Podcasts about George Michael

Pop music in 1990 was a wild experience. New queens of pop like Paula Abdul, Taylor Dayne, and Mariah Carey stood shoulder pad to bustier with 80s ladies Madonna and Janet Jackson. Hip-hop broke into the mainstream in a big way with M.C. Hammer and Vanilla Ice. The last gasps of hair metal still clung to the airwaves like so much AquaNet residue. Club music somehow how found its way onto Top 40 radio stations. And the totally unsubtle vocal stylings of Michael Bolton, Wilson Phillips, and others gave sad white people the confidence they needed to rock high-waisted jeans and pleated khakis. What a time to be alive! So join us as the Great Pop Culture Debate goes back to the beginning of the end of the 20th Century as we name the Best Song of 1990.Songs discussed: “Ice Ice Baby” by Vanilla Ice; “There She Goes” by The La's; “Enjoy the Silence” by Depeche Mode; “Black Velvet” by Alannah Myles; “Groove is in the Heart” by Deee-Lite; “I'm Your Baby Tonight” by Whitney Houston; “We Didn't Start the Fire” by Billy Joel; “Vogue” by Madonna; “U Can't Touch This” by MC Hammer; “Poison” by Bell Biv Devoe; “Nothing Compares 2 U” by Sinead O'Connor; “Freedom ‘90” by George Michael; “Love Shack” by The B-52s; “Rhythm Nation” by Janet Jackson; “Pump Up the Jam” by Technotronic; “Hold On” by Wilson PhillipsJoin host Eric Rezsnyak, Derek Mekita, Jim Czadzeck, and Jonny Minogue as they discuss and debate 16 of the most iconic songs from the year of the final decade of the 20th Century.For the warm-up to this episode, in which we discuss additional 1990 songs that didn't make the bracket, become a Patreon supporter of the podcast today. EPISODE CREDITSHost: Eric RezsnyakPanelists: Derek Mekita, Jim Czadzeck, Jonny MinogueProducer: Bob ErlenbackEditor: Bob ErlenbackIntro/Outro Song: "Dance to My Tune" by Marc Torch#1990 #90s #90smusic #songsof1990 #vanillaice #mchammer #wilsonphillips #janetjackson #madonna #billyjoel #depechemode #whitneyhouston #dancemusic #pumpupthejam #technotronic #georgemichael #bellbivdevoe #b52s #loveshack #popmusicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.

February 20, 2026 Today we look at the top songs debuting on the Billboard chart this week back in 1986, 1996, 2006, & 2016. Dustin, Jason, & Tyler welcome back our buddy Haney. We discuss 13 songs from this week in music history, including 8 Top 10s & 4 #1s! Unreal. We have new songs from Janet Jackson, George Michael, Coldplay, Rihanna, and more. Want to be cool like us and watch the music videos for all the songs? Then here's a convenient playlist that has them all in order of discussion.

Most musicians dream of stability. Johnny Thirkell built a 50-year career with David Bowie, Paul McCartney, George Michael, and The Who - starting from colliery bands and working men's clubs in the North East. This isn't about talent. It's about the business systems that keep session musicians working for decades while others struggle after a few years. Johnny shares the relationship-building frameworks that get you in the room with major artists, the professional standards that ensure callbacks, and the economic strategies that survive massive industry changes - from the 1970s studio system to today's remote recording reality. Whether you're building a session career or any sustainable music business, the principles are the same: systematic relationship management, clear professional standards, and strategic adaptation to industry shifts. Topics covered: How session musicians actually get hired by major artists The relationship maintenance framework that creates repeat clients over decades Pricing strategies for session work Professional studio standards that ensure callbacks Adapting to 50 years of technology and industry changes Why "Blown It!!" became a book instead of staying as stories Career longevity principles that transfer to independent artists Show Notes Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support at UnstarvingMusician.com/CrowdSponsor This episode was brought to you by Podcast Startup. Ready to launch your podcast or take it to the next level? Podcast Startup gives you the frameworks, systems, and insider knowledge to build a show that actually grows your audience and serves your goals. Whether you're just getting started or looking to improve your existing podcast, you'll get actionable strategies on equipment selection, content planning, audience building, and sustainable production workflows—without the overwhelm. Learn more at UnstarvingMusician.com/PodcastStartup. Join podcasters who are building shows that last. Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Disclosure: Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Stay in touch! @RobonzoDrummer on  Instagram @UnstarvingMusician on Facebook  and  YouTube   

George Michael, U2, los Rolling Stones, Bruce Springsteen, Buddy Holly, Bo Diddley tienen algo en común: su gusto por el ritmo.

Even though he messes up the numbering in audio, on episode 30 of Territorial, Shawn takes us on the journey of George Michael and The Sports Machine. An early pioneer of Sports recap television before the boom of ESPN, Shawn discusses George's influence on the local DC market in sports, the evolution of his Sports Machine TV show, his partnership and friendship with fellow anchor Jim Vance and his love of pro wrestling that was part of what made George one of the best Sportscasters to ever do it. Bob Backlund, Hulk Hogan, Andre the Giant, Captain Lou, The Road Warriors, Ric Flair and more join George as well as some amazing audio of his recaps. Tune in for this one as it has it all if you love 80's wrestling!

Il 16 febbraio del 1985 ascoltavamo "Careless Whisper" ancora accreditata come Wham feat. George Michael, ma di fatto la canzone che segna l'inizio della carriera solista dell'artista.

George Michael, U2, los Rolling Stones, Bruce Springsteen, Buddy Holly, Bo Diddley tienen algo en común: su gusto por el ritmo.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/mas-noticias--4412383/support.

We are kicking off another Foreign Film February, or "FFF", which has become a colloquialism at Haus der New World Pictures Podcast.  Is that not the case in your home?  If it isn't, it's time to start.  To kick off the 2026 #FFF, we are talking about 1987's SUBWAY TO THE STARS, a Brazilian drama that, if you looked at the poster, is nowhere close to what you would expect.  SUBWAY TO THE STARS explores a talented saxophonist (Vini) who's girlfriend (Nicinha) disappears after they have sex in an automobile junk yard.  It should be pointed out, they didn't have sex in one of the cars in the junk yard.  They do the nasty on the dirty ground full of oil, antifreeze, and transmission fluid. Given that, it should come as no surprise that Vini goes on a vision quest to find his missing girlfriend.  Unfortunately, because he's a young, attractive musician, he does a pretty shit job of looking for her.  Instead, he finds a menagerie of people to do the searching for him.  Does he find her?  If he does, does she stay with him?  We don't cover this part in the episode, but that's part of our charmIn addition to talking about SUBWAY TO THE STARS, we revisit our pre-production of Steamin' (the remake of 1985's Steaming) and whether it could be considered for Cannes.  We wonder whether Ska is ready to make a musical comeback.  Erica champions the need for more horns (saxophones in particular) in movies and music. Marc makes a claim that there is too much saxophone in George Michael's Careless Whispers.  Ryan talks about a great time at a Thom Yorke concert.  We also talk about SUBWAY TO THE STARS.

In this episode of finding grace, you're in for a treat, in honour of my 200th episode my partner Vipul Bhesania whom I met, doing this podcast, (you can listen to the episode here), interviews me.It was so much fun to do this, I hope you all enjoy.In this episode you'll discover:The episode marks the 200th milestone of the "Finding Grace" podcast, with Hannah Wallace being interviewed by her partner, Vipul Bhesania, reflecting on her journey as a host.I discuss the origins of the podcast name "Finding Grace," describing it as a divinely inspired idea that emerged from my personal journey and a writer's workshop experience.I share how the podcast began in 2018, highlighting the technical challenges I faced as a non-tech person and my growth in managing the production over time.The conversation explores my personal evolution since 2018, including my move towards greater visibility and healing after a difficult breakup.Myself and Vipul recount how their relationship began through a podcast episode, emphasising the importance of timing, openness, and curiosity in both love and life.I reflect on the value of letting go of rigid expectations, trusting the process, and allowing life's opportunities to unfold naturally.I discuss memorable podcast guests and conversations, including those that reminded me of my own power and those that introduced me to new topics, like runes and EFT.The episode highlights the privilege of connecting with diverse people through technology and the importance of giving a platform to a variety of voices.I address never wanting to quit the podcast, attributing my perseverance to genuine passion and early experiences interviewing people as a child.The discussion closes with me sharing what currently supports and brings me joy: the people in my life, self-care, embracing silliness, and music, especially 90s R&B and George Michael.We share all this and more.Do reach out to Vipul you can find him:Substack “Soul Wisdom”Instagram @vipulbhesania Listen to his podcast here Buy his poetry book “Searching in silence” here Do reach out to me to continue this conversation.You can find me at : Watch my TEDx talk here Instagram @thehannahwallaceTwitter @hannahwallace_Face book @thehannahwallace Website www.hannah-wallace.com Sign up to my newsletter here Thank you so much for listening please share, subscribe and review it's greatly appreciated and I hope you find grace in your week ahead. Hosted on Acast. See acast.com/privacy for more information.

