Podcasts about Jacolby Satterwhite

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Mixed live by Honowski in Cologne on 26th March 2023. Words from the artist: This mix is inspired by the untranslatable German idiom "sich einen Film fahren", which is a mixed metaphor about "driving yourself a film," and is used to describe hallucinating, being entirely in the grip of your imagination, or following a wild idea. Can you spool yourself a film? See, it doesn't really work in English… Perhaps the closest word is ‘unspooling,' so you can call this mix that too. The mix begins - as perhaps many things on Klang Mag do - with an online argument. In the middle of the pandemic, I posted a comment on a certain online forum about my preference for wrong speeding Coil records, specifically the ones made under the influence of the dubplate culture of the early nineties. This comment did not go down well with some members of this forum. However, playing the ElpH records at the wrong speed sounds amazing, so that's how this mix begins. What never ceases to fascinate me about the late post-industrial period in British music in the nineties is how willing these so-called avant-garde artists were to engage with pop music and culture. On the one hand, this was influenced by the fact that their artistic community had actually managed to have pop hits in the eighties, while on the other it just reflects the radical openness of the best weirdo, out-there artists. After all, even Bernard Parmegiani soundtracked horror movies. Witch house is perhaps a more recent nexus for such contrary and coagulating impulses. The art school warehouse noise crowd meets trap producers on ecstasy. While the cultural appropriation inherent in that scene always needs addressing, witch house, and its close cousin vaporwave were (in the time it used to take to torrent a movie) re-appropriated by artists like Lil B and the Goth Money crew. This then led to such trans-dimensional collaborations as Gangsta Boo and Sightless Pit, or Nick Weiss, Jacolby Satterwhite and Satterwhite's mother's release as PAT, both featured in this mix. Inspired by Satterwhite's paintings, he has a great series influenced by Tricky which I've featured – the Nearly God track Poems, with the late Terry Hall. The magpie tendencies of witch house are a clear but inadvertent prelude to the present playlist era. Music was being pirated so flagrantly and with such genius (see those SpaceGhostPurrp instrumentals) that it is little wonder that we have to re-learn to value our access to it. This mix is all vinyl – and I thoroughly encourage you to seek out all these records and play them so much you have to buy new copies. Analogue might not be necessary, but it is fun. That being said, the freedom inherent in playing records as wrong as you like can also be achieved by using CDJs or a DAW to make edits, so total sonic freedom is yours, whatever the format. In this mix, I have tried to apply the musique concrète toolkit by stitching together longer, abstract ambient passages with pop music; something that Klein achieves with her own compositions on her truly radical LPs. But which are the tools here? Is it the vinyl sound objects? Are the segues between the ambient passages or the pop songs? Perhaps that's what's magic about telling stories with sound: the equivalences between quite opposing styles can bring about completely new meanings, and still remain coherent. Dream logic accepts form and incongruence reveals unconscious intentions. This show was made on a Sunday, and you can hear that in the softened textures and sleepy mixing. Sometimes it's all about drifting. The image above is from a recent video piece that I made for LALA Athens, entitled Custard, which was inspired by fragments of Gertrude Stein. This is also the first Episode of the radio show Sonic Fictions on 674fm, it was recorded live in Cologne on 26th March 2023.

The fascination with mythological, the larger-than-life, often surreal characters is apparent in classic works of art. How do artists use new media art to tell mythological stories? How can these technologies bring the myths closer to us?Featuring Julius Horsthuis, Lu Yang, Jacolby Satterwhite and Marie Alexandre Hosted on Acast. See acast.com/privacy for more information.

Andrew is an American musician, songwriter, and producer. He fronts the band Miike Snow along with an endlessly diverse list of projects + collaborations spanning the past 10+ years. We talk working with Liam Gallagher, Caroline Polachek, not trying, organic boundaries, corporate spaces, fourth rate goop aesthetics, pre-recorded trip sitters, problematic spiritual leaders, Keith Raniere, listening loudly, moral relativism in the face of a flamethrower,  talent and vision vs winner-takes-all, “most people”, the accelerationists, Fukuyama, liberal capitalism, living with the broken heart of a potential future, peace and love, black pills and clear pills, the Disneyfication of the world, Jacolby Satterwhite, the crazed fantasy of the self, dressing like an anime demon, The La's, constructing the world, taking rubber bullets, ambient surveillance, dreaming dreams, William Bennett and Whitehouse, Yamantaka Eye and Hanatarash, and taking a long hard sleep before getting back to the important work.

