidge and Ed Harris, along with Gabrielle Union, Lewis Pullman, Miles J. Harvey, with Pete Davidson and Bill Murray, RIFF RAFF is laugh-out-loud chaos with a wife, an ex-wife, a disowned son with a pregnant girlfriend, an innocent teen on the cusp of college, and a couple of gangsters named Leftie and Lonnie coming for them all. Needless to say, Leftie and Lonnie are played by Murray and Davidson, respectively. Listen as we break down the film and Dito's creative process covering everything from casting and character development to storyboards to cinematography to editing, as well as the film's kinetic energy and strong ensemble performances. Then I'm joined by writer/director TIFFANY KIM STEVENS talking about her outrageously fun and quirky comedic TRIGGER HAPPY; the tale of poor George Decker who dreams of escaping his boring and humdrum life and escaping to the Bahamas. But to do so means getting rid of his wife, crushing debt, his 9-to-6 job, and everything else that he believes has held him back and prevented his true bliss. A clever story that melds decades to create a timeless feel, Tiffany and I discuss character, story, production design, color palette, editing, and more. http://eliasentertainmentnetwork.com

A terrific BEHIND THE LENS for you this week to finish off Black History Month as you're about to hear my exclusive interview with director JULIUS ONAH talking about CAPTAIN AMERICA: BRAVE NEW WORLD, as well as my interview with actor turned writer/producer/and lo budget no budget micro-budget filmmaker ELLA THOMAS talking KNOW MERCY. First up is ELLA THOMAS with KNOW MERCY, a film that is rooted in faith while exploring good versus evil, immortality versus mortality, and what it means to be human. Many of you are already familiar with Ella, notably for her most recent role in "Nightbitch". What I love about this conversation with Ella is not only how we break down the film from her perspective as a writer and producer, but we delve into casting and performance – including her own – and the emotional depth of the characters, along with emphasizing the importance of grounded motivation and real interpersonal dynamics. Reflecting on her collaboration with Perdell Richardson with this project, Ella also speaks to the challenges of guerrilla filmmaking, the necessary flexibility required due to funding constraints, and the support from the film's distributor, Gravitas Ventures. Then, I bring out the big guns and my exclusive interview with director JULIUS ONAH discussing CAPTAIN AMERICA: BRAVE NEW WORLD which has taken the world by storm as Sam Wilson, the new Captain America, finds himself in the middle of an international incident and must discover the motive behind a nefarious global plan. What I particularly appreciate with BRAVE NEW WORLD is that Julius gives us thoughtful dramatic moments that allow us to get to know Sam as his own person and not part of an entire group of personalities (aka Avengers) but see him wrestle with his own conscience and self-worth, trying to step out of Steve Rogers shadow and make Captain America his own. I love that Julius stayed true to himself as a filmmaker with the dramatic personal aspects of the story and then cocooned that with some explosive razzle dazzle action. http://eliasentertainmentnetwork.com

It's a Slamdance Special on BEHIND THE LENS this week as we look at two films marking their world premieres at the Slamdance Film Festival and chat with their respective filmmakers— CAMERON S. MITCHELL talks about DISPOSABLE HUMANITY while CORY SANTILLI discusses IN THE MOUTH. Kicking things off is my exclusive interview with CAMERON MITCHELL writer/director/cinematographer and co-editor of DISPOSABLE HUMANITY, an eye-opening documentary about how the Nazis used disabled people to train killing staff and design the concentration camp apparatus for the Holocaust. Listen as Cameron discusses DISPOSABLE HUMANITY and exploring the Action T4 program during the Third Reich. His parents, who researched American eugenics, inspired him to document the T4 centers, where disabled individuals were systematically killed. The film features Mitchell's family home movies and interviews with survivors and historians. The score, composed by Andre Barros, enhances the cinematic experience. As you'll hear, Cameron emphasizes the importance of remembering T4's role in catalyzing the Holocaust and the need for inclusive memorialization. Turning our attention to something lighter is my exclusive interview with CORY SANTILLI talking about his world premiere feature narrative IN THE MOUTH. Shot in black and white, IN THE MOUTH boasts some wonderful production elements as well as outstanding performances from Colin Burgess and Paul Michael. As you'll hear in our conversation, Cory talks about how his own agoraphobia led to this story, shooting in black and white, and amassing a total of 164 scenes shot in 11 days. Cory and cinematographer Mike Magilnick meticulously planned the visual grammar, emphasizing shadows and negative space. The music score, created by composer Kubilar Uner, blends whimsy and genre elements. And of course, you'll discover what Cory learned as a filmmaker in making IN THE MOUTH. http://eliasentertainmentnetwork.com

A fun BEHIND THE LENS show for you this week as we take a look at two very different action films – one in present day and another in the medieval era – thanks to my exclusive interviews with writer/director STEVE BARNETT talking VALIANT ONE and writer/director/editor MATTHEW NINABER talking A KNIGHT'S WAR. First up is my exclusive interview with writer/director STEVE BARNETT discussing VALIANT ONE, an often nail-biting edge-of-your-seat action flick based on a true story and the premise of "What If?" – what if the leaders or special ops members of a military mission that lands in enemy territory die, and it's left to the surviving lower ranking team members and civilian specialists to figure out how to get out of enemy territory and survive, and maybe even complete the mission? Here, the "what if" involves a US military team intending to land in South Korea but crashes on the North Korean side leaving survivors to work together to protect a civilian tech specialist and find their way out without the help of US military support. Then we keep the action going with writer/director/editor MATTHEW NINABER and his wonderful medieval tale A KNIGHT'S WAR. I love a good action piece as do many of you, especially an action piece that's steeped in lore, armor, some horror, and lots of broad sword battles and that's just what Matt gives us here starting with the story and the love of medieval since childhood by Matt and his brother Jeremy, who is co-writer and star of the film as our knight in shining armor Bhodie. http://eliasentertainmentnetwork.com

It's a big day for BEHIND THE LENS as we're kicking off Year 11 of BTL Radio Show AND my 43rd year as a film critic! And what better way for "moviesharkd" to start a new year and new decade than with a shark movie. And what a shark movie I have for you today – INTO THE DEEP! Directed by CHRISTIAN SESMA and written by Chad Law and Josh Ridgway, INTO THE DEEP stars Scout Taylor Compton, Callum McGowan, Stuart Townsend, Jon Seda and Richard Dreyfuss. An action-packed thriller where pirates on the hunt for sunken drugs kidnap a boat of tourists, including husband and wife Cassidy and Gregg, and force them to dive into shark-infested waters to retrieve the drugs (and anything else they might find of value). Listen as Christian and I discuss the making of INTO THE DEEP and the challenges it presented to him. Well accomplished with action films on land, diving into a movie that is 90%, if not more, both underwater and on the water proved to be a steep learning curve for Christian, but one that he and his team successfully mounted to deliver this taut nail-biter. It's an interesting interview discussing not only the making of the film and shooting in Thailand but having Richard Dreyfuss involved in the film and notably with a compelling call to action for sharks during the end credits. http://eliasentertainmentnetwork.com

