Podcasts about George Martin

What Happened on June 6 in music history? On the June 6 edition of the Music History Today podcast, the Beatles meet George Martin, an iconic album and song are released, a legendary show signs off, Michael Jackson quits, and the country goes down the slipping slope of censorship. Also, happy birthday to Steve Vai and Jimmy Jam.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayResources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.comResources for substance abuse issues - https://988lifeline.orghttps://www.samhsa.gov/find-help/helplines/national-helpline

Who is the Michael Jordan of the Leicester Tigers Last Dance season? Ben Youngs and Dan Cole give the inside story on an emotional day at Welford Road as they got to run on with their kids (and not George Martin), before a standing ovation as they walked off together after 43 minutes. Only to secure another home game next week in the semi-finals.  Plus Anthony Watson joins for the second half as we pick our ultimate Lions squad from the 2013, 2017 and 2021 tours. Most of the players seem to get picked based on who's the best tourist. To get 20% off your first Thriva blood test, click here: thriva.co and use the code LOVEOFRUGBY

Retracez avec nous l'histoire fascinante de la création de l'un des albums les plus emblématiques de l'histoire de la musique : Sgt. Pepper's Lonely Hearts Club Band des Beatles. Sorti en 1967, cet album concept a marqué un tournant majeur non seulement dans la carrière du groupe, mais aussi dans l'évolution du rock.Plongez dans l'ambiance effervescente de cette époque charnière, où la jeunesse américaine et britannique affichait fièrement sa rupture avec les valeurs traditionnelles. C'est le Summer of Love, l'été de l'amour, et le mouvement hippie atteint son paroxysme. Les Beatles, alors au sommet de leur gloire, décident de se retirer des tournées harassantes pour se consacrer pleinement à la création.Pendant 129 jours, soit 700 heures de sessions en studio, les Fab Four, accompagnés du producteur George Martin, se lancent dans une véritable expérimentation sonore. Fini les morceaux qui s'enchaînent, il s'agit cette fois de créer une œuvre complète, de raconter une histoire. Un défi de taille pour le groupe, qui souhaite également relever celui lancé par les Beach Boys avec leur album ambitieux Pet Sounds.Découvrez les coulisses de la création de ce chef-d'œuvre psychédélique, de l'utilisation d'instruments insolites comme la petite trompette piccolo ou l'harmonium, aux techniques de mixage innovantes employées par les Beatles. Laissez-vous porter par les extraits de cet album légendaire, qui a su marquer son époque tout en demeurant une référence incontournable pour les générations suivantes.

Robert FleischmanHe briefly sang for Journey and co-wrote two of the band's best-known songs. His other credits include his piercing vocals on the cult-classic, glam-metal debut album from the Vinnie Vincent Invasion plus brushes with Asia, Michael Schenker, Genesis and Gene Simmons. Vocalist Robert Fleischman joins us to discuss his storied past, his latest album, “Emotional Atlas,” that time he got an encouraging two thumbs up from Beatles producer George Martin and an unforgettable outburst from a “pissy” Vinnie Vincent. Created and Produced by Jared Tuten

Gab Four together again.     Jon Stone, Lonnie Pena, Martin Quibell and myself sit down to consider alternate albums that might've come out of the January 1969 sessions.     Beware, the ripples through time extend well beyond a single record.    What happens to the film?    Abbey Road?    Do all roads lead to "For You Blue?"    George Martin, Glyn Johns and others guest.     More next week!

Esta semana venimos de futuros raros y desoladores Arrancamos en los cines en un futuro devastado con la nueva película de Paul W.S. Anderson y su mujer y musa Milla Jovovich, que han vuelto a hacer lo mismo pero esta vez adaptando una historia de George Martin en Tierras perdidas, la cinta alemana, pues porque Alemania es el único que les ha dado el dinero, suponemos. De ahí nos vamos a casa, y empezamos en Amazon Prime porque ha traído a su catálogo una evaluación, la de una pareja en un futuro distópico que quieren ser padres y para ello una funcionaria les hará pasar por sus extrañas pruebas, tan raras que aunque no sean alemanes lo parecen. Terminamos en Skyshowtime con otra cinta alemana, también en inglés pero ya en los Alpes debe irse a vivir Hunter Schafer desde EEUU en un resort donde pasan cosas muy extrañas y ella parece ser la única que no está cucú Todo ello como siempre sin spoilers Minutado 00:00 – Introducción y Tertulia con los oyentes con reseñas breves de Black Bag y La Cita 6:50 – Tierras Perdidas [CINE] 17:00 – La Evaluación [Prime Video] 35:30 – Cuckoo [Skyshowtime] Únete a nuestro grupo de Telegram: https://t.me/PodcastEnSerio Y estamos en Twitter: https://twitter.com/PodcastEnSerio ⌨️Correo: ivodelgadorivero@gmail.com Instagram: https://www.instagram.com/criticoenserio/?hl=en-gb

INXS legends Jon Farriss and Kirk Pengilly join Gleeso on Triple M Nights to celebrate 40 years of Listen Like Thieves, the album that catapulted the Aussie rock icons to global stardom. First released in 1985, Listen Like Thieves marked the beginning of INXS’ game-changing collaboration with producer Chris Thomas — the man determined to bottle the band’s raw, live energy in a studio setting. “He was fascinated by how powerful we were live, and how we hadn’t captured that yet on record,” explains Kirk Pengilly. The result was a sonic turning point that redefined their sound and laid the groundwork for their future success with albums like Kick and X. Jon and Kirk also reflect on the 40th anniversary reissue, which has been meticulously remixed by Giles Martin — son of legendary Beatles producer George Martin — bringing new depth and clarity to the classic album. In a poignant moment, the boys open up about revisiting rare tapes and old recordings of their late bandmate Michael Hutchence, sharing the emotion and nostalgia of hearing his iconic voice again.See omnystudio.com/listener for privacy information.

With New York Times classical music critic/Beatles expert Allan Kozinn.

