Podcasts about George Martin

Quant on fait une émission consacrée au rock, notamment progressif, mais même plus généralement  inspiré des 60 / 70's, on ne peut que constater la raréfaction tout autant progressive des talents à l'origine de ce courant, inéluctablement de saison en saison et cette dernière en aura été cruellement exemplaire… Mais reste cet héritage sans cesse remis sur le métier par de compétences, le numéro de ce soir en est donc encore un exemple frappant. Commençons donc par l'hommage : née David Palmer, sexuellement réassignée en 2003 pour devenir à l'état civil DEE PALMER, l'ex claviériste-arrangeuse de JETHRO TULL a donc à son tour rejoint notre Emile pour aller "torcher le cul du firmament" cette semaine. Dee avait une formation de musique classique, et l'on sait à quel point le rock progressif est friand de ce genre de talents. Ainsi avant même l'acte de naissance officielle de ce courant musical, Ian Anderson faisait appel aux compétences d'arrangeuse orchestrale de Dee sur le 1er album du groupe "This Was" en 1968, collaboration qui restera systématique puis évoluant vers le poste de musicienne de session pour finalement accéder à celui de co-claviériste officielle et membre à part entière du groupe entre les albums "Songs From The Wood" (1997) à "Stormwatch" en 1979 et dont je vous propose un extrait ici. Par la suite, Dee sera arrangeuse pour divers projets dont cinématographiques. Outre sa participation à Jethro Tull, je retiens de son talent le magnifique album de collaboration entre les membres de Yes (époque 1993 avec Jon Anderson, Steve Howe et Bill Bruford de retour ponctuel) et le London Philarmonic Orchestra pour le magnifique  "Symphonic Music Of Yes". Dee Palmer avait 88 ans. Mais on en a encore sous le coude, et à commencer par TIMELESS dont je vous présentais le premier album il y a seulement quelques mois alors que les deux membres de ce duo sont des musiciens expérimentés, chacun ayant suivi son chemin indépendamment car séparés par l'océan l'Atlantique, ce qui n'est pas rien ! Mais par la grâce des technologies actuelles, nos sages et expérimentés amis Tim Taylor aux USA et Les Shaw en Angleterre ont donc produit ce bel ouvrage que je vous recommande chaudement : " The Wolf Of Time", pas mal du tout pour des p'tits jeunes !! Et comme j'avais envie à mon tour de faire plaisir au très sympathique Les (à l'écriture et au chant de Timeless), avec lequel j'ai pu avoir quelques échanges au cours desquels il évoquait un titre de FAMILY sur le second album de la bande à Roger Chapman (Family Entertainment de 1969), je lui dédicace donc bien volontiers ce titre, d'autant que le plaisir est partagé ! Roger Chapman qui s'est illustré cette année par sa participation aux concerts du Tribute Band espagnol OPUS ONE, un projet consacré au Maestro Mike Oldfield et qui à déjà fait appel aux voix emblématiques utilisées par Oldfield telles que Maggie Reilly, Anita Hegerland ou encore Barry Palmer et même la fille du regretté Kevin Ayers ! Le seul défaut d'Opus One est de ne pas quitter la péninsule ibérique. Va falloir que je descende moi-même ?!          Autre anglais devenu familier d'Amarok : RICHARD ANTHONY BEAN. Rappelez vous en fin d'année 2025 je vous présentais son nouvel album "Geostrophic Pathways". J'avais par ailleurs diffusé l'extrait "Luminous". Ce soir je reviens sur ce titre dans une version alternative parue cette année en single, avec arrangements et jeux de guitare de PAUL LANDRY. Nos deux amis ont la même appétence pour ces musiques atmosphériques et j'ai toujours plaisir à faire connaître à mon modeste niveau ces deux illustres musiciens anglais tellement sous représentés de ce côté-ci de la Manche !     "Octane" est un carburant (comportant 8 atomes de carbone pour X etc...ne m'en demandez pas trop quand même !!) et ce chiffre 8 correspond aussi à l'ordre chronologique de sorties des galettes fabriquées à base de pétrole par SPOCK'S BEARD. Alors la photo d'une pompe à essence sur la pochette est plus que justifiée ! Au-delà de ces considérations esthétiques, l'album de D'Virgilio, Morse and Co paru en 2005 proposait un son assez "rock" (vous me direz on est la pour ça ! ) mais un rock plus direct et sans doute plus accessible en tout cas, toujours plaisant à écouter aujourd'hui !    Et puisqu'on est dans la branche "metal" du rock progressif, permettez moi de vous représenter une nouvelle fois cette formation venue de Tours :  ELEMENTS. Un son musclé certes mais également accessible, s'approchant parfois de la pop et leur 1er album "Nouvelle Ere" par en 2023 inaugure sans aucun doute une nouvelle scène française progressive avec laquelle il faudra compter et avec grand plaisir ! Ils seront de passage à Nantes dans le cadre du PROG NIGHT au Floride ce 26 juin, aux côtés d'Unsquare et d'HamaSaari, qu'on se le dise ! Notre régulier détour italien nous emmène cette fois en Sicile avec ALCANTARA, un groupe que je découvre avec ce 2ème album "Tamam Shud" sorti l'année dernière. Un album qui se mérite, il faut en effet quelques écoutes pour s'approprier son contenu dont la musique croise les routes du Rock Progressif, psychédélique et du blues. Le groupe revendique des influences chez Pink Floyd et Riverside notamment et considère, à juste titre, qu'il se parcours de façon immersive et non comme on écoute une playlist ou une compilation. Je valide et souscrit ! Un album dont les écoutes au casque vous rendent assez vite addict et si vous tombez sous le charme italien, sachez qu'un album live sera publié dès demain vendredi ! Chouette, j'ai tout l'été pour m'y plonger !  En 1978, THE ALAN PARSONS PROJECT publiait son 3ème opus : "Pyramid", qui après "The Tales..." et "I Robot", prenait un virage plus pop préfigurant l'orientation du groupe dans les 80's à venir mais toujours avec cette exigence ne serait-ce que la pour la qualité de production irréprochable ! Faut dire que MR PARSONS avait quelques expériences enrichissantes sur son CV, notamment auprès de George Martin et des Beatles (on le voit même presque encore gamin sur le toit de "Apple" lors de ce célèbre et ultime concert sauvage des "Fab Four" en 1969). Quant à "Pyramid", il s'agit d'un album concept autour des pyramides de Gizeh. Peut-être a-t-il été inspiré par l'art-work de la pochette de "Dark Side Of The Moon" dont il reste sans doute l'ingénieur du son le plus envié de la profession !  J'espère qu'à part Amarok, vous écoutez plus généralement la radio, surtout SUN bien sur et notamment l'émission SUN MUSIC ADDICT ! Il s'agit d'un programme permettant à des talents régionaux émergents de jouer en live dans nos beaux studios nantais avec, cerise sur la gâteau, de la vidéo !  C'est à l'occasion de l'une de ces séances que vous avez alors peut-être entendu (et vu)  .RESSAC. pour la première fois. Une belle fusion, une musique introspective qui, pour ce qui me concerne, n'est pas tombée dans l'oreille d'un sourd ! Si j'évoquais en début d'émission ces artistes qui le temps passant partent les un après les autres, ils restent éternels par leurs œuvres bien sur mais je crois aussi par l'héritage qu'ils laissent. Alors en voyant émerger ces quatre copains nantais talentueux que sont Simon, Charles, Nicolas et Ewen fondateurs de ce groupe .RESSAC. , je suis rassuré ! Non seulement ils perpétuent l'âme de leurs prédécesseurs mais renouvelle ces musiques offrant peut-être à Amarok quelques beau jours et surtout nous offrent autre chose que le "mainstream" des sentiers battus de la star'ac !  D'ailleurs vous pourrez les voir très prochainement en sortie de résidence, non pas au Château de Dammarie-Les-lys mais au FERAILLEUR à Nantes ce mardi 23 juin, avis à la population ! En attendant, un nouvel extrait de leur premier EP éponyme dans ce numéro. Pour clôturer cette émission, retour en Angleterre et sur un album sorti il y un peu plus d'un mois mais tellement apprécié que j'avais envie de m'en resservir une tranche et de vous en faire profiter aussi ! THE PARADOX TWIN a publié son 3ème album (après un premier essai très réussi et d'ailleurs justement acclamé par la presse en 2018, essai transformé ensuite pour le 2ème opus ! ). "A Romance Of Many Dimensions" tout juste sorti des presses à CD est produit par John Mitchell (d'Arena notamment) qui a les oreilles aussi bien affutées que celles de Spock ! Quant on aime… !      Thierry Joigny AMAROK, chaque jeudi, à 20h  

