Podcasts about George Martin

Pour tous ceux qui se posent la question de savoir où vont tous les hits qu'on n'entend plus jamais, je leur dis : ben, au paradis des tubes oubliés. Car oui, ça s'oublie, des tubes. Tellement que je retrouve très souvent dans des listes de One Hit Wonders, ceux qui n'ont connu qu'un seul hit, des gens qui n'ont rien à y faire.Allez au hasard, début des années 80, on a tous été babas du même groupe anglais qui nous faisait le coup du slow façon La Boum mais à la puissance dix, version New Wave … Et aujourd'hui, un tas de gars qui devraient se renseigner s'ils n'ont pas vécu l'époque, disent qu'ils n'ont fait qu'un seul hit et puis ont disparu, après ce premier succès. Déjà, pour le groupe The Korgis, ce n'était pas leur premier succès en Grande-Bretagne. Et non. Cela faisait des années que le duo moteur, voix, guitariste et clavier, du groupe existait. Depuis la fin des années 60, pour tout vous dire. Le groupe s'appelle alors Stackridge, un de leurs albums produit par George Martin, le 5ème Beatles, a même connu un joli succès en Grande-Bretagne, en 1973.Mais voilà, séparation en 1976, deux années passent, et revoici notre duo qui recrute deux autres musiciens pour relancer la machine, cette fois sous le nom de Korgis. Et là, bingo ! Nouveau hit avec ce titre que tous les British des 70's connaissent … If I Had You… C'est plutôt pas mal, non ?Si la chanson n'arrive pas jusque dans la partie francophone de la Belgique, et la France, probablement trop occupée à écouter ce que Paris nous envoie, l'arrivée en force de la New Wave avec Orchestral Manoeuvres et Gary Numan change complètement le son des Korgis sur l'album suivant, qui submerge d'émotion tous ceux qui ont une âme romantique…Il est question un temps que les Korgis fassent la première partie de la tournée de Peter Gabriel, cette année-là, il faut dire qu'ils utilisent sur leurs chansons ses synthés dont son précieux Fairlight, et que son batteur joue aussi souvent avec eux.En tout cas, avec les Buggles, Ph.D, New Musik, M, Jona Lewie, les Korgis font partie de cette vague d'artistes britanniques actifs depuis longtemps à surfer sur le son de la New Wave. Et s'il est vrai que le single suivant n'a pas connu le même succès que l'immortel Everybody's Got To Learn, le 45 Tours doit encore se trouver dans pas mal de maisons en France et en Belgique francophone. On en a perdu le souvenir, probablement parce qu'il y avait trop de choses géniales dans le Top à ce moment. Un embouteillage de trouvailles à la hauteur de la créativité foisonnante des artistes d'une époque où on créait la musique qu'on avait dans la tête. Et non pas en se préoccupant de répondre aux attentes d'un grand public imaginaire, sorti de données statistiques ou de playlistes radios qui n'existaient pas.

This is the Music History Today podcast for June 6. On today's show, the Beatles meet George Martin, a legendary show signs off, Michael Jackson quits, and the country goes down the slipping slope of censorship. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history12:48 Music award ceremonies that were held on this date in music history17:00 Albums released on this date in music history 25:01 Singles released on this date in music history 28:33 Birthdays of music artists on this date in music history 40:55 Passings of music artists on this date in music history 47:06 What's on tomorrow's episode

Kirsty Lang on Michael Pennington, the Shakespearean actor who preferred a life on stage to the glamour of Hollywood. For Dame Judi Dench, he was her 'Mr Plum', she recalls his life.Cynthia Shange defied apartheid to become the first Black woman to represent South Africa at Miss World. Scott Hastings the rugby legend, who was once Scotland's most capped player. He went on to become a well-known commentator and campaigner for mental health charities, following the death of his wife after her long battle with depression. And Beverley Martyn, the singer songwriter, a star of the British folk scene, who was signed by Beatles producer George Martin aged 16, but her career was not a smooth ride. Please note this programme references suicide. Support and information is available at bbc.co.uk/actionline.Interviewee: Dame Judi Dench Interviewee: Nonhle Thema Interviewee: John Beattie Interviewee: Joe BoydProducer: Catherine Powell Assistant Producer: Ribika Moktan Researcher: Jesse Edwards Editor: Andrea KennedyArchive: Miss World 1972. BBC TV, 01 Dec 1972; Bob Harris Sunday : Beverley Martyn plays live, BBC Radio 2, 27th April 2014; Five Nations, Rugby Union, Scotland v England, 17th March 1990; Scrum V, Live Pro12: 2016/2017, Edinburgh v Blues, 24th Feb 2017; BBC News Breakfast, 21st Dec 2020; Richard II, writer William Shakespeare, dir Gregory Doran, Royal Shakespeare Company, 2013; Gift of Gorgon, writer Peter Shaffer, dir Peter Hall, RSC, 1993; Henry V, dir Michael Bogdanov, The English Shakespeare Company in The War of the Roses, Produced by John Paul Chapple and Andy Ward, A Portman Classics production in association with Contracts International and Windmill Lane Productions, 1990

Was haben die Beatles mit gescheiterten BI-Projekten gemeinsam? Vier starke Persönlichkeiten, jede Menge Reibung – und trotzdem Musikgeschichte. Das Geheimnis? George Martin. Jemand, der die Gegensätze versteht und in Ergebnisse übersetzt. In BI-Projekten ist es nicht anders. IT, Controlling und Management ziehen oft in verschiedene Richtungen – und genau dort scheitern viele Projekte. Nicht an der Technik. Sondern am Miteinander. Peter Bluhm erklärt, warum ATVISIO in BI-Projekten die Rolle von George Martin übernimmt – und was das konkret bedeutet: Ein mittelständisches Handelsunternehmen hatte nach 8 Wochen ein Dashboard, das 50 Nutzer täglich öffnen.