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week we're discussing the Paul McCartney Michael Jackson collaboration Say Say Say released October 3, 1983. Spoiler alert the whole does not equal the sum of its parts, but people loved it anyway! Also in this prepisode music news of the weird, listener emails and we announce next week's album. In this episode we discuss types of bears, crazy fathers, George Martin, the ghost of John Lennon, werewolves age, the great depression, UHF, Cosby sweaters, grifts, miracle tonics and so much more!  Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com Episode Outline: Quick update on the goings on at the world headquarters Discuss our history with the song/band Song discussion - lyrics and music Music Video How the song did worldwide Amazon reviews Listener email (just 2) Music news of the weird Announce next week's album

During a crucial session in June 1962 George Harrison made a joke about George Martin's tie. It gave the EMI man a hint of the cheekily approachable sass which would beguile the world. And now - Marc Moss-Jones and Kevin Core's book about this epochal moment has landed on my welcome mat. I Don't Like Your Tie is a trip into the world of the joke that made The Beatles. But SOMEONE has to go further. Someone needs to check out where that tie is now. And I, as a seasoned travel journalist and podcaster who has worn a tie, am the man for the job. Join me as I descend into the Fabosphere, have a run in with a man from the motor trade, meet the egg men and have a catastrophic interaction with George Harrison's microscope. Music and FX from Zapsplat.com Image by Gail Myerscough https://www.gailmyerscough.co.uk/

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Text us about this show.One can't overstate how important Marc Golde and Rock Garden Studio have been not just to the NE Wisconsin music scene, but to the state scene overall. Marc has garnered multiple WAMI Awards over the years as a producer, musician, and studio owner and all are well deserved. He has rightfully earned the praise of countless musicians who have had the good fortune to record at Rock Garden, share a stage with him, or simply because he is who he is: genuine. After three decades of recording excellence, Marc is pulling the faders down on Rock Garden Studio, moving on to new challenges, and returning to an old flame (i.e. writing music). Rock Garden might be three decades old, but its story goes back farther than that, so join us for a bit of history and to find out what the future holds for Marc Golde."The Highest High" written and performed by Marc Golde℗ 1999 Marc Golde. Used with permission of Marc Golde"She Doesn't Know" written and performed by Marc Golde℗ 2020 1930816 Records DK. Used with permission of Marc GoldeSupport the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

This month we turn the spotlight on the man who probably has the best claim to the title of “The 5th Beatle,” producer George Martin .*******Links mentioned in this episode George MartinAll You Need Is Ears memoir - https://bookshop.org/a/10029/9781250784049 Limited edition Playback autobiography - Copies for sale on Abe Books - https://www.abebooks.com/book-search/title/playback-illustrated-memoir/author/george-martin/ George Martin's wikipedia page - https://en.wikipedia.org/wiki/George_Martin David Bennet's excellent video on George's contributions to Beatles recordings  - https://youtu.be/YDYedISQ2JU?si=hEqorDj9xTxM39pf Websites:Alan J. Porter - YouTube Channel - Forgotten Beatles related videos - https://www.youtube.com/@AlanPorterWriter **************Thanks for listening to this episode of Before They Were Beatles Presents: The Forgotten Beatles. If you would like to leave a rating or review on your favorite podcast platform that would be great and don't forget to subscribe so you don't miss out on future episodes. If you would like to make a comment or ask a question you can find me on most social media platforms @alanjporter or you can email me at alan@beforetheywerebeatles.comYou can also subscribe to the FREE monthly Before They Were Beatles newsletter at https://beforebeatles.substack.com/.Don't forget to join us next time when we turn the spotlight on trumpet player David Mason and drummer Tommy Moore**************Some Other Guy performed by The Savage Young Beatles is used with permission.The Before They Were Beatles podcast series is a production of  Megrin Entertainment, a division of 4Js Group LLC. 

GGACP celebrates the birthday of Brooklyn-born songwriter-recording artist Henry Gross (“Shannon”) with this ENCORE of a 2021 interview with Henry and British-born singer-songwriter Roger Cook (“Long Cool Woman in a Black Dress”). In this episode, Henry and Roger share tales from their seven decades in the music business and talk about playing mob-owned joints, forming doo-wop groups, opening for the Beatles (and Benny Hill!), being inspired by Jimi Hendrix and hearing their songs on the radio for the first time. Also, Casey Kasem blows his cool, George Martin teams with Peter Sellers, Henry becomes the youngest artist to perform at Woodstock and Roger writes a jingle that becomes a worldwide sensation. PLUS: Sha Na Na! “I Was Kaiser Bill's Batman”! The comedy of Jackie Vernon! Steve Coogan sends up Blue Mink! And Henry and Roger remember the late, great John Prine! Learn more about your ad choices. Visit megaphone.fm/adchoices

Best-selling and award-winning authors Robert Rodriguez and Jerry Hammack are on the podcast to talk about Ribbons Of Rust: The Beatles' Recording History In Context: Volume 1 - July 1954 Through January 1963.The Beatles' story has been told many times, but often with little focus on their personal experiences during their era. John Lennon, Paul McCartney, George Harrison, Ringo Starr, and producer George Martin were influenced by the sounds around them. Ribbons of Rust presents their journey by immersing readers in the music and times they lived in. The first volume, richly illustrated with period artifacts, takes you with The Beatles from their early inspirations to their initial compositions and covers. Rodriguez and Hammack explore how The Beatles developed their sound in Liverpool and Hamburg, drawing on American rock 'n' roll and deeper cultural traditions, ultimately securing a recording contract with EMI. Spanning July 1954 to January 1963, the book details the post-war British music scene and the influences that shaped The Beatles, bringing readers into the studio with them, from early Liverpool recordings to Hamburg sessions. Purchase a copy of Ribbons Of Rust: The Beatles' Recording History In Context: Volume 1 - July 1954 Through January 1963Visit the Ribbons Of Rust websiteVisit Jerry Hammack's websiteVisit Robert Rodriguez's Something About The Beatles Podcast websiteSign on to Robert Rodriguez's newsletter for regular updates at satb2010@gmail.com---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Mike Williams, the creator of the Paul is Dead YouTube channel, unravels the intricate tapestry of the Beatles' cultural significance, which he argues extends far beyond mere musical innovation. Through meticulous documentation and analysis, Mike posits that the ascent of the Beatles was not merely a product of artistic evolution, but rather a calculated orchestration by record companies and media entities aimed at reshaping societal values. This episode explores how the Beatles became the face of a broader cultural manipulation, as well as the challenges of discerning truth in an era where conspiracy theories are becoming mainstream. And we explore the implications of this narrative, particularly in the context of modern pop culture and the role of music as a tool for social engineering. WATCH ON YOUTUBEDOUG WILSON ON CONSPIRACIESWatch HereTAKEAWAYSThe Beatles' rise was part of a calculated cultural shift orchestrated by Tavistock and other institutions."Rubber Soul" marked a pivotal shift, elevating the Beatles through manufactured music and songwriting support.The Beatles' narrative reflects Tavistock's strategy, emphasized by symbols of occultism and mass cultural engineering.Laurel Canyon highlighted a larger story of music's role in societal transformation, as explained by Ian Carroll.Claims of the Beatles writing their own music are questioned, citing professional songwriters behind their hits.The documentary "The Complete Beatles" hints at engineering behind Beatles' success via producer George Martin.CONNECT WITH MIKEYouTubeMain Hub WebsiteMusic WebsiteX/TwitterMENTIONED IN THIS EPISODE"The Memoirs of Billy Shears" by Thomas Uharriet"The Conspirators Hierarchy" by Thomas Coleman"Tavistock Institute" by Daniel Estulin"The Beatles Conspiracy 101""Billy Shears Bloodlines: Presentation"How Do You Sleep?" by John Lennon