Steve Katz is known as a founding member of Blood, Sweat & Tears as well as a guitarist, singer, songwriter, producer and author.Steve shares incredible stories from a career that spans more than six decades, taking listeners inside the birth of folk-rock, the Greenwich Village music scene, the formation of Blood, Sweat & Tears, Woodstock, Monterey Pop and beyond. Steve recalls his early days studying under folk and blues legends Dave Van Ronk and Reverend Gary Davis, spending time with Mississippi John Hurt, and joining Danny Kalb's influential band The Blues Project. He describes the excitement of discovering electric music in the mid-1960s and how that experience eventually led him to help create one of the most innovative bands of the era. The conversation explores the formation of Blood, Sweat & Tears with Al Kooper, the decision to incorporate a horn section, and the band's meteoric rise following the arrival of vocalist David Clayton-Thomas. Steve discusses the enormous success of hits including "Spinning Wheel," "You've Made Me So Very Happy," and "And When I Die," as well as the Grammy-winning album that made the band international stars. Listeners will also hear fascinating stories about performing at Monterey Pop Festival, the realities of Woodstock, sharing food backstage with Jimi Hendrix, meeting Otis Redding, and navigating the political pressures that resulted in Blood, Sweat & Tears undertaking a controversial State Department tour of Eastern Europe during the Nixon era. Steve also opens up about leaving Blood, Sweat & Tears, producing Lou Reed, working with Beatles producer George Martin, his years in the record business, discovering new artists, passing on U2, and why he remains grateful for every twist and turn in his extraordinary career. The episode also highlights Steve's memoir, Blood, Sweat and My Rock 'n' Roll Years, and his continuing work as a musician and creative artist.A fascinating listen for music fans of all generations.

In this extended Ke Ala conversation, Matt Sergiou and I continue our discussion on The Beatles, the Paul McCartney replacement theory, John Lennon, Beatlemania, and some of the lesser-known stories and mysteries surrounding one of the most influential bands in modern history.Matt shares his research into the evolution of the Paul Is Dead theory, Beatles body double claims, John Lennon's assassination, MK-Ultra allegations, and the ongoing questions that continue to surround key figures from the Beatles era.We also explore Beatlemania, crowd psychology, frequency theories, and the cultural impact The Beatles had on an entire generation.Topics include:• The Paul McCartney replacement theory• Beatles doubles and decoys• John Lennon assassination theories• Mark David Chapman and MK-Ultra allegations• Beatlemania and crowd psychology• Frequency manipulation theories• George Martin and The Beatles• The cultural influence of The BeatlesMahalo for supporting the show and helping me continue bringing you deeper conversations and bonus content.MATT SUERGIOU'S WEBSITE: https://linktr.ee/ConspiroMediaBUY ME A COFFEE LINK Support the Show & Stay Connected:Buy Me a Coffee: https://buymeacoffee.com/sensiblehippieJoin My Patreon for ad-free episodes & exclusive content:https://Patreon.com/WakeupwithMiya If you're joining Waiola – The Plus Side, please subscribe through a web browser (Safari or Chrome) instead of the Patreon app — it directly supports the show. Mahalo nui loa for supporting independent work and helping keep this platform growing.Shop my Amazon Storefront: https://www.amazon.com/shop/profile/amzn1.account.AGYOPCXXGH6MN5RVAKGQWVZUZLEA/list/26B87RB4FZ9W2?ref_=cm_sw_r_cp_ud_aipsflist_6BWRT43TH4MY2NM2XD6XWant to be on the show or suggest a guest?I'm looking for guests who can speak on human trafficking, the paranormal, occult symbolism, hidden history, spiritual warfare, ancient mysteries, and specific military stories involving covert operations, secret programs, psychological warfare, unexplained events, and firsthand accounts.Email me at: Miya@wakeupwithmiya.comFollow Me Online:Instagram: https://www.instagram.com/WakeupwithMiyaFacebook: https://www.facebook.com/WakeupwithMiyaExclusive Discount!Shop at LVNTA: https://lvnta.com/lv_IcTq5EmoFKaZfJhTiSUse code OHANA for 20% off!Listen on Your Favorite Platform: Spotify, Apple Podcasts, YouTube, and everywhere podcasts are available!RATE & REVIEW:Apple: https://podcasts.apple.com/us/podcast/wake-up-with-miya/id1627169850Spotify: https://open.spotify.com/show/0UYrXCgma1lJYzf8glnAxyMusic Credits: Beginning: "Echoes in the Shadows" - DKEnd Music: “Crazy” - EkoBecome a supporter of this podcast: https://www.spreaker.com/podcast/wake-up-with-miya--6339129/support.

