1983 single by the Police
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6 episodes with Every Breath You Take
6 episodes with Every Breath You Take
4 episodes with Every Breath You Take
10 episodes with Every Breath You Take
4 episodes with Every Breath You Take
3 episodes with Every Breath You Take
3 episodes with Every Breath You Take
3 episodes with Every Breath You Take
2 episodes with Every Breath You Take
On this episode of Johnny Beane TV, we're celebrating the anniversary of one of the most iconic albums of the 1980s—The Police's legendary final studio release, Synchronicity! Released on June 17, 1983, Synchronicity became the band's biggest-selling album and a defining moment in rock history. Featuring massive hits like "Every Breath You Take," "King of Pain," "Wrapped Around Your Finger," and "Synchronicity II," the album showcased the creative peak of Sting, Andy Summers, and Stewart Copeland. More than four decades later, Synchronicity continues to captivate fans with its blend of rock, new wave, reggae influences, and thought-provoking songwriting. We'll take a look back at the music, the impact, the stories behind the songs, and why this groundbreaking album remains as powerful today as it was in 1983. What are your favorite tracks from Synchronicity? Let us know in the comments and join the conversation! #ThePolice #Synchronicity #Sting #ClassicRock
Sting, Stewart Copeland, and Andy Summers came to Morin Heights, in the Laurentians, to do some skiing and to record their fifth album. It would become the most successful of their career, reaching number one on record charts around the world. But it would also prove to be their last. Randy Renaud revisits the story behind its creation and the tensions that pulled the band apart on this week's edition of the Chronicles of Rock.
This week on Current Stuff, Bobby and Eddie dive into actors who launched music careers after discussing an artist canceling a tour and whether fans buy tickets for the music or just to see a celebrity. They also break down some of the most misunderstood songs ever, including “Every Breath You Take” and “Born in the U.S.A.” Plus, Bobby shares why he recently had to apologize to a celebrity and talks about traveling with his baby for the first time this weekend. Watch The BobbyCast on Netflix! Follow on Instagram: @TheBobbyCast Follow on TikTok: @TheBobbyCastSee omnystudio.com/listener for privacy information.
"Every breath you take" du groupe Police est sorti le 20 mai 1983 ! A cette occasion, Pat Angeli vous raconte toute l'histoire de ce tube incroyable dans ce Music Story Chaque jour sur RFM à 16h35 et 18h10, retrouvez toutes les histoires de vos tubes préférés dans le 16/20 RFM de Pat Angeli Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Daniel Pearl, A.S.C. is best known for his cinematography work on various horror films including The Texas Chain Saw Massacre (1974). He has worked on many feature films, over 400 music videos and more than 250 commercials. Some other notable films that he shot include the remake of The Texas Chainsaw Massacre (2003), Invaders from Mars (1986), Aliens vs. Predator: Requiem (2007), Friday the 13th (2009), The Boy (2016) and Mom and Dad (2017). Some of the most notable music videos he worked on include Michael Jackson's "Billie Jean", Guns 'N Roses' "November Rain" and Meatloaf's "I'd Do Anything for Love (But I Won't Do That). He won the first MTV cinematography award for "Every Breath You Take" by The Police. He's worked with a record amount of artists in the industry including Billy Idol, Bette Midler, The Go-Go's, Mariah Carey, Ed Sheeran and Usher. Pearl filmed the Michael Bay-directed Meatloaf video, "I'd Do Anything for Love (But I Won't Do That)", which he cites as "one of my personal all-time favorite projects ... I think the cinematography is pure, and it tells a story about the song." Michael Bay would later produce the 2003 Chainsaw remake and their collaborations continued on for years. More films in Pearl's catalogue include Zapped! (1982), Pathfinder (2007) and The Apparition (2012). He worked with Larry Cohen on a number of projects including Full Moon High (1981), It's Alive III: Island of the Alive (1987) and A Return to Salem's Lot (1987).
The Rizzuto Show proudly presents another episode that somehow starts with the Hindenburg disaster and ends with Bob Seger rankings, proving once again that this funny podcast is held together with duct tape, caffeine, and questionable decision-making.Rizz and the gang kick things off talking about local BMX hero and X Games champion Zack Warden ahead of the Show Me BMX Jam at Four Hands. What begins as a wholesome STL success story immediately spirals into everyone remembering how they once thought they could do BMX tricks before realizing gravity exists and hospital bills are expensive.Then things take a historical turn when the crew revisits the legendary Hindenburg disaster broadcast from 1937. The original radio coverage still hits like a truck, and the gang breaks down why hearing genuine emotion on-air was such a massive moment in broadcasting history. Somehow this turns into a discussion about how modern media has basically turned everybody into full-time catastrophe consumers. So… uplifting stuff.Elsewhere in this daily podcast, Lern's mom desperately searches New York City for Mick Jagger while accidentally missing him entirely, the crew debates whether concert ticket prices have officially become criminal activity, and everyone collectively roasts the Missouri State Fair lineup while Illinois quietly flexes on them with a way better roster. Sorry, Missouri. We still love you. Mostly.The gang also dives into misunderstood songs that people somehow turned into wedding classics despite the lyrics being deeply depressing. Turns out “Every Breath You Take” is not romantic, “Semi-Charmed Life” is very much about meth, and “Angel” by Sarah McLachlan absolutely ruined animal shelter commercials forever.Lern introduces the show to Castle Rat — a medieval fantasy doom metal band featuring chainmail, underboob armor, plague doctors, and enough theatrical nonsense to immediately earn the crew's respect. Honestly, if your band doesn't have a dedicated Rat Queen at this point, what are you even doing?Then it's time for a full-on Bob Seger birthday celebration as the crew debates his greatest songs, from “Night Moves” to “Against the Wind” to the inescapable wedding anthem “Old Time Rock and Roll.” Rafe practically turns into a Bob Seger historian while everyone else realizes they know way more Seger songs than they thought.You'll also get Seinfeld episode rankings, AMC's bizarre new live concert theater experiment, Anthony Bourdain movie talk, celebrity chaos, weird news, hilarious fails, and approximately 47 moments that would absolutely confuse anyone listening out of context.In other words: a completely normal episode of your favorite daily comedy show and your favorite comedy podcast from St. Louis.