Puntata n.529 del format radiofonico Wake House Tracklist 00:00 - DJ Angelo Ruggieri - Wake House Intro 01:30 - Corrado Alunni - Any Time (Extended) 06:50 - Adri Block - You Aint Cool (Nu Disco Mix) 11:06 - Ken@Work - We Love To Party (Original Mix) 14:33 - Queen B - Heat Rises (Extended Mix) 21:00 - Elektrik Disko - Freedom 90 feat. Robert Bartko (Extended Mix) 26:43 - House of Prayers - Found Love (Jay Vegas Remix) 31:42 - Cerrone & The Flints - Dancing Back To Life (Original Mix) 35:30 - Saint Tropez Caps - We Belong (Bob Shepherd x Da Clubbmaster Remix) 40:03 - Block & Crown, Larue - Winners 44:44 - George Michael vs Sister Sledge - Careless Whisper vs Lost In Music (Jet Boot Jack 2025 Mashup) 50:25 - Dj Effendi - Smooth Shake (Original Mix) 54:01 - Eugenio Fico - Should Be Dancing 57:51 - Jackers Revenge - Dancin' in the Moonlight 01:01:26 - Paky Francavilla - The Word Is Love 01:05:01 - Walter Gardini - L'amor (Original Mix) 01:08:50 - Jon Flores - Buen Corason 01:13:31 - Nicky Grown, CHIRVA, THEOUTSIDE - La Vida (Original Mix) 01:17:33 - Robbie Rivera - Que Lindo (Extended Mix) 01:22:06 - Ralphi Rosario - Take me up (Danilo Seclì Vip MIx) 01:25:38 - Mōiqe - Criminal (Extended Mix) 01:29:53 - Tom Gasco, Elvix Garcia - Crazy Frog (Tech House Remix)

The LA mayoral race is heating up, baby! What does that mean for Mayor Karen Bass, who’s running for a second term? Former reality TV star Spencer Pratt is running! He’s very angry about the Palisades Fire, in which his home was completely destroyed. Andy discusses the KFI subreddit, which apparently is not indicative of the “typical” KFI listener. How does someone like singer Khalid have such depth to have written his world-weary smash hit “Location” at the tender age of 18? We love George Michael! But we hate Ewoks! You know what else we love? Super Bowl commercials! William Shatner is back hawking raisin bran in a Super Bowl commercial. And we love it! Is “six seven” over? Andy says so! What’s the new thing for Gen Alpha? Apparently, it’s “chicken banana.” It was created by a Swedish production team called Crazy Music Channel. See omnystudio.com/listener for privacy information.

(00:00-17:02) Well, you know, whatever. Always good to hear from George Michael. Twilight rates at Old Warson. Denim and push carts. Plowsy needed an ATM at Bellerive to pay his caddy. Is Doug's body beach ready? Chairman's mock up didn't do Jackson any favors. Anybody run into Jane Under The Deck. Perfect Strangers.(17:10-26:15) Design Aire Heating & Cooling EMOTD(26:25-30:23) The response to the AI generated pic has been.....good. Jackson looks like he could be Doug's son. Women wanted to be like him, and guys wanted to be with him. Something that might make Doug feel good.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Czabe welcomes ANDY POLLIN and Washington Post beat reporter GENE WANG to discuss the dark days facing the Post and their sports department. Czabe explains how critical it was for guys like Gene and others to "flush out" the stories, quotes, and details of the players, coaches and teams we follow, to then blow them out of the sky like ducks who had been flushed. The legend of "The King" George Michael at NBC4, what it means to be a good dad in today's sports age. Plus the most electrifying 60 second or less bursts of mayhem in sports history. Hagler-Hears 1985. Franz Klammer in '76 Olympic Downhill. Virginia's OT miracle vs. Purdue. MORE....Our Sponsors:* Cheesesteaks from Philly? Deep dish from Chicago? Go to Goldbelly and use my code CZABE for a great deal: https://www.goldbelly.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Things get wild on the Carton Show as Craig Carton delivers a viral life lesson on why you NEVER fist bump with your left hand and threatens to disown his own co-host, Chris McMonigle, over it. What starts as a simple compliment turns into a full debate on street rules, handshake etiquette, earrings, George Michael, Pete Best, Jets media drama, and whether anyone in the room can be trusted as a “home team guy.” Add in gambling talk, Jets sources getting called out, and classic Carton roasting, and you've got pure WFAN chaos from start to finish.

WORLD PREMIERE! Zombies! Shakespeare! 80s inspired music! ROMERO & JULIET is a new zombie rock musical. When Romero, (a regional guardsman and distant relative of the filmmaker), meets zombie Juliet at a music festival called Deadstock on Friday the 13th in September 1985, what could possibly go wrong? This world premiere fuses Shakespeare's timeless tale of star-crossed lovers with the zombie lore of Pittsburgh's own George Romero, drawing stylistic inspiration from cult favorites such as LITTLE SHOP OF HORRORS. It has an original score inspired by 1980s pop legends including Madonna, Bon Jovi, George Michael, Boy George, and Jim Steinman. ROMERO & JULIET is written by Broadway vets Scott Logsdon and Aaron Gandy. It celebrates and builds on George Romero's enduring Pittsburgh cultural legacy and serves as a reminder that… love bites!Feb 13th & 14th, 2026Greer Cabaret Theater655 Penn AvePittsburgh PA 15222

QUEENSLAND REWIND 80's MIXTAPE TOUR - Friday 6th February : Cleveland Sands HotelSaturday 7th February : Wallaby Hotel Mudgeeraba, QLDBook Now - www.rewind80smixtape.com.auWelcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $2 a month (Get On It)https://www.patreon.com/the80smontagepodcastLinks: XY-TV (3XY HOT HITS JINGLE SHORT)https://www.youtube.com/watch?v=Ol-WqdWeXeMManikins : Dracula's Sluthttps://youtu.be/nmUPIp6HeX0?si=ij4DLPblBoRHVgkdPink Floyd - Comfortably numbhttps://youtu.be/_FrOQC-zEog?si=2wXLfLJj84tjWrZzPerfection - Cherhttps://youtu.be/CtsAdEmGwPY?si=KpbJ2MMZbI-qy_CsThe 12th Man - Topic : Scene 1: Openerhttps://youtu.be/T-rHxkWVXWo?si=DQur45FrPsQlU57mFleetwood Mac - Seven Wonders (Official Music Video) [HD]https://youtu.be/9b4F_ppjnKU?si=NlKZ-BcBbhFfJ7XSButtercup Country Split 1990s adhttps://youtu.be/_J1k9mIDJ4c?si=SfVHnOBzFY_WiLFWWrapps Muesli Bar Ad (1980s Australia)https://youtu.be/agsKG1ymzgM?si=5ApFqzxEHUSgrl3MBelinda Carlisle - I Get Weak (Official HD Music Video)https://youtu.be/sdTaPrs3fYE?si=hFhkRaVxRUPPiIIFINXS – Kick | Live at Loreley Festival (Rockpalast 1997) [HD]https://youtu.be/Gw-F0q-xRdg?si=pgK8U3slGh0temb8Sananda Maitreya - Sign Your Namehttps://youtu.be/dluHzQhLcME?si=PAU-ajtt3ap1eX-8George Michael - Hard Day (Audio)https://youtu.be/lgWzdzSQA3M?si=INE6Sa9ZGNjcWKv8Rick Astley - Whenever You Need Somebody (Official Video) (4K Remaster)https://youtu.be/BeyEGebJ1l4?si=5BoS2o8AqTZeFGLeThanks For Listening!The 80's Montage Podcast

