Podcasts about Vaudeville

When did the news become so awful? A: 2015. That was more of a rhetorical question, but you're 100% correct. It was 2015. So after 10 YEARS of doom-scrolling our collective souls (#shine) into a revolting, malodorous tarpit of human despair (access to misery included for a small monthly surcharge), how can the news be worth our time? A: When it's SUMMER BEATLE NEWS!!! That's why this week T.J. and Tony catch up on a romantic hammock and muse freely on the latest from the Land of Fab. And as they sway to the calm breezes of the Beatleverse, it rocks them to sleep #FileUnderRock, conjuring delightful afternoon visions…

Cappy-Town has been stricken with a deadly case of Vaudeville-itis and now its time for the pies to fly. Kirby's Dreamcast is a rewatch podcast covering Kirby Right Back at Ya, all of the Kirby games, and the pink puff ball in general. http://bit.ly/DreamcastiTunes http://bit.ly/DreamcastGoogle Check out our Discord at http://bit.ly/ScarfCord Scarfplays Twitter (Channel): https://twitter.com/ScarfPlays LostScarf Twitter (Personal): https://twitter.com/LostScarf

durée : 01:17:27 - Les Nuits de France Culture - par : Albane Penaranda - En 1952 dans "Le micro sous les planches", Michel Polac proposait d'assister aux répétitions de "L'Avare" par la troupe du TNP à Chaillot sous la direction de Jean Vilar. Deux émissions diffusées les 9 et 16 novembre 1952 sur France IV Haute-Fidélité. - réalisation : Virginie Mourthé - invités : Jean Vilar Comédien, auteur et metteur en scène français

When Kendrick Lamar took the Super Bowl halftime stage in 2025 and had the stadium chanting along to “Not Like Us,” it was clear: Diss tracks had gone stratospheric. The Kendrick vs. Drake beef echoes legendary rap rivalries like Biggie vs. Tupac and Jay-Z vs. Nas—but diss tracks stretch back through a century of American pop to the Tin Pan Alley era. Vaudeville singer Eddie Cantor, James Brown, John Lennon, Carly Simon, Kool Moe Dee, Lauryn Hill, and countless other artists have all tapped the hitmaking power of a personal grudge. Step this way and join Chris Molanphy as he traces the history of answer records, diss tracks, and rap beefs that shaped the charts—and the culture. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Kendrick Lamar took the Super Bowl halftime stage in 2025 and had the stadium chanting along to “Not Like Us,” it was clear: Diss tracks had gone stratospheric. The Kendrick vs. Drake beef echoes legendary rap rivalries like Biggie vs. Tupac and Jay-Z vs. Nas—but diss tracks stretch back through a century of American pop to the Tin Pan Alley era. Vaudeville singer Eddie Cantor, James Brown, John Lennon, Carly Simon, Kool Moe Dee, Lauryn Hill, and countless other artists have all tapped the hitmaking power of a personal grudge. Step this way and join Chris Molanphy as he traces the history of answer records, diss tracks, and rap beefs that shaped the charts—and the culture. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Kendrick Lamar took the Super Bowl halftime stage in 2025 and had the stadium chanting along to “Not Like Us,” it was clear: Diss tracks had gone stratospheric. The Kendrick vs. Drake beef echoes legendary rap rivalries like Biggie vs. Tupac and Jay-Z vs. Nas—but diss tracks stretch back through a century of American pop to the Tin Pan Alley era. Vaudeville singer Eddie Cantor, James Brown, John Lennon, Carly Simon, Kool Moe Dee, Lauryn Hill, and countless other artists have all tapped the hitmaking power of a personal grudge. Step this way and join Chris Molanphy as he traces the history of answer records, diss tracks, and rap beefs that shaped the charts—and the culture. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Kendrick Lamar took the Super Bowl halftime stage in 2025 and had the stadium chanting along to “Not Like Us,” it was clear: Diss tracks had gone stratospheric. The Kendrick vs. Drake beef echoes legendary rap rivalries like Biggie vs. Tupac and Jay-Z vs. Nas—but diss tracks stretch back through a century of American pop to the Tin Pan Alley era. Vaudeville singer Eddie Cantor, James Brown, John Lennon, Carly Simon, Kool Moe Dee, Lauryn Hill, and countless other artists have all tapped the hitmaking power of a personal grudge. Step this way and join Chris Molanphy as he traces the history of answer records, diss tracks, and rap beefs that shaped the charts—and the culture. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Lady of the Camellias (French: La Dame aux camélias) is a novel by Alexandre Dumas, fils, first published in 1848, that was subsequently adapted for the stage. The Lady of the Camellias premiered at the Theatre de Vaudeville in Paris, France on February 2, 1852. An instant success, Giuseppe Verdi immediately set about to put the story to music. His work became the 1853 opera La Traviata with the female protagonist "Marguerite Gautier" renamed "Violetta Valéry".  In the English-speaking world, The Lady of the Camellias became known as Camille and sixteen versions have been performed at Broadway theatres alone. The "lady of the camellias" is Marguerite Gautier, who is based on Marie Duplessis, the real life lover of author Dumas, fils. (Adapted from Wikipedia.)  Translated by Edmund Gosse.  This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Lady of the Camellias (French: La Dame aux camélias) is a novel by Alexandre Dumas, fils, first published in 1848, that was subsequently adapted for the stage. The Lady of the Camellias premiered at the Theatre de Vaudeville in Paris, France on February 2, 1852. An instant success, Giuseppe Verdi immediately set about to put the story to music. His work became the 1853 opera La Traviata with the female protagonist "Marguerite Gautier" renamed "Violetta Valéry".  In the English-speaking world, The Lady of the Camellias became known as Camille and sixteen versions have been performed at Broadway theatres alone. The "lady of the camellias" is Marguerite Gautier, who is based on Marie Duplessis, the real life lover of author Dumas, fils. (Adapted from Wikipedia.)  Translated by Edmund Gosse.  This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Lady of the Camellias (French: La Dame aux camélias) is a novel by Alexandre Dumas, fils, first published in 1848, that was subsequently adapted for the stage. The Lady of the Camellias premiered at the Theatre de Vaudeville in Paris, France on February 2, 1852. An instant success, Giuseppe Verdi immediately set about to put the story to music. His work became the 1853 opera La Traviata with the female protagonist "Marguerite Gautier" renamed "Violetta Valéry".  In the English-speaking world, The Lady of the Camellias became known as Camille and sixteen versions have been performed at Broadway theatres alone. The "lady of the camellias" is Marguerite Gautier, who is based on Marie Duplessis, the real life lover of author Dumas, fils. (Adapted from Wikipedia.)  Translated by Edmund Gosse.  This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In dieser Folge beamen wir uns zurück in den November 1985 – mit Kirk, Spock, Buckelwalen und der vielleicht charmantesten Wissenschaftlerin der 80er-Jahre: Gillian Taylor. Wir analysieren Star Trek IV ab Minute 64 – inklusive: - Ditzy-Definitionen von Vaudeville bis Lucille Ball - Kirks Iowa-Herkunft und sein galaktischer Charme - Einem Reality-Check zu Militärhunden auf Trägern - Und einer Reise durch UFO-Paranoia und die Majestic-12-Verschwörung Der Podcast mit Fakten, Fiktion und Fandom – das Discovery Panel ist zurück.

