Podcast appearances and mentions of Salman Rushdie

Prag, Venedig, Märchenwelten – Literatur in Bewegung

„Die elfte Stunde“ ist Salman Rushdies erstes literarisches Buch nach der Messerattacke: fünf Erzählungen über Leben, Tod und die Kunst weiterzuerzählen. Theresa Hübner im Gespräch mit Christoph Schröder

In summer of 2022, Salman Rushdie came face to face with death. The Booker Prize-winning author was stabbed multiple times, while on stage, about to give a lecture. He survived, but suffered life-altering injuries. Rushdie has since returned to writing, including his new story collection The Eleventh Hour, which reflects on mortality. He joins Piya Chattopadhyay to talk about confronting his own fragility, finding humour in survival, and why ideas often outlive the people who imagine them.

Jungen, Oliver www.deutschlandfunk.de, Büchermarkt

Brinkmann, Sigrid www.deutschlandfunk.de, Büchermarkt

(00:45) Das neue Buch des indisch-britischen Schriftstellers Salman Rushdie wurde heiss erwartet. 2022 ist der Autor Opfer geworden einer Messerattacke, die er nur knapp überlebt hat. Diesen Anschlag hat er vor zwei Jahren in «Knife» verarbeitet. Nun erscheint sein Erzählband «Die elfte Stunde». Weitere Themen: (04:55) «Ai Weiwei's Turandot»: Dokumentarfilm von Maxim Derevianko behandelt erste Operninszenierung des chinesischen Provokationskünstlers. (09:26) Internationale Kurzfilmtage Winterthur suchen neuen Hauptsponsor. (10:21) Deutscher Musikrechtevertreter GEMA gewinnt Prozess gegen KI-Firma «OpenAI». (11:03) Übermutter der Schweizer Nation: Intendant Matthias Bertholet inszeniert mit «Gilberte de Courgenay» erstes Stück am Zürcher Theater Neumarkt. (15:52) Eklat bei Voreröffnung des «Museum of West African Art» in Bénin City.

Der Schriftsteller Salman Rushdie entging vor zwei Jahren nur knapp dem Tod. Rushdie, der wegen islamistischer Drohungen seit Jahren im Untergrund lebte, wurde Opfer eines Anschlags, bei dem er unter anderem ein Auge verlor. Bereits ein halbes Jahr danach fing Rushdie an, dieses Erlebnis in „Knife. Gedanken nach einem Mordversuch“ zu verarbeiten. Nun erscheint „Die elfte Stunde“, ein Roman, der sich episodenhaft mit dem Tod beschäftigt. Sein deutscher Übersetzer, Bernhard Robben, hat Rushdie durch diese Zeit begleitet. Das Schreiben habe Rushdie geholfen, das Erlebte zu verarbeiten – vorher habe Rushdie keinen Zugang zum Erzählen gefunden, berichtet Robben. „Er musste sich das wirklich von der Seele schreiben. Und danach, hat er erzählt, ist der Erzählraum wieder für ihn geöffnet gewesen“ Das Attentat auf Rushdie kam keineswegs aus dem Nichts. Denn dieser hatte etwa mit „Die satanischen Versen“ Islamisten provoziert, die ihm daraufhin mit dem Tod drohten. Bis heute ist nicht bekannt, wer die deutsche Übersetzung des Werks verfasste. Robben selbst sei es nicht gewesen, gibt dieser an. Wer sich mit Rushdie zeigt, lebt gefährlich, so schildert es Robben. Bei gemeinsamen Auftritten etwa sei die Angst immer da. Trotzdem sei es ihm wichtig gewesen, weiter an Rushdies Seite zu bleiben: „Es war immer auch der Trotz. Denn trotz dieser Angst wusste ich, ich kann mich denen nicht entziehen. Und ich werde mit ihm auftreten, auch wenn die Angst da ist.“

Seit Ayatollah Khomeini 1988 eine Fatwa gegen ihn aussprach, schwebt Salman Rushdie in Lebensgefahr. Das Messerattentat vor drei Jahren hat er knapp überlebt und auch darüber geschrieben. „Knife“ hieß dieser Bericht über den Mordanschlag und seinen Weg zurück ins Leben. Und jetzt legt Rushdie wieder ein literarisches Werk vor, das erste nach dem Attentat: „Die elfte Stunde“ heißt dieser Band mit fünf Erzählungen, der heute erscheint. Für uns ein Fall für die Rubrik „Ein Buch, zwei Stimmen“ mit Anne-Dore Krohn und Jörg Magenau, zwei Literaturkritiker, die sich nicht abgesprochen haben.