Episode 162 Chapter 23, Radiophonic Music in the United Kingdom. Works Recommended from my book, Electronic and Experimental Music  This episode of the podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 23, Radiophonic Music in the United Kingdom from my book Electronic and Experimental music.   Playlist: RADIOPHONIC MUSIC IN THE UNITED KINGDOM   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Daphne Oram, “Introduction to Oramics” (1960). Introduction to her Oramics studio and processes for making electronic music. Voice and musical examples by Daphne Oram, recorded in her home studio Tower Folly, Kent. 04:37 01:38 2.     Daphne Oram, “Four Aspects” (1960). Tape composition by Daphne Oram recorded in her home studio Tower Folly, Kent. 08:07 06:14 3.     Delia Derbyshire, “Doctor Who Theme” (Closing Credits) (1962). The most famous version of this theme for the popular television program, composed by Ron Grainer and realized by Derbyshire at the BBC studios. 02:23 14:20 4.     Ray Cathode (George Martin), “Time Beat” (1962). Produced at the BBC Radiophonic Workshop. Written and produced by George Martin, around the time when he was starting his production work with The Beatles. 02:11 16:40 5.     Ray Cathode (George Martin), “Waltz in Orbit” (1962). Produced at the BBC Radiophonic Workshop. Written and produced by George Martin, around the time when he was starting his production work with The Beatles. 01:52 18:52 6.     Daphne Oram, “Costain Suite” (1964). Tape composition by Daphne Oram recorded in her home studio Tower Folly, Kent. 13:17 20:44 7.     Delia Derbyshire, “Running” (1964). One of the seven parts from the “radio inventions” called "The Dreams," first broadcast on the BBC Third Programme, Sunday 5th January 1964. 08:08 34:02 8.     Delia Derbyshire, “Falling” (1964). One of the seven parts from the “radio inventions” called "The Dreams," first broadcast on the BBC Third Programme, Sunday 5th January 1964. 08:45 42:08 9.     Delia Derbyshire, “Land” (1964). One of the seven parts from the “radio inventions” called "The Dreams," first broadcast on the BBC Third Programme, Sunday 5th January 1964. 07:02 50:54 10.   Daphne Oram, “Pulse Persephone” (1965). Tape composition by Daphne Oram recorded in her home studio Tower Folly, Kent. 04:03 58:06 11.   Tristram Cary, “Sputnik Code” (1968). Cary was a British composer and pioneer of electronic music. He composed this work for a movie soundtrack. 01:50 01:02:08 12.   Lily Greenham, “ABC in Sound” (1968). Early tape work by this pioneer of electronic music in the UK. Greenham was an Austrian-born Danish visual artist, performer, composer and leading proponent of sound poetry and concrete poetry. She settled in London. 02:39 01:04:02 13.   White Noise (Delia Derbyshire, David Vorhaus, Brian Hodgson), “The Black Mass: An Electric Storm In Hell (The White Noise)” (1969). Experimental electronic music project established in London in 1968, originally as a group project between David Vorhaus and BBC Radiophonic Workshop members Delia Derbyshire and Brian Hodgson. Vocals by Annie Bird, John Whitman, Val Shaw. 07:20 01:06:40 14.   White Noise (Delia Derbyshire, David Vorhaus, Brian Hodgson), “Your Hidden Dreams” (1969). Experimental electronic music project established in London in 1968, originally as a group project between David Vorhaus and BBC Radiophonic Workshop members Delia Derbyshire and Brian Hodgson. Vocals by Annie Bird, John Whitman, Val Shaw. 04:55 01:13:58 15.   White Noise (Delia Derbyshire, David Vorhaus, Brian Hodgson), “Love Without Sound” (1969). Experimental electronic music project established in London in 1968, originally as a group project between David Vorhaus and BBC Radiophonic Workshop members Delia Derbyshire and Brian Hodgson. Vocals by Annie Bird, John Whitman, Val Shaw. 03:07 01:18:52 16.   Electrophon (Brian Hodgson, Dudley Simpson), “Arrival of the Queen of Sheba” (Händel) (1973). Electronic interpretations of classical music for various synthesizers. 03:04 01:22:00 17.   Paddy Kingsland, “Fourth Dimension” (1973). Produced by Kingsland for the BBC Radiophonic Workshop. “The synthesisers used on this disc are both British, and both made by E.M.S. of London. They are the VCS3, an amazingly versatile miniature synthesiser, and its big brother, the Synthi '100', known within the Radiophonic Workshop as 'The Delaware', after the address of the Workshop.” 02:19 01:25:02 18.   Lily Greenham, “Traffic” (1975). Realized at the Electronic Music Studio, Goldsmiths' College, University of London. Technical Assistance, Hugh Davies. 10:33 01:27:18 19.   White Noise (David Vorhaus), “Concerto Movement 1” (1975). Used what Vorhaus called the Kaleidophon Synthesizer that included two EMS VCS 3's connected via a console of electronic modules he designed. 11:33 01:37:50 20.   Delia Derbyshire, “Dreaming” (1976). Produced for the BBC Radiophonic Workshop as a work to accompany a television program. 01:13 01:49:18 21.   Glynis Jones, “Crystal City” (1976). Produced for the BBC Radiophonic Workshop as a work to accompany a television program. 01:01 01:50:30 22.   Glynis Jones, “Magic Carpet” (1976). Includes three shorts works, Magic Carpet Take-Off, Magic Carpet Flight and Magic Carpet Land. Produced for the BBC Radiophonic Workshop as sound effects. 00:50 01:51:30 23.   Brian Hodgson, “Tardis Land” (1976). Produced for the BBC Radiophonic Workshop as a sound effect. 00:23 01:52:22   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

We're Talking Producers!

On this episode of Lipps Service, Scott sits down with the iconic drummer, Stewart Copeland, of the legendary '80s rock band The Police. The two get into Stewart's early days in music, his father being in the CIA, and influences like Ginger Baker. Stewart talks about his proudest moment, which songs he would redo, and meeting the famed producer George Martin. He discusses his relationship and some experiences with frontman Sting, reuniting with the band, and his composing work. To close, Stewart lists his top 5 drummers of all time, his perfect album, and the lineup of his ideal supergroup. Tune in for a legendary conversation with the Hall-of-Famer drummer! CREDITS (Instagram handles)Host @ScottLippsEdited by @toastycakesMusic by @Robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts LA Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. 0:02:00 - Grammys0:05:30 - Rock & Roll Hall of Fame0:08:26 - Growing up0:14:50 - Ginger Baker0:15:00 - First bands0:19:44 - Meeting The Police0:29:00 - Clark Kent0:31:25 - Proudest moment0:35:25 - Any songs Stewart would redo?0:39:00 - Coming to America0:45:00 - “Every Breath You Take”0:46:00 - The time Sting yelled0:49:00 - Did the band end too soon?0:50:00 - George Martin story0:53:00 - The band's dynamic during the reunion0:54:50 - How much money would it take to reunite?0:56:00 - The Doors0:57:00 - Composing0:58:00 - Top 5 drummers1:03:00 - Perfect album1:07:00 - Supergroup1:08:00 - New projects