If you're a reader, listener, viewer, or follower of BEHIND THE LENS, then you know that this week is a very special show as it's the last show of 2024 AND the last show of the first TEN YEARS of BTL!!! And I think this is a special befitting the occasion thanks to my special guest w/d JOHN CORCORAN talking about his debut short film SKYFOREST, plus my exclusive interview with JACK HUSTON talking all things DAY OF THE FIGHT. We kick off the show with my exclusive interview with writer/director JACK HUSTON discussing his narrative feature directorial debut, DAY OF THE FIGHT. A truly knockout directorial that shows me that as good as Jack is acting onscreen, he's even better as a director and writer behind the lens. Written and directed by JACK HUSTON, DAY OF THE FIGHT boasts a megawatt cast including, among others, Michael Pitt as "Mikey", Ron Perlman as MIkey's trainer and father figure "Stevie", John Magaro as "Father Patrick", Steve Buscemi as Mikey's uncle, and Joe Pesci as Mikey's dad, along with Nicolette Robinson and Cameron Williamson. Then writer/director JOHN CORCORAN joins me live fresh off his West Coast premiere, discussing his directorial debut with the short film/concept film SKYFOREST, a sci-fi thriller that will have you wanting more as soon as it ends. Hard to believe that so much tension and anticipation can be built within 15 short minutes, but John together with his editor Jordan H. Johnson does just that. Truth be told, I didn't want to see this short end! http://eliasentertainmentnetwork.com

In this week's episode of BEHIND THE LENS we welcomed in the holiday season with our very special BTL friend, SIMON PHILLIPS talking SILENT BITE while giving a big hello to NICO SANTUCCI who makes his feature directorial debut with SAROGETO. Leave it to SIMON PHILLIPS to fill us with the Christmas spirit and get us in the holiday mood with his latest film, SILENT BITE. Written and produced by Simon, with Simon also starring alongside several other talented folks and friends of his, only Simon could come up with a film that melds a bank heist, Christmas, and vampires! This film is so much fun!! And of course, a conversation with Simon is always more fun than a sleigh full of Santas. Listen as we talk SILENT BITE and its inspiration, Simon's secrets to writing this particular film, casting and characters (and what characters they are!), melding Christmas with lusty vampires, the secrets to shooting in snow-filled -20 degree weather, what led him to his first-time feature director Taylor Martin and her team for SILENT BITE, and more. Plus, we get a teensy weensy tidbit about THE MOUSE TRAP: WELCOME TO THE MICKEYVERSE, a sequel to the horror hit THE MOUSE TRAP. And as we bid adieu to Simon, writer/director NICO SANTUCCI joins me in talking about his new film, the exquisitely delicate and moving narrative SAROGETO; a meeting of East meets West philosophies on life, past life, future life, and mortality. An insightful and thoughtful conversation with Nico as we cagily break down the film without giving away spoilers and discuss the cinematography, color palette and lighting, casting and some very specific character requirements, the editing process, a special location Nico was allowed to shoot in, using the beauty of Mother Nature as powerful yet serene and calming element within the film, the beauteous score, and more. A delicate, elegant, and quiet film from a very thoughtful and meticulous filmmaker whom I hope to hear more from in the future. http://eliasentertainmentnetwork.com

It's Musical Monday on BEHIND THE LENS as we look at two fun new musicals – SPELLBOUND with director VICKY JENSON and 1660 VINE with actor KHEMUNI NORODOM. Yes, musicals! Plus, my mini-review on the amazing BONHOEFFER: PASTOR. SPY. ASSASSIN, and some thoughts on the epic and masterful Roman spectacle GLADIATOR II. First, listen to my exclusive interview with director VICKY JENSON talking about the new animated musical from Netflix – SPELLBOUND. Beautiful animation, thoughtful and entertaining story, fun fun characters, creative and imaginative from beginning to end, and filled with music from the legendary Alan Menken, this is a film – and an interview – not to be missed. At the show's midpoint is actor, musician, and Prince of the Cambodian Royal Family, KHEMUNI "MUNI" NORODOM. He joins me live discussing his new film (and incredible breakout performance) – 1660 VINE. Now streaming on Prime, 1660 VINE is a Broadway-style high-octane energy musical with terrific cinematic elements thanks to director Patricia McGregor and unforgettable songs and performances. Muni is the fish-out-of-water protagonist with dreams of stardom, Danny, who moves from North Carolina to Hollywood and takes up residence at 1660 Vine along with other dreamers, Vloggers, and influencers seeking social media stardom. Talk about a fun and joy-filled conversation! Muni is a delight and his passion for his crafts, music/acting/musical theatre, is undeniable. A wonderful and insightful conversation as Muni talks about his background and the importance of education and training, making the leap into music and acting, the support of his family, the casting experience, insights he discovered about the production process once shooting starts, the fun of taking a cake in the face, working with an ensemble, being choreographed by Paula Abdul, dividing time between music and acting, his creative process and collaborations, and so much more. MUNI NORODOM is one person you want to put on your radar now! http://eliasentertainmentnetwork.com

This week on BEHIND THE LENS it's all about the great outdoors and survival as we take a look at two wonderful films with two fantastic filmmakers as director GEORGE NOLFI discusses ELEVATION and ANDREW KIGHTLINGER talks about LOST ON A MOUNTAIN IN MAINE. First up, is my exclusive interview with director George Nolfi talking about his thrilling action film – ELEVATION. Set in the post-apocalyptic Rocky Mountains, a single father and two women venture from the safety of their homes to face monstrous creatures to save the life of a young boy. Written by John Glenn, Jacob Roman, and Kenny Ryan, ELEVATION stars Anthony Mackie, Morena Baccarin, Maddie Hasson, and Danny Boyd Jr. Shot entirely on location at elevations above 8200 feet and as high as 11500 feet above sea level, this is a nail-biter. Take a listen as George and I discuss the film's structure, visuals, thematic elements, and the importance of shooting in real locations to create an authentic, naturalistic world. Another thrilling adventure comes to us courtesy of Andrew Kightlinger and his latest film, LOST ON A MOUNTAIN IN MAINE. Written by Luke Paradise and based on the book by the same name, the film tells the inspiring story of 12-year-old Donn Fendler, who, while climbing to the top of a famed local mountain, separated from his family by a fast-moving storm, and then had to fight to stay alive during his nine-day adventure lost in the backwoods of Maine. A true story based on the events of 1939, this marked the largest manhunt in the history of Maine up to this point. The local community and state mobilized, with media jumping in as well, to find young Donn. When he finally made it down from the mountain top he was 80 miles from where the family trek had started. http://eliasentertainmentnetwork.com