Salman Rushdie ist zurück. Der Literatur-Megastar legt fünf Erzählungen über Alter und Sterblichkeit vor. Es geht um Geister, Väter auf Abwegen und eine Musikerin – märchenhaft überbordend, teils aber überfrachtet und ohne Stringenz. Harrabi, Kais www.deutschlandfunkkultur.de, Studio 9

Writing fiction in a time of lies. James Coomarasamy speaks to acclaimed author Sir Salman Rushdie as he publishes his first work of fiction since surviving a near-fatal attack in 2022, by a man armed with a knife, who is now serving twenty five years in prison. The Eleventh Hour, his new collection of novellas and short stories explores mortality, farewells and even the afterlife. They feature a rich cast of characters - a musical prodigy in post-Partition Mumbai, a ghost with a secret at a Cambridge college and a young writer caught in a Kafkaesque nightmare in modern-day America.Sir Salman speaks candidly about the threats to free expression, the rise in book bans across the U.S., and the political climate shaped by figures like Donald Trump. He reflects on the pressures facing writers and readers in a time of disinformation and growing censorship.We discuss fiction's power to illuminate truth and why, after everything, he remains committed to the freedom to imagine.The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC. You can listen on the BBC World Service, Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts.Presenter: James Coomarasamy Producers: Nigel Doran, Farhana Haider Editor: Justine LangGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Sir Salman Rushdie Credit: Matthew Horwood/Getty Images)

Host Piya Chattopadhyay speaks with scientist Katharine Hayhoe about signs of climate progress and concerns about global commitments ahead of COP30, Slate justice reporter Mark Joseph Stern unpacks this past week's tariff hearing at the U.S. Supreme Court, historian Allan Levine shares a lesser-known Second World War story about Canadian business leaders, Booker Prize-winning author Salman Rushdie reflects on mortality and his new story collection The Eleventh Hour, and TSN senior correspondent Rick Westhead sheds light on problems facing hockey culture – and potential solutions.Discover more at https://www.cbc.ca/sunday

High-profile wins for Democrats in New York, New Jersey and Virginia showed how important affordability is to voters. The New York Times' David Leonhardt tells us more. Then, Salman Rushdie talks about his book "The Eleventh Hour," a quintet of stories set in India, America, and England. It's his first fiction he has published since he suffered a knife attack in 2022. And, the team at the New England Aquarium in Boston has created a “geriatric island” for their elderly penguin residents. Eric Fox, associate curator of penguins at the aquarium, discusses the benefits of the special retreat.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Salman Rushdie is one of the most consequential living writers – artistically, culturally and politically. “The 11th Hour” is his latest collection of short stories and his first work of fiction after being stabbed, nearly to death, at a speaking event in 2022. We talk to Rushdie about his reflections on mortality, the limits of language and what he believes literature provides us with in times of uncertainty. Guests: Salman Rushdie, novelist and essayist Learn more about your ad choices. Visit megaphone.fm/adchoices

President Trump is throwing out all kinds of reasons to try to explain some of Tuesday's US election results. While this includes false claims of election rigging, a new cover story in The Atlantic suggests this administration is also taking concrete actions that undermine that very security. According to one expert, "If you are not frightened, you are not paying attention." Atlantic staff writer David A. Graham joins the show to discuss his reporting.  Also on today's show: author Salman Rushdie; NYT climate reporter Raymond Zhong  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lisa Adler of Unity Books Wellington reviews The Eleventh Hour by Salman Rushdie, published by Penguin Random House.