The legend himself Jack Douglas (1945-2026) shares stories from five decades of rock history — from producing John Lennon's final album to the memories Aerosmith, Cheap Trick, The Who, and his recent production of Silverplanes. Topics Include: Jack Douglas joins Nate from a snowy driveway, cigar in hand. Silverplanes' debut album Airbus is finally releasing after years of delays. Jack met Silverplanes' Aaron Smart through his college-age son. Aaron turned out to own the Sunset Boulevard studio Jack had worked in. Jeff Emerick mixed the album shortly before his sudden death in 2018. The pandemic added two more years of delay to the release. Jack and Aaron are now label partners with New York real estate billionaire Douglas Durst. Their label operates 50/50 with artists — no standard royalty deals. Signed artists include Robin Taylor Zander and the Detroit Youth Choir. Jack builds songs from a single acoustic guitar performance first. Aerosmith was different — built from the band groove up, lyrics last. Walk This Way had no lyric until a Young Frankenstein gag unlocked it. Jack started his career as a TV composer while janitoring at Record Plant. He worked on sessions that became The Who's Who's Next. Kit Lambert and Keith Moon were both, politely, out of their minds. Jack survived eccentric clients by being reliably sober and crazy simultaneously. John Lennon was the easiest artist Jack ever worked with. John would say: "I'm the artist, you're the producer — let's work like that." Jack engineered Imagine and stayed close to Lennon through the Lost Weekend years. He was in and out of the Fame sessions with Lennon and Bowie. John told Bowie: "I'm writing you the best hit you'll ever have." John knew about — and liked — Aerosmith's cover of "Come Together." George Martin gave Jack a flat in Kensington and a Morgan sportscar. Jack helped produce Ringo's "Grow Old With Me," hiding Here Comes the Sun in the strings. Double Fantasy was secretly recorded at Hit Factory, too far west for fans. John wanted a middle-of-the-road record aimed at people aged 28 to 40. Earl Slick was kept from rehearsals deliberately — a wildcard for fresh solos. Rick Nielsen discovered John's Shea Stadium Rickenbacker with the setlist still taped on. Rick later gifted John a custom all-white Rickenbacker, model 001, never cashed his check. Cheap Trick's "I'm Losing You" session was thrilling but too edgy for the album. Jack hid microphones throughout the sessions, gifting John cassettes on his birthday. Jack destroyed the tape of the last day — John had sworn him to secrecy. After John's murder, Jack and Yoko listened to vault tapes alone until dawn. Yoko later sued Jack; Phil Spector's incoherent testimony and a wig mishap followed. Jann Wenner called Jack a nobody — until Jack's lawyer read Wenner's own book aloud. The jury was out ten minutes. Jack won millions. The 2010 Stripped Down version was mixed in the exact same Record Plant room. Live at Budokan was actually Osaka — Budokan tapes were too poorly recorded. Jack rebuilt the Osaka drum kit using speaker-driven bass frequencies and filtered signals. Aerosmith's Live Bootleg was sent back to Sony unchanged after Jack faked a remix session. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Crime on a SundayFirst,  a look at this day in History.Then, Jeff Regan Investigator starring Paul Dubov, substituting for Frank Graham, originally broadcast April 26, 1950, 76 years ago, It All Comes Back to Me Now. Miss "Smith" can't remember her name. Miss Smith also had a loaded .32 caliber Smith and Wesson in her purse.Followed by Dragnet starring Jack Webb, originally broadcast April 26, 1953, 73 years ago,  The Big Scrapbook.  Three robbers pull a jewelry store job in San Diego and get away with $135,000 worth of hot ice.    Then, Big Town starring Edward Pauley, originally broadcast April 26, 1949, 77 years ago, Death Stalks the Hunter. Wealthy playboy George Martin has been killed while hunting, but it was no accident. Followed by Mr. District Attorney starring David Brian,  originally broadcast April 26, 1953, 73 years ago,  Case of the Silent Killer.  A woman in a rural house is murdered while a panicked telephone operator listens to the crime.  Finally, Claudia, originally broadcast April 26, 1948, 78 years ago, Noises in the Night. The show starts with a bang...nothing happens in the country. Kathryn Bard and Paul Crabtree star.  Thanks to Bill B for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! 

