Podcasts about Vaudeville

State of the Bay sits down with Assemblymember Buffy Wicks, dives into the nation's first college degree program in psychedelics, and explores a new exhibit celebrating Vaudeville star Bert Williams.

When family stories become show biz stories, the world listens. Fitting that very bill we've got actor Keith Coogan, the grandson of the original child star, Jackie Coogan, whose namesake law in the state of California, is the first to safeguard the rights of young performers in Hollywood. Keith talks about growing up with this legend plus his own iconic roles as a prolific film and TV child actor!Keith's career proves that show business blood runs thick: He told his mother he wanted to act before he even knew of his family legacy. His great grandfather, Jack Coogan Sr. was a Vaudeville and silent film star. His grandfather, Jackie Coogan was known, in the 1920s as, “the most famous boy in the world!” Keith began booking roles by the age of eight and quickly became a go-to casting choice, for TV guest spots and commercials starring Henry Fonda and Robert Morse.Keith's show biz success made his grandfather proud but a little jealous and relieved when Keith developed into a working actor rather than America's darling.Keith tells us about the legendary events, which led to The Coogan Act - After Jackie's father died in a car crash, the young superstar's hard earned fortune was squandered by his stepfather.Passed in 1939, The Coogan Law requires that a portion of a child's earnings be placed in a blocked trust account until the child turns 18.Keith recalls with great fondness his experiences working with stellar casts and crews on the “Babysitter” cult greats, 'Adventures in Babysitting', and Don't Tell Mom The Babysitter's Dead. Plus Toy Soldiers, The Waltons and The Fox and The Hound.We play IMDB Roulette and get into Laverne and Shirley, Mork and Mindy, and Little House!In recommendations-- Weezy: Netflix series, North of NorthFritz: Book, How Democracies Die by Daniel Ziblatt and Steven LevitskyPath Points of Interest:Keith Coogan Keith Coogan on WikipediaKeith Coogan on IMDBKeith Coogan on InstagramKeith Coogan on XKeith Coogan on YouTubeKeith Coogan on FacebookKeith Coogan MerchNorth of NorthHow Democracies Die by Daniel Ziblatt and Steven LevitskyMedia Path Podcast

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Peter Jackson's King Kong - Ep 338: Monsters belong in B-Movies, but what about an A-Movie? Your hosts head to Skull Island and dig into the interesting follow up to Peter Jackson's academy award winning trilogy, it's 2005's King Kong on Normies Like Us! So what are you Normies; a lion, or a subscriber? @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

Considered the first major TV star, the entertainer's eight-decade career spanned not only television but also films, radio, and the stage. 

Mike Donlin: A Rough and Rowdy Life From New York Baseball Idol to Stage and Screen The Not Old Better Show, Art of Living Interview Series Ladies and gentlemen, picture this: A baseball star so good they called him “Turkey Mike,” a man who could hit, run, and put on a show at the plate like nobody else. A fan favorite, a heartthrob, a natural entertainer. But also—a brawler, a drinker, a man with a temper so fierce he got himself suspended almost as often as he hit home runs. And then? He walked away. Right at the peak of his career, with numbers that could have made him a legend, Mike Donlin did the unthinkable—he left baseball. Not for injury. Not for money. But for love. Her name was Mabel Hite, a Vaudeville star with a dazzling smile and a quick wit. Together, they became one of the most famous couples of their time—packing theaters, charming audiences, and proving that baseball and showbiz weren't so different after all. But their story wasn't all curtain calls and encore performances. Tragedy struck, and Donlin, once the brightest star on both the diamond and the stage, found himself at a crossroads once again. Today, we're diving into this forgotten, fascinating, and downright unbelievable story with baseball historian and award-winning author Steven Steinberg. His new book, available at Apple Books, Mike Donlin: A Rough and Rowdy Life from New York Baseball Idol to Stage and Screen, brings this larger-than-life character back into the spotlight. We'll talk about Donlin's triumphs, fights, Hollywood years, and the love that changed everything. Baseball, Vaudeville, scandal, romance, and a man too big for just one stage—this is going to be a great one. So, grab a seat, and let's get into it. I'm Paul Vogelzang, and this is The Not Old – Better Show.

Back before World War II, when racism was still a mainstream attitude with little or no social stigma attached, Portland was not a very friendly town for Black people. It's not that way any more, of course. There's still racism; but the toxic race-hierarchalism that winked at lynchings and enabled the rise of the Ku Klux Klan — that, thankfully, is a distant and uncomfortable memory today. And one has to wonder how much of that transformation — not just in Portland, but around the nation — can be attributed to the influence of one man, a man still today widely known as “The World's Greatest Entertainer”: Sammy Davis, Jr. Davis came to Portland with his dance group, the Will Mastin Trio — composed of Davis, his father, and his father's best friend, Will Mastin — just after the Second World War. For a little while he was a regular in P-town's clubs and Vaudeville theaters. ... (Portland, Multnomah County; 1940s) (For text and pictures, see https://offbeatoregon.com/2404d-1111d.sammy-davis-jr-portland-story-149.646.html)

Empire Training Center for the Arts is a new vocational venture operating out of The Chance Theatre on Main Street in Poughkeepsie, New York.Their first major fundraising event in Poughkeepsie is coming up on March 15. The Dirty Dutchess: An Evening of Vaudeville, Burlesque and Broadway is directed by Peter Flynn. Flynn is a New York based director, writer and educator and he joins us now - along with Empire Training Center for the Arts Co-Founder and Executive Director Trish Santini.