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Stewart Copeland, drummer/composer/host extraordinaire and one time member of The Police, spoke with us on Ep 275 about his love for working with orchestras. And he praised the city of Louisville (where The Wolf finds himself after a 4 year European tour) for the quality of the city's orchestra. Because though his days in The Police may be over, his love for the music and performing has not waned. So when he told us he'd be bringing his Police - Deranged for Orchestra performance to The Ville, we knew we had to check it out and tell you what we thought. Asside from the more than 50 members of the Louisville Orchestra and longtime conductor Bob Bernhardt, Copeland brought along singers Amy Keys, Carmel Helene and Ashley Tamar, guitarist Rusty Anderson and bassist Armand Sabal-Lecco (with Stewart on the drums most of the time). While they played the big hits like Roxanne, Every Breath You Take and Every Little Thing She Does is Magic, they also dive deeper in the catalog with tracks like The Bed's Too Big Without You and Murder By Numbers. Some of the songs he stays true to the original song but some are so "deranged" that even the biggest fans can't identify the songs until the vocals begin. It's amazing that he doesn't meet the orchestra until the day of the show and then after 2.5 hours of rehearsal, they put on a killer show. I would also call this a family friendly show so if your town has an orchestra and can host Copeland and his derangements we highly suggest not only seeing the show but bringing the whole family. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use code UGLY to save 10% off one ENTIRE ORDER! bit.ly/UAWILROCKS Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Stewart Copeland, drummer/composer/host extraordinaire and one time member of The Police, spoke with us on Ep 275 about his love for working with orchestras. And he praised the city of Louisville (where The Wolf finds himself after a 4 year European tour) for the quality of the city's orchestra. Because though his days in The Police may be over, his love for the music and performing has not waned. So when he told us he'd be bringing his Police - Deranged for Orchestra performance to The Ville, we knew we had to check it out and tell you what we thought. Asside from the more than 50 members of the Louisville Orchestra and longtime conductor Bob Bernhardt, Copeland brought along singers Amy Keys, Carmel Helene and Ashley Tamar, guitarist Rusty Anderson and bassist Armand Sabal-Lecco (with Stewart on the drums most of the time). While they played the big hits like Roxanne, Every Breath You Take and Every Little Thing She Does is Magic, they also dive deeper in the catalog with tracks like The Bed's Too Big Without You and Murder By Numbers. Some of the songs he stays true to the original song but some are so "deranged" that even the biggest fans can't identify the songs until the vocals begin. It's amazing that he doesn't meet the orchestra until the day of the show and then after 2.5 hours of rehearsal, they put on a killer show. I would also call this a family friendly show so if your town has an orchestra and can host Copeland and his derangements we highly suggest not only seeing the show but bringing the whole family. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use code UGLY to save 10% off one ENTIRE ORDER! bit.ly/UAWILROCKS Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
We dive into a Guitar Player article featuring Andy Summers and break down the story behind the iconic riff in “Message in a Bottle” by The Police—exploring Andy's unique approach, chord voicings, and the creative mindset that helped shape one of the most recognizable guitar parts in rock history. On this episode of Talking Guitars right here on Johnny Beane TV, we not only talk through the article, but also bring it to life with live demonstrations—using a LEKATO looper to layer and showcase how the riff really works in a musical context. You'll hear both the rhythmic and harmonic elements in action, making it easier to understand how everything locks together. We also take a look at the unforgettable guitar part from “Every Breath You Take,” breaking down the feel, tone, and technique that helped define another timeless classic.
A tie-dyed-in-the-wool rock & roll space odyssey to infinity and beyond which stops off this week at … … why the Dead's music was “like lighting a match in the wind” … Ha Ha Harlem! Rebels Without Applause! – Morrissey song or Lenny Bruce comic routine? … Sting v Sumner & Copeland and what Every Breath You Take makes daily just from streaming … is Oasis “the biggest exchange of money for old rope in the history of commerce?” … rock stars in shorts … John Hartford and his Willie Nelson Sliding Doors moment … how Mother McCree's Uptown Jug Champions became the most hi-tech band on the planet … Rock ‘babes' in the Bob Weir mould – eg Michael Clarke of the Byrds, Evan Dando and Mark Gardener from Ride … has anyone made more by doing less than JJ Burnel on Golden Brown? ... plus Warren Zevon song titles, Mary Coughlan in a coracle and the first records we reviewed for money.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
A tie-dyed-in-the-wool rock & roll space odyssey to infinity and beyond which stops off this week at … … why the Dead's music was “like lighting a match in the wind” … Ha Ha Harlem! Rebels Without Applause! – Morrissey song or Lenny Bruce comic routine? … Sting v Sumner & Copeland and what Every Breath You Take makes daily just from streaming … is Oasis “the biggest exchange of money for old rope in the history of commerce?” … rock stars in shorts … John Hartford and his Willie Nelson Sliding Doors moment … how Mother McCree's Uptown Jug Champions became the most hi-tech band on the planet … Rock ‘babes' in the Bob Weir mould – eg Michael Clarke of the Byrds, Evan Dando and Mark Gardener from Ride … has anyone made more by doing less than JJ Burnel on Golden Brown? ... plus Warren Zevon song titles, Mary Coughlan in a coracle and the first records we reviewed for money.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
A tie-dyed-in-the-wool rock & roll space odyssey to infinity and beyond which stops off this week at … … why the Dead's music was “like lighting a match in the wind” … Ha Ha Harlem! Rebels Without Applause! – Morrissey song or Lenny Bruce comic routine? … Sting v Sumner & Copeland and what Every Breath You Take makes daily just from streaming … is Oasis “the biggest exchange of money for old rope in the history of commerce?” … rock stars in shorts … John Hartford and his Willie Nelson Sliding Doors moment … how Mother McCree's Uptown Jug Champions became the most hi-tech band on the planet … Rock ‘babes' in the Bob Weir mould – eg Michael Clarke of the Byrds, Evan Dando and Mark Gardener from Ride … has anyone made more by doing less than JJ Burnel on Golden Brown? ... plus Warren Zevon song titles, Mary Coughlan in a coracle and the first records we reviewed for money.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
When was the last time you actually thought about the air around you? Unless you're stuck in a windstorm or gasping after a run, probably never. But it turns out that this invisible element — whether it's blowing across continents or flowing through your lungs — has shaped human history in some pretty remarkable ways. Simon Winchester is the New York Times bestselling author of books like The Professor and the Madman and Krakatoa. His new book is called The Breath of the Gods: The History and Future of the Wind, and he'll join us with some of his big ideas in just a moment. And later in the show, we'll hear from James Nestor, author of the 2020 book Breath: The New Science of a Lost Art, who'll show us how modern humans have forgotten how to breathe properly — and what that's costing us. Learn more about your ad choices. Visit megaphone.fm/adchoices
Helen and Gavin chat about Train Dreams, Death by Lightning, Wicked: For Good, and Zootopia 2 and it's Week 26 of the list of Grammy Record of the Year Winners from 1984, which will be picked from Flashdance (What a Feeling) by Irene Cara, Beat It by Michael Jackson, Every Breath You Take by The Police, All Night Long (All Night) by Lionel Ritchie, and Maniac by Michael Sembello.