A new week means new questions! Hope you have fun with these!What is a single piece of coil DNA called?What New England state is also a member of the New York Tri-State area?In which country did the theatrical genre Vaudeville get its start in the middle of the 19th century?Colonial militas that were ready to fight quickly were known by what timely nickname?What color is the hottest kind of star?In Settler of Catan's standard version, a player can win if they accumulate how many victory points?Believed to be the first ever, which Scottish Golf course is in a town believed to be the resting place of bones of a Christian apostle?What type of animal is Horton in Dr Seuss books?In 2009, what became the first Morse code character to be added since WWII?What song did Katy Perry sing during her brief flight to space in April 2025?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

In this episode I continue my review of Broadway's Nostalgia Craze of the 1970s and beyond. Many of the musicals that emerged in the late 60s and very early 70s were also influenced by the incipient Nostalgia Craze, even if overall their shows were decidedly modern. HAIR, Jesus Christ Superstar, Godspell, Two Gentlemen of Verona, Applause  all included musical sequences that recalled the Vaudeville era and Silver Age of Broadway. So nostalgia was in the air, and then No, No, Nanette sent it into the stratosphere! And all of this was before the nostalgia craze expanded to include the 1950s. Almost exactly one year after the premiere of Nanette the musical Grease opened on Broadway. It became wildly popular and ran for eight years on Broadway passing Fiddler to become the longest running musical of all time until A Chorus Line passed it. And Grease's enormous success set into motion a 1950s wing of the nostalgia craze by inspiring both the movie American Grafiiti (1973) and the TV show Happy Days (1974). The success of Nanette led directly to a 1973 revival Irene, the smash hit musical that opened in 1919 and became the longest running musical of its day. And Grease led directly to Over Here !, the 1974 musical in which the director, choreographer and producers of Grease attempted to do for the 1940s, what their previous show had done for the 1950s. The two still living Andrews Sisters, Patty and Maxine, where enticed to star in Over Here!, and the Sherman Brothers, of Disney fame, provided a terrific set of brand new very authentic sounding Big Band era style songs for them to swing. Broadway's Nostalgia Craze continued with a hit 1975 revival of the Jerome Kern Princess Theater musical Very Good Eddie, then in 1979 both the 1928 Edie Cantor vehicle Whoopee! and the 1930's style classic Burlesque show, Sugar Babies.  It was inevitable that the movie 42nd Street itself would be transformed into a Broadway stage musical in 1980. That same season there was the Marx Brothers inspired revusical A Day In Hollywood A Night In The Ukraine. 1983 brought a hit revival of Rodgers & Hart's On Your Toes, and over the next decade there would be two Gershwin “revisals”, both of them so heavily reworked that they were given new titles: My One And Only in 1983, and Crazy For You in 1993. In between, came the Broadway debut of a 1937 London hit Me And My Girl in 1986. I would even include the 1980 blockbuster Annie in this category. Although it was, of course, an entirely new musical it certainly played on nostalgia for the comic strip and radio show Little Orphan Annie from the Depression Era, and smartly used that to echo the recession of the 1970's. Some people would say that the Nostalgia Craze never ended, at least as far as Broadway is concerned.  Although, revivals of popular musicals have been part of the Broadway mix throughout most of its 120+ year history, the success of No, No, Nanette and its successors created a pattern and expectation that in every season – there should be at least enough revivals to fill out a Tony Award “Best Revival” category. And you could say that the immense popularity of City Center's Encore Series is an extension of the Nostalgia Craze, as well. I for one hope that we will never tire of rediscovering and reinventing the great musicals of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices

Text us about this show.Meet The Seavers is perhaps the most unique musical act in NE Wisconsin and the bio on their website states They don't fit in and they like it that way. Their music has been dubbed "New Avant Garde Swing" and when you give it a listen you understand almost immediately why. However, that description doesn't mean it isn't accessible to the general listening public. Jace K. and Dorothy G. Seavers have crafted an act that's equal parts jazz, swing, Vaudeville, rockabilly, spacey, and humor. They're set apart by just about every aspect that makes them Meet The Seavers and it's a refreshing change of pace for those that have discovered them. Do yourself a favor and discover them too!"Here In Manitowoc" and "Syncopated Steam" performed by Meet The Seaverswritten by Jace K. Seavers℗ 2024 2143502 Records DK. Used with permission of Jace K. Seavers"On A Day Like Today" performed by Meet The Seaverswritten by Jace K. Seavers℗ 2013 Meet The Seavers. Used with permission of Jace K. SeaversSupport the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