There's been somethin' strange in the neighborhood for longer than you might realize! I bet you didn't even know who to call, or how to call them. Hint: At least once, you call a Gorilla using a talking-self-destructible fish. On this episode, Chelsea, Kelly, and Nate put on their jumpsuits, grab their De-Materializers, and discuss 1975's The Ghost Busters--a television show that may well have changed human history forever. We also dig into the 1986 Filmation cartoon, Ghostbusters, and all its robo-ghost villain, jalopy driving, skelevision-watching glory. There's also a glorious MouthGarf Report, and some spppppppoooky I See What You Did There! Please give us a 5 star rating on Apple Podcasts! Give The Ghost Busters (1975) and Ghostbusters (1986) a look... if you dare.Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Valentine's Day

In Episode #210 of The XS Noize Podcast, host Mark Millar speaks with Irish No-Wave Provocateur Skinner about his debut album, New Wave Vaudeville. Skinner kicks off 2025 with the release of his highly anticipated debut album, New Wave Vaudeville. The project of Dublin-based multi-instrumentalist, singer, and producer Aaron Corcoran, Skinner draws inspiration from the New York No Wave scene of the late '70s and early '80s. New Wave Vaudeville pays homage to the eclectic "New Wave Vaudeville" music variety freak show at New York's 57 Club from 1978 to 1983. Known for its unrestrained art performances and debaucherous energy, the 57 Club offered a wild counterpoint to the growing commercialization of modern culture—a spirit perfectly mirrored in the rambunctious and free-spirited sound of Skinner's debut collection. In this episode, Skinner discusses the writing and recording process behind New Wave Vaudeville, his upcoming shows, and much more. Listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Bernard Butler, Steven Wilson, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies, Villagers, and many more.  

This episode we are transported to some 1950's glamour as we discuss "There's No Business like Show Business" starring Ethel Merman, Danny Kaye and of course the one and only Marilyn Monroe. The story follows The Donahues, a travelling Vaudeville family through the ups and downs of their lives in a surprisingly emotional tale. Tune in and let's go on with the show!!!

At the turn of the 20th century, Vaudeville performances exploded in growth in America, entertaining audiences with a variety of acts from magicians to comedy shows and more. In Astoria, Oregon, the historic Liberty Theatre was home to some of these acts. Melissa Hart is a journalist and author based in Eugene. Her great- grandparents were vaudeville performers themselves and traveled around the world with their act. She wrote about the history of vaudeville both in Astoria and more broadly for the publication Hidden Compass. She joins us to share more on who her great-grandparents were and the impact vaudeville had in the U.S. 

Hosted by Andrew Quinn and Darren Mooney, this week with special guest David Monaghan and Grace Duffy, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them. This week, Peter Jackson's King Kong. Vaudeville performer Ann Darrow has just lost her steady gig. A chance encounter with veteran filmmaker Carl Denham presents a unique opportunity. If Denham can stay one step ahead of his investors, he might just make the greatest motion picture that the world has ever seen. Tricking his cast and crew on to a boat, Denham sets sail for adventure, charting a course to the most dangerous location shoot in the history of cinema, a mythical locale described in whispers as "Skull Island." Denham plans to make a star of the island's more iconic inhabitant: the King that they call Kong. At time of recording, it was not ranked on the list of the best or worst movies of all time on the Internet Movie Database.

Welcome to our podcast where we discuss and deliberate over memoirs and biographies found in thrift shops. This is a great way to do things as we are not choosing who to read about. We may not be fans of the person, we may never have heard of the person and we never know who we are going to find next...There are only 2 rules to this podcast. The book has to be found in a thrift shop and we are not allowed to talk about the book until we press record, which is sometimes agonising.We have lots of episodes coming up so if you find yourself enjoying our podcast, please be sure to subscribe to be among the first to hear about each episode.

Performers, artists, and Improv champions Kareem & Valerie from Paralellogramophonograph swing through and bring the classic laughs. Kevin cosplays as the at-the-time unknown Luigi Mangione. The four discuss Disney parks and pies before they play some Taboo. Then things get a throwback as the PGraphers take Thomas and Kevin back to Vaudeville. Then we get a little violent. Broadway Showdown - Jan. 8, 2024 (New York): https://magnettheater.com/show/59165/ PGraph's Book/Site: https://www.pgraph.com/ PGraph @ The Hideout (Austin, TX): https://www.hideouttheatre.com/shows/PGraph/?event_id=15391 Club Soda Improv's Snowed In Holiday Show - December 28 (Winnipeg): https://3common.com/event/snowed-in-a-cozy-improv-show/6750c250c62725e1c6e6c2f3 Submit Segments to Oops All Segments: https://forms.gle/rfwsaeFFnX5AAFHY8   Check out our DnD show: 'What We Do in the Basement': https://podcasts.apple.com/ca/podcast/what-we-do-in-the-basement/id1552947049

Sailor Noob is the podcast where a Sailor Moon superfan and a total noob go episode by episode through the original Sailor Moon series!This week, the conflict against the Animamates reaches a new level as Sailor Lead Crow succeeds in capturing the True Star Seed! Can the Sailor Senshi and the Sailor Starlights defeat their enemy or will the galaxy belong to Galaxia?In this episode, we discuss the history of geisha, jokyu or cafe girls, and maid cafes in Japan. We also talk about calligraphic co-dependency, Rule 34 Patterns, Bee Family, singing drummers, Moby Dicking, pink balls, segregating girls and kids, colon hats, eating okra, being very serious, Scott Stapping, Little Rorschach, Sailor Lead Spaghetti, geisha podcasts, courtesan Vaudeville, Tokyo Vice Cops, hero juice, and we're sorry, Women!In Soviet Russia, rod swallow you!We're on iTunes and your listening platform of choice! Please subscribe and give us a rating and a review! Arigato gozaimasu!https://podcasts.apple.com/us/podcast/sailor-noob/id1486204787Leave us a comment on Spotify!Listen to our new podcast, Mona Lisa Overpod!https://www.spreaker.com/podcast/mona-lisa-overpod--6195851Become a patron of the show and get access to our live-action PGSM, Animedification, Utena, Ghibli, and Evangelion podcasts!http://www.patreon.com/sailornoobPut Sailor Noob merch on your body!http://justenoughtrope.threadless.comSailor Noob is a part of the Just Enough Trope podcast network. Check out our other shows about your favorite pop culture topics and join our Discord!http://www.twitter.com/noob_sailorhttp://www.justenoughtrope.comhttp://www.instagram.com/noob_sailorhttps://discord.gg/49bzqdpBpxBuy us a coffee on Ko-Fi!https://ko-fi.com/justenoughtrope

Original Release Date: Monday 18 November 2024    Description:   Dean flies into Los Angeles. Phil picks him up at LAX. You get into the back seat. Highway adventured and high fidelity hijinks ensue! The first two-thirds of this week's show are recorded during Dean & Phil's drive to downtown L.A. as they discuss Dean's upcoming two-man improv show, his future performing plans, his prolific productivity as a fine artist, how his life would be different if he still lived in Los Angeles, raunchy historic romance novels, the origins of Vaudeville, and more. After a short musical interlude, the conversation continues from “high atop the historic core of downtown Los Angeles” in the “art deco masterpiece that IS the Eastern-Columbia Building”. The final third of the show touches on such topics as the aurora borealis, Dean's upcoming European steampunk wedding, and the influence of the great British director Michael Powell on the life and work of Martin Scorsese. Finally, in “Celebrity Deaths”, Dean and Phil celebrate the brilliance of Quincy Jones. There are a couple great Frank Sinatra stories to boot!