The guys are back (even if their voices aren't), and catch up on all the wild Beatlenews and Beatlereleases from the past few weeks. It's been a hard day's fortnight, & Tony & T.J. have been working like dogs to buy, rent, or look at all the following: New Paul album, new Ringo album, new John meditation mixes, new George Dark Horse label re-releases, new Wings documentary & soundtrack, new John concert movie, new documentary about Paul's lost bass, Evolver 62 documentary now streaming, and a new one-person show in Chicago about The Beatles by actor/writer (& Chicagoan!) Brendan Hunt, aka Coach Beard on Ted Lasso! Whew!  The guys also discuss how Bob Eubanks and Dick Biondi, announcing together at the Hollywood Bowl, both said "The Beatles" at the same time -- which possibly gave Eubanks the idea for The Newlywed Game, where couples try to say the same things about places where they made "whoopee". Speaking of Dark Horse records, T.J.'s voice is especially dark & hoarse -- like George's voice on Dark Horse! Perhaps from running on a dark racecourse? And as George Martin says, dark horses for dark courses. But what about your father's dark horse? Of dark course, Henry the Dark Horse danced the waltz, & then the Beatles ate him in Germany for Christmas dinner. Very dark, indeed. (And...scene.)   EPISODE LINKS Check out UBP's videos on  TikTok/YouTube/Facebook/Instagram! Like and subscribe! Please support our scrappy show. Score some merch or find us on Patreon! Drop us a review on Apple Podcasts!

Adam and Ian hear from Geoff Parling ahead of the Prem game against Newcastle Red Bulls.

Legendary songwriter ("Sister Golden Hair", "Ventura Highway"), member of the band America, Gerry Beckley, joins us today to chat wedding songs, George Martin, his relationship to Australia and how its all about "the show".We also chat about Billy Corgan/Courtney Love vs Kim Gordon/Steven Malkmus class war....Take a deeper dive at https://weirdertogether.substack.com#america #horsewithnoname #70s #gerrybeckley #songwriting

PRP 007 Mini-Broadcast: Episode 9– Live and Let Die (With Robbie Sims) Since the beginning of the show, Brian has done his best to strong-arm discussion of Agent 007 into as many podcasts as he could. Finally he convinced Sarah to embark on a new mission: the Permanent Record Podcast 007 Mini-Broadcast! This occasional series from your friends Brian & Sarah started with "Dr. No" and will work its way up to the most recent Bond adventure, and on the way, it will discuss and critique all of the 007 theme songs and other relevant recordings. It's a dream come true for one of the hosts - and for Bond fans everywhere! Speaking of Bond fans everywhere, they will no doubt be delighted to learn that Robbie Sims, author of the delightful book Quantum of Silliness: The Peculiar World of Bond, James Bond, can once again be found co-hosting this installment with Brian and Sarah. Episode 9 in the series brings us up to the 1973 film Live and Let Die. It's Roger Moore's first appearance as the MI6 agent, and it's also the first Bond movie to feature a rock song for the theme. The song was written by Paul and Linda McCartney, performed by Paul and his band Wings, and produced by George Martin. George Martin also ended up providing the score for the film. Our three hosts discuss how Paul McCartney and George Martin became a part of the 007 universe as well as what led erstwhile Bond composer John Barry to be uninvolved with the franchise's eighth film. The trio talk about the chart success of the theme song as well as the other awards and accolades it received. George Martin's score is discussed, with some speculation over how John Barry would have done with the score for this film that covers some different thematic territory than other Bond movies. While discussing the movie, Robbie, Brian, and Sarah also talk about the fact that the theme song is performed in the film, and Brian has an impromptu trivia session with Robbie and Sarah about Bond theme songs being heard during other Bond movies. And of course, each host reveals where "Live and Let Dies" falls in their personal ranking of Bond themes. There's talk about the current state of affairs in the Bond universe, and Robbie is put to the test again with a series of Bond trivia questions. And Brian and Sarah talk about their encounter with Solitaire! It's an episode full of excitement, fun, and laughs that you won't want to miss! Find Robbie Sims at https://www.instagram.com/quantumofsilliness https://www.threads.net/@quantumofsilliness https://bsky.app/profile/quantumofsilliness.bsky.social   You can purchase Quantum of Silliness at https://thehistorypress.co.uk/publication/quantum-of-silliness/ or other reputable booksellers.   Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast You can also find us on Threads: https://www.threads.net/@permanentrecordpodcast Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ Join the ever-growing crowd on BlueSky: https://bsky.app/profile/permrecordpod.bsky.social Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod  - we're ready to believe you!