Kyla Webb is a passionate musician and performer based in Michigan City. She is the lead vocalist of Skirt, a band that fuses country, funk, and jazz to create a distinct sound. Influenced early by The Beatles, blues, and Dolly Parton, Webb began playing guitar, banjo, and mandolin while honing her vocal and songwriting skills.A graduate of Columbia College Chicago with a theater degree, Webb has toured nationally as a silent film actor and clown under her alter ego, Sammy Tramp. Her performances blend classic vaudeville charm with modern storytelling, captivating audiences in burlesque and cabaret venues across the country.In addition to music and theater, Webb works as a freelance bartender and designer, creating posters for local businesses. She enjoys spending time in nature and attending concerts with her wife, drawing inspiration from the creative spirit and authenticity of the Michigan City community.Her artistic versatility and dedication to uplifting local culture make her a standout in the Northwest Indiana arts scene.GreatNews.Life & Podcast Host Jenny Craig-Brown have transformed the All About the Girls annual event into a podcast! These monthly episodes feature incredible women giving the audience all the insight about what makes them happy, successful, and motivational. New episodes launch on Sundays to make sure to start your week on a positive note! The All About the Girls Podcast is brought to you by GreatNews.Life GreatNewsLife looks to form positive, online communities centered around the idea that, given the option, viewers prefer to see all the good things going on in their community, as opposed to negative news. Here you'll find exclusively positive, hyper-local stories, features, and news touting everything exceptional about the communities that make up Northwest Indiana. We invite you to partake in the Region's only source for all-positive news, all the time. Watch it. Love it. Share it.

Vaudeville Sound Canada's Mirko Vogel (managing partner) and Miguel Arauj (supervising sound editor) delve into Vaudeville's services in creative sound design and mixing, its focus on immersive audio, standout projects, and how Genelec studio monitors are instrumental across the studio's branches across the UK, US and Canada.

During an almost eight-decade career in nearly every facet of show business, the comedian, actor and entertainer was adored by millions around the world.

« Contrairement à ce qu'on peut penser, Feydeau c'est une écriture très fine et très aigüe, avec des mécaniques de précisions incroyables. C'est un très bon exercice pour le metteur en scène de se confronter à ces structures implacables, qui vous obligent à travailler différemment et à revenir à la compréhension de la narration d'une histoire. Avant de faire rire, Feydeau raconte des histoires. » L'Hôtel du Libre-Échange, c'est une nuit de quiproquos, de rendez-vous ratés, d'amours escamotés et d'infidélités consommées... Vingt ans après avoir mis en scène La Puce à l'oreille, Stanislas Nordey retrouve l'univers de Georges Feydeau avec l'une de ses œuvres majeures. Cette production réunit sur la scène du Théâtre de l'Odéon à Paris une troupe de quatorze comédiens et commédiennes hors pair - un nombre important et apprécié -  dont Hélène Alexandridis, Marie Cariès, Claude Duparfait ou encore Cyril Bothore. Invité : Stanislas Nordey, comédien et metteur en scène.  « L'hôtel du libre-échange »  est à voir au Théâtre de l'Odéon jusqu'au 13 juin 2025.► Pour approfondir les thèmes abordés dans la pièce, un séminaire intitulé « Genre, sexualité et vaudeville » est organisé le mercredi 21 mai 2025 à 18h00 au Salon Roger Blin de l'Odéon. Ce séminaire, en partenariat avec Sorbonne Université, réunira des experts pour discuter des questions de genre et de sexualité dans le contexte de la pièce.► Pour en savoir plus sur le parcours de Stanislas Nordey, un livre d'entretiens avec Fréderic Vosier : Stanislas Nordey, Locataire de la parole publié aux Solitaires intempestifs.La programmation musicale : ♦ « Clair de Lune », Pierre Kwenders ft Pierre Lapointe & NegoO.

« Contrairement à ce qu'on peut penser, Feydeau c'est une écriture très fine et très aigüe, avec des mécaniques de précisions incroyables. C'est un très bon exercice pour le metteur en scène de se confronter à ces structures implacables, qui vous obligent à travailler différemment et à revenir à la compréhension de la narration d'une histoire. Avant de faire rire, Feydeau raconte des histoires. » L'Hôtel du Libre-Échange, c'est une nuit de quiproquos, de rendez-vous ratés, d'amours escamotés et d'infidélités consommées... Vingt ans après avoir mis en scène La Puce à l'oreille, Stanislas Nordey retrouve l'univers de Georges Feydeau avec l'une de ses œuvres majeures. Cette production réunit sur la scène du Théâtre de l'Odéon à Paris une troupe de quatorze comédiens et commédiennes hors pair - un nombre important et apprécié -  dont Hélène Alexandridis, Marie Cariès, Claude Duparfait ou encore Cyril Bothore. Invité : Stanislas Nordey, comédien et metteur en scène.  « L'hôtel du libre-échange »  est à voir au Théâtre de l'Odéon jusqu'au 13 juin 2025.► Pour approfondir les thèmes abordés dans la pièce, un séminaire intitulé « Genre, sexualité et vaudeville » est organisé le mercredi 21 mai 2025 à 18h00 au Salon Roger Blin de l'Odéon. Ce séminaire, en partenariat avec Sorbonne Université, réunira des experts pour discuter des questions de genre et de sexualité dans le contexte de la pièce.► Pour en savoir plus sur le parcours de Stanislas Nordey, un livre d'entretiens avec Fréderic Vosier : Stanislas Nordey, Locataire de la parole publié aux Solitaires intempestifs.La programmation musicale : ♦ « Clair de Lune », Pierre Kwenders ft Pierre Lapointe & NegoO.