By the mid-70s, Jeff Beck was a bit of an enigma. He started out as a blues player in The Yardbirds replacing Eric Clapton and sharing the stage for few shows with Jimmy Page. Then he formed The Jeff Beck Group with Rod Stewart as his lead singer and Ronnie Wood on the bass where the band tried to be more commercial. He created one of the great power trios with Beck, Bogert and Appice and while they were a strong live draw, they didn't get a lot of radio play. By 1975 Jeff, who was never one to stay still musically, decided to put together his first Jeff Beck album. Instead of blues and hard rock based riffs he melded with Max Middleton on piano who helped write the songs, Phil Chen on the bass, and Richard Bailey to create some jazzy jams that allowed everyone to shine. However, he also had help from heavyweights George Martin, who produced the album as he did The Beatles, and Stevie Wonder, who wrote a couple of songs for Jeff including the sublime Cause We Ended As Lovers. It may have originally been a bittersweet song for his wife Syreeta but Jeff makes it his own by laying emotional guitar over over the mellow notes. And Jeff shows off his jazzy abilities on songs like Constipated Duck (great title), space funk on AIR blower, frenetic playing on Scatterbrain and one of his real signatures, Freeway Jam. Many of these became live staples of his for decades and the album not only went to #4 in the US but sold platinum despite the fact that there are no vocals on the album. With room to explore, Jeff led this group on a fun, experimental and tight journey to create a guitar masterpiece which is more jazz than rock. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

By the mid-70s, Jeff Beck was a bit of an enigma. He started out as a blues player in The Yardbirds replacing Eric Clapton and sharing the stage for few shows with Jimmy Page. Then he formed The Jeff Beck Group with Rod Stewart as his lead singer and Ronnie Wood on the bass where the band tried to be more commercial. He created one of the great power trios with Beck, Bogert and Appice and while they were a strong live draw, they didn't get a lot of radio play. By 1975 Jeff, who was never one to stay still musically, decided to put together his first Jeff Beck album. Instead of blues and hard rock based riffs he melded with Max Middleton on piano who helped write the songs, Phil Chen on the bass, and Richard Bailey to create some jazzy jams that allowed everyone to shine. However, he also had help from heavyweights George Martin, who produced the album as he did The Beatles, and Stevie Wonder, who wrote a couple of songs for Jeff including the sublime Cause We Ended As Lovers. It may have originally been a bittersweet song for his wife Syreeta but Jeff makes it his own by laying emotional guitar over over the mellow notes. And Jeff shows off his jazzy abilities on songs like Constipated Duck (great title), space funk on AIR blower, frenetic playing on Scatterbrain and one of his real signatures, Freeway Jam. Many of these became live staples of his for decades and the album not only went to #4 in the US but sold platinum despite the fact that there are no vocals on the album. With room to explore, Jeff led this group on a fun, experimental and tight journey to create a guitar masterpiece which is more jazz than rock. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Alfie Reynolds, Mark Palmer, Will Kelleher and Alex Lowe preview the Calcutta Cup at Twickenham this weekend. Mark is at the Scotland camp and discusses Finn Russell starting and whether the underdog tag helps Gregor Townsend's side. Whilst Alfie, Alex and Will are at the England training base and react to Ted Hill replacing George Martin in the matchday 23, why Immanuel Feyi-Waboso has now had shoulder surgery and how massive the match at Twickenham is for both sides. Hosted on Acast. See acast.com/privacy for more information.

Heard it here first Beetle the bull rider is on! Flog favourite George Martin breaks his hand and foot, what's the Buzz has plenty to talk about with Matty Johns entertaining the offer of being an NRL coach. Gibbo gets into his golf work all this plus heaps more sports from around the globe Hosted on Acast. See acast.com/privacy for more information.

Did you guys know the Beatles did drugs? IT'S RIGHT THERE IN THE TITLE, MAN, LSDDDDDDDD! Inspired by a drawing done by his son Julia, John's "Lucy in the Sky with Diamonds" is arguably the most psychedelic of Beatles psychedelic songs. But that trippiness overshadows brilliantly musical performances and inventive production. It's one of the high points of The Beatles and George Martin (and his team) being on the same wavelength, all pulling in the same direction. Lucy (and her parent album) may have lost a touch of its' shine among the common listener, but listen with fresh ears and be blown away all over again. Joining us this week is the always fantastic Jason Kruppa, host of the Producing the Beatles podcast, co-author of All Things Must Pass Away: Harrison, Clapton, and Other Assorted Love Songs. He was supposed to join us via Zoom a couple of weeks ago (during the now famous New Orleans snow storm) but the recording set up at RTB HQ couldn't handle the cold and died on us. So we had to reschedule once we got back up and running, so we were able to connect in person, which was much better! We chat with Jason about the brilliance of the Beatles' vocals, isolation videos, Crocs, the importance of the drummer, and so much. more! All isolations in this episode provided by Jason. Be sure to subscribe to Producing the Beatles! What do you think about "Lucy in the Sky with Diamonds" at #77? Too high? Too low? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠find us now on Bluesky!⁠⁠⁠⁠⁠⁠ Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, some of our new Revolver-themed merch, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

Send us a message or question! In this episode of Never Mind the Dambusters, we welcome Reverend Eleanor Rance, the first female Church of England Chaplain in the Royal Air Force. Eleanor shares her personal experiences  from her time on deployment with the RAF in Iraq, and insights into the crucial role chaplains played during the Second World War, especially in offering emotional and spiritual support to airmen. We discuss the historical context of RAF chaplaincy, the challenges faced by chaplains like Rev. George Martin of 7 PFF Sqn, and the lasting effects of war on both service members and the chaplains themselves. It's fair to say we were emotional wrecks after this one! Many thanks to Eleanor for a wonderful and very moving discussion. Support the showPlease subscribe to Never Mind The Dambusters wherever you get your podcasts. You can support the show, and help us produce great content, by becoming a paid subscriber from just $3 a month here https://www.buzzsprout.com/2327200/support . Supporters get early access to episodes and invitations to livestreams. Thank you for listening! You can reach out to us on social media at @RAF_BomberPod (X) or @NeverMindTheDambusters (Instagram)You can find out about James' research, articles, lectures and podcasts here .You can read more about Jane's work on her website at https://www.justcuriousjane.com/, and listen to podcasts/media stuff here

1964 became 1965, but the Beatles had to deal with chasing the Abominable Snowman. Meanwhile, Brian and Cilla (and George Martin) chased The Righteous Brothers and Andrew Loog Oldham (and Phil Spector). We also see the new tunes from the band Decca chose over the Beatles, and the drummer who took up the sticks when Ringo chose the Beat;es over Rory Storm. Support this podcast at the $6/month level on patreon to get extra content! Create your podcast today! #madeonzencastr