It's a wonderful mixed bag this week on BEHIND THE LENS thanks to director TERRY LOANE and his beautiful new film THE LAST RIFLEMAN, and actor COLIN CUNNINGHAM with his scene-stealing performance in HE NEVER LEFT (not to mention his ongoing role in Kevin Costner's "Horizon: An American Saga"). Kicking off the show is the perfect film for this Veteran's Day – THE LAST RIFLEMAN – and my exclusive interview with director TERRY LOANE. Inspired by the true story of WWII UK/Irish Veteran Bernard Jordan, we follow the adventure of Artie Crawford (age 92 3/4). After the death of his wife, he sneaks out of his nursing home and makes his way to France to reunite with his brothers-in-arms and honor the 75th Anniversary of D-Day. Starring Pierce Brosnan as Artie along with John Amos in one of his final performances as a US veteran, and Jürgen Prochnow as a veteran of the Nazi war machine, there is plenty of emotionality in this film that is balanced with a light visual tone. Then, he's baaaaack! That's right, the wonderful COLIN CUNNINGHAM returns to #BTLRadioShow talking about his latest performance in the slasher/serial killer/thriller HE NEVER LEFT, something very very different from his other performances as well as "The Little Pink House" which we spoke about with his last BTL appearance. A blood-soaked adventure to be sure, HE NEVER LEFT is chilling and Colin's performance is explosively over-the-top with anxious freneticism as well as a wonderful character arc filled with growth and redemption. And no surprise here, I Colin also discusses his role in multiple chapters of Kevin Costner's "Horizon: An American Saga" as he dives into Costner's directorial style and the beauty and meaning of the unfolding story of the American West. http://eliasentertainmentnetwork.com

What a BEHIND THE LENS we've got for you with this episode as we take a look at two films as different as night and day thanks to writer/director ANTHONY REPINSKI and his film, HEATHER; plus, XAQUE GRUBER talks about the fabulous SALLYWOOD! Joining me at the top of the show is writer/director ANTHONY REPINSKI to discuss his new horror film, HEATHER. Brutal, and graphic but with a fascinating character study unfolding, it is impossible to look away no matter what unfolds onscreen. An interesting conversation with Tony as he talks about going from multiple tours of military duty in the Middle East to filmmaking, his love of storytelling, the genesis of HEATHER and the importance of the film's themes on bullying and beyond, working in a contained environment on a limited budget, having a strong production team, and more. Then get ready for the indefatigable and exuberant writer/director XAQUE GRUBER and SALLYWOOD. (Due to logistics on Xaque's end, although we had hoped to do this live, we prerecorded this interview on Halloween to air today.) Starring none other than Sally Kirkland as Sally Kirkland, this laugh-out-loud comedy is everything you could hope for from Sally Kirkland and more. Based on Xaque's true life experience as Sally's assistant, get ready for fun, silliness, lots of cameos, and more. SALLYWOOD is Sally! And Xaque breaks it all down for us in this fun-filled interview as he dives into the logistics of the production, working around Covid restrictions, the importance of color and visual tone in the film, casting (some amazing fun cameos), and more! A film that's sweet, brilliant fun with a filmmaker to match! http://eliasentertainmentnetwork.com

It's a fun Halloween week on BEHIND THE LENS thanks to our special guest JANE CLARK and her new film WITCHY WAYS; plus my exclusive interview with ROEL REINE discussing CLASSIFIED. Kicking off the show is my exclusive interview with director/DP/composer ROEL REINE disclosing all the secrets about making his new film, the action thriller CLASSIFIED starring Aaron Eckhart, Abigail Breslin and Tim Roth. Written by Bob DeRosa, the script is tight, the plot has some original elements in the hitman genre, first-rate performances, superb action, and the location of Malta is glorious. Then writer/director JANE CLARK joins me talking about her magically enchanting new film WITCHY WAYS! My regular readers and listeners may remember Jane from prior appearances on #BTLRadioShow talking about the fantastically fun and funny "Crazy Bitches", the movie and the tv series! I love WITCHY WAYS and Jane and I have the best conversation here as she breaks down her filmmaking process from script to screen with WITCHY WAYS – finding a shooting location, writing for the specific location, themes, research into the "witch community" and its customs, practices, and spells, casting, production logistics and overcoming the perils of Mother Nature, working with her cinematographer, score and needledrops, some lovely witchy visual effects, and so much more. A perfect way to welcome in Halloween! http://eliasentertainmentnetwork.com

With Halloween fast approaching, we keep the spooky going this week on BEHIND THE LENS and toss in some alien fun too, thanks to VIVIAN KERR and her new film, SEANCE, and RENNY GRAMES & BOSTON McCONNAUGHEY with their fun-filled alien encounter, ALIEN COUNTRY. Writer/director/actor VIVIAN KERR is kicking off the show and discussing her psychological thriller SEANCE. With only four actors, Scottie Thompson (who dazzles in period work), Connor Paolo, Jilon Van Over, and Kerr herself, this tightly knit ensemble shines in this tightly scripted and lensed story. A beautiful period piece set in 1892, Vivien dives into the genesis of the story and the making of the film discussing everything from locations and finding homes built in the 1890s that are still period-perfect, to Johanna Coelmo's lighting and lensing, the bulk of which is shot at night making beautiful use of negative space and candlelight, to Nina Fuller's gorgeous costuming... And then the dynamic duo of writer/actor RENNY GRAMES and writer/director BOSTON McCONNAUGHEY join me in talking about their fun-filled comedy ALIEN COUNTRY. I don't know about you, but how can you not love a film with an alien named Ben AND demolition derby! A fun aspect of this conversation is not just Boston's inspiration for the story (and its 2500 shots!), but the discussion on the film's practical creature creation with VFX/CGI meld, and the intensity of the action. http://eliasentertainmentnetwork.com

An interesting show this week as we look at the hot-button documentary NO ONE ASKED YOU with writer/director RUTH LEITMAN; a doc that is not only timely but should be mandatory viewing with elections looming. And we'll take a look at THINGS WILL BE DIFFERENT with writer/director MICHAEL FELKER; a film that's a thriller, with a touch of noir, along with some supernatural sci-fi-esque elements and disbelief. First up, you'll hear my exclusive interview with writer/director MICHAEL FELKER as he discusses his new film, THINGS WILL BE DIFFERENT. Michael is a wonderful director who thrives on storytelling detail and using all cinematic tools in the toolbox. A very enlightening and informative interview as we dive into all of those tools and how Michael used them to bring this film to life. Then writer/director RUTH LEITMAN joins us at the midpoint of the show in discussing her new documentary NO ONE ASKED YOU which deals with one of the hottest-button topics this election cycle – abortion. NO ONE ASKED YOU turns the cameras on the day-to-day health care providers who put themselves in jeopardy in service to women seeking abortions, as told through the eyes of comedienne Lizz Winstead (co-founder of "The Daily Show"), fellow comedians and activists, and the Abortion Access Front in a six-year journey around the country taking us up through the Dobbs decision and where we stand now. Opening our eyes to multiple aspects of the abortion situation, including media neglect, together Leitman and Winstead use humor as a powerful tool to educate and entertain. http://eliasentertainmentnetwork.com

