Podcast appearances and mentions of Art Basel

This year’s edition presents new findings regarding the activities of high-net-worth individuals in the art market. Featuring Art Basel CEO, Noah Horowitz, and report author Dr Clare McAndrew of Arts Economics.See omnystudio.com/listener for privacy information.

Das Jahrbuch Qualität der Medien 2025 des Forschungszentrums für Öffentlichkeit und Gesellschaft (Fög) der Universität Zürich zeigt: Die publizistische Qualität der Schweizer Medien bleibt stabil. Nur interessiert das immer weniger Leute im Land. Weitere Themen: Am Sonntag hat nach Falera und Laax auch Flims zugestimmt, dass die drei Gemeinden die Infrastruktur des Skigebiets "Weisse Arena" für 50 Millionen Franken kaufen. Damit sind sie Eigentümerinnen der Bergbahnen, Lifte und Bergrestaurants. Warum wollten die Gemeinden künftige ausländische Investoren verhindern? Am Sonntag ist in Paris die Art Basel zu Ende gegangen, eine der grössten Kunstmessen Europas. Über 73'000 Personen besuchten die Messe im Pariser Grand Palais. Doch der globale Kunsthandel schwächelt: Es werden weniger ganz teure Gemälde und Skulpturen verkauft als auch schon.

We profile Japan’s new prime minister, Sanae Takaichi, meet Danish-Icelandic artist Olafur Eliasson, report from Vienna and mark 150 years of Liberty in London. Plus: Sanrio’s CEO and Art Basel Paris.See omnystudio.com/listener for privacy information.

Scheucher, Christine www.deutschlandfunkkultur.de, Fazit

Moscow is hit with new sanctions from the EU and the US, we explore Art Basel Paris, hear how tariffs are reshaping the superyacht industry and get the latest business news. Plus: newspapers and ‘What We Learned’ this week.See omnystudio.com/listener for privacy information.

durée : 00:09:39 - Le Point culture - par : Marie Sorbier - Alors que vient de s'ouvrir la nouvelle édition d'Art Basel Paris au Grand Palais, la ville de Détroit (États-Unis) présente dans trois lieux de la capitale des œuvres de ses artistes. Derrière ce projet, la volonté pour Détroit de s'affirmer comme une ville d'art et repère d'artistes. - réalisation : Laurence Malonda - invités : Julie Egan Fondatrice du Detroit Salon; Kamel Mennour Galeriste

This week, Aurelia Rauch and Marie Krimphoff (Bergos Art Consult) report from Art Basel Paris. What's new, what's buzzing, and what defines this year's edition in the French capital?DISCLAIMER This publication is for information- and marketing purposes only. The provided information is not legally binding and neither constitutes a financial analysis, nor an offer for investment-transactions or an investment advice and does not substitute any legal, tax or financial advice. Bergos AG does not accept any liability for the accuracy, correctness or completeness of the information. Bergos AG excludes any liability for the realisation of forecasts or other statements contained in the publication. The reproduction in part or in full without prior written permission of Bergos is not permitted.

(00:31) Die Sammlung von Emil Bührle am Kunsthaus Zürich gibt seit Jahren zu reden. Nun hat die Bührle-Stiftung ihren Stiftungszweck angepasst. Damit könnte sie die Bilder aus Zürich abziehen. Weitere Themen: (04:10) Schwyzer Künstler Ugo Rondinone mischt Art Basel in Paris auf. (07:53) Asterix erobert Portugal: Neuer Band um den kleinen Gallier «Asterix in Lusitanien» erschienen. (13:21) Was ist die Schweiz? Inklusives Theaterstück «Die Vollversammlung» am Konzert und Theater St. Gallen geht den helvetischen Eigenheiten auf den Grund. (17:44) Highlight zum Auftakt des Tanzfestivals «Tanz in Bern»: 16. Ausgabe startet mit Stück «Delay Sadness» der Sharon Eyal Dance Company.

Tyler Brûlé hosts from our studio in Paris with the latest from Art Basel and France’s tumultuous politics. Plus: Monocle’s new November magazine and our ‘Designers on Sofas’ book launches in New York.See omnystudio.com/listener for privacy information.

Israel prime minister Benjamin Netanyahu and US vice-president JD Vance are set to meet in Jerusalem today. What will this mean for the ceasefire in Gaza? Then: Hermès taps Grace Wales Bonner and we look to Art Basel Paris.See omnystudio.com/listener for privacy information.