Subscriber-only episodeSend us a message or question! ** Episode on general release Wednesday 5 February 2025. In this episode of Never Mind the Dambusters, we welcome Eleanor Rance, the first female Church of England Chaplain in the Royal Air Force. Eleanor shares her personal experiences  from her time on deployment with the RAF in Iraq, and insights into the crucial role chaplains played during the Second World War, especially in offering emotional and spiritual support to airmen. We discuss the historical context of RAF chaplaincy, the challenges faced by chaplains like George Martin, and the lasting effects of war on both service members and the chaplains themselves. It's fair to say we were emotional wrecks after this one! Many thanks to Eleanor for a wonderful and very moving discussion. Please subscribe to Never Mind The Dambusters wherever you get your podcasts. You can support the show, and help us produce great content, by becoming a paid subscriber from just $3 a month here https://www.buzzsprout.com/2327200/support . Supporters get early access to episodes and invitations to livestreams. Thank you for listening! You can reach out to us on social media at @RAF_BomberPod (X) or @NeverMindTheDambusters (Instagram)You can find out about James' research, articles, lectures and podcasts here .You can read more about Jane's work on her website at https://www.justcuriousjane.com/, and listen to podcasts/media stuff here

Laurence Juber Live on Game Changers With Vicki Abelson How life-affirming to be back Live with 2x Grammy Winner Laurence Juber. Laurence got us started with his Cobalt Blue. Loved it! What an extraordinary finger-playing guitarist. Gorgeous. We talked the LA fires, the Juber evacuation plan, fortunately not taken to fruition. Animals before guitars, his one-of-a-kind custom shop signature Martin, and a Les Paul were the two that made the cut. Laurence is doing what he can to help, performing at a series of gigs that will donate their proceeds, including Tuesday's big fundraiser at The Canyon Club. Laurence talked with great pride about his two daughters, both achieving big things in the biz. He also spoke with great love and reverence of his wife, Hope, to whom he's been married and a true partner in life and oft in art, for 42 years. It's clear that it's family first and creating for the Jubers. There's no sitting around eating bonbons and watching the tube for this high-functioning family. We talked about Laurence's early days and influences, clarinet his first instrument, finding guitar, and learning to read music in a day. He claims. everyone was doing it. His dream was to be a session player, and he quickly realized it in Abby Road Studios with the likes of George Martin. He gigged around with innumerable bands, quite happy to be doing so, until Denny Laine made that fateful connection. Auditioning with drummer Steve Holley, their lives both changed that day when Paul McCartney asked what they'd be doing for the next few years. A childhood fantasy realized, until a pot bust in Japan. Laurence spoke of his solo work, lots more session work, segueing to TV, which led him to some work with a guy named Snuffy, and ultimately to scoring and composing… writing two musicals with Hope, one, the ever popular, Gilligan's Island: The Musical. There was a Grammy with Sir Paul for Rockestra, the first instrumental Grammy, and his solo arrangement of The Pink Panther Theme earned him a second Grammy. Laurence has played on innumerable hits, some he's found out about years later reading about them. He's an amazing man with incredible talents. This was a much-needed soul-filling reminder of all that's good and right with the world during troubled and turbulent times. He took us out with guitar perfection. Click here for all that's Laurence Juber laurencejuber.com including info on where to purchase his own coffee blend, and download his latest, A Day in My Life. Or grab the vinyl! Laurence Juber Live on Game Changers With Vicki Abelson Wednesday, 1/22/25, 5 PM PT, 8 PM ET Streamed Live on my Facebook Replay here: https://bit.ly/42oDeZq

Robert Fleischman discussed his dual career in music and painting, emphasizing his 2,500-square-foot industrial painting space and a home recording studio. He reflected on his tenure with Journey, his brief collaboration with George Lynch, and his experiences with Van Halen and Tom Petty. Fleischman highlighted his latest album, "Emotional Atlas," which features synth-based music and was mixed in 5.1 surround sound. He also mentioned his interactions with notable figures like Gene Simmons and George Martin, and the challenges of the modern music industry, advocating for direct fan support through album purchases.0:00:00 - Intro0:00:20 - Music Career Vs. Painting 0:02:45 - Oni Logan & George Lynch Connection 0:04:50 - Guests on Solo Album0:07:21 - Touring with Van Halen 0:10:40 - Being a Musician & Solo Record 0:11:21 - Emotional Atlas & Creative Evolution 0:16:11 - Influences & Inspirations 0:19:05 - Solo Career & Royalties 0:21:40 - Wheel in the Sky, Journey & Singing0:26:05 - Working with Vinnie Vincent 0:33:35 - Relationship with Gene Simmons 0:37:35 - Legendary Producer George Martin 0:40:55 - Producer Jimmy Iovine 0:43:45 - Hanging with Tom Petty 0:45:55 - Bob Dylan 0:48:25 - Painting & Favorite Painters0:50:20 - Unconventional Song Template 0:51:55 - Good Art & Craziness 0:54:45 - How Voices Can Change 0:56:15 - Journey's Music & Legacy 0:58:15 - Michael Schenker & Ritchie Blackmore 1:05:15 - Dee Snider, Legends & Success1:06:25 - Emotional Atlas Album 1:07:48 - Challenges & Opportunities in the Music Industry1:08:12 - Final Thoughts & Future Plans 1:11:40 - Outro Robert Fleischmann website:https://www.robertfleischman.com/Chuck Shute link tree:https://linktr.ee/chuck_shuteSupport the showThanks for Listening & Shute for the Moon!

What would happen if for whatever reason, Mrs Whitehall was unable to produce the wonderful Christmas lunch that she has done so many times before? What if Mr Whitehall had to step in? Plus, how do you turn down an invitation that you don't really want and does Nigel Havers remember a job he did in the late 1970's?You can email your questions, thoughts or problems to TheWitteringWhitehalls@gmail.comOr, perhaps you'd like to send a WhatsApp message or Voice note? Why not?! Send them in to +447712147236This episode contains explicit language and adult themes that may not be suitable for all listeners.Please review Global's Privacy Policy: https://global.com/legal/privacy-policy/

Join me for my conversation with Laurie Kaye. She takes me through her life, career, interviews with Mick Jagger, David Bowie, George Harrison and Paul McCartney, cultiminating with her interview with John Lennon and Yoko Ono at the Dakota in NYC on the day of John Lennon's death. Great conversation on a deep and sad topic.