A very extended episode of #BTLRadioShow this week thanks to my very special guest, journalist and entertainment reporter turned author SCOTT HUVER discussing his true crime book, BEVERLY HILLS NOIR: CRIME, SIN & SCANDAL IN 90210, plus my exclusive interview with PAUL REISER & COLM MEANEY talking about their new film THE PROBLEM WITH PEOPLE. First up, is my exclusive interview with PAUL REISER and COLM MEANEY talking about THE PROBLEM WITH PEOPLE. Needless to say, there are plenty of laughs in the film and in our interview. These two bring so much experience and talent to the table and listening to them feed off of one another is a pure laugh-filled delight. Then, my friend and colleague, entertainment reporter/columnist turned author, SCOTT HUVER, joins me at the 30-minute mark of the show to discuss his new true crime book, BEVERLY HILLS NOIR: CRIME, SIN & SCANDAL IN 90210. Spanning almost a century of some notable crimes on the mean streets of 90210, there is something for everyone in this book and Scott leaves no stone unturned when dishing the dirty details, some of which were inspired by stories he covered in his days on the crime beat for the "Beverly Hills Courier". With chapters devoted to the Greystone Mansion murder-suicide, the infamous jewel thief Gerry Dennis, that notorious love triangle involving classic film star Joan Bennett and Walter Wanger, the shocking Van Cleef & Arpels robbery turned hostage situation in 1986, a "barroom brawl" at the Polo Lounge with a few notable Rat Packers, and more, there is something for everyone and Scott and I cover it all during our interview. http://eliasentertainmentnetwork.com

The spooky season continues on BEHIND THE LENS this week as filmmakers DREW GARCIA and NATE GARCIA discuss their narrative feature directorial debut (as well as handling the editing and cinematography), for the the wonderfully entertaining TREASURE TRACKERS. Filled with just enough Halloween spookiness, adventure, friendship and fun, TREASURE TRACKERS is perfect for the whole family. It's a fun-filled conversation as we break down the cinematic and story elements of the film as well as talk about the need today for more films like TREASURE TRACKERS with a nostalgic family throwback. But before Drerw and Nate, listen to my exclusive interview with director ELLEN KURAS going in-depth discussing her new film, LEE, starring Kate Winslet and Andy Samberg. A chapter in the life of famed Vogue photographer Lee Miller, LEE dives into the WWII years when Lee was in the trenches and battle-ravaged towns, up close and personal, photographing the horror and the humanity of war as a war correspondent for Vogue Magazine. It is fitting that an award-winning cinematographer like Kuras who has made a name for herself with her visual imagery and grammar, would be the one to tell this story of Lee Miller. Award-worthy on every level. An interesting and insightful conversation as Ellen and I dig into the "making of" LEE breaking down the cinematography, tone and tonal shifts, authenticity, location, casting, recreating some of Lee Miller's most famous photographs (yes, Lee Miller in Hitler's bathtub is brought to life in LEE), and so much more. http://eliasentertainmentnetwork.com

We're diving into the darkness this week on BEHIND THE LENS and getting the jump on some Halloween horror thanks to three terrific filmmakers, CHRIS CARTER, JESSICA MORGAN, and RJ DANIEL HANNA, and some scary new films from each of them, NIGHT OF THE HARVEST and SUCCUBUS. One of the great elements of today's conversations is the discussions with Chris and Daniel about cinematography, lighting, and color with their respective films. Very insightful hearing their approaches to visual grammar as it pertains to each film. Kicking things off are writer/director/DP CHRIS CARTER and writer/director/actor JESSICA MORGAN talking about their new film, NIGHT OF THE HARVEST, "a spine-chilling thriller where masks and costumes aren't just for fun—they're part of a terrifying ritual. Prepare for a journey into the heart of fear, where every shadow hides an unknown threat and each twist reveals the mysteries behind the Harvest." Then, writer/director RJ DANIEL HANNA joins us discussing his chilling new film, SUCCUBUS, the tale of "Eddie, a young father going through a marital separation who joins a dating app, and matches with a beautiful but mysterious young woman…whose powers of seduction and manipulation entangle him in a mystery more horrifying than he could have ever imagined… [As] his curiosity gets the better of him, and he finds himself getting sucked into her world even as his own life falls apart, the powers of this mysterious young woman grow, finally revealing her harrowing true nature." http://eliasentertainmentnetwork.com

Interesting conversations and filmmaker insights on this episode of BEHIND THE LENS as director ALYSSA RALLO BENNETT joins us going in-depth about her new film THE ARRIVAL, and you'll hear my exclusive interview with producer-turned-director BOB SALERNO discussing his feature directorial debut HERE AFTER. First up is my exclusive interview with longtime producer now turned director, BOB SALERNO, talking about his feature directorial debut with HERE AFTER which stars Connie Britton. Some great perspective from Bob as we dive into the diversity of his prior films as a producer to give depth and context for what he now tackled as a director with HERE AFTER. Digging into "the making of" HERE AFTER, Bob discusses the challenges of a limited budget, shooting in Italy, limitations on work hours, casting in Italy and finding actors to embody the supporting characters, visual grammar and developing a visual tonal bandwidth and working with his cinematographer Bartosz Nalazek, working with editor John Lyons, the film's score with composition and orchestration by Fabrizio Mancinelli, lessons learned even by a seasoned producer once he puts his director's hat on. Then we are joined by director ALYSSA RALLO BENNETT to discuss her new film THE ARRIVAL. Very interesting story with intriguing personalities and plot points that speak to various social themes as we are dropped into several conversations taking place within an upscale bar restaurant. Honing in on each pairing of individuals, we discover the purpose of each in being there and are along for their individual journeys filled with intersecting people and tales. Characters are interesting and engaging thanks to being well developed on the page and brought to life with nuance in the performances. Listen as Alyssa talks about being an "actor's director", casting and rehearsal, and how this script was written by Gary O. Bennett and developed and tailored to specific actors in the story. http://eliasentertainmentnetwork.com

What a fun – and female filmmaker-friendly – week on BEHIND THE LENS thanks to the return of two wonderful filmmakers talking about their latest projects – JENNA ST. JOHN and ANNA ELIZABETH JAMES. First up is my exclusive interview with the fabulously talented screenwriter, JENNA ST. JOHN talking about her latest project, the fun-filled family film STINKY SUMMER. Regular listeners and readers will remember Jenna from her prior live appearances and call-ins to #BTLRadioShow and will recognize that this new film is a far cry from some of her prior works like "Sexpectations" and "Dinner with the Alchemist" (both in which she also stars). STINKY SUMMER is at the opposite end of the spectrum in terms of audience and plot, but still built on Jenna's skill for developing story and fully textured characters. What can possibly happen when you've got a skunk, a camp full of girls, and some international spies on your tail? Answer: a whole lotta laughter and Jenna dives into it all in this conversation. And then writer/director ANNA ELIZABETH JAMES is live talking about her latest movie for Lifetime Television, HELD HOSTAGE IN MY HOUSE. Solid story, interesting construct with the psychological thriller that unfolds, excellent casting, some returning cast and production team from Anna's prior films all make for an interesting and engaging tale. Listen as Anna discusses the idea for the film, creating characters and then casting so that the characters feel real but also are cohesive within the structure of the film. http://eliasentertainmentnetwork.com