Our Goals for 2026: Jess is gonna finish a novel.Sarina is going to figure out what she wants a long haul writer career to looks like.KJ is going to write this book as hard as she can and for as long as it takes.Jennie is going to claim her authority in the writing space.Our Words of the Year are …Meanwhile: Fan of Heated Rivalry? You'll want to read these books by Sarina Bowen!Ready to talk about your own goals and words? COME ON IN. We are here for that!Hey - if you've been curious about becoming a book coach, Jennie'd like to invite you to a live training she's doing on February 4th, at 5pm PST / 8pm EST. She's going to be talking about how to become the kind of book coach writers love to pay. You can sign up at bookcoaches.com/liveWOTYs … in the episode! If you want to know what was so funny, you'll have to listen.Transcript Below!If you love us enough that you got this far…SPONSORSHIP MESSAGEHey, it's Jennie Nash, and if you've been curious about becoming a book coach, I'd like to invite you to a live training I'm going to be doing on February 4th, at 5pm PST, which is 8pm EST, and I'm going to be talking about how to become the kind of book coach writers love to pay. You can sign up for that at bookcoaches.com/live. That's bookcoaches.com/live. (bookcoaches.com/live) I'd love to see you there.EPISODE TRANSCRIPTJennie NashHey everyone, it's Jennie, and this is the Hashtag AmWriting Podcast, the place where we help you play big in your writing life, love the process, and finish what matters. All four of us are here today to talk about our Word of the Year for 2026 and our goals. This is one of our favorite episodes to do, and we've all been kicking our words around, and we're ready to share them with you. So Sarina, do you want to go first?Sarina BowenOkay!Jennie NashI just know you are kind of ready.KJ Dell'AntoniaRight off the diving board. No throat clearing, no chit chat. Yeah, we're just alrighty.Sarina BowenAll right, so I'm Sarina, and I write novels, and pretty much that is all I write. So my goals tend to look kind of the same from year to year, but my, but how I feel about them, changes. So in 2026 I plan to write two to three books, and when I do, I will be rolling off of two contracts with two different publishers. So that means that the other part of my 2026 is really asking myself what I want to do next. Because, you know, finishing energy is a really hard thing, but I'll be like extra super finishing energy here, because I'm finishing a commitment. And, you know, I used to have goals, like, I'm going to write more books. I'm going to write all the books. And I don't anymore, because there were, there was a while there where I only wrote books, and then last year, I did a really nice job of meeting my goals that I would also go and have more fun and take more vacations. And it worked. I did that. It turns out that planning fun takes a lot of energy and time. Oh my goodness, it was I, you know, I so I was either off having a wild time, or I was like, you know, nailed to my desk, and, yeah, so I need to do a slightly better job of that this year. Although looking at the schedule, it's a little hard to see how, because I'm spending a big chunk of March and part of April in Australia and Hong Kong, and then...Jennie NashWait you can't just throw that in and not say why. [laughing]Sarina BowenOh, well, I'm, I'm visiting. I'm doing four reader events in Brisbane, Sydney, Melbourne and Perth.Jennie NashIt's so exciting, so exciting.Sarina BowenAnd you know, time will tell if accepting this invitation was, in fact, a good idea. When I get home, I will be—it'll be June, and I will be launching my second book of 2026, which is a romance and so, but, but then, you know, I will have turned in half of what I'm turning in this year, and I will be able to have big thoughts about what I do next. And that is the thing that is going to be hard about this year, not turning in files, but, you know, deciding what does it mean to me? And also a thing that I realized last year, while balancing my busy life is that in this job, there is no summit. It's not like you climb that big hill and then you stand there and you hear an angel choir, and then you know that the only thing that greets you after writing a big novel is that you will pretty soon, eventually write another one. So you have to enjoy the hike itself. And I am really working on that.Jess LaheyI actually have just—I have just to address what you just mentioned Sarina, I have put in my calendar in June. Since we love to—I happen to love the mid-year check-ins on goals. I put a little note to self, to future Jess to revisit Sarina's goals at mid-year so that we can talk about maybe what that second half of the year, what comes next, stuff is going to look like. So, expect that to come back around.Sarina BowenOkay, I hope there's some clarity by then, so I'll get right on that.Jess LaheyWell, and I would also like to mention that you mentioned, you know, all the work you're doing and doing fun and stuff like that. You also went back to skating this year, and you, I have loved watching you learn, relearn something fairly new, and gain skills and get determined to like, be able to do that. What's it called, when you change the side of the blade you're on? When you turn?Sarina BowenYeah, all that edge work...Jess LaheyIt's very exciting.Sarina BowenAnd those three turns. Yeah. So that is part of my leave the house and have fun plan, and that has worked out really well. It—when you do something that's so outside of your usual, like, we could just stipulate by now that I'm pretty good at writing a novel, because I have turned in a number of them and sold a number of them, but I am really not good at skating. So when you take yourself so far out of your element, and you do something that is so foreign to you, you learn, relearn all those weird little tricks about how you learned anything, and the fact that last year I could not do a three turn to save my life, which is where you turn around on one foot. And I tried and I tried and I tried and I tried to trick myself into it. And I'm like, okay, I'll take off on two feet, but land on one. I just every single thing didn't work. And then this year, now I can do it. And also, I woke up at four in the morning once and thought I could do a waltz jump tomorrow, and then the next day I did, in fact, just do a waltz jump. And I hadn't even been thinking about it. It wasn't even on my list of things I was going to try that week. So learning something really, really new is really just great for your brain and your attitude. And I don't know what the next thing that I do like that will be, but, yeah, I'm a fan.Jennie NashBut I must reflect back to you that a few years ago, you were, I think the goals had to you were working so hard and just, you know, book to book to book to book and, like, look at you now .You're going on all these trips, and you're learning to ice skate, and I know you and KJ are learning Mahjong.KJ Dell'AntoniaMahjong, yes.Jennie NashAnd you write in coffee shops like, you've kind of really changed that, that vibe. It's cool.Sarina BowenI have! I did it right? Like I said, I'm going to have more fun. I'm going to learn to write out of the house. Like I sat in a room and said to you that this was going to happen. And I did, right? But the, but then, but then, writing the actual books, it magically did not get easier. So I am having more fun, but it's still hard, and that's how I'm coming to this new realization that, like you know, I need to stop being surprised that the actual job is hard, but it's just like a piece of the fun that I'm having, and if and I can only write books that I'm probably going to enjoy, because it's still hard and it still takes a lot of hours.Jennie NashThat's amazing. I feel compelled to ask you, what are you most enjoying about what you're writing right now?Sarina BowenWell we are at maximum finishing energy, because I am finishing a revision, which is scary, right? Because then you're sending it off into the world of telling yourself that it's done. And I have to say, I have not enjoyed it all that much. This has been one of the more one of the more stressful weeks. But, yeah, I—but there are moments as I look through this manuscript, because I've just reached that point where you hate every living word of it, right? Where I read a line and I laugh, and then that's just a good sign.Jennie NashLike I'm so clever, look at me.Multiple Speakers[all laughing]Jess LaheyI actually just, just for fun. I just dropped—I got to go—I traveled an hour and a half to go so that I could go sit in a coffee shop and work with these guys, because I miss them so much. And I took two pictures of Sarina while she was working there, and in one, she had this look on her face... I just dropped it in our group text just now, where she's got this look on her face like this is the hardest, worst thing I've ever done. And then I also took one of her smiling and looking like her usual happy self. But it was—I love having those two pictures together on my phone, because it's so representative of the slog. How there are these moments of really having fun and engaging with the book and loving it, and then there's those moments of editing where you're trying to just finish it and get all the words in the right order.Sarina BowenYep, it's, it's, you know that the push and pull and the trick to liking this job is that when you're in that trench of I have to be finished with this. I have to love it, and I have to set it free. You have to remember that the other side is out there. That like the drafting happy, I haven't made any big mistakes yet, I haven't sealed off all the x's yet, like that's waiting for you on the other side of it. You know, if you get too deep in one place or the other, so that you can't remember, the other one is out there for you. Then, then that's a trap. It makes the job harder.Jennie NashWell, thank you for that. Jess, do you want to go next?Jess LaheySure! Yeah, so last year, last year was weird. Last year, my, my, I'm going a little bit into what my word was last year; it was ‘amplified' because it led, it sort of guided a lot of my goals last year, which had to do with just reaching more people, but during the year, during the course of the year, reaching and educating more people on the topics that I feel really strongly about, like mental health wellness, the specifically substance use prevention, as it relates to things like self-efficacy in kids and feelings of competence in kids. I realized sort of part way through the year how much more I was enjoying and feeling engaged when I was talking to the kids, and how much more impactful I felt when I was talking to the kids, and that shouldn't be surprising. But, if you're not a speaker, and if you don't spend your time speaking to adults and kids and especially teens, you should know it takes, you know, maybe three to four times as much energy to talk to the kids as it does to the adults. In fact, yesterday, I was trying to explain to someone why a virtual event to a lot of kids, doesn't work. I can't project that much energy through a screen to captivate a big room of kids. It's just it's really hard to do. And anyway, so I realized about halfway through the year that I really wanted when I when I thought about the word amplify and expanding on the number of kids that I reach per year, and the depth to which I am able to reach some kids in particular, it comes it comes down to not just people, but just kids specifically. So I talked with my agents, and we've agreed that I'm going to try to incorporate more kids this year. That even if it's more exhausting for me, it's more fulfilling, and so that's one of my big goals for this year, is to figure out how—yes, I still have to talk to adults, and I have to help them understand how to talk to their kids about substance use and mental health and how to see, know, love, support the kids you have, and not the kids you wish you had and all that stuff. But when it comes down to it, I have to figure out ways to get in the room with kids more and...KJ Dell'AntoniaYou're a kid-travert!Jess Lahey[laughing] Apparently.KJ Dell'AntoniaWhich some people get their energy from being with people, and some people get, you know, it takes—that's extroverts and introverts. So you're a kid-travert, you get your energy from talking to kids. That's delightful!Jess LaheyIt's in the moment. In the moment, it's much more exhausting. But there was a—I spoke at a school in Los Angeles. It was one of the best days I had in front of kids. And the number of emails I got afterwards explaining why it was meaningful to them. You know, I love when the kids, anytime a kid reaches out, it's this huge honor, because, you know, I'm, who am I? I'm some adult that comes into their school because their teachers say that, and now their teachers say they have to listen to this bozo. They don't know who this person is. But over time, I've figured out ways to help them trust me a little bit more, even before I get there. Like creating these videos where I introduce myself ahead of time. So I'm trying to figure out all the ways in to getting being a trusted adult, becoming a trusted adult to more and more kids, is something that's incredibly important to me, because that's where the great education stuff lies. So that amplify word changed for me over last year, and it's reflected in this year's goals as well, which is, get in front of more kids. I track those numbers really carefully. Last year, I was in front of just shy of 10,000 people generally, and a couple of 1000 kids. And I just want to change that ratio a little bit so that it's have more heavily in the kid direction and less heavily in the adult direction. Just because it's fun and really interesting and challenging. That's the other thing is, when you've been doing something for a long time, there are some talks I can do in my sleep, because I've done them so many times, and I don't want to do that, like, why would you want to come and spend time with someone who's asleep in front of you? But you know, they look good and it sounds good, but they're not totally invested. And I think everybody can feel that. So I've had to find ways to change things up, to reevaluate my content from other angles, so that I'm not getting sick of myself, and so that I can be fresh and new and useful to people. So, and then, like, I have small goals, you know, Sarina was just talking about her skating and looking, you know, trying to do something completely new that makes you a little nervous. You know, the beekeeping thing still makes me super nervous. And as I mentioned in another episode, I think Tim saw me emotionally preparing to do something I needed to do with the bees and he said I have never seen you so nervous and so doubting yourself about your ability to do something, and I realized how good that is for me. And so we will see at the end of this winter if my bees actually made it through the winter, and if they did, I'll have a hive of bees to deal with, and if they don't, I'll have to get a new hive. But that's been really, really good for me. Sarina, did you want to add something?Sarina BowenI have a question.Jess LaheyYes, ma'am.Sarina BowenDo we have a writing goal for this year?Jess LaheyYes, we do. And that's actually at the bottom of my list, because it's new. So I've been attending this weekly, really interesting virtual Blueprint for a Book Fast Track. What is it? Jumpstart you guys? With Jennie Nash, this really great book coach and founder of Author Accelerator, and KJ Dell'Antonia and I have been actually writing—working on this novel that I've been working on for ages and ages and ages and thinking about at a minimum once a week, and I'm going to finish it this year. 100% I'm going to finish it this year. And I'm really grateful to Jennie and KJ, because being in that, in—being in there, is forcing me to ask me all kinds of questions about, why am I even bothering to stick with this thing that has stymied me for over a decade? Like, why bother if it's been that hard and I haven't ever gotten it done, why am I even doing it? And I love asking myself those questions. It's been really fun. Plus, there's like 100 other people in that virtual session asking themselves the same questions and coming up with really cool answers for why they're even writing something in the first place. And it gets at all these fundamental questions of why we do what we do. So yes, I will be, I'm researching a nonfiction thing still. I have a—I'm looking at a stack of books behind me, and but I'm going to finish this YA novel this year period, full stop, it's going to happen..Multiple Speakers[Unintelligible] [several speaking at once]Jennie NashWell what's cool is, is, I mean, YA is not children, but it's young people. So that's kind of cool. It goes with your other thing.KJ Dell'AntoniaThere's a trend there.Jess LaheyYeah. And it was funny, because when you were asking the why the other night, and one of my things was, oh, because these characters speak to me, blah, blah, blah. And KJ mentioned, oh, I do know what Jess is talking about. And maybe it's, you know, she wants to write a coming of age story, and that's 100% it. I think I have, I have. I very much love that coming of age space and the struggles that middle school and high school kids go through in that coming of age space. And I think I have an interesting insight into it, and an ability to, an ability to make it come alive on the page. And I, for me, really want to do that. I really want to see it on the page, and I'm really excited about it.Jennie NashYou do have such a compassion for that age and what people are going through and how hard it is and it's...Jess LaheyAnd I love these characters. And I said I love these characters, and I want to do right by them. And that's true too. I do love these characters, and I can't stop thinking about them.Sarina BowenThat is the best reason to finish any piece of fiction. You know?Jess LaheyYeah, no, I really it's like they're stuck until I help them get to the other side. And I would hate to leave them there. I would it would make me feel really bad.Jennie NashI love it. Well you know, committing to something that you've been working on for that long, that's a that's a big deal.Jess LaheyYeah, it's also one of those. I know it's going to feel really, really good when I finish it. It'll be like, oh my gosh, I've been harping on that for whatever it is now 12 or 13 years, and I finally finished it. So I know it's going to be one of those. I'm going to be very, very glad I did it when it's done. And is it super hard? Yes, I've, you know, bitched and moaned about this in the past, that fiction is really hard for me and dialog is so hard for me, but that's what I'm writing right now.Jennie NashThat's another, another learning edge, right?Jess LaheyYep. Yep.Jennie NashAwesome. KJ, what about you?KJ Dell'AntoniaMy only goal this year with respect to writing is to write this book as hard as I can for as long as it takes. That's all I got. I got a couple other goals. I'd like to get my Christmas tree down at some point during the year. It seems like a plan. I was pretty excited about the Valentine's Day concept a few years ago, but I don't know, people have been really negging on it. Easter also, apparently not tree material. I mean, come on the fourth? I'm seeing it. No one else is. So there's that. No, my and my big life goal is to leave more white space for myself in my day and in my calendar, to do things, to not do things, and for the unexpected things, both good and bad things. I have a real tendency to be like from 11:30 to one I'm doing this, and from 1:30 to 2:30 there's this, and hey, at three there's this. And that is, in fact, an excellent description of my day. And sometimes I like it, but I just do it to myself constantly, and I need to stop.Multiple Speakers[all laughing]Jennie NashThat's all? Okay. Mic drop. I'm just thinking about that white space. What? What happens when you have white space?Sarina BowenYou know what happens to me when I have white space, because I'm actually pretty good at keeping it in my calendar, is that I get an email that's like, and today, we will be choosing among these eight narrator auditions. And then you will decide who is the narrator for this book that you haven't been thinking about for four months since you last did the copy edits, and then my whole day just explodes in a little puff of admin, like trying to get out of my own inbox is killing me. So, yeah, I don't, I don't. It's not even that I planned it. Other people are making this my, my problem, and I wish I had a 2026, goal for how to fix it.KJ Dell'AntoniaYeah, there's that. I mean, to some extent, I think that's my point. Is that I would like to stop doing it to myself, because I mean it through exactly the thing it is was not my was not my idea, nor was the thing, the unexpected event at eight o'clock this this morning, or the one when I walked in from the expected thing from nine to 10. I need to do a little less of it for myself, to allow for the fact that the other things in my life, I think, and I did this to some extent last year too. My final kids have actually all left for college this year, which is great, but there's still a lot of trouble. And also I have a lot of pets, and also just, there's a lot going on. So I sort of thought, and I really made this mistake in the Fall pretty hard. I thought, oh, I should probably fill like I should put some things on the calendar because I might feel sad. A, I still felt sad, and that was okay. And B, I put way too much on the calendar, given the number, amount of time I had to spend on... I'm just yeah, and here I am thinking I didn't do it in the spring, and I didn't, but I sort of am doing it on a daily basis, like, oh, look. And some of that is just that this was, what am I wrong? Was this the longest holiday season ever in the history of holiday season? Like it was still Christmas on January 17, I swear to God. And so a lot of it, I think, is I'm feeling a little dejected, because my days are really packed, because I had the sense not to put everything in the week of January 6, but I put a lot of things this week and last week. So hopefully I'll, but, but having done that, and now feeling it, I think, I hope, will inspire me to block off more time that, no doubt, will get filled with things. But that's better than it getting filled with things and my having already filled it.Jennie NashYep.KJ Dell'AntoniaIt's not going so great.Jennie NashI get that. Okay, so, so for me, I made some really big moves in my business in 2025 and they worked, and that was great. And I made a decision toward the end of the year to make even bigger moves, and did some thinking about, I wouldn't say, an exit strategy or a succession plan, but I'm 62 this year, and I'm working really, really, really hard in my business day to day, running, you know, pretty big small business, and I really want more time to create. To create curriculum, to, I just like making things. You know, to work on the podcast, to work on my own book, and I'll talk about that in a minute. And so I made a training plan to teach my team to take over the things that they are fully capable of taking over, if I just get it out of my head and onto a page to teach them how to do it. So it's a really big move for me, and kind of a terrifying move. It means trusting people. It means handing over some things. It means there's some ego-y things involved in that, the idea that nobody can do it as well as I can. And so, yeah, that's, that's big. It's big mindset. It's big actual shifting of duties. It's, it's kind of the white space idea writ large. What, what would it look like for me to have more white space? And it is, it is not retiring, it's not stopping. It's just, can I do more of what I want to do and less of the—of the day to day of this business? I am constantly surprised by the thing I have made. Author Accelerator has more than 375 certified book coaches now, and it's this huge community, and they're having a huge impact. And a lot of my coaches are becoming huge their own selves and doing really well, and just we're becoming known. And all of that takes time to manage, like the, I don't know, I wouldn't call it the brand, it's, it's the community. It just takes a lot of time to manage and the kinds of inquiries that we get and that sort of thing. And I, it's a thing that needs care, and I'm the one to give it that care. So just meeting the moment, I guess, is what my goal is for the year, and as part of that, the Write Big Sessions that I've been doing here at the podcast are my stepping into that space of thought leadership and creation, content creation in a different way. And haven't talked about this a lot, but I am writing a Write Big book, and I went out and found myself a brand new agent. I did my search from scratch. I did it cold. I tried to find the perfect agent for this book, rather than somebody that I knew, because I know a lot of agents, and I don't want to, I don't want to talk about a lot of specifics at the moment about who that person is, or what's happening really, but I will say that it's taken a little minute to get it together, because that's how it happens sometimes. But the book is out on submission, even as we speak, and I was telling KJ, this agent does something that I've never heard of and never seen, and I love it so much, which is that she shares a spreadsheet of the submissions and puts the responses right in there so I can log in, you know, 10, 12, 25 times a day and...Multiple Speakers[all laughing]KJ Dell'AntoniaJust normal, healthy behavior, right?Jennie NashWhich is so fantastic. Rather than, like, why isn't she telling me, or how come we haven't heard or whatever? But it's very, very early days, and so all that's coming in are the no's, because that's, that's what happens. But the no's are so great. I love them so much. They're totally boosting me up. Because, like, people know me. They know my work. They like my work. Like I, I don't know. I'm just so delighted by the nature and quality of the no's, which is just a funny place to be, but that is, that is where I am so...Sarina BowenJennie, it's a fantastic place to be. Like I have never heard another author say the no's make me happy. Like that is not a sentence I have heard in my life. And I know a lot of authors, so the fact that you know that that's, I just have good, good feelings and good thoughts about this project, and you are amazing.Jennie NashWell, thank you. And that is not by accident. That's what Writing Big means, right? It's like I own this idea. I'm not waiting to be picked; I'm not waiting to be anointed. I'm not waiting for somebody to say, you know, good job. But, when they do, and you know, these no's are just indications, like I self-published the Blueprint Books and I sort of think of them as this little thing that I made. I made them for my coaches to use in their coaching, and I made them to, it's a model that I teach. I didn't ever think of it as a thing, but I've sold more than 20,000 copies of the Blueprint Books my own self, and, but I just didn't think like editors would know what they are. They would use them with their own authors. They would know my company. They would know my coaches, and that's what all the no's are showing me. And that I'm just, I'm just like, when do you get a mirror into your impact? It feels like the no's a mirror into my impact, and I feel, I feel like there's no doubt that something great is going to happen with this book. I have no doubt. So bring on the no's and have them be awesome, because I know good things, great things are coming, and whether, who knows what path that is going to be, but that, that is where I am, and that sharing of the spreadsheet that this agent has done is just feeding right into, I mean, for other people, it might be the biggest disaster in the world, but for me, I'm like, this is so fun. I love it. My goal is for the year to lean into this bigger vision of what I can be.KJ Dell'AntoniaThat's a good goal.Jennie NashThank you. Well, I'm going to share my word first, because it just goes so well with what I've just been saying, and it's so obvious, and it's so great. And my word of the year is ‘play big'. Play big.KJ Dell'AntoniaThat's two words.Jess LaheyThat's two words.Sarina BowenI get two words.KJ Dell'AntoniaShe's allowed to have two words because she's playing big.Multiple Speakers[all laughing]Jennie NashAll right, we have to go in reverse order then so KJ, what's your, what's your word?KJ Dell'AntoniaOh, my word of the year is, is ‘alive'.Jess LaheyOh, dear. Okay, that's a... quite a goal you got there missy.KJ Dell'AntoniaIt's a good word... laughingJennie NashCan you explain?!Sarina BowenShe can't, because she's laughing really hard right now.KJ Dell'AntoniaUm, it was going to be enthusiast, because I wanted to be sort of a welcoming both the challenges and the excitements of my life. But I really just feel like, and then it was going to be relish, but, but that's pickles, and I hate them. And then I'm just, I just feel really good about just letting it all come and, and being a part of it.Jennie NashOkay, good word.Jess LaheyOh, Sarina?Sarina BowenI've used a lot of the words.Jess LaheyOh, not yet. Sorry.KJ Dell'AntoniaShe said, reverse order.Jennie NashI'm laughing so hard that I'm crying.Jess LaheyOh, she said, reverse order. That's right.Sarina BowenWe have done this so many times, and we have never laughed all the way through it. Okay, okay.Jess LaheyKJ is right though we have used all of the words, I actually considered reusing one of my words this year, but then I thought maybe that was a cop out. So I did come up with a new word.Sarina BowenI considered it, and then I was too lazy to go look them up.Jess LaheyThat's quite a statement there, Bowen.Sarina BowenI know!Multiple Speakers[all laughing uncontrollably]KJ Dell'AntoniaI know I had savor before, that was kind of where I was going, but...Jennie NashI can't stop laughing.KJ Dell'AntoniaI don't know I feel very gritty about my... [unintelligible]Jennie NashI'm like snort laughing over here at the idea of I'm never going to not hear relish and pickles. [laughing uncontrollably]Jess LaheyI know, I know, I like it so much. I love it.Sarina BowenWell, she really doesn't like pickles. KJ is that friend where if she is served a pickle with her lunch, you can take it.Jess LaheyYeah. Absolutely.KJ Dell'AntoniaAnd the bit of bread that it touched.Sarina BowenOkay Jess? Jess, I don't know how you're going to follow this, but do you have a word?Jess LaheyI do have a word, and I'm really excited about this word, because years ago, when I did a really cool conference in Abu Dhabi, I met this woman that I was shocked I hadn't met before. But her name is Elke Govertsen, Elke, and she has a Substack. Her Substack is just, it's @ Elke, is her. She managed to snag @ Elke. She has a newsletter. She has something called Open Nesting. She's got older kids. Anyway, I subscribed to her Substack. I love it. She's one of those people that when she walked down on stage to give her talk, she just glowed from inside, like she was one of those people that you just, I felt really drawn to. So I started following her and her year, her word for this year I really liked, although I thought about it in a different way than she did. Her word for the year is ‘allow'—a, l, l, o, w—and so that is my word for the year, to allow myself to do some things. For example, finishing this book, and just realizing, allowing myself to be really bad at it and hoping that I can pull it off, allowing myself to look really dumb doing stuff like the beekeeping, allowing myself some grace about the fact that I'm probably killed my bees this winter because they're not insulated enough, all of the things. But I just really liked her word allow. So that's where I am. That's my word. I was going to redo evaluate, because I really did like that one, because that the emphasis there was, like, figure out what's valuable to you, but whatever, I've used that one before, so I'm going to give credit out to Elke and go with allow.Jennie NashOkay, Sarina, what about you?Sarina BowenWell, you know, I picked a word, and I usually really struggle with this, and I never feel quite comfortable with it, but I pick something, or it just picked me one day, and that word is ‘esteem'. And my little job, my little job is having a strange little moment of esteem, because there's this show that's at the tippy top of HBO right now called Heated Rivalry. And Heated Rivalry is a book that is a queer hockey romance, which is something that I have also written since 2014, and it has; strangely, some of my best performing books ever over the last decade fall into what I thought was a niche. So I write this niche thing, and people read it and they love it, but you know, it has always stayed in its corner until now. And Rachel Reid is the author of the book called Heated Rivalry, from which this TV show was made very faithfully. And Heated Rivalry is a fantastic novel, by the way. Fantastic conflict, and an interesting story structure. So it has been quite a revelation to watch her book and story reach an audience that I did not feel it was capable of. And there is something about that, that really spoke to all the parts about my, of my business, where, for example, sometimes I have to do research. And early on, I almost felt apologetic about asking an orthopedic surgeon to talk to me about something for a romance novel, because I just assumed that they would roll their eyes. I did it anyway. Thank you, Mark, Dr. Mark, for explaining knee surgery to me. But um, so esteem is a couple of different things. It is choosing projects that I esteem and that I care about, not because I think they'll sell, but because I love them, and also just realizing that the esteem that comes to various things that we do is not always predictable or measurable or something to rely upon. So I have to esteem it all on my own before I commit the time to do that. And that is how I ended up picking this word that I that I really like. It's kind of a quiet word. It doesn't, it isn't sexy, I guess is, is a word I would describe it, not really, but, um, but it is a, it's like asks you to pause and measure how we feel about something before we commit. And that is how I ended up there.Jess LaheyI love that meaning to the word. I love it.Jennie NashSomething that also occurs to me is you spoke with such esteem about this other author and the work that that she's done, and that's something that you often do, and you lift up all the writers in lots of different ways. And that esteem you have for the process of writing and the publishing business and the hard work of it comes across as well. So I like that meaning too.Sarina BowenWell thank you. I had an interesting conversation with my 22 year old son, who is quite a reader. Right now he's trying to get to the end of Crime and Punishment before his semester really kicks in. And he asked me over drinks, on a trip to Boston that I was making time for, so go me, if I could write like anyone, like if I could suddenly have the skills of any author, dead or alive, who would I pick? And I instantly gave him a couple of names in contemporary fiction that he has never read and never will, because there are people who write books that are not for 22 year old nerds. And, um, and he, he sort of blanked and he's like, no mama, like you could have, you could be Tolstoy, you know, like you could pick anything. And I'm like, no, I'm serious. I have esteem for the things these people are doing in contemporary fiction. And it's like that, um, that George Michael quote, like, when are you going to make some serious music? And he says, you don't understand, I'm very serious about pop music. And you know, it's my right to esteem whatever I choose. And I really do choose this. It's not; it's not a runner up thing for me. This is my interest, and I'm going to value it.Jess LaheyHell yeah,Sarina BowenYeah. Woohoo!Jennie NashI feel like we should end on that.Jess LaheyYeah. I think that's a good place to stop.Jennie NashThat was some power, power language there. We would love our listeners to share in the chat your goals for the year, your words for the year, how you feel about pickles and their touching a bread. [laughing] We would love to hear all the things from you, and until next time, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled, Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for the This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