Nesta quarta-feira, o Museu do Louvre em Paris, reabriu as suas portas, após três dias de encerramento para dar tempo à investigação de recolher todos os dados sobre o espectacular assalto de que foi alvo no domingo. O que se sabe para já é que  indivíduos invadiram pelo exterior a galeria onde se encontravam as jóias da Coroa de França. Para tal, utilizaram um elevador de carga, cerraram uma das janelas da sala, partiram os mostruários, levaram as jóias e fugiram de lambreta. Tudo isto em sete minutos. Até ao momento, não se conhece o paradeiro dos assaltantes e muito menos das jóias avaliadas em 88 milhões de Euros mas cujo valor patrimonial é considerado "inestimável". Tanto o Presidente da República como o próprio governo ordenaram o reforço da segurança deste museu que apesar da sua importância e apesar do número impressionante de visitantes -9 milhões em 2024- mostrou as suas fragilidades. Esta problemática, aliás, mereceu recentemente um relatório interno e as autoridades estavam cientes de que existiam falhas na segurança. Philippe Mendes, galerista luso-francês em Paris, considera que apesar do seu carácter espectacular, o assalto de domingo não foi tão minuciosamente preparado como parece à primeira vista. RFI: O que se pode dizer sobre o assalto ao Museu do Louvre no domingo? Philippe Mendes: Em termos de rapidez, eu acho que foi um assalto bem organizado, embora me pareça que não é de grande banditismo. Tenho a impressão que foi mais um roubo de bandidos mais básicos. Sabem que têm que ser muito rápidos porque os seguranças e a polícia, em menos de dez minutos, podem chegar. Portanto, eles fizeram isso muito rápido. Mas ao mesmo tempo, há muitas coisas que mostram que não são aqueles bandidos, tipo CNN. Toda a gente pensou que isto foi um roubo tipo Arsène Lupin. Não foi. Deixaram cair uma coroa importantíssima. Ao fugir, deixam os elementos que utilizaram para poderem entrar, a serra para o vidro, não conseguiram deitar fogo ao elevador que usaram para os levar até lá acima. Isto tudo mostra um bocadinho que isto está desorganizado. Foi pensado, mas não foi organizado. Eu acho que foi mesmo um assalto, um roubo de oportunidade. Sabiam que ao domingo há pouco trânsito em Paris, era muito fácil de fugir. Sabiam que havia falhas, porque isto já foi comunicado várias vezes nos jornais franceses. A presidente do Louvre, ela mesmo -acho que foi o grande erro dela- há um ano ou dois, alertou, mas alertou publicamente sobre as falhas, sobre os problemas de segurança no Louvre. Tendo feito isso, claramente que indicou a quem poderia pretender um dia a fazer um assalto ao Louvre, que era o momento. Devia ter alertado claramente o Ministério da Cultura, devia ter alertado a Procuradoria de Paris, mas não devia ter alertado, indo aos jornais, e fazer uma coisa pública, porque isso aí era o sinal que eles podiam lá ir e que havia várias falhas. E claramente que aquela janela da galeria de Apollon era um dos pontos fracos do Louvre. É uma janela que dá para aquela rua que ao domingo não tem trânsito. Sabia-se mais ou menos que as jóias estavam todas ali, que era o primeiro andar. Não é assim tão alto, portanto tinha ali tudo mais ou menos certo para eles. Portanto, nesse aspecto, acho que foi um assalto pensado mas pouco organizado. Conseguiram. Agora o que é gravíssimo é que atacaram não só o património francês ou a história de França. Atacaram não só o Louvre, mas atacaram também todos os franceses. Ao roubar o Louvre, roubaram a França. RFI: Isto acontece no Louvre, que é um dos mais conhecidos e prestigiados museus a nível mundial. É uma espécie de montra da França, praticamente ao mesmo título que Notre-Dame. O que é que isto significa para a França? Philippe Mendes: O Louvre, como Notre-Dame, é um dos monumentos principais de Paris, de França e um dos mais conhecidos no mundo. Portanto, falando do Louvre, estamos a falar ao mundo inteiro. Toda a gente sabe o que é o Louvre e o que é Notre-Dame. Portanto, claramente que é muito mais sensível e que o mundo inteiro está atento ao que se passa em monumentos como este, que é o maior museu e o mais visitado do mundo. Claramente que choca. O choque é muito maior e tem uma repercussão internacional muito forte e dá um mau sinal claramente do que se está a passar no património francês e a nível da cultura em França. Isso é uma pena, mas podia ter acontecido noutro museu qualquer. Os museus agora são muito vulneráveis. Eu acho que este roubo dá para reflectir sobre uma coisa muito importante: é que a economia internacional está mal, vai haver cada vez mais assaltos deste tipo e claramente que, por exemplo, na Praça Vendôme, em Paris, onde estão todas as grandes lojas de joalharia mais importantes, eles têm um sistema de alarme de segurança muito mais forte e bem organizado do que os museus franceses que não apostaram completamente na segurança, porque não têm meios para isso. Porque embora a França tenha um Orçamento de Estado para a cultura importante, não é assim tão importante como isso para ter a segurança que pretendia. Portanto, é muito mais fácil atacar um museu hoje em dia do que atacar uma joalharia em Paris. Foi o que aconteceu, porque estamos agora a falar do Louvre. Mas não se esqueça que há um ano e meio foram roubadas e falou se muito menos, sete ou oito caixas de rapé do Museu Cognacq-Jay, que é um museu não muito longe do Louvre. Duas delas pertenciam ao Louvre, outras duas, à Coroa Real inglesa, e foram roubadas por quatro pessoas, exactamente com o mesmo método. Quatro homens entraram mascarados em pleno dia, partiram os mostruários e fugiram com as caixas. Não houve tanta repercussão nos jornais internacionalmente, porque o museu, embora seja um muito um bom museu em França, não tem aquele impacto que teve o Louvre. Mas isto mostra que os museus são muito frágeis e são vulneráveis e são atacados regularmente. Foi atacado (no mês passado) o Museu de História Natural de Paris, onde roubaram pepitas de ouro. Desapareceram, foram derretidas. Claramente que agora nunca mais as vamos encontrar. Foram roubadas do Museu de Limoges, há alguns meses, porcelanas chinesas de grande valor que certamente foram -desta vez- uma encomenda para a China. Portanto, há assaltos regularmente nos museus, porque os museus não têm essa protecção, como devia ser. RFI: Disse-o há pouco, apesar da própria directora do Louvre ter alertado publicamente que havia falhas na segurança e apesar de ter havido inclusivamente um relatório interno referindo que o facto de se prescindir de 200 funcionários, nomeadamente na área da segurança, sobre um efectivo de 2000 funcionários nestes últimos 15 anos no Louvre, podia também representar um problema para a segurança do museu e apesar de as próprias autoridades terem sido alertadas, nada foi feito e só agora é que está a pensar em reforçar a segurança do Museu do Louvre. Philippe Mendes: Sim, já devia ter sido feito. Depois, só agora é que se está a pensar. Sim, mas é sempre assim. Agora estamos a falar porque houve um assalto. Mas imagine que amanhã há uma inundação em Paris e o Louvre fica inundado. Vai se criticar porque não foi feito nada antes para proteger o Louvre das inundações e outros. Embora haja um plano, eu acho que ele não é o melhor. Há sempre razões para criticar a falta de fundos para isso. Mesmo que houvesse mais guardas no Louvre, os guardas não podem intervir. Portanto, o que é que eles poderiam ter feito? Não sei bem se é uma questão só de falta de pessoal no Louvre. Acho que não. Eu acho que se podia pensar melhor na segurança do Louvre, a nível de organização, menos humana, mas mais técnica. RFI: Estão a monte três ou quatro assaltantes com jóias estimadas em 88 milhões de Euros e sobretudo com um valor patrimonial "inestimável". As jóias são conhecidas, as fotografias destas jóias andam por todo o lado, no mundo inteiro. O que é que eles vão fazer com essas jóias? Philippe Mendes: Eu acho que a única possibilidade que eles têm é de desfazer as jóias todas e vender diamante por diamante, safira por safira. Não podem vender as jóias tal e qual como obra de arte, porque em si elas têm um valor de 88 milhões de Euros, porque são obras que ainda por cima foram compradas pelo Estado para o Museu do Louvre nos últimos 30 anos. Portanto, tinham já um valor de mercado. Mas entrando no Louvre, têm um valor inestimável histórico, agora patrimonial. Portanto, esse valor de 88 milhões de Euros no mercado de arte é zero, porque as peças tal e qual não podem ser vendidas, ninguém vai comprar. Portanto, eles vão desfazer completamente peça por peça e vão tentar vender no mercado. RFI: Está prestes a abrir mais uma edição da Feira Internacional de Arte Contemporânea de Paris (a Art Basel no final da semana). Como é que se pode avaliar o ambiente em que decorre este evento este ano? Philippe Mendes: Tendo acontecido o que aconteceu, vão certamente reforçar a segurança à volta deste evento. É um evento que acaba por ser equivalente a um dos maiores museus do mundo, durante os dias de abertura, com obras de uma importância financeira muito, muito, muito alta. Mas quem é que se vai atrever a entrar agora num assalto no Museu do Grand Palais? Ninguém. Eu acho que não é propriamente um problema nesse nível. Recordo-me que há três ou quatro anos, na Tefase, em Maastricht (nos Países Baixos), a feira internacional mais importante do mundo onde eu participei, houve um assalto, ainda por cima num stand da joalharia. Foi exactamente a mesma coisa. Eram quatro mascarados. Entraram em pleno dia. Chegaram, roubaram as jóias, fugiram e nunca mais apareceram. Nos dias seguintes, nunca houve um problema na Tefase. Foi um roubo de oportunidade. A Tefase reforçou a segurança e nunca mais houve nenhuma preocupação até agora a esse nível. Portanto, eu acho que vai correr muito bem a Feira Internacional de Arte Contemporânea, a Art Basel em Paris. Não é porque houve um assalto no Louvre que Paris está fragilizada a este nível. Acho que não. Não podemos entrar numa paranóia agora de que 'Paris está perigosa e há assaltos'. Não é por aí. Foi bem pensado. Foi uma ocasião que eles perceberam muito bem que estava ali. E aproveitaram.