Guests - Dana Moore and MaryAnn LambHosted By - Courtney Ortiz and Lesley MealorIn Episode 201 of Making The Impact - A Dance Competition Podcast, we are introducing a new Spotlight Feature Episode series featuring different genres of dance. Kicking off this series is a subgenre of jazz dance - you know it when you see it - Fosse! With us today are two giants in the industry, MaryAnn Lamb and Dana Moore, to share their invaluable insights into this highly specialized style.Topics Include: What characterizes the Fosse genre aside from the recognizable body positions Intimate details of what it was like to work with Bob Fosse and Gwen VerdonHow the Verdon Fosse Legacy organization is sharing the style to a new generationHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceDana Moore - @officialdanamooreMary Ann Lamb - @_maryannlamb_Check out our guest's current projects! For more information about Bob Fosse and Gwen Verdon, visit Verdon Fosse Legacy.This episode is sponsored by:Francisco Gella Dance Works Educational and developmental programs, intensives, and seminars designed to empower students, parents, educators, and artists.Register now for an upcoming intensive, workshop or seminar! CapezioGet a free “Everyday Dance Duffle” bag with any purchase. To redeem, add the Everyday Dance Duffle style #B246 to your cart and use code IMPACT at checkout, while supplies last.Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

I believe there will always be a place for live performance art. Of course some kind of future, generative Ai coupled to a high-res VR headset might be able to conjure anything and everything, but I don't think it likely many people are going to enjoy it. I think humans will always want something they can believe is “real.” Perhaps I am far too much of a pollyanna about this. I have dedicated my entire adult life to creating live experiences as a performer. On top of that I just spent a year in rural Norway learning to build traditional wooden boats! Granted, anything I have to say is going to be anecdotal, but I think that is why you come to someone like me. If you wanted hard facts and figures you would turn elsewhere. Data I do not have, but I can tell you what my gut says.There is an essential quality to knowing that the thing in question is happening right in front of you, in the same room. Years ago when I was a teenager my friend Margie told me she had gone to the opera in New York City. This was back when I played violin so my interest in classical music, and thus opera, was a shade more than passing. I balked when she told me how much it cost. “Why would anyone pay that much to see… opera?” I asked. “Well, there was nudity,” she replied, “you could see naked people live, but it was classy.” I suddenly found myself developing a hankering for Puccini. Sure, I already had a primordial idea of how to look up naked people on the internet, but the idea of being in the same room, held a kind of magical quality. I think this is also why people go to art galleries to look at famous paintings, even if it's only to take a selfie to prove they were in the same room.Walking around my hometown on Halloween night with a friend we passed an enormous line of people that caught our eye. They were not queueing outside a bar or or a club, but rather a sex-toy boutique. While a sudden urge for amorous assistance on Halloween makes a certain degree of sense, it was not the boutique's products they were interested in, it was a haunted house. These folks wanted to walk inside a building and experience something live. Even when higher quality visuals and atmosphere are doubtless available via a film. (Blue or Otherwise) And yet, people go. I don't think it's just the immersive quality that draws the crowds, I think it is also the crowds themselves. You can see that you are not experiencing this alone. Why else would the rise in lonely at-home viewing over the past three decades also see an attendant rise in online forums and social media geek culture to discuss such things. People don't just want the art, they want to share their experience of the art.I think this is also the origin of “smash rooms.” You may have noticed a business like this arriving somewhere in your town. A storefront with a name like “The Rage Room,” promises you can come inside and break stuff. They might have a padded cell where you can throw yourself at the wall, or a pile of crockery that you can bust up with a baseball bat. Why again, would someone want to leave their home to do this? To borrow the popular meme, “We have stuff to break at home.” I don't believe it is just that at a business where you pay it is someone else's job to clean it up. I think it has something to do with a more fundamental urge, a desire to do human things near other humans. To be observed in our participation, as much as to participate. This all comes together nicely in the artform in which I have what you could very charitably call a career. I call it Cabaret, but you might also use Vaudeville, Sideshow, Circus, Muppet Show, or any number of other monikers that conjure a similar vibe. I don't just play accordion, I juggle, I do magic tricks, I lay on a bed of nails, I perpetrate the occasional striptease. At precisely none of these things am I the best in the world. One need look no further than a single search on youtube in every single one of these categories to find things far more spectacular than myself. So why do people come out to see me?Obviously I have spent no small amount of time pondering that very question, and what I have arrived at is that people want to know they were in the room where it happened. It is the same reason you continue to pursue and enjoy romantic entanglements with real live human beings even though hotter ones exist online. Some part of your brain might acknowledge that the person in front of you is not as hot as the tightly controlled public image of a given celebrity, but they are here and the celebrity is not. So I guess I come down on the side of the bird in the hand, and not the two in the bush, and I think the vast majority of humanity does as well. Do we fantasize about something bigger, better and faster? Sure, but then we settle down with what is in front of us and go on about the business of living in the real world.Sure this is all anecdotal, and coloured by what I personally like, but my gut says people will always leave the house to go do something. There is something real to be had out here in the world, and we want to find it and share it with each other. Perhaps not as many as in a previous epoch, but certainly enough for us artists to keep trying to entertain.