This week on BWN, the guys conclude their review of Game 7 as the season finale saw the New York Rangers break their 54-year Stanley Cup drought in 1994. A brief visit to the Trailer Park saw the long-awaited trailer for season 2 of Severance, Disney's latest live-action adaptation (Snow White), and the full trailer for Invincinble Season 3. In News Around the Nerdosphere, George Martin again makes excuses for not finishing A Song of Fire and Ice, toxic fans continue to show that people suck, and it was a big week for James Gunn as Creature Commandos debuted and DC's new boss discussed what makes his upcoming Superman movie so unique.Powered by RedCircle@AttitudeAgg@WrestlngRealist@itsReyCash@PCTunney@itsmedpp@ViolentAesop@TheMindlessPod@therealcplatt@ChairshotMedia@BandwagonNerdsAbout Bandwagon NerdsJoin Patrick O'Dowd, David Ungar, PC Tunney, Rey Cash, and DPP as they keep everyone up on all things nerd, and maybe add some new nerds along the way. It's the Bandwagon Nerds Podcast!About Chairshot Radio NetworkLaunched in 2017, the Chairshot Radio Network presents you with the best in sports, entertainment, and sports entertainment. Wrestling and wrestling crossover podcasts + the most interesting content + the most engaging hosts = the most entertaining podcasts you'll find! MONDAY - Bandwagon Nerds (entertainment & popular culture)TUESDAY - Musical Chairs (music) / Hockey Talk (NHL)WEDNESDAY - The Greg DeMarco Show (wrestling) THURSDAY - Keeping the news ridiculous... The Oddity / Chairshot NFL (NFL)FRIDAY - DWI Podcast (Drunk Wrestling Intellect)SATURDAY - The Mindless Wrestling PodcastSUNDAY - The Front and Center Sports Podcast CHAIRSHOT RADIO NETWORK PODCAST SPECIALSAttitude Of Aggression Podcast & The Big Five Project (chronologically exploring WWE's PPV/PLE history)TheChairshot.com PRESENTS...IMMEDIATE POST WWE PLE REACTIONS w/ DJ(Mindless), Tunney(DWI) & FriendsThe 5X5 w/ Patrick O'DowdClassic POD is WAR Support this podcast at — https://redcircle.com/chairshot-radio-network/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Get tickets for our live shows: https://fkpscorpioent.com/en/events/for-the-love-of-rugby-presents-draft-night After splitting England in two, Ben Youngs and Dan Cole are friends again. They're here to answer your questions, which include: What would the Lions team be if you could only pick props? They look ahead to Ireland against Australia and Dan gives the inside story of the final Sunday in England camp, and another killer question from George Martin.  Official Insights provided by Sage.  Subscribe to our new YouTube channel: https://www.youtube.com/@LoveOfRugby

It was double trouble for the Supercars Championship Series, with Will Brown his first Supercars title while spearheading a Red Bull Ampol Racing one-two that left the squad dominating the Teams' Championship. And because it was the Adelaide 500, there was heaps happening. Turn 8 was tearing up cars again, and we think there is a simple fix or two to keep it challenging but to reduce the danger that left two drivers not well enough to race. Zach Bates locked down the Dunlop Super2 Series in a 'future' star studded field when some of the main game teams start looking properly. Todd Hazelwood did the same in Trans Am… and Adam Marjoram won the Super Utes. Harri Jones won the Carrera Cup, but he'd already done that before Adelaide. Then there was George Martin - aka Jorge Martin - getting the job done in MotoGP. But there was no PG this week, so we roped in Melinda Price, and we may keep her. Tell us what you think! And if you are on the ⁠AC Delco⁠ site, use AAREVL25 for a 20% discount on all your parts. All this and more on the latest episode of the ⁠⁠⁠Auto Action RevLimiter⁠⁠⁠. Check out ⁠⁠⁠https://autoaction.com.au/⁠ ⁠⁠for all the latest updates and dropping news. Thanks to Byron Clarke for production support.

Mark , Lou and Perry listen to Pat Metheny playing "Have You Heard" also Spoonman performs plus a talk of Porcupine Tree and a talk about the Bruce Springsteen documentary plus music trivia and Brian Wilson with George Martin talking songs and random relish and more !

Join host Rob Fredette on HODGEPOD as he welcomes back Gene Popa, the author of a new book exploring a fascinating period in The Beatles' history. In this episode, Rob and Gene dive into the transformative years of The Beatles, from the end of their touring in 1966 to the iconic Summer of Love. The name of Gene's book is " The Color of Your Dreams" and can be purchased at Amazon, Barnes & Noble, through his publisher baremannermedia.com as both hard cover and paperback. Gene shares insights from his book, shedding light on lesser-known events and personal transformations of the band members during this pivotal time. Discover how The Beatles evolved musically and personally, moving away from their mop-top image and embracing new artistic expressions. Learn about the significant roles of Brian Epstein and George Martin, often considered the "fifth Beatles," in shaping the band's trajectory. Explore the challenges and triumphs The Beatles faced, including the infamous 1966 tour and their time in Memphis. Gene also reveals intriguing stories about potential collaborations and missed opportunities, such as the possibility of recording at Stax Records. Delve into the evolution of The Beatles' sound, the internal dynamics within the band, and the cultural impact they left on music history. Whether you're a die-hard Beatles fan or new to their legacy, this episode offers a captivating look at a transformative era that redefined The Beatles and left an indelible mark on the world. Don't miss this engaging conversation and uncover the untold stories behind one of the greatest bands of all time. Thank you for listening. :) HODGEPOD can be heard on APPLE,SPOTIFY, AUDACY, TUNEIN AND PODBEAN APP.  Please give a listen, follow and share. Email hodgepodallin@yaoo.com. RECORDED NOVEMBER 7 2024

Join host Rob Fredette on HODGEPOD as he welcomes back Gene Popa, the author of a new book exploring a fascinating period in The Beatles' history. In this episode, Rob and Gene dive into the transformative years of The Beatles, from the end of their touring in 1966 to the iconic Summer of Love. The name of Gene's book is " The Color of Your Dreams" and can be purchased at Amazon, Barnes & Noble, through his publisher baremannermedia.com as both hard cover and paperback. Gene shares insights from his book, shedding light on lesser-known events and personal transformations of the band members during this pivotal time. Discover how The Beatles evolved musically and personally, moving away from their mop-top image and embracing new artistic expressions. Learn about the significant roles of Brian Epstein and George Martin, often considered the "fifth Beatles," in shaping the band's trajectory. Explore the challenges and triumphs The Beatles faced, including the infamous 1966 tour and their time in Memphis. Gene also reveals intriguing stories about potential collaborations and missed opportunities, such as the possibility of recording at Stax Records. Delve into the evolution of The Beatles' sound, the internal dynamics within the band, and the cultural impact they left on music history. Whether you're a die-hard Beatles fan or new to their legacy, this episode offers a captivating look at a transformative era that redefined The Beatles and left an indelible mark on the world. Don't miss this engaging conversation and uncover the untold stories behind one of the greatest bands of all time. Thank you for listening. :) HODGEPOD can be heard on APPLE,SPOTIFY, AUDACY, TUNEIN AND PODBEAN APP.  Please give a listen, follow and share. Email hodgepodallin@yaoo.com. RECORDED NOVEMBER 7 2024