A stack of new interviews are coming down the No Tags pipes right now, but first we return to a conversation from our sold-out event at the ICA last month.If you couldn't make it down, or if you were there but forgot to take notes, this episode is a keeper. London-based rave researcher Anjali Prashar-Savoie set out her vision of a ‘club commons' – a radical, positive and participatory kind of nightlife, as inspired by her research into the history of queer scenes in the UK, from lesbian sound systems with a creche on the side to George Michael-themed free parties.The interview section begins at 41m. Before that we spend some time reporting on our New Year jollies, our seasonal “locking in” progress, and recent film-watching (Into The Abyss, Marty Supreme, The Smashing Machine).Then a conversation about the growing magnetism of Substack, a nine-year-old newsletter platform that's suddenly having a moment with musicians and celebs. Does the Troye Sivan newsletter herald a new intimacy in fan-artist relations? Or is this just another example of Brands Saying Bae? (With apologies to Shawn Reynaldo, who wrote his own First Floor newsletter on this subject a few days after we recorded ours. Soz.)If you missed it, the ICA event was also a book launch for No Tags Vol 2: Conversations on underground music culture, featuring interviews from the last year of the podcast and four brand new essays. The book is available from our Shopify, and from select bookshops and record shops.In other news! Chal has written about Britney Spears and her memoir for the latest issue of the London Review of Books. (It also references Jeff Weiss's 2024 book Waiting For Britney Spears, which we interviewed him about last summer.) And Tom has more dance music out on his label Local Action. Get full access to No Tags at notagspodcast.substack.com/subscribe