Salman Rushdie is one of the world's most acclaimed, award-winning contemporary authors.  Translated into over forty languages, his sixteen works of fiction include Midnight's Children – for which he won the Booker Prize in 1981, the Booker of Bookers on the 25th anniversary of the prize and Best of the Booker on the 40th anniversary – Shame, The Satanic Verses, Quichotte and Victory City. His latest non-fiction book, Knife: Meditations After an Attempted Murder was a number one Sunday Times bestseller. A former president of PEN American Center, Rushdie was knighted in 2007 for services to literature and was made a Companion of Honour in the Queen's last Birthday Honours list in 2022. In this episode, Rushdie sits down with broadcaster and journalist Kavita Puri to discuss his reflections on legacy, mortality, and returning to fiction in his new short story collection The Eleventh Hour. The stories in The Eleventh Hour span the three countries that Rushdie has called home – India, England and America – and explore what it means to approach the eleventh hour of life.  If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Salman Rushdie lived for decades under a death sentence and survived a knife attack three years ago. His latest book The Eleventh Hour is his first work of fiction since that near-death experience. These short stories and novellas center around the end of life, what might come after, and the idea of personal legacy. In today's episode, Rushdie joins Here & Now's Scott Tong for a conversation that touches on mortality, changes to the author's writing process, and his first ghost story.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The government shutdown in the United States is set to become the longest in the country's history as Democrats and Republicans fail to agree on a new budget, leaving more than 40 million Americans who rely on food stamps facing great uncertainty. The White House says it will use emergency funds to provide reduced food aid. Also: the Israeli military's former top lawyer is arrested over the leak of a video allegedly showing Palestinian detainee abuse; dozens of people are killed after an earthquake in northern Afghanistan; the BBC visits India's Bihar state ahead of elections; what's causing an Antarctic glacier to rapidly retreat; Starbucks sells part of its operations in China; fast fashion giant Shein bans sex dolls on its online platform; the latest from Prince William's trip to Brazil; a conversation with Salman Rushdie; and Indonesians rail against "ugly" glass elevator on Bali cliff.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk

As America sends its biggest naval hardware to the Caribbean, we ask whether the intent is more than mere sabre-rattling—and why the Trump administration has appetite for another foreign entanglement. Our correspondent sits down with Salman Rushdie to discuss his new book and the value of humour. And as AI-generated spreads, more of the lyrics get filthy. Get a world of insights by subscribing to Economist Podcasts+. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

As America sends its biggest naval hardware to the Caribbean, we ask whether the intent is more than mere sabre-rattling—and why the Trump administration has appetite for another foreign entanglement. Our correspondent sits down with Salman Rushdie to discuss his new book and the value of humour. And as AI-generated spreads, more of the lyrics get filthy. Get a world of insights by subscribing to Economist Podcasts+. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

The former US Vice-President Dick Cheney has died. One of the most powerful men to hold that office, he was key to the allied invasion of Iraq, in 2003. We hear American and Iraqi views of his legacy.Also in the programme: videos start to emerge from Tanzania of bodies in the street after disputed elections; and Salman Rushdie tells us about his latest collection of fiction. (File photo: US President George W. Bush (L) and Vice President Dick Cheney celebrate at the conclusion of the 2004 Republican National Convention at Madison Square Garden in New York, September 2, 2004. Credit: Reuters/Kevin Lamarque/File Photo)

The author talks about his first fiction published since the 2022 attack that nearly killed him; his own immigrant experience in the U.S.; and what happens when freedom of speech dies. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Tanzanian president Samia Suluhu Hassan has been sworn in despite protests over a disputed election, and reports that hundreds of people have been killed in a crackdown by the security forces. We hear from a former MP and diplomat who has been in the country for weeks on holiday.Also on the programme: the author Salman Rushdie speaks to us ahead of the publication of his first work of fiction since being stabbed three years ago. And, could a change in credit-rating to include rental payments help young people get on the housing ladder?

Hosted by Jane Pauley. Featured: Ken Burns' "The American Revolution"; George Clooney on "Jay Kelly"; author Salman Rushie on "The Eleventh Hour"; the high cost of childcare; the Trump administration's pressures on universities; pianist Adam Tendler; and watch auctioneer Aurel Bac To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tahmima Anam and Tristram Fane Saunders join Tom Sutcliffe to review The Eleventh Hour, a collection of five short stories from Salman Rushdie in his first return to fiction since he was attacked in 2022. Director of Poor Things and The Favourite Yorgos Lanthimos brings more strangeness to cinema screens with Bugonia, a thriller with Emma Stone and Jesse Plemons. And Alan Hollinghurst's Booker Prize-winning novel The Line of Beauty is adapted for the stage by Jack Holden. Plus they discuss censorship in Eastern Europe as the board of the Belgrade International Festival of Theatre blocks director Milo Rau from bringing his work about the Gisele Pelicot trial to the festival. Producer: Tim Bano