Building the Giants all-time defense means gaining Lawrence Taylor, Michael Strahan, Harry Carson, Sam Huff, Emlen Tunnell, and decades of franchise greatness — but it also means sacrificing real Giants legends who do not fit on the final roster.Follow on Spotify and leave a 5-star rating on Apple Podcasts if you enjoy no-BS Giants debate.Who belongs on the New York Giants all-time defense?The strongest answers start with Lawrence Taylor and Michael Strahan, but the real debate comes after the obvious names. Drew and Rob work through the defensive line, linebackers, secondary, and special teams while comparing Hall of Fame résumés, unofficial sack totals, championship moments, positional value, and era context.The defensive front turns into one of the toughest parts of the list. Andy Robustelli's case depends partly on sack totals from an era before sacks were officially tracked. Osi Umenyiora, Leonard Marshall, George Martin, and Jim Katcavage all bring different versions of Giants pass-rush history. Dexter Lawrence opens a modern-versus-old-school defensive tackle debate next to names like Arnie Weinmeister, Rosey Grier, and Keith Hamilton.At linebacker, Harry Carson and Sam Huff carry the historical weight, while Jessie Armstead, Brad Van Pelt, and Carl Banks force the question of how many great Giants linebackers can realistically fit. The secondary brings another layer with Erich Barnes, Dick Lynch, Mark Haynes, Jason Sehorn, Corey Webster, Emlen Tunnell, Jimmy Patton, Spider Lockhart, and Terry Kinard.Special teams closes the roster with Pete Gogolak, Sean Landeta, and Zak DeOssie. Gogolak's case is about more than field goal percentage because his soccer-style approach changed kicking history. Landeta brings the punter résumé, and DeOssie gives the Giants a clean long snapper choice with a unique family Super Bowl connection.This episode is not just about naming legends. It is about deciding what matters most: peak dominance, longevity, awards, championships, franchise records, playoff moments, or the way Giants fans remember a player.Merch: https://2giantgoofballs-shop.fourthwall.com/ Support: https://buymeacoffee.com/2giantgoofballs All episodes: https://2giantgoofballs.buzzsprout.com/Send us Fan MailSupport the show

Pour tous ceux qui se posent la question de savoir où vont tous les hits qu'on n'entend plus jamais, je leur dis : ben, au paradis des tubes oubliés. Car oui, ça s'oublie, des tubes. Tellement que je retrouve très souvent dans des listes de One Hit Wonders, ceux qui n'ont connu qu'un seul hit, des gens qui n'ont rien à y faire.Allez au hasard, début des années 80, on a tous été babas du même groupe anglais qui nous faisait le coup du slow façon La Boum mais à la puissance dix, version New Wave … Et aujourd'hui, un tas de gars qui devraient se renseigner s'ils n'ont pas vécu l'époque, disent qu'ils n'ont fait qu'un seul hit et puis ont disparu, après ce premier succès. Déjà, pour le groupe The Korgis, ce n'était pas leur premier succès en Grande-Bretagne. Et non. Cela faisait des années que le duo moteur, voix, guitariste et clavier, du groupe existait. Depuis la fin des années 60, pour tout vous dire. Le groupe s'appelle alors Stackridge, un de leurs albums produit par George Martin, le 5ème Beatles, a même connu un joli succès en Grande-Bretagne, en 1973.Mais voilà, séparation en 1976, deux années passent, et revoici notre duo qui recrute deux autres musiciens pour relancer la machine, cette fois sous le nom de Korgis. Et là, bingo ! Nouveau hit avec ce titre que tous les British des 70's connaissent … If I Had You… C'est plutôt pas mal, non ?Si la chanson n'arrive pas jusque dans la partie francophone de la Belgique, et la France, probablement trop occupée à écouter ce que Paris nous envoie, l'arrivée en force de la New Wave avec Orchestral Manoeuvres et Gary Numan change complètement le son des Korgis sur l'album suivant, qui submerge d'émotion tous ceux qui ont une âme romantique…Il est question un temps que les Korgis fassent la première partie de la tournée de Peter Gabriel, cette année-là, il faut dire qu'ils utilisent sur leurs chansons ses synthés dont son précieux Fairlight, et que son batteur joue aussi souvent avec eux.En tout cas, avec les Buggles, Ph.D, New Musik, M, Jona Lewie, les Korgis font partie de cette vague d'artistes britanniques actifs depuis longtemps à surfer sur le son de la New Wave. Et s'il est vrai que le single suivant n'a pas connu le même succès que l'immortel Everybody's Got To Learn, le 45 Tours doit encore se trouver dans pas mal de maisons en France et en Belgique francophone. On en a perdu le souvenir, probablement parce qu'il y avait trop de choses géniales dans le Top à ce moment. Un embouteillage de trouvailles à la hauteur de la créativité foisonnante des artistes d'une époque où on créait la musique qu'on avait dans la tête. Et non pas en se préoccupant de répondre aux attentes d'un grand public imaginaire, sorti de données statistiques ou de playlistes radios qui n'existaient pas.