Australia's Vauxdvihl (or, for a short time, Vaudeville) came quickly, evolved swiftly, and left behind a beautiful corpus of 19 documented songs. We have stood in awe for three decades of this short but impressive discography, and episode 123 of our weird little podcast is an attempt to bring you into the Vauxdvihl fold. (Beware of the ridiculous amount of Fates Warning mentions here…or make a drinking game of it.)Note I:The Radical Research Patreon page is now set up and ready for your patronage. We are offering tiered subscription levels for those who want a set-it-and-forget-it donation option. As ever, if you choose to support us, we are humbled and grateful! patreon.com/RadicalResearchPodcast Note II:All past Radical Research episodes can be found here, where you can also find Jeff's Peter Steele and Fates Warning books…and more to come soon! Radicalresearch.orgMusic cited in order of appearance:Intro: “Summoning” (Siberian Church Recordings, 2001)“To Dimension Logic” (To Dimension Logic, 1994)“Questions or Misanthropy” (To Dimension Logic, 1994)“Separate Ends” (To Dimension Logic, 1994)“Comedy of Errors” (To Dimension Logic, 1994)“Philosophia Mosaica” (To Dimension Logic, 1994)“In Search of Forever” (To Dimension Logic, 1994)“Assassination” (Vog, 1998)“The Funeral Party” (Vog, 1998)“For the Son Has Gone to Hell” (Vog, 1998)“Plots, (T or F) Are a Necessary Thing?” (Siberian Church Recordings, 2001)“Isis/Pekt” (Siberian Church Recordings, 2001)“Movement” (Siberian Church Recordings, 2001) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

The most streamed Beatles song – 700 million plays more than any other – is not by Lennon/McCartney but George who, as author Seth Rogovoy points out, is still widely considered “an economy-class Beatle” though his contributions were central to the success of their records. Seth's new book ‘Within You Without You: Listening to George Harrison' sets out to right this monstrous wrong! As does this conversation with the two of us which covers … … did My Sweet Lord's court case puncture his sense of ambition? … how he changed Taxman for American audiences. … the statement made by starting All Things Must Pass with a Dylan/Harrison composition. … how he was fleeced by not one but two managers - Allen Klein and Denis O'Brien. … what we learnt from watching ‘Get Back'. … Broadway ballads, Vaudeville, jazz and the solo on ‘Til There Was You. … remortgaging Friar Park for Life Of Brian and pushing for the Anthology “payday”. … his glorious spiritual/material contradiction – “the Pisces sign is two fish going in opposite directions”. … a social mobility that John and Paul both envied. … falling out of love with live performance. … the beliefs of his early ‘20s he sustained all his life. … and the staples of George Harrison's Jukebox. Order Seth's book here:https://www.amazon.co.uk/Within-You-Without-Listening-Harrison/dp/019762782XFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The most streamed Beatles song – 700 million plays more than any other – is not by Lennon/McCartney but George who, as author Seth Rogovoy points out, is still widely considered “an economy-class Beatle” though his contributions were central to the success of their records. Seth's new book ‘Within You Without You: Listening to George Harrison' sets out to right this monstrous wrong! As does this conversation with the two of us which covers … … did My Sweet Lord's court case puncture his sense of ambition? … how he changed Taxman for American audiences. … the statement made by starting All Things Must Pass with a Dylan/Harrison composition. … how he was fleeced by not one but two managers - Allen Klein and Denis O'Brien. … what we learnt from watching ‘Get Back'. … Broadway ballads, Vaudeville, jazz and the solo on ‘Til There Was You. … remortgaging Friar Park for Life Of Brian and pushing for the Anthology “payday”. … his glorious spiritual/material contradiction – “the Pisces sign is two fish going in opposite directions”. … a social mobility that John and Paul both envied. … falling out of love with live performance. … the beliefs of his early ‘20s he sustained all his life. … and the staples of George Harrison's Jukebox. Order Seth's book here:https://www.amazon.co.uk/Within-You-Without-Listening-Harrison/dp/019762782XFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The most streamed Beatles song – 700 million plays more than any other – is not by Lennon/McCartney but George who, as author Seth Rogovoy points out, is still widely considered “an economy-class Beatle” though his contributions were central to the success of their records. Seth's new book ‘Within You Without You: Listening to George Harrison' sets out to right this monstrous wrong! As does this conversation with the two of us which covers … … did My Sweet Lord's court case puncture his sense of ambition? … how he changed Taxman for American audiences. … the statement made by starting All Things Must Pass with a Dylan/Harrison composition. … how he was fleeced by not one but two managers - Allen Klein and Denis O'Brien. … what we learnt from watching ‘Get Back'. … Broadway ballads, Vaudeville, jazz and the solo on ‘Til There Was You. … remortgaging Friar Park for Life Of Brian and pushing for the Anthology “payday”. … his glorious spiritual/material contradiction – “the Pisces sign is two fish going in opposite directions”. … a social mobility that John and Paul both envied. … falling out of love with live performance. … the beliefs of his early ‘20s he sustained all his life. … and the staples of George Harrison's Jukebox. Order Seth's book here:https://www.amazon.co.uk/Within-You-Without-Listening-Harrison/dp/019762782XFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

fWotD Episode 2732: Hadji Ali Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Sunday, 27 October 2024 is Hadji Ali.Hadji Ali (Arabic: حاج علي; c. 1888–1892 – November 5, 1937) was a vaudeville performance artist, thought to be of Egyptian descent, who was famous for acts of controlled regurgitation. His best-known feats included water spouting, smoke swallowing, and swallowing nuts and handkerchiefs before disgorging them in an order chosen by the audience. Ali's most famous stunt, and the highlight of his act, was drinking copious amounts of water followed by kerosene, and then acting by turns as a human flamethrower and fire extinguisher as he expelled the two liquids onto a theatrical prop. While these stunts were performed, a panel of audience members was invited to watch the show up close to verify that no trickery was employed.Although he never gained wide fame, Ali had a dedicated following on the vaudeville circuit in the United States. He performed for heads of state including Tsar Nicholas II of Russia. Judy Garland named him her favorite vaudevillian and David Blaine identified Ali as his favorite magician. Portions of his act were captured in the short film Strange as It Seems (1930) and in Politiquerias (1931), the Spanish-language version of Laurel and Hardy's Chickens Come Home. Two documentaries contain footage of Ali taken from Politiquerias: 1977's Gizmo!, and 1999's Vaudeville. Ali's unusual gastric abilities led to rumors that the Rockefeller Institute had offered a large sum of money to obtain his stomach post-mortem. After he died in England, his body was offered to Johns Hopkins University for study, though the offer was declined.This recording reflects the Wikipedia text as of 06:48 UTC on Wednesday, 6 November 2024.For the full current version of the article, see Hadji Ali on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Amy.