The Middle East has become one of the most ambitious regions in the world when it comes to investing in culture, mirroring its rapid expansion into sports, entertainment, and fashion. Following the announcements that Frieze will launch a new fair in Abu Dhabi in 2026 and Art Basel will debut in Doha in early 2026, questions arise about how these moves will shape the region's growing art ecosystem. In this week's episode, host Adam Green speaks with Dubai-based journalist Rebecca Anne Proctor to unpack what these developments mean for the art world. They discuss how governments and institutions are driving cultural investment, the evolving collector base in the Middle East, and what success might look like for these new fairs in their first years.

This week we sit down with Amanda Ross-Ho, whose large-scale sculptures, staged environments, and uncanny translations of domestic and studio life have made her a vital presence in contemporary art. Recorded in Chicago around her latest exhibition, the conversation spans everything from monumental t-shirts to the politics of labor, and from the intimacy of the studio to the spectacle of the art fair. Ross-Ho reflects on how she mines personal and collective archives, the humor and seriousness in her work, and the ways she uses scale to destabilize the familiar. We also talk about teaching, generational shifts in art-making, and what it means to sustain a practice over the long haul.   Listen & Follow   Amanda Ross-Ho - https://hammer.ucla.edu/made-la-2025/amanda-ross-ho @amandarossho   Name-Drop  Amanda Ross-Ho — https://www.miandn.com/artists/amanda-ross-ho | @amandarossho Mitchell-Innes & Nash (Gallery) — https://www.miandn.com | @miandn_gallery Cherry and Martin (Gallery) — https://www.artforum.com/news/los-angeless-cherry-and-martin-gallery-closes-237707/ MoCA Cleveland — https://www.mocacleveland.org/ | @mocacleveland Whitney Biennial — https://whitney.org/exhibitions/the-biennial | @whitneymuseum Art Basel — https://www.artbasel.com/?lang=en | @artbasel Frieze Art Fair — https://www.frieze.com/fairs/frieze-london | @friezeofficial Los Angeles art scene / UCLA — https://www.arts.ucla.edu | @uclarts EXPO CHICAGO - https://www.expochicago.com/ Chicago Architectural Biennial 6 - https://chicagoarchitecturebiennial.org/