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Livros mencionados:Alchemised, SenLinYu;As Mil e Uma Noites;Os Contos da Cantuária, Chaucer;Acolher, Claire Keegan;Pequenas Coisas como Estas, Claire Keegan;O Dom das Línguas, J.M. Coetzee e Mariana Dimópulus;A Cidade da Vitória, Salman Rushdie;A Ponte, Hart Crane;O Primeiro Homem de Roma, Colleen McCullough.Sigam-nos no instagram: @leiturasembadanasEdição de som: Tale House

Dame Rose Tremain is one of Britain's most prolific and popular writers, having written 17 novels and five collections of short stories over the last 50 years. She was one of only six women on Granta magazine's inaugural 1982 list of the best young British novelists, alongside Martin Amis, Ian McEwan, Salman Rushdie and others. Her fifth novel Restoration was nominated for the Booker Prize in 1989, she won the Whitbread Prize for Music And Silence in 1999, and was awarded the 2008 Orange Prize - the precursor to the Women's Prize for Fiction - for her novel The Road Home. Having already been made a CBE in 2007, she became Dame Rose Tremain in 2020 for services to writing. Her most recent work is a short story called The Toy Car.Rose Tremain tells John Wilson how her father, a largely unsuccessful playwright called Keith Thomson, inspired her childhood interest in storytelling, although he never encouraged her to write. She recalls how she first started writing fiction to help her cope with loneliness in a household where there was little parental affection. Rose recalls how it was a teacher at her boarding school who first recognised her ability and encouraged her to apply for an Oxbridge university place, only to be dissuaded by her mother, who sent her to a finishing school in France instead. She credits the novelist Angus Wilson, one of her English Literature tutors at the University Of East Anglia, for giving her the confidence to write her first novel. She also chooses The Diary Of Samuel Pepys as a major inspiration on her 1989 Booker-shortlisted novel Restoration, which was later turned into a Hollywood film starring Robert Downey Jnr. and Meg Ryan.Producer: Edwina Pitman

I've anticipated this interview for 6 years. Robyn Davidson has lived one of the most mythologised lives in Australian memory.She famously and unintentionally burst onto the scene with Tracks in 1988, which was a 2,700km camel trek across the Simpson desert. She'd never intended to write a book or document anything of it's kind from the journey, but was desperate for some money to gather supplies for the impending trip. She figured $1000 would do, and serendipitously met the National Geographic photographer who put her on the map whilst cleaning windows as a part time gig in Alice Springs. He said that if she wrote to National Geographic telling them about the journey, then she might get what she needed.They paid her $4,000 which Robyn comments 'was a fortune', and from there, the rest is history.Robyn has since lived between India, London and Australia but travelled most elsewhere on the map. She was with Salman Rushdie while he wrote the 'Satanic Verses', has published a series of books and articles documenting the lives of nomads, lived an 'aristocratic life' with her partner Narendra Singh Bhati in the high Himalayas and most recently published an autobiography titled 'Unfinished Woman'. Robyn say's to me that 'memoir is the slipperiest genre'.I have waited 6 years to do this interview with Robyn. She has a dream guest of mine since before the podcast began. We recorded earlier this year in rural Victoria. The interview is Robyn's life. What led up to tracks, and what happened after. Robyn reflects on her lifelong resistance to labels. Not a “writer,” not a “traveller,” not a “feminist icon,” but simply, as she says, “a person.” We speak about memoir, the slipperiness of memory “in retrospect, memory is imagination”.She speaks candidly about solitude, beauty, and depression, her family, fame, about the distortion of the famous photographs “Rick made me look like a Vogue model, that wasn't me”, and her uneasy relationship with literary celebrity in London alongside Doris Lessing, Salman Rushdie, Christopher Hitchens, Martin Amis and more.“Whenever you write in the first person, you are necessarily creating a character — a doppelgänger. She is me, but she's not quite me.”“The truth is, memory is imagination.”“I worship the phrase ‘I don't know.' If you don't have ‘I don't know,' you can't learn anything.”“If you have a firm identity, you're trapped in it.”In this podcast you can expect the following discussion. The Performed Self & Identity“Whenever you use the first-person pronoun, you are necessarily creating a character.”The Narrative Fallacy“We invent neat, linear, emotionally satisfying stories to explain what happened… but the world is messy, chaotic and driven by chance.”Freedom, Nomadism & Refusal to Be FixedFreedom and movement — literal and intellectual — define her resistance to labels like “travel writer” or “author.”Chance, Fate & Serendipity“On the tiniest turning point you can head off in a billion directions.”Depression, Nihilism & Meaning“It's a terrible pain that hovers somewhere between the physical body and the mental body.”“To learn how to deal with a profoundly nihilistic view and to counter that view — that's been the most formative moment of my life.”Beauty, Objectification & Subjecthood“If that journey was about anything, it was about being the subject of my own life, not an object.”Feminism, Rebellion & the 1968 GenerationThe spirit of the late-'60s counterculture — radical freedom, equality, and experimentation — shaped her worldview.Authenticity vs. Fame“What I was interested in was knowledge and whether people were genuine or