I gave Sean Rowley a call after writing up an article on “Unguilty Pleasures” (see Chill Gonzales episode 64) - Gonzales' campaign against music snobbery and treatise on the pleasures of Enya's music. It became clear that the story of Rowley's own creation, Guilty Pleasures, was very much a candidate for the Art of Longevity. Guilty Pleasures became that wonderful thing - a content brand (before we called them that) that grew octopus arms. The club nights quickly grew by word-of-mouth, expanding to multiple venues, festivals, and international events, and becoming a fixture of the UK nightlife scene. Then came a series of successful compilation CDs, at a time when compilations still did big business in music. It went on to radio, live tours, and special events (including opening for George Michael at the new Wembley Stadium), helping to popularise nostalgia-driven and feel-good music culture. In Rowley's own words “nostalgia is a fucking wonderful thing”. Well, he did make a career out of it, so he would understand. For an idea to build the way it has, and to last so long, it needed to be something deeper. With Guilty Pleasures, Rowley challenged prevailing ideas of musical “taste” and helped normalise the celebration of mainstream pop, even in alternative spaces. He gave music snobbery a good clobbering and in doing so, established a legacy on DJ culture and the wider acceptance of joyful, communal music experiences. The evidence is everywhere: the enormously popular Despacio Disco launched by James Murphy (of LCD Soundsystem) and the Dewaele brothers (of Soulwax and 2ManyDJs). And then James Gunn of course, with the Guardians of The Galaxy soundtrack, which mined similar territory. The pandemic brought us Sophie Ellis-Bextor's Kitchen Disco. Tik Tok has of course done wonders for the “genre”- famous for making Matthew Wilder's “Break My Stride” a sensation, now with 500m streams on Spotify. And on it goes, the sprawling influence of a simple idea that is underpinned by the even simpler concept of the joy of music. Support the showGet more related content at: https://www.songsommelier.com/