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Send us a textRHOM-Opera, Ice, and Everything Not NiceRHOM S7 E17 – “Frosty Friendships”Podcast SummaryThe holidays heat up in Miami—friendships are tested, alliances shift, and Adriana's dog song might just be the unexpected anthem of the season.Dueling Parties: Marysol hosts a lavish holiday pajama bash (complete with IVs, facials, jewelry kiosks, and Jill Zarin), while Alexia throws a beauty bar happy hour. The ladies split attendance, and the division sets the tone.Tension Everywhere: Guerdy snaps at a jewelry vendor, Larsa calls her out, and Adriana feels Julia abandoned her at Art Basel. Meanwhile, Alexia opens up about Todd—admitting he never apologized to her or the boys.Opera Night: Julia performs with Martina and the opera, but Adriana skips for rehearsal. Julia is hurt, but Adriana insists Julia never told her she was singing.Stephanie's Shoma Holiday Event: Fake snow, cocktails, and holiday cheer can't mask the frost. Kiki apologizes to Adriana, but Julia and Adriana finally explode. Julia accuses Adriana of being toxic; Adriana calls Julia a user and claims she gave her all her “moments.” Their friendship may be over for good.Adriana's Performance: After keeping everyone waiting, she sings (including her new hit “I Love My Dog”), which the ladies awkwardly dance to.Holiday Reads: Marysol and Adriana trade age and style insults, proving that nothing says Christmas like calling each other “ratchet” and “funeral chic.”TakeawaysThe season finale of Real Housewives of Miami was filled with drama and unexpected twists.Parties in Miami are extravagant and often sponsored by brands, providing free gifts to attendees.Friendship dynamics play a crucial role in the interactions among the cast members.Charity events are highlighted as important moments for character development and social responsibility.Performance critiques reveal differing opinions on the cast's talents and stage presence.Misunderstandings and accusations can strain friendships, leading to significant conflicts.The hosts express their disappointment in the finale's pacing and structure.Anticipation builds for the reunion, with expectations for unresolved issues to be addressed.The importance of communication in friendships is emphasized throughout the discussion.The hosts maintain a light-hearted tone while discussing serious themes, balancing entertainment with critique.Support the showhttps://www.wewinewhenever.com/

Basel gilt längst nicht nur als Stadt der Museen und der Art Basel, sondern auch als pulsierender Hotspot für zeitgenössische Galeriekultur. In dieser Folge sprechen Selma und Sophie mit Katharina Hajek, Direktorin der Contemporary Fine Arts Basel, über die Energie und Bedeutung dieser Szene – offen, direkt und mit vielen persönlichen Einblicken. Gemeinsam werfen sie einen Blick hinter die Kulissen der Basler Galerien, diskutieren, wie Hemmschwellen abgebaut werden können, und erzählen, warum Galerien weit mehr sind als Orte zum Betrachten von Kunst. Ob bei Contemporary Fine Arts, von Bartha, Hauser & Wirth oder der Galerie Mueller – überall entsteht ein lebendiger Dialog zwischen Künstler*innen, Publikum und der Stadt. Eine Einladung, die Türen zu öffnen, einzutreten und Basels vielfältige Galerienlandschaft neu zu entdecken. Das und noch viel mehr erfährst du in dieser Folge: • Wie wird aus einem spontanen Gespräch über Trash-Literatur bei einem Glas Wein im Grand Hotel Les Trois Rois plötzlich eine neue Ausstellung? • Wie entstehen neue Ideen, wenn Künstler*innen nicht nach Hause fliegen, sondern einfach in Basel bleiben? • Wie können Galerien heute zu Orten werden, die Hemmschwellen abbauen, Nähe schaffen und Kultur erlebbar machen? • Welche Rolle spielt Bolognese dabei, Kunst zugänglicher zu machen? Shownotes: - Contemporary Fine Arts Basel: https://cfa-gallery.com/basel/ - von Bartha: https://www.vonbartha.com/ - Hauser & Wirth: https://www.hauserwirth.com/ - Galerie Mueller: https://www.galeriemueller.com/ - Alle Infos und Fotos unter https://www.basel.com/podcast - Produktion: Tonton GmbH

Deep dive into the newest episode of Real Housewives of Miami with us! We visit Larsa's new home, watch Lisa not get proposed to, see Julia and Martina throw the daughters under the bus, attend Art Basel and watch Kiki leave in an Amazon truck. Was Kiki being shady towards Adriana? Was Adriana out of line in her reaction? Is Julia defecting towards Alexia and Marysol making Adriana paranoid about being iced out from the group? Would you hire someone to decorate your house for holidays? All this and more! Come judge with us!You can find us:Instagram & Threads: @twojudgeygirlsTikTok: @marytwojudgeygirls & @courtneytjgFacebook: www.facebook.com/twojudgeygirlsPodcast: ACast, iTunes, Spotify, wherever you listen!Merch: www.etsy.com/shop/twojudgeygirls Hosted on Acast. See acast.com/privacy for more information.

Send us a textRHOM-Julia vs. Adriana: A Friendship on the BrinkPodcast Summary – RHOM S7 E16: “The Art of Arguing”This week's Miami episode is all about new beginnings, art, and miscommunications that spiral into bigger fights.Moving & Milestones: Larsa moves into her $5.7M unfinished house, complete with a giant gummy bear statue but no furniture. Meanwhile, Kiki shines in a glamorous hangar photo shoot with her father proudly by her side.Love & Labels: Lisa and Jody share a romantic dinner, but Jody makes it clear he wants Lisa to focus on her healing before he'll propose. Lisa admits she doesn't want her divorce to define her.Art Basel Drama: Adriana debuts British artist Chris Rivers at her gallery show with over 2,500 RSVPs. The women arrive in style, but the conversation quickly shifts to messy gossip about birthday cakes and Christmas tree budgets.Cake-Gate Revealed: After weeks of speculation, Kiki admits she added the math equation to Adriana's birthday cake. She swears it wasn't shade, but Adriana takes offense, accusing her friends of being unsupportive and even misinterpreting a conversation as labeling her “racist.”Friendship Fractures: Julia tries to defend Kiki but ends up in a heated fight with Adriana, who accuses her of siding with others. Adriana feels abandoned, while Julia feels Adriana has become too negative.Stephanie & Marysol's Truce: The two clear the air after miscommunications, hug it out, and promise to move forward more directly—leaving Alexia's meddling in question.Lingering Questions: Between accusations of being “tacky” with money, questions about loyalty, and Adriana's growing isolation, the friendships in this group feel shakier than ever heading into the finale.Support the showhttps://www.wewinewhenever.com/