Today's experiments in art and technology are wide-ranging, and few know better about the latest developments than Daniel Birnbaum, director and curator of Acute Art, and New York City–based artist Jacolby Satterwhite. In this episode, Birnbaum and Satterwhite talk to Marc Spiegler about the use of virtual reality as an artistic medium, the future of mixed reality and the ‘metaverse', the digitalization and democratization of the artworld, and the idea of cosmic NFTs. Plus, our correspondent Anny Shaw explores a new art gallery located in a UK football stadium and talks to its founder, Eddy Frankel, who also happens to be an art critic and Time Out London's Art & Culture Editor.

Musician Ariel Pink opens up his unreleased private archive of voice memos and talks about his love of unproduced bootlegs. Artist Jacolby Satterwhite plays a track from his band, PAT, which samples amateur song recordings made by his mother. Musician and writer Johanna Hedva discusses the many extended vocal techniques and experimental vocalists they studied on the path to writing their new album. Host Ross Simonini Credits Produced by ArtReview and Ross Simonini.

This week: the artist Grayson Perry has a new exhibition and documentary series about the United States. What can a British artist and broadcaster tell us about the faultlines in American culture? Louisa Buck talks to him in his show at Victoria Miro in London. Ben Luke talks to the curator and art historian Robert Storr, the author of a huge new book about the painter Philip Guston. And in this episode’s Work of the Week, Margaret Carrigan talks to the artist Jacolby Satterwhite about Édouard Manet’s masterpiece Le déjeuner sur l’herbe (Luncheon on the grass). See acast.com/privacy for privacy and opt-out information.

Since establishing the Pioneer Works nonprofit cultural center in Brooklyn’s Red Hook neighborhood in 2013, artist Dustin Yellin has slowly grown the place into a powerhouse hub at the nexus of art, technology, music, and science (with literature and food sprinkled in). Like the beautifully complex glass sculptures he creates, Pioneer Works is a richly layered mishmash. Consider this spring’s lineup of programs: One night this April, there’s a performance by the Ghanaian electronic and rap artist Ata Kak; another night, there’s a “Supper Club” dinner featuring traditional Japanese home cooking by chef Emily Yuen and owner Maiko Kyogoku of the New York City restaurant Bessou; on May 2, there’s the institution's annual benefit, this year co-chaired by Austin and Gabriela Hearst, and honoring poet, essayist, playwright Claudia Rankine, as well as economist Marilyn Simons and her billionaire hedge-fund manager husband, James. Currently on display in the galleries is a performance set by artist Jaimie Warren (through April 12) and a showing of four Japanese avant-garde films from the 1960s and ’70s (through April 19). This is to say nothing of the classes, roundtables, and residencies Pioneer Works offers, or its book-publishing arm.Pioneer Works’s eclectic, wide-ranging buffet of intellectual offerings is pure Yellin. With boundless energy, enigmatic bravado, and a collaborative spirit, he has built a multifaceted community not unlike what Andy Warhol had at The Factory from the ’60s to ’80s—only it’s somewhat more institutional and professionalized, and with a new executive director, Eric Shiner (formerly of White Cube gallery, Sotheby’s, and the Andy Warhol Museum), at the helm. As Yellin points out on this episode of Time Sensitive, maintaining a certain scale and intimacy at Pioneer Works is essential to him, with future growth potentially coming from building satellite locations in other cities. As he sees it, the institution could become the next Stanford, Harvard, or MIT Media Lab—a new outlet for education, an incubator that brings together the best and brightest minds on earth in a fresh way, a place to foster the shapers of the future.On the episode, Andrew speaks with Yellin about everything from his wide-ranging dreams for Pioneer Works; to his ambitious plans for “The Bridge,” a large-scale monument to the end of oil; to his harrowing memories of Hurricane Sandy.

'Anthem' is a collection of artistic and musical creations curated by US-based producer Total Freedom released as a series of limited edition 12″ records and is the soundtrack to the 9th Berlin Biennale, published by The Vinyl Factory. The purpose of 'Anthem' is to bring together artists and musicians in an environment that testifies the importance of collaboration and sharing. The episode features: Amalia Ulman with Carles Santos, Patricia Satterwhite with Jacolby Satterwhite and Nick Weiss, Trevor Jackson, Kelela Elysia Crampton with Not Adrian Piper, Ryoji Ikeda, Fatima Al Qadiri with Hito Steyerl and Juliana Huxtable, Isa Genzken with Total Freedom, Jamie Lidell, Jeremy Deller.