This is the Music History Today podcast for June 6. On today's show, the Beatles meet George Martin, a legendary show signs off, Michael Jackson quits, and the country goes down the slipping slope of censorship. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history12:48 Music award ceremonies that were held on this date in music history17:00 Albums released on this date in music history 25:01 Singles released on this date in music history 28:33 Birthdays of music artists on this date in music history 40:55 Passings of music artists on this date in music history 47:06 What's on tomorrow's episode

Kirsty Lang on Michael Pennington, the Shakespearean actor who preferred a life on stage to the glamour of Hollywood. For Dame Judi Dench, he was her 'Mr Plum', she recalls his life.Cynthia Shange defied apartheid to become the first Black woman to represent South Africa at Miss World. Scott Hastings the rugby legend, who was once Scotland's most capped player. He went on to become a well-known commentator and campaigner for mental health charities, following the death of his wife after her long battle with depression. And Beverley Martyn, the singer songwriter, a star of the British folk scene, who was signed by Beatles producer George Martin aged 16, but her career was not a smooth ride. Please note this programme references suicide. Support and information is available at bbc.co.uk/actionline.Interviewee: Dame Judi Dench Interviewee: Nonhle Thema Interviewee: John Beattie Interviewee: Joe BoydProducer: Catherine Powell Assistant Producer: Ribika Moktan Researcher: Jesse Edwards Editor: Andrea KennedyArchive: Miss World 1972. BBC TV, 01 Dec 1972; Bob Harris Sunday : Beverley Martyn plays live, BBC Radio 2, 27th April 2014; Five Nations, Rugby Union, Scotland v England, 17th March 1990; Scrum V, Live Pro12: 2016/2017, Edinburgh v Blues, 24th Feb 2017; BBC News Breakfast, 21st Dec 2020; Richard II, writer William Shakespeare, dir Gregory Doran, Royal Shakespeare Company, 2013; Gift of Gorgon, writer Peter Shaffer, dir Peter Hall, RSC, 1993; Henry V, dir Michael Bogdanov, The English Shakespeare Company in The War of the Roses, Produced by John Paul Chapple and Andy Ward, A Portman Classics production in association with Contracts International and Windmill Lane Productions, 1990

Was haben die Beatles mit gescheiterten BI-Projekten gemeinsam? Vier starke Persönlichkeiten, jede Menge Reibung – und trotzdem Musikgeschichte. Das Geheimnis? George Martin. Jemand, der die Gegensätze versteht und in Ergebnisse übersetzt. In BI-Projekten ist es nicht anders. IT, Controlling und Management ziehen oft in verschiedene Richtungen – und genau dort scheitern viele Projekte. Nicht an der Technik. Sondern am Miteinander. Peter Bluhm erklärt, warum ATVISIO in BI-Projekten die Rolle von George Martin übernimmt – und was das konkret bedeutet: Ein mittelständisches Handelsunternehmen hatte nach 8 Wochen ein Dashboard, das 50 Nutzer täglich öffnen.

The legend himself Jack Douglas (1945-2026) shares stories from five decades of rock history — from producing John Lennon's final album to the memories Aerosmith, Cheap Trick, The Who, and his recent production of Silverplanes. Topics Include: Jack Douglas joins Nate from a snowy driveway, cigar in hand. Silverplanes' debut album Airbus is finally releasing after years of delays. Jack met Silverplanes' Aaron Smart through his college-age son. Aaron turned out to own the Sunset Boulevard studio Jack had worked in. Jeff Emerick mixed the album shortly before his sudden death in 2018. The pandemic added two more years of delay to the release. Jack and Aaron are now label partners with New York real estate billionaire Douglas Durst. Their label operates 50/50 with artists — no standard royalty deals. Signed artists include Robin Taylor Zander and the Detroit Youth Choir. Jack builds songs from a single acoustic guitar performance first. Aerosmith was different — built from the band groove up, lyrics last. Walk This Way had no lyric until a Young Frankenstein gag unlocked it. Jack started his career as a TV composer while janitoring at Record Plant. He worked on sessions that became The Who's Who's Next. Kit Lambert and Keith Moon were both, politely, out of their minds. Jack survived eccentric clients by being reliably sober and crazy simultaneously. John Lennon was the easiest artist Jack ever worked with. John would say: "I'm the artist, you're the producer — let's work like that." Jack engineered Imagine and stayed close to Lennon through the Lost Weekend years. He was in and out of the Fame sessions with Lennon and Bowie. John told Bowie: "I'm writing you the best hit you'll ever have." John knew about — and liked — Aerosmith's cover of "Come Together." George Martin gave Jack a flat in Kensington and a Morgan sportscar. Jack helped produce Ringo's "Grow Old With Me," hiding Here Comes the Sun in the strings. Double Fantasy was secretly recorded at Hit Factory, too far west for fans. John wanted a middle-of-the-road record aimed at people aged 28 to 40. Earl Slick was kept from rehearsals deliberately — a wildcard for fresh solos. Rick Nielsen discovered John's Shea Stadium Rickenbacker with the setlist still taped on. Rick later gifted John a custom all-white Rickenbacker, model 001, never cashed his check. Cheap Trick's "I'm Losing You" session was thrilling but too edgy for the album. Jack hid microphones throughout the sessions, gifting John cassettes on his birthday. Jack destroyed the tape of the last day — John had sworn him to secrecy. After John's murder, Jack and Yoko listened to vault tapes alone until dawn. Yoko later sued Jack; Phil Spector's incoherent testimony and a wig mishap followed. Jann Wenner called Jack a nobody — until Jack's lawyer read Wenner's own book aloud. The jury was out ten minutes. Jack won millions. The 2010 Stripped Down version was mixed in the exact same Record Plant room. Live at Budokan was actually Osaka — Budokan tapes were too poorly recorded. Jack rebuilt the Osaka drum kit using speaker-driven bass frequencies and filtered signals. Aerosmith's Live Bootleg was sent back to Sony unchanged after Jack faked a remix session. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Crime on a SundayFirst,  a look at this day in History.Then, Jeff Regan Investigator starring Paul Dubov, substituting for Frank Graham, originally broadcast April 26, 1950, 76 years ago, It All Comes Back to Me Now. Miss "Smith" can't remember her name. Miss Smith also had a loaded .32 caliber Smith and Wesson in her purse.Followed by Dragnet starring Jack Webb, originally broadcast April 26, 1953, 73 years ago,  The Big Scrapbook.  Three robbers pull a jewelry store job in San Diego and get away with $135,000 worth of hot ice.    Then, Big Town starring Edward Pauley, originally broadcast April 26, 1949, 77 years ago, Death Stalks the Hunter. Wealthy playboy George Martin has been killed while hunting, but it was no accident. Followed by Mr. District Attorney starring David Brian,  originally broadcast April 26, 1953, 73 years ago,  Case of the Silent Killer.  A woman in a rural house is murdered while a panicked telephone operator listens to the crime.  Finally, Claudia, originally broadcast April 26, 1948, 78 years ago, Noises in the Night. The show starts with a bang...nothing happens in the country. Kathryn Bard and Paul Crabtree star.  Thanks to Bill B for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! 