Music by Charles StrouseLyrics by Lee AdamsBook by David Newman & Robert BentonDirected & Produced by Harold PrinceStarring Jack Cassidy, Linda Lavin, Bob Holiday, Patricia Marand & Michael O'SullivanOpened on Broadway March 29, 1966

The comedian and actor is best known as the onscreen leader of the Three Stooges. 

State of the Bay sits down with Assemblymember Buffy Wicks, dives into the nation's first college degree program in psychedelics, and explores a new exhibit celebrating Vaudeville star Bert Williams.

When family stories become show biz stories, the world listens. Fitting that very bill we've got actor Keith Coogan, the grandson of the original child star, Jackie Coogan, whose namesake law in the state of California, is the first to safeguard the rights of young performers in Hollywood. Keith talks about growing up with this legend plus his own iconic roles as a prolific film and TV child actor!Keith's career proves that show business blood runs thick: He told his mother he wanted to act before he even knew of his family legacy. His great grandfather, Jack Coogan Sr. was a Vaudeville and silent film star. His grandfather, Jackie Coogan was known, in the 1920s as, “the most famous boy in the world!” Keith began booking roles by the age of eight and quickly became a go-to casting choice, for TV guest spots and commercials starring Henry Fonda and Robert Morse.Keith's show biz success made his grandfather proud but a little jealous and relieved when Keith developed into a working actor rather than America's darling.Keith tells us about the legendary events, which led to The Coogan Act - After Jackie's father died in a car crash, the young superstar's hard earned fortune was squandered by his stepfather.Passed in 1939, The Coogan Law requires that a portion of a child's earnings be placed in a blocked trust account until the child turns 18.Keith recalls with great fondness his experiences working with stellar casts and crews on the “Babysitter” cult greats, 'Adventures in Babysitting', and Don't Tell Mom The Babysitter's Dead. Plus Toy Soldiers, The Waltons and The Fox and The Hound.We play IMDB Roulette and get into Laverne and Shirley, Mork and Mindy, and Little House!In recommendations-- Weezy: Netflix series, North of NorthFritz: Book, How Democracies Die by Daniel Ziblatt and Steven LevitskyPath Points of Interest:Keith Coogan Keith Coogan on WikipediaKeith Coogan on IMDBKeith Coogan on InstagramKeith Coogan on XKeith Coogan on YouTubeKeith Coogan on FacebookKeith Coogan MerchNorth of NorthHow Democracies Die by Daniel Ziblatt and Steven LevitskyMedia Path Podcast

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Peter Jackson's King Kong - Ep 338: Monsters belong in B-Movies, but what about an A-Movie? Your hosts head to Skull Island and dig into the interesting follow up to Peter Jackson's academy award winning trilogy, it's 2005's King Kong on Normies Like Us! So what are you Normies; a lion, or a subscriber? @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

Mike Donlin: A Rough and Rowdy Life From New York Baseball Idol to Stage and Screen The Not Old Better Show, Art of Living Interview Series Ladies and gentlemen, picture this: A baseball star so good they called him “Turkey Mike,” a man who could hit, run, and put on a show at the plate like nobody else. A fan favorite, a heartthrob, a natural entertainer. But also—a brawler, a drinker, a man with a temper so fierce he got himself suspended almost as often as he hit home runs. And then? He walked away. Right at the peak of his career, with numbers that could have made him a legend, Mike Donlin did the unthinkable—he left baseball. Not for injury. Not for money. But for love. Her name was Mabel Hite, a Vaudeville star with a dazzling smile and a quick wit. Together, they became one of the most famous couples of their time—packing theaters, charming audiences, and proving that baseball and showbiz weren't so different after all. But their story wasn't all curtain calls and encore performances. Tragedy struck, and Donlin, once the brightest star on both the diamond and the stage, found himself at a crossroads once again. Today, we're diving into this forgotten, fascinating, and downright unbelievable story with baseball historian and award-winning author Steven Steinberg. His new book, available at Apple Books, Mike Donlin: A Rough and Rowdy Life from New York Baseball Idol to Stage and Screen, brings this larger-than-life character back into the spotlight. We'll talk about Donlin's triumphs, fights, Hollywood years, and the love that changed everything. Baseball, Vaudeville, scandal, romance, and a man too big for just one stage—this is going to be a great one. So, grab a seat, and let's get into it. I'm Paul Vogelzang, and this is The Not Old – Better Show.

Back before World War II, when racism was still a mainstream attitude with little or no social stigma attached, Portland was not a very friendly town for Black people. It's not that way any more, of course. There's still racism; but the toxic race-hierarchalism that winked at lynchings and enabled the rise of the Ku Klux Klan — that, thankfully, is a distant and uncomfortable memory today. And one has to wonder how much of that transformation — not just in Portland, but around the nation — can be attributed to the influence of one man, a man still today widely known as “The World's Greatest Entertainer”: Sammy Davis, Jr. Davis came to Portland with his dance group, the Will Mastin Trio — composed of Davis, his father, and his father's best friend, Will Mastin — just after the Second World War. For a little while he was a regular in P-town's clubs and Vaudeville theaters. ... (Portland, Multnomah County; 1940s) (For text and pictures, see https://offbeatoregon.com/2404d-1111d.sammy-davis-jr-portland-story-149.646.html)

Empire Training Center for the Arts is a new vocational venture operating out of The Chance Theatre on Main Street in Poughkeepsie, New York.Their first major fundraising event in Poughkeepsie is coming up on March 15. The Dirty Dutchess: An Evening of Vaudeville, Burlesque and Broadway is directed by Peter Flynn. Flynn is a New York based director, writer and educator and he joins us now - along with Empire Training Center for the Arts Co-Founder and Executive Director Trish Santini.