Bridget sits down with Laurie Kaye to discuss her book, Confessions of A Rock N' Roll Name-Dropper which covers her life leading up to conducting John Lennon's final interview on December 8th, 1980, hours before his tragic death. They cover her journey from a young music enthusiast in LA to becoming a respected rock journalist, including her pivotal moment of winning Rolling Stones concert tickets that led to her radio career, the best and worst day of her life, the emotional weight of writing the book which took 40 years to sit down and write - largely due to the trauma of Lennon's death and her guilt about encountering his killer earlier that day. They also discuss her challenging childhood, the development of her interviewing techniques, and her impressive career interviewing music legends like The Ramones, Talking Heads, Little Richard, and Beatles producer George Martin. Sponsor Links:- Check out Caliber the strength training & nutrition coaching program that's completely personalized to you. Get $100 off the first three months at caliberstrong.com/walkins- Quest offers 100+ lab tests to empower you to have more control over your health journey. Choose from a variety of test types that best suit your needs. Get 25% off today.- Check your media bias. Read the news from multiple perspectives. See through media bias with reliable news from local and international sources with Ground News. Click here and get 15% off.- If you love Walk-Ins Welcome become a supporter at phetasy.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.phetasy.com/subscribe

Filmmaker Cody Greenwood takes us to the Caribbean Island of Montserrat 

The Beatles' rise to fame (1962-63): The podcast covers their signing to EMI, recording their first single, and early TV appearances. https://youtu.be/Go4X-3aZDv0 Context matters: Early 1960s Britain shaped The Beatles' development, with the podcast highlighting the social and cultural factors at play. Personality & charisma: The Beatles' humor and charm were as crucial as their music in winning over fans and the industry. Collaboration: Brian Epstein, George Martin, and others were instrumental in The Beatles' success, which the podcast examines in detail. Historical accuracy: The podcast stresses credible sources and distinguishes facts from myths when exploring The Beatles' history. The Beatles' Early Days Hamburg's influence: Their time in Hamburg was transformative, improving their music and stage presence. Quote: “Hamburg very much unlike Liverpool… they don't know how to do Beatles tourism.” The podcast contrasts Hamburg's handling of Beatles history with Liverpool's. Early rejections: The podcast recounts labels like Decca and EMI turning them down, showcasing their uncertain early career. The Decca Audition: It analyzes the audition's recordings, providing insight into their pre-fame sound. Brian Epstein's role: As their manager, he refined their image and secured a record deal, remaining honest even under pressure. The Beatles and EMI George Martin's initial reaction: Martin was initially skeptical but grew interested after meeting the band. Quote: “Martin didn't know it, but he was as lucky as The Beatles were.” This reflects the chance nature of their collaboration. June 6th recording session: A pivotal moment in Martin's perception, marking a turning point in the band's journey. Recording dynamics: The podcast explores how The Beatles and Martin created a shared vision and changed industry practices. Methods of Historical Research Primary sources: The podcast relies on interviews, letters, and news articles for authenticity. Fact vs. fiction: It emphasizes being critical of sources and separating myths from reality. Avoiding presentism: The podcast warns against modern interpretations of past events, stressing historical context. Quotes of Note • “The interwebs are full of empty infotainment in the same old, same old about Beatles trivia. You deserve the real story.” - Ariana Grande • “The Beatles didn't quite achieve their stylistic target. It was their failure that made them succeed.” • “They wanted their live and studio set of songs to sound something like American Pop R&B… but they failed. They sort of created their own genre.” • “Think of Jed Clampett out shooting at some food… He missed what he was aiming at… but up from the ground, he found oil under his land to make him very rich.” • “There would be no Beatles without R&B. In fact, there would have been no rock and roll at all.” - John Lennon • “Black music is my life. The Beatles and Sergeant Pepper and all that jazz—it doesn't mean a thing. All I talk about is 1958 when I heard Little Richard's ‘Long Tall Sally' and when I heard Chuck Berry's ‘Johnny B. Goode' and when I heard Bo Diddley. That changed my life completely.” - John Lennon • “The Beatles are like rock and soul men singing their pop with boy-man energy that matches girl-group energy.” • “They weren't whitening the music like a bunch of Pat Boons. It becomes a thing of its own but it remains soulful.” • “For us in the group, all that matters is that we try to get it right. If we make an error, we don't dig in. It's really just the opposite. We love to get corrections.” • “We treat ourselves and each other as knowers who might know something, to have something to offer, have some insight that's worth hearing potentially. We're all students… there are no teachers. We're all fallible. We're all students.” • “So much of Britain was black and white and bleak until The Beatles came along.”

Ronny Tibbs joins us to discuss the second Paul McCartney record (this one with wife Linda) - the underappreciated "Ram" from 1971. Plenty of other discussion including Myspace and Livejournal, tying audio and video into an EP, Steely Dan, George Martin's absence, McCartney solo records (I might have a hot take) and 70's solo Beatles records, "John Lennon can't be the only person Paul's mad at," fantasy milkshakes, ukulele, and Wayne says "Sublime has never done anything bad." Check out Ronny Tibbs at:  https://www.instagram.com/ronnytibbs/ Check out Sir Paul McCartney at: https://www.paulmccartney.com/ Check out other episodes at RecordsRevisitedPodcast.com or one all your favorite podcast providers like Apple Podcasts, Castbox, iHeartMedia, and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