Breaths — they're natural, emotional, and sometimes downright necessary. But should they always stay in your voice tracks? This week, the crew dives into the great de-breathing debate, inspired by a post from voice actor Toby Ricketts on how breaths act as "unseen punctuation." Robbo, AP, George the Tech, and Robert Marshall discuss when removing them improves clarity and when it strips away the performance. Along the way, they touch on AI voices, happy accidents, and the fine art of keeping things human — from Sting's laugh on Roxanne to Chad Smith breaking a drumstick mid-take. They also chat about Austrian Audio's new CC8 Supercardioid — a small-diaphragm beauty George currently has in front of him. Is it time to stop editing the life out of your sound? Tune in and take a breath.
1. Inspiration Beyond the BrainThe book challenges the materialist view that creativity is a left-brain, analytical function. Instead, it presents music as a right-brain, paranormal process. Many iconic songs are received through instantaneous “downloads” or vivid dreams. Keith Richards famously dreamt the riff for “(I Can't Get No) Satisfaction,” even recording his snoring afterward. These dream-sourced compositions often arrive fully formed, with clarity unlike typical dream content.2. Musicians as ChannelsMany legendary artists describe themselves as vessels rather than creators. John Lennon said he was “just the channel” for the “music of the spheres.” Michael Jackson believed his best songs were “works of God” that dropped into his lap. Notably, Elvis Presley, The Beatles, and Jimi Hendrix couldn't read or write music—suggesting that genius may bypass formal training and arise from external sources.3. A Historical PatternThis phenomenon isn't limited to rock and pop. Classical composers also reported receiving music from beyond. Mozart described his compositions as arriving “almost complete” in dreams. Brahms spoke of entering a trance-like state where ideas flowed “directly from God.” Such accounts suggest a long-standing tradition of non-local inspiration.4. UFOs and MusiciansThe book documents a striking number of UFO encounters among musicians. If cataloged, the list would include hundreds of high-profile names. John Lennon had a daylight sighting in 1974; Mick Jagger saw a UFO over the crowd at the 1969 Altamont concert. 5. Alien OriginsSome musicians believe they are extraterrestrial in origin. John Denver referenced the constellation Lyra as his home. Elvis Presley claimed he came from Orion, saying, “I am not of this world.” Lee Scratch Perry declared, “I am an alien from outer space… from Krypton.” Kurt Cobain expressed a lifelong feeling of being “homesick,” imagining himself as an alien baby found in a spaceship.6. Messages of Oneness and LoveThe themes expressed in music often mirror those reported by UFO experiencers. The central message is Oneness—the idea that all existence is interconnected. Lennon's lyric “I am he as you are he as you are me…” reflects this unity. His slogan “Love is the Answer. What was the Question?” and the anthem “All You Need is Love” serve as spiritual propaganda for this shift from fear to love.7. Environmental and Nuclear WarningsA recurring theme is planetary survival. Musicians often channel messages warning of ecological collapse and nuclear danger. Neil Young's “After the Gold Rush” describes “silver spaceships” rescuing the chosen ones.8. Targeting YouthMusicians are seen as strategic messengers to reach younger generations—the “ultimate swing voters.” Youth are more open to ideas that transcend traditional structures like religion and politics. Carlos Santana reported that the entity Metatron told him he'd be tuned into a “radio airwave frequency” to deliver a “new menu” of existence, helping students realize they are “multi-dimensional spirits.”9. Dreams and Altered StatesSongs often arrive during altered states—dreams, meditation, or automatic writing. Sting received “Every Breath You Take” in 15 minutes through automatic writing. Billy Joel dreamt many of his songs fully formed. Music heard during near-death experiences is described as “floating,” ethereal, and profoundly beautiful—often called the “music of the spheres.”10. Music and Quantum ConsciousnessThe book concludes by challenging the materialist worldview. It suggests that the universe operates through a quantum reality where consciousness is primary. Musicians report accessing a non-local field of awareness, consistent with quantum experiments showing that consciousness precedes matter. In this view, the brain doesn't create consciousness—consciousness creates the brain. Music becomes a delivery system for awakening, love, and planetary stewardship.
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, the Goods from the Woods Boys are THRILLED to welcome our ol' pal, comedian and actor Blake Hamilton! We start things off with an "ultra hydration" drink courtesy of the "Call Her Daddy" podcast crew. The drink is called "UNWELL" and it's literally just seawater. We also talk about Unwell's other partner, the always reliably evil Nestlé Corporation. Next, we take a spooky stroll through Blake's hometown of Huntsville, Alabama. We go through the EXTRA CREEPY YouTube comments left on The Police's classic hit "Every Breath You Take." Tune in now! You're in for a great time! Follow Blake on social media @Blake__Hamilton Follow our show @TheGoodsPod on absolutely everything! Rivers is @RiversLangley Sam is @SamHarter666 Carter is @Carter_Glascock Subscribe on Patreon for an UNCUT video version of the show as well as HOURS of bonus content! http://patreon.com/TheGoodsPod Pick up a Goods from the Woods t-shirt at: http://prowrestlingtees.com/TheGoodsPod
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now, his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs.. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of Millennial and Zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today's episode of AD Nauseam, Amy and Daniel are joined by special guest, advertising associate Mike Ingram, to dive into the FTC's first enforcement of the Inform Act, which requires online marketplaces to verify and disclose information about high-volume sellers. They will also discuss the upcoming Take it Down Act focused on online content takedown. The discussion highlights the importance of understanding evolving FTC regulations and the need for businesses to pay close attention to compliance details.Questions & Comments: amudge@bakerlaw.com, dkaufman@bakerlaw.com and mingram@bakerlaw.com
Happy Birthday Sting! 74 wird Gordon Matthew Thomas Sumner heute und wir wollen ihn ehren mit einer Episode über seine größten Errungenschaften – solo und mit The Police. Die heute zerstrittene Band hat sich unbestritten in den Pop-Olymp gespielt. Ende der 70er, als Punk und New Wave auf dem Vormarsch waren und die Mauern der Musik-Elite einrissen, machten The Police daraus ihr ganz eigenes Ding: Sie vermischten beides mit Reggae und Global Music und landeten so relativ bald im Mainstream Radio. Zu eingängig waren einfach die Songs von Sting: „So Lonely“, „Roxanne“, „Message in a Bottle“, „Every Breath You Take“ – letzterer gilt sogar als der meistgespielte Song im Radio aller Zeiten. Nach der Trennung Mitte der 80er machte Sting solo weiter und lieferte neue Hits für die Ewigkeit. „Englishman in New York“, „Shape of My Heart“ und „Fields of Gold“ sind Klassiker, wenn auch weniger kantig als das Bandmaterial. Im neuen Jahrtausend hat er sich musikalisch noch weiter aufgestellt – von Raï bis Renaissance über Reggae mit Shaggy – und sich dabei häufig verzettelt. Ihn selber scheint dies überhaupt nicht zu stören, Sting bleibt auf seiner Mission, die Musik der Welt zu erfahren. Zu Gast ist wieder Thorsten Sutter, Musikjourno-Kollege und The-Police-Fan, der zudem mal die Ehre hatte, Sting interviewen zu dürfen. Sting erzählt von seinen musikalischen Anfängen, von seiner Zeit bei The Police, seiner Solo-Karriere und seinem Verständnis von Musik als universale Sprache.