It's a fun week of crime and comedy, mystery and drama on BEHIND THE LENS as we take a look at two new films – THE CLEAN UP CREW with director JON KEEYES and CHARLIE TANGO with writer/director SIMON BOISVERT. First up, my exclusive interview with director JON KEEYES going in-depth into THE CLEAN UP CREW, a terrific crime comedy that boasts some incredible performances, most notably a balls-to-the-wall comedic turn by Melissa Leo and a scene-stealing Antonio Banderas, not to mention fun and action at every turn. Listen as Jon and I go into detail on the cinematography and editing choices, costuming and color, casting, score, and more! What excited me about speaking with Jon is his own sense of humor and joy as he talks about the film, something that comes through loud and clear on screen. Then writer/director SIMON BOISVERT joins us discussing his new twisty thriller CHARLIE TANGO. An intriguing tale that appears to be one thing, but thanks to Simon's storytelling skill and craftsmanship, turns on a dime and shifts our focus to the real meat of the story, delivering yet another surprise. As you will hear, it's an interesting journey bringing CHARLIE TANGO to life as Simon took two different stories, neither which was sufficient in length to make a feature film, and melded them into one to arrive at CHARLIE TANGO. A big element of the film is Simon's attention to visual detail which he breaks down for us along with the challenges he faced for some scenes while finding tone and tension within the editing process. http://eliasentertainmentnetwork.com

An informative and fun show for you this week on BEHIND THE LENS as we welcome director RJ COLLINS live discussing his new crime thriller CRESCENT CITY. Plus, my exclusive interview with composer BLAKE NEELY, Emmy nominee for Outstanding Main Title Theme Music for MASTERS OF THE AIR. First, we're going for gold, Emmy gold that is, thanks to composer BLAKE NEELY. Emmy nominations are out and voting begins later this week for Television Academy members. One of my favorite nominees is composer BLAKE NEELY who snagged a nomination for Outstanding Main Title Theme Music for MASTERS OF THE AIR. In this exclusive interview, Blake and I dive into the essence of MASTERS Main Title Theme and its creation from composition to instrumentation and the importance of capturing the emotional essence of the story through music and creating a unique sound and experience by incorporating different instruments and orchestral elements that add depth and complexity to the piece. And then, director RJ COLLINS joins me live discussing his new film, the chilling, twisting-turning, serial crime thriller CRESCENT CITY. Boasting an impressive cast with Terrence Howard, Esai Morales, Nickey Whelan, and Alec Baldwin, you will be riveted to the screen when you see this film. An insightful conversation as RJ breaks down the genesis of the story and his decades-long collaboration with screenwriter Rich Ronat, delving into lighting and lensing and the work of cinematographer Alex Salahi to bring this story to life visually and emotionally with texture and color. http://eliasentertainmentnetwork.com

What a fun show we've got for you with this episode of BEHIND THE LENS with something for everyone thanks to the fabulous SIMON PHILLIPS and his new film THE MOUSE TRAP, plus my exclusive interview with director NANETTE BURSTEIN talking her new documentary ELIZABETH TAYLOR: THE LOST TAPES. First up, get ready classic film fans, TCM fans, and Elizabeth Taylor fans because we're kicking off the show with my exclusive interview with NANETTE BURSTEIN and her new doc, ELIZABETH TAYLOR: THE LOST TAPES. Released exclusively on HBO on August 3rd, you do not want to miss this one. And you don't want to miss this interview as Nanette talks about the project, starting with how these 40 hours of previously unheard and unknown tapes came to her; a story in and of itself! And then…… he's back!!! SIMON PHILLIPS is back with us for the third time and this time it's all about THE MOUSE TRAP as Producer/Writer/ and playing "Mickey"!! In January 2024, Simon released the trailer for this film and blew everyone away as the film contains footage of the first iterations of Disney's Mickey Mouse as "Steamboat Willie" (which entered the public domain on January 1st) with the main character of THE MOUSE TRAP bearing more than a strong resemblance to Willie. But trust me when I say there is nothing Disney-esque about THE MOUSE TRAP! A deliciously delightful horror film that horror fans and beyond are going to love thanks to an original story courtesy of Simon, a lot of fun horror elements, plenty of bloodshed, and perhaps even a bit of magic. http://eliasentertainmentnetwork.com

It's an out-of-this-world full house on this episode of BEHIND THE LENS thanks to our special guests ERIN MACDONALD, PH.D. talking about SPACE CADET, STAR TREK: PRODIGY and astrophysics, and director JAY SILVERMAN talking about his beautiful new film CAMERA. I'm so excited to have DR. ERIN MACDONALD join us to discuss her myriad of ongoing projects including serving as science consultant to the new fun Prime Video film SPACE CADET which is the story of a female protagonist who dreams of being an astronaut. And if that's not enough, Erin not only serves as science advisor to the STAR TREK franchise, but voices her fictional counterpart in the animated STAR TREK: PRODIGY now streaming on Netflix! Plus, she's one of the forces behind the film IDENTITEAZE. Adding to the excitement this week is the return of director JAY SILVERMAN who is back for his third appearance on #BTLRadioshow, this time talking about his new film CAMERA. Get the tissues out for this one when you see it. Beyond heartfelt, Beau Bridges and young Miguel Gabriel will melt your heart and bring you to tears while the film's cinematography is breathtaking with every frame. Needless to say, I love CAMERA and had a wonderful discussion with Jay about it. http://eliasentertainmentnetwork.com

It's a jam-packed episode of BEHIND THE LENS as director JEFF CELENTANO joins us live talking about his new film BLACKWATER LANE, and you'll also hear my exclusive interviews with ERIC ROBERTS talking LUMINA while GUY PEARCE discusses THE CONVERT. First up is my exclusive interview with the one and only ERIC ROBERTS talking about one of his new films (he has so many popping out and on deck), the sci-fi thriller LUMINA. A fun interview with one of my favorite character actors. Giving insight into creating a character including the wardrobe, production design, and location, Eric also discusses his process for accepting roles. Then director JEFF CELENTANO discusses his new psychological thriller, BLACKWATER LANE. Written by Elizabeth Fowler based on the best-selling novel by B.A. Paris, this is one riveting, twisty-turny tale that (1) doesn't stray far from the book and (2) is exquisitely visualized by Jeff in the film as he taps into all of our senses. And we round out the show going overtime with my exclusive interview with GUY PEARCE talking about his new film, THE CONVERT. A powerful, emotional, and thought-provoking film, it's easy to understand what led Guy to this one, not to mention the chance to work with director Lee Tamahori in this rich period piece It's been a few years since we last spoke, so catching up now is just wonderful as Guy talks about what led him to THE CONVERT, the filming experience, and even some similarities with his 2012 film "Lockout". http://eliasentertainmentnetwork.com