2012 dans la région de Saint-Etienne. Philippe Gletty, un chef d'entreprise, est abattu avec un calibre de 8mm… Une affaire criminelle qui met en scène le trio classique : le mari, la femme et la maîtresse.

2012 dans la région de Saint-Etienne. Philippe Gletty, un chef d'entreprise, est abattu avec un calibre de 8mm… Une affaire criminelle qui met en scène le trio classique : le mari, la femme et la maîtresse.

2012 dans la région de Saint-Etienne. Philippe Gletty, un chef d'entreprise, est abattu avec un calibre de 8mm… Une affaire criminelle qui met en scène le trio classique : le mari, la femme et la maîtresse.

2012 dans la région de Saint-Etienne. Philippe Gletty, un chef d'entreprise, est abattu avec un calibre de 8mm… Une affaire criminelle qui met en scène le trio classique : le mari, la femme et la maîtresse.

2012 dans la région de Saint-Etienne. Philippe Gletty, un chef d'entreprise, est abattu avec un calibre de 8mm… Une affaire criminelle qui met en scène le trio classique : le mari, la femme et la maîtresse.

2012 dans la région de Saint-Etienne. Philippe Gletty, un chef d'entreprise, est abattu avec un calibre de 8mm… Une affaire criminelle qui met en scène le trio classique : le mari, la femme et la maîtresse.

Harry "Pop" Kramer, was a vaudeville trick cyclist whose story is filled with circus flair, daring feats, and personal tragedy. Born in 1875 in Alexandria, Virginia, Harry's journey from a disciplined farm life to the dazzling world of vaudeville is nothing short of remarkable.  Today we tell the story of Pop Kramer, the Appalachian daredevil on two wheels, another one of the Stories of Appalachia.  If you want to catch all our stories, be sure to subscribe on your favorite podcast app.  You can also support our storytelling journey and access exclusive content by becoming a patron here:https://www.spreaker.com/podcast/stories-of-appalachia--5553692/support  Thanks for listening!

Nous sommes le 17 janvier 1899, à Paris, jour de la création triomphale de « La Dame de chez Maxim », au théâtre des Nouveautés. Un journaliste est venu interroger l'auteur : Georges Feydeau qui déclare : « Ne vous étonnez pas si je suis triste. Telle est, en effet, ma disposition habituelle. Je ne ressemble point à mes pièces, que l'on s'accorde à trouver réjouissantes. Je suis mauvais juge en ces matières. Je ne ris jamais au théâtre. Je ris rarement dans la vie privée. Je suis taciturne, un peu sauvage. Je fuis les occasions de causer de choses oiseuses avec mes amis. Cette indifférence leur paraît du dédain. Et ils s'en vengent en me traitant de « poseur ». Les longues conversations m'inspirent une appréhension invincible ». Plus de 120 après ces mots, le triste Feydeau fait pourtant toujours rire : « Tailleur pour dames », « La puce à l'oreille », « Le système Ribadier », « Occupe-toi d'Amélie » sont toujours à l'affiche des théâtres du monde entier. Alors qui était celui qui a donné ces lettres de noblesse au vaudeville ? Celui qui ne souhaitait pas seulement déclencher l'hilarité mais susciter la réflexion ? Visitons le coulisses de son inspiration… Avec nous : Violaine Heyraud, maître de conférences en littérature française, à l'Université Sorbonne Nouvelle-Paris 3. « Georges Feydeau » ; Folio (Gallimard Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Have you heard the term “crape murder”? Ever wondered what it meant?  Join us to learn about caring for crapemyrtles and their sometimes unfortunate and untimely "crape murder".  ***⁠Your Central Florida Yard Podcast Survey 2024⁠***  Sources for this episode:  Podcast survey ⁠⁠https://ufl.qualtrics.com/jfe/form/SV_5nDL6YMBcYNpMyy⁠⁠  Find your local UF/IFAS Extension office:  ⁠⁠https://sfyl.ifas.ufl.edu/find-your-local-office/  ⁠⁠  In Polk County, contact the Plant Clinic at 863-519-1041, ⁠⁠polkmg@ifas.ufl.edu⁠⁠  Your Central Florida page  ⁠https://centralfloridayard.substack.com/⁠    Crapemyrtle ⁠https://gardeningsolutions.ifas.ufl.edu/plants/trees-and-shrubs/trees/crapemyrtle.html⁠    Lagerstroemia indica: Crapemyrtle ⁠https://edis.ifas.ufl.edu/st342⁠    Crapemyrtle in Florida, ENH-52 ⁠http://edis.ifas.ufl.edu/mg266⁠    Crapemyrtle Pruning, ENH1138 ⁠http://edis.ifas.ufl.edu/ep399⁠    Establishing Shrubs in Florida Landscapes, ENH1130 ⁠http://edis.ifas.ufl.edu/ep391⁠    10 Steps for Planting in Sandy Soil in Polk County ⁠https://www.dropbox.com/s/t8q4aynlnf27j9x/Planting%20on%20sandy%20soil.pdf?dl=0⁠    Examples of Crapemyrtle cultivars: dwarf (less than 4 ft): Lagerstroemia indica x fauriei 'Chickasaw'; semi-dwarf (around 10-12 ft): Lagerstroemia indica x fauriei 'Acoma'; intermediate (less than 20 ft): Lagerstroemia indica x fauriei ‘Comanche'; tree (over 20 ft): Lagerstroemia indica x fauriei ‘Miami'.  Podcast introduction and closing music: "Green Beans" by Big Score Audio.  Podcast sound effects: "The Tomb" by Vaudeville. 