Five albums in six years. 75 million records sold. Then, just like that, The Police walked away leaving us with songs everyone still knows: "Message in a Bottle," "Don't Stand So Close to Me," "Every Breath You Take." You know there are plenty of stories to tell and drummer and founding member of The Police Stewart Copeland is ready to tell them. Dubbed the "accidental archivist," he spent the years of the rise of The Police jotting down the secrets and surprises of the trio he formed with Sting and Andy Summers. Now, after 18 years away, he's coming back to New Zealand with a spoken world tour called Have I Said Too Much? It's an evening that dives into the wild ride of rock superstardom, the creative sparks and disasters fans never knew about, and the twists that took Copeland from punk-reggae anthems to orchestras and operas. The tour lands here in January. Stewart Copeland spoke to Jesse.
Rafa Panadero nos cuenta cómo surgió el disco de versiones de Dolly Parton y termina hablando de las guerras por los derechos de autor en los grupos. El amigo secreto se atreve con las primeras notas a capela de 'I will always love you' de Whitney Houston.
In this episode of Dem Vinyl Boyz, we dive into the atmospheric depths and emotional complexities of Synchronicity, the final studio album from The Police. Released in 1983, this Grammy-winning record is a masterclass in new wave, post-punk, and pop rock, showcasing the trio—Sting, Andy Summers, and Stewart Copeland—at the height of their artistic powers and on the verge of implosion. Synchronicity is more than an album—it’s a psychological rollercoaster. Inspired in part by Carl Jung’s theory of meaningful coincidences, the record explores themes of obsession, paranoia, spiritual connection, and disintegration, both personal and societal. From the urgent rhythms of “Synchronicity I” to the eerie unraveling in “Synchronicity II,” and the haunting isolation of “Tea in the Sahara,” the album captures the inner turmoil that mirrored the band’s own fracturing relationships. Of course, we can’t forget the massive hit that defined the '80s—“Every Breath You Take.” Though often mistaken for a love ballad, the song is a chilling meditation on surveillance and control, and it remains one of the most misunderstood and iconic songs in pop history. Recorded at AIR Studios on Montserrat and in Quebec, this was a technological leap for The Police, pushing their sound into more polished, layered production while still capturing the urgency of a band teetering on the edge. Join us as we spin Synchronicity on vinyl, reflect on the legacy of The Police, break down the album track-by-track, and talk about why this might be one of the greatest—and most conflicted—swan songs in rock history.
Our pencil-chewing, critical assessment of this week's news gets mainly * and *** reviews, among them … …. Sting v Summers & Copeland over Every Breath You Take, the goose that laid the golden egg … what John Lennon would have thought about the ‘cancelled' track on Some Time In New York City … when did “critically acclaimed” come to mean unpopular? … the knock-about days when a critic was “a jerk, a crank and a spoilsport” … Jonny Greenwood's dad was a bomb disposal expert? Pete Doherty's mum was a Lance-Corporal in the Royal Army Nursing Corps? … what matters more, the song or the record? ... Anthony Fantano, Rick Beato and the rise of the YouTube rock review … “negative comments about a famous act's new album are like graffiti on the walls of a hallowed institution” … Bob Dylan's Self Portrait, Andrew Ridgeley's Son Of Albert (“half a star”) and the lost age of the crushing review … and “you never mention Depeche Mode!”Find out more about how to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Our pencil-chewing, critical assessment of this week's news gets mainly * and *** reviews, among them … …. Sting v Summers & Copeland over Every Breath You Take, the goose that laid the golden egg … what John Lennon would have thought about the ‘cancelled' track on Some Time In New York City … when did “critically acclaimed” come to mean unpopular? … the knock-about days when a critic was “a jerk, a crank and a spoilsport” … Jonny Greenwood's dad was a bomb disposal expert? Pete Doherty's mum was a Lance-Corporal in the Royal Army Nursing Corps? … what matters more, the song or the record? ... Anthony Fantano, Rick Beato and the rise of the YouTube rock review … “negative comments about a famous act's new album are like graffiti on the walls of a hallowed institution” … Bob Dylan's Self Portrait, Andrew Ridgeley's Son Of Albert (“half a star”) and the lost age of the crushing review … and “you never mention Depeche Mode!”Find out more about how to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Our pencil-chewing, critical assessment of this week's news gets mainly * and *** reviews, among them … …. Sting v Summers & Copeland over Every Breath You Take, the goose that laid the golden egg … what John Lennon would have thought about the ‘cancelled' track on Some Time In New York City … when did “critically acclaimed” come to mean unpopular? … the knock-about days when a critic was “a jerk, a crank and a spoilsport” … Jonny Greenwood's dad was a bomb disposal expert? Pete Doherty's mum was a Lance-Corporal in the Royal Army Nursing Corps? … what matters more, the song or the record? ... Anthony Fantano, Rick Beato and the rise of the YouTube rock review … “negative comments about a famous act's new album are like graffiti on the walls of a hallowed institution” … Bob Dylan's Self Portrait, Andrew Ridgeley's Son Of Albert (“half a star”) and the lost age of the crushing review … and “you never mention Depeche Mode!”Find out more about how to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Hace dos días falleció Manuel de la Calva del Dúo Dinámico. En los años setenta la pareja se separó y se alejó de los escenarios pero hubo una persona que les convenció para volver a cantar juntos. Hablamos una familiar del hombre que logró