THIS WEEK IS SPONSORED BY AUNTIES — EPISODE 023 - ASSASSINATE MY CHARACTER — This week’s BLACK MILLENNIAL is an extension of last week’s discussion on character and performative behaviors. In our previous episode, titled Characters, Not Even Good Actors (title lyric from DMX - Party Up) we looked at character from an external perspective, but this week is all about looking within to find the best version of yourself to present. Later in the show, we salute Alex Trebek for being a non-problematic white, we highlight some bops and bangers written and produced by Women of Color and sadly we have to discuss more clownery from Robert Kelly. MOOD: Jstlbby wants to be your Auntie LINKED UP: - Black Millennial Presents SNACK BRACKETS - Black Millennial Book Report - African-American dialects are often misinterpreted in U.S. courts, study finds | CBC Radio - Self-Driving Cars May be More Likely to Hit Darker-Skinned People, Study Finds - AfroTech - Student's Pledge of Allegiance Case Dismissed With Help From Roc Nation - Beech Community Services Philadelphia Black Business Guide 2019 - How artist Jacolby Satterwhite contributed to Solange’s When I Get Home film - Out of Office Newsletter - musings of an entrepreneur + pr girl --- Send in a voice message: https://anchor.fm/blkmlnl/message Support this podcast: https://anchor.fm/blkmlnl/support

Art fair week in NYC... We did not go but we do discuss them! And Uber... having a bad few weeks... seemed like a good fit with art fairs. Enjoy. Show Notes: • Evan Roth http://www.evan-roth.com • Jeremy's early youtube work: Transhuman Dance Recital (2007) https://www.youtube.com/watch?v=DDs2J86RyCc Don't Mouse Around (2003) https://www.youtube.com/watch?v=fys_OccfbX8 • Vito Acconci, Seedbed (1971) https://www.moma.org/collection/works/109933 • Paris Salon https://en.wikipedia.org/wiki/Salon_(Paris) • The Armory Show https://www.thearmoryshow.com • Frieze Fair https://frieze.com/fairs • Art Basel https://www.artbasel.com • The Moving Museum http://www.themovingmuseum.com • The You Museum http://theyoumuseum.org • Art Basel Miami https://www.artbasel.com/miami-beach • Evan Roth on the Verge http://www.theverge.com/2017/3/4/14811560/technology-art-new-york-art-week • Jacolby Satterwhite http://jacolby.com/home.html • Howard Stern on Comedians in Cars http://comediansincarsgettingcoffee.com/howard-stern-the-last-days-of-howard-stern • Mad Magazine http://www.madmagazine.com/issues • Upstream Gallery http://www.upstreamgallery.com

Each year 30,000 visitors arrive in Miami for the Art Basel fair. Many are art dealers and art collectors looking to buy or build relationships. But Art Basel in Miami Beach is also the art market's trade convention or annual Christmas party, take your pick. In this podcast, we speak to 8 different attendees about why they come to Art Basel and what they do at the fair. You'll hear from auction house professionals and appraisers, art lawyers and magazine publishers, the creator of Artsy's activation and a museum director. Featured in this podcast are: Kenny Schachter: perhaps the only serious collector, dealer and advisor who also writes extensively about the art market. Schachter details his strategy for obsessively extracting every relevant piece of information out of the fair. Elena Soboleva: Elena leads special projects at Artsy and details the year-long planning and execution of Artsy's signature event, this year an immersive experience of VR and music at the Faena Art Time Capsule Geodesic Dome featuring site-specific works by Rachel Rossin, Jon Rafman and Jacolby Satterwhite. Jonathan Binstock: The director of Rochester, NY's Memorial Art Gallery details his trip to the fair with members of his board. He explains how museum groups interact with the fair, the dealers and the subtle negotiations between supporting collectors and furthering the goals of the museum. Naomi Baigell: Athena Art Finance's head of marketing talks about the fair as a community of like-minded art market professionals who mix the demands of work with a common experience of a career in the art market. Judd Grossman: The principal of Grossman LLP explains why he's on hand at the art fair to help his clients with the inevitable last-minute legal problems that arise between the myriad of participants in the art market. Mari-Claudia Jimenez: Sotheby's head of Trusts & Estates explains why she arrives earlier and earlier each year to Art Basel in Miami Beach and it matters that art professionals attend. Kimball Higgs: Winston Art Group's Contemporary art appraiser and advisor talks about his strategy for tackling the fair. Laurent Moïsi: The publisher of Whitewall magazine talks about how Art Basel in Miami Beach has shifted from parties to content as he arranges the distribution of 60,000 magazines to hotel rooms in the days before the fair opens and organizes the Lexus Art Series at the Faena hotel.

Omar Kholeif chairs a panel discussion with three artists whose practices subvert and problematize entrenched notions of how the body is mediated through human-made technologies.

A rising force in the contemporary art world, artist Jacolby Satterwhite utilizes a variety of new media to explore themes of memory, desire, and personal and public mythologies. His videos, digital prints, and performances include a variety of references from paintings by Caravaggio, to Harlem drag queen ball culture and personal family gatherings. From these points of departure, he weaves a time-based narrative out of the nonsensical intersections of text, rendered objects, and performance. In this evening conversation, Satterwhite dialogues with Lanka Tattersall, Assistant Curator, Museum of Contemporary Art (MOCA), about the inspirations that inform his artistic practice.