Stephen Evans returns and he's faster, stronger, more agile. Will probably get drafted in the first round.   Find Stephen Evans and the True Grits here www.stephenevansmusic.com www.facebook.com/stephenevansmusic https://www.instagram.com/stephenevansmusic/ https://distrokid.com/hyperfollow/stephenevansandthetruegrits/buzz-of-bees   Thanks to Jack Hyphen for the closing song https://www.facebook.com/JackHyphenMusic https://www.instagram.com/jackhyphen/ https://x.com/JackHyphen https://www.youtube.com/@JackHyphen https://www.tiktok.com/@jackhyphenmusic https://jackhyphen.com/   Subscribe to the podcast - https://podcasts.apple.com/us/podcast/wnc-original-music/id1378776313 https://www.iheart.com/podcast/wnc-original-music-31067964/ This link has all the other places to subscribe https://gopod.me/wncom   Follow on Social Media https://www.facebook.com/wncoriginalmusic https://www.wncoriginalmusic.com https://www.instagram.com/wnc_original_music/   All music used by permission   After many years of vacillating between being a professional musician and building a nest in Asheville, NC, Stephen Evans finally asked his friends, Brian Shoemaker (bass), Sam Hess (drums), and Woodstock (mandolin), to form the True Grits and make some music together in 2014.  The very next year, Stephen Evans & the True Grits released their first LP "Something to Bleed".  Inspired to release more music, they followed two years later with their EP "Under the Bridge."  Both records have received local and regional praise for their passion and creativity.  Stephen's strong melodic songwriting style is a blend of vivid imagery, darkness, and hopeful optimism.  There's no denying the feeling that shines through with his evocative vocals and lyrics.  Songs like ‘Ghost Among the Trees', 'The Garden', 'Cherokee Hills', 'Shining Star', and '1000 Roses' are beacons of his folk rock song craft. With radio play on Western North Carolina radio stations, as well as shows around the region, Stephen Evans & the True Grits are becoming a local favorite.    "Buzz of Bees" is their latest album, released in December of 2022, of folk rock with some songs dipping their toes into other styles like Americana, Latin Folk, and Vaudeville.  Singles from the LP, ‘Ghost Among the Trees', ‘Winning the Day', and ‘Estefania', are already receiving radio play on local stations as well as national online radio and music podcasts.  Look for Stephen Evans & the True Grits playing fun live shows all around the area to support this beautiful album.   Emerging Manchester indie up and comer Jack Hyphen returns with the vibrant, breezy new single ‘Not Medicinal' (June 28th). Having made a name for himself as one to watch with live shows in and around Manchester, Jack Hyphen continues to showcase the intricate songwriting and radiant musicianship which has seen him build a fanbase.    Emerging from the breakup of Herefordshire Indie/Rock band Point Zero, where he served as the frontman, Jack returned with acoustic singles that showcased his vocal and lyrical prowess. His evolution into a 4-piece alternative pop/rock outfit in mid-2019 brought a punchy, atmospheric edge to his music.    The new single ‘Not Medicinal' continues this approach with intricate interweaving guitar lines, smothered in atmospheric modulation and reverb which glides over the punching drums and driving bass. Topped with Jack's emotive, understated vocal delivery, the track blends its energetic undercurrent with an ethereal edge to create a unique, accessible yet thoughtful and delicate soundscape.    Having already gained widespread press support and radio play from the likes of Amazing Radio and XS Manchester, Jack has opened for a number of breakout bands including Crystal Tides, Jeremiah Ferrari, and James Walsh (Starsailor), even gaining acclaim from BBC Radio 6 Music's Chris Hawkins for the quality of his live performance. Jack continues to grow, showcasing some of his finest work yet on the new single ‘Not Medicinal'.   

WISCONSIN MUSIC PODCAST  WMP Linktree: https://linktr.ee/WI_Music_Podcast  AMPLFYING WISCONSIN MUSIC  Episode 160   Meet The Seavers  meettheseavers@gmail.com www.MeetTheSeavers.com In this episode of the Wisconsin Music Podcast, hosted by Zach Fell, listeners are introduced to the eclectic sounds and dynamic journey of 'Meet the Seavers,' a band known for their unique mix of swing, odd time signatures, and musical theater. Zach interviews Jace Seavers, the upright bass player and vocalist, who shares his rich musical history, including playing bass for a gospel choir in Chicago and writing lyrics for Island Records. Jace and his wife Dorothy moved back to Manitowoc, Wisconsin after years in Nashville, where they hosted a musical variety TV show from 2014 to 2019. The episode dives into their experiences, challenges in the music industry, and their advice for aspiring musicians. The Wisconsin Music Podcast is available every Tuesday, with past episodes aired on Fox Cities Indie Radio every Thursday at 6 pm and Sunday at 3 pm.

Préparez-vous pour un tourbillon d'humour et de sarcasme ! Dans cet épisode haute en couleur de "Limité à 80", Pascal Atenza nous entraîne dans une traversée déjantée de l'actualité française.Ouvrez grand les oreilles, car nous débutons avec un classement plus que surprenant des villes les plus dangereuses du pays. Qui aurait cru que Marseille trustait les trois premières places ?

August Fanon and blackchai have joined forces on the recently released "OTHERWISE A BLUR". We spoke with the duo about how the project came together, the inspiration for blackchai's flows, and the energy that has gone into August Fanon's production. Then we talked about their album pick for this episode - "Vaudeville Villain" by DOOM's alter ego Viktor Vaughn. Stream and purchase "OTHERWISE A BLUR" here: https://augustfanon.bandcamp.com/album/otherwise-a-blur

January 3-9, 1998 This week Ken welcomes comedian, filmmaker and all around good dude Jeff Cerulli to the show. Ken and Jeff discuss documentary films, hot dog eating contests, TV Eating Contests, The Simpsons, Senior Year of High School, The Spin Doctors, mail order CDs, TV Guide appearing in movies, The Ice Storm, The Postman, Equal, smoking bans, beepers, the top 12 Simpsons episodes (circa 1998), winning the REAL Simpsons house, Ice-T, Marky Mark, having no concept of modern country and Christian music, The Wiz, Comics Come Home, Road Rules, The Real World, Star Wars Special Edition, Jackie Mason, Caddyshack II, how Vaudeville could be alt com, Pacific Blue, Baywatch, the extended Baywatch Universe, The Black Out Effect vs. The Trigger Effect, Demi Moore in Striptease, horny viewing, Mannequin being a three star movie, Beavis and Butthead, VH1 Pop Up Video, The Brothers McMullan, Poison Ivy series, Boy Meets World, voice over, Richard Lewis, bOkU, Drew Carey Show, the horrors of White Grape, Buffy the Vampire Slayer the movie, The Cronenberg Dynasty, Scanners II, MTV as a home channel, when we all hand to witness Anthony Michael Hall break out of being a nerd, Johnny B Goode, Bill Paxton, Weird Science, Seinfeld's final season, the return of Larry David, Bulls, Michael Jordan, Oliver Stone vs. Oliver North, Celebrity Jeopardy, and a particularly angry Cheers and Jeers.