la vuelta a la música del dúo dinámico y autora de "Ayer tuve un sueño. Manolo Díaz. Sesenta años de música pop en español", Belén Carreño. El director Pablo Marqueda se asoma a La Ventana para hablar de su nuevo trabajo Caro Nanni. Es una película dividida en tres episodios, que refleja la vida y opiniones de Nanni Moretti. «En mi Vespa» es una aproximación a la vida cotidiana de Roma durante el mes de agosto; en "Islas" visita a Gerardo, un amigo que lleva once años viviendo en Lipari; juntos recorren otras íslas como Salina, Stromboli, Panarea y Alicudi. En "Médicos" el director rueda su propia quimioterapia y su recorrido por hospitales y especialistas incapaces de diagnosticarle la causa de unos insoportables picores.El 27 de octubre de 2023 comenzó la invasión de Gaza, una nomenclatura quizá inexacta porque todo lo que ocurre en Gaza afecta a Cisjordania y al Estado Palestino en general. De allí viene nuestra invitada de hoy, educadora artística y voluntaria en un campo de refugiados de Cisjordania del que acaba de regresar y en el que trabaja acercando el arte a los niños. Hablamos con Aitziber Urtasun. La banda The Police cosechó u éxito mayusculo durante los siete años que estuvieron junto con temas como este Every Breath You Take. Esta cuenta con casi 3.000 millones de reproducciones en Spotify y sigue generando unos 636.000 euros anuales, únicamente al cantante del grupo. Ahora los otros dos miembros, el guitarrista Andy Summers y el batería Stewart Copeland, han presentado una denuncia contra Sting por "daños y perjuicios sustanciales" por supuestamente deberle millones de libras en conceptos de derechos de autor
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KIn this segment of Notorious Mass Effect, Analytic Dreamz dissects The Police's iconic track “Every Breath You Take,” a 1983 chart-topper often mistaken as a love song but rooted in obsession and surveillance. Analytic Dreamz explores its massive success—1.79B Spotify streams, 16M radio airplays, and 3M global sales—alongside its 2025 royalty dispute, where Andy Summers and Stewart Copeland sue Sting for millions. From Grammy wins to TikTok resurgence, Analytic Dreamz unravels the song's enduring legacy and legal tensions. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
For the week ending August 27, 1983, the Billboard Hot 100 was loaded with some of the most iconic songs of the decade. At the top, The Police were wrapping up their legendary run with “Every Breath You Take” before yielding to a new wave of contenders. Hot on their heels, Eurythmics' synth-driven “Sweet Dreams (Are Made of This)” was climbing fast, while Michael Sembello's “Maniac” was burning up the charts thanks to the Flashdance craze. The rest of the Top 10 offered a mix of pure 80s variety: Donna Summer's “She Works Hard for the Money”, Men at Work's “It's a Mistake”, and Taco's quirky “Puttin' on the Ritz” stood alongside classic rock staples like Stevie Nicks' “Stand Back” and Billy Joel's “Tell Her About It.” Further down the list, radio was buzzing with Lionel Richie, Culture Club, Duran Duran, Def Leppard, and Journey—all proving that pop, rock, R&B, and new wave were all thriving together. On this week's podcast, Rob and Dave will dive into the chart and each pick a personal favorite. The fun twist is in their contrasting styles: Dave leans into the big anthems and timeless pop moments, while Rob often digs a little deeper, spotlighting tracks that might not have hit No. 1 but still capture the spirit of the era. Together, they'll break down what makes these songs stand out—whether it's the infectious hooks, the MTV-ready videos, or the way the tracks still hold up decades later. By the end, listeners will get not only a countdown snapshot of late-summer '83, but also two very different perspectives on which hits truly defined that moment. Pandora: https://pandora.app.link/iq8iShjXOLb Apple: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694 Spotify: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG?si=b37496eb6e784408 Amazon Music: https://music.amazon.com/podcasts/1960c8f9-158d-43ac-89a6-d868ea1fe077/totally-80s-and-90s-recall YouTube Podcasts: https://youtube.com/playlist?list=PLH9lGakNgCDZUkkHMUu88uXYMJu_33Rab&si=xo0EEVJRSwS68mWZ Playlists: Spotify: https://open.spotify.com/playlist/2yh3ZhZTTG8LM1VTfLk3kZ?si=j8A9XwpJQxCPmJMTAPrFmg Apple: https://music.apple.com/us/playlist/billboard-hot-100-aug-26th-1983/pl.u-aZb0az5tV4ar0B?ls Amazon: https://music.amazon.com/user-playlists/4b00c57ff79d41cdb44cecd6b63dc85csune?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_aGXtXvI00q6iksJ6WenxXwqSZ Contact Us: Website: https://totally80s90srecall.podbean.com/ Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall
And... Sting’s in trouble with the old band! His former Police bandmates, Stewart Copeland and Andy Summers, are suing him for royalties and songwriting credits on Every Breath You Take — the stalker anthem that’s weirdly become a wedding fave. The beef isn’t new though… these guys have hated each other for decades. Flea even revealed that Stewart used to write “F*** off, you sting” on his drum toms just to bash out his rage. There’s even an urban legend that Phil Collins once had to fill in on drums after Sting and Stewart blew up backstage. Rock’n’roll, baby.See omnystudio.com/listener for privacy information.
Today we inspected Nick Jonas’ nipples and honestly we’re still not sure if they’re real or plastic. KFC paid tribute to their longest running staffer after her passing and the Colonel would definitely approve. We revisited what went into our school lunchboxes, from hard boiled eggs to choc chip cookies. Sting’s old Police bandmates are taking him to court over Every Breath You Take, which is a bit awkward for a wedding song. In the Glossys, Snoop Dogg’s copping it for slamming Lightyear and we wrapped it all up with the Alabama governor belting out one of the biggest burps ever heard in politics.See omnystudio.com/listener for privacy information.