This week, religious scholar Paul Elie discusses his latest book The Last Supper: Art, Faith, Sex, and Controversy in the 1980s. This enthralling group portrait brings to life a moment when popular culture became the site of religious strife—strife that set the stage for some of the most salient political and cultural clashes of our day. Elie is interviewed by Emily D. Crews, the Executive Director of the Martin Marty Center at the University of Chicago Divinity School. This conversation originally took place May 30, 2025 and was recorded live at the American Writers Museum. This episode is presented in conjunction with the American Writers Museum's forthcoming exhibit American Prophets: Writers, Religion, and Culture. This exhibit and programming series explores the profound ways writing reflects and influences our understanding of religion. American Prophets opens November 21, 2025. We hope you enjoy entering the Mind of a Writer. AWM PODCAST NETWORK HUB More about The Last Supper: Circa 1980, tradition and authority are in the ascendant, both in Catholicism (via Pope John Paul II) and in American civic life (through the Moral Majority and the so-called televangelists). But the public is deeply divided on issues of body and soul, devotion and desire. Enter the figures Paul Elie calls "crypto-religious." Here is Leonard Cohen writing "Hallelujah" on his knees in a Times Square hotel room; Andy Warhol adapting Leonardo's The Last Supper in response to the AIDS pandemic; Prince making the cross and altar into "signs o' the times." Through Toni Morrison, spirits speak from the grave; Patti Smith and Bruce Springsteen deepen the tent-revival intensity of their work; Wim Wenders offers an angel's-eye view of Berlin; U2, the Neville Brothers, and Sinéad O'Connor reckon with their Christian roots in music of mystic yearning. And Martin Scorsese overcomes fundamentalist ire to make The Last Temptation of Christ—a struggle that anticipates Salman Rushdie's struggle with Islam in The Satanic Verses. In Elie's acclaimed first book, The Life You Save May Be Your Own, Catholic writers ventured out into the wilds of postwar America; in this book, creative figures who were raised religious go to the margins of conventional belief, calling forth controversy. Episodes such as the boycott sparked by Madonna's "Like a Prayer" video and the tearing-up of Andres Serrano's Piss Christ in Congress are early skirmishes in the culture wars—but here the creators (not the politicians) are the protagonists, and the work they make speaks to conflicts that remain unsettled. The Last Supper explores the bold and unexpected forms an encounter with belief can take. It traces the beginnings of our postsecular age, in which religion is at once surging and in decline. Through a propulsive narrative, it reveals the crypto-religious imagination as complex, credible, daring, and vividly recognizable. PAUL ELIE is the author of The Life You Save May Be Your Own (2003) and Reinventing Bach (2012), both National Book Critics Circle Award finalists. He is a senior fellow in Georgetown University's Berkley Center for Religion, Peace, and World Affairs, and a regular contributor to The New Yorker. He lives in Brooklyn.