Sir George Martin was the Beatles' extraordinary producer and the most acclaimed and celebrated music producer of the rock era. No one comes close to Sir George for the innovation and sheer perfection of his body of work. It's almost an accident that he worked with the Beatles. Before meeting them he was in charge of EMI's Parlophone label where he produced comedy and novelty acts like Peter Sellers and Spike Milligan. His introduction to the Beatles only came about after they were rejected by 17 other record labels. When he brought them in for an audition he was not very impressed, but he was intrigued by their energy and charisma. Sir George has said that in the beginning he was the master and they were the students, but in time this role reversed and they became the masters and he the student. This transformation was due to the genius of Lennon and McCartney and their constant pushing him to create more and different sounds and effects. It's beyond discussion that the Beatles would not have been the Beatles without George Martin. From convincing Paul to use a string quartet on “Yesterday”, to his slowed down then sped up piano solo on “In My Life”, to his creation of a circus swirl on “Being For The Benefit Of Mr Kite”, to his seamless combination of two takes at different speeds and different keys on “Strawberry Fields” - he truly was the 5th Beatle. He went on to produce a host of other artists and hits including Jeff Beck, the Mahavishnu Orchestra, America and Gerry and the Pacemakers. In his career, he produced 30 number-one hit singles in the UK and 23 number-one hits in the United States, winning six Grammys. Think about how lucky we were that fate brought together the Beatles and Sir George Martin. Together they changed the world. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

NICE TO ROCK YOUEZIO GUAITAMACCHISi dice che l'impercettibile battito d'ali di una farfalla possa provocare un uragano dall'altra parte del mondo. Ma cosa succede se quel battito d'ali è una stretta di mano tra due ragazzini o un incontro casuale sul vagone di un treno?Oggi seguiamo il filo invisibile che intreccia il talento con il destino e che ci porta alla scoperta degli incontri che hanno riscritto la storia della musica. Cosa sarebbero i Beatles senza George Martin? Chi sarebbe stato David Gilmour senza Roger Waters? Insieme a Ezio Guaitamacchi, voce storica del giornalismo musicale, Leonardo Follieri e Jessica Testa, torniamo alle origini dei sodalizi a cui dobbiamo le nostre canzoni preferite. Trenta storie straordinarie, raccolte tra le pagine del libro Nice to Rock You.

Welcome to the 3rd Annual Blazy Awards.  Hall of Fame songwriter Kent Blazy host this insightful awards ceremony with TrulySignificant.com founder Rick Tocquigny.  Enjoy special tributes to Les Paul, The Beatles and our annual Memorium to musicians that went on their eternal home. The envelope please..... Kent's special awards for Newcomer of the Year- Jesse Welles. Listen to his extraordinary album Middle. According to Kent, he is the modern day traveling troubadour.  The Blazys pay tribute to the most influential duo of all time- The Everly Brothers. Consider how Phil and Don inspired Lennon and McCartney, Brian Wilson, Simon & Garfunkel, The Byrds, and so many others. Sound Engineers used to wear white coats, looking like scientists, willing to express their opinion on anything. The Blazys honors George Martin, for the Unsung Heroes Hall of Fame. And Sound Engineer for 2026 goes to Dave Cobb, producer for Chris Stapleton and Jason Isbell. And the Musician of the Year goes to........Italian, child prodigy, a fusion rock guitarist, finger stylist......Matteo Mancuso.Album of the Year....drum roll please......millions of downloads.....Jesse Welles broke the mold. Congratulations Jesse for being a rare "double winner" of the Blazys. Enjoy the Blazys celebration of Louis Armstrong, Quincy Jones along with many musical "Cornerstone" talents that passed away in 2025. The Blazys crescendos with a unique tribute to the Beatles recalling his Beatles to Bluebird Cafe journey.   Special thanks goes to our Austin production team.  Please enjoy all of the music of Kent Blazy at www.kentblazy.com and listen to the most insightful podcasts at www.trulysignificant.com.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

The Triarchy of John, Elysia, and David are briefly joined by Anthony to recap the finale of A Knight of the Seven Kingdoms. They discuss anachronistic music, cold but kind fathers, and subtle digs are George Martin.Contact Us Questions or comments? Send emails to: smallcouncil@thelorehounds.comLinks to Patreon, Supercast, Discord, and Network Affiliates: linktr.ee/thelorehoundsAny opinions stated are ours personally and do not reflect the opinion of or belong to any employers or other entities.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send a textTim is joined by filmmaker Chris Purcell to explore Please Please Me. They examine its transformation from a Roy Orbison-style ballad into an urgent pop classic, George Martin's crucial early guidance, the song's groundbreaking harmonies and driving rhythm, and how it marked the true beginning of Beatlemania.They also discuss Chris's new feature documentary Evolver 62, featuring Mark Lewisohn, which tells the blow-by-blow story of the Beatles' pivotal year through rare artefacts and on-location storytelling.Guest linksEvolver 62 – Amazon UK: https://amzn.to/4bP7bGSEvolver 62 – Amazon US: https://amzn.to/4pXf4gLEvolver 62 – Apple TV (US): https://apple.co/46m6L7xEvolver 62 – Google Play (US): https://bit.ly/4qsUXHyEvolver 62 – Fandango at Home (US): https://bit.ly/45SSvTuEvolver 62 – DVD (US): https://bit.ly/3Zap37FRight Angle Films: https://www.rightanglefilms.co.uk/Liverpool West Productions: https://liverpoolwestproductions.com/Follow My Favourite Beatles SongBluesky: https://bsky.app/profile/myfavebeatles.bsky.social Facebook: https://www.facebook.com/MyFavouriteBeatlesSong Instagram: https://www.instagram.com/myfavouritebeatlessong X (Twitter): https://twitter.com/myfavebeatlesOriginal music by Joe Kane Logo design by Mark Cunningham