Sweet Caroline! Baconsale is Knockin' on Heaven's Door and finally doing a sequel to our diva episode. However, this time we're giving you the Satisfaction of hearing us debate All Night Long about some of the greatest male singers of all time. We know you have a Burning Love for many of the men in this tournament, and we're Sorry you may Feel like we're being Heartless, but as The Thunder Rolls, we must Sacrifice some of these Heroes. Our logic isn't Perfect. You may even think a few of our decisions are Bad. And you may lose Faith in some artists as we talk about their divo behavior. However, there's no use in Cryin', and we hope you end up Feeling Good after it's over. Let's Go Crazy! Press play to Lose Yourself in this chaotic podcast. Oh, Yeah! Visit Baconsale.com to find our official Divo bracket, and Every Breath You Take can be accompanied by our sampler playlist of songs you'll find there, as well.
In this week's episode, Paul tackles a common question from Beginner Guitar Academy members: What exactly does it mean when someone says “a blues”—is it a minor blues, and is there such a thing as a major blues? Paul breaks down the differences between major and minor blues progressions, walks you through classic chord sequences, offers examples of famous songs you can listen to and learn, and shares practical tips for practicing both styles.Key Topics Covered:Community Updates:Recap of the recent live Q&A (available in the Academy and member-only podcast)Announcement of a new, easier capo version of “Every Breath You Take” (now available in the riff section)Main Topic: Blues ExplainedWhat guitarists mean by "a blues in A"Almost always refers to a 12-bar blues progression in A using dominant 7th chords (A7, D7, E7)Concept of the “major blues”:Based on dominant 7th chords—these have both major and minor elements due to the flattened seventhThe most common form you'll encounterGuitarists often solo over these chords using the minor pentatonic or blues scale, creating a signature, gritty soundExamples of Major Blues Songs:“Pride and Joy” — Stevie Ray Vaughan“Hoochie Coochie Man” — Muddy Waters“Johnny B. Goode” — Chuck BerryWhat is a Minor Blues?Structured identically (12-bar format) but uses minor chords (e.g., Am, Dm, E7)Creates a darker, moodier, and more soulful soundSuitable scales: natural minor, Dorian mode for colour, and minor pentatonics for soloingExamples of Minor Blues Songs:“The Thrill Is Gone” — B.B. King“Tin Pan Alley” — Stevie Ray Vaughan“Ain't No Sunshine” — Bill WithersMajor vs. Minor Blues at a Glance:Major blues: dominant 7 chords, upbeat and grittyMinor blues: minor chords, soulful and emotionalWhy This Matters for Beginners:Understanding the difference helps when searching for backing tracks or improvisingKnowledge of these forms is crucial for jamming, songwriting, and selecting suitable scales while soloingPractice Tips:Try out both progressions with open and dominant 7 chordsJam over loops you record yourself for both major and minor bluesLearn one song in each style, such as “Before You Accuse Me” (major) or “Ain't No Sunshine” (minor)Record your playing to compare the feel between major and minor bluesExtensions/Chord Choices:Use dominant 7 chords for major blues (not just major triads or major 7 chords)For minor blues, try minor 7 extensions for a richer soundLinks & Resources:Watch the video podcast: BGAPodcast.com/245Learn more and start your two-week trial for just $1: beginnerguitaracademy.comMember Q&A and riff lessons are accessible in the Academy dashboardEnjoying the Show?If you've been finding these episodes valuable, please rate and review the podcast on your listening app or at bgapodcast.com.Thanks for tuning in to the Beginner Guitar Academy Podcast!
In this one, Jerry and Eddie geek out over Doom: Dark Ages, a new G.I. Joe vehicle dropping, the best box art for Atari games and we make a Super Nintendo game out of a Police song... Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1981, Sting brought a demo of a song he'd been working on down to AIR Studios in Montserrat to see what his bandmates thought of it... and they wound up keeping the demo and just recording their parts on top. The result was "Every Little Thing She Does Is Magic," an unusual Police song, but an enduring hit. On this episode, Kirk goes deep on every aspect of Sting's exuberant yet frustrated love song, unearthing the magic that lives in each piece of the music. This episode's subject was chosen by the Patrons of Strong Songs, who vote each season to pick one of the artists Kirk will cover on the upcoming season. If you'd like to vote on an artist for Season Eight, go sign up!Written by: StingFeaturing: Stewart Copeland, drums; Andy Summers, guitar; Jean Roussel, piano & keysAlbum: Ghost in the Machine, 1981Listen/Buy via Album.LinkALSO REFERENCED/DISCUSSED:MTV: The Making of Ghosts in the Machine w/ Jools Holland, 1982Revolver Magazine interview feature with the band, 2000Stewart Copeland talks about his approach to drumming“Invisible Sun” and “Hungry For You” by The Police from Ghost in the Machine, 1981“Every Breath You Take” by The Police from Synchronicity, 1983“Message In A Bottle” and “Walking On The Moon” by The Police from Reggatta de Blanc, 1979“One Love / People Get Ready” by Bob Marley and the Wailers, 1965"Seven Days" by Sting from Ten Summoner's Tales, 1993“Deep Note” (The THX Sound) by James Morrer, 1982----LINKS-----
Late May and early June 1983 is when The Police's defining song "Every Breath You Take" was released and promptly steamrolled its way to #1 in the UK (hitting the top spot on June 5th) before conquering America a month later. While Sting's creepy-but-catchy ode to obsessive surveillance was busy becoming the band's biggest hit and the year's most-played song, Copeland admits the trio was so dysfunctional they could scarcely record in the same room together. Stewart says about Sting, "The times when it was most annoying was when he was right. That's when the homicidal urge, I couldn't resist it. My fingers would be reaching for that jugular." Enjoy this short VIDEO where Stewart's storytelling chops go to 11 when he describes getting lost on the way to a show and then the band having a blowout fight onstage in front of 80,000 fans. Don't stand so close to me, indeed! WATCH HERE: https://youtu.be/4bozB5MqLZc In this episode, The Police drummer waives his rights and confesses to fracturing Sting's rib over a copy of the New York Times; how many more albums the band could have cranked out if they hadn't split up in 1986; and why it was necessary to call 911 when Cream drummer Ginger Baker paid a noisy visit to Stewart's Sacred Grove Studio. --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is grateful to be sponsored by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get the VIP treatment that you and your music deserve AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textApple devices are constantly recording user activity, yet few forensic examiners are making use of the vast amount of data these systems quietly generate. Apple's Unified