There's been somethin' strange in the neighborhood for longer than you might realize! I bet you didn't even know who to call, or how to call them. Hint: At least once, you call a Gorilla using a talking-self-destructible fish. On this episode, Chelsea, Kelly, and Nate put on their jumpsuits, grab their De-Materializers, and discuss 1975's The Ghost Busters--a television show that may well have changed human history forever. We also dig into the 1986 Filmation cartoon, Ghostbusters, and all its robo-ghost villain, jalopy driving, skelevision-watching glory. There's also a glorious MouthGarf Report, and some spppppppoooky I See What You Did There! Please give us a 5 star rating on Apple Podcasts! Give The Ghost Busters (1975) and Ghostbusters (1986) a look... if you dare.Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Valentine's Day

In Episode #210 of The XS Noize Podcast, host Mark Millar speaks with Irish No-Wave Provocateur Skinner about his debut album, New Wave Vaudeville. Skinner kicks off 2025 with the release of his highly anticipated debut album, New Wave Vaudeville. The project of Dublin-based multi-instrumentalist, singer, and producer Aaron Corcoran, Skinner draws inspiration from the New York No Wave scene of the late '70s and early '80s. New Wave Vaudeville pays homage to the eclectic "New Wave Vaudeville" music variety freak show at New York's 57 Club from 1978 to 1983. Known for its unrestrained art performances and debaucherous energy, the 57 Club offered a wild counterpoint to the growing commercialization of modern culture—a spirit perfectly mirrored in the rambunctious and free-spirited sound of Skinner's debut collection. In this episode, Skinner discusses the writing and recording process behind New Wave Vaudeville, his upcoming shows, and much more. Listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Bernard Butler, Steven Wilson, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies, Villagers, and many more.  

This episode we are transported to some 1950's glamour as we discuss "There's No Business like Show Business" starring Ethel Merman, Danny Kaye and of course the one and only Marilyn Monroe. The story follows The Donahues, a travelling Vaudeville family through the ups and downs of their lives in a surprisingly emotional tale. Tune in and let's go on with the show!!!

At the turn of the 20th century, Vaudeville performances exploded in growth in America, entertaining audiences with a variety of acts from magicians to comedy shows and more. In Astoria, Oregon, the historic Liberty Theatre was home to some of these acts. Melissa Hart is a journalist and author based in Eugene. Her great- grandparents were vaudeville performers themselves and traveled around the world with their act. She wrote about the history of vaudeville both in Astoria and more broadly for the publication Hidden Compass. She joins us to share more on who her great-grandparents were and the impact vaudeville had in the U.S. 

Hosted by Andrew Quinn and Darren Mooney, this week with special guest David Monaghan and Grace Duffy, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them. This week, Peter Jackson's King Kong. Vaudeville performer Ann Darrow has just lost her steady gig. A chance encounter with veteran filmmaker Carl Denham presents a unique opportunity. If Denham can stay one step ahead of his investors, he might just make the greatest motion picture that the world has ever seen. Tricking his cast and crew on to a boat, Denham sets sail for adventure, charting a course to the most dangerous location shoot in the history of cinema, a mythical locale described in whispers as "Skull Island." Denham plans to make a star of the island's more iconic inhabitant: the King that they call Kong. At time of recording, it was not ranked on the list of the best or worst movies of all time on the Internet Movie Database.

Welcome to our podcast where we discuss and deliberate over memoirs and biographies found in thrift shops. This is a great way to do things as we are not choosing who to read about. We may not be fans of the person, we may never have heard of the person and we never know who we are going to find next...There are only 2 rules to this podcast. The book has to be found in a thrift shop and we are not allowed to talk about the book until we press record, which is sometimes agonising.We have lots of episodes coming up so if you find yourself enjoying our podcast, please be sure to subscribe to be among the first to hear about each episode.

Performers, artists, and Improv champions Kareem & Valerie from Paralellogramophonograph swing through and bring the classic laughs. Kevin cosplays as the at-the-time unknown Luigi Mangione. The four discuss Disney parks and pies before they play some Taboo. Then things get a throwback as the PGraphers take Thomas and Kevin back to Vaudeville. Then we get a little violent. Broadway Showdown - Jan. 8, 2024 (New York): https://magnettheater.com/show/59165/ PGraph's Book/Site: https://www.pgraph.com/ PGraph @ The Hideout (Austin, TX): https://www.hideouttheatre.com/shows/PGraph/?event_id=15391 Club Soda Improv's Snowed In Holiday Show - December 28 (Winnipeg): https://3common.com/event/snowed-in-a-cozy-improv-show/6750c250c62725e1c6e6c2f3 Submit Segments to Oops All Segments: https://forms.gle/rfwsaeFFnX5AAFHY8   Check out our DnD show: 'What We Do in the Basement': https://podcasts.apple.com/ca/podcast/what-we-do-in-the-basement/id1552947049