This week on the Known Legacy Podcast, the guys welcome back fan-favorite Cade Thompson! Fresh into this exciting new season of life—marriage!—Cade opens up about his real journey through the waiting: the doubts, the growth, the moments of trusting God's perfect timing when the 'when' felt far off. Now, as he steps into covenant love with his wife, he shares honest encouragement on why marriage is such a beautiful, lifelong gift—worth every season of preparation. Whether you're single and wondering if the wait will ever end, newly engaged, or already married and reflecting on how God shaped you along the way, this conversation will stir your heart and remind you: God's delays are not denials—they're divine setups for something greater. Hear Cade's powerful insights, plus soak in his uplifting music at cadethompsonmusic.com—hits like 'Good God' and 'Arms of Jesus' have touched millions, and his story will encourage you even more. New episode dropping now—tune in and let it renew your hope in God's timing and the incredible value of marriage!" Wake Up, Gear Up, and Come Alive! Take a break from the noise and step into a weekend designed just for you—a time to rest, recharge, and rediscover who God created you to be. Whether you're running on empty or just need to hit pause, this retreat is your invitation to refocus on your purpose and build deeper connections with other men on the journey.  What's Included: Intentional time to slow down and breathe Dynamic worship & powerful teaching sessions Epic cornhole tournament Basketball, disc golf, gaga ball, 9 square, horseshoes & lawn games Archery & archery tag Indoor activity center: foosball, ping-pong, carpet ball, board games & movie nights Meaningful conversations & memories that last  Cost: $300     per person (double room occupancy)  $400     per person (single room occupancy) ⚠️ Spots are limited — don't wait to sign up! Scholarships available!  Email: bill@knownlegacy.org for more info. https://knownlegacy.org/mens-retreat Chapters (00:00:01) - Known Legacy(00:02:04) - What Do You Want To Leave Behind In 2025 and Pick Up in(00:05:30) - What Do You Want To Leave Behind In 25?(00:06:57) - Reveal: My Wedding Story(00:13:04) - Marriage in the Next Generation(00:16:24) - What Kind of Encouragement Would You Give to a Newly Married(00:16:50) - How to Deal With Conflict in Your Marriage(00:21:17) - "Seek First the Kingdom of God..."(00:23:42) - Share some of the Stuff Going On in Your Life(00:25:02) - Bill Maher on His Wedding Prayer Request(00:28:27) - Mulil(00:28:46) - Fast Five: Legacy(00:29:55) - Tick Tock(00:30:24) - George Michael on His Christmas Tradition(00:31:24) - Christmas Song for Kids(00:32:00) - What Is Your Favorite Fruit?(00:32:47) - K. Thompson on His(00:34:08) - Pray for Kaden and His Wife

Ron Howard wrote this is episode description! Thanks Ron!In the pirate studios Geoff, Mike, and Rich sat to discuss their thoughts on the 2003 sitcom Arrested Development. The story of the Bluth Family, Michel, GOB, Lindsey, and Buster, their parents Lucille and George, and their kids George Michael and Maeby. A tale of wealth and loss, trust and mistrust, about land and sea. But don't take my, Ron Howard's, word on it listen to the boys. It'll be fun. So grab some 3d Doritos, some Mountain Dew Livewire and fire up The Pirate Bay. Let's watching some Arrested Development how it was meant to be seen. On a tiny buffering screen. Hugs and Kisses, Ron Howard. The director. Arrested Development stars Jason Bateman, Will Arnett, Portia Di Rossi, Jessica Walter, David Cross, Alia Shawkat, Michael Cera, Tony Hale, and Jeffrey Tambor. Hosts:Geoff KerbisMax SingerRich Inman

En El Faro 'Barba' se han mencionado muchos estilos de esta, pero si hay una extendida a nivel mundial es la famosa "barba de tres días". Un estilo que todo tipo de famosos, cantantes, actores, incluso políticos han logrado convertir en un símbolo de belleza, pero que tiene más historia de la que tiene. Porque fue George Michael el que logró darle la vuelta a esa idea de que la barba era signo de dejadez en un mundo de caras afeitadas.

Work With MeFUTURE COSMIC BREW SPECIFIC EMAIL LISTVideo mentioned:Show Notes: Themes of ancestral healing, global cancer energy, and the closing of major cycles. Recording this spontaneously from a phone in a parking lot (sacrificing George Michael's "Never Gonna Dance Again" in the process), this episode explores the deep connection between personal lineage and global astrology—specifically the mundane zero degrees Cancer and it's generational impact.

John Metcalfe was born in New Zealand but he's been British based for years. He's a celebrated arranger, composer, producer and violist. His music is a unique combination of classical, pop, electronica and who knows what else. He's worked with Andrea Bocelli, Blur, Peter Gabriel, George Michael, Coldplay and U2. He's a member of the classical Duke Quartet. He's also been part of the Durutti Column, a post punk outfit. He's been called “one of the UK's best, most consistently brilliant artists.”My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JOHN:www.john-metcalfe.co.uk—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

CADENA 100 ofrece 45 minutos de música sin interrupción este viernes, 9 de enero. En ¡Buenos días, Javi y Mar!, suenan "Volverte a ver" de Juanes y "Qué bonito es querer" de Manuel Carrasco. Además, presentan "Die With a Smile" de Bruno Mars junto a Lady Gaga, un tema de su nuevo álbum "The Romantic". El programa propone una playlist para cocinar este fin de semana, destacando a George Michael como opción ideal. CADENA 100 anuncia "La Noche de CADENA 100" el próximo 28 de marzo en el Movistar Arena de Madrid, un evento benéfico para Manos Unidas con Javi y Mar y otros artistas. En el inicio del fin de semana, también se escucha a Jennifer López, Nil Moliner, Black Eyed Peas y La Oreja de Van Gogh.

Originally recorded on January 8, 2026. Dan Torres and Westfield State University professor George Michael discuss the growing influence of the Far-Right movement in America.

An SCP Tale by Croquembouche: www.scp-wiki.net/omega-k License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Narrator/Database was provided by Joshua Alan Lindsay. The voice of Dr. Joyce Michaels was provided by Oktober Crow. The voice of the Nurse was provided by Romeo Rosales, Jr. The voice of George Michaels was provided by Lee Daniel. The voice of Darryl Loyd was provided by Breck Wilhite. The voice Thomas Fletcher was provided by Lee Daniel. The voice of the Notifier was provided by Russell Forbes. The voice of Emma Preston was provided by Spera Crinis. The voice of the TV Voiceover was Lisa Hogan. The voice of Capt. Ardal Rogers was Bruce Rasnick. The voice of the Interrogee/D-11424 was provided by Kendra ‘Izzy' Murray. ---- Sound Credits The sound credits for this episode will be available shortly. ---- Original music by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/omega-k Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

We are wrapping up another holiday movie month (and another year whaaaaat?) with the incredibly good Last Christmas. Warning – we do spoil this movie AND it gives you a LOT of feelings – plus there are just so many George Michael songs (complimentary). Join our Patreon: patreon.com/chartsandheartsclub

Every December, the same two songs return — playing in stores, homes, airports, and holiday parties around the world. Do They Know It's Christmas? and Last Christmas have become so deeply embedded in our global celebration of the season that it feels like they've always been there. But they haven't. In this episode, Kate takes a deep dive into the remarkable back stories behind two of the most iconic Christmas songs ever recorded, both released within days of each other in December 1984 — and both created under dramatically different circumstances. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

George Michael var eitt mesta poppstirni heims, satt og sannað og það með löggildum pappírum. Í þættinum gerum við úttekt á mögnuðum ferli þessa mikla meistara og kippum poppbrjálæðinu Wham! einnig um borð þegar við metum hámarksárangur meistarans á plötugerðarsviðinu.

Send us a textThe Back in Time Brothers: A Very 80s Christmas (Originally Heard on URL Radio)Join DJ Paulie and Lou as they turn up the volume and celebrate the greatest toys, movies, and original Christmas music from the tubular 1980s!The chaos begins with Busted! Stupid Criminals at Christmas time, featuring tales of holiday fails. Hear about the woman in a "very revealing elf costume" who pocketed bottles of limited edition Christmas ale at a Cincinnati brewery. We cover the man caught trying to steal upscale lingerie from a busy mall in Philadelphia, claiming he was "helping Santa to deliver the naughty list gifts". Plus, listen to the story of the man offering "relaxing Christmas mistletoe shoulder rubs" before tripping over a decorative reindeer mid-escape. And don't miss the Reno couple caught breaking into a rental cabin wearing nothing but Santa hats and slippers.Next, Todd Snyder's Rock Talk dives into "The Dark Secrets Behind Band-Aid's Do They Know It's Christmas?”. Discover how Bob Geldof essentially "guilddrafted" major stars—including George Michael, Sting, and Phil Collins—into recording the chaotic anthem in a single day in 1984. Find out which lyric Bono "hated" singing (but belted out anyway) and the internal struggles over how the tens of millions raised were actually delivered.The Countdown blasts 12 iconic, original 80s holiday tracks. Get ready for the punk rock snowstorm of The Ramones' "Merry Christmas (I Don't Want to Fight Tonight)" and the haunting storytelling of The Pogues' "Fairy Tale of New York". You'll also hear Queen's emotional rock ballad “Thank God It's Christmas” and the soulful sorrow of Prince's "Another Lonely Christmas". Plus, we drop tracks from XTC (recording secretly as The Three Wise Men) and Run DMC's hip-hop holiday classic "Christmas in Hollis".Finally, Lou and DJ Paulie debate the definitive 80s Christmas Movies, ranking everything from the chaos of Gremlins and Die Hard (Yes, it's a Christmas movie!) to the classics A Christmas Story and National Lampoon's Christmas Vacation. The brothers also dive into 80s toys: the good (the game-changing NES system), the bad (the injury-prone Pogo Ball), and the ugly (the riot-inducing Cabbage Patch Kids and the creepy, talking Teddy Ruxpin).Tune in for the wildest Christmas since "Bing Crosby tap danced with Danny f****** K."!Support the showThanks for listening. Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