Logs and Spotlight databases track nearly everything that happens on an iOS device, often without the user realizing it.Would you believe an iPhone can generate around 1.5 million log entries in just 15 minutes of regular use? These records include highly specific actions—such as the exact moment Face ID is used to unlock a device, when the phone is flipped face-up, or whether a user interacted with Siri or used the device manually. Despite their detail and reliability, these sources are often overlooked in mobile investigations.In this session, we'll show how forensic practitioners can process and search these massive log sets using open-source tools. We'll walk through examples of log entries that record actions like toggling airplane mode, launching specific apps like Facebook, or even detecting changes in device orientation. For investigators, this means direct, time-stamped evidence of how a device was used.One of the most valuable aspects of this data is its ability to help distinguish between user actions and automatic background processes. Was an app opened by the user, or was it a system event? These logs provide that level of clarity. We'll demonstrate how to isolate specific events from millions of entries and construct accurate timelines that reflect exactly what happened—and when.As part of our ongoing work, we're also focused on improving the accessibility and usability of these artifacts with incorporation into the LEAPPS. If you work with iOS devices, this is a session you won't want to miss. Notes:2026 IACIS in Reno NV-https://www.iacis.com/training/reno-info/Spotlight-https://github.com/ydkhatri/mac_aptUnified Logs-https://www.ios-unifiedlogs.com/https://github.com/abrignoni/iLEAPP
1 - Montgomery County Commissioner Tom DiBello joins us as Montgomery County says they will not follow the lead of Bucks! Why express that sentiment? Is the language Bucks is using a work around for “sanctuary city”? Do you think if Montgomery County were to use the same language it would be the same? Why would Whitemarsh cancel their 4th of July Parade? 115 - Calley Means had an interesting quote regarding RFK Jr. and his leadership approach at HHS. 120 - Why can't the police union endorse Pat Dugan over Larry Krasner? How out of bounds is Larry Krasner. 130 - Your calls. A call spurs some interesting convo on Krasner. 145 - Is “Every Breath You Take” about a stalker? Ann Marie Muldoon joins us and expresses her displeasure with her musical favorite, Bruce Springsteen. 150 - Remember the drive-in? Your calls.
This episode is an open letter. I'm blessed to speak at events and this pod throughout the year and share a semester with brilliant students as an adjunct.Bottom line: I want my students — and our listeners — to win.During the final class each semester, I share the lessons learned, the wins, the losses, and the real moments that built me and similarly successful friends and colleagues. This version is a deeper dive — a good listen for our amazing Whiskey Hue family as well.The truth is, I've taken some “L's” in life. But I kept moving forward — and was fortunate to win a few more times than I lost. If any part of that journey can help any of you in this ecosystem win faster, smarter, and more efficiently, then it's my responsibility to share it.A blueprint to dream bigger, bounce back faster, and live fully. If an idea sparks a fire in you, or a story saves you time or heartache — that's the win.00:00 Intro: “Win More Than You Lose. That's the Game”04:35 Mentors: Your Personal Board of Directors10:00 Everyone has a Story11:05 American Dream: My Dad arrived here with $100 and a Suitcase12:10 Show Up, Show Out: Be Unapologetically You12:40 Invest In Your Future13:30 Have Your Money Work For You14:20 You Will Fail. Bounce Back Quicker15:10 Music: “L” #1…18:30 Finance: “L” #2…20:20 VC: “W” 20:50 Fund II: “L” 3…23:05 Billionaire Mantra: Go Deep, Not Wide23:45 Combatting Anxiety26:20 Show Up As Your Best Self29:30 Let the Haters Hate30:20 Criticism vs. Advice vs. Debbie Downers32:15 Choosing a Partner In Life35:40 Friends: Grow Together40:35 Big City Dreams42:00 Work Hard. Party Hard. 47:00 Don't Negotiate Against Yourself48:52 Every Breath You Take 52:20 Life: It's Your Story, Go Win It. This episode is part of the ‘Prof P' series on the Whiskey Hue Stream. Recorded in part for my Fordham Gabelli students.Please Rate, Review, Subscribe and Share with a Friend! Means a lot to us - thank YOU!For more info on: 1. Venture, Tech, Sports and Investing, visit: AtulPrashar | LinkedIn2. The on-demand investment course, “VC: IdeationThrough Execution”: https://tinyurl.com/APsVCCourse
What if the greatest performance enhancer isn't a pill, a device, or a protocol—but the air you're breathing right now? What if the quality of that air is silently shaping your sleep, your focus, your aging… even your future?My guest today is someone who lives at the intersection of wellness, innovation, and purpose. Helen Christoni is a health and wellness expert, educator, and a seasoned executive with over two decades of experience leading transformational brands. She's currently the Vice President of Business Development & Partnerships at Ideal Living, the force behind AirDoctor, AquaTru, and AromaTru, where she helps connect people worldwide to wellness tech that truly matters. At Ideal Living, the team firmly believes in Wellness Tech that serves a greater purpose, recognizing that access to pure air and clean water is a fundamental right for everyone.At our own Gateway Clinic in Santa Monica, we've seen firsthand the impact of using AirDoctor, especially in the wake of California's wildfires.Helen's brilliance doesn't stop at business. She's a passionate athlete who's run the Boston Marathon five times, completed three 100-mile ultramarathons, and, this gave me chills: she and her husband became two of only 16,000 people on Earth to complete all six World Marathon Majors, choosing to run Tokyo, Berlin, and Chicago all in the same year after one of the hardest seasons of their lives.This is a conversation about resilience, breath, and the unseen forces that either deplete us, or heal us.Episode highlights:0:00 – What if air is the greatest performance enhancer? 1:45 – Meet Helen Christi: Wellness leader, athlete, changemaker5:20 – Helen's health crash: Pelvis fractures, early menopause, and severe osteoporosis8:10 – Toxic environments, beauty industry exposure, and the turning point12:15 – Recovery, mentorship, and discovering clean air as medicine15:40 – Running 100-mile races and all six World Marathon Majors18:30 – Why pure air matters for endurance and inflammation21:05 – The "get it done" mindset and leading from trust24:45 – Clean air and water as human rights, not privileges28:00 – Systemic inflammation, detoxing during sleep, and foundational wellness32:20 – Surprising pollutants: Microplastics, VOCs, and how they harm the brain36:30 – Behind the tech: What makes AirDoctor different (Ultra-HEPA, VOC filters)41:50 – Mental health, pollution, and that "heavy" hotel room feeling45:30 – Real-world air disasters and the urgent need for preparedness50:10 – What Helen recommends beyond buying an air purifier52:00 – Where to follow Helen and learn moreResources mentioned:Ideal Living https://idealliving.com/Guest's social handles:LINKEDIN https://www.linkedin.com/in/helen-christoni-5416ab5INSTAGRAMHelen Christoni https://www.instagram.com/helenchristoni/AirDoctor Pro https://www.instagram.com/airdoctorpro/AquaTru https://www.instagram.com/aquatru/