On The Real Housewives of Miami, Adriana manages to turn a cake gaffe into a racial crime, and it all happens at Art Basel. To watch this recap on video, listen to our bonus episodes, and participate in live episode threads, go to Patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we start with a couple scenes of the ladies' daily lives, most notably a scene between Jody and Lisa where Lisa shows real growth. Then we get ready for Adriana's Art Basel event, where the drama of her birthday cake comes back up. This causes major shifts in her, Julia, and Kiki's relationships.If you enjoyed this episode please share it with your Real Housewives of Miami and Bravo friends and follow us on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@taglinetwinks⁠⁠

This episode, Eamon & Merlin talk the season premiere of Real Housewives of Salt Lake City, that sees Angie make the women rough it as Britani gets roughed up from every angle. Then the newest episode of Real Housewives of Orange County, where Gretchen carries Slade's Tamra tea as Tamra tries and fails to connect with Shannon. And finally, a new episode of Real Housewives of Miami, as it's time for Art Basel and Adriana spirals when finding out who doodled on her cake. 5:11 - Real Housewives of Salt Lake City: Season 06: Episode 01 1:24:13 - Real Housewives of Orange County: Season 19: Episode 11 2:42:25 - Real Housewives of Miami: Season 07: Episode 16 We are Eamon and Merlin, a queer married couple from Texas living in Pittsburgh, PA. We love reality television, wrestling, drag queens, and pretty much anything that can be called even kinda gay. A Gay & His Enby is a podcast where we talk about everything we love in terms of media and pop culture; everything thats gay and gay adjacent; basically all the conversations we have in our living room we are now putting in front of a microphone and on the internet for you. We have launched our MERCH STORE! We are so excited to bring you these designs, all made by Merlin, commemorating some of our favorite iconic moments! Shop now at https://AGayAndHisEnby.Threadless.com Every week, we have the pleasure and privilege of recording from Sorgatron Media Studios in Pittsburgh. The theme song for our main show is Pulsar by Shane Ivers, and the theme song for Binge Watch is Higher Up by Shane Ivers, both of which you can find at https://www.silvermansound.com All of our social media can be found at our linktree: https://linktr.ee/agayandhisenby We want to take a moment to uplift a powerful resource:

This episode, Eamon & Merlin talk the season premiere of Real Housewives of Salt Lake City, that sees Angie make the women rough it as Britani gets roughed up from every angle. Then the newest episode of Real Housewives of Orange County, where Gretchen carries Slade's Tamra tea as Tamra tries and fails to connect with Shannon. And finally, a new episode of Real Housewives of Miami, as it's time for Art Basel and Adriana spirals when finding out who doodled on her cake. 5:11 - Real Housewives of Salt Lake City: Season 06: Episode 01 1:24:13 - Real Housewives of Orange County: Season 19: Episode 11 2:42:25 - Real Housewives of Miami: Season 07: Episode 16 We are Eamon and Merlin, a queer married couple from Texas living in Pittsburgh, PA. We love reality television, wrestling, drag queens, and pretty much anything that can be called even kinda gay. A Gay & His Enby is a podcast where we talk about everything we love in terms of media and pop culture; everything thats gay and gay adjacent; basically all the conversations we have in our living room we are now putting in front of a microphone and on the internet for you. We have launched our MERCH STORE! We are so excited to bring you these designs, all made by Merlin, commemorating some of our favorite iconic moments! Shop now at https://AGayAndHisEnby.Threadless.com Every week, we have the pleasure and privilege of recording from Sorgatron Media Studios in Pittsburgh. The theme song for our main show is Pulsar by Shane Ivers, and the theme song for Binge Watch is Higher Up by Shane Ivers, both of which you can find at https://www.silvermansound.com All of our social media can be found at our linktree: https://linktr.ee/agayandhisenby We want to take a moment to uplift a powerful resource:

Rachel and Callie are back with all of your Bravo recaps! They jump right into their thoughts on the Season 6 premiere of ‘The Real Housewives of Salt Lake City,' during which Lisa Barlow is the main focus of the show—despite her absence the entire episode. They also discuss Whitney Rose's interesting hair color, then applaud Mary Cosby's comments on Britani's behavior and the minimalism of the camping trip. Next, they break down the newest episode of ‘The Real Housewives of Orange County,' and Rachel and Callie choose which sleepover they'd rather be at, as well as share their thoughts on Gretchen and Slade's financial setup (37:28). Finally, they give a brief recap of the ‘Real Housewives of Miami,' wherein Adriana throws a party for Art Basel (57:00). Host: Rachel Lindsay Guest: Callie Curry Producers: Devon Baroldi and Olivia Crerie Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

What's up Bros? RHOM is elite. This show rocks. This may have been one of the best episodes in franchise history. Larsa shows off her new house. Adriana preps for Art Basel and her curated art show. It was really impressive to see her in her element and to hear of what she does. Stephanie and Marysol sit down to hash things out. Kiki and her father have a really nice moment where he gets to see what modeling really looks like and watching their relationship blossom has been really sweet. At Art Basel we attempt to get to the bottom of the cake which we are stunned to find out that Kiki is behind it. Was it an honest mistake? Was it shady? We may never know, but how Adriana chooses to handle it... is not great. Learn more about your ad choices. Visit megaphone.fm/adchoices

