Podcast appearances and mentions of Ben Lerner

Afonso Borges fala sobre o livro "O ódio pela poesia", do autor Ben Lerner. A obra faz uma reflexão sobre a arte poética e os conceitos e propósitos desse gênero literário. See omnystudio.com/listener for privacy information.

O que é, de onde vem, do que se alimenta o aumento de preços? Entre mudança climática, comunidades epistêmicas e galinhas chorando, uma conversa sobre a inflação em curso.Com Alessandra Orofino, Bruno Torturra e Gregorio DuvivierDicas de livros:MEME WARS, Kalle LasnCONVERSANDO SOBRE ECONOMIA COM MINHA FILHA, Yanis VaroufakisO ÓDIO PELA POESIA, Ben Lerner

Forum görs i samarbete med tidskriften Flamman. Bli prenumerant på ⁠⁠⁠⁠⁠⁠⁠⁠⁠flamman.preno.se⁠⁠I det sextionde avsnittet av Forum ger Saga och Myrna svar på tal. Myrna har lyssnat på landets läskigaste litteraturpodd och vågar sticka ut hakan och hävda att musik också är konst. Saga har tyvärr hittat Goodreads och kommer ut som Tripadvisor-torsk. Dessutom: om varför bra dikter är sämre än dåliga. Böcker vi läst till avsnittet:The hatred of poetry – Ben Lerner

Tentokrát významnou část dílu literárního podcastu TL;DR zabral tradičně alespoň zčásti polemický kulturní servis. Zatímco referát o výstavě Ahoj Občani!, kterou najdete ve sklepeních domu U Zlatého prstenu, kde si lze prohlédnout množství předmětů a dokumentů (faksimilií) z osobní pozůstalosti Karla Kryla doporučujeme, české literární závětří kritizujeme. Příležitost nám tentokrát poskytl podcast Akcent na Vltavě, kde se hosté věnovali překladové literatuře. Společně jsme se podivovali nad podivením se hostů nad politizací světové literatury – a zvláště v českém prostředí příznačnému nepochopení iniciativy světových autorů vyzývajících ke kulturnímu bojkotu Izraele. Zatímco v Akcentu byla zmíněna pouze Sally Rooney, která mj. již dříve odmítla poskytnout práva na hebrejský překlad knihy Kdepak jsi, krásný světe a jejíž nejnovější knize Intermezzo jsme se věnovali v jednom z nedávných dílů TL;DR, rádi jsme připomněli, že mezi odpůrci izraelského vyvražďování Palestinců najdeme další z nejvýznamnějších jmen světové literatury: Rachel Kushner, Arundhati Roy, China Miéville, Judith Butler, Annie Ernaux, Ben Lerner, Ocean Vuong nebo Abdulrazak Gurnah a více než tisícovku dalších osobností. Posluchače jsme ale neošidili ani o knižní tipy, a především ústřední rozpravu o debutu Kristiny Hamplové Lover/Fighter. Ten jsme ocenili pro téma, energii, nápady a suchý cynismus v popisech – nejen ale především, vztahových tragédií. Naopak nás mrzelo, že dystopická linka příběhu zůstala spíše jen v náznaku. ► Jste pravidelným posluchačem podcastu TL;DR, ale ještě nepřispíváte pravidelně na Alarm? Připojte se ke komunitě podporovatelů. https://www.darujme.cz/spolecne-proti-algoritmum-nenavisti ► Máte otázku nebo se chcete podělit o názor? Napište přímo Evě a Honzovi na tldr@denikalarm.cz ► podcasty Alarmu nahráváme ve studiu Mr. Wombat ► sound mix Ondřej Bělíček ► znělka Jonáš Kucharský