We're showcasing a variety of films this week on BEHIND THE LENS as we welcome BRIAN JOHNSON who discusses his film POPULATION PURGE. Plus, my exclusive interview with ASIF AKBAR talking BONEYARD, and you'll get my mini-review of HORIZON: AN AMERICAN SAGA – CHAPTER 1. First up, I can't help but talk about one of my favorite films of the year. A truly epic masterwork from Kevin Costner, HORIZON: AN AMERICAN SAGA – CHAPTER 1. Co-written by Costner and Jon Baird, Costner's love of the Old West and man's ever-evolving attempts to tame it, settle it, develop it, cherish it, even destroy it, is once again evident here. Authenticity reigns supreme from costuming to set dress, as do the Utah locations in this emotional tale of a journey that begins in 1859 two years before the start of the Civil War, and over the course of the anticipated four chapters will span a total of 15 years. Then we switch gears and you'll hear my exclusive interview with director ASIF AKBAR talking about his new thriller BONEYARD, inspired by the true life, and as yet unsolved, crimes known as the West Mesa Murders. Boasting solid production values and a superb cast (Mel Gibson, Curtis Jackson, and Brian Van Holt to name just a few), Asif talks about not only his approach to this film and the challenges inherent to a reality-based story but also his responsibility to the victims of this serial killer and other missing women and girls the world over. A wonderful and interesting interview. Rounding out the show, we go from expanding and building the American West to dystopian destruction of the United States as writer/director/cinematographer/camera operator DP BRIAN JOHNSON joins us, discussing his new thriller POPULATION PURGE. Listen as Brian talks about the genesis of the story, how he crafts a story around his selected locations, the abandoned locations used in the film (so visual and so cool), casting, directing and doing the lighting and lensing in some unforgiving spaces, and much more. Plus, he gives us some tidbits about his upcoming project. http://eliasentertainmentnetwork.com

It's another full house this week on #BTLRadioShow as we welcome MEREDITH YINGER talking SCARS UNSEEN and STEVE BALDERSON talking his new streaming series, BLOODY FAMOUS! PLUS, thanks to Steve being late with his call-in to the live show, you get the added bonus of my exclusive interview with JOSH MARGOLIN talking the fun-filled and unforgettable comedy THELMA. First up, writer/director MEREDITH YINGER joins us to talk about her new feature, a powerful documentary on domestic abuse but with a new perspective that we haven't seen before, SCARS UNSEEN, which makes its World Premiere on June 30th at Dances With Films in Hollywood! Then hear my exclusive interview with writer/director JOSH MARGOLIN as he talks about his new film THELMA and 94-year-old June Squibb – Action Hero! THELMA is not only fun but warm and wonderful; a sentimental journey of action and aging! And finally, the uber-talented writer/director/author STEVE BALDERSON joins us again for the fourth time (!!!!) talking about his latest venture, and something new for Steve, the streaming series BLOODY FAMOUS! Talk about wicked, dark, twisted, satiric fun! I am in love with this episodic and hope that Steve gives us a Season 2. Think "The Bachelorette meets The Hunger Games" but ramped up to the Nth degree! Who will be the victor in this deadly game of love? http://eliasentertainmentnetwork.com

It's a trifecta of festival films this week on BEHIND THE LENS and all three are "MUST SEE FESTIVAL FILMS" with "Must Meet" Festival Filmmakers at the upcoming Dances With Films film festival in Hollywood – THE PICKUP, THE EXPOSED, and TIM TRAVERS AND THE TIME TRAVELER'S PARADOX. First up, take a listen as husband and wife filmmakers NICHOLAS ACOSTA and XENIA LeBLANC join us in talking about their respective films, THE PICKUP and THE EXPOSED. While Xenia wrote and directed the thriller, THE EXPOSED, she also starred in Nick's action-heavy film THE PICKUP. Both shorts are superb with THE PICKUP packing in action and humor while THE EXPOSED turns on a dime with a shocking reveal – and in only 5 minutes! Listen as each talks about their approaches to each of their films. And then get ready for writer/director STIMSON SNEAD and his feature film, the fabulous TIM TRAVERS AND THE TIME TRAVELER'S PARADOX! A visual delight. A storytelling joy. Science is key. Visuals dazzle. And how can you go wrong when you've got Danny Trejo, Joel McHale, and Keith David popping up along with the Herculean efforts of Samuel Dunning who will have you seeing double, uh, triple, uh, twenty-something! This film is some of the most fun you'll have at the movies, be it at DWF or other film festivals or in theatres or at home when Stimson gets a distribution deal. Listen as Stimson dives into the genesis of TIM TRAVERS, his tonal approach, homage to the past, and his time-traveling approach that avoids the "typical" emotional metaphors of human discovery. http://eliasentertainmentnetwork.com

This episode of BEHIND THE LENS is all about FUN with a capital "F" thanks to a favorite returning filmmaker, JONATHAN SMITH, and his latest film GUY FRIENDS, and the brilliance of director PABLO BERGER with the oh-so-wonderful ROBOT DREAMS. First up, take a listen to my exclusive interview with writer/director PABLO BERGER as we discuss his exquisitely magical animated film ROBOT DREAMS. I have long loved Pablo's work going back to his brilliant "Blancanieves" in 2012, and as much as I love his work there, I am in love with ROBOT DREAMS. This is a fun and insightful interview that I know you'll enjoy as Pablo discusses adapting Sara Varon's picture book of the same name, creating an animated film when he is not an animator and "does not draw", making New York a character, score and needledrops, pop culture influences, and more. And then the wonderful writer/director/DP/editor JONATHAN SMITH returns with a new film – GUY FRIENDS. As if "Batsh*t Bride" wasn't funny enough, wait until you see this follow-up film, GUY FRIENDS. Jonathan is so much fun and I'm so happy to have him back on #BTLRadioShow with his latest project! Shot in block and white, Jonathan makes some interesting choices for the telling of GUY FRIENDS. Going in-depth into the production itself, Jonathan tells all, including but not limited to, his production choices for B&W, editing, etc., wearing multiple hats, the genesis of this story and the inherent comedy that is found within that story, casting (which includes a lead actress who has never acted at all before this film), performances, score, and more. http://eliasentertainmentnetwork.com