Sailor Noob is the podcast where a Sailor Moon superfan and a total noob go episode by episode through the original Sailor Moon series!This week, the conflict against the Animamates reaches a new level as Sailor Lead Crow succeeds in capturing the True Star Seed! Can the Sailor Senshi and the Sailor Starlights defeat their enemy or will the galaxy belong to Galaxia?In this episode, we discuss the history of geisha, jokyu or cafe girls, and maid cafes in Japan. We also talk about calligraphic co-dependency, Rule 34 Patterns, Bee Family, singing drummers, Moby Dicking, pink balls, segregating girls and kids, colon hats, eating okra, being very serious, Scott Stapping, Little Rorschach, Sailor Lead Spaghetti, geisha podcasts, courtesan Vaudeville, Tokyo Vice Cops, hero juice, and we're sorry, Women!In Soviet Russia, rod swallow you!We're on iTunes and your listening platform of choice! Please subscribe and give us a rating and a review! Arigato gozaimasu!https://podcasts.apple.com/us/podcast/sailor-noob/id1486204787Leave us a comment on Spotify!Listen to our new podcast, Mona Lisa Overpod!https://www.spreaker.com/podcast/mona-lisa-overpod--6195851Become a patron of the show and get access to our live-action PGSM, Animedification, Utena, Ghibli, and Evangelion podcasts!http://www.patreon.com/sailornoobPut Sailor Noob merch on your body!http://justenoughtrope.threadless.comSailor Noob is a part of the Just Enough Trope podcast network. Check out our other shows about your favorite pop culture topics and join our Discord!http://www.twitter.com/noob_sailorhttp://www.justenoughtrope.comhttp://www.instagram.com/noob_sailorhttps://discord.gg/49bzqdpBpxBuy us a coffee on Ko-Fi!https://ko-fi.com/justenoughtrope

Guests - Dana Moore and MaryAnn LambHosted By - Courtney Ortiz and Lesley MealorIn Episode 201 of Making The Impact - A Dance Competition Podcast, we are introducing a new Spotlight Feature Episode series featuring different genres of dance. Kicking off this series is a subgenre of jazz dance - you know it when you see it - Fosse! With us today are two giants in the industry, MaryAnn Lamb and Dana Moore, to share their invaluable insights into this highly specialized style.Topics Include: What characterizes the Fosse genre aside from the recognizable body positions Intimate details of what it was like to work with Bob Fosse and Gwen VerdonHow the Verdon Fosse Legacy organization is sharing the style to a new generationHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceDana Moore - @officialdanamooreMary Ann Lamb - @_maryannlamb_Check out our guest's current projects! For more information about Bob Fosse and Gwen Verdon, visit Verdon Fosse Legacy.This episode is sponsored by:Francisco Gella Dance Works Educational and developmental programs, intensives, and seminars designed to empower students, parents, educators, and artists.Register now for an upcoming intensive, workshop or seminar! CapezioGet a free “Everyday Dance Duffle” bag with any purchase. To redeem, add the Everyday Dance Duffle style #B246 to your cart and use code IMPACT at checkout, while supplies last.Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

I believe there will always be a place for live performance art. Of course some kind of future, generative Ai coupled to a high-res VR headset might be able to conjure anything and everything, but I don't think it likely many people are going to enjoy it. I think humans will always want something they can believe is “real.” Perhaps I am far too much of a pollyanna about this. I have dedicated my entire adult life to creating live experiences as a performer. On top of that I just spent a year in rural Norway learning to build traditional wooden boats! Granted, anything I have to say is going to be anecdotal, but I think that is why you come to someone like me. If you wanted hard facts and figures you would turn elsewhere. Data I do not have, but I can tell you what my gut says.There is an essential quality to knowing that the thing in question is happening right in front of you, in the same room. Years ago when I was a teenager my friend Margie told me she had gone to the opera in New York City. This was back when I played violin so my interest in classical music, and thus opera, was a shade more than passing. I balked when she told me how much it cost. “Why would anyone pay that much to see… opera?” I asked. “Well, there was nudity,” she replied, “you could see naked people live, but it was classy.” I suddenly found myself developing a hankering for Puccini. Sure, I already had a primordial idea of how to look up naked people on the internet, but the idea of being in the same room, held a kind of magical quality. I think this is also why people go to art galleries to look at famous paintings, even if it's only to take a selfie to prove they were in the same room.Walking around my hometown on Halloween night with a friend we passed an enormous line of people that caught our eye. They were not queueing outside a bar or or a club, but rather a sex-toy boutique. While a sudden urge for amorous assistance on Halloween makes a certain degree of sense, it was not the boutique's products they were interested in, it was a haunted house. These folks wanted to walk inside a building and experience something live. Even when higher quality visuals and atmosphere are doubtless available via a film. (Blue or Otherwise) And yet, people go. I don't think it's just the immersive quality that draws the crowds, I think it is also the crowds themselves. You can see that you are not experiencing this alone. Why else would the rise in lonely at-home viewing over the past three decades also see an attendant rise in online forums and social media geek culture to discuss such things. People don't just want the art, they want to share their experience of the art.I think this is also the origin of “smash rooms.” You may have noticed a business like this arriving somewhere in your town. A storefront with a name like “The Rage Room,” promises you can come inside and break stuff. They might have a padded cell where you can throw yourself at the wall, or a pile of crockery that you can bust up with a baseball bat. Why again, would someone want to leave their home to do this? To borrow the popular meme, “We have stuff to break at home.” I don't believe it is just that at a business where you pay it is someone else's job to clean it up. I think it has something to do with a more fundamental urge, a desire to do human things near other humans. To be observed in our participation, as much as to participate. This all comes together nicely in the artform in which I have what you could very charitably call a career. I call it Cabaret, but you might also use Vaudeville, Sideshow, Circus, Muppet Show, or any number of other monikers that conjure a similar vibe. I don't just play accordion, I juggle, I do magic tricks, I lay on a bed of nails, I perpetrate the occasional striptease. At precisely none of these things am I the best in the world. One need look no further than a single search on youtube in every single one of these categories to find things far more spectacular than myself. So why do people come out to see me?Obviously I have spent no small amount of time pondering that very question, and what I have arrived at is that people want to know they were in the room where it happened. It is the same reason you continue to pursue and enjoy romantic entanglements with real live human beings even though hotter ones exist online. Some part of your brain might acknowledge that the person in front of you is not as hot as the tightly controlled public image of a given celebrity, but they are here and the celebrity is not. So I guess I come down on the side of the bird in the hand, and not the two in the bush, and I think the vast majority of humanity does as well. Do we fantasize about something bigger, better and faster? Sure, but then we settle down with what is in front of us and go on about the business of living in the real world.Sure this is all anecdotal, and coloured by what I personally like, but my gut says people will always leave the house to go do something. There is something real to be had out here in the world, and we want to find it and share it with each other. Perhaps not as many as in a previous epoch, but certainly enough for us artists to keep trying to entertain.