Send us a textEnjoy this deep dive into the history of circus tents - how they are set up, torn down, and all the the bonkers man power that it all requires and intricate logistics involved . We also discuss the history of Ringling's TOP tent maker, tent design and its evolution from the Golden age of circus to present.VIDEO LINKS:https://www.youtube.com/watch?v=Lg5JuVFxljchttps://www.youtube.com/watch?app=desktop&v=ejO1yOeZOjkhttps://www.youtube.com/watch?v=t02mTJbh1HICheck our Instagram @circus.stories to view images we discuss during the episode!*This podcast contains explicit language that may not be suitable for young childrenSupport the show+Follow Us on IG @circus.stories+Email us: circusstoriespodcast@gmail.comRate, Review and Subscribe where ever you Listen!Thanks for Listening + Check those Boilers !!

L'enquête sur l'assassinat en 2010, d'Arnaud Ghys dans l'Orne, en Normandie. Un crime terriblement ordinaire.

Words like 'legend', 'icon' and 'star' were created to describe Mae West! Our guest, Michael Gregg Michaud has written his third Mae West book, Mae West And Her Adonises which focuses on her revolutionary 50s nightclub act featuring a chorus line of muscle men. Mae set the stage for the male revue, now a staple of Vegas bachelorette parties and girls' nights out! Michael's book is packed with photos, press interviews, Mae's wickedly quippy and saucy one-liners and details about an act that was literally stopping traffic in every town it visited. Mae's first and only love was the stage but much like any episode of The Bachelorette, the Adonises found themselves lost in love for her and competitively pining for her attention, ultimately coming to blows when Chuck Krauser threw a punch at Mickey Hargitay. Hearts and jaws were broken and a high profile court case ensued. Mae was the O.G. of branding, literally carving her image out of strategically erected costumes, padding, wigs, headdresses and heals. She wrote and produced her own content, walking right up to the wall of naughty and bawdy but never crossing into tasteless. She artfully tap-danced around censors and male industry leaders, knowing innately what her audience would embrace. Mae famously jabbed and feuded with Marilyn Monroe, Jayne Mansfield and W.C. Fields and maintained lifelong friendships with Louise Beavers, her boxer buddies, and the animals she adored. All this Plus Fritz and Weezy are recommending Bad Monkey on Apple + and Wicked Little Lies on Netflix. Path Points of Interest:Michael Gregg Michaud Michael Gregg Michaud on AmazonMae West and Her AdonisesMichael Gregg Michaud on FacebookMichael Gregg Michaud on InstagramMae West on IMDBMae West Stage Show - 1957Bad Monkey on Apple +Wicked Little Letters on NetflixGift of DemocracyMedia Path Podcast

What did going to the movies sound like back in the “silent film” era? The answer takes us on a strange journey through Vaudeville, roaming Chautauqua lectures, penny arcades, nickelodeons, and grand movie palaces. As our guest In today's episode, pioneering scholar of film sound, Rick Altman, tells us, the silent era has a lot to teach us about why sound works the way it does at the movies today. And as our other guest, sound and film historian Eric Dienstfrey tells us, “What we think of today as standard practice is far from inevitable.” In fact, some of the practices we'll hear about are downright wacky.  Audiences today give little thought to the relationship between sound and images at the movies. When we hear a character's footsteps or inner thoughts or hear a rousing orchestral score that the character can't hear, it all seems natural. Yet these are all conventions that had to be developed by filmmakers and accepted by audiences. And as Altman and Dienstfrey show us, the use of sound at the movies could have developed very differently. Dr. Rick Altman is Professor Emeritus of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa. Altman is known for his work on genre theory, the musical, media sound, and video pedagogy. He is the author of Silent Film Sound (New York: Columbia University Press, 2004), Film/Genre (Bloomsbury, 1999), and A Theory of Narrative (New York: Columbia University Press, 2008). Dr. Eric Dienstfrey is Postdoctoral Fellow in American Music at the University of Texas at Austin. Eric is a historian of sound, cinema, and media technology. His paper “The Myth of the Speakers: A Critical Reexamination of Dolby History” won the Society of Cinema and Media Studies' Katherine Singer Kovács Essay Award for best article of the year in 2016. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What did going to the movies sound like back in the “silent film” era? The answer takes us on a strange journey through Vaudeville, roaming Chautauqua lectures, penny arcades, nickelodeons, and grand movie palaces. As our guest In today's episode, pioneering scholar of film sound, Rick Altman, tells us, the silent era has a lot to teach us about why sound works the way it does at the movies today. And as our other guest, sound and film historian Eric Dienstfrey tells us, “What we think of today as standard practice is far from inevitable.” In fact, some of the practices we'll hear about are downright wacky.  Audiences today give little thought to the relationship between sound and images at the movies. When we hear a character's footsteps or inner thoughts or hear a rousing orchestral score that the character can't hear, it all seems natural. Yet these are all conventions that had to be developed by filmmakers and accepted by audiences. And as Altman and Dienstfrey show us, the use of sound at the movies could have developed very differently. Dr. Rick Altman is Professor Emeritus of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa. Altman is known for his work on genre theory, the musical, media sound, and video pedagogy. He is the author of Silent Film Sound (New York: Columbia University Press, 2004), Film/Genre (Bloomsbury, 1999), and A Theory of Narrative (New York: Columbia University Press, 2008). Dr. Eric Dienstfrey is Postdoctoral Fellow in American Music at the University of Texas at Austin. Eric is a historian of sound, cinema, and media technology. His paper “The Myth of the Speakers: A Critical Reexamination of Dolby History” won the Society of Cinema and Media Studies' Katherine Singer Kovács Essay Award for best article of the year in 2016. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What did going to the movies sound like back in the “silent film” era? The answer takes us on a strange journey through Vaudeville, roaming Chautauqua lectures, penny arcades, nickelodeons, and grand movie palaces. As our guest In today's episode, pioneering scholar of film sound, Rick Altman, tells us, the silent era has a lot to teach us about why sound works the way it does at the movies today. And as our other guest, sound and film historian Eric Dienstfrey tells us, “What we think of today as standard practice is far from inevitable.” In fact, some of the practices we'll hear about are downright wacky.  Audiences today give little thought to the relationship between sound and images at the movies. When we hear a character's footsteps or inner thoughts or hear a rousing orchestral score that the character can't hear, it all seems natural. Yet these are all conventions that had to be developed by filmmakers and accepted by audiences. And as Altman and Dienstfrey show us, the use of sound at the movies could have developed very differently. Dr. Rick Altman is Professor Emeritus of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa. Altman is known for his work on genre theory, the musical, media sound, and video pedagogy. He is the author of Silent Film Sound (New York: Columbia University Press, 2004), Film/Genre (Bloomsbury, 1999), and A Theory of Narrative (New York: Columbia University Press, 2008). Dr. Eric Dienstfrey is Postdoctoral Fellow in American Music at the University of Texas at Austin. Eric is a historian of sound, cinema, and media technology. His paper “The Myth of the Speakers: A Critical Reexamination of Dolby History” won the Society of Cinema and Media Studies' Katherine Singer Kovács Essay Award for best article of the year in 2016. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Send us a Text Message.Step right up and dive into the extraordinary life of General Tom Thumb, the world-famous dwarf who took the globe by storm alongside the legendary P.T. Barnum. In this captivating episode, we explore how Charles Stratton, better known as General Tom Thumb, became a 19th-century sensation, captivating audiences with his charm and remarkable talent. Discover the behind-the-scenes stories of his rise to fame, the role Barnum played in shaping his legacy, and the surprising truths about his life off the stage. Join us as we uncover the secrets, the spectacle, and the enduring fascination with one of the greatest showmen of all time. Don't miss this deep dive into a piece of history that still enchants the world today.Watch the video version here: https://youtube.com/live/CZvwCMDjpwkDon't forget, you can watch us live on Tuesday nights at 8PM CST - U.S. on YouTube and Facebook! Support the Show: Patreon (Bonus Content)Follow us on Social Media: YouTube ChannelFacebook Fan PageInstagram Fan Page X (formerly Twitter)TikTok Fan Page"After Dark with EVP" (Use code "AFTERDARK25" for 25% off an annual subscription)https://bit.ly/46GOmAzSubmit Your Story, Comments, or Questions: theevppod@gmail.com