We're heading into the great outdoors on this episode of BEHIND THE LENS with films about self-discovery, friendship, and family as we talk about SUMMER CAMP with CASTILLE LANDON and WILD EYED AND WICKED with GORDON FOXWOOD. First up is my exclusive interview with writer/director CASTILLE LANDON talking about the fun-filled comedic gem SUMMER CAMP which stars legends Diane Keaton, Kathy Bates, and Alfre Woodard along with Dennis Haysbert, Eugene Levy, Josh Peck, and Betsy Sodero, just to name a few. Shot on location in North Carolina, the cinematography is as light and bright and textured as the characters and the story. Most impressive about Castille is her attention to detail and emotion in the writing and direction of SUMMER CAMP. I think you'll enjoy hearing what she has to say about the summer fun to be had here. Then writer/director GORDON FOXWOOD is live talking about his new film WILD EYED AND WICKED. Making his feature directorial debut, Gordon draws on elements of his own life with this story, and shoots the film in the lush open fielded horse region of Malvern, Pennsylvania (which is truly beautiful) which is encircled with woods. Listen as we talk about the genesis of this story and bringing it to life on screen, really cool battle sequences involving armor, broadswords, and demonic supernatural, lighting and lensing, the benefit of this specific location, and more. http://eliasentertainmentnetwork.com

It's a full house on this episode of BEHIND THE LENS as we welcome two multi-hyphenate indie filmmakers, CHRISTOPHER SCHRACK and DANIEL YOON, who discuss their new films, FOR SALE and EAST BAY, respectively, not to mention wearing a multitude of filmmaking hats during a production. First up, writer/director/DP/editor CHRISTOPHER SCHRACK joins us discussing his new film, the horror comedy FOR SALE. Get ready to laugh out loud and jump out of your skin as we enter the world of narcissist Mason McGinness as he navigates life celebrating himself and cheating people out of anything and everything to further his own gains. But the tables may turn on Mason when he tries tackling real estate and his boss gives him the company albatross of "murder house" to sell. Belieing a very limited budget, FOR SALE is solid filmmaking. Listen as Christopher goes in-depth talking about the various elements of production from location, making the house a character, casting, visual effects, using natural light as much as possible, score, and more. Then writer/director/editor/lead actor DANIEL YOON is on board to talk about his latest, EAST BAY, a very thoughtful and purposeful film that beautifully utilizes mixed visual grammar and musical composition to metaphorically elevate and engage an already solid story and outstanding performances. Listen as Daniel dives into the nuances of his cinematic storytelling style, character development, casting (including an early performance by Constance Wu before "Crazy Rich Asians"), editing, score, various visual tones and techniques, and more that bring EAST BAY to life, as well as discussing not only the challenges of wearing so many hats but the benefits of time (this film was started in 2010) in order to make this film. A very interesting conversation for filmmakers and those who want to learn more about what goes on "behind the lens". http://eliasentertainmentnetwork.com

A very extended BEHIND THE LENS this week thanks to special guests CHARLEY and VLAS PARLAPANIDES who joined us live for an hour discussing Season 2 of BLOOD OF ZEUS. Plus my exclusive interview with MASTERS OF THE AIR Supervising Stunt Coordinator LEE MORRISON, and we remember ROGER CORMAN. I've been teasing this week's show for a while now and the movie gods have finally aligned. The Jersey boys are finally back with more BLOOD OF ZEUS!! Brothers, executive producers, and writers CHARLEY AND VLAS PARLAPANIDES are on hand discussing the long-awaited Season 2 of the Netflix animated hit, BLOOD OF ZEUS which dropped on Netflix on May 10th! And what a Season 2 this is as we continue the story of Heron, Zeus' demigod son, in the waging wars over Zeus' throne on Olympus. Executive Producers and writers of the entire series (Seasons 1 and 2). But first, you'll hear my exclusive interview with stunt coordinator LEE MORRISON talking about the masterful MASTERS OF THE AIR and the challenges faced (and mastered) that go beyond what you might consider "typical" stunt work. And we kick off the show with a remembrance of the legendary ROGER CORMAN, who regular listeners will recall appearing on #BTLRadioShow as a holiday surprise in December 2022. I pulled excerpts of that appearance with Roger's thoughts on filmmaking, streaming, his personal Corman favorites, and more that you'll hear again here. http://eliasentertainmentnetwork.com

It's a mixed bag this week on BEHIND THE LENS thanks to director DANNY LEE talking about his new documentary WHO IS STAN SMITH? and our exclusive interview with VFX Supervisor MARCUS TAORMINA discussing REBEL MOON-PART 2: THE SCARGIVER. First up, take a listen as we dive into visual effects and my exclusive interview with VFX Supervisor MARCUS TAORMINA going in-depth about the visual effects work in REBEL MOON-PART 2: THE SCARGIVER. An interesting conversation as we delve into heat signatures and color, shooting ground battles in California where no pyro is permitted due to fire concerns thus putting more on the shoulders of VFX, working with Weta (aerial battles) and Scanline (ground battles), and more. Then one of the most insightful documentary discussions ever on #BTLRadioShow comes courtesy of director DANNY LEE as he talks about his new documentary WHO IS STAN SMITH?. Do you know who Stan Smith is? Some of you may know Stan Smith as a former tennis champion, not to mention having his own Adidas sneaker complete with his face and name on the shoe (long before Michael Jordan's deal with Nike). But how many know anything about the man behind the racket and the shoe; his life, his innate goodness? It's not often one can describe a documentary as "uplifting", but that's exactly what Danny Lee brings us with WHO IS STAN SMITH?. http://eliasentertainmentnetwork.com

It's a mixed bag of creativity on this episode of BEHIND THE LENS thanks to writer/director/editor PATRICK MEANEY and his new film THE BRINK OF, and MOON KNIGHT costume designer MEGHAN KASPERLIK. First up, take a listen to my exclusive interview with PATRICK MEANEY discussing his latest film, the sweetly charming "integrated musical", THE BRINK OF. This is a film that will have you smiling from beginning to end while filling you up with wonderful original songs written and performed by lead actors Nicolette Norgaard and Tim Hoffman. Then you'll hear costume designer MEGHAN KASPERLIK talk about her extensive research and design process for the costume design of MOON KNIGHT just in time for the new 4K UHD and Blu-ray Steebook (complete with plenty of extras) release on April 30. Listen as Meghan dives into the minutiae of the details with everything from the environs and how that influenced costume and color, fabrications, buttons, 3D printing on fabric and more. http://eliasentertainmentnetwork.com

He's baaaaaack! That's right! Musician/singer/director/author FRANK MEYER is back for the fourth time on BEHIND THE LENS. Frank was initially scheduled to be in-studio for the entire hour, but due to a last-minute emergent situation, was unable to be here in person but still joined us via phone for the majority of the show. Fresh off his whirlwind tour with The Streetwalkin' Cheetahs in Spain and with more fun surprises in the offing, Frank talks about it all. Upcoming LP and EP releases, band merchandise (and boy did the fans in Spain love the merch!!), more touring for Frank, some great advice for creatives and particularly musicians/bands/singers about where to place your music for audience consumption so you get more of the money versus an entity like Spotify. Some very helpful insights from Frank. And if you think Frank was on a whirlwind, how about a short recap of some of my highlights from this past week's TCM Classic Film Festival in Hollywood celebrating the 15th Annual TCM Classic Film Festival AND the 30th Anniversary of Turner Classic Movies! Plus, hear what John Travolta had to tell me about the importance of TCM. http://eliasentertainmentnetwork.com