Australia's Vauxdvihl (or, for a short time, Vaudeville) came quickly, evolved swiftly, and left behind a beautiful corpus of 19 documented songs. We have stood in awe for three decades of this short but impressive discography, and episode 123 of our weird little podcast is an attempt to bring you into the Vauxdvihl fold. (Beware of the ridiculous amount of Fates Warning mentions here…or make a drinking game of it.)Note I:The Radical Research Patreon page is now set up and ready for your patronage. We are offering tiered subscription levels for those who want a set-it-and-forget-it donation option. As ever, if you choose to support us, we are humbled and grateful! patreon.com/RadicalResearchPodcast Note II:All past Radical Research episodes can be found here, where you can also find Jeff's Peter Steele and Fates Warning books…and more to come soon! Radicalresearch.orgMusic cited in order of appearance:Intro: “Summoning” (Siberian Church Recordings, 2001)“To Dimension Logic” (To Dimension Logic, 1994)“Questions or Misanthropy” (To Dimension Logic, 1994)“Separate Ends” (To Dimension Logic, 1994)“Comedy of Errors” (To Dimension Logic, 1994)“Philosophia Mosaica” (To Dimension Logic, 1994)“In Search of Forever” (To Dimension Logic, 1994)“Assassination” (Vog, 1998)“The Funeral Party” (Vog, 1998)“For the Son Has Gone to Hell” (Vog, 1998)“Plots, (T or F) Are a Necessary Thing?” (Siberian Church Recordings, 2001)“Isis/Pekt” (Siberian Church Recordings, 2001)“Movement” (Siberian Church Recordings, 2001) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

The most streamed Beatles song – 700 million plays more than any other – is not by Lennon/McCartney but George who, as author Seth Rogovoy points out, is still widely considered “an economy-class Beatle” though his contributions were central to the success of their records. Seth's new book ‘Within You Without You: Listening to George Harrison' sets out to right this monstrous wrong! As does this conversation with the two of us which covers … … did My Sweet Lord's court case puncture his sense of ambition? … how he changed Taxman for American audiences. … the statement made by starting All Things Must Pass with a Dylan/Harrison composition. … how he was fleeced by not one but two managers - Allen Klein and Denis O'Brien. … what we learnt from watching ‘Get Back'. … Broadway ballads, Vaudeville, jazz and the solo on ‘Til There Was You. … remortgaging Friar Park for Life Of Brian and pushing for the Anthology “payday”. … his glorious spiritual/material contradiction – “the Pisces sign is two fish going in opposite directions”. … a social mobility that John and Paul both envied. … falling out of love with live performance. … the beliefs of his early ‘20s he sustained all his life. … and the staples of George Harrison's Jukebox. Order Seth's book here:https://www.amazon.co.uk/Within-You-Without-Listening-Harrison/dp/019762782XFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The most streamed Beatles song – 700 million plays more than any other – is not by Lennon/McCartney but George who, as author Seth Rogovoy points out, is still widely considered “an economy-class Beatle” though his contributions were central to the success of their records. Seth's new book ‘Within You Without You: Listening to George Harrison' sets out to right this monstrous wrong! As does this conversation with the two of us which covers … … did My Sweet Lord's court case puncture his sense of ambition? … how he changed Taxman for American audiences. … the statement made by starting All Things Must Pass with a Dylan/Harrison composition. … how he was fleeced by not one but two managers - Allen Klein and Denis O'Brien. … what we learnt from watching ‘Get Back'. … Broadway ballads, Vaudeville, jazz and the solo on ‘Til There Was You. … remortgaging Friar Park for Life Of Brian and pushing for the Anthology “payday”. … his glorious spiritual/material contradiction – “the Pisces sign is two fish going in opposite directions”. … a social mobility that John and Paul both envied. … falling out of love with live performance. … the beliefs of his early ‘20s he sustained all his life. … and the staples of George Harrison's Jukebox. Order Seth's book here:https://www.amazon.co.uk/Within-You-Without-Listening-Harrison/dp/019762782XFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

2012 dans la région de Saint-Etienne. Philippe Gletty, un chef d'entreprise, est abattu avec un calibre de 8mm… Une affaire criminelle qui met en scène le trio classique : le mari, la femme et la maîtresse.

2012 dans la région de Saint-Etienne. Philippe Gletty, un chef d'entreprise, est abattu avec un calibre de 8mm… Une affaire criminelle qui met en scène le trio classique : le mari, la femme et la maîtresse.

2012 dans la région de Saint-Etienne. Philippe Gletty, un chef d'entreprise, est abattu avec un calibre de 8mm… Une affaire criminelle qui met en scène le trio classique : le mari, la femme et la maîtresse.

Harry "Pop" Kramer, was a vaudeville trick cyclist whose story is filled with circus flair, daring feats, and personal tragedy. Born in 1875 in Alexandria, Virginia, Harry's journey from a disciplined farm life to the dazzling world of vaudeville is nothing short of remarkable.  Today we tell the story of Pop Kramer, the Appalachian daredevil on two wheels, another one of the Stories of Appalachia.  If you want to catch all our stories, be sure to subscribe on your favorite podcast app.  You can also support our storytelling journey and access exclusive content by becoming a patron here:https://www.spreaker.com/podcast/stories-of-appalachia--5553692/support  Thanks for listening!