The guys are back (even if their voices aren't), and catch up on all the wild Beatlenews and Beatlereleases from the past few weeks. It's been a hard day's fortnight, & Tony & T.J. have been working like dogs to buy, rent, or look at all the following: New Paul album, new Ringo album, new John meditation mixes, new George Dark Horse label re-releases, new Wings documentary & soundtrack, new John concert movie, new documentary about Paul's lost bass, Evolver 62 documentary now streaming, and a new one-person show in Chicago about The Beatles by actor/writer (& Chicagoan!) Brendan Hunt, aka Coach Beard on Ted Lasso! Whew!  The guys also discuss how Bob Eubanks and Dick Biondi, announcing together at the Hollywood Bowl, both said "The Beatles" at the same time -- which possibly gave Eubanks the idea for The Newlywed Game, where couples try to say the same things about places where they made "whoopee". Speaking of Dark Horse records, T.J.'s voice is especially dark & hoarse -- like George's voice on Dark Horse! Perhaps from running on a dark racecourse? And as George Martin says, dark horses for dark courses. But what about your father's dark horse? Of dark course, Henry the Dark Horse danced the waltz, & then the Beatles ate him in Germany for Christmas dinner. Very dark, indeed. (And...scene.)   EPISODE LINKS Check out UBP's videos on  TikTok/YouTube/Facebook/Instagram! Like and subscribe! Please support our scrappy show. Score some merch or find us on Patreon! Drop us a review on Apple Podcasts!

Adam and Ian hear from Geoff Parling ahead of the Prem game against Newcastle Red Bulls.

Legendary songwriter ("Sister Golden Hair", "Ventura Highway"), member of the band America, Gerry Beckley, joins us today to chat wedding songs, George Martin, his relationship to Australia and how its all about "the show".We also chat about Billy Corgan/Courtney Love vs Kim Gordon/Steven Malkmus class war....Take a deeper dive at https://weirdertogether.substack.com#america #horsewithnoname #70s #gerrybeckley #songwriting

PRP 007 Mini-Broadcast: Episode 9– Live and Let Die (With Robbie Sims) Since the beginning of the show, Brian has done his best to strong-arm discussion of Agent 007 into as many podcasts as he could. Finally he convinced Sarah to embark on a new mission: the Permanent Record Podcast 007 Mini-Broadcast! This occasional series from your friends Brian & Sarah started with "Dr. No" and will work its way up to the most recent Bond adventure, and on the way, it will discuss and critique all of the 007 theme songs and other relevant recordings. It's a dream come true for one of the hosts - and for Bond fans everywhere! Speaking of Bond fans everywhere, they will no doubt be delighted to learn that Robbie Sims, author of the delightful book Quantum of Silliness: The Peculiar World of Bond, James Bond, can once again be found co-hosting this installment with Brian and Sarah. Episode 9 in the series brings us up to the 1973 film Live and Let Die. It's Roger Moore's first appearance as the MI6 agent, and it's also the first Bond movie to feature a rock song for the theme. The song was written by Paul and Linda McCartney, performed by Paul and his band Wings, and produced by George Martin. George Martin also ended up providing the score for the film. Our three hosts discuss how Paul McCartney and George Martin became a part of the 007 universe as well as what led erstwhile Bond composer John Barry to be uninvolved with the franchise's eighth film. The trio talk about the chart success of the theme song as well as the other awards and accolades it received. George Martin's score is discussed, with some speculation over how John Barry would have done with the score for this film that covers some different thematic territory than other Bond movies. While discussing the movie, Robbie, Brian, and Sarah also talk about the fact that the theme song is performed in the film, and Brian has an impromptu trivia session with Robbie and Sarah about Bond theme songs being heard during other Bond movies. And of course, each host reveals where "Live and Let Dies" falls in their personal ranking of Bond themes. There's talk about the current state of affairs in the Bond universe, and Robbie is put to the test again with a series of Bond trivia questions. And Brian and Sarah talk about their encounter with Solitaire! It's an episode full of excitement, fun, and laughs that you won't want to miss! Find Robbie Sims at https://www.instagram.com/quantumofsilliness https://www.threads.net/@quantumofsilliness https://bsky.app/profile/quantumofsilliness.bsky.social   You can purchase Quantum of Silliness at https://thehistorypress.co.uk/publication/quantum-of-silliness/ or other reputable booksellers.   Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast You can also find us on Threads: https://www.threads.net/@permanentrecordpodcast Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ Join the ever-growing crowd on BlueSky: https://bsky.app/profile/permrecordpod.bsky.social Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod  - we're ready to believe you!