In this episode, we take a deep dive into The Beatles' lesser-known track "I Call Your Name" and explore its fascinating backstory. From its roots as an early John Lennon composition to its surprising ska influence, we uncover the hidden layers of this song. Along the way, we delve into the vibrant 1960s music scene and the intriguing story of Brigitte Bond, a figure deeply connected to ska and mod culture, whose resilience and trailblazing career provide a unique lens through which to view the era. Join us as we journey through music history, uncovering stories that go far beyond the surface. Full Brigitte Bond documentary at https://www.youtube.com/@MissUpsetterDesigns/videos After that, the Deep Dive hosts delve deeper into 1964, continuing the immersive experience that followers of (and participants in) the "Beatles 60" Facebook group experience. The group takes followers beyond the randomness found in typical fan spaces, offering a structured, day-by-day exploration of The Beatles' journey. This time, they focus on the rise of Blue Beat (ska) music and how it influenced the cultural backdrop of The Beatles' evolving sound. https://beatles60.group/group The episode highlights how the group's chronological approach allows followers to experience history as it unfolded, creating a connection to the band's story that is deeper and more immersive than what most other platforms offer. Key moments, such as The Beatles' return to London or the behind-the-scenes challenges faced by Brian Epstein and George Martin, are brought to life with an attention to buildup and context, offering insights that make even familiar stories feel fresh. Listeners who are already fans of the daily dives will appreciate how the "Beatles 60" group brings history to life in a way that balances both structure and discovery. The Beatles60 Facebook group stands out due to its highly structured, day-by-day approach to exploring the Beatles' journey in 1964. Each day, the group focuses on what the Beatles were doing 60 years prior, creating a "daily soap opera" experience for members. This sequential approach allows for a deeper understanding of how events unfolded and influenced each other. In contrast, most Facebook groups have a more random, less structured approach to content sharing. Beatles60 leverages this chronological framework to create a sense of "living in the history" with the band. By experiencing the events as they happened 60 years ago, members can immerse themselves in the era and gain a unique perspective on the band's journey. This immersive experience is further enhanced by the group's use of historical media, such as photos, articles, and interviews from 1964. The project goes beyond simply presenting facts and employs an "interpretive approach" to Beatles research. This means that the group encourages members to analyze the events, consider the broader context, and explore the motivations and emotions of those involved. The goal is to offer a deeper understanding of the band's journey, going beyond a simple recounting of facts. This interpretive approach, which involves drawing conclusions based on available evidence, is central to the Beatles60 project and distinguishes it from groups that may simply present information without offering analysis or interpretation. Beatles60 cultivates a strong sense of community among its members. Participants are encouraged to share their own memories, perspectives, and insights on the events of 1964. This collective engagement creates a shared experience of "living in the history" together, fostering a deeper connection between fans and the band's legacy. In essence, the Beatles60 Facebook group offers a unique and immersive way to explore the Beatles' story. By combining a structured chronological approach with an interpretive lens and a strong sense of community, the project allows fans to engage with the band's history in a way that goes beyond typical fan groups.

Let's Talk - MoviesEpisode 76: Falling in Love (1984) - Fun FactsJason Connell shares some fun trivia about the classic movie, Falling in Love.Falling in Love (1984)Synopsis: Although they live married lives, two strangers keep running into each other, starting a friendship that could blossom into so much more.Director: Ulu GrosbardWriter: Michael CristoferCinematographer: Peter SuschitzkyComposer: Dave GrusinCast: Robert De Niro, Meryl Streep, Harvey Keitel, Jane Kaczmarek, George Martin, David Clennon, Dianne Wiest, Victor Argo, Jesse Bradford, Frances ConroyRecorded: 09-19-24Studio: Just Curious MediaListen:BuzzsproutApple PodcastsSpotifyGoogle PodcastsAmazon MusiciHeartRadioTuneInWatch:YouTubeFollow:FacebookInstagramHosts:Jason Connell#justcuriousmedia #letstalkmovies #mrjasonconnell #salvadorlosangeles #cinema #classicmovies #movies #moviereviews #film #filmreviews #studios #producers #directors #writers #actors #moviestars #boxoffice #fallinginloveSend us a textSupport the show

The guys talk about producers from Phil Spector to Brian Wilson to George Martin to Al Kooper.

On this episode of the Giants Huddle podcast, John Schmeelk and Paul Dottino chat with Brian Kelley and George Martin. Both former players were voted onto the Giants Top 100 Players list. In this episode, they reflect on their careers, teammates, and coaches. :00 - Brian Kelley 11:36 - George MartinSee omnystudio.com/listener for privacy information.

Styx is approaching the height of their popularity and a bit of a turning point when they released their ninth studio album, Cornerstone.  Keyboardist and vocalist Dennis DeYoung, and lead guitarist and vocalist Tommy Shaw take the lion's share of the songwriting duites, with one or both developing all tracks save one.  The lead vocalist duties also alternate between DeYoung and Shaw, again with the sole exception being a song written and sung by guitarist James "JY" Young.This album finds the group shifting from a more prog rock sound to a pop rock orientation.  This transition would create a commercial success, with Cornerstone becoming the groups first top 5 album on the US charts - peaking at number 2.  The album would produce the groups first and only number 1 hit on the Billboard Hot 100 in the power ballad "Babe."  It would also be a critical success, earning a Grammy nomination for Best Rock Performance by a Duo or Group.  Not bad for a self-produced album.The successes, however would be tempered with the first fractures appearing between the group's primary singers and songwriters.  Dennis DeYoung wanted to see the group move in a more pop direction, while Tommy Shaw preferred the rock orientation of previous albums.  James Young sided with Shaw in this dispute.  It would eventually cause a rift in the band in the mid-80's, with Shaw and DeYoung splitting up.Friend of the show Steve Hardin presents this classic rock and pop sensation in today's podcast. Borrowed TimeThe third single from the album was the lead track to side 2.  The song is a political one, portraying a United States in trouble, but oblivious to its decline.  DeYoung and Shaw co-wrote this song, and Dennis DeYoung takes lead vocal duties on this high energy track.Boat on the RiverThis more folk-oriented tune was a charting single in the UK and hit number 5 on the German charts, but was not released as a single in the US.  Tommy Shaw wrote and sings lead on this track, as well as playing mandolin.  It began as an experiment when Shaw first acquired a mandolin, but the band thought it sounded good enough to make it on the album.Why MeThe second single was a compromise choice.  Originally DeYoung wanted the power ballad "First Time" to be released as the second single, but when Tommy Shaw objected so strenuously to releasing two ballads in a row that he threated to leave the band over it, "Why Me" became the single.  Also written and sung by DeYoung, it is about feeling depressed even in the midst of success.  BabeThe band's sole number 1 single is a ballad about having to leave the one you love for a period of time.  Dennis DeYoung wrote it as a birthday present for his wife Suzanne.  Despite its success, it was not originally intended to appear on the album.  Tommy Shaw and James Young convinced DeYoung to put it on the album. ENTERTAINMENT TRACK:Rawhide by the Blues BrothersThe band performs behind a protective fence in a country bar in one scene, and this is the single song from the Country AND Western genre they can play. STAFF PICKS:Mystery Train by UFOWayne launches the staff picks with a cover of a song originally recorded by Junior Parker in 1953.  UFO were an English rock band originally formed in 1968.  This song is off their eighth studio album which was produced by George Martin of Beatles fame. Love Stinks by the J. Geils BandLynch's staff pick is a description of a love triangle in which no one gets what they want.  Lead Singer Peter Wolf was married to actress Faye Dunaway at the time, and was headed towards a divorce which may have inspired the lyrics.  Many will remember this song from Adam Sandler's performance in "The Wedding Singer."Even It Up by HeartRob brings us the first single from Heart's fifth studio album, "Bebe le Strange."  It features the Tower of Power horn section in the instrumentation.  The lyrics call for reciprocity in a relationship, and also a subtle rant against the obstacles women face in the rock world.Run Like Hell by Pink FloydSteve Hardin wraps up the staff picks with a song written by David Gilmour and Roger Waters.  The song is used in the film "The Wall" to depict rock anti-hero Pink as a fascist dictator turning the audience into a lynch mob.   INSTRUMENTAL TRACK:Seduction by Giorgio MoroderThis instrumental love theme from the movie "American Gigolo" was on the charts at the time. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.