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✦ For decades, comedian and actor Jim Gaffigan has entertained audiences nationwide with his observational humor, personable stage presence, and a variety of film and television projects ranging from "Unfrosted" to his own self-titled comedy series. The eight-time Grammy nominee will be performing at the Atlanta Symphony Hall September 11-13 as part of his "Everything Is Wonderful Tour." He recently caught up with WABE reporter Kenny Murry to discuss the projects that shaped his career and how he really feels about his notable reputation as "America's Everyman." ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's visual art scene. Each week, they spotlight several standout happenings, and today, they'll cover: Atlanta Downtown & Dashboard's exhibition celebrating civil rights icon Xernona Clayton, Ayana Ross's Working Artist Project exhibition at MOCA GA, and more. ✦ A new gallery has opened in the Star Metals District, which showcases international artists. Rodney Kazemi founded Luca Fine Art Gallery. He has 30 years of global experience, curating artists from New York to Art Basel in Miami. The gallery's exhibition, "Glimmer and Gaze," is currently on view through September 28. WABE arts reporter spoke with Kazemi about the new space. ✦ "It is a truth universally acknowledged" that one of the year's most anticipated birthday anniversaries belongs to Jane Austen. The literary icon behind classics such as "Pride and Prejudice" and "Emma" was born on December 16, 1775. Now, 250 years later, devoted fans, scholars, and critics are marking this milestone year with celebrations all over the world, including in the Atlanta area, including a series of events throughout the Gwinnett Public Library system, and a celebration at Emory University's Rose Library. Our "Bookmarked" contributor Alison Law has more.See omnystudio.com/listener for privacy information.

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Get ad-free episodes and bonus content, including the full recording of this podcast, by joining Future Commerce+ at futurecommerce.com/plus

This interview is with Aleksandra Artamonovskaja https://www.aleksandra.art/amonovskaja, Head of Art at Trilitech of sustainable blockchain Tezos which is a R&D Hub in London. Aleksandra is a leader in the intersection of art and technology, with extensive experience in Web3 art projects. She is a prominent speaker, writer and educator on the role of decentralized technologies in the creative sector. Aleksandra holds an MA in Art Business from Sotheby's Institute of Art and co-founded Electric Artefacts in 2020, a curatorial advisory focused on digital art and blockchain projects. As the Ambassador and former Director of Partnerships at .ART, Aleksandra played a crucial role in launching the digital address for the arts in 2016, overseeing strategic partnerships to foster the embrace of technology in the art world, including collaborations with Rhizome and Ars Electronica, and spearheading the Digital Innovation in Art Award. Tell us about the blockchain Tezos and why it is the favored blockchain for artists Tezos has been favoured by artists since the launch of the first NFT platform in 2021, witnessing the influx of pioneering artists working with code, AI and other digital tools. Simultaneously artists from the global south found Tezos blockchain accessible thanks to its low minting fees and lack of gatekeeping across existing marketplaces. Thanks to Tezos Foundation supporting the arts direction - via educational programming for Museum professionals, platforms, residencies and artist programming, many artists were able to launch their careers and connect with like-minded peers to strengthen the community ties. The Tezos Foundation has been spearheading wider adoption, including being the first to present blockchain-based art at Art Basel in both Miami and Hong Kong. Through partnerships with prestigious institutions such as the Musée d'Orsay, the Serpentine Gallery, or the ArtScience Museum, internationally acclaimed cultural institutions have begun to embrace Web3 art. Notable collaborations include the Van Gogh Digital Collectibles at d'Orsay, MoMA's Postcard Project, and community programs like RGBMTL in Montreal or the Proof Of People festival in London. This institutional presence, combined with educational initiatives like the Vertical Crypto Residency and Academy by Blind Gallery, has made Tezos not just a marketplace but a cultural movement that prioritizes artists and genuine artistic innovation. Even Marina Abramovik chose Tezos for her "The Hero 25FPS" project in 2022, minting 6,500 unique frames from her 2001 film on the energy-efficient blockchain, and more recently for her 2025 "Marina Abramovik Element" project. Other high-profile initiatives include "Paintboxed - Tezos World Tour," a recent series of interactive events by ArtMeta that offered visitors the chance to experience the original Quantel Paintbox - the legendary digital art tool that created the MTV logo and David Hockney's first digital paintings. Why does Tezos Ecosystem support exhibits at Festivals, Conferences such as London Climate Action Week, Climate Week New York, United Nations Climate Change Conference (COP30)? Tezos Foundation and Trilitech Arts team focus on initiatives that can help spotlight the creators in the Tezos Ecosystem via dozens of in-real-life events throughout the year that often also coincide with Art World and Web3 events. Some examples include Ribela Festival in Spain curated by Sutan, NFC Lisbon pop-up gallery curated by Xcollabz, Second Guess exhibition during Berlin Gallery Weekend curated by Anika Meier, Museum of the Moving Image year-long artist exhibitions in New York curated by Regina Harsanyi to name a few. How is the art NFT market performing this year? The market for art on the blockchain is steadily expanding. Art curators and journalists are also moving past writing about the clickbait gamified trading NFTs that fetched speculative numbers, towards spotlighting the talented artists who have decades of ex...

The value of the global art market is roughly $57.5 billion—but it's an opaque market and difficult to assess. Adam attended the international art fair known as Art Basel this year. On this episode, he and Cameron discuss the global business of art. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Kabir Jhala, Art Market Editor at The Art Newspaper, to recap the June auctions in London. Once a major fixture on the art market calendar, these sales have seen their significance decline in recent years as auction houses scale back their offerings and experiment with different strategies. Adam and Kabir discuss what's behind this shift, how the houses approached this season, and why sales totals have dropped so dramatically. They also examine how the auction results compared with the mood at Art Basel, highlight standout lots from the sales, and consider what these auctions signal about the state of the market as we head into the summer break and look ahead to the autumn season.