Sir George Martin was the Beatles' extraordinary producer and the most acclaimed and celebrated music producer of the rock era. No one comes close to Sir George for the innovation and sheer perfection of his body of work. It's almost an accident that he worked with the Beatles. Before meeting them he was in charge of EMI's Parlophone label where he produced comedy and novelty acts like Peter Sellers and Spike Milligan. His introduction to the Beatles only came about after they were rejected by 17 other record labels. When he brought them in for an audition he was not very impressed, but he was intrigued by their energy and charisma. Sir George has said that in the beginning he was the master and they were the students, but in time this role reversed and they became the masters and he the student. This transformation was due to the genius of Lennon and McCartney and their constant pushing him to create more and different sounds and effects. It's beyond discussion that the Beatles would not have been the Beatles without George Martin. From convincing Paul to use a string quartet on “Yesterday”, to his slowed down then sped up piano solo on “In My Life”, to his creation of a circus swirl on “Being For The Benefit Of Mr Kite”, to his seamless combination of two takes at different speeds and different keys on “Strawberry Fields” - he truly was the 5th Beatle. He went on to produce a host of other artists and hits including Jeff Beck, the Mahavishnu Orchestra, America and Gerry and the Pacemakers. In his career, he produced 30 number-one hit singles in the UK and 23 number-one hits in the United States, winning six Grammys. Think about how lucky we were that fate brought together the Beatles and Sir George Martin. Together they changed the world. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Welcome to the 3rd Annual Blazy Awards.  Hall of Fame songwriter Kent Blazy host this insightful awards ceremony with TrulySignificant.com founder Rick Tocquigny.  Enjoy special tributes to Les Paul, The Beatles and our annual Memorium to musicians that went on their eternal home. The envelope please..... Kent's special awards for Newcomer of the Year- Jesse Welles. Listen to his extraordinary album Middle. According to Kent, he is the modern day traveling troubadour.  The Blazys pay tribute to the most influential duo of all time- The Everly Brothers. Consider how Phil and Don inspired Lennon and McCartney, Brian Wilson, Simon & Garfunkel, The Byrds, and so many others. Sound Engineers used to wear white coats, looking like scientists, willing to express their opinion on anything. The Blazys honors George Martin, for the Unsung Heroes Hall of Fame. And Sound Engineer for 2026 goes to Dave Cobb, producer for Chris Stapleton and Jason Isbell. And the Musician of the Year goes to........Italian, child prodigy, a fusion rock guitarist, finger stylist......Matteo Mancuso.Album of the Year....drum roll please......millions of downloads.....Jesse Welles broke the mold. Congratulations Jesse for being a rare "double winner" of the Blazys. Enjoy the Blazys celebration of Louis Armstrong, Quincy Jones along with many musical "Cornerstone" talents that passed away in 2025. The Blazys crescendos with a unique tribute to the Beatles recalling his Beatles to Bluebird Cafe journey.   Special thanks goes to our Austin production team.  Please enjoy all of the music of Kent Blazy at www.kentblazy.com and listen to the most insightful podcasts at www.trulysignificant.com.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

The Triarchy of John, Elysia, and David are briefly joined by Anthony to recap the finale of A Knight of the Seven Kingdoms. They discuss anachronistic music, cold but kind fathers, and subtle digs are George Martin.Contact Us Questions or comments? Send emails to: smallcouncil@thelorehounds.comLinks to Patreon, Supercast, Discord, and Network Affiliates: linktr.ee/thelorehoundsAny opinions stated are ours personally and do not reflect the opinion of or belong to any employers or other entities.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send a textTim is joined by filmmaker Chris Purcell to explore Please Please Me. They examine its transformation from a Roy Orbison-style ballad into an urgent pop classic, George Martin's crucial early guidance, the song's groundbreaking harmonies and driving rhythm, and how it marked the true beginning of Beatlemania.They also discuss Chris's new feature documentary Evolver 62, featuring Mark Lewisohn, which tells the blow-by-blow story of the Beatles' pivotal year through rare artefacts and on-location storytelling.Guest linksEvolver 62 – Amazon UK: https://amzn.to/4bP7bGSEvolver 62 – Amazon US: https://amzn.to/4pXf4gLEvolver 62 – Apple TV (US): https://apple.co/46m6L7xEvolver 62 – Google Play (US): https://bit.ly/4qsUXHyEvolver 62 – Fandango at Home (US): https://bit.ly/45SSvTuEvolver 62 – DVD (US): https://bit.ly/3Zap37FRight Angle Films: https://www.rightanglefilms.co.uk/Liverpool West Productions: https://liverpoolwestproductions.com/Follow My Favourite Beatles SongBluesky: https://bsky.app/profile/myfavebeatles.bsky.social Facebook: https://www.facebook.com/MyFavouriteBeatlesSong Instagram: https://www.instagram.com/myfavouritebeatlessong X (Twitter): https://twitter.com/myfavebeatlesOriginal music by Joe Kane Logo design by Mark Cunningham

Send us a textBeatles statue sculptor Andy Edwards joins Tim to explore Misery, a deceptively bright early Beatles song with a surprisingly rich backstory. They examine its origins backstage in Stoke-on-Trent, its status as the first McCartney/Lennon cover, and the musical details that make its brief 1:47 runtime so distinctive — from unison vocals to George Martin's half-speed piano.Guest linksWebsite: https://www.cornoviiedwards.com/Lemmy Forever (tribute & projects): https://www.lemmyforever.ukFollow My Favourite Beatles SongBluesky: https://bsky.app/profile/myfavebeatles.bsky.socialX (Twitter): https://twitter.com/myfavebeatlesFacebook: https://www.facebook.com/MyFavouriteBeatlesSongInstagram: https://www.instagram.com/myfavouritebeatlessongOriginal music by Joe KaneLogo design by Mark Cunningham