Join me as I chat with Ben Lerner, Managing Director of Lerner Associates, about M&A in the proptech industry. Ben shares his unique insights from his background in tech and real estate, focusing on the importance of licenses and the evolving dynamics of user licensing. We discuss the differences between M&A and venture capital markets, highlighting the active M&A scene despite tougher capital raising.Ben advises founders to prioritize metrics, build relationships with potential acquirers, and remain open to opportunities. He emphasizes customer retention and profitability as key for potential buyers and the importance of a clear scorecard that showcases business value. We also touch on balancing in-person and remote work, owning core technology, and the crucial role of human interaction in real estate. Tune in for Ben's expert advice on navigating the proptech M&A landscape.More about Ben and Lerner AssociatesLerner Associates is a purely proptech focused M&A advisory firm working with founders/owners/leaders of real estate tech companies looking to sell their company or to raise growth capital. We also work buy-side.Ben is the Managing Director of Lerner Associates, a London-based boutique M&A Advisory practice, he set up in 2019. Lerner Associates focuses purely on PropTech transactions, global and cross-border, across the spectrum of investment management, corporate, commercial, residential, multifamily, agency, workplace, facilities management, construction and real estate data solutions.Ben has over 20 years of experience working in the real estate software space, both strategically and operationally as a seasoned proptech executive, and more latterly within corporate development, M&A and investment. From prior to selling his family business, Qube Global Software, to MRI Software, and throughout his time with MRI and beyond, Ben has been actively involved in M&A on deal sourcing, structuring, due diligence and general advisory.Follow Ben on TwitterConnect with Ben on LinkedInFollow Lerner Associates on TwitterCheck out Lerner Associates

New The Pulse of AI Podcast! Season 6, Episode 143. Sign up for my newsletter at www.thepulseofai.com Join podcast host Jason Stoughton and special guest Ben Lerner, Co-Founder and CEO of Espresso AI, as they talk about key trends in the AI industry, how Espresso AI helps companies save serious money by using AI to optimize their Snowflake data warehouse, where Espresso AI goes from here and the types of people they are looking to hire.  If you use Snowflake, Espressor AI is the easiest way for you to save $100,000. Listen to the podcast to find out more.  

In June, writers Rachel Cusk and Ben Lerner joined Harper's Magazine editor Christopher Carroll for a conversation and Q&A in front of a live audience at the NYU Skirball Center in downtown Manhattan. Listen to Cusk and Lerner read from their recent Harper's essays and discuss the state of contemporary fiction, Cusk's use of artists' biographies in her newest novel Parade, reading in a second language, parenthood, the role of ego in writing, and much more. Subscribe to Harper's Magazine for only $16.97 per year: harpers.org/save. “The Hofmann Wobble” by Ben Lerner, from the December 2023 issue of Harper's “The Spy” by Rachel Cusk, from the October 2023 issue of Harper's 11:31: “You can't be both an encyclopedia and a news source without some kind of contamination.” —Ben Lerner 19:09: “First of all, I thought, God, if I'd never told anyone who I was, starting with my parents, if I hadn't accepted that containment in myself, what would I have created? What would my relationship to reality be?”  —Rachel Cusk 25:18: “I mean this as a total compliment, but I read your books with a lot of dread.” —Ben Lerner to Rachel Cusk 26:36: “What the novel has tried to do, kind of wrongly, I guess, in the end, is for the act of reading to also be an act of shared experience.” —Rachel Cusk 28:34: “Being a good parent in the moment of composition, if you're trying to take care of those imagined readers, can be deadly for the work – not always, but sometimes.” —Ben Lerner 28:49: “On the other hand, having kids for me, especially young kids, it does refresh your wonder before language.” —Ben Lerner 29:43: “If your work can change in the way you change, or people change, when you have children, I think that's a really powerful thing.” —Rachel Cusk 32:10: “I'm really into animal vocalization stuff.” —Ben Lerner 34:23: “French has completely changed my English.” —Rachel Cusk 40:24: “My dad told me never to learn to type because I would end up being someone's secretary, which was kind of feminist of him I guess, but typing is the thing I've done the best with in my whole life.” —Rachel Cusk 41:23: “I think there's a lot of ego involved in the claim to disavow ego in writing.” —Ben Lerner 42:45: “What is a shame is the idea that examination of self is egotistical.” —Rachel Cusk

Back in March, the US Environmental Protection Agency finalized a long in the works rule requiring automakers here to dramatically increase the number of battery-powered vehicles they're putting on the roads. The government has mandated that by 2032, more than half of new cars sold must be electric. There are some caveats, namely that plug-in hybrid cars will fulfill the federal requirements for what a “battery-powered” vehicle is. This has led to a flood of hybrid cars hitting the market. This week, we talk about what this means for people who are considering buying a new car now, or in the next few years. We explain the differences between plug-in hybrids, full hybrids, and electrics, and we tell you what your options are if you live in an apartment without a convenient place to plug in your car while it's parked. We are joined this week by WIRED staff writer Aarian Marshall, who breaks down the facts, shatters the myths, and turns us all into hybrid car experts.This episode originally aired on April 2, 2024. Read the transcript.Show Notes:Read Aarian's story about the new US emissions rules. Also read her story about automakers struggling to hit their US sales targets for electric cars.Recommendations:Aarian recommends going to one of those baseball games where you also bring your dog. (They let you run the bases!) Mike recommends The New York Trilogy by novelist Paul Auster, who died this week at 77. Lauren recommends The Lights, the newest book of poetry and prose by Ben Lerner.Aarian Marshall can be found on social media @aarianmarshall. Lauren Goode is @LaurenGoode. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.

Our "marriage plot" season continues, but with a twist: on this episode, novelist Peter Ho Davies introduces us to "the parent plot," which he argues is a contemporary successor to all those 19th-century novels about choosing a mate. For many, becoming a parent is not only one of life's biggest choices, but also a cultural marker of adult responsibility and growing up. As an example, we dive into Ben Lerner's 2014 novel, 10:04, about a writer trying to finish his next book and also decide whether to father a child with his platonic best friend. To learn more about Davies, and his many wonderful, widely-celebrated books, you can visit his website: http://peterhodavies.com/ If you like our podcast, and want to support it--plus get access to twice-monthly bonus episodes--please consider subscribing to our Patreon, for just $5 a month: https://www.patreon.com/BookFight Thanks for listening!

In this 100th episode of the SLO County Real Estate Podcast with Hal Sweasey the team sits down to discuss the current lending landscape with Ben Lerner from Certainty Home Lending. Home ownership is a marathon. If your house appreciates faster than you can save to get to 20% Down Payment have you really won the marathon if you get a loan that is just a point and a half lower? Lots of answers to lots of questions about lending in 2024 in the 100th episode of the SLO County Real Estate Podcast. For any Mortgage information feel free to reach out to Ben at Certainty Home Lending at 805-441-9486 or email him at ben.lerner@certaintyhomelending.com If you want to access some of the tools Ben uses in qualifying. Go to blerner.com You can always Contact Hal at hal@teamsweasey.com or by phone at 805-781-3750 CA DRE #01111911

There are six cities in SLO county where average home values have eclipsed the Million Dollar mark. In the May Market Report episode of the SLO County Real Estate Podcast you will find out which cities those are, and Ben Lerner from Certainty Home lending sits down with the team to discuss Mortgage Rates and the reason why they have not fallen yet. Plus Keller Williams Central Coast CEO Bobbie Kelly gives insight as to why the recent National Association of Realtors ruling means very little to California Real Estate Investors, teaching us once again that the Headlines don't always live up to the hype. For any Mortgage information feel free to reach out to Ben at Certainty Home Lending at 805-441-9486 or email him at ben.lerner@certaintyhomelending.com You can always Contact Hal at hal@teamsweasey.com or by phone at 805-781-3750 CA DRE #01111911

Back in March, the US Environmental Protection Agency finalized a long in the works rule requiring automakers here to dramatically increase the number of battery-powered vehicles they're putting on the roads. The government has mandated that by 2032, more than half of new cars sold must be electric. There are some caveats, namely that plug-in hybrid cars will fulfill the federal requirements for what a “battery-powered” vehicle is. This has led to a flood of hybrid cars hitting the market. This week, we talk about what this means for people who are considering buying a new car now, or in the next few years. We explain the differences between plug-in hybrids, full hybrids, and electrics, and we tell you what your options are if you live in an apartment without a convenient place to plug in your car while it's parked. We are joined this week by WIRED staff writer Aarian Marshall, who breaks down the facts, shatters the myths, and turns us all into hybrid car experts.Show Notes:Read Aarian's story about the new US emissions rules. Also read her story about automakers struggling to hit their US sales targets for electric cars.Recommendations:Aarian recommends going to one of those baseball games where you also bring your dog. (They let you run the bases!) Mike recommends The New York Trilogy by novelist Paul Auster, who died this week at 77. Lauren recommends The Lights, the newest book of poetry and prose by Ben Lerner.Aarian Marshall can be found on social media @aarianmarshall. Lauren Goode is @LaurenGoode. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.

“La bellezza salverà il mondo”, come scrisse Fëdor Dostoevskij, o “il bello è solo tremendo al suo inizio”, come affermò invece Rainer Maria Rilke? Fino a che punto possiamo affidarci al potere salvifico dell'arte e della poesia?Si tratta di una questione insidiosa e profonda e non è facile orientarsi tra possibili verità, derive nichiliste e semplificazioni da biscotto della fortuna. Per questo, nell'ottava puntata della seconda stagione indaghiamo le possibilità trasformative della bellezza affidandoci alle visioni di grandi autori contemporanei come Vivian Lamarque, Jon Fosse, Ben Lerner e Kenzaburō Ōe."Fare un fuoco" è il podcast di Lucy scritto e condotto da Nicola Lagioia che racconta come le storie continuano ad accendere la nostra immaginazione. Ogni mese una nuova puntata.Le musiche originali, il montaggio e il sound design sono di Shari DeLorian, la cura editoriale è di Giada Arena, che ha letto l'estratto finale, e Lorenzo Gramatica.Si ringrazia Spreaker per il supporto tecnico.Fonte estratto audio: Premio Strega - Serata finale Premio Strega Poesia, 2023Segui Lucy - Sulla cultura:https://lucysullacultura.com/https://www.instagram.com/lucy.sullacultura/https://www.youtube.com/@lucysullacultura/https://www.facebook.com/sullacultura.lucy/https://www.tiktok.com/@lucy.sullacultura

Charlotte speculates on why Prep is still Curtis Sittenfeld's best novel, and Jo (17:46) endorses Jeff Sharlet's sensitive, surprising The Undertow. The scintillating Nicolás Medina Mora (24:05) then joins to revolutionize autofiction discourse with his theory about Ben Lerner's Leaving the Atocha Station.Nicolás Medina Mora is a Mexican writer. He currently works as an editor at Revista Nexos, a monthly magazine of culture and politics published in Mexico City. Before that, he lived in the United States for ten years, where he worked as a financial reporter for Reuters and as a police reporter for BuzzFeed. He holds an MFA in nonfiction writing from the University of Iowa. His first novel, América del Norte, is forthcoming from Soho Press in May 2024.Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte is on Instagram and Twitter as @Charoshane. She writes semi-regularly in newsletter form, with additional work linked on charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.comLearn more about our producer Alex at https://www.alexsugiura.com Hosted on Acast. See acast.com/privacy for more information.

White Americans are confronting their whiteness more than ever before, with political and social shifts ushering in a newfound racial awareness. And with white people increasingly seeing themselves as distinctly racialized (not simply as American or human), white writers are exposing a self-awareness of white racialized behavior-from staunch antiracism to virulent forms of xenophobic nationalism. Ugly White People: Writing Whiteness in Contemporary America (U Minnesota Press, 2023) explores representations of whiteness from twenty-first-century white American authors, revealing white recognition of the ugly forms whiteness can take. Stephanie Li argues that much of the twenty-first century has been defined by this rising consciousness of whiteness because of the imminent shift to a "majority minority" population and the growing diversification of America's political, social, and cultural institutions. The result is literature that more directly grapples with whiteness as its own construct rather than a wrongly assumed norm. Li contextualizes a series of literary novels as collectively influenced by changes in racial and political attitudes. Turning to works by Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others, she traces the responses to white consciousness that breed shared manifestations of ugliness. The tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice is often the source of the ugly whiteness portrayed through these narratives. The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

White Americans are confronting their whiteness more than ever before, with political and social shifts ushering in a newfound racial awareness. And with white people increasingly seeing themselves as distinctly racialized (not simply as American or human), white writers are exposing a self-awareness of white racialized behavior-from staunch antiracism to virulent forms of xenophobic nationalism. Ugly White People: Writing Whiteness in Contemporary America (U Minnesota Press, 2023) explores representations of whiteness from twenty-first-century white American authors, revealing white recognition of the ugly forms whiteness can take. Stephanie Li argues that much of the twenty-first century has been defined by this rising consciousness of whiteness because of the imminent shift to a "majority minority" population and the growing diversification of America's political, social, and cultural institutions. The result is literature that more directly grapples with whiteness as its own construct rather than a wrongly assumed norm. Li contextualizes a series of literary novels as collectively influenced by changes in racial and political attitudes. Turning to works by Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others, she traces the responses to white consciousness that breed shared manifestations of ugliness. The tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice is often the source of the ugly whiteness portrayed through these narratives. The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

White Americans are confronting their whiteness more than ever before, with political and social shifts ushering in a newfound racial awareness. And with white people increasingly seeing themselves as distinctly racialized (not simply as American or human), white writers are exposing a self-awareness of white racialized behavior-from staunch antiracism to virulent forms of xenophobic nationalism. Ugly White People: Writing Whiteness in Contemporary America (U Minnesota Press, 2023) explores representations of whiteness from twenty-first-century white American authors, revealing white recognition of the ugly forms whiteness can take. Stephanie Li argues that much of the twenty-first century has been defined by this rising consciousness of whiteness because of the imminent shift to a "majority minority" population and the growing diversification of America's political, social, and cultural institutions. The result is literature that more directly grapples with whiteness as its own construct rather than a wrongly assumed norm. Li contextualizes a series of literary novels as collectively influenced by changes in racial and political attitudes. Turning to works by Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others, she traces the responses to white consciousness that breed shared manifestations of ugliness. The tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice is often the source of the ugly whiteness portrayed through these narratives. The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

White Americans are confronting their whiteness more than ever before, with political and social shifts ushering in a newfound racial awareness. And with white people increasingly seeing themselves as distinctly racialized (not simply as American or human), white writers are exposing a self-awareness of white racialized behavior-from staunch antiracism to virulent forms of xenophobic nationalism. Ugly White People: Writing Whiteness in Contemporary America (U Minnesota Press, 2023) explores representations of whiteness from twenty-first-century white American authors, revealing white recognition of the ugly forms whiteness can take. Stephanie Li argues that much of the twenty-first century has been defined by this rising consciousness of whiteness because of the imminent shift to a "majority minority" population and the growing diversification of America's political, social, and cultural institutions. The result is literature that more directly grapples with whiteness as its own construct rather than a wrongly assumed norm. Li contextualizes a series of literary novels as collectively influenced by changes in racial and political attitudes. Turning to works by Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others, she traces the responses to white consciousness that breed shared manifestations of ugliness. The tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice is often the source of the ugly whiteness portrayed through these narratives. The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be” )–as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Cohen, Charles Yu, Caryl Phillips, Jennifer Egan, Helen Garner and Orhan Pamuk. Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House (overlap of reality and recollection): “When I look into the Æneid now, I can always see two pictures: the one on the page, and another behind that: blue and purple rocks and yellow-green piñons with flat tops, little clustered houses clinging together for protection, a rude tower rising in their midst, rising strong, with calmness and courage–behind it a dark grotto, in its depths a crystal spring.”) William Steig, Sylvester and The Magic Pebble. Listen and Read: Transcript: 6.6 Overtaken by Awe: Sheila Heti speaks with Sunny Yudkoff Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be” )–as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Cohen, Charles Yu, Caryl Phillips, Jennifer Egan, Helen Garner and Orhan Pamuk. Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House (overlap of reality and recollection): “When I look into the Æneid now, I can always see two pictures: the one on the page, and another behind that: blue and purple rocks and yellow-green piñons with flat tops, little clustered houses clinging together for protection, a rude tower rising in their midst, rising strong, with calmness and courage–behind it a dark grotto, in its depths a crystal spring.”) William Steig, Sylvester and The Magic Pebble. Listen and Read: Transcript: 6.6 Overtaken by Awe: Sheila Heti speaks with Sunny Yudkoff Learn more about your ad choices. Visit megaphone.fm/adchoices

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be” )–as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Cohen, Charles Yu, Caryl Phillips, Jennifer Egan, Helen Garner and Orhan Pamuk. Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House (overlap of reality and recollection): “When I look into the Æneid now, I can always see two pictures: the one on the page, and another behind that: blue and purple rocks and yellow-green piñons with flat tops, little clustered houses clinging together for protection, a rude tower rising in their midst, rising strong, with calmness and courage–behind it a dark grotto, in its depths a crystal spring.”) William Steig, Sylvester and The Magic Pebble. Listen and Read: Transcript: 6.6 Overtaken by Awe: Sheila Heti speaks with Sunny Yudkoff Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Ben Lerner from Certainty Home Lending joins Team Sweasey on a lending conversation that you must listen to if you have been pushed to the sidelines with high interest rates the past 2 years. Team Sweasey thanks you for listening and subscribing to the SLO County Real Estate Podcast, and now it is on Youtube where you also can subscribe to watch the podcast @HalSweasey subscribe and get the latest information on market updates, Select Listings, Real estate Tips and other exciting information on the SLO County Real Estate Market. The SLO County Real Estate Podcast builds real local trust, with Real Estate advice you can use! For any Mortgage information feel free to reach out to Ben at Certainty Home Lending at 805-441-9486 or email him at ben.lerner@certaintyhomelending.com You can always Contact Hal at hal@teamsweasey.com or by phone at 805-781-3750 CA DRE #01111911

Our relationship with our parents and, more widely, with our ancestors' stories are some of the most formative & influential connections in many people's lives, both for good and bad. The impact of this relationship can be felt in so many different ways, not least of which in artistic expression.  With me today is Violaine Huisman, a French author based in New York who recently became the Director of Cultural Affairs at the Alliance Française. She's the author of a trilogy of novels about her and her family. The first is called The Book of Mother published in 2018 and translated into English last year, the second is called Rose désert (translated maybe as “Desert Pink”) published in 2019 but not yet translated, and the third is Les monuments de Paris (“The Monuments of Paris”) which will be published this year.  In this episode, Violaine and I cover a wide array of topics – the structure and linearity of her novels, the existential question of ‘Frenchness' and being a ‘French author in New York', and of course we speak of Marcel Proust, as well as some of the other major influences in her writing. It was a real pleasure to speak with Violaine about this powerful, family-driven trilogy which I absolutely recommend. In today's interview, we discussed Les Essais, by Michel de Montaigne (1580), a wide-ranging collection of essays, originally written in ‘Middle French', Saxifrage, by Catherine Cremnitz (1993) – Violaine's mother's own autobiography, and 10:04, by Ben Lerner (2014), a modern book of auto-fiction about a Manhattan-based author recently diagnosed with a life-threatening heart-condition. The best book Violaine has read in the last 12 months was Les Misérables, by Victor Hugo (1862), which tells the story of Jean Valjean and the other ‘miserable' characters of the early 1800s Paris underworld. The book she would take to a desert island was the Bible. Finally, a book that changed her mind was In Search of Lost Time by Marcel Proust (first published in 1913), about its narrator's life and childhood, and his reflections on the persistence of memory. Lit with Charles loves reviews. If you enjoyed this episode, I'd be so grateful if you could leave a review of your own, and follow me on Instagram at ⁠⁠⁠⁠⁠@litwithcharles⁠⁠⁠⁠⁠. Let's get more people listening – and reading!

Sheila Heti sits down with Sunny Yudkoff and ND host John Plotz to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Color (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be" )--as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why "auto-fiction" strikes her as a "bad category" and "a lazy way of thinking about what the author is doing formally" since "the history of literature is authors melding their imagination with their lived experience." Sheila's response to the signature question was both textual and hilarious. A true writer's weirdness! Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House William Steig, Sylvester and The Magic Pebble. Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sheila Heti sits down with Sunny Yudkoff and ND host John Plotz to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Color (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be" )--as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why "auto-fiction" strikes her as a "bad category" and "a lazy way of thinking about what the author is doing formally" since "the history of literature is authors melding their imagination with their lived experience." Sheila's response to the signature question was both textual and hilarious. A true writer's weirdness! Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House William Steig, Sylvester and The Magic Pebble. Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

EPISODE 1879: In the KEEN ON show, Andrew talks to Ben Lerner, the Poetry Editor of Harper's Magazine, about the dangers of falling in love once again with the supposed democratizing power of digital technologyBen Lerner is “the poetry editor of Harper's Magazine, and author of Harper's December cover story: “The Hofmann Wobble: Wikipedia and the problem of historical memory,” His latest book is "The Lights."Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

We get political this week on the BFG Podcast. Guest Rebecca Kurson joins host Neal Pollack in condemning Hamas, sure, but also offering a lot of disdain for Western intellectuals and actors who refuse to condemn Hamas. Neal is especially angry at a coalition of writers, his former peers perhaps, like Jonathan