This week on BEHIND THE LENS we have a wonderful new filmmaker joining us live, DAMIAN HURLEY, discussing his new film STRICTLY CONFIDENTIAL, plus our exclusive interview with screenwriter ALESSANDRO CAMON talking about his latest film, the emotionally powerful, THE LISTENER. Slow and steady wins the race with the films we're showcasing on this episode of #BTLRadioShow as we welcome writer/director DAMIAN HURLEY live to discuss his feature directorial debut of the slo-burn mystery STRICTLY CONFIDENTIAL. Damian is a filmmaker to put on your radar now. Thoughtful, insightful, and skilled, Damian "sees" his vision and executes it utilizing all the tools in the cinematic toolbox to create emotionally and visually evocative storytelling. And just how is it to direct one's mother but have her as your producer? Damian tells all! And dare I say, he is one of the nicest individuals with whom I have ever spoken. But first, we kick off the show with my exclusive interview with screenwriter ALESSANDRO CAMON talking about his latest film, the emotionally powerful THE LISTENER starring Tessa Thompson. http://eliasentertainmentnetwork.com

A mix-and-match episode of BEHIND THE LENS this week as w/d/e/actor RICHARD RYAN joins us talking about ART OF DECEPTION. Plus, my exclusive interview with director THEA SHARROCK discussing the wickedly delicious WICKED LITTLE LETTERS. First up is my prerecorded exclusive interview with director THEA SHARROCK go in-depth on one of the most hilarious films you will see all year – WICKED LITTLE LETTERS. I laughed so hard that I had to watch the film twice to hear all of the dialogue. Boasting a first-rate cast with Olivia Coleman, Jessie Buckley, Timothy Spall, Gemma Jones, Eileen Atkins, Joanna Scanlon, and Anjana Vasan, with a script by Jonny Sweet, WICKED LITTLE LETTERS is quite simply, perfection. Based on a true event from the 1920's United Kingdom, foul language itself becomes a character thanks to the verbatim verbiage of the profane letters at the heart of this tale, which is then punctuated with outstanding production values and performances while also addressing themes as topical today as in 1920 – freedom of speech, oppression, workplace discrimination, socio-economic discrimination, discrimination against women, and overall misogyny. Then take a listen as the man wearing all the hats, RICHARD RYAN, joins us talking about his latest film, the action-packed thriller ART OF DECEPTION. Talking about choosing collaborators, developing the script, a prolonged "part-time" shooting schedule, post-production, and more, Richard covers his roles as producer, writer, director, actor, editor, line producer, post-production supervisor, VFX, and the inherent challenges he faced in bringing ART OF DECEPTION to life. http://eliasentertainmentnetwork.com

The Easterpalooza continues this week on BEHIND THE LENS as we are joined by DIANE FOSTER & ALLISON LOBEL talking about the comedy horror spectacular EASTER BLOODY EASTER, plus our exclusive interview with PHIL ALLOCCO discussing his new crime thriller 5LBS OF PRESSURE. If you missed the live show you definitely want to catch up now and take a listen as the show kicks off with my exclusive Interview with writer/director PHIL ALLOCCO. It's been six or so years since Phil was on the show with his first film, "The Truth About Lies", and now he's back with his second feature, the riveting crime thriller 5LBS OF PRESSURE starring Luke Evans and Alex Pettyfer. Then put on your best Easter bonnet and grab that basket of goodies to munch on as we hop into Easter mode again for a second look at the comedy horror film EASTER BLOODY EASTER, this week with producer/director/actor DIANE FOSTER and producer/writer/actor ALLISON LOBELL! Digging deep into the Easter fun that is EASTER BLOODY EASTER, Diane gives us some production insight into directing her first feature and the challenges and gratification that comes with an indie film, while Allison talks about her creative process and how this incredible story and wonderful characters (gotta give it up for Demon Killer Bunnies and the Jackalope) came to be. Wearing multiple hats for the production, both women discuss the importance of costume in informing characters and performances, particularly their own, the ensemble cast on the whole, juggling hats, the importance of collaboration and working as a team, and some very fun anecdotes about slaying bunnies that you don't want to miss! And how about a cast and crew that is 95% female???? http://eliasentertainmentnetwork.com

A wonderful fun-filled show this week on BEHIND THE LENS as I get to celebrate the remarkable work of two very talented longtime friends, writer/director DAVE BOYLE and actor/producer KELLY GRANT. First up is my prerecorded exclusive interview with writer/director Dave Boyle going in-depth discussing his smash hit Netflix series HOUSE OF NINJAS! Known best for his films, diving into an eight-episode series – shot in Japan and in Japanese – is new territory for Dave and he more than delivers. Knowing Dave since his first film 18 years ago, with all he's done as a director, writer, writer/director, HOUSE OF NINJAS outshines everything that's come before! However, a real joy for me is seeing his steady growth as a filmmaker and storyteller, which brings him to this moment and this series. In the first half of the interview, we break down story, character, and casting (including cat labor laws in Japan) before moving into the technical aspect of the series production. And then we hop into the Easter spirit a bit early as actor/producer KELLY GRANT is live talking about her new film, the fun-filled and bloody horror comedy EASTER BLOODY EASTER; her first feature as a producer and a lead actor. A horror comedy with a killer jackalope and killer rabbits, this is one film you want to find in your Easter basket this year. Listen as Kelly and I delve into her work producing and acting in this lo budget/no budget/micro budget treat as well as her thoughts on acting, self-taping, and the ever-changing film/television/theatre landscape. It is the perfect conversation for those new to the profession or just wanting to glean information to up your own game. http://eliasentertainmentnetwork.com

With everyone still in the hazy afterglow of Oscar, I opted to prerecord this episode of BEHIND THE LENS with two brand new exclusive interviews for you with MARK BRISTOL talking ACCIDENTAL TEXAN and JAMES HAWES talking the powerful ONE LIFE. Fresh off the Kenergy of last nights 96th Academy Awards, I'm taking a look at some of the highs ("I'm Just Ken") and the lows (the In Memoriam segment) of the broadcast. And then we look ahead with some films that are part of the Oscars 2025 pack. First, you'll hear my exclusive interview with director MARK BRISTOL discussing his new film, the light, bright and heartfelt ACCIDENTAL TEXAN, starring Thomas Haden Church, Rudy Pankow, Carrie-Anne Moss, Bruce Dern, and a scene-stealing turn by Eddie the Cow. A fun film filled with heart, our conversation reflects the fun of the film itself. Then history comes to life thanks to director JAMES HAWES as we discuss his feature directorial debut with ONE LIFE. An acclaimed television filmmaker, James brings us the story of Sir Nicky Winton, a man who helped save 669 refugee children in Prague during WWII. Eloquent and sensitive in its telling, James and I cover the ins and outs of the "making of" and hear his thoughts on the timeliness and poignancy of the film's release given today's political and war-torn climate. http://eliasentertainmentnetwork.com