What more can be said about the much maligned 1978 musical film 'Sgt. Pepper's Lonely Hearts Club Band' that hasn't been said already (11% on Rotten Tomatoes)? But this week's guest, multi-instrumentalist, artist and songwriter Robbie Gennet, contends that the movie - and especially its accompanying soundtrack - deserves a second look. Featuring the Bee Gees, Peter Frampton, and a slew of guest artists covering Beatles songs (AND produced by none other than George Martin!), as well as a murderer's row of side men including  Max Middleton, Wilbur Bascomb and Bernard Purdie, it's an eclectic, at times bizarre collection of songs you've known for all these years. We hope you will enjoy the show. Songs discussed in this episode: Sgt. Pepper's Lonely Hearts Club Band - Bee Gees with Paul Nicholas; Vacillate, Don't Wait (Live, 2025) - Robbie Gennet; I've Gotta Get A Message To You (Live at The Forum, 1976), Too Much Heaven - Bee Gees; I'm In You, Show Me The Way (Live) - Peter Frampton; Cause We've Ended As Lovers, Head For Backstage Pass - Jeff Beck; Fire and Brimstone - Hummingbird; Here Comes The Sun - Sandy Farina; Theme song from 'Which Way Is Up' - Stargard; Lucy In The Sky With Diamonds - Dianne Steinberg with Stargard; Lucy In The Sky With Diamonds - Elton John; I Want You (She's So Heavy) - Bee Gees with Donald Pleasence; Good Morning Good Morning - Bee Gees with Peter Frampton; Oh! Darling - Dana Fuchs; Maxwell's Silver Hammer - Steve Martin; Sgt. Pepper's Lonely Hearts Club Band (Reprise) - Bee Gees with Peter Frampton; Got To Get You Into My Life - Earth, Wind & Fire; Night Fever - Bee Gees; I Want You (She's So Heavy) - Eddie Hazel; Because - Bee Gees with Alice Cooper; Come Together - Aerosmith; A Day In The Life - Bee Gees; Get Back - Billy Preston; Sgt. Pepper's Lonely Hearts Club Band (Finale) - Bee Gees, Peter Frampton, Cast; No Questions - Robbie Gennet

durée : 01:59:49 - par : Thierry Jousse, Laurent Valero - Né le 3 janvier 1926 à Londres, George Martin fut un producteur, arrangeur et compositeur de très haut niveau. Sa fameuse collaboration avec les Beatles a profondément marqué les esprits mais elle ne doit pas faire oublier son travail avec, entre autres, Peter Sellers, Cilla Black... - réalisation : Xavier Carrère Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:59:49 - par : Thierry Jousse, Laurent Valero - Né le 3 janvier 1926 à Londres, George Martin fut un producteur, arrangeur et compositeur de très haut niveau. Sa fameuse collaboration avec les Beatles a profondément marqué les esprits mais elle ne doit pas faire oublier son travail avec, entre autres, Peter Sellers, Cilla Black... - réalisation : Xavier Carrère Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:33:55 - Les Nuits de France Culture - par : Albane Penaranda - Le 26 novembre 1995, à l'occasion de la sortie du premier volume de "The Beatles Anthology", Jean-Luc Leray reçoit George Martin, producteur historique du groupe, qui a supervisé cet énorme travail de révélation d'inédits et de découverte de nouveaux titres. - réalisation : Rafik Zénine - invités : George Martin Réalisateur artistique (Producer)

James Warren joins us to talk through a life in songs, from the playful invention of Stackridge to the studio-bound success of The Korgis. James reflects on writing Everybody's Got to Learn Sometime, why its acoustic reworking finally restored a lost verse, and how choices around touring shaped the band's fate. Along the way he discusses working with George Martin, later reformations, and highlights from recent Korgis releases. Further information thekorgis.com James Warren podcast tracks Podcasts also available: James Warren (2017), Chris Difford, Gordon Haskell, Steve Harley, Karl Wallinger This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post James Warren – Stackridge, The Korgis appeared first on The Strange Brew .

The rock and roll legend, Billy J. Kramer, grew up in Bootle, a Liverpool suburb.  Upon leaving school, he became a trainee engineer by day and aspiring singer by night, performing under the stage name Billy Kramer. Billy's performances at local rock clubs around Liverpool soon brought him to the attention of the one and only John Lennon.  John urged Brian Epstein to sign Billy to an exclusive management contract.  Billy jumped at the opportunity to become a full-time entertainer.  Soon after, Billy was summoned to Brian's office to find John there waiting for him with the suggestion that he add the “J” to his name to give it a “rock and roll edge”.  From that day forward, Billy has been known as Billy J. Kramer.In March of 1963, Billy was the first person to have a hit record with a Lennon-McCartney song, “Do You Want To Know A Secret,” which was written specially for him by John and Paul and produced by George Martin at Abbey Road Studios even before The Beatles recorded it.Billy toured extensively throughout the UK as the opening act for The Beatles both before and during Beatlemania.  Billy also headlined tours with such greats as Del Shannon, Gene Pitney, and The Everly Brothers.Billy's recordings of the Lennon-McCartney compositions, “Bad To Me” along with “I'll Keep You Satisfied”, “From A Window”, and “I Call Your Name” all became international million sellers.  He also had a smash hit with the Mort Shuman/John Leslie McFarland song, Little Children.  Released as a double sided single, Bad To Me and Little Children have the unique distinction of being the highest entry into the Billboard charts at #8.  That accomplishment has never been equalled.Billy's appearances on the Ed Sullivan show, Shindig, and Hullaballoo secured his place in rock ‘n roll history.  In 1964, Billy performed as part of the legendary T.A.M.I. show along with such artists as James Brown, Chuck Berry, The Beach Boys, Marvin Gaye, The Supremes , Smokey Robinson, The Rolling Stones and many others.To commemorate his 50th anniversary in the music business, Billy recorded and released new material entitled “I Won The Fight”.  Billy recently released his autobiography, “Do You Want To Know A Secret.”Billy continues to record, perform and promote his Storytellers show to international audiences.Please stick around at the end of the show for a really fantastic treat.  Billy has lent us his brand new Christmas song, “Christmas Kinda Feeling…”

Pat welcomes bassist Tom Petersson to the show to discuss his career in music and promote the 21st Cheap Trick studio album called "All Washed Up."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam, Ian and Tom hear from Joe Heyes, and discuss George Martin's departure from Tigers.

Nu de mannen van Man, man, man de podcast zijn gestopt blijken we ontzettend veel van ze te kunnen leren. Waarom wisten we dat niet eerder? Gijs voelde zich geïntimideerd door andere mannen, namelijk klussende, terwijl Teun een aai over de bol én een tik op de vingers kreeg van weer een andere man; eentje uit één stuk. Hanneke deed via een Sinterklaasgedicht een schokkende mededeling die een kreet van ontsteltenis veroorzaakte. We sluiten af met stijlicoon en genie George Martin.❤️ Insta: @teun.gijs

With Mike unavailable, Iain Morton comes off the bench this week to discuss the latest twists and turns in the George Martin saga, look over a well-fought win over Newcastle and preview a tough voyage to La Rochelle. In amongst this, we ponder if a real life tiger did meet Martin Johnson in the 90's!