Send us a textBeatles statue sculptor Andy Edwards joins Tim to explore Misery, a deceptively bright early Beatles song with a surprisingly rich backstory. They examine its origins backstage in Stoke-on-Trent, its status as the first McCartney/Lennon cover, and the musical details that make its brief 1:47 runtime so distinctive — from unison vocals to George Martin's half-speed piano.Guest linksWebsite: https://www.cornoviiedwards.com/Lemmy Forever (tribute & projects): https://www.lemmyforever.ukFollow My Favourite Beatles SongBluesky: https://bsky.app/profile/myfavebeatles.bsky.socialX (Twitter): https://twitter.com/myfavebeatlesFacebook: https://www.facebook.com/MyFavouriteBeatlesSongInstagram: https://www.instagram.com/myfavouritebeatlessongOriginal music by Joe KaneLogo design by Mark Cunningham

What more can be said about the much maligned 1978 musical film 'Sgt. Pepper's Lonely Hearts Club Band' that hasn't been said already (11% on Rotten Tomatoes)? But this week's guest, multi-instrumentalist, artist and songwriter Robbie Gennet, contends that the movie - and especially its accompanying soundtrack - deserves a second look. Featuring the Bee Gees, Peter Frampton, and a slew of guest artists covering Beatles songs (AND produced by none other than George Martin!), as well as a murderer's row of side men including  Max Middleton, Wilbur Bascomb and Bernard Purdie, it's an eclectic, at times bizarre collection of songs you've known for all these years. We hope you will enjoy the show. Songs discussed in this episode: Sgt. Pepper's Lonely Hearts Club Band - Bee Gees with Paul Nicholas; Vacillate, Don't Wait (Live, 2025) - Robbie Gennet; I've Gotta Get A Message To You (Live at The Forum, 1976), Too Much Heaven - Bee Gees; I'm In You, Show Me The Way (Live) - Peter Frampton; Cause We've Ended As Lovers, Head For Backstage Pass - Jeff Beck; Fire and Brimstone - Hummingbird; Here Comes The Sun - Sandy Farina; Theme song from 'Which Way Is Up' - Stargard; Lucy In The Sky With Diamonds - Dianne Steinberg with Stargard; Lucy In The Sky With Diamonds - Elton John; I Want You (She's So Heavy) - Bee Gees with Donald Pleasence; Good Morning Good Morning - Bee Gees with Peter Frampton; Oh! Darling - Dana Fuchs; Maxwell's Silver Hammer - Steve Martin; Sgt. Pepper's Lonely Hearts Club Band (Reprise) - Bee Gees with Peter Frampton; Got To Get You Into My Life - Earth, Wind & Fire; Night Fever - Bee Gees; I Want You (She's So Heavy) - Eddie Hazel; Because - Bee Gees with Alice Cooper; Come Together - Aerosmith; A Day In The Life - Bee Gees; Get Back - Billy Preston; Sgt. Pepper's Lonely Hearts Club Band (Finale) - Bee Gees, Peter Frampton, Cast; No Questions - Robbie Gennet

durée : 01:59:49 - par : Thierry Jousse, Laurent Valero - Né le 3 janvier 1926 à Londres, George Martin fut un producteur, arrangeur et compositeur de très haut niveau. Sa fameuse collaboration avec les Beatles a profondément marqué les esprits mais elle ne doit pas faire oublier son travail avec, entre autres, Peter Sellers, Cilla Black... - réalisation : Xavier Carrère Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:59:49 - par : Thierry Jousse, Laurent Valero - Né le 3 janvier 1926 à Londres, George Martin fut un producteur, arrangeur et compositeur de très haut niveau. Sa fameuse collaboration avec les Beatles a profondément marqué les esprits mais elle ne doit pas faire oublier son travail avec, entre autres, Peter Sellers, Cilla Black... - réalisation : Xavier Carrère Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:33:55 - Les Nuits de France Culture - par : Albane Penaranda - Le 26 novembre 1995, à l'occasion de la sortie du premier volume de "The Beatles Anthology", Jean-Luc Leray reçoit George Martin, producteur historique du groupe, qui a supervisé cet énorme travail de révélation d'inédits et de découverte de nouveaux titres. - réalisation : Rafik Zénine - invités : George Martin Réalisateur artistique (Producer)

James Warren joins us to talk through a life in songs, from the playful invention of Stackridge to the studio-bound success of The Korgis. James reflects on writing Everybody's Got to Learn Sometime, why its acoustic reworking finally restored a lost verse, and how choices around touring shaped the band's fate. Along the way he discusses working with George Martin, later reformations, and highlights from recent Korgis releases. Further information thekorgis.com James Warren podcast tracks Podcasts also available: James Warren (2017), Chris Difford, Gordon Haskell, Steve Harley, Karl Wallinger This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post James Warren – Stackridge, The Korgis appeared first on The Strange Brew .