GRAMMY winner and Nashville Songwriters Hall of Famer Mike Reid chats about his remarkable musical life. PART ONEScott and Paul talk about the sports games and so much morePART TWOOur in depth conversation with Mike ReidABOUT MIKE REIDNashville Songwriters Hall of Famer Mike Reid has written twelve #1 country songs and has had his work recorded by Bonnie Raitt, Anita Baker, Bette Midler, Prince, George Michael, Nancy Wilson, Etta James, Kenny Rogers, Ann Murray, Wynonna Judd, Alabama, Joe Cocker, Tanya Tucker, Willie Nelson, Collin Raye and Tim McGraw. He is perhaps best known for co-writing the modern-day standard “I Can't Make You Love Me” with Allen Shamblin. Launching his music career as a staff songwriter for country star Ronnie Milsap's publishing company, Reid penned Milsap hits such as “Stranger in My House,” which won a Grammy for Best Country Song” and “Lost in the Fifties Tonight,” which was named ASCAP's Country Song of the Year. As an artist, Mike signed with Columbia Records and scored a #1 hit with the self-penned “Walk on Faith.”Others who've recorded Reid's songs include Tammy Wynette, Rita Coolidge, Don Williams, Billy Dean, Josh Turner, Shelby Lynne, The Judds, George Jones, and Shania Twain. A true Renaissance man, Reid went on to compose theatrical and operatic works, winning a Richard Rodgers Development Award from the Academy of Arts and Letters for 1997's The Ballad of Little Jo. His most recent project is a collaborative album with Joe Henry called Life and Time.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Good Morning, ‘Hark!' ‘Do you hear what I hear?' ‘They said there'd be snow this Christmas; they said there'd be peace on earth' ‘Do they know it's Christmas?' ‘I pray God it's our last!' Throughout the land the lyrics of Christmas songs are being piped in shopping centres and pubs and, loved or loathed, we sing along. This year's official Christmas No1 will be decided on Friday. Current favourite is Kylie, with oldies from George Michael and Slade chasing hard. As Slade's Noddy Holder sings; ‘Does your granny always tell ya that the old songs are the best.' Then, in a tradition begun by Lennon and taken up by Rage Against The Machine, there are the Christmas protest songs. This year's from Brian Eno and Peter Gabriel with ‘Lullaby', a song for Gaza, and Billy Bragg's ‘Put Christ Back Into Christmas', with Bragg asking us ‘to stand with those who need the most' and reminding us that Christmas celebrates the birth of a refugee. It seems very British to me that we are free to mix protest in with sentimentality and silliness. The Christmas story is spacious enough to contain all our hopes and fears, our joy and praise, our rage and indifference. Even our scrooge-iest revulsion. For I contend that the birth of Christ is itself a kind of cosmic protest song. The original Christmas No.1 was after all sung by angels to people at the margins of society: the young Mary and Shepherds, those far from the corridors of power and status; a startling song that announces a change to the status quo, a tune sweeter and louder than the prevailing mood music of despair, the monotonous dirge of violence and oppressive power, of one bad thing after another: ‘Do not be afraid' it declares. ‘There will be peace on earth.' It's arguable that we might never have heard this story had the message not been sung to people who were immediately in tune with it, and able to sing back in words of astonished wonder and praise: ‘he has scattered the proud, put down the mighty, exalted those of lowly degree.' Or ‘My eyes have seen your salvation.' Once you've ‘hailed the incarnate deity'; or seen the Godhead veiled in flesh, the chances are you're going to sing about it. Christmas invites the world to sing a different tune. I'd even suggest that part of the reason we still sing about it – even if we stray into sentiment - is that its core melody is like a pop tune or great carol you can't help but sing along with. ‘No. I can't get you out of my head; because God and sinners are reconciled; because mild he lays his glory by; the hopes and fears of all the years are met in thee; And so this is Christmas.'

Have you ever looked into a man's sex toy drawer and learned everything about him? I did. And what I found had me soaked before dessert.

(00:00-5:31) The Last Christmas Netflix documentary. Mt. Rushmore of George Michael songs. The TMA Reddit Insider has gone dark after Jackson accepted his challenge. Weebles wobble but they don't fall down.(5:39-11:19) A big George Michael 10:00 hour. Jackson's challenger has resurfaced and says he's 6'3 195. Eat some protein, you twink. The ghosts of championships past. Cut or uncut?(11:29-17:46) E-Mail of the DaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“You gotta have faith,” George Michael sang a long time ago. Given the unfortunate fate that befell that conflicted artist, it's worth taking a moment to reflect upon how hard it is to find inner peace, and make a commitment to whatever faith you still possess during this Christmas season. Life is very complicated right now and holding on to love, practicing gratitude, and radiating good intentions will help to get us through these dark days. We here at The Hotel Bohemia want to gift you a holiday sampler chock full of savory contradictions and sweet mysteries, delivered by Jan and Dean, Tom Jones, and Evil Wiener. Since Xmas celebrates the birth of the redeemer, and the gift Christ offered to the world, the three songs lined up today trace the arc of his sacrifice and our crisis of faith: The Annunciation (Jan & Dean); the Crucifixion (Tom Jones); and, finally, the Resurrection (Evil Wiener)The Annunciation (T.A.M.I Show Theme: Jan and Dean)Jan and Dean, like two sun-kissed Angels, announce to the world that a youthful era of optimism has begun. Rock and Roll will save the world, they proclaim, and, we, the youth believed it. In the T.A.M.I. show theme song you can feel the exuberance of their faith. Two years later, Jan Berry almost dies from a car crash, and today the Boomers are rapidly going down in shameful flames, but in this time capsule from 1964 none of that is on the horizon- it's all smooth sailing ahead.The Crucifixion (Charlie Darwin: Tom Jones)Here the smooth sailing is over, and the all encompassing ocean is overwhelming a ship's crew - they are drowning. From out of the God given pipes of Sir Tom Jones, a prayer goes out - but to whom? There is a deep crisis of faith portrayed here in mysterious utterances. Does Charlie Darwin represent an irreconcilable conflict between natural selection and charity? Did he try to tell us something that we weren't ready to hear? That Survival of the Fittest must doom us? Just as Jesus cried out on the cross, “why have you forsaken me?” The crew here is also expressing a crisis of faith. Or, is there a conflict at all? In the end faith is all they have. They are crying out to God as the water consumes them.The Resurrection (All Over the World: Evil Wiener)Bill McCormick, aka Billy Sugarfix, aka Evil Weiner may have had some doubts about the existence of Santa Claus, (and by extension, the Savior), but he's returned to the fold of the faithful. From the special edition EP from 1993 on the Flavor-Contra label, here is Evil Wiener's goofy recommitment to his faith - and a joy filled Birthday Greeting to Jesus Christ. Merry Christmas everybody!  

On the 71st Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus welcome back special guest, musician, actor, writer, producer, podcast host of ROCKTAILS, Ahmet Zappa, to review the 1984 classic hard rock album "Out Of The Cellar," by RATT. Ratt was at the forefront of the LA hard rock/metal scene and Out Of The Cellar pushed them to the top. Let by charismatic frontman, Stephen Pearcy whose unique vocals stood out and the guitar attack of Robbin Crosby and Warren DeMartini. Juan Croucier was the bassist and Bobby Blotzer on drums. Out Of The Cellar made it to #7 on Billboard album charts and eventually went 3 times platinum. Their videos and singles, Wanted Man & Back For More have stood the test of time. Their classic Round And Round may be a Mount Rushmore song of the era, especially their video which was all over MTV. Whether it's called melodic rock, hair metal, glam rock or just hard rock, The album is considered of the era and has stood the test of time. This was the Zeus' pick and the second Ratt album reviewed on ARC, after Detonator. So find out, why George Michael in a bath, Screech and banging Motley Crue gets discussed in this INSANE episode! Oh whose doing all that singing??? To Purchase Ratt's “Out Of The Cellar” On Amazon Click Below:   ⁠Ratt's "Out Of The Cellar"⁠   To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below:   ⁠Raise Your Glasses Book⁠   For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below:   ⁠www.ShoutItOutLoudcast.com⁠   Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below:   ⁠SIOL Patreon⁠   Get all your Shout It Out Loudcast Merchandise by clicking below:   ⁠Shout It Out Loudcast Merch At Printify⁠   Shop At Our Amazon Store by clicking below: ⁠Shout It Out Loudcast Amazon Store⁠   Please Email us comments or suggestions by clicking below: ⁠ShoutItOutLoudcast@Gmail.com⁠   Please subscribe to us and give us a 5 Star (Child) review on the following places below: ⁠iTunes⁠ ⁠Podchaser⁠ ⁠Stitcher⁠ ⁠iHeart Radio⁠ ⁠Spotify ⁠   Please follow us and like our social media pages clicking below: ⁠Twitter⁠ ⁠Facebook Page⁠ ⁠Facebook Group Page Shout It Out Loudcasters⁠ ⁠Instagram⁠ ⁠YouTube⁠   Proud Member of the Pantheon Podcast click below to see the website: ⁠Pantheon Podcast Network⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason goes BTS at MSP, a WTF warm-up round -- food edition, we take an unexpected deep-dive into George Michael, and McDonald's Netherlands AI ad controversy See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