Highlights this week include reports from Art Basel, an interview with Brazilian pop star Liniker and Monocle’s live shows from Paris. See omnystudio.com/listener for privacy information.

It's the end of June. It's hot. And it's time to take a look back at the hot art stories of the last month. Today the Art Angle team has picked out three items. On the agenda: —The announcement of a brand new, ambitious museum-like art venue, Canyon, dedicated to immersive video art, on the Lower East Side. We'll also talk about the general state of immersive art attractions. —What went down at Art Basel, the big Swiss art fair that is the art industry's most important event, and the ongoing chaos in art prices. —And finally, the Oscar-winning actor Adrien Brody's painting show in New York City, which has everyone talking—or at least, tittering. Culture editor Min Chen joins art critic Ben Davis and Artnet senior editor—and Art Angle co-host—Kate Brown to talk about it all.

In this week's episode of the ArtTactic Podcast, host Adam Green is joined by Vivienne Chow, London Correspondent and Co-founder of The Asia Pivot at Artnet News, to unpack the key takeaways from this year's Art Basel. They discuss the overall mood at the fair, what the slower pace from young and seasoned collectors means for the market, and why there was a notable drop in attendance from American and Asian collectors. Vivienne shares insights into how galleries are adapting, the evolving regional character of major fairs, and what all of this signals for the state of the art market heading into the summer. They also explore how younger collectors are shifting away from fast-paced speculation toward more intentional collecting, and how this trend is influencing sales strategies on the ground. Finally, the episode considers what lies ahead for the global art market as it heads into its summer break.

Monocle heads to the 55th edition of Art Basel in Basel. We speak with some of the event’s leadership team; gallerists reflecting on their sales; and curators and artists at the fair and beyond.See omnystudio.com/listener for privacy information.

This week, Marie-Kathrin Krimphoff (Bergos Art Consult) joins us in Basel to share some insights from the Art Basel fair.DISCLAIMER This publication is for information- and marketing purposes only. The provided information is not legally binding and neither constitutes a financial analysis, nor an offer for investment-transactions or an investment advice and does not substitute any legal, tax or financial advice. Bergos AG does not accept any liability for the accuracy, correctness or completeness of the information. Bergos AG excludes any liability for the realisation of forecasts or other statements contained in the publication. The reproduction in part or in full without prior written permission of Bergos is not permitted.

The Art Newspaper's digital editor Alexander Morrison is in Basel for the annual Art Basel fair. He talks to our art market editor, Kabir Jhala, about the atmosphere at the fair after a long downturn in the art market and underwhelming auctions last month in New York. While some major museums around the world would rather avoid the topic of returning objects acquired in the colonial period to their countries of origin, The Wereldmuseum in Amsterdam is attempting to get on the front foot, with an exhibition called Unfinished past: return, keep, or...? One notable aspect of the show is that it is not presenting any human remains. Ben Luke speaks to our correspondent in the Netherlands, Senay Boztas, about the future of human body parts in Dutch museums. And this episode's Work of the Week is Untitled or Not Yet (1966) by Eva Hesse, which is in a new exhibition at The Courtauld in London, called Abstract Erotic. The exhibition unites Hesse with fellow sculptors Alice Adams and Louise Bourgeois. Ben talks to Jo Applin, the co-curator of the show.Art Basel continues until Sunday, 22 June.Unfinished Pasts, Wereldmuseum, Amsterdam, until 3 January 2027.Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, The Courtauld, 20 June-14 September; Louise Bourgeois: Drawings from the 1960s, the Courtauld, 20 June-14 September.Summer subscription offer: get up to 50% off an annual print & digital subscription to The Art Newspaper. https://www.theartnewspaper.com/subscriptions-SUMMER25P&D?promocode=SUMMER25&utm_source=special+offer+banner&utm_campaign=SUMMER25 Hosted on Acast. See acast.com/privacy for more information.

Monocle’s editorial director and chairman, Tyler Brûlé, and Paris bureau chief, Simon Bouvier, discuss Qatar Airways being named the best airline in the world. Then: we’re off to Abu Dhabi, Basel and Copenhagen.See omnystudio.com/listener for privacy information.

An arts special from Zürich with panellists Myriam Zumbühl and Priska Amstutz, discussing a week of programming and galleries in both cities. Plus: the CEO of Art Basel. See omnystudio.com/listener for privacy information.

We're on the cusp of the 2025 edition of Art Basel—the flagship fair held each June in Basel, Switzerland. More than 200 galleries from around the world gather to present works spanning the 20th and 21st centuries. Art Basel is both a bellwether and a battleground. Participation is prestigious—and costly. It's competitive, and it's high-stakes. That's always been true. What's newer is the softening of the art market. Sales are down. Demand is cautious. Buying patterns are shifting. “Uncertainty” was the word last year—and it still is. Much of the focus tends to fall on the top of the market. But what about the emerging tier? The galleries selling works under $250,000 and $100,000? The ones spotting and raising new talent, pushing aesthetics forward? What does a “win” look like for them in this moment? What does growth mean now—and how do they survive in a contracting ecosystem? To unpack these questions, Senior Editor Kate Brown is joined by three dealers whose programs I've followed closely over the years. Their perspectives offer a real-time snapshot of what's at stake. On the podcast with us is Robbie Fitzpatrick, of Fitzpatrick Gallery, a dealer who has operated galleries in Los Angeles and Paris, and who recently decided to take his gallery program nomadic. Robbie also founded Art Basel Social Club in 2022, an annual event that has become a defiant and central alternative during the week in Basel. This year, the edition is bigger than ever and takes place in a formidable location of a former bank in the center of the city. Kate is also joined by Lisa Offermann, founder of the gallery LC Queisser. Lisa opened the gallery in 2018 in Tbilisi, Georgia, and launched a second location in Cologne earlier this year. She's participated in several editions of Art Basel and is part of its newest sector, Premiere, this year. Freddie Powell, founder of Ginny on Frederick, is also on the show—Freddie opened in London in 2020. With a sharp program and quick ascent, the gallery is making its debut at Art Basel this year, in both Basel and in Paris in the fall.