The rock and roll legend, Billy J. Kramer, grew up in Bootle, a Liverpool suburb.  Upon leaving school, he became a trainee engineer by day and aspiring singer by night, performing under the stage name Billy Kramer. Billy's performances at local rock clubs around Liverpool soon brought him to the attention of the one and only John Lennon.  John urged Brian Epstein to sign Billy to an exclusive management contract.  Billy jumped at the opportunity to become a full-time entertainer.  Soon after, Billy was summoned to Brian's office to find John there waiting for him with the suggestion that he add the “J” to his name to give it a “rock and roll edge”.  From that day forward, Billy has been known as Billy J. Kramer.In March of 1963, Billy was the first person to have a hit record with a Lennon-McCartney song, “Do You Want To Know A Secret,” which was written specially for him by John and Paul and produced by George Martin at Abbey Road Studios even before The Beatles recorded it.Billy toured extensively throughout the UK as the opening act for The Beatles both before and during Beatlemania.  Billy also headlined tours with such greats as Del Shannon, Gene Pitney, and The Everly Brothers.Billy's recordings of the Lennon-McCartney compositions, “Bad To Me” along with “I'll Keep You Satisfied”, “From A Window”, and “I Call Your Name” all became international million sellers.  He also had a smash hit with the Mort Shuman/John Leslie McFarland song, Little Children.  Released as a double sided single, Bad To Me and Little Children have the unique distinction of being the highest entry into the Billboard charts at #8.  That accomplishment has never been equalled.Billy's appearances on the Ed Sullivan show, Shindig, and Hullaballoo secured his place in rock ‘n roll history.  In 1964, Billy performed as part of the legendary T.A.M.I. show along with such artists as James Brown, Chuck Berry, The Beach Boys, Marvin Gaye, The Supremes , Smokey Robinson, The Rolling Stones and many others.To commemorate his 50th anniversary in the music business, Billy recorded and released new material entitled “I Won The Fight”.  Billy recently released his autobiography, “Do You Want To Know A Secret.”Billy continues to record, perform and promote his Storytellers show to international audiences.Please stick around at the end of the show for a really fantastic treat.  Billy has lent us his brand new Christmas song, “Christmas Kinda Feeling…”

Pat welcomes bassist Tom Petersson to the show to discuss his career in music and promote the 21st Cheap Trick studio album called "All Washed Up."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam, Ian and Tom hear from Joe Heyes, and discuss George Martin's departure from Tigers.

Nu de mannen van Man, man, man de podcast zijn gestopt blijken we ontzettend veel van ze te kunnen leren. Waarom wisten we dat niet eerder? Gijs voelde zich geïntimideerd door andere mannen, namelijk klussende, terwijl Teun een aai over de bol én een tik op de vingers kreeg van weer een andere man; eentje uit één stuk. Hanneke deed via een Sinterklaasgedicht een schokkende mededeling die een kreet van ontsteltenis veroorzaakte. We sluiten af met stijlicoon en genie George Martin.❤️ Insta: @teun.gijs

With Mike unavailable, Iain Morton comes off the bench this week to discuss the latest twists and turns in the George Martin saga, look over a well-fought win over Newcastle and preview a tough voyage to La Rochelle. In amongst this, we ponder if a real life tiger did meet Martin Johnson in the 90's!

Miss us? It's time for a return to the podcast made by, for, and about Beatles fans - Fans On The Run! Joining me for this first episode back, is my dear friend Paul Perigo!   In a very far-reaching conversation, we talk about a few notable censored Beatle records, the tangibility of music, preparing Paul McCartney TV specials for Australian broadcast, forgotten British psych-pop, taping The Beatles cartoons, gaps in documentation of parts of Beatle history, the bond between John & George, George Martin's original score for Yellow Submarine, the 1968 film "Here We Go Round The Mullbery Bush", the spookiness of Long, Long, Long, and Paul's full personal ranking of The Beatles albums. All that and more, so you won't want to miss it! (Please note, this episode was recorded over six months ago, so no Anthology!)    This episode is available to stream wherever good podcasts can be heard! Follow us elsewhere: https://linktr.ee/fansontherun Contact fansontherunpodcast@gmail.com

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers.The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too.Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit.Podcast production by Kevin Bendis.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers.The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too.Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit.Podcast production by Kevin Bendis.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Mike and Elliott are back in your ears to talk George Martin rumours, spiders, punch ups, derby wins, Red Bulls and frozen unmentionables.  It's all highbrow stuff as always!

Mitch Axelrod joins Jon Stone and I as we discuss the first CD of "Anthology 4" (aka: "The one with most of the new stuff").        Plenty of George Martin discussion, thoughts on "Nowhere Man" and "In My Life", along with the ultimate question - "What was up with George's guitar on [both the rehearsal and released] 'All You Need is Love'".   #madeonencastr.