SEGMENT 1 — Setting the StageQuestion posed: “Are these the worst Christmas songs of all time?”Hosts clarify their relationship with Christmas music:One listens only occasionally (tree decorating, Christmas morning).One avoids it entirely—would rather plug their ears. SEGMENT 2 — Reviewing the List (Song by Song)1. “I Never Knew the Meaning of Christmas” – NSYNCSome familiarity.Reaction: “It's whatever… I get why it's on the list.”2. “Cherry, Cherry Christmas” – Neil DiamondCo-host's childhood connection (mom's album, first concert).Agreement: belongs on the “worst” list.3. “Don't Shoot Me Santa” – The KillersNeither host knows it.Judged purely by title: immediate “no.”4. “Dominic the Donkey” – Lou MonteImmediate agreement: belongs on the list.One host has never heard it.5. “Funky Funky Christmas” – New Kids on the BlockReactions: sounds awful, questionable attempt at creating an original Christmas hit.6. “Santa Baby” – Michael BubléDiscussion about the original (Eartha Kitt).Disagreement: Bublé can sing—should it really be on the list?7. “I Want a Hippopotamus for Christmas”One host doesn't hate it.Other host is glad they've avoided it.8. “Grandma Got Run Over by a Reindeer”Strong reaction: “Worst Christmas song of all time.”Always gets turned off instantly.9. “I Saw Mommy Kissing Santa Claus” – Jackson 5Debate: cute classic vs. slightly “risqué.”10. “The Christmas Shoes” – NewSongBoth hosts OUT.Described as sad, slow, and “not the best.”11. “Wonderful Christmastime” – Paul McCartneyDivisive!One host loves it: “He's a Beatle—come on!”The other thinks he should've stuck to Beatles songs.12. “Do They Know It's Christmas?” – Band AidDiscussion about the big lineup: Bono, George Michael, Sting, etc.Despite the star power, hosts find it just “okay.”13. “The Chipmunk Song (Christmas Don't Be Late)” – Alvin & The ChipmunksChildhood nostalgia for one host.A one-listen-per-day max.Other host fully checks out and stares at the studio TV. SEGMENT 3 — Launa's Christmas Music StanceReiterates: doesn't hate Christmas, just the music.Tree decorating soundtrack? → Breaking Benjamin, not Christmas music. SEGMENT 4 — Bonus Mention“Christmas Cookies” – George StraitControversial take: maybe not his best song.“Don't ever say that about the King!”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For Patreon subscriber Jim Fields!  LOVE TRIVIA WITH BUDDS? CHECK OUT THE MNEMONIC MEMORY PODCAST!  "Knowledge is rooted in memory—listen to The Mnemonic Memory Podcast today." http://www.themnemonictreepodcast.com/ Fact of the Day: After singer George Michael died it was revealed he had anonymously donated generous amounts of money to multiple charities large and small, and to needy individuals, and would secretly volunteer at a homeless shelters. Triple Connections: Kettle, Microwave, Stove Top THE FIRST TRIVIA QUESTION STARTS AT 01:14 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $1 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW!  GET A CUSTOM EPISODE FOR YOUR LOVED ONES:  Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music:  "EDM Detection Mode" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.com http://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS INCLUDING:   Mollie Dominic Vernon Heagy Brian Clough Sarah Nassar Nathalie Avelar Becky and Joe Heiman Natasha raina Waqas Ali leslie gerhardt Skilletbrew Bringeka Brooks Martin Yves Bouyssounouse Sam Diane White Youngblood Sarah Lemons Trophy Husband Trivia Rye Josloff Lynnette Keel Nathan Stenstrom Lillian Campbell Jerry Loven Ansley Bennett Gee Jamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Chelsea Walker Tiffany Poplin Bill Bavar Sarah Dan  Katelyn Turner Keiva Brannigan Keith Martin Sue First Steve Hoeker Jessica Allen Michael Anthony White Lauren Glassman Brian Williams Henry Wagner Brett Livaudais Linda Elswick Carter A. Fourqurean KC Khoury Tonya Charles  Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Chris Arneson Trenton Sullivan Jen and Nic Michele Lindemann Ben Stitzel Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter JohnB Patrick Leahy Dillon Enderby James Brown Christy Shipley Alexander Calder Ricky Carney Paul McLaughlin Casey OConnor Willy Powell Robert Casey Rich Hyjack Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel

The latest episode of SURFACE NOISE is your vinyl record collecting hookup!

This week's book guest is Father Figure by Emma Forrest.Sara and Cariad are joined by writer and director Emma Forrest. Emma has published five novels and two critically acclaimed memoirs and was named as one of Variety's 'Top 10 Screenwriters to Watch'.In this episode they discuss Watching people from busses, fantasies, ear-worms, obsession and George Michael.Thank you for reading with us. We like reading with you!Father Figure by Emma Forrest is available here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclubTickets for Sara's tour show I Am A Strange Gloop are available to buy from sarapascoe.co.ukCariad's children's book Lydia Marmalade and the Christmas Wish is out in paperback here now. Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

What if the most meaningful things we ever do are the ones no one will ever see?This episode was inspired by a powerful article I read about George Michael and the countless acts of anonymous generosity he carried out during his life. (You'll hear me accidentally say he passed in 2026 instead of 2016 — a very human slip — but the heart of the story stands.)His legacy is a reminder that real impact is quiet, soulful, and never dependent on recognition. In a world that has become increasingly performative, today's conversation guides us back to intention, depth, and the kind of giving that comes from our truest selves.What you'll hear in this episode:The George Michael story that sparked today's messageWhy so much of our world has become performativeHow to check your intention before you give or serveWhat it feels like to act from soul instead of egoWhy approval seeking keeps us disconnectedReflection questions to help you return to heart-led actionA reminder that real impact never needs an audienceClosing affirmation:I choose to give because it feels right, not because it will be seen.Sponsor note:If you want to deepen your connection with the young person in your life, pick up The Connection Book on Amazon. It's filled with prompts, questions, and simple practices to help you talk more, scroll less, and grow closer together. Get it at www.melodypourmoradi.com/connectionLet's Stay Connected!As an empowerment coach, author, twin girl mom, and the creator of the GiRLiFE Academy, my mission is to help every woman and girl discover her voice and live a life that lights her up from the inside out.I'd love to connect with you and continue this beautiful journey together!

On the 71st Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus welcome back special guest, musician, actor, writer, producer, podcast host of ROCKTAILS, Ahmet Zappa, to review the 1984 classic hard rock album "Out Of The Cellar," by RATT. Ratt was at the forefront of the LA hard rock/metal scene and Out Of The Cellar pushed them to the top. Let by charismatic frontman, Stephen Pearcy whose unique vocals stood out and the guitar attack of Robbin Crosby and Warren DeMartini. Juan Croucier was the bassist and Bobby Blotzer on drums. Out Of The Cellar made it to #7 on Billboard album charts and eventually went 3 times platinum. Their videos and singles, Wanted Man & Back For More have stood the test of time. Their classic Round And Round may be a Mount Rushmore song of the era, especially their video which was all over MTV. Whether it's called melodic rock, hair metal, glam rock or just hard rock, The album is considered of the era and has stood the test of time. This was the Zeus' pick and the second Ratt album reviewed on ARC, after Detonator. So find out, why George Michael in a bath, Screech and banging Motley Crue gets discussed in this INSANE episode! Oh whose doing all that singing??? To Purchase Ratt's “Out Of The Cellar” On Amazon Click Below:   Ratt's "Out Of The Cellar"   To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below:   Raise Your Glasses Book   For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merch At Printify   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Metro, Rev. Jeff Ivins brings you these bands for your time warp to the 1980s: Katrina And The Waves, Madness, The J Geils Band, George Michael, Slow Children, Bangles, Toni Basil, Adam & The Ants, Pretenders, Elvis Costello & The Attractions, Altered Images, Dead Kennedys, Stray Cats, Robert Palmer, Thomas Dolby, […]

We were so excited (though we kept it subdued) to meet the hilarious Wendi McLendon-Covey from Reno 911!, St Denis Medical, Bridesmaids, and Barb & Star Go To Vista Del Mar. Wendi enjoys going to concerts and says it gives her the same satisfaction as travel but it's shorter and cheaper. You'll find that listening to Wendi talk about concerts is like traveling or going to a concert yourself but with the added benefit of not leaving your comfy bed and knocking out a GNS yourself. GNS stands for Good Night's Sleep and it's an acronym we're going to use some more. We hear about some of Wendi's favorite shows, including George Michael at his ripped jeans and leather jacket finest. Best of all, Wendi very much understood the assignment of our show and uses her most soothing voice so your trip to a GNS is assured.Watch the second season of St. Denis Medical on Peacock or on your local NBC station.Hey Sleepy Heads, is there anyone whose voice you'd like to drift off to, or do you have suggestions on things we could do to aid your slumber?Email us at: sleepwithcelebs@maximumfun.org.Follow the Show on:Instagram @sleepwcelebsBluesky @sleepwithcelebsTikTok @SleepWithCelebsJohn is on Bluesky @JohnMoeJohn's acclaimed, best-selling memoir, The Hilarious World of Depression, is now available in paperback._________________________________________________________________________Join | Maximum FunIf you like one or more shows on MaxFun, and you value independent artists being able to do their thing, you're the perfect person to become a MaxFun monthly member.

This week's Throwback Thursday episode revisits Episode 118 from August 29th, 2022, where the spotlight is on George Michael's genre-blending smash hit “Faith.” With its unmistakable Bo Diddley beat, cheeky lyrics, and a leather-jacketed swagger, “Faith” became the second single from Michael's solo debut and ultimately the #1 Billboard song of 1988. Chris and Chris dig into what made this track so irresistible, exploring its bold musical choices, clever arrangement, and the artistic statement it made as Michael stepped out of Wham!'s shadow and into pop superstardom. Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at ⁠http://distrokid.com/vip/demakes For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at ⁠http://www.ChrisDeMakes.com Follow Chris DeMakes A Podcast on Instagram: ⁠https://www.instagram.com/chrisdemakesapodcast/⁠ Join the Chris DeMakes A Podcast community on Facebook: ⁠https://www.facebook.com/groups/2643961642526928/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

It was a year of staggering losses, from David Bowie and Prince to Leonard Cohen and George Michael. But it was also a year of monumental new music, including Beyonce's 'Lemonade' and a mountain-sized rock anthem from Mitski.Note: This is a recurring series in celebration of All Songs Considered's 25th anniversary. A shorter version of this episode ran earlier in the year.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy