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Episode 502 / Yung JakeYung Jake is an artist & rapper who received his BFA from Cal Arts in 2012. He has had 13 solo exhibitions in Los Angeles and New York, and over 25 group exhibitions in the U.S., China, Finland, Germany, Belgium, and the Netherlands, respectively. Yung Jake is also a musician and directed music videos for Rae Sremmurd and Pusha T. His work has been featured at venues including Sundance, where his videos Datamosh, and E.m-bed.de/d were screened, as well as performances in Los Angeles at the Hammer Museum, REDCAT, MOCA, The Getty Center, and at the Museum of Modern Art. In 2017.His artwork has been shown in numerous art fairs including MiArt, UNTITLED, Miami Beach, Art Brussels, the Seattle Art Fair, the Dallas Art Fair, and Market Art + Design. His first solo museum exhibition titled Cartoons was on view at Guild Hall, East Hampton.

I love diving into projects that excite me—and sometimes they take me to unexpected places. From raising 4,000 happy chickens on our Ocala family farm and producing 20,000 eggs a week, to building a 2,500 sq. ft. content studio in Miami Beach, I'm sharing the passion projects that make life interesting. Farming wasn't something I planned—it started as curiosity and quickly grew into a way to support healthy eating education through Neighborhood Farms USA (NFUSA). Our vision with NFUSA is to establish a national network that connects neighborhood gardens to shared resources: advice, planning, opportunities, and best practices, to educate children and young families about the relationship between nutrient-rich food and living healthier lives. There is a growing need to build a national network of nutritional awareness through community engagement at the neighborhood level. That's our goal with Neighborhood Farms USA.Learn more about Neighborhood Farms USA and become a member today: https://membership.neighborhoodfarmsusa.org/Like this episode? Leave a review here: https://ratethispodcast.com/commondenominator:

Grandmother Jyoti is a voice we should all be hearing. Part of a group of Elders bridging wisdom between generations and first peoples, her work to support indigenous knowledge has put her in council with leaders around the world. In this episode she sits down for breakfast with Stan Stalnaker in the busy backdrop of Miami Beach to share her perspectives on the forces shaping our world.

How has the classical music industry approached representation and how has the new music community forged new paths to embrace diverse musics? On tonight's episode of Obbligato on APEX Express, Isabel Li is joined by violinist Shalini Vijayan, who discusses her vibrant career and reflects upon the ways contemporary classical music can build community.  Violinist Shalini Vijayan, deemed “a vibrant violinist” by Mark Swed of the Los Angeles Times is an established performer and collaborator on both coasts. Always an advocate for modern music, Shalini was a founding member and Principal Second Violin of Kristjan Jarvi's Absolute Ensemble, having recorded several albums with them including 2001 Grammy nominee, Absolution. Shalini was also a founding member of the Lyris Quartet, one of Los Angeles' most beloved chamber ensembles. With Lyris, she has performed regularly at Walt Disney Concert Hall on the Green Umbrella series, for Jacaranda Music and helped to found the Hear Now Music Festival in Venice, California, a festival dedicated to the music of living composers in Los Angeles.  Shalini performed for over a decade with Southwest Chamber Music and can be heard on their Grammy nominated Complete Chamber Works of Carlos Chávez, Vol. 3. She has been a featured soloist with the Los Angeles Master Chorale in Chinary Ung's Spiral XII and Tan Dun's Water Passion, including performances at the Ravinia Festival. As a chamber musician, Shalini has collaborated with such luminaries as Billy Childs, Chinary Ung, Gabriela Ortiz, and Wadada Leo Smith on whose Ten Freedom Summers she was a soloist. Shalini joined acclaimed LA ensemble, Brightwork New Music in 2019 and also serves as the curator for Brightwork's Tuesdays@Monkspace series, a home for contemporary music and performance in Los Angeles. As a teacher, she has been on the faculty of the Nirmita Composers Workshop in both Siem Reap and Bangkok and coaches composition students through the Impulse New Music Festival.  Shalini received her B.M. and M.M. degrees from Manhattan School of Music as a student of Lucie Robert and Ariana Bronne. As a member of the New World Symphony in Miami Beach, Florida, Shalini served as concertmaster for Michael Tilson Thomas, John Adams, Reinbert de Leeuw and Oliver Knussen. She was also concertmaster for the world premiere performances and recording of Steven Mackey's Tuck and Roll for RCA records in 2000. Shalini was a member of the Pacific Symphony Orchestra for ten seasons and also served as Principal Second Violin of Opera Pacific. She lives in Los Angeles with her son, husband and two dogs and spends her free time cooking Indian food and exploring the culinary landscape of Southern California.  Check out more of her work at:  https://brightworknewmusic.com/tuesdays-at-monk-space/  https://www.lyrisquartet.com/    Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express.    00:01:03 Isabel Li  You're listening to Obbligato, which is a segment about the Asian American Pacific Islander community, specifically in classical music.  00:01:11 Isabel Li  I'm your host, Isabel Li, and today joining me is Shalini Vijayan, who is a violinist, established performer, and always an advocate for modern music.  00:01:21 Isabel Li  Shalini is also a founding member of the Lyris Quartet, one of Los Angeles most beloved chamber ensembles. With Lyris, she has performed regularly at Walt Disney Concert Hall on the Green Umbrella series for Jacaranda Music, and helped to found the Here and Now Music Festival in Venice, California, a festival dedicated to the music of living composers in Los Angeles. She joined acclaimed LA ensemble Brightwork New Music in 2019, and also serves as the curator for Brightwork's Tuesdays at Monk Space series. She currently lives in Los Angeles with her son, husband and two dogs, and spends her free time cooking Indian food and exploring the culinary landscape of Southern California.  00:02:04 Isabel Li  Well, Shalini, thank you so much for joining me in this conversation today.  00:02:09 Shalini Vijayan  I'm so happy to be with you.  00:02:11 Isabel Li  Awesome. I'd like to just get to know you and your story. How do you identify and what communities do you consider yourself a part of?  00:02:18 Shalini Vijayan  I use the pronouns she, her, and I. Um, I identify as South Asian. I grew up in an Indian family. My parents immigrated to the US in the sixties to teach at medical school. And I grew up with a great deal of Indian culture. And I've spent a lot of time going back and forth to India from the time that I was very young. You know, it's interesting because I feel like in LA, where I live and work specifically, there is so much overlap between all of our different musical communities. You know, I went to school in New York, and I feel like there I was much more, I'm very connected to the new music community in New York and felt really kind of entrenched in that at the time I was there. And after coming to LA, I realized that, um, there are a lot of musicians doing so many different things. That's one of the things I love about Los Angeles, actually. And, you know, I'm definitely very, very rooted in the new music community in LA. And that was where I made my first sort of connections when I first moved to Los Angeles. But I also, you know, worked in an orchestra when I first came to LA. I played in the Pacific Symphony for almost ten seasons, and so I became a part of that community as well. And you know, as the years went on, I also became much more involved in the studio music community of LA studio musicians playing on movie scores, playing on television shows, records, what have you, Awards shows, all sorts of things. And these are all very distinct communities in LA in music. But I see a ton of overlap between all of them. There are so many incredibly versatile musicians in Los Angeles that people are able to really very easily move from one of these groups to the other and, you know, with a great deal of success. And I feel like it gives us so much variety in our lives as musicians in LA, you don't feel like you're ever just in one lane. You can really occupy all these different kinds of spaces.  00:04:23 Isabel Li  Right, yeah. So you're classically trained, from what I know, and you describe yourself as an advocate for modern music. So why modern music?  00:04:33 Shalini Vijayan  That's a great question. I have have had to answer this question quite a bit over the years, especially to non-musicians. And it's always an interesting story for me. You know, as a violinist in particular, you know, we have such a storied history of repertoire and pedagogy, and there is such an incredible, um, library of music that we have access to from the very standard classical repertoire. And there is a great deal to be learned about the instrument and about music from playing all that repertoire. I think at some point when I was in high school, I started to become interested in more modern music. And actually I grew up in Davis in Northern California.   My parents both taught at the university there, at the medical school and in Sacramento. Nearby there was a festival of modern American music that I think still goes on to this day at Cal State University, Sacramento. And it was really a great festival. And at that time, you know, they would bring professional artists, they'd have composers, they'd have commissions, all sorts of things. But at the time that I was like in high school, they also had a junior division to the festival, and I was asked to play a couple pieces in the Festival of, um, Modern Works, and I can't remember at this time what the pieces were, but it left such a huge impression on me. And I think what I really took away from that experience as a kid is that in my studies as a violinist, I was always being asked to sort of live up to this history and this legacy of violin music and violin playing in Western classical music. And it's a very high bar. And it's, um, you know, of course, there's so much great stuff there. But there was something so freeing about playing this music that had either never been played or not been recorded. So there was nothing to reference in terms of listening to a recording, um, and listening to how you, you know, quote, should be playing it that it made me feel, uh, you know, all this, this freedom to really interpret the music, how I felt, rather than feeling like I had to live up to a standard that had been set for me, you know, decades or centuries before. And I think that really something really clicked for me with that, that I wanted to have that kind of freedom when I, when I was playing. And so from there on out, um, you know, when I went to college and I really sought out opportunities in new music as much as I could.  00:07:00 Isabel Li  So you were first exposed to new music when you were in high school. Did that influence your decision to become a musician at all? Or were you already set on becoming a musician and that was just part of what shaped your works over the years.  00:07:15 Shalini Vijayan  I think by that time, I had already decided that I wanted to be a musician. I mean, as you know, so many of us as musicians and I think particularly string players, we decide so young because we start our instruments at such a young age and we start studying so early. Um, that I think by that time I, I had decided I wanted to do music, but this sort of opened another door for me that made me realize that it wasn't just one path in music necessarily. I think it's very easy as a, as a kid and as a violinist to think you admire these great soloists that you see and, you know, people like Perlman and, you know, Isaac Stern, who were the stars of the time when I was growing up. But, you know, you get to be in high school and you realize that hasn't happened yet. It's probably not going to happen. And so, you know, what's then then what's your path forward? How do you find a life in music if you're not going to be one of these stars? And I think, you know, new music really opened up that opportunity for me. And yeah, made me look at things a little differently for sure.  00:08:18 Isabel Li  And currently you're in the contemporary classical music ensemble, Brightwork newmusic, and you curate the ensemble's concert series, Tuesdays @ Monk Space. So how do you go about curating concerts with music by contemporary or living composers? What do you look for?  00:08:33 Shalini Vijayan  Well, right now I'm really focused on trying to represent our new music community in LA at Monk Space, which is such, you know, we have such a diverse community of musicians, not just in the makeup of who the people are making the music or writing the music, but also in just the styles of music. And so I think I try to really represent a very diverse set of aesthetics in our season. Um, you know, everything from, you know, last season we had, uh, Niloufar Shiri, who is a traditional Persian kamancheh player, but she also she can play very in a very traditional way, but she also plays with a jazz pianist. And, you know, it does all this very improvisatory stuff. And, you know, then we would have other programs where everything is very much written out and very through, composed and you know, it's been a very wide variety. And, you know, when I try to build the season, I try to make sure that it's really balanced in terms of, you know, the different types of things you'll be hearing because not every audience member is going to want to engage with every type of music. Um, or, you know, if we if we really stuck to one style and it was just in that language for the whole season, then I feel like we would, you know, alienate potential audience members. But with this, I feel like if we can bring people in for one concert and they're really into it, then hopefully they'll come to something else that is new and different for them and be exposed to something that they may really get into after that. So yeah, I think diversity and variety is really where I try to start from.  00:10:09 Isabel Li  How does that engage the community? Have you observed audience reception to this type of new music when there are composers from all different types of backgrounds?  00:10:20 Shalini Vijayan  Yeah, definitely. I mean, I think that each composer and each artist brings their own community into the space, which and so that's another. I feel like another strong reason why I try to make things very different from concert to concert. And, you know, we have some younger players who come in and bring in, you know, everyone from college students to, you know, their friends and family. And then, you know, really established composers. Like this season we have Bill Roper, who is kind of a legend in the music community in LA. Mult instrumentalist and composer who has been around for decades. And, you know, I think people will come out just because they want to see him and he's such a draw. And, um, you know, I, I also would love to be able to incorporate more world music into the series. Like I said, we did do Niloufar concert, which I felt like I really hoped would like engage with the Persian community in LA as well. And a couple seasons ago we had Rajna Swaminathan, who is, I just think, an incredible artist. Um, she plays mridangam, which is a South Indian percussion instrument, but she also writes for Western instruments, uh, and herself. And we had her and a pianist and then Ganavya, who's a vocalist who's amazing. And, you know, Ganavya had her own following. So we had and Rajna has her own following. So we had a whole full audience that night of people who I had never seen in the space before. And that was for me. That's a success because we're bringing in new friends and new engagement. And, um, I was really excited about that. When I'm able to make those kinds of connections with new people, then that feels like a success to me.  00:12:05 Isabel Li  Certainly.  00:12:06 Isabel Li  Let's hear one of Shalini's performances. This is an excerpt from the 10th of William Kraft's “Encounters”, a duologue for violin and marimba, performed here by Shalini Vijayan with Southwest Chamber Music.  00:12:20 [MUSIC – Encounters X: Duologue for Violin & Marimba]  00:17:18 Isabel Li  An excerpt from William Kraft's Encounters, the 10th of which is called Duologue for Violin and Marimba, that was performed by Shalini Vijayan, the violinist, with Southwest Chamber Music.  00:17:31 Isabel Li  And Shalini is here with me in conversation today. We've been discussing contemporary music and her involvement in the new music scene, specifically in Los Angeles.  00:17:40 Isabel Li  Music is all about community, drawing people together. So going back to how you describe yourself as an advocate for modern music, what are other ways that you have advocated for modern music besides curating the concert series?  00:17:53 Shalini Vijayan  Well, over the years, um, you know, I feel like in all the ensembles I've been in, there's been a real focus on commissioning composers and on performing works that have not been, uh, either performed or recorded before. And I feel like the only way to really get the music out there is to, obviously, is to play it and hopefully to be able to record it. We've worked especially with the lyrics quartet. We've worked with so many young composers in LA either just strictly, you know, contemporary classical composers or even film composers who, um, have works that they'd like to have recorded. And, you know, it's been great to see a lot of those people go on to really amazing things and to be a part of their journey, uh, and to help support them. And, uh, the other thing that the quartet has been heavily involved in and now Bright Work Ensemble has been involved in as well, is the Here Now music festival, which has been going on in LA for well over a decade now. We were involved in the first, um, seasons of that festival. We've been one of the resident ensembles since the very beginning, and that festival is dedicated to the music of LA and Southern California composers. And, um, we have a call for scores every year that we, the four of us in the quartet, are part of the panel that reviews all the scores, along with a lot of our other colleagues, um, who are involved with the festival, and Hugh Levick, who is the artistic director of the festival and has we've worked side by side with him on this for a very long time. And that's also been a fantastic avenue for, um, meeting new composers, hearing new works, having them performed. And the thing I always say about that festival every time it comes around, usually in the spring we have at least three concerts. It's this incredible coming together of the new music community in Southern California, where all these great composers and all these amazing players come together and play these series of concerts, because there's such a vast number of pieces that end up getting programmed. They can't rely on just like one group or one or two groups to play them. So it really pulls in a lot of players from all over town. And I don't know, it always just feels like a really fun time, a fun weekend for all of us to see each other and connect. And, um, and again, just build our community to be even stronger.  00:20:20 Isabel Li  That's really cool. How do you ignite interest in new music? Because this is a genre that I think is slightly underrepresented or just underrepresented in general in both the classical music community and the music industry as a whole.  00:20:35 Shalini Vijayan  That's a great question, and I think it's a really important question for our whole industry and community. How do you engage people in new music and get them into a concert? Um, you know, I think one of the biggest hurdles for classical music in general, I will say, um, when I talk to people about why they don't want to come to a concert or why they don't want to, you know, let's say, go see the LA Phil or, you know, wherever, whatever city they're in, the major cultural music institution. I think there is a misconception generally that, oh, it's, you know, I have to be dressed a certain way or I it's going to be really stuffy. And, um, I, you know, I don't know what to wear or I don't know how I'm supposed to dress or how I'm supposed to act when I'm in the concert. Am I going to clap at the wrong time? You know, is it going to be really long? And, you know, and I and I get it, you know, I mean, I understand why that would be uncomfortable for a lot of people.   And it's not, um, it's something that necessarily everyone has grown up with or that it's been a part of their life. So I think it's really up to us, as you know, when we're on the side of programming concerts or putting together festivals or whatever, um, that we make things more accessible in terms of, um, concert length and interaction with audience. And, um, you know, I think it's I know I've been told so many times and I really think it's important that I think audiences love it when performers talk to them, when they talk about the music and, and set things up for a listener. I think that puts a kind of context on things that makes it so much easier for perhaps a new audience member, someone who's never come to a concert before to feel at ease and feel like, okay, I know what I'm getting into.   One of our, actually our former executive director at Brightwork, Sarah Wass, who was fantastic, and I was very happy to work with when I was just starting out programming, Monk Space had the idea of putting on the program the running time of the pieces, and I think even that is just something that, like, can prepare people for what they're getting into when they're about to listen to something new. And in terms of the music itself, I think that if someone, especially a younger person, doesn't feel like they have any connection to Beethoven or Brahms or Mozart, they might actually feel more connected to someone who is their age or a little older.   Someone who has had similar life experiences to them, or grown up in the same era as them, rather than someone who grew up, you know, in the seventeen hundreds. You know, there can be more of a real connection there, and that that person is writing this music and reflection of their life and their experiences. And, um, you know, again, I think that kind of context is important for a listener. And yeah. And then just lastly, I would say also, I feel like our space at Monk space is very inviting. It's very low key. It's, um, you know, it's casual, it's comfortable. Role. Um, we have, you know, snacks and a bar and, you know, everyone is very relaxed at intermission and has a good time. And I mean, for me, every time we host one of those concerts, I feel like I'm hosting a little party, you know? That's what it feels like for me. And that's what I want it to feel like for the audience as well.  00:23:52 Isabel Li  That brings up a really good point in that new music can make classical music or a new classical music, contemporary music, more accessible to different audiences. And certainly I've definitely heard the complaint from people over the years about classical music being a little too uptight. Would you say that these are two different genres?  00:24:11 Shalini Vijayan  I think that there is overlap, and I think, you know, for an ensemble like ours, like Brightwork, we have chosen to make our focus new music. So that's our thing. That's what we do. Um, and, uh, all of our concerts and our programming reflect that. Very rarely do we do anything that's not considered a contemporary piece. Um, but, you know, if you do look at some of our major institutions, like I think the LA Phil and I think the San Francisco Symphony, um, earlier, you know, like in the nineties under MTT, really started to pave the way for incorporating contemporary music into a standard classical format. And, you know, I think that's been very important. And I think it's really changed the way that orchestras have programmed across the country. And there has been such a nurturing of contemporary music in larger spaces. Now that I think that kind of overlap has started to happen much more frequently. I think that in more conservative settings, sometimes there's pushback against that. And even even, you know, in some of the places that I play, you know, sometimes with with the lyrics quartet, um, we are asked to just purely program standard classical repertoire, and we will occasionally throw in a little short piece, you know, just to try and put something in there, you know, something that's very accessible. Um, and, uh, you know that we know the audience will like so that we can help them, you know, kind of get over that fear of connecting to a newer piece. And I, I think in some ways, that's where the path forward lies, is that we have to integrate those things, you know, in order to keep kind of the old traditions of classical music alive. I think we have to keep the newer tradition alive as well, and find a way to put them in the same space.  00:26:00 Isabel Li  I certainly agree with that.  00:26:01 Isabel Li  Let's hear more of Shalini's work in new music. This is a performance of the first movement of Atlas Pumas by Gabriela Ortiz. Violinist Shalini Vijayan is joined by percussionist Lynn Vartan.  00:26:18 [MUSIC – Atlas Pumas, mvt 1 by Gabriela Ortiz]  00:29:21 Isabel Li  The first movement of Gabriela Ortiz's Atlas Pumas played here by violinist Shalini Vijian, and Lynn Vartan plays the marimba.  00:29:30 Isabel Li  And Shalini is actually joining us here for a conversation about new music, performances, identity, and representation.  00:29:38 Isabel Li  Many Asian American Pacific Islander artists in music have varying relationships between their art and their identity. I was wondering, to what extent do you feel that perhaps your South Asian identity intersects or influences the work that you do with music?  00:29:54 Shalini Vijayan  Growing up, um, you know, I grew up in a in a university town in Northern California and, you know, a lot of highly educated and, you know, kids of professors and, you know, but still not the most terribly diverse place. And then going into classical music. And this was, you know, in the early nineties when I went to college, um, it still was not a particularly it was very much not a diverse place at all. And, um, there certainly were a lot of Asian students at, um, Manhattan School of Music where I did my my studies.   But I would say it was a solid decade before I was ever in any sort of classical music situation where there was another South Asian musician. I very, very rarely met any South Asian musicians, and it wasn't until I went to the New World Symphony in the early late nineties, early two thousand, and I was a musician there. I was a fellow in that program there for three years that I walked into the first rehearsal, and there were three other South Asian, I think, of Indian descent musicians in the orchestra, and I was absolutely blown away because I literally had not, um, other than here and there at some festivals, I had not met any other South Asian classical musicians.   So it was really like that was the hallmark moment for me. It was a really big deal. And coming with my family, coming from India, you know, there is such a strong tradition of Indian classical music, of Carnatic music and Hindustani music. And, um, it's such a long, long tradition. And, you know, the people who have studied it and lived with it are, you know, they study it their whole lives to be proficient in it. And it's such an incredible, incredible art form and something that I admire so much. And I did as a kid. Take a few lessons here and there. I took some Carnatic singing lessons, um, and a little bit of tabla lessons when I was very young. Um, but I think somewhere in middle school or high school, I kind of realized that it was, for me at least, I wasn't, um, able to put enough time into both because both of them, you know, playing the violin in a Western classical style and then studying Indian classical music require a tremendous amount of effort and a tremendous amount of study. And I at that point chose to go with Western classical music, because that's what I'd been doing since I was five years old. But there has always kind of been this longing for me to be more connected to Indian classical music. Um, I'll go back again to Rajna. When I presented Rajna Swaminathan on Monk Space a couple of years ago, it was a really meaningful thing for me, because that's kind of what I'd always wanted to see was a joining together of that tradition, the Indian tradition with the Western tradition. And, um, I'm so happy that I'm starting to see that more and more with a lot of the artists that are coming up now. But at the time when I was young, it just it felt almost insurmountable that to to find a way to bring the two together. And, um, I remember very clearly as a kid listening to this, um, there was an album that Philip Glass did with Ravi Shankar, and I thought that was so cool at the time. And I used to listen to it over and over again because I just again, I was so amazed that these things could come together and in a, in a kind of successful way. Um, but yeah, there is, you know, there there's a part of me that would still love to go back and explore that more that, that side of it. Um, and but I will say also, I'm very happy now to see a lot more South Asian faces when I, you know, go to concerts on stage and in the audience. And, you know, a lot of composers that I've worked with now, um, of South Asian descent, it's been, you know, I've worked with Reena Esmail and Anuj Bhutani and Rajna and, um, there's so many more, and I'm so glad to see how they're all incorporating their connection to their culture to, to this, you know, Western kind of format of classical music. And they're all doing it in different ways. And it's it's really amazing.  00:34:22 Isabel Li  That's fantastic.  00:34:24 Isabel Li  I was wondering if you could maybe describe what this merging or combination of different styles entails. Do you think this makes it more accessible to audiences of two different cultures?  00:34:36 Shalini Vijayan  For me, one example, before I started running the series at Tuesdays at Monk Space, Aron Kallay, who is our Bright Work artistic director, had asked me to come and do a solo show on Monk Space, which I did in November of 2019.  00:34:52 Shalini Vijayan  And at the time, I wanted to commission a piece that did exactly that, that, that, um, involved some sort of Indian classical instrument or kind of the language of Indian classical music. And so I actually did reach out to Reena Esmail, and she wrote me a very cool piece called blaze that was for tabla and violin. Um, and I really had so much fun doing that. And Reena, Reena really has a very fluid way of writing for the violin, which she actually was a violinist, too. So she's she's really good at doing that. But being able to write for any melodic instrument or for the voice, which she does quite a bit as well, and incorporating sort of the tonality of Indian classical music, which obviously has its own scales and, um, has its own harmonic, harmonic world that is different from the Western world, um, but finds a way to translate that into the written note notation that we require as, uh, Western classical musicians. And, you know, I think that's the biggest gap to bridge, is that in Indian classical music, nothing is notated. Everything is handed down in an oral tradition, um, over the generations. And for us, everything is notated. And in Indian classical music, you know, there's much more improvisation. And now, of course, with modern classical music, there now is a lot more improvisation involved. But in our old standard tradition, obviously there isn't. And in the way that we're trained, mostly we're not trained to be improvisers. And um, so it's it was great. She has a great way of writing so that it kind of sounds like things are being tossed off and sounding sounds like they're being improvised, but they are actually fully notated, um, which I really appreciated.  00:36:50 Isabel Li  Yeah.  00:36:51 Isabel Li  So your career has spanned orchestras, recording ensembles, chamber music. Having had so much experience in these types of performance, what does representation in classical music mean to you?  00:37:04 Shalini Vijayan  Well, representation is is very important because we're talking about a tradition that was built on white men from centuries ago, European white men. And and it's again, it's an incredible tradition and there's so much great repertoire. But I'm going to circle back to what you were saying or what you asked me about connecting to audiences and, you know, connecting to audiences with new music. It's I think people like to see themselves reflected in the art that they choose. They choose to consume. And, you know, whether that's movies or television or music, I think that's how you connect with your audience is by being a bit of a mirror.  I think the only way that we can really continue to connect with a diverse audience is by having that type of diverse representation on our stages and on our recordings. And again, also not just the people, but the types of music, too. You know, musical tastes run wide, genres run wide as well. And it's I think It's good for all of us to be exposed to a lot of different kinds of music, to figure out what we connect with the most. And, um, yeah, the only way we can do that is by really, you know, opening our arms to a, a much wider variety of styles of music. And so I, you know, I mentioned improvisation, improvisation earlier. And I think that is something that's now starting to happen so much more in modern classical music. And, you know, I think there's something about the energy that a player has when they're improvising that is maybe not something that an audience member could quantify verbally, but there's a looseness and a freedom there that I think, you know, for a lot of audience members, they probably really can connect to. And, you know, that's a lot of why people go and listen to jazz is because there's so much freedom and there's so much improvisation.   I've been very lucky to be able to work with, um, Wadada Leo Smith, who's a trumpet player and composer. I've worked with him for probably almost ten years now. And um, through Wadada, actually, I have learned to become much more comfortable with improvising on stage and not within a jazz language of any kind or any kind of harmonic structure necessarily, but within the language of his music, which is very unique and very open and very free and, um, but also has a really strong core in its connection to history. And, um, you know, he's written a lot of amazing works about the civil rights movement and about a lot of, you know, important moments in history for our country. And, um, that's been a real learning experience for me to connect with him in that, in that way and learn from him and learn to be more comfortable with improvisation. Because I think growing up, improvisation for me always meant jazz, and that was not a language I was comfortable in. And um, or even, you know, jazz or rock music or folk music or whatever, you know, it was just not something that came naturally to me as a kid to, I mean, I listened to all of it. I listened to everything when I was a kid, but I never played in any of those styles. And I think the older you get, the scarier it gets to start branching out in those ways. But, um, I think, uh, that's been a an incredible, like, new branch of my life in the last decade has been working with Wadada.  [MUSIC – “Dred Scott, 1857,” from Ten Freedom Summers, by Wadada Leo Smith]  00:42:23 Isabel Li  An excerpt of Wadada Leo Smith's music to give you a sense of the jazz influences in these types of contemporary new music pieces that also touch on pieces of history. This was an excerpt from his album, Ten Freedom Summers, which also consists of compositions based on pieces of American history. For example, what we just heard was from a piece called Dred Scott, 1857.  00:42:49 Isabel Li  Now that I realize that we've been having a conversation about new music, I realize that, hmm, when does new music really start? So if you take a look at maybe music history, when does new music really become new music?  00:43:07 Shalini Vijayan  I guess it depends on who you ask, probably. Um, it's it's pretty recent. You know, it has to be really legitimately pretty new. And, um, again, you know, if you ask an audience member, um, and I think of some of my friends or family who are maybe who are not musicians who come to concerts, and I'm always so interested in talking to them and hearing their opinions about things. Um, you know, they will listen to Bartok and say, oh, that sounds like new music to me. But, you know, Bartok, Bartok passed away a long time ago, and it's, you know, and for me, that's more like canon now. You know, that's like now for me, part of the the standard repertoire. But there was a time when Bartok was new music. And I think for, you know, maybe the listeners who are more comfortable with the very diatonic, you know, world of Beethoven, Brahms, Mozart, then something like Bartok really does sound so modern for me. Boy, maybe around the time that minimalism started, you know, John Adams and Steve Reich, Terry Riley, Philip Glass, all of that for me feels like maybe that's the older like the The edge of new music now even though that was that would be the eighties, probably seventies 80s, you know, but that we're talking about like, you know, fifty years ago. So yeah, I mean, it's not that new, but those are all still living composers. So maybe, maybe that's part of what it is for me is that it's the composers of our era, the composers who are alive, who we can communicate with and ask questions of. And, um, you know, at the very least, if you can't talk to John Adams, you can talk to somebody who has worked directly with him and get their impressions of how something should be played, um, as opposed to composers who have been gone for hundreds of years. And you can't have that level of communication with them. I think that, for me is what new music, new music is about. It's about working with living composers and, um, having that type of interaction.  00:45:15 Isabel Li  Yeah. So would the word or the phrase contemporary classical music, be a little oxymoronic in a sense?  00:45:26 Shalini Vijayan  No, I don't think so. I think it's still part of the same tradition. Um, yeah. I really do think it is, because I think there is a lineage there. Um, for a lot of composers, not all of them, um, that I mean, I think particularly if you're writing for, let's say, an orchestra or a string quartet or sort of one of these very standard classical ensembles. Um, even if you're writing in a very new language and you're writing in a very different way, I think there is still a through line to the canon of classical music. I guess for me, new music and classical music are not mutually exclusive. I think they can be the same. So I don't I don't think they're totally different. I think that there is a lot of a lot of overlap.  00:46:16 Isabel Li  For sure, considering how new music fits into the classical music or the classical music industry as a whole. Have you noticed any sorts of shifts in the classical music industry in the past several decades in regards to diversity, equity, inclusion? And have you just noticed any changes?  00:46:35 Shalini Vijayan  I have noticed some changes. I mean, I think that most organizations in this country are making an effort to be more inclusive in their programming now. And, um, you know, another another South Asian composer who I just think is fantastic is Nina Shekhar. And, um, she has had pieces played by the New York Phil for the last couple seasons. I mean, you know, so on on major, major stages, I feel like now I'm seeing more representation and that is definitely Encouraging and, um, you know, uh, same for Anuj and Rajna and Reena. They've all, you know, had their works done by major ensembles. And, um, I think I think there is definitely movement in that direction, for sure. I think it could always be more.   I think also for women and women composers, women performers, I think that has also always been a struggle to find enough representation of women composers and you know, especially if like as I mentioned before, when you're in a situation where an organization asks you to program a concert, like, let's say, for our quartet and wants much more standard repertoire than it does limit you, you know, how because there isn't much from the older canon. You know, there is. You know, there's Fanny Mendelssohn and Clara Schumann and, um, you know, I think in the last five to ten years they've both been played a lot more, which is great. But, you know, I think, uh, there's so many amazing female composers right now that I think are starting to get much more recognition. And I think that just needs to be more, more and more, um, but, uh, you know, that is why, again, like on those programs, sometimes we try to just sneak one modern piece in because it's important for those voices to be heard as well. But yes, I do see some forward movement in that direction with, um, classical programming. And, you know, you just have to hope that the intent is always genuine in those situations. And I think, um, you know, I think that's the most important thing. And giving a platform to those voices is really important.  00:48:59 Isabel Li  How would you go about arts advocacy during this current time when, well, the arts are being defunded and devalued by our current administration and how everything is going on right now?  00:49:10 Shalini Vijayan  Yeah, it's really, really difficult right now. And, um, you know, I think a lot of arts organizations are losing a lot of government funding. Obviously, I know of a couple projects that lost their NEA funding because of DEI, and which is so disheartening. And, um, I think, you know, there's going to be a lot of leaning on private donors to try and, uh, make up that difference or, you know, private foundations to make up the difference in funding, hopefully. And, um, uh, you know, it's yeah, it's scary. It's  a scary time. And I think, you know, even for private funding and, um, private donors, it's, you know, everyone is feeling stressed and feeling concerned about our future right now, just as a country. and there's so much uncertainty. And, um, but I think people who really rely on the arts for all the things that it can provide, you know, an escape and pleasure and, you know, stimulation of a different kind. And especially in a time like this, when you want to be able to get away from maybe what's going on around you, you know, I'm hoping we can find a way to really come together and, um, kind of, you know, rally around each other and find a way to support each other. But, um, I think it is going to be hard for the next few years if we can't find ways to replace that funding that so many people have lost. And I certainly don't think that anyone wants to back away from the progress that's been made with inclusion and representation, you know, just to get funding. So I know we have to be very creative with our path ahead and find a way to, to keep doing what we're doing in this current environment.  00:51:07 Isabel Li  Yeah, on a brighter note, I read about your work with Lyris Quartet earlier this year when you presented a concert with Melodia Mariposa called Altadena Strong with the Lyris Quartet, raising funds for those who have been affected by the LA fires. Can you talk a bit about the power of music? And we're going to end on a stronger note here about the power of music in bringing communities together and accelerating community healing.  00:51:31 Shalini Vijayan  Well, I have to say that concert was really a special one for us. You know, um, so many musicians were affected by the fires in LA. And, you know, I, I've lived in LA for over twenty years now, almost twenty five years and, um, certainly seen my share of wildfires and disasters, but this one hit so much more close to home than any of the other ones have. And, you know, I know at least twenty five people who lost their homes in between the Palisades and Altadena and Altadena in particular.   When I moved to LA, it was a place where a lot of musicians were moving to because you could it was cheaper and you could get a lot of space, and it's beautiful. And, you know, they really built a beautiful community there among all the musicians out there. And it's just heartbreaking, um, to see how many of them have lost everything. And I have to say, Irina Voloshina, who is the woman who runs Melodia Mariposa, and just an amazing violinist and an amazing, wonderful, warm, generous person. You know, she started that series in her driveway during COVID as a way to just keep music going during the pandemic, and it really turned into something so great. And she's, you know, got a whole organization with her now and puts on multiple concerts a year. And when she asked us if we would play that concert for the community in Altadena is, you know, there's no question that we were going to do it. I mean, we absolutely jumped at the chance to support her and support the organization and that community. And people really came out for that concert and were so excited to be there and were so warm and, um, you know, and and she talked to the crowd and really connected with everybody on a very personal level, because she also lost her home in Altadena and, um, you know, it was it was a really meaningful show for all of us. And again, those are the moments where you realize that you can use this art to really connect with people that you may have never met before and show your your love for them, you know, through music, as corny as that may sound, but it's true.  00:53:54 Isabel Li  Yeah, definitely. Well, thank you so much, Shalini, for sharing your visions, your knowledge with new music and community building with us today. Thank you so much for being on Obbligato.  00:54:07 Shalini Vijayan  Thank you so much for having me, Isabel. It was really a pleasure.  00:54:10 Isabel Li  What a wonderful conversation that was with LA-based violinist Shalini Vijayan. If you go to kpfa.org, you can check out more of her work. I put the links to two of her ensembles, Brightwork New Music and Lyris Quartet up on kpfa.org. And thank you for listening to our conversation here on Obbligato on Apex Express.  00:54:32 Isabel Li  We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.  00:54:42 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 11.13.25 – Obbligato with Violinist Shalini Vijayan appeared first on KPFA.

“A self-help guide that blends neuroscience, mysticism, and psychology to argue that sleeping alone is the key to well-being for women.”—Kirkus ReviewsExplains the energetic, emotional, and physical power of having your own sacred space to sleepOffers 64 step-by-step rituals for women to reclaim the power of intuition, renew energy, and connect with the intelligence of their heartsPresents the act of sleeping as a spiritual retreat to find answers to your most intimate and complex questionsThe demands of daily life drain our energy and ability to set meaningful intentions. The crucial act of sleeping has become an automatic routine: at the end of the day you fall exhausted into bed without giving it any thought. Our cultural programming makes us feel that sharing a bed is not only normal but desirable. It is a sign of love and care for partners, children, and others. But breaking free of this routine and claiming a night for yourself is a sublime opportunity to recover your energy and power, to reconnect with yourself, and to reinhabit your body without the influence of external vibrations.In this book, Cynthia Zak offers women of all ages and relationship statuses practical and accessible rituals for sleeping alone. Discover the biology of your sleeping body and learn soothing mantras to enhance lucid dreaming and calm your mind. Reclaim the privacy that sleep allows to rediscover your intuition and foster a holistic renewal of the self. This book shows how to take ownership of your nightly rest and transform it into a sacred retreat.Cynthia Zak is a ceremonialist, master in yoga and meditation, author of five books, and a singer-songwriter with over 150 published songs and melodies. She is a researcher in the science of sound as medicine, a HeartMath Institute therapist, birth doula and end-of-life doula, and founder and director of the Yomu Institute. She travels the world teaching her practices to children, teachers, parents, business leaders, and healthcare professionals. Her background and spiritual practices are in Sufism, Buddhism, Kabbalah, and shamanism. A mother of three, she lives in Miami Beach, Florida.Website(s) Link: cynthiazak.orgFacebook Page: facebook.com/cynthia.zakInstagram Account: @cynthiazakofficialSpotify Account: open.spotify.com/artist/cynthiazakYouTube Channel: @cynthiazakofficialBecome a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Send us a textVoice, Vision, and Values: A Conversation with Tila Falic LeviIn this episode of From The Inside Out with Eda Schottenstein and Rivkah Krinsky, we welcome Tila Falic Levi, a Miami Beach native and prominent advocate for Israel and Jewish causes. Tila shares her inspiring journey, including being named one of the Jerusalem Post's 50 most influential Jews and her appointment to the United States Holocaust Museum board by President Trump. She opens up about her personal struggles with infertility and encountering antisemitism, and discusses her unwavering commitment to Israel and Jewish education. Tila emphasizes the importance of faith, community support, and the power of individual action in making a meaningful difference in the world.EPISODE SPONSORSKOSHER TRAVELERSWe're proud to be joined by our sponsor Kosher Travelers — the premier Jewish travel company curating luxury, fully kosher experiences around the globe for over 40 years. From African safaris and Mediterranean cruises to heritage tours and Pesach programs, every journey is designed with meaning, comfort, and community in mind. With breathtaking destinations, warm and inviting staff,  Glatt Kosher gourmet cuisine, five-star accommodations, and the ease of knowing every detail is taken care of, so you can focus on what really matters: creating memories that last a lifetime.View Kosher Travelers upcoming trips and learn more here: https://koshertravelers.com/GUEST BIOTila Falic Levi is a proud Jewish mother, educator, and outspoken advocate for Israel whose voice blends moral clarity with compassion. Named one of the Jerusalem Post's “50 Most Influential Jews,” she is the Founding President of Jewish Culture High School (JCHS) in Miami and has spent more than two decades strengthening the bond between Israel and the Jewish diaspora through education, leadership, and hands-on advocacy in Judea and Samaria. A nominee to the U.S. Holocaust Memorial Council under the Trump administration, Tila continues to champion Jewish unity, Jewish empowerment, and faith-driven leadership—all while raising six children and modeling what it means to live with courage and purpose.CHAPTERS00:00 Introduction and Sponsor Message02:22 Meet Tila: A Woman of Influence04:46 Tila's Advocacy and Personal Journey06:59 The Importance of Israel and Jewish Heritage10:01 Challenges and Triumphs in Advocacy16:37 Reflections on Peace and Conflict23:05 The Role of Judea and Samaria40:36 The Dilemma of Releasing Terrorists41:23 Personal Costs of Advocacy42:49 Facing Antisemitism Head-On44:34 Standing Up for Beliefs55:01 Recognition and New Roles59:34 Empowering the Next Generation01:01:44 Faith and Resilience01:09:22 Balancing Advocacy and Family Life01:10:13 Educational Experiences Beyond the Classroom01:10:40 Generosity and Meaningful Experiences01:14:35 Challenges and Triumphs in Motherhood01:18:53 Struggles with Community and Support01:26:47 Infertility and Advocacy for Change01:36:27 Reflections and Final ThougCOMMUNITYJoin the Community! Connect with us on socials to discuss Episode 101, share insights, and continue the conversations you want to have:

Neues aus der Landhausvilla!Lola Weippert reist im Bikini um die Welt und spricht über ihre ADHS-Medikation – zwischen Selbsterkenntnis, Selbstdarstellung und Selbstvermarktung. Julian Zietlow wiederum entdeckt plötzlich seine Vatergefühle, während er öffentlich gegen Ex-Frau Alina Schulte im Hoff stichelt. Die hat unterdessen mit einem Shitstorm zu kämpfen, weil ihr Kind gemeinsam mit ihr Werbung für Shapewear macht – was Julian natürlich sofort zum Anlass nimmt, um plötzlich Kindercontent ganz doof zu finden.Seine Ex-Affäre Kate trennt sich kurz nach dem Zusammenzug von ihrem neuen Freund. Und Zara Secret? Sie schweigt zu Beziehungsproblemen, liefert aber reichlich Stoff für Spekulationen und erinnert verdächtig an eine Figur aus einer Repli_Cathy-Hörspielserie. Ganz nebenbei grassiert in ihrer Katzenrunde ein Hautpilz, der sich zum Influencerdrama der besonderen Art entwickelt.Und während Cathy Hummels in Miami Beach für ihre One-Woman-Show im Bergson probt, bittet sie ausgerechnet ihre Hater um Support – natürlich begleitet von Bikinifotos, die ihr bedenkliches Untergewicht betonen. Von nix kommt nix.Warum hilft ihr niemand?Und was sagt all das über Social Media, Körperbilder und unsere Gesellschaft aus?

Hildebrandt, Kerstin www.deutschlandfunkkultur.de, Studio 9

This week's Eye on Travel Podcast with Peter Greenberg - from The Carillon Miami Wellness Resort in Miami Beach, Florida. Peter discusses all things health and travel as well as a new definition of wellness. Peter sits down with Steven Meiner - Mayor of Miami Beach - to get his take on everything from managing spring break to travel safety. Then, a deep dive into wellness with Executive Managing Director of The Carillon Miami Wellness Resort Patrick Fernandes. Finally, Dr. Martin G. Bloom - Medical Director and Co-Founder of the Biostation - speaks about the brave new world of Ozempic travel and how it is changing the way we travel. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today we're starting a new, unique category - games where you control a vehicle but are not racing. To kick things off we have Twisted Metal Black, originally released in 2001 for the PlayStation 2. We have mentioned the Twisted Metal series a few times in our Bonus Level episodes and are excited to deep dive into what many consider the best game in the series.The brothers discuss their favorite and least favorite characters to play, as well as the stories that act as each character's motivation for entering the Twisted Metal contest. They also ponder whether a new entry in the series would be popular amongst modern gamers.Mid episode filler polls return! This time, the brothers ask if Twisted Metal Black had followed the scrapped "Roadtrip USA" theme, what location would you have liked to play in? Yellowstone National Park, Miami Beach, or Area 51.Follow us onX @BrosBossBattlesYouTube @BrosBossBattlesInstagram @BrosBossBattleshttps://brothersandbossbattles.com/

Diesmal melden wir uns direkt aus Miami Beach, wo Yannick sich auf den Ironman Cozumel vorbereitet. Sonne, Salzwasser und richtig viele Laufkilometer – genau sein Ding! Wir quatschen darüber, warum Yannick locker hohe Laufumfänge wegsteckt, was den Vibe beim Schwimmen in den USA so anders macht als in Europa, und warum Miami einfach der perfekte Ort fürs Training ist. #AlohaKalle #IronmanCozumel #MiamiBeachVibes #TriathlonLife #SwimBikeRun #Triathlete #TrainingCamp #EnduranceLife #TriathlonPodcast #AlohaSpirit #RunHappy #SwimTraining #USAtraining #IronmanPrep #FloridaFeels #TriLove #AthleteLife #HotWeatherTraining #KalleUndYannick #TriTalk **ALOHA KALLE Website Coaching** https://aloha-kalle.de **Steady:** http://steadyhq.com/aloha-kalle **ALOHA KALLE Strava-Club:** https://www.strava.com/clubs/aloha-kalle **ALOHA KALLE Instagram:** https://www.instagram.com/aloha_kalle/ **Marcus Herbst Instagram** https://www.instagram.com/marcus.herbst/

At the Crexendo UGM, Jeff Korn, CEO of Crexendo, spoke with Doug Green, Publisher of Technology Reseller News, about the company's record growth, customer-first philosophy, and expanding global capabilities. The conversation took place at the historic Fontainebleau Resort in Miami Beach — a fitting venue for a company celebrating both legacy and innovation. The event marked a major milestone as Crexendo approached (and soon after surpassed) seven million users, underscoring its status as one of the fastest-growing platform providers in the communications industry. “We're the fastest-growing platform provider in the country,” Korn said. “Our growth is driven by the best people, products, and service in the industry — bar none.” Korn attributes much of the company's success to its “sessions, not seats” pricing model, which allows partners to pay only for what is actually used — a flexibility especially valuable in large environments such as hospitality. “Our model provides real value,” he explained. “If your phones aren't in use, you're not paying for idle capacity. It's simple, fair, and efficient.” Beyond its pricing innovation, Crexendo continues to invest heavily in open APIs and its EVP program, a new company store where licensees and developers can access or offer third-party applications to customize and extend the NetSapiens platform. “We're giving our partners limitless possibilities to differentiate,” Korn said. “It's an ecosystem that keeps growing every year — just look at the number of vendors and integrations showcased here at the UGM.” Korn also highlighted the company's global expansion powered by its partnership with Oracle Cloud. “We can now turn up an instance in one or two days and meet data sovereignty requirements anywhere in the world,” he said. “That capability has already enabled us to serve customers in regions like Africa — and we're just getting started.” At the heart of Crexendo's success, Korn emphasized, is a commitment to service and community. “We are a company of service,” he said. “We listen, we act, and we care about every one of our licensees. Our success is built on their success.” To learn more about Crexendo's UCaaS and NetSapiens platform solutions, visit www.crexendo.com.

At the Crexendo UGM, Jon Brinton, Chief Revenue Officer at Crexendo, joined Doug Green, Publisher of Technology Reseller News, for an in-depth conversation about the company's expanding ecosystem, its partner-driven growth, and the innovations shaping the NetSapiens platform. The annual Crexendo User Group Meeting (UGM) has become one of the most anticipated gatherings in the communications industry — and this year set new records, with over 570 registered attendees and 66 sponsors. “It just keeps getting bigger and better,” said Brinton. “Our community is highly engaged and excited about what's next for the NetSapiens platform.” Held at the iconic Fontainebleau Resort in Miami Beach, the event combined historical elegance with a modern focus on AI, customer value, and partner profitability. Crexendo sessions featured topics such as business valuation, AI-driven applications, and building company equity, reflecting the company's commitment to providing immediate, actionable solutions rather than distant roadmaps. “We're focused on what partners can deploy now — within 30 days,” Brinton explained. “Our goal is to deliver AI applications and customer insights that add measurable value and drive higher average revenue per user. This isn't theoretical. It's about being market-ready today.” Brinton also highlighted Crexendo's evolving AI strategy, including integrations that leverage vCons to make conversational data actionable. “We're seeing AI as a force for customer value — not just for network management,” he said. “It's about helping service providers differentiate, add intelligence to their offers, and improve outcomes for their customers.” The UGM showcased a thriving partner ecosystem, where collaboration and community remain central. “Our success is tied to our partners' success,” Brinton noted. “They're growing at double the rate of the market. This event is about equipping them with the tools, partnerships, and insights to keep that momentum going.” To learn more about Crexendo and the NetSapiens platform, visit www.crexendo.com or www.netsapiens.com.

At the Crexendo UGM in Miami Beach, Marco Raimo, Regional Sales Manager, Americas at TelcoBridges, joined Doug Green, Publisher of Technology Reseller News, to discuss how TelcoBridges is empowering service providers to modernize, secure, and optimize their voice networks through advanced migration and monitoring solutions. “We're here to collaborate with our partners and help them migrate from TDM to IP while securing their voice traffic with our ProSBCs,” Raimo said. “Our goal is to make the transition seamless while also helping providers generate new revenue streams through optimized network management.” TelcoBridges used the Crexendo UGM as a platform to showcase its new Monitoring and Analytics System (MAS) — a proactive solution that enables service providers to monitor all voice traffic across SBCs and media gateways. “MAS helps our customers identify issues before they escalate, improving reliability and significantly cutting support costs,” Raimo explained. Raimo emphasized that efficiency, visibility, and insight are the new cornerstones of effective voice network operations. “We're focused on helping our partners enhance visibility into their networks and make smarter operational decisions,” he said. To learn more about TelcoBridges' voice solutions, visit www.telcobridges.com.

TOP STORIES - Hurricane Melissa devastates Jamaica an hits Cuba, plus a veteran Miami Beach motorcycle officer is killed in a tragic crash. A Florida man convicted of raping and killing his neighbor in 1998 is executed, and a barefoot bandit leaves a South Florida church puzzled after stealing an iPad and clogging a toilet. Also, Sarasota police say a woman threatened to “get guns” after the city refused to remove a basketball hoop at a park.See omnystudio.com/listener for privacy information.

TOP STORIES - Hurricane Melissa devastates Jamaica an hits Cuba, plus a veteran Miami Beach motorcycle officer is killed in a tragic crash. A Florida man convicted of raping and killing his neighbor in 1998 is executed, and a barefoot bandit leaves a South Florida church puzzled after stealing an iPad and clogging a toilet. Also, Sarasota police say a woman threatened to “get guns” after the city refused to remove a basketball hoop at a park.

Jaquira Díaz was raised between Humacao, Fajardo, Puerto Rico and Miami Beach. She is the author of Ordinary Girls: A Memoir, winner of a Whiting Award, a Florida Book Awards Gold Medal, a Lambda Literary Awards finalist, an American Booksellers Association Indies Introduce Selection, a Barnes & Noble Discover Great New Writers Selection, an Indie Next Pick, a Library Reads pick, and finalist for the B&N Discover Prize. Her stories, poems, and essays have been anthologized in The Best American Essays, The Breakbeat Poets Vol. 4: LatiNext, Best American Experimental Writing, and The Pushcart Prize anthology. Her debut novel, This Is the Only Kingdom, was longlisted for the Center for Fiction 2025 First Novel Prize. She lives in New York and teaches at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is Ian Schrager, the legendary hotelier, entrepreneur, and cultural pioneer who reshaped nightlife and hospitality as we know it.Ian first made his mark in the 1970s as the co-founder of Studio 54, the iconic New York nightclub that became a symbol of glamour, freedom, and cultural revolution. Alongside his partner Steve Rubell, Ian created an experience that transcended nightlife, merging design, celebrity, and theatricality into something entirely new.After Studio 54, Ian continued to reinvent hospitality. In the 1980s, he launched the Morgans Hotel Group, introducing the world's first “boutique hotel” : a concept that blended art, design, and service in a way that changed the industry forever. At a time when hotels were seen purely as places to sleep, Ian reimagined them as vibrant social hubs, activating lobbies, bars, and restaurants as dynamic public spaces that reflected and contributed to the cultural life of a city. With properties like Morgans, the Royalton, and the Delano, he transformed the hotel from a travel necessity into a cornerstone of the modern urban landscape: a place where design, community, and experience converged.In more recent years, Ian has continued to redefine hospitality with two visionary brands. EDITION Hotels, created in partnership with Marriott International, brings his boutique sensibility to a global stage. With around 22 properties worldwide, from New York and Miami Beach to London, Barcelona, Tokyo, and Dubai, each EDITION is designed as a one-of-a-kind reflection of its city, combining understated luxury, cutting-edge design, and activated social spaces that feel both intimate and electric.By contrast, PUBLIC represents Ian's evolution of the idea: “luxury for all.” Its flagship on New York's Lower East Side, designed by Herzog & de Meuron, reimagines the hotel experience through high style, technology, and inclusivity, featuring self check-in, vibrant communal areas, and nightlife-driven energy at a democratic price point. With plans to expand to West Hollywood and beyond, PUBLIC distills Schrager's decades of innovation into an accessible, modern model for the next generation of travelers.Across every chapter of his career, Ian Schrager has consistently challenged convention, blurring the lines between hospitality, art, and lifestyle, and influencing generations of hoteliers, designers, and creatives along the way.In this episode, Ian reflects on his incredible journey, from Studio 54 to the present, and shares the insights, risks, and instincts that have defined his enduring legacy.A heartfelt thank you to Peoplevine for sponsoring The Stanza podcast this year (and for supporting The Stanza since the beginning). If you run a members club or a hotel that needs a CRM for top performance, Peoplevine is trusted by the best brands in the members club business. Book a free demo to see why at ⁠peoplevine.com.⁠Interview Highlights:How Ian Schrager brought the lessons of Studio 54 into hospitalityTurning hotel lobbies into social and cultural spacesThe $60,000 deal that led to his first hotel, MorgansWhat “boutique hotel” really meant in its original formIan's perspective on copycatsHow creativity and independence can survive inside big hotel brandsRedefining luxury as an experience, not a price pointIan's advice for young hoteliersFollow Ian on⁠ Instagram⁠Follow Public Hotels and Edition HotelsFollow The Stanza on ⁠⁠Instagram⁠⁠

It was chaos at the Miami mayoral forum. Something that Billy Corben fully enjoyed. He describes a wild night for the candidates for mayor of Miami. Plus, Billy talks about the former mayor of the city of Miami Beach, Steven Meiner Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back to The Integrative Health Podcast! In this episode, Dr. Jen sits down with Dr. Ivan Rusilko — a DO, CSN, and PT who practices international concierge medicine in Miami Beach and serves as the co-founder and medical director of Club Asinia, a luxury medical retreat.Dr. Rusilko, a former Mr. USA turned physician, shares his incredible journey from bodybuilding to developing a revolutionary approach to Lifestyle Medicine. Together, they dive deep into the science of cellular health, hormone optimization, men's wellness, and why sleep may be the most powerful healing tool of all.You'll learn how addressing root causes—like toxins, pathogens, and mitochondrial dysfunction—can transform energy, focus, and sexual health, and why advanced therapies like HBOT and exosomes should only come after foundational optimization.Dr. Rusilko also breaks down his cutting-edge sleep protocol, blending peptide therapy, hormone modulation, and nightly habits to restore deep, restorative sleep.A must-listen for anyone interested in longevity, performance, and the new frontier of men's medicine.PODCAST: Thank you for listening please subscribe and share! Shop supplements: https://healthybydrjen.shop/CHECK OUT a list of my Favorite products here: https://www.healthybydrjen.com/drjenfavorites FOLLOW ME:Instagram :: https://www.instagram.com/integrativedrmom/Facebook :: https://www.facebook.com/integrativedrmomYouTube :: https://www.youtube.com/@integrativedrmom FTC: Some links included in this description might be affiliate links. If you purchase a product through one of them, I will receive a commission (at no additional cost to you). I truly appreciate your support of my channel. Thank you for watching! Video is not sponsored. DISCLAIMER: This podcast does not contain any medical or health related diagnosis or treatment advice. Content provided on this podcast is for informational purposes only. For any medical or health related advice, please consult with a physician or other healthcare professionals. Further, information about specific products or treatments within this podcast are not to diagnose, treat, cure or prevent disease.

Shaun Peterson's “Lover of Men: The Untold History of Abraham Lincoln” goes beyond investigating the love live of the 16th U.S. President to examine how the study of history evolves (interviewed by Brian DeShazor, part 2 of 2). Plus: The “Rainbow Rewind” crosses generations to find outspoken October-born advocates and digs down to the roots of National Coming Out Day. And in NewsWrap: the United States Supreme Court hears the case of a Christian licensed therapist who says Colorado's conversion therapy ban violates her free speech rights, a volleyball league in Colombia's Antioquia region must reverse its ban on transgender competitors by order of the Constitutional Court, Florida's war on rainbow crosswalks continues with the bulldozing of an iconic installation on Ocean Drive in Miami Beach, embattled U.S. Federal Bureau of Investigation Director Kash Patel fires a decorated FBI trainee is fired for displaying a rainbow flag on his desktop, Canadian Prime Minister Mark Carney bears Trump's anti-trans rant despite having a non-binary child, and more international LGBTQ+ news reported this week by Marcos Najera and Ret (produced by Brian DeShazor). All this on the October 13, 2025 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/

The free state of Florida has given land owned by Miami-Dade College to the President of the United States for free to build a presidential library...as well as a hotel and casino. Dr. Marvin Dunn joins Billy Corben to talk about how this shady deal should be opposed. Billy tells the story of Miami Beach commission candidate Monique Pardo-Pope and her father, corrupt cop and neo-nazi Manuel Pardo. And Deborah Acosta of the Wall Street Journal tells us the story of the migrant exodus of Doral. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Miami Beach Mayor Steven Meiner joins Gabe to talk about what it actually takes to keep a city safe and thriving. From ending chaotic spring breaks to enforcing time, place & manner rules that protect free speech and residents, Meiner lays out a practical playbook. They also hit on homelessness reductions, keeping the city clean, traffic relief (including a coming water taxi), and long-term resiliency.The conversation goes beyond City Hall: Meiner discusses leading openly as an Orthodox Jew, pushing back on rising antisemitism, and his new Israel food-security resiliency fund aimed at strengthening domestic production and independence. Plus: a message for New Yorkers eyeing Miami Beach and why his goal is simple—“the safest city in America.”

In this episode, we sat down with a couple of scotches and a legend of Miami Beach, Neisen Kasdin.Born and raised on the Beach, Neisen has witnessed its transformation firsthand. From his teenage years, he was drawn to politics with dreams of one day becoming president. That passion led him to Northwestern University, where he studied political science, and then back to Florida for a law degree at UF.Returning to South Beach, Neisen served as a Miami Beach commissioner and eventually as Mayor of Miami Beach. Today, he's one of the most sought-after land use attorneys in Miami, with a résumé that includes iconic projects like Brickell City Centre, the Miami Design District, and the Faena District.Neisen shares a sharp, candid perspective on where Greater Miami is headed and the big challenges we face: transportation, affordability, and education. It's a conversation that blends history, politics, real estate, and a few well-earned laughs over scotch.Connect with usWant to dive deeper into Miami's commercial real estate scene? It's our favorite topic and we're always up for a good conversation. Whether you're just exploring or already making big moves, feel free to reach out at info@builtworldadvisors.com or give us a call at 305.498.9410. Prefer to connect online? Find us on LinkedIn or Instagram - we're always open to expanding the conversation. Ben Hoffman: LinkedIn Felipe Azenha: LinkedIn We extend our sincere gratitude to Büro coworking space for generously granting us the opportunity to record all our podcasts at any of their 8 convenient locations across South Florida.

In this episode, we sit down with Dr. Ivan Rusilko, DO, CSN, PT, a medical doctor who's redefining personalized care. We dive into the power of precision diagnostics and the urgent need for customized health protocols to optimize cellular function. You'll get an inside look at the latest strategies transforming patient care in South Beach, where every intervention is about maximizing your body's potential from the inside out. Dr. Rusilko walks us through a test-and-not-guess approach to health, showing how comprehensive lab panels reveal what's really happening at a cellular level. From peptides and NAD protocols to immune support and lifestyle interventions, this episode is packed with actionable insights that show how the right combination of cutting-edge medicine and daily habits can dramatically improve energy, immunity, and overall wellbeing. Key Takeaways: Emphasis on cellular health is crucial for aging, healing, and performance, with a focus on mitochondrial function and ATP production. Diagnostic testing is non-negotiable; understanding comprehensive blood markers can guide personalized treatment plans. Lifestyle factors, including sleep, nutrition, and hydration, are foundational for health optimization, underscoring the need for patient responsibility. Peptides and supplements, such as NAD and BPC-157, show significant promise for mitochondrial health and immune support. Strategies like intermittent fasting need nuance and moderation; extreme fasting may pose health risks by stressing the body. More About Dr. Ivan Rusilko: Dr. Ivan Rusilko is a distinguished professional with a diverse background encompassing international fitness modeling, collegiate athletics, bodybuilding championships, and the prestigious title of two-time Mr. USA in both 2008 and 2010. Leveraging his extensive experience, Dr. Rusilko firmly believes in the integration of lifestyle and medicine as the key to achieving a prolonged and enhanced quality of life. Situated in the heart of Miami Beach, Dr. Rusilko's established practice warmly welcomes individuals committed to their personal evolution. Employing a patient-centric approach, he tailors treatments based on thorough diagnostics, addressing the physical, mental, and emotional dimensions unique to each individual. Dr. Rusilko goes beyond traditional medical interventions, collaborating with patients to strike a harmonious balance between health and reality. As the owner and founder of Lifestyle Medicine's Miami Beach, Dr. Rusilko focuses on holistic aspects of human well-being, including physicality, mentality, and emotionality, which he promotes in his personal life by leading by example. He currently hosts the Lifestyle Medicine podcast with Access Medical Labs. Dr. Ivan Rusilko's contributions to the field have gained recognition through appearances on various podcasts and features in esteemed publications including USA Today, Playboy, Men's Health, GQ, Muscle & Fitness, Forbes, Sports Illustrated, and the NY Post, to name a few. He is acknowledged for being the youngest physician to have revolutionized numerous treatment styles in the alternative medicine field, dating back to 2011 when he began his career at the Four Seasons Miami Institute. Instagram Website Connect with me! Website Instagram Facebook YouTube This episode is sponsored by Access Labs. Providers, streamline your diagnostics with fast, accurate results in just 24 hours. From routine labs to advanced hormones and weight management, Access Labs offers over 1,000 biomarkers plus flexible collection options for practices of any size. Get started at www.accesslabs.com/get-started and enjoy 10% off your first invoice.

Jimmy Villegas was born in Bogotá, Colombia and moved to South Florida at the age of 3. His father, Jaime, was an algaculture engineer who, after facing drought challenges, made the tough decision to move the family to the U.S. He later purchased a bread delivery route in Miami and Miami Beach, where Jimmy, alongside his siblings Alex and Ana, helped pack bread and make deliveries, as well as join their mother on newspaper routes at 1 a.m.

Charles sits down with a Dermatologist/Dr in Miami Beach discussing all thing related to staph, ringworm, cellulitis and other skin infections in sports like; MMA, Jiu Jitsu, Wrestling and Judo. Marcy has treated many UFC athletes in Florida and is an expert in the world of dermatology. TLDR: dont train with open wounds, if you get skin infections all the time go see a dermatologist and do bleach baths/nasal cleanse protocols. Products: https://www.clnwash.com/collections/shop-products - just need the ingredients - doesn't have to be expensive Bleach bath info to decolonize: https://www.childrensmn.org/educationmaterials/childrensmn/article/21792/mrsa-methicillin-resistant-staph-aureus-decolonization/ 00:00 - 06:37 - Introduction & understanding staph infection06:37 - 08:00 - You could have herpes 08:00 - 15:00 - Clean person or clear gym which is more important 15:00 - 28:00 - Bleach bath protocols & distinguishing skin viruses 28:00 - 32:45 - Products and creating more robust skin32:45 - 36:00 - Sunscreen 36:00 - 41:00 - Cauliflower ears 41:00 - 43:00 - Sun exposure 43:00 - 45:21 - Hygiene protocols and closing notes Sponsors:Progress: https://www.progressjj-europe.com Use code RUNESCAPE at checkout for discount on any productsLess Impressed More Involved: https://outlierdb.com/ - use code RUNESCAPE for 50% off your first monthCharles Strength Training Programs GET 7 DAY FREE MAT STRONG PROGRAM: https://mailchi.mp/charlesallanprice/mat-strong-landing-page Hosted on Acast. See acast.com/privacy for more information.

In part one of Red Eye Radio with Gary McNamara and Eric Harley, Marconi winning talk show host Dan Mandis fills in this week for Gary and Eric and begins by discussing the need for law and order in Chicago as the high crime rate is exacerbated with at least 54 people shot and seven fatalities over the Labor Day weekend alone and at a juncture when its mayor vowed to block President Trump's efforts to combat crime. Also Rosie O'Donnell apologizes after falsely claiming Minneapolis church shooter was Republican and MAGA supporter, RFK Jr. launches probe into what medications the Minneapolis shooter was on, companies like Playboy Publishing and In & Out Burger are moving their headquarters from California to Miami Beach and the ongoing effort to remove Gavin Newsom. Also rumors over the weekend from Democrats concerned about the whereabouts of President Trump, Jasmine Crockett's "street talk" and Hamas stealing humanitarian from Gaza aid and selling it on the black market. For more talk on the issues that matter to you, listen on radio stations across America Monday-Friday 12am-5am CT (1am-6am ET and 10pm-3am PT), download the RED EYE RADIO SHOW app, asking your smart speaker, or listening at RedEyeRadioShow.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

TOP STORIES - Florida carries out its record 11th execution this year for a triple murder, Attorney General James Uthmeier reveals the results of ‘Operation Summer Hurricane,' and Hulk Hogan's widow Sky Daily plans a malpractice lawsuit over his death. Also, Parkland parents react to the Minneapolis Catholic school shooting, Palm Beach County disputes DOGE waste claims, Governor DeSantis backs patriotic morning broadcasts, the ‘Alligator Alcatraz' detention center faces closure, Miami Beach leaders weigh rainbow crosswalk removal, and the Powerball jackpot climbs toward $1 billion.See omnystudio.com/listener for privacy information.

TOP STORIES - Florida carries out its record 11th execution this year for a triple murder, Attorney General James Uthmeier reveals the results of ‘Operation Summer Hurricane,' and Hulk Hogan's widow Sky Daily plans a malpractice lawsuit over his death. Also, Parkland parents react to the Minneapolis Catholic school shooting, Palm Beach County disputes DOGE waste claims, Governor DeSantis backs patriotic morning broadcasts, the ‘Alligator Alcatraz' detention center faces closure, Miami Beach leaders weigh rainbow crosswalk removal, and the Powerball jackpot climbs toward $1 billion.

Playboy Enterprises is making a bold move—exiting Los Angeles and relocating its global headquarters to Miami Beach.The new HQ will be based at The RIVANI on Lincoln Road, complete with a reimagined Playboy Club, restaurant, and exclusive members-only areas. CEO Ben Kohn calls California “anti-business” and praises Miami Beach as the perfect cultural and economic hub for Playboy's next chapter.

In this episode of The Crux True Survival Story Podcast, hosts Kaycee McIntosh and Julie Henningsen unravel the harrowing tale of 7-year-old Calena Areyan Gruber, who miraculously survived a catastrophic accident during sailing camp in Biscayne Bay, Miami. The story highlights the resilience and incredible survival instincts of a child caught in an underwater disaster caused by a massive commercial barge. The episode also delves into the tragic loss of three other young sailors, the regulatory failures in maritime safety, and the urgent need for reform to prevent similar tragedies. The podcast underscores the unpredictable nature of life and the extraordinary capabilities of human survival, particularly in children. 00:00 Introduction to the Crux True Survival Story Podcast 00:31 Setting the Scene: A Tragic Day in Miami Bay 09:53 The Collision: A Catastrophic Event 12:34 Kalina's Extraordinary Survival 16:18 The Aftermath: Rescue and Recovery 24:23 Calls for Maritime Safety Reforms 28:46 Reflections on Youth Sailing Safety 31:23 Conclusion and Listener Engagement who miraculously survived a catastrophic accident during sailing camp in Biscayne Bay, Miami. The story highlights the resilience and incredible survival instincts of a child caught in an underwater disaster caused by a massive commercial barge. The episode also delves into the tragic loss of three other young sailors, the regulatory failures in maritime safety, and the urgent need for reform to prevent similar tragedies. The podcast underscores the unpredictable nature of life and the extraordinary capabilities of human survival, particularly in children. 00:00 Introduction to the Crux True Survival Story Podcast 00:31 Setting the Scene: A Tragic Day in Miami Bay 09:53 The Collision: A Catastrophic Event 12:34 Calena's Extraordinary Survival 16:18 The Aftermath: Rescue and Recovery 24:23 Calls for Maritime Safety Reforms 28:46 Reflections on Youth Sailing Safety 31:23 Conclusion and Listener Engagement Miami Bay Miracle Podcast - References and Sources Primary Incident Sources ABC News "2 children dead after barge strikes sailboat from youth sailing program: Officials" July 29, 2025 https://abcnews.go.com/US/miami-beach-sailboat-capsized-youth-sailing-program/story?id=124149834 CBS Miami "Two children dead after sailboat and barge collision off Miami Beach, officials say" August 5, 2025 https://www.cbsnews.com/miami/news/two-children-killed-sailboat-barge-collision-off-miami-beach/ CNN "Third girl dies after sailboat and barge collision in Miami" August 3, 2025 https://www.cnn.com/2025/08/03/us/miami-boat-accident-crash-death CBS Miami "Third girl dies after sailboat crash with barge near Miami Beach, family and officials confirm" August 4, 2025 https://www.cbsnews.com/miami/news/10-year-old-miami-beach-boat-crash-victim-ari-buchman-died/ Survivor and Family Information Fox Business "Miami sailboat crash survivor's family issues statement after deadly incident" August 2025 https://www.foxbusiness.com/lifestyle/miami-sailboat-crash-survivor-stared-death-face-lawyer-says NBC 6 South Florida "Parents of Calena Gruber, Miami sailing camp tragedy survivor, speak" August 2025 https://www.nbcmiami.com/news/local/family-of-7-year-old-miami-sailing-camp-tragedy-survivor-speaks/3672444/ PEOPLE Magazine "Family of 7-Year-Old Girl Who Survived Miami Boat Crash That Killed 3 Say It's a 'Miracle She's Alive'" August 2025 https://www.yahoo.com/news/articles/family-7-old-girl-survived-100808752.html Miami Herald via Sun Sentinel "'It's a miracle she's alive.' Girl injured in boat crash was trapped under barge" August 4, 2025 https://www.sun-sentinel.com/2025/08/04/girl-seriously-injured-after-biscayne-bay-barge-sailboat-crash-recovering-family-says/ Legal and Investigation Coverage WLRN "Attorney for survivor of deadly sailboat crash calls tragedy 'preventable'" August 5, 2025 https://www.wlrn.org/law-justice/2025-08-04/attorney-for-survivor-of-deadly-sailboat-crash-calls-tragedy-preventable Local 10 WPLG "Lawsuit IDs owner of barge in deadly Biscayne Bay crash with youth sailing camp boat" August 8, 2025 https://www.local10.com/news/local/2025/08/08/lawsuit-ids-owner-of-barge-in-deadly-biscayne-bay-crash-with-youth-sailing-camp-boat/ Leesfield & Partners "Leesfield & Partners Representing Family of Girl, 7, Injured in Miami Beach Deadly Sailboat Crash" August 5, 2025 https://www.floridainjurylawyer-blawg.com/leesfield-partners-representing-family-of-girl-7-injured-in-miami-beach-deadly-sailboat-crash/ Boating Safety Statistics U.S. Coast Guard Boating Safety "2023 Recreational Boating Statistics" 2024 https://www.uscgboating.org/library/accident-statistics/Recreational-Boating-Statistics-2023-Ch2.pdf American Boating Association "Boating Fatality Facts" May 30, 2025 https://americanboating.org/boating_fatality.asp Children's Safety Network "Boating Safety" https://www.childrenssafetynetwork.org/infographics/boating-safety Child Drowning and Near-Drowning Research Children's Safety Network "The Facts On Childhood Drowning" https://www.childrenssafetynetwork.org/infographics/facts-childhood-drowning American Red Cross "Drowning Prevention & Facts" https://www.redcross.org/get-help/how-to-prepare-for-emergencies/types-of-emergencies/water-safety/drowning-prevention-and-facts.html Scandinavian Journal of Trauma, Resuscitation and Emergency Medicine "Neurologic long term outcome after drowning in children" August 15, 2012 https://sjtrem.biomedcentral.com/articles/10.1186/1757-7241-20-55 NeuroLaunch "Near-Drowning's Psychological Impact: Long-Term Effects and Recovery" September 15, 2024 https://neurolaunch.com/psychological-effects-of-near-drowning/ Maritime Safety and Regulation Information NOAA Fisheries "Understanding Vessel Strikes" https://www.fisheries.noaa.gov/insight/understanding-vessel-strikes Frontiers in Marine Science "A Global Review of Vessel Collisions With Marine Animals" April 14, 2020 https://www.frontiersin.org/journals/marine-science/articles/10.3389/fmars.2020.00292/full Witness Accounts and Community Response Sailing Anarchy Forums "Two children dead after barge hits sailboat in Biscayne Bay" July 28, 2025 https://forums.sailinganarchy.com/threads/two-children-dead-after-barge-hits-sailboat-in-biscayne-bay.252661/ WLRN "Sailboat crash victims ages 7 and 13, says Coast Guard. Two other kids in critical condition" July 29, 2025 https://www.wlrn.org/south-florida/2025-07-29/biscayne-bay-sailboat-crash-victims-ages-7-and-13-two-other-kids-hospitalized-in-critical-condition Key Facts Confirmed by Multiple Sources: Incident Details: Date: July 28, 2025 Time: Approximately 11:15 AM Location: Between Hibiscus Island and Monument Island, Biscayne Bay, Miami Beach Victims: 6 total (5 children ages 7-13, 1 adult counselor age 19) Casualties: Deceased: Mila Yankelevich (7), Erin Ko Han (13), Arielle Buchman (10 - died August 4) Survivors: Calena Areyan Gruber (7), one unnamed child, adult counselor (19) Survivor Information: Calena Areyan Gruber from Seattle Parents: Karina Gruber Moreno and Enrique Areyan Viqueira Attorney: Justin B. Shapiro, Leesfield & Partners Released from Jackson Memorial Hospital: August 1, 2025 Injuries: Lacerations and contusions throughout body Trapped under 60-foot barge before swimming to safety Legal/Investigation: Coast Guard and Florida Fish and Wildlife Commission investigating Barge owned by Waterfront Construction (Jorge Rivas) Tugboat under 26 feet (no licensed captain required) Multiple lawsuits filed alleging negligence

What does it take to start over in a new place? The Stern siblings—Yakov (10), Rina (8), and Toby (5)—know firsthand, having just moved from Miami Beach, Florida to Manchester, New Jersey less than a week before our conversation. Their honest reflections reveal the complex emotions of leaving behind everything familiar: excitement about living closer to extended family, sadness about missing friends, and nervousness about fitting in at a new school.Each child approaches this transition differently. Yakov proactively seeks out future classmates, gathering intelligence about his new school. Rina worries about being included in games and conversations. Toby packed a framed photo of her and her friend to keep memories close. Their differing approaches remind us that personality, age, and individual resilience all shape how children navigate life changes.Social worker Avi Kohn, LMSW offers transformative wisdom about transitions, introducing the crucial distinction between confidence and courage. "Confidence comes from experience," he explains, "but courage is what we call upon when we have no confidence yet." This powerful framework helps children understand that feeling uncertain doesn't mean they're doing something wrong—it means they're facing a situation that requires bravery rather than prior experience.Rabbi Kohn shares practical strategies for both newcomers and those welcoming them. For new children: take initiative rather than waiting for others, be prepared for adjustment to take months rather than days, and respond to potential unkindness with kindness. For welcoming students: remember the mitzvah of being kind to newcomers, recognize that small acts of inclusion can have lasting impacts, and understand that differences may initially feel scary but offer opportunities for growth.Whether your child is starting kindergarten, moving to a new community, or joining a new activity, this episode provides the emotional vocabulary and practical tools to transform challenging transitions into opportunities for developing resilience. How might calling upon courage today build confidence for tomorrow?.........................................................................Join the Summer Health Challenge at nefeshinspired.com and print your charts to build healthy habits, earn points, and win prizes!.........................................................................ALL IK MERCH is now 25% off including the new LIMITED EDITON zip up hoodies!!  InKredibleKids.org. Use promo code LASTLICKS at checkout through August 29, 2025..........................................................................

Special guest David Audrain, CEO of Exposition Development Company, joins the Suite Spot to discuss the upcoming 2025 Independent Hotel Show Miami and how Expo DevCo develops, facilitates, and hosts the convention. Attendees will also learn what they can look forward to from this year's event and much more in the episode. Ryan Embree: Welcome to Suite Spot, where hoteliers check in, and we check out what's trending in hotel marketing. I'm your host, Ryan Embree. Hello everyone, and welcome to another episode of The Suite Spot. We have reached the crescendo of our Independent Hotel Show series. It is fast approaching here and with me to preview the Independent Hotel show. Miami got a very special guest, David Arin, CEO, and partner of Expo Devco, which owns and produces the Independent Hotel Show Miami. David, thank you so much for joining me. I'm excited to talk about this event that is just around the corner here. David Audrain: Thank you, Ryan. I'm very happy to be here with you and always happy to talk about our show. Ryan Embree: Yes, it's an incredible show. We're gonna talk about the history, but before we get into talking about the show, what you have geared up for Miami Beach in September. I wanna first talk about maybe your career journey and what led you to Expo Devco and your involvement with the Independent Hotel show, Miami. David Audrain: Well, I'll, I'll try not to bore everybody with too much detail, but, I grew up in Europe, to a English Father, American mother, born in the us, grew up in Europe, little island of Jersey, the original one, not the new one. Right off the French Coast. Actually, my father and his father's business before was a Green Grocers, wholesale and retail green grocery business. So, I actually was walking in the back doors of kitchens of independent hotels from a very early age and always had some good contacts and good friends in the hotel business growing up and going forward. Ended up leaving Europe and moving to the US Back in 1989, I'd sold a technology business and moved to the US and ended up working for an association, happened to be the Texas Restaurant Association. And my very first trade show was a substantial show in Texas for the restaurant and hospitality industry. And that's what got me hooked on the trade show business. So I've now been in the trade show business for 33 years, and worked for several major, some of the largest trade show organizers in the world. I've produced some of the largest trade shows in the world, everything from the largest automotive aftermarket show to the largest floor covering show to the largest apparel fashion, manufacturing industry shows. And ended up running the North American business for a major European company called Messer Frankfurt. Ran that for seven odd years. And then in January of 2012, my partner, who happens to also be my wife, Stephanie Everett and I left that business and started Exposition Development company, Expo Devco. We've partnered over the years with several companies out of Europe and produce different shows. And the one that's obviously relevant to here is the independent hotel show. The company that originally launched the Independent Hotel show in London is a company called Montgomery Group. They're a 130 year old family exhibition business. And they had started the Independent Hotel show in London, more than a dozen years ago. And I happened to visit it and talk with my friends that owned the Montgomery and really liked what they were doing with it, the specific niche for independent hotel, independent luxury boutique hotel operators. And that's how, that's how we, we first got started. Ryan Embree: It's an incredible story. You've seen it all, but hospitality being the one that brought you into, being your first show, I think is super special to hear. And that's, I think the beauty of hospitality, David, is that, you know, we all get to experience it. Maybe some of those other,

Gavin Newsom asks state lawmakers to dismantle the California constitution. Assemblyman Carl DeMaio has a plan to kill redistricting. Playboy quits California for a new home in Miami. Los Angeles can't balance its budget but it's determined to pay the legal bills of people who came here illegally. Bonus! Marc Joffe on the failure of public transit in California -- and the near-term possibility of flying cars by 2028. Music by Metalachi.Email Us:dbahnsen@thebahnsengroup.comwill@calpolicycenter.orgFollow Us:@DavidBahnsen@WillSwaim@TheRadioFreeCAShow NotesWiener blasts ‘Trump's masked thugs”Gavin Newsom Rolls the DiceDeMaio Files Redistricting “Poison Pill” Initiative to Ban State Legislators Who Vote to Change District Maps from Seeking Office for 10 YearsLA City Council OKs resolution declaring fiscal emergency amid $1B deficitLA city officials want to fund immigration defense. The budget crisis makes it hard"Oakland Mayor Barbara Lee - Please Call Your Office"Playboy leaves Los Angeles for Miami Beach; CEO calls California ‘anti-business'The Most-Regulated State In The UnionThe next generation of Trump-inspired showmen are in Riverside County, CaliforniaThe U.S. Marches Toward State Capitalism With American CharacteristicsLos Angeles, Long Beach Ports Set Imports RecordCould this CA bill make self-checkout faster?Marc Joffe on the problems of public transitThe cost of transit in CaliforniaMarc Joffe bio

Picture this: a candlelit living room in New York, a guest list cast like a film, and a host who knows exactly who should meet whom—and why. That's Erin Hosler. Before she checks a rate code or a P&L, she curates people. She trained at The Ritz-Carlton before the Marriott acquisition. Learned stagecraft under Ian Schrager. Honed the five-senses playbook with Andre Balazs. Sharpened her eye alongside Philippe Starck. Then led chapters at The Standard Spa, Miami Beach; THE WELL in New York; Eaton DC; and Soho House Austin. Her take is simple: the last real moat isn't marble or mixology. It's training.   Why this matters for independents: Turn choreography into rituals your team can actually repeat. Make being known beat being “bonvoyed.” Design around human behavior, not developer spreadsheets. Let tech automate the admin—never the moment. We'll talk membership energy and that feeling of “home on demand,” then get painfully practical—guest history, uniforms that fit, and managers who coach. If you've ever wondered how a latte placed at the right table, at the right time, by the right person can outperform any brand campaign—this one's for you. Alright friends, without further ado, get ready to meet Erin.   Connect with Erin on LinkedIn: https://www.linkedin.com/in/erinhosler/   Behind the Stays is brought to you by Journey — a first-of-its-kind loyalty program that brings together an alliance of the world's top independently owned and operated stays and allows travelers to earn points and perks on boutique hotels, vacation rentals, treehouses, ski chalets, glamping experiences and so much more. Your host is Zach Busekrus, Head of the Journey Alliance. If you are a hospitality entrepreneur who has a stay, or a collection of stays with soul, we'd love for you to apply to join our Alliance at journey.com/alliance.

Send us a textIn this week's episode of Thrive Solo, my guest is Camille Natalie, a content creator and social media strategist who empowers women over 40 to celebrate the single life rather than simply tolerate it. At 44 and thriving solo in Miami Beach, she has built her brand, Camille Natalie, around the mission of showing women that being single isn't a consolation prize—it's a powerful choice. Through her authentic content and strategic social media approach, Camille helps women reframe their relationship with singlehood and discover the joy, freedom, and fulfillment that comes with designing life on their own terms.During our conversation, Camille shares her journey of embracing singlehood, cultivating self-love, and navigating adult friendships. We also discuss topics such as the societal pressures of marriage and children, the nuances of living a child-free life, solo dating, and finding joy in everyday moments. Camille also highlights the importance of self-validation and the freedom that comes with living on one's own terms.02:14 Guest Introduction: Meet Camille Natalie03:26 Camille's Background and Life in Miami07:55 Journey of Being Single11:57 Self-Validation and Personal Growth18:57 Friendship Challenges for Single Women25:56 Effort in Building Connections27:27 Connecting with Single Moms27:46 Expectations of Motherhood28:48 Marriage and Societal Pressure29:59 Embracing Child-Free Life33:57 Choosing Happiness and Joy43:55 Solo Dates and Self-Empowerment49:40 Final Thoughts and FarewellFollow Camille on Instagram: https://www.instagram.com/camillexnatalie/Follow Camille on YouTube: https://www.youtube.com/@camillexnatalieYouTube: https://www.youtube.com/@camillexnatalie Instagram: https://www.instagram.com/camillexnatalie/ Instagram 1-on-1 Coaching Call: https://shop.beacons.ai/miamidatenite/iggrowthcall Support the showPre-Order my book, SHINY HAPPY SINGLES (UK) / THRIVE SOLO (US & Canada) at: https://www.lucymeggeson.com/book Download my FREE PDF 'The Top 10 Answers To The Most Irritating Questions That Single People Get Asked On The Regular...& How To (Devilishly) Respond'? Go to: https://www.lucymeggeson.com/questions Join the waitlist for my membership, Thrive Solo: https://www.lucymeggeson.com/thrivesolo Check out my YouTube Channel: https://www.youtube.com/@thrivesolowithlucymeggeson Interested in my 1-1 Coaching? Work with me HERE: https://www.lucymeggeson.com/workwithme Join my private Facebook Group: https://www.facebook.com/groups/1870817913309222/?ref=share Follow me on Instagram: https://www.instagram.com/thrivesolowithlucymeggeson/ Email me: lucy@lucymeggeson.com And thank you so much for listening!

Welcome to Unpacked, America 250, a mini series celebrating the music, art, food, and more that makes America, America—in honor of our nation's upcoming 250th anniversary. The mini series is part of Afar's "52 Places to Travel in the U.S. This Year" package, and in this third episode, host Aislyn Greene takes us to Florida to explore the architectural fantasy that transformed swampland into America's playground. From Henry Flagler's gilded age railroad hotels to Carl Fisher's dredged Miami Beach paradise, this episode reveals how visionary tycoons and bold architects created the Florida Dream—one stunning hotel at a time. On this episode you'll learn How Henry Flagler, Standard Oil vice president, sparked Florida's transformation with luxury hotels along his railroad route from St. Augustine to Key West Why the 1893 Chicago World's Fair and 1914 San Diego World's Fair launched America's obsession with Mediterranean Revival architecture The story behind Carl Fisher's audacious creation of Miami Beach through dredging Biscayne Bay and building Art Deco masterpieces How the 1926 Florida land boom crashed spectacularly due to railroad overload and a devastating hurricane What Streamlined Modern and Googie architecture reveal about America's post-war optimism and space age dreams Why Florida's architectural preservation depends on tourism dollars and high-end development Featured Expert: Jonathan Lammers, an architectural historian based in Tallahassee Learn more about your ad choices. Visit megaphone.fm/adchoices

Playboy CEO calls California 'anti-business' as company flees to Miami Beach for new headquarters. Guest: James Reddick, mortgage consultant joins to talk rates. Talk Backs: Do you say Cali, or California? The Foosh update and Andy's aunt joins to discuss Andy's passion for radio.

When difficult or painful emotions feel like they're swirling all around you, it can be challenging to find a steady place to catch your breath. In this guided meditation, mindfulness teacher Scott Rogers uses the metaphor of a hurricane to help us recognize the qualities and the impermanence of even our stormiest emotions. Scott Rogers is founder and director of the University of Miami School of Law's Mindfulness in Law Program where he integrates mindfulness into the law school curriculum, and he is co-founder of the UMindfulness, the University's Mindfulness Research and Practice Initiative. Scott collaborates on neuroscience research into the efficacy of mindfulness training programs in high stress professions and has written numerous articles and authored five books on mindfulness, including The Elements of Mindfulness. He has appeared on television and radio and been interviewed in newspapers and magazines across the world for his creative and accessible methods of sharing mindfulness with people of all ages and walks of life. Scott is principal advisor to Innergy Meditation in Miami, and lives with his family in Miami Beach, Florida. The transcription of this guided meditation will be online at Mindful.org next week.  Stay curious, stay inspired. Join our community by signing up for our free newsletter:  mindful.org/signup About Our Contributor Find more from Scott Rogers here. Go Deeper If you want to learn about how mindfulness can help you make room for and move through all kinds of challenging emotions, check out these articles:    A Mindful Guide to Navigating Difficult Emotions The Upside of Sadness  Making Friends with Difficult Emotions For more practice, here's another meditation to try: A Guided Meditation for Navigating Difficult Emotions. And more from Mindful here: More episodes of 12 Minute Meditation Let us know what you thought of this episode of 12 Minute Meditation by leaving a review or by emailing yourwords@mindful.org.

In this episode, I share the unexpectedly awesome journey of discovering one of my favorite artists—Ziggy Alberts. From a surprise concert in NYC to a solo cabana in Miami Beach, I recount the shows, the memories, and how this Aussie busker became the Noah Kahan of my playlist. Plus, stories from the Sea.Hear.Now Festival, venue mix-ups, and why I might just follow Ziggy to Madrid.If you've ever loved a musician no one else seems to know, this one's for you.More information and tickets at:  www.BocaRatonWrestling.comBoca Raton Championship Wrestling, because we are better than you, and you know it!!!!Matthew Mania is running wild at: www.MatthewMania.comCheck out our other Podcasts: www.MatthewMania.com/PodcastsShop Matthew Mania:   www.ProWrestlingTees.com/matthewmaniaBrought to you by:Matthew H. Maschler, Esq.Real Estate BrokerSignature Real Estate Finder, LLCwww.RealEstateFinder.comAsk about joining the Signature team! Learn more about the Signature Real Estate Companies and why you should join South Florida's real estate industry leaders, Ranked #1 in Boca Raton, #25 in Florida and #336 in the Nation.www.SignatureRecruiter.comOffices in Boca Raton, Delray Beach, Coral Springs / Parkland, Ft Lauderdale, Miami, Naples, Palm Beach, Orlando and throughout Florida.Help Israel Now! All support goes Straight to Israel's Soldierswww.yasharlachayal.orgLearn how to support our efforts to provide housing in Haitihttp://www.frank-mckinney.com/caring-house-project

Tune in to the next episode of the Suite Spot: Independent Hotel Show series to catch special guest Nicholas Gold, who takes center stage on the podcast! As Managing Director of Black Desert Resort, Nicholas shares the early beginnings of his hospitality journey, the one-of-a-kind appeal of independent hotels, and how the newly opened Black Desert Resort is accentuating the guest experience in hospitality. Ryan Embree: Welcome to Suite Spot, where hoteliers check in, and we check out what's trending in hotel marketing. I'm your host, Ryan Embree. Hello everyone. Welcome to another episode of The Suite Spot. This is your host, or Ryan Embree here for another edition of our Independent Hotel Show series, episode #3, and we are getting closer and closer to September down where we are gonna have the largest collection of independent hoteliers and network. We are so excited to hopefully see you down in Miami Beach, September 17th and 18th. We're gonna talk about that a little bit more, but I'm gonna bring in my guest right now, managing director Black Desert Resort and Red Mountain Resort, Nicholas Gold. Nicholas, thank you so much for being on the Suite Spot. Nicholas Gold: Ryan. My absolute pleasure. Cheers. Ryan Embree: Well, we're gonna have a fun time on this episode talking about your beautiful resort in Utah. I'm so excited. But before we get into that, before we start talking about the Independent Hotel show, which we're both here for, let's talk about your hospitality journey and the story that led you to a Black Desert Resort. Nicholas Gold: Yeah, sure. You know, it's, I started when I was too young to know any better in the hospitality business. I at a fairly young age, I was working in a restaurant in London. I was the guy, you know, I'm relatively old, so we did a lot of tableside cooking back then, and I was the gang who worked the Gary Don, and that really spoke to me because it led me to, it fed my love of storytelling, which I've just been able to expand upon as I've grown in the industry, and that that juxtaposition between service and storytelling really is what the Independent Luxury Hotel is all about. Ryan Embree: Yeah, it absolutely is. Nicholas completely agree with you. Every amazing independent hotel has a story. You know, sometimes, sometimes it's challenging in the, in independent hotel space. Give our listeners a little bit, you, you say you love storytelling. Give our, our listeners a little bit of story about the property that you have the privilege of, of managing over there at the massive Black Desert Resort. Nicholas Gold: Yeah. So we are in about 600 acres just by snow Canyon State Park, and we do a really good job of blending luxury hospitality with golf, wellness, dining, a huge residential living component. We're building right now, we're about to break ground on a 24-court world championship pickleball complex, which is certainly the wave of the future. And we just finished working on the designs for a four and a half acre waterpark, which is not gonna be open to the public, only open to our members and hotel guests. Ryan Embree: Absolutely incredible. And I think, it's funny, we're talking about storytelling here in, in independent hotels because you, you're able to write your own story sometimes and be able to adjust and adapt to trends that you see out there. I see you mentioned wellness, a huge trend in hospitality right now, being able to do some unique things in that space. Pickleball, even on the amenity side, being able to do that and who doesn't love, I've got a couple young ones, who doesn't love a nice little waterpark to relax at as well. Nicholas Gold: I would also be remiss in missing the fact that I think we're one of the only courses in the country to host both an LPGA tour and a PGA tour. Ryan Embree: Incredible. Nicholas Gold: It is pretty good. Ryan Embree: Yeah. Listen, when those young ones are at the waterpark,

Looking back, my life used to feel like a constant uphill battle—dealing with ADHD, relying on heavy meds just to function, and barely scraping by in school. I was skinny, anxious, disconnected from who I really was. But everything changed the summer I stumbled into a neuroscience program at the University of Miami. Learning about neuroplasticity and realizing I could literally rewire my brain was a turning point. That summer, I quit Adderall cold turkey, hit the gym for the first time, and started building real momentum through lifestyle change. It was raw, it was hard—but it was mine.Fast forward, and that same spark led me to discover a passion for physiology, nutrition, and performance that has shaped everything since. I found mentors, built companies, coached high performers, and leaned into my purpose of helping others optimize their lives from the inside out. I started my podcast, not just to teach, but to learn—and to face one of my biggest fears: public speaking. And man, the growth that came from that? It's been life-changing. I built my life around my values—freedom, authenticity, service—and I've helped hundreds of others do the same.Now, sitting here in my dream home in Miami Beach, I can honestly say: I made it. And I say that with deep gratitude, not arrogance. Not because I have it all figured out, but because I stayed true—said no when I needed to, worked my ass off, and built a life around what really matters. I want this episode to be proof that with discipline, faith, and alignment, it's possible to rewrite your story. And if I can inspire even one person to believe in their own transformation, then this whole journey has been worth it.

Are you prepared to protect your wealth from unexpected lawsuits?   In this episode of Sharkpreneur, Seth Greene speaks with Blake Harris, Founding Principal at Blake Harris Law and an expert in offshore asset protection. He shares essential insights into protecting your wealth through strategic planning. With ten years of experience and a proven track record of establishing thousands of offshore trusts, Blake offers practical advice to business owners, entrepreneurs, and high-net-worth individuals seeking to safeguard their assets. He explains why an offshore asset protection trust isn't just for the super-rich and how even those with $1 million in assets can benefit from this approach.   Key Takeaways: → The importance of setting up an offshore asset protection plan. → Clarifying the misconception that asset protection is only for the ultra-wealthy. → Why taxes remain unaffected by offshore trusts, and how to stay compliant with the IRS. → How to create the proper legal foundation for a successful offshore trust. → The future of asset protection in a changing legal and financial landscape.   Blake Harris is the founding principal at Blake Harris Law, specializing in offshore asset protection for clients worldwide. With a global network cultivated through travel to over 40 countries, Blake collaborates with trust companies, protectors, and bankers to provide tailored solutions for safeguarding wealth. An accomplished author and international speaker, he regularly educates professionals through legal education lectures on asset protection and offshore planning. Blake has appeared in major national publications, including Forbes, ABC, NBC, CBS, Fox News, and MarketWatch. He has built a significant social media following, with hundreds of thousands of followers. Before founding his law firm, Blake worked with one of America's top wealth management firms, advising high-net-worth clients on asset protection strategies. Recognized as a “Rising Star” by Super Lawyers Magazine for five straight years, Blake is an AV®️ Preeminent™️ Attorney and actively participates in the American Bar Association and the Bars of Florida and Colorado. He lives in Miami Beach. Connect With Blake: Website X Facebook LinkedIn   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, hosts David Millili and Steve Carran sit down with Dean Stambules, Chief Investment Officer at Sage Hospitality Group, live from the ILC CONfab in Chicago.Dean shares his unique path into the hospitality world—from his family's deep roots in the industry to his early career in appraisal work that led to a passion for hotel investment. He offers a behind-the-scenes look at Sage Hospitality's growing independent hotel platform, including exciting properties like the Stanley Hotel in Estes Park and Circa 39 in Miami Beach.You'll also get an insider's preview of Dean's recent talk on deal-making, where he breaks down the complexities of hotel acquisitions, partnerships, and value creation—highlighting the transformative renovation of One Ocean Resort in Florida.If you're passionate about hospitality development, deal strategy, or just love hearing about iconic properties, this one's for you.Tune in now to hear:How Dean found his calling in hospitalityWhat's new with Sage and their growing portfolioA real-world case study of turning potential into profitThe value of independent hotel experiencesHow Sage marries design, operations, and investment to drive resultsWatch the FULL EPISODE on YouTube: https://youtu.be/60QBnHZtMtYJoin the conversation on today's episode on The Modern Hotelier LinkedIn pageThe Modern Hotelier is produced, edited, and published by Make More MediaLinks:Dean on LinkedIn: https://www.linkedin.com/in/dean-stambules-30a11046/Sage Hospitality Group: https://sagehospitalitygroup.com/For full show notes head to: https://themodernhotelier.com/episode/190Follow on LinkedIn: https://www.linkedin.com/company/the-...Connect with Steve and David:Steve: https://www.linkedin.com/in/%F0%9F%8E...David: https://www.linkedin.com/in/david-mil.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with Zeina Barakeh, an animation artist from Beirut now residing in Alameda, California. Zeina discusses her journey from studying interior design in Beirut to obtaining an MFA from the San Francisco Institute of Art and her current PhD in philosophy focused on global security. Her work often reflects her experiences with war, exemplified by her projects like 'CYBOTAGE,' which explores the neuro enhancement of soldiers using art. Zeina's art and educational journey highlight the intersection of creativity with themes of war, resistance, and personal experience. She emphasizes the importance of involving diverse voices in ethical discussions around technological advancements in warfare. About Artist Zeina Barakeh:Zeina Barakeh is a Palestinian-Lebanese artist based in the San Francisco Bay Area. Exhibitions and film festivals include: Poetry is Not a Luxury, The Center for Book Arts, New York City; Silent Narratives, Yinchuan MOCA, Yinchuan, China; Preoccupations: Palestinian Landscapes, Minnesota Street Project, San Francisco; Another Hole in the Head (15th), New People Cinema, San Francisco; The Shape of Birds: Contemporary Art of the Middle East and North Africa, Newport Art Museum, Rhode Island; Kerry Film Festival (19th), Killarney Co. Kerry, Ireland; Altered, Gallery106, Minnesota Street Project, San Francisco; PHOTOFAIRS SF, Connected: The Channel of Democracy: Womanhood, Power & Freedom in Video Art, Fort Mason Center for Arts & Culture, San Francisco; Blue Plum Animation Festival (13th), Johnson City, Tennessee; Detritus, San Jose Institute of Contemporary Art, San Jose; What Makes Us?, Focus Gallery, Zimmerli Art Museum, New Jersey; Harlem International Film Festival (11th), MIST Harlem, New York City; Creation Stories, Johnson & Johnson World Headquarters Gallery, New Jersey; Bring It Home: (Re)Locating Cultural Legacy Through the Body, San Francisco Arts Commission Galleries, San Francisco; PULSE New York, Art Fair, New York City; UNTITITLED, Art Fair, Miami Beach, Florida; Editions/Artists' Book Fair, New York City; International Film Awards Berlin, KINO im Kulturhaus Spandau, Berlin; The Chasm Arena, Yerba Buena Center for the Arts, San Francisco; Women Redrawing the World Stage, SOHO20 Chelsea Gallery, New York City; The Fertile Crescent: Gender, Art, and Society, Bernstein Gallery, Princeton University, New Jersey; The Third Half, The Public Theater, New York City; Facettes, Espace SD, Beirut. Residency awards include: Perspectives: Here and There, Brodsky Center for Innovative Editions, Rutgers University, New Jersey; and Vermont Studio Center.Zeina worked for numerous years at the San Francisco Art Institute, with her last position being Assistant Dean of Academic Affairs. She currently teaches art at Cal State East Bay university as a lecturer.Visit Zeina's Website: ZeinaBarakeh.comFollow Zeina on Instagram: @Zeina.BarakehFor more on Zeina's exhibit "CYBOTAGE" at the Catharine Clark Gallery, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

A man in Miami Beach is charged with murdering his mother who flew to Florida to find him. A federal appeals court rules that Pedro Hernandez must be released or retried for the 1979 murder of 6-year-old Etan Patz, overturning the conviction that seemed to close the book one of America’s most haunting missing child cases. Drew Nelson reports.See omnystudio.com/listener for privacy information.

 Holy hell…this week we're nominating the Creepiest Priest to ever don the collar. Vinnie and Karl dig into some of the darkest, most disturbing stories about so-called “men of the cloth.” Karl's Cop Cam features a woman named Kayla making her third appearance in this segment—and she still hasn't learned a thing about dealing with the police. We close things out with a fresh Scum Parade packed with perverts and predators, and announce your ballot for the next induction into The Creep Off Hall of Fame! The score is currently tied at 4 so don't forget to vote for who brought the biggest creep at thecreepoff.com.  Check out this week's scum parade stories here: Florida woman, 20, accused of pepper-spraying rich men in Miami Beach hotels, stealing their luxury watchesWoman who kept boyfriend's body in basement is sentencedPervert Invites Cops Into Home, Handcuffs Ensue | The Smoking Gun  Indiana mom busted after trying to sell baby daughter for sexWant more of the madness? Support the show on Patreon, Supercast & Backed.by to snag exclusive merch and get an extra bonus episode every week!Don't forget you can leave us a voicemail at 585-371-8108You can follow our Results girl Danni on Instagram @Danni_Desolation

The fearless founder of Animal Recovery Mission takes no prisoners in his quest to expose the darkest corners of animal exploitation. Richard “Kudo” Couto, a former Miami Beach real estate developer turned undercover investigator, joins us to reveal how his organization infiltrates illegal slaughterhouses, exposes factory farm abuses, and challenges corporate giants like Coca-Cola’s Fairlife. From Miami’s underground horse meat trade…

My interview with Michael begins at 54 mins Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Preorder Mike's new book! "We Are Eating The Earth" Michael Grunwald was most recently a senior staff writer for POLITICO Magazine and editor-at-large of The Agenda. He recently left to work exclusively on his new book about food and climate.  Today we spoke about the great new podcast that Mike is co hosting with the great Tamar Haspel. Climavores is a show about eating on a changing planet. Each week, journalists Tamar Haspel and Mike Grunwald explore the complicated, confusing, and surprising relationship between food and the environment. Before joining POLITICO in November 2014, Mike was a staff writer for The Boston Globe, a national staff writer for The Washington Post and a senior national correspondent for Time magazine. He has won the George Polk Award for national reporting, the Worth Bingham Prize for investigative reporting and many other journalism honors. He is also the best-selling author of “The New New Deal: The Hidden Story of Change in the Obama Era” (Simon & Schuster, 2012) and “The Swamp: The Everglades, Florida, and the Politics of Paradise” (Simon & Schuster, 2006). Mike lives in Miami Beach with his wife, Cristina Dominguez, an attorney; their children, Max and Lina; and their Boston terriers, Candy and Cookie. Check out StandUpwithPete.com to learn more Join us Monday's and Thursday's at 8EST for our Bi Weekly Happy Hour Hangout's !  Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Gift a Subscription https://www.patreon.com/PeteDominick/gift