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

"It is seldom enough that I can recommend any record - let alone an LP - without strict reservations of one kind or another. But here, for once, go in and buy the thing - with my blessing. If you have any feeling for the past, the present or the future, you won't regret it."- Pete Murray, 19th May 1962. This week we're exploring one of George Martin's most inventive pre-Beatles productions — Michael Bentine's 1962 LP It's A Square World. The record was an aural distillation of Bentine's award-winning BBC television show of the same name, which was by this point into its third series. Across twelve sketches we're exposed to dozens of characters (all performed by Bentine), surreal sound effects and the kind of sonic experimentation that would later define Martin's production style. Even the silences between sketches are filled with mock commercials and absurd announcements – nothing is wasted, everything is packed, dense with invention… even if not all of it comes off! Joining Tyler is host of Producing The Beatles, Jason Kruppa, who talks about where Martin was in his career at the point of the LP's release – ‘Time Beat' had come out the month before and he was a month off meeting the Beatles - plus how he augmented Bentine's ideas in the studio, ably assisted by engineer Stuart Eltham. There is plenty to like about It's A Square World, such as ‘The Shrdlu', ‘French For Beginners' and ‘The Film Extra Of The Year Award' (originally written for the Yes, It's The Cathode Ray Show for Peter Sellers) and even those sketches that haven't dated as well still have points of interest – even if Tyler missed the point of a couple of them first time round! Producing The Beatles can be found here: https://www.producingthebeatles.com/

The McGuigan Brothers dive into Help! - the album that changed everything. From Lennon's first honest breakdown to McCartney's melodic precision and George's guitar pedal revolution, this is The Beatles caught between pop idols and pioneers.Ringo delivers a signature vocal performance, George Martin keeps it genius, and the studio chaos somehow turns into timeless perfection. In the category round, the brothers rank the Best Beatle Moments, Best Groove, and Most 1965 Thing About this Album - with plenty of laughs, deep cuts, and “Didja See Where?” surprises. Beatlemania, burnout, and brilliance all in one record. Drop the needle and Help! yourself to the sound of evolution.

"My dear sir, without doubt you have done for the art of singing what Columbus did for the steam engine."Grytpype-Thynne and Moriarty plan to escape dire poverty by taking out a £10,000 life insurance policy on Neddie Seagoon. They tell him he can collect the money the moment he's deceased, and give him an instruction book. After a number of stupid attempts to bring this about - which puts him into contact with Willium, Bluebottle, Eccles and Bloodnok - Seagoon finally discovers the meaning of the word 'deceased' and goes into hiding at the Albert Memorial. The drama climaxes in a shootout with him in between Bloodnok's regiment and a loaded record. Yet another Goon Show concerned with the vagaries of insurance policies, this episode was likely penned largely by Larry Stephens and if so it shows. It's not a bad episode at all but if anything the script lacks a certain something - a bit of inimitable Milligan magic perhaps. Returning guest Andy Bell and Tyler discuss the 'filth' which runs through the show and also: The Indigestion Waltz; Kenneth Griffith; the Radio Times; Royal Command Performances; producer Roy Speer and baseless allegations; Jayne Mansfield-type walking; the Tiddleywinks Tournament; George Martin and ITV's packed schedule!

© Richard Buskin, 2025

© Richard Buskin, 2025

© Richard Buskin, 2025

© Richard Buskin, 2025

© Richard Buskin, 2025

© Richard Buskin, 2025

The Forgotten BeatlesEpisode 11: George MartinThis episode we turn the spotlight on the man who probably has the best claim to the title of “The 5th Beatle,” producer George Martin.*******Links mentioned in this episodeGeorge MartinAll You Need Is Ears memoir - https://bookshop.org/a/10029/9781250784049Limited edition Playback autobiography - Copies for sale on Abe Books - https://www.abebooks.com/book-search/title/playback-illustrated-memoir/author/george-martin/ George Martin's wikipedia page - https://en.wikipedia.org/wiki/George_MartinDavid Bennet's excellent video on George's contributions to Beatles recordings  - https://youtu.be/YDYedISQ2JU?si=hEqorDj9xTxM39pfWebsites:Alan J. Porter - YouTube Channel - Forgotten Beatles related videos - https://www.youtube.com/@AlanPorterWriter**************Thanks for listening to this episode of Before They Were Beatles Presents: The Forgotten Beatles. If you would like to leave a rating or review on your favorite podcast platform that would be great and don't forget to subscribe so you don't miss out on future episodes. If you would like to make a comment or ask a question you can find me on most social media platforms @alanjporter or you can email me at alan@beforetheywerebeatles.comYou can also subscribe to the FREE monthly Before They Were Beatles newsletter at https://beforebeatles.substack.com/Don't forget to join us next time when we turn the spotlight on trumpet player David Mason and drummer Tommy Moore**************Some Other Guy performed by The Savage Young Beatles is used with permission.The Before They Were Beatles podcast series is a production of  Megrin Entertainment, a division of 4Js Group LLC. Let us know what you think!Email the show at contact@longboxcrusade.comThis podcast is a member of the LONGBOX CRUSADE NETWORK:LINKTREE: https://linktr.ee/longboxcrusadeVisit the WEBSITE: http://www.longboxcrusade.com/Follow on TWITTER: https://twitter.com/BeforeBeatleshttps://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YouTube Channel: https://goo.gl/4LkhovSubscribe to the main LBC network podcast feed on Apple Podcasts at:https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2Or the single podcast feed for Before They Were Beatles at:https://podcasts.apple.com/us/podcast/before-they-were-beatles/id1561234606Thank you for listening and we hope you have enjoyed this episode of Before They Were Beatles: The Forgotten Beatles.#TheForgottenBeatles #TheBeatles, #Beatles, #Music

On this OFAF track, Les Claypool ponders what one of his heroes might do in numerous situations around a trip to London in which the airline loses Les's luggage, he's without UK currency, but he gets to screen a film with George Martin in the room and parties with George's son Giles until Les's pal Jason pukes on someone. It's certainly not your standard Claypool lyrical fare! Tune in to learn a bit about George Martin and why LC might hold him in such high regard, as does most everyone else in the music industry. Get involvedInstagramFacebookEmailBurn your money 

Janda Lane kicks off Rocktober with an episode about the genius of some of Classic Rock's Super Producers. Get into the stories of the legends who knew exactly what to do with the talent of bands like The Beatles, Bruce Springsteen, Tom Petty, AC/DC, and Def Leppard and shaped their music into the soundtrack of our lives. Listen to this episode of the Behind The Song podcast!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam: You may have heard me talking here a couple of weeks ago about the Quarrelmen Beatles miniseries I'm doing. It's my birthday so I'm birthing it everywhere you get your podcasts plus I'm putting the first episode here too to tempt you into subscribing. You're not gonna be able to resist after hearing this episode that we did at none other than Abbey Road Studios when my band Stones n Roses was on tour there back in 2021. I told the other We Will Rank You hosts I'd have all the Beatles albums ranked within a year. Four years later, I've only recorded about half of them but here they come!  You're not going to see any more episodes here until the one where all four OG hosts ranked- Well I'm not telling you which one. You'll have to wait and see and if you want to hear Jim and I rank an album in Liverpool, you'll just have to figure out how to spell Quarrelmen and go subscribe, won't you? WON'T you? We're on Facebook, Instagram and Threads too so do the thing. Breaking up the band to start a solo career? Nah but, for now, here's the Fab Four…. THE QUARRELMEN PODCAST #1Please Please Me ranked at Abbey RoadWhat's your most loved and least favorite song on the first Beatles album?! One, two, three, FAH! The Quarrelmen Beatles podcast miniseries kicks off with England's own Richard Merrett (Airhead/the Wilsons) and his young sons Frank and George Merrett ranking Please Please Me in the most famous studio in the world.  Recorded back in 2021 at the end of the last Stones n' Roses UK tour, the California band recorded a version of "Revolution 9" with 1960s microphones used by "the boys" and Beatles Anthology, Rock Band and Love engineer Chris Bolster with Joe Wyatt (now Giles Martin's assistant). After a quick photoshoot of the band walking across THE street, singer Adam Gimbel welcomed the Merretts into the cozy Gatehouse studio to record the very first episode of the Quarrelmen. He had no idea it would be four busy, crazy years before the world would hear it. The kids are now senior citizens. The results are, quite simply, the most endearing Beatles podcast episode ever immortalized at Abbey Road....or anywhere else. Decades of fandom and childlike wonder collide with memories and a ranking of least and most favorites on the 1963 classic debut. Listen at QuarrelmenPod.com, Apple, Spotify and...a place.Follow us and weigh in with your favorites on Facebook, Instagram & Threads @quarrelmenpod.SPOILERS/FILE UNDER:Abbey Road, Airhead, Arthur Alexander, Anna (Go to Him), Ask Me Why, Baby It's You, Burt Bacharach, the Beatles, Chris Bolster, Boys, Cavern Club, Chains, coffee, the Cookies, debut, Do You Want to Know a Secret, EMI, England, Adam Gimbel, harmonica, George Harrison, I Saw Her Standing There, Isley Brothers, Carol King, John Lennon, Liverpool, London, Love Me Do, George Martin, Paul McCartney, Frank Merrett, George Merrett, Richard Merrett, Misery, Nirvana, Roy Orbison, piano, Please Please Me, Pretty Green, P.S. I Love You, Revolution 9, Ride, sha la la la la, The Shirelles, Ringo Starr, Stones n Roses, A Taste of Honey, There's a Place, Twist and Shout, Andy White, the Wilsons, Joe Wyatt, zoos, 1963.US: http://www.QuarrelmenPod.comhttp://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/QuarrelmenPodhttp://www.instagram.com/QuarrelmenPodhttps://www.threads.net/@QuarrelmenPodhttp://www.StonesnRoses.comhttp://www.AbbeyRoad.com

GGACP celebrates the birthday of Brooklyn-born songwriter-recording artist Henry Gross (“Shannon”) with this ENCORE of a 2021 interview with Henry and British-born singer-songwriter Roger Cook (“Long Cool Woman in a Black Dress”). In this episode, Henry and Roger share tales from their seven decades in the music business and talk about playing mob-owned joints, forming doo-wop groups, opening for the Beatles (and Benny Hill!), being inspired by Jimi Hendrix and hearing their songs on the radio for the first time. Also, Casey Kasem blows his cool, George Martin teams with Peter Sellers, Henry becomes the youngest artist to perform at Woodstock and Roger writes a jingle that becomes a worldwide sensation. PLUS: Sha Na Na! “I Was Kaiser Bill's Batman”! The comedy of Jackie Vernon! Steve Coogan sends up Blue Mink! And Henry and Roger remember the late, great John Prine! Learn more about your ad choices. Visit megaphone.fm/adchoices