Nous sommes le 17 janvier 1899, à Paris, jour de la création triomphale de « La Dame de chez Maxim », au théâtre des Nouveautés. Un journaliste est venu interroger l'auteur : Georges Feydeau qui déclare : « Ne vous étonnez pas si je suis triste. Telle est, en effet, ma disposition habituelle. Je ne ressemble point à mes pièces, que l'on s'accorde à trouver réjouissantes. Je suis mauvais juge en ces matières. Je ne ris jamais au théâtre. Je ris rarement dans la vie privée. Je suis taciturne, un peu sauvage. Je fuis les occasions de causer de choses oiseuses avec mes amis. Cette indifférence leur paraît du dédain. Et ils s'en vengent en me traitant de « poseur ». Les longues conversations m'inspirent une appréhension invincible ». Plus de 120 après ces mots, le triste Feydeau fait pourtant toujours rire : « Tailleur pour dames », « La puce à l'oreille », « Le système Ribadier », « Occupe-toi d'Amélie » sont toujours à l'affiche des théâtres du monde entier. Alors qui était celui qui a donné ces lettres de noblesse au vaudeville ? Celui qui ne souhaitait pas seulement déclencher l'hilarité mais susciter la réflexion ? Visitons le coulisses de son inspiration… Avec nous : Violaine Heyraud, maître de conférences en littérature française, à l'Université Sorbonne Nouvelle-Paris 3. « Georges Feydeau » ; Folio (Gallimard Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

August Fanon and blackchai have joined forces on the recently released "OTHERWISE A BLUR". We spoke with the duo about how the project came together, the inspiration for blackchai's flows, and the energy that has gone into August Fanon's production. Then we talked about their album pick for this episode - "Vaudeville Villain" by DOOM's alter ego Viktor Vaughn. Stream and purchase "OTHERWISE A BLUR" here: https://augustfanon.bandcamp.com/album/otherwise-a-blur

January 3-9, 1998 This week Ken welcomes comedian, filmmaker and all around good dude Jeff Cerulli to the show. Ken and Jeff discuss documentary films, hot dog eating contests, TV Eating Contests, The Simpsons, Senior Year of High School, The Spin Doctors, mail order CDs, TV Guide appearing in movies, The Ice Storm, The Postman, Equal, smoking bans, beepers, the top 12 Simpsons episodes (circa 1998), winning the REAL Simpsons house, Ice-T, Marky Mark, having no concept of modern country and Christian music, The Wiz, Comics Come Home, Road Rules, The Real World, Star Wars Special Edition, Jackie Mason, Caddyshack II, how Vaudeville could be alt com, Pacific Blue, Baywatch, the extended Baywatch Universe, The Black Out Effect vs. The Trigger Effect, Demi Moore in Striptease, horny viewing, Mannequin being a three star movie, Beavis and Butthead, VH1 Pop Up Video, The Brothers McMullan, Poison Ivy series, Boy Meets World, voice over, Richard Lewis, bOkU, Drew Carey Show, the horrors of White Grape, Buffy the Vampire Slayer the movie, The Cronenberg Dynasty, Scanners II, MTV as a home channel, when we all hand to witness Anthony Michael Hall break out of being a nerd, Johnny B Goode, Bill Paxton, Weird Science, Seinfeld's final season, the return of Larry David, Bulls, Michael Jordan, Oliver Stone vs. Oliver North, Celebrity Jeopardy, and a particularly angry Cheers and Jeers.

I had never heard of the tragic case of former Vaudeville star Vivian Gordon in 1930s New York. She had threatened some of the city's most powerful men and at least one of them wanted her dead. Her murder in 1931 caused the downfall of the mayor of New York City. Author Michael Wolraich wrote a book about Gordon and her death called: The Bishop and the Butterfly Murder, Politics, and the End of the Jazz Age.  Support this podcast by shopping our latest sponsor deals and promotions at this link: https://bit.ly/3zukETh  See more information on my books: katewinklerdawson.com   Follow me on social: @tenfoldmore (Twitter) / @wickedwordspod (Facebook) / @tenfoldmorewicked (Instagram)   2024 All Rights Reserved  Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the past century, the charismatic movement swept the globe, promising a deeper connection with God, spiritual blessing at every turn, and lots of cash for anyone with enough faith. How did this movement begin? And how has it changed over the decades? This episode answers those questions as it tells the story of one of the movement's founders and most famous leaders. Then, we'll tell another story about a woman who rejected the movement and found salvation outside it. Finally, we'll look at why John MacArthur's been such a critic of the all the charismatic chaos—even though friends he will one day see in heaven are part of it. John will show us the fatal flaw at the center of the movement and what the true gospel teaches us about faith, revelation from God, and true satisfaction. SHOW NOTES:Aimee Semple McPherson opening Angelus Temple: https://www.youtube.com/watch?v=2PQZcCXFCMUAimee Semple McPherson: A Biographical Documentary https://www.youtube.com/watch?v=msMJNVC9ABg&t=27sAimee Semple McPherson  enters Vaudeville 1933: https://www.youtube.com/watch?v=_UBcZmDARtQKathryn Kuhlman healing an ear clip: https://www.youtube.com/watch?v=_bRo9WlvP7QKathryn Kuhlman's program "I Believe in Miracles": https://www.youtube.com/watch?v=HlOpQPRES9Y&list=PLeFnuFC8ZqJvm98Pta_hI-Asx_xqSF9v6Joni Eareckson Tada's testimony: https://www.youtube.com/watch?v=VVXJ8GyLgt0 John MacArthur Sermons cited in this episode:https://www.gty.org/library/sermons-library/TM13-1https://www.gty.org/library/sermons-library/80-329/jesus-plus-nothing-equals-everything