Kulttuuriykkösen Perjantaistudiossa pureudutaan ajankohtaisiin kulttuurin ja median ilmiöihin sekä arvokysymyksiin. Miksi vuoden 2025 Nobelin rauhanpalkinto myönnettiin venezuelalaiselle oppositiojohtajalle María Corina Machadolle eikä Yhdysvaltain presidentti Donald Trumpille, joka on julistanut itsensä “rauhan presidentiksi” ja saavuttanut tällä viikolla merkittäviä virstanpylväitä rauhanneuvotteluissa Israelin ja Hamasin välillä? Unkarilainen László Krasznahorkai palkittiin apokalyptisistä ja filosofisista romaaneistaan, mutta oliko valinta oikea ja miten suomalaiset lukijat ovat ottaneet hänen teoksensa vastaan? Jarkko Tontti avaa, miten Krasznahorkain Saatanatango (1985, suom. Minnamari Pitkänen 2020) ja Marvelin supersankarielokuvat kietoutuvat yhteen yllättävillä tavoilla, kun pohditaan ajan syklisyyttä, psykoanalyysia ja kulttuurien ääripäitä. Keskustelussa nousevat esiin myös kirjallisuuden Nobel-palkinnon ikuiset kandidaatit, kuten Haruki Murakami, Ljudmila Ulitskaja ja Salman Rushdie – miksi he jäävät vuodesta toiseen ilman voittoa? Aino-Mari Tuuri nostaa esiin kohutun opettajan tapauksen, jossa vapaa-ajan pornovideot johtivat irtisanoutumiseen. Studiossa kysytään, onko opettajalla oikeus tehdä, mitä haluaa vapaa-ajallaan, ja miksi tapauksesta kirjoitettiin valtava määrä uutisia lyhyessä ajassa? Osa-aikatöissä käyvä, neljän lapsen äiti kertoi Ylen nettisivujen jutussa, että yhden lapsen ratsastusharrastus oli peruttava rahasyistä tänä syksynä. Onko ratsastus vain hyvinvoivien perheiden etuoikeus, vai pitäisikö yhteiskunnan taata jokaiselle lapselle mahdollisuus harrastaa mitä haluaa? Jarkko Tontti pohtii tekoälyn nousua elokuva-alalla – voiko AI-näyttelijä Tilly Norwood todella syrjäyttää lihasta ja verestä olevat näyttelijät? Keskustelussa käsitellään, mihin raja vedetään taiteen ja algoritmien välillä, vaikuttaako tekoäly näyttelijöiden työllisyyteen ja voiko kokonaan tekoälyn tuottama elokuva olla oikeaa taidetta. Studiossa pohditaan myös tekijänoikeuksia ja sitä, miten kuolleiden tähtien brändit voidaan suojata tulevaisuudessa. Keskustelemassa ovat tietokirjailijat ja toimittajat Ville Hänninen ja Aino-Mari Tuuri sekä kirjailija Jarkko Tontti. Lähetyksen toimittaa Pauliina Grym.

23 september. I Sakine Madons nya bok ”Till kättarens försvar” går hon igenom den svenska debatten kring yttrandefrihet, från dödsdomen mot Salman Rushdie på 1980-talet till dagens diskussioner om koranbränningar och Palestinademonstrationer. Andreas Ericson intervjuar henne.

Welcome to another special edition of How to Fail, where I revisit conversations from the How to Fail archives. Each week, we shine a light on a particular theme, hopefully offering inspiration, perspective and comfort through the words of past guests. This week's theme is on writing - appropriately, because my new book ‘One of Us' is out this week (25th September)! So it felt only fair that I re-shared a couple of my favourite authors who have guested on How to Fail in the past. First up, you'll hear from Nobel Prize winning author Kazuo Ishiguro, whose episode originally aired in March 2021. He shares thoughtful reflections on creativity, memory and the way stories help us explore both truth and imagination. Then, we turn to Salman Rushdie, in an excerpt from our original conversation back in June 2024, where he discusses his extraordinary book ‘Knife' and reflects on the role of stories in making sense of life's most difficult moments. I hope these highlights remind you of the power of storytelling, not only as a means of escape but also as a way to process, connect and endure Listen to Salman Rushdie's full episode of How to Fail here: https://link.chtbl.com/OE63hsrn Listen to Kazuo Ishiguro's full episode of How to Fail here: https://link.chtbl.com/zu0kLq-0

Send us a textIn this episode we invite Colm Tóibín to the breakfast table to discuss his new book A Ship in Full Sail: The Laureate Lectures and Other Writings. The book collects the blogs he wrote during his term as Laureate for Irish Fiction,  one written each month on topics as diverse as  Artificial Intelligence, reading Ulysses, the discomfort of Salman Rushdie in the wilds of County Dublin, Bob Dylan in concert, a life of Thom Gunn and the author's role in a campaign to save the House of The Dead. Also included are essays on abiding interests –  music and the visual arts. It's a wide-ranging collection full of fascinating insights into the mind of one of Ireland's beloved writers.This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon.Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. Logo designed by Freya Sirr.Support the show

In covering political violence and homicides, the media keeps missing one of its most important responsibilities. Today, Josh explains how an obsession with politics has been poisoning not only the coverage of right-wing activist Charlie Kirk's killing, but also the killing of a young woman on light rail in North Carolina. It boils down to a key question of whether we're going to move forward as a society or not. To help you understand this, Josh looks at the attempted assassination of author Salman Rushdie, the assassination of Doctor Martin Luther King Jr., and a problematic line journalists use when discussing violence and mental health. Also, an American news network fired an analyst following Kirk's death. In context, his remarks seem different from what made the rounds on social media. But the incident raises a larger question about how the news handles early reports of gunfire. Plus the BBC runs cover for a student leader who celebrated Kirk's assassination, stars preach hatred at the Emmys, and the leading study on political violence in America shows how antisemitism fuels it on both ends of the political spectrum.

Sir Ian McEwan is one of Britain's most acclaimed novelists, a Booker prize winner with a career spanning five decades with work that often explores morality, memory, and the intersections of private lives with public events. Sir Ian has long been associated with contemporaries like Martin Amis, Julian Barnes, and Salman Rushdie, who together reshaped the British novel from the 1980s onward. In this episode of Ways to Change the World, he spoke to Krishnan Guru-Murthy about the great issues facing the world from artificial intelligence to the rise of authoritarianism - as well as his latest novel What We Can Know.

On the death of a parent, buddhism, and a return to the TreeHouseLetter. How three sentences from Salman Rushdie's memoir provide comfort after losing my mother.

Os Versos Satânicos, de Salman Rushdie | Explicado - Resumo e Análise

Writers often share work in readings, but how often do we write stories that are designed to be read aloud? Lewis Millholland tells Jared about preparing for a reading by creating a piece “that was short, had a lot of repetition, no dialogue, and noticeable voice changes.” Millholland also discusses drawing inspiration from Harvard Business Review case studies, bumping into Salman Rushdie at the Sun Valley Writers' Conference, and the extensive literary scene (including writing workshops in Hemingway's final house) in and around Boise, Idaho.Lewis Millholland is a writer and video game developer. His fiction and essays have appeared in journals including Passages North, DIAGRAM, and The Garlic Press. Currently, he is a third-year MFA student at Boise State University, where he serves as the associate editor of The Idaho Review and lives with a stolen (rescued) jade plant. His work can be read online at lewismillholland.com.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOWDonate to the show at Buy Me a Coffee.Leave a rating and review on Apple Podcasts.Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com