As long time listeners of the show know, The Wolf and Action Jackson were and remain huge fans of The Police. When they were 10, Synchronicity and Every Breath You Take ruled the albums and singles charts while being broadcast hourly on MTV. We'd thought we'd found the rock band we'd grow up with. However, lead singer and songwriter Sting had other plans. He'd grown tired to the infighting with Andy Summers and Stewart Copeland and wanted to take his songwriting and good looks solo. Dream of the Blue Turtles was Sting's first solo album making its debut June 17, 1985 and offered a more mature and jazzy approach to his songwriting. Enlisting the help of veterans like Darryl Jones (bass), Omar Hakim (drums), Kenny Kirkland (keys) and Branford Marsalis (horns), Sting created a more dynamic soundscape than he could have in The Police and took a big step towards being recognized as one of the premier songwriters of his generation. The first single, Feel Free To Set Them Free, set a groove and took advantage of new video technology for use on MTV. He revisited his ska/reggae roots on Love Is The Seventh Wave and offered a prayer of hope in the worry of the Cold War with Russians. However, Fortress Around Your Heart may be the best song he's ever written and it closes the album with style and substance. We may have wanted The Police to go on forever but Sting proved he could do so much more and this album went 3x platinum in the US with huge success around the world. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Lipps Service, Scott sits down with the iconic drummer, Stewart Copeland, of the legendary '80s rock band The Police. The two get into Stewart's early days in music, his father being in the CIA, and influences like Ginger Baker. Stewart talks about his proudest moment, which songs he would redo, and meeting the famed producer George Martin. He discusses his relationship and some experiences with frontman Sting, reuniting with the band, and his composing work. To close, Stewart lists his top 5 drummers of all time, his perfect album, and the lineup of his ideal supergroup. Tune in for a legendary conversation with the Hall-of-Famer drummer! CREDITS (Instagram handles)Host @ScottLippsEdited by @toastycakesMusic by @Robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts LA Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. 0:02:00 - Grammys0:05:30 - Rock & Roll Hall of Fame0:08:26 - Growing up0:14:50 - Ginger Baker0:15:00 - First bands0:19:44 - Meeting The Police0:29:00 - Clark Kent0:31:25 - Proudest moment0:35:25 - Any songs Stewart would redo?0:39:00 - Coming to America0:45:00 - “Every Breath You Take”0:46:00 - The time Sting yelled0:49:00 - Did the band end too soon?0:50:00 - George Martin story0:53:00 - The band's dynamic during the reunion0:54:50 - How much money would it take to reunite?0:56:00 - The Doors0:57:00 - Composing0:58:00 - Top 5 drummers1:03:00 - Perfect album1:07:00 - Supergroup1:08:00 - New projects
Welcome to a special episode of Your World of Creativity! This week, we're bringing you a New Country Music Sampler featuring a selection of fresh tracks released over the summer from some incredibly talented independent singer-songwriters. Summer can be a busy time, and it's easy to miss new music. That's why we're thrilled to showcase these artists and their creative work, offering you a chance to discover some great songs that might have flown under your radar.Featured Songs and Artists:1. Robert Ross, Canadian/Australian Country Chart-Topper, released “Mamma's Song” on July 26. It's from his upcoming sophomore album, “Better With Time.” We also feature a song from his debut album, “For You Girl.”2. Ohio Country Music Hall of Famer Richard Lynch released his highly anticipated new album, “Pulling Up the Covers,” on July 26. This collection is not just a covers album; it is a heartfelt journey through the songs that have defined country music and shaped Lynch's own life and career. We feature Richard's cover of the Barry Gibb-penned, Conway Twitty country hit, “Rest Your Love on Me.”3. Acclaimed songwriter and musician, Tim Tye and his project, Midnight Sky, released of the highly anticipated lyric video for their latest single, “Every Now and Then.” Following the success of their two Top 10 UK iTunes Country hits and two more Top 25 singles, Midnight Sky continues to captivate audiences with their unique blend of country and Americana.4. Eddy Mann, the acclaimed Christian folk rock music artist, released his latest single, “I'm Coming,” from his album, “Turn Up the Divine,” on June 7. This powerful new single underscores the themes of divine presence and unwavering faith, offering comfort and inspiration to listeners worldwide.5. Here's the new single from chart-topping, award-winning singer-songwriter, Jeremy Parsons. His innovative productions have won him critical acclaim and a place among today's most unique and exciting new country artists.6. Cliff & Susan, the dynamic married country music duo, released of their rendition of Van Morrison's timeless classic, “Into the Mystic” on all major streaming platforms July 5. The song was recorded at the legendary FAME Recording Studios in Muscle Shoals, Alabama. Their version captures the soulful essence of the original while injecting it with their signature country flair.7. Erin Enderlin is a force in the country music world, known for her storytelling and vocal prowess. Her accolades include multiple albums, performances at the Grand Ole Opry, and numerous awards from the ACMAs. Her recent songwriting credits include cuts by Willie Nelson and Trisha Yearwood. 8. Country artist Lady Redneck, known for her high-energy performances and fun, tongue-in-cheek songs, released her latest single on June 7 -- a cover of The Police's iconic hit, “Every Breath You Take.”Bonus Track9. Renowned for his profound musical prowess and heartfelt melodies, Michael Zuzek is thrilled to release his new single, "Graystone," June 21. This track promises to be a captivating addition to the pop-rock genre, merging nostalgic influences with a fresh and invigorating sound. The track is from his upcoming 2024 album release, “Everest,” encapsulating the essence of the 60s and 70s while infusing it with contemporary vibrancy.Special thanks to the artists for allowing us to share their music, and to their management for supporting our creative community, especially Michael at MTS Management Group.We appreciate you for tuning in to Your World of Creativity! We hope you enjoy these fantastic new country tracks as much as we do. Be sure to follow and support these...
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