I had never heard of the tragic case of former Vaudeville star Vivian Gordon in 1930s New York. She had threatened some of the city's most powerful men and at least one of them wanted her dead. Her murder in 1931 caused the downfall of the mayor of New York City. Author Michael Wolraich wrote a book about Gordon and her death called: The Bishop and the Butterfly Murder, Politics, and the End of the Jazz Age.  Support this podcast by shopping our latest sponsor deals and promotions at this link: https://bit.ly/3zukETh  See more information on my books: katewinklerdawson.com   Follow me on social: @tenfoldmore (Twitter) / @wickedwordspod (Facebook) / @tenfoldmorewicked (Instagram)   2024 All Rights Reserved  Learn more about your ad choices. Visit megaphone.fm/adchoices

I'm David Armstrong, and my guest again today is author Andrew L. Erdman, whose captivating new book is titled Beautiful — The Story of Julian Eltinge, America's Greatest Female Impersonator. In this third and final episode in this series, Andrew shares with us the story of how Julian Eltinge capitalized on his international Vaudeville and Broadway fame and became a major movie star in Hollywood and how that coincided with a golden age of female impersonation in America. We also explore the challenges Eltinge faced during the final years of his career as America became more conservative and began to restrict and censor drag performance in the 1930s. If you missed the earlier episodes in this series, you may want to catch up with those before listening to this one. Author Andrew Erdman has immersed himself in this remarkable era of show biz history; his previous book was the equally fascinating Queen of Vaudeville: The Story of Eva Tanquay Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member Alan Teasley. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello again my witches, seekers, and friends and thank you so much for tuning in! Today's episode features Andrew L. Erdman, the author of Beautiful: The Story of Julian Eltinge, America's Greatest Female Impersonator! Andy's here to talk to use about Drag, Vaudeville, and how the different ways we play with gender have changed over the last century! This is not an episode about practical witchcraft, but of course magic is everywhere, so I also talk about glamour magic, and how drag is probably one of the most power glamour spells of all! Drag queen? Drag GODDESS! Order Beautiful from Amazon (us) - https://amzn.to/3L4yGh7 or from Amazon (CA) - https://amzn.to/3RJVVRa. Learn more about Andy at https://www.andrewerdman.com/

Over the past century, the charismatic movement swept the globe, promising a deeper connection with God, spiritual blessing at every turn, and lots of cash for anyone with enough faith. How did this movement begin? And how has it changed over the decades? This episode answers those questions as it tells the story of one of the movement's founders and most famous leaders. Then, we'll tell another story about a woman who rejected the movement and found salvation outside it. Finally, we'll look at why John MacArthur's been such a critic of the all the charismatic chaos—even though friends he will one day see in heaven are part of it. John will show us the fatal flaw at the center of the movement and what the true gospel teaches us about faith, revelation from God, and true satisfaction. SHOW NOTES:Aimee Semple McPherson opening Angelus Temple: https://www.youtube.com/watch?v=2PQZcCXFCMUAimee Semple McPherson: A Biographical Documentary https://www.youtube.com/watch?v=msMJNVC9ABg&t=27sAimee Semple McPherson  enters Vaudeville 1933: https://www.youtube.com/watch?v=_UBcZmDARtQKathryn Kuhlman healing an ear clip: https://www.youtube.com/watch?v=_bRo9WlvP7QKathryn Kuhlman's program "I Believe in Miracles": https://www.youtube.com/watch?v=HlOpQPRES9Y&list=PLeFnuFC8ZqJvm98Pta_hI-Asx_xqSF9v6Joni Eareckson Tada's testimony: https://www.youtube.com/watch?v=VVXJ8GyLgt0 John MacArthur Sermons cited in this episode:https://www.gty.org/library/sermons-library/TM13-1https://www.gty.org/library/sermons-library/80-329/jesus-plus-nothing-equals-everything

Norman Baker was an entrepreneur, a pioneering radio personality, and a fake doctor. He was a masterful propagandist, and through his radio station and multiple tabloid publications, he manipulated American anxieties about everything from politics to alleged ills of vaccinations. But his biggest claim was that he could cure cancer, in just six weeks, with his own elixir -- and your money.See omnystudio.com/listener for privacy information.