Auf der Art Basel wird die gefragte deutsche Künstlerin Katharina Grosse den Messevorplatz in sattes Pink tauchen. Was es sonst noch zu sehen gibt und worauf sich Elke Buhr und Sebastian Frenzel besonders freuen, hört ihr in dieser Folge. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-die-art-basel-und-katharina-grosse

In this week's episode of the ArtTactic Podcast, host Adam Green is joined by Maike Cruse, Director of Art Basel in Basel, to discuss what makes the fair one of the most anticipated and respected events on the global art calendar. They explore how the fair continues to set the standard for quality, why its layout and setting make it such a unique experience, and what to expect from this year's edition. Maike also shares insights on the current mood among galleries, the growing excitement around Art Basel Paris, and the recently announced expansion into Qatar.

Get ad-free episodes and bonus content, including the full recording of this podcast, by joining Future Commerce+ at futurecommerce.com/plusAccess to our new Word of Mouth Index with Fairing, a brand new member benefitSave 15% on Future Commerce print journals and merchExclusive invites to physical events, dinners, and priority invites to industry events (SXSW, Art Basel, VISIONS)Ad-free episodes and bonus content!

In this episode, Jerry and Magnus dive into the growing commercialization of the art world. After relocating to South Florida, Jerry shares his frustrations with the high costs and unpredictable weather of New York. Magnus, on the other hand, passionately defends New York's vital role in the art scene, arguing that the physical presence in the city is essential for networking and success, even amidst the financial challenges.They discuss intriguing developments like artist residencies at the World Trade Center, backed by the Silverstein family, which provide free studio space but also raise questions about branding and intent. The conversation also touches on significant shifts in the industry, including Ari Emanuel's acquisition of Frieze, Art Basel's expansion to Doha, and the merger of Artnet and Artsy under private equity. These changes reflect a landscape where financial interests are increasingly at the forefront.Throughout their discussion, Jerry and Magnus grapple with the delicate balance between commercialization and artistic integrity, shedding light on the evolving dynamics that are shaping the future of the art world.

Today, Ceri chats with Miami-based artist Autumn Casey, whose work dances across sculpture, performance, video, and sound—from solo screams at Art Basel to directing a lo-fi Snoop Dogg video. Autumn transforms the everyday into something enchanted, uncanny, and joyfully offbeat. Her luminous sculptures now light up the design world. She shares the real story behind sustaining a creative life: the grit, the glamour, the grounding force of good collaborators, and the unexpected magic of saying your dreams out loud. The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities.Apply by 21 July at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. KEY TAKEAWAYS Repetition, practice and discipline enable you to create more and prevent burnout. Trust your intuition, even if you are not on trend. Talk about your work, share your enthusiasm. It creates opportunities. When you speak up for what you want, help comes. Pay attention to the details. Taking care of your physical and mental health enables you to show up fuels your ability to work. BEST MOMENTS “All it takes is just visibility and for one person to see you somewhere.” “I do love having something to react to, it is like one of the best impetuses for me to start creating something.” “It's crazy how much boundaries or limitations can give you freedom. I really keep to my schedule.” “A lot of it is really intuitive, and so I let myself respond to the work as I'm making it, and kind of like see where I want it to go. There is that playfulness and discovery.” EPISODE RESOURCES https://www.instagram.com/freaky_friday_fragile https://autumncasey.com PODCAST HOST BIO With over 30 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Build Relationships The Easy Way Our self-study video course, Unlock Your Artworld Network, offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

It's been a minute, but we're back with our Round-Up episode, where we parse and discuss some of the biggest stories going on around the art world, and it's really good to be back into this format again after a little commercial break.  A lot has been happening lately in the so-called art world—good, bad, and there's been plenty of in-between that—but it remains as colorful, contradictory, and chaotic as ever.  We'll be diving into crypto collector Justin Sun's escalating legal battle with Blue Chip Titan David Geffen over a long-nosed Giacometti sculpture; a trio of massive Hulk sculptures by Jeff Koons that descended on Frieze New York a couple of weeks ago—these big green bellwethers for the state of the market are in play; and finally, we'll look at some of the major developments at Art Basel, including the launch of its very first art award. Senior Editor Kate Brown is joined by co-host, art critic Ben Davis, and Artnet News Pro Editor Andrew Russeth. 

In this week's episode of the ArtTactic Podcast, host Adam Green is joined by Zachary Small, culture reporter covering art for The New York Times, and Tim Schneider, founder of The Gray Market and a freelance journalist, to break down New York's May auctions and what they reveal about the current state of the art market. While the material this season may have been mixed, the auctions offered rare transparency into buyer behavior, pricing, and market sentiment at a time of uncertainty. Adam, Zachary, and Tim explore how collectors are becoming more selective, why certain artists outperformed expectations, and how guarantees shaped many of the results. They also discuss why this moment may offer smart buying opportunities for those with conviction, and what the sales signal as we head into Art Basel and the second half of the year.

Get ad-free episodes and bonus content, including the full recording of this podcast, by joining Future Commerce+ at futurecommerce.com/plusAccess to our new Word of Mouth Index with Fairing, a brand new member benefitSave 15% on Future Commerce print journals and merchExclusive invites to physical events, dinners, and priority invites to industry events (SXSW, Art Basel, VISIONS)Ad-free episodes and bonus content!