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers.The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too.Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit.Podcast production by Kevin Bendis.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers.The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too.Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit.Podcast production by Kevin Bendis.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Mike and Elliott are back in your ears to talk George Martin rumours, spiders, punch ups, derby wins, Red Bulls and frozen unmentionables.  It's all highbrow stuff as always!

Mitch Axelrod joins Jon Stone and I as we discuss the first CD of "Anthology 4" (aka: "The one with most of the new stuff").        Plenty of George Martin discussion, thoughts on "Nowhere Man" and "In My Life", along with the ultimate question - "What was up with George's guitar on [both the rehearsal and released] 'All You Need is Love'".   #madeonencastr.

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

"It is seldom enough that I can recommend any record - let alone an LP - without strict reservations of one kind or another. But here, for once, go in and buy the thing - with my blessing. If you have any feeling for the past, the present or the future, you won't regret it."- Pete Murray, 19th May 1962. This week we're exploring one of George Martin's most inventive pre-Beatles productions — Michael Bentine's 1962 LP It's A Square World. The record was an aural distillation of Bentine's award-winning BBC television show of the same name, which was by this point into its third series. Across twelve sketches we're exposed to dozens of characters (all performed by Bentine), surreal sound effects and the kind of sonic experimentation that would later define Martin's production style. Even the silences between sketches are filled with mock commercials and absurd announcements – nothing is wasted, everything is packed, dense with invention… even if not all of it comes off! Joining Tyler is host of Producing The Beatles, Jason Kruppa, who talks about where Martin was in his career at the point of the LP's release – ‘Time Beat' had come out the month before and he was a month off meeting the Beatles - plus how he augmented Bentine's ideas in the studio, ably assisted by engineer Stuart Eltham. There is plenty to like about It's A Square World, such as ‘The Shrdlu', ‘French For Beginners' and ‘The Film Extra Of The Year Award' (originally written for the Yes, It's The Cathode Ray Show for Peter Sellers) and even those sketches that haven't dated as well still have points of interest – even if Tyler missed the point of a couple of them first time round! Producing The Beatles can be found here: https://www.producingthebeatles.com/

The McGuigan Brothers dive into Help! - the album that changed everything. From Lennon's first honest breakdown to McCartney's melodic precision and George's guitar pedal revolution, this is The Beatles caught between pop idols and pioneers.Ringo delivers a signature vocal performance, George Martin keeps it genius, and the studio chaos somehow turns into timeless perfection. In the category round, the brothers rank the Best Beatle Moments, Best Groove, and Most 1965 Thing About this Album - with plenty of laughs, deep cuts, and “Didja See Where?” surprises. Beatlemania, burnout, and brilliance all in one record. Drop the needle and Help! yourself to the sound of evolution.

© Richard Buskin, 2025

© Richard Buskin, 2025

© Richard Buskin, 2025

© Richard Buskin, 2025

© Richard Buskin, 2025

© Richard Buskin, 2025

The Forgotten BeatlesEpisode 11: George MartinThis episode we turn the spotlight on the man who probably has the best claim to the title of “The 5th Beatle,” producer George Martin.*******Links mentioned in this episodeGeorge MartinAll You Need Is Ears memoir - https://bookshop.org/a/10029/9781250784049Limited edition Playback autobiography - Copies for sale on Abe Books - https://www.abebooks.com/book-search/title/playback-illustrated-memoir/author/george-martin/ George Martin's wikipedia page - https://en.wikipedia.org/wiki/George_MartinDavid Bennet's excellent video on George's contributions to Beatles recordings  - https://youtu.be/YDYedISQ2JU?si=hEqorDj9xTxM39pfWebsites:Alan J. Porter - YouTube Channel - Forgotten Beatles related videos - https://www.youtube.com/@AlanPorterWriter**************Thanks for listening to this episode of Before They Were Beatles Presents: The Forgotten Beatles. If you would like to leave a rating or review on your favorite podcast platform that would be great and don't forget to subscribe so you don't miss out on future episodes. If you would like to make a comment or ask a question you can find me on most social media platforms @alanjporter or you can email me at alan@beforetheywerebeatles.comYou can also subscribe to the FREE monthly Before They Were Beatles newsletter at https://beforebeatles.substack.com/Don't forget to join us next time when we turn the spotlight on trumpet player David Mason and drummer Tommy Moore**************Some Other Guy performed by The Savage Young Beatles is used with permission.The Before They Were Beatles podcast series is a production of  Megrin Entertainment, a division of 4Js Group LLC. Let us know what you think!Email the show at contact@longboxcrusade.comThis podcast is a member of the LONGBOX CRUSADE NETWORK:LINKTREE: https://linktr.ee/longboxcrusadeVisit the WEBSITE: http://www.longboxcrusade.com/Follow on TWITTER: https://twitter.com/BeforeBeatleshttps://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YouTube Channel: https://goo.gl/4LkhovSubscribe to the main LBC network podcast feed on Apple Podcasts at:https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2Or the single podcast feed for Before They Were Beatles at:https://podcasts.apple.com/us/podcast/before-they-were-beatles/id1561234606Thank you for listening and we hope you have enjoyed this episode of Before They Were Beatles: The Forgotten Beatles.#TheForgottenBeatles #TheBeatles, #Beatles, #Music

On this OFAF track, Les Claypool ponders what one of his heroes might do in numerous situations around a trip to London in which the airline loses Les's luggage, he's without UK currency, but he gets to screen a film with George Martin in the room and parties with George's son Giles until Les's pal Jason pukes on someone. It's certainly not your standard Claypool lyrical fare! Tune in to learn a bit about George Martin and why LC might hold him in such high regard, as does most everyone else in the music industry. Get involvedInstagramFacebookEmailBurn your money 

Janda Lane kicks off Rocktober with an episode about the genius of some of Classic Rock's Super Producers. Get into the stories of the legends who knew exactly what to do with the talent of bands like The Beatles, Bruce Springsteen, Tom Petty, AC/DC, and Def Leppard and shaped their music into the soundtrack of our lives. Listen to this episode of the Behind The Song podcast!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.