This week's throwback guest is Cal Fussman. This was a very special interview for me, because Cal is one of the major reasons why I started podcasting in the first place. He made an appearance on Tim Ferriss' show, to which Tim talked him into starting his own show. As both of them are my podcasting inspirations, I knew this was going to be a good one! Cal is a New York Times Bestselling Author, Professional Speaker, Storytelling Coach, and host of “Big Questions” Cal was best friends with Larry King and shared breakfast with him every morning. He also traveled around the world for 10 years straight after booking a 1 way ticket to start a trip. He worked his way around the world, bus by bus where locals would invite him to their house to stay (more about this in the episode).Cal was a former writer for Esquire Magazine, where he interviewed a very impressive list, including: Muhammad Ali, Mikhail Gorbachev, Jeff Bezos, Richard Branson, Jimmy Carter, Robert DeNiro, Donald Trump, Al Pacino, Joe Biden, Larry King, Ted Kennedy, Tony Bennett, Barbara Walters, Bruce Springsteen, Dr. Michael DeBakey (father of open-heart surgery), Pele, Vint Cerf (co-creator of the Internet), George Clooney, Lauren Hutton (first super model) Leonardo DiCaprio, Dr. Dre, Walter Cronkite, Clint Eastwood, Mary Barra (General Motors CEO), legendary coaches John Wooden, Bobby Bowden and Mike Krzyzewski, Salman Rushdie, Tom Hanks, Shaquille O'Neal In this episode, we discussed:How A Good Question Can Get You To The Most Powerful Person In The WorldUkraine and Their Fight For A Free SocietyBuilding The Connection Bridge How Every Step back Is A Step Forward Rethinking Healthcare in America How To Tell Your StoryMuch More! Please enjoy this week's episode with Cal Fussman____________________________________________________________________________I am now in the early stages of writing my first book! In this book, I will be telling my story of getting into sales and the lessons I have learned so far, and intertwine stories, tips, and advice from the Top Sales Professionals In The World! As a first time author, I want to share these interviews with you all, and take you on this book writing journey with me! Like the show? Subscribe to the email: https://mailchi.mp/a71e58dacffb/welcome-to-the-20-podcast-communityI want your feedback!Reach out to 20percentpodcastquestions@gmail.com, or find me on LinkedIn.If you know anyone who would benefit from this show, share it along! If you know of anyone who would be great to interview, please drop me a line!Enjoy the show!

In this episode of The Archive Project, author Salman Rushdie reads from and discusses his 1999 novel, The Ground Beneath Her Feet.

Cuando coja vacaciones, leeré. No me deis mas el coñazo, y leeré. En la casa de la playa, Ocupando tu toalla, Saramago, Némirovsky, leeré. En la hora de la siesta, leeré. Madrugando con la fresca, leeré. ‘Verbolario', recomiendo. Y un best seller de aeropuerto, Freddie Forsyth y Vallejo, leeré. Leeré, leeré, porque soy un cultureta. Leeré, leeré, algo breve de Skármeta. UUHHHH UHHHHHH, Luis Landero, Siri Hustvedt, leeré. Ha sacado un libro nuevo, HouellebecqYo me bebo un poemita Bertol Brecht VargasLLos, Clarín, Marías, Martin Gaite, Manuel Vilas. Qué bien Kafka y sus manías, leeré. Leeré, leeré, Seré guay y estimulante.Leeré, leeré, GafaChoflas Influencer.UUUUHHHH UUUUHHHHH, Anhelado tiempo libre, leeré. Me entra un mail desde el trabajo, pasaré.Es urgente, y un carajo, mire usted. Estoy con Camilla Läckberg,que Fjällbacka está que arde. No me hables, qué pesados, leeré. Leeré, leeré, Ishiguro, Salman Rushdie. Leeré, leeré,Henry Miller, Patri Highsmith Cuando llegue el tiempo libre, leeré. 

This is one of my favorite episodes of the show in recent memory. It's a conversation with the author Salman Rushdie about the experience of losing control of your identity in the world. This happened to Rushdie in the most extreme way. But many of us know some milder version of this — and increasingly so in the age of social media. Rushdie's story is hard to wrap your mind around. When he published his fourth novel, “The Satanic Verses,” in 1988, he was a literary star. And then the Ayatollah of Iran issued a fatwa calling for his assassination. In this episode, Rushdie recounts the ways that upended his world, creating a “shadow self” that he would spend years trying to escape. And he reflects on the different ways he's wrestled with that shadow self — in the years following the fatwa and then more recently, after a 2022 knife attack that nearly killed him.This episode was originally recorded in April 2024. Mentioned:Knife by Salman RushdieMidnight's Children by Salman RushdieBook Recommendations:Don Quixote by Miguel de Cervantes, translated by Edith GrossmanOne Hundred Years of Solitude by Gabriel García MárquezThe Trial by Franz KafkaThe Castle by Franz KafkaThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.htmlThis episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Elias Isquith, Marina King, Jan Kobal, Kristin Lin and Jack McCordick. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero and Mrinalini Chakravorty. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

The first direct talks between Russia and Ukraine in more than three years have ended without a ceasefire agreement. Also: a man who attacked the author Salman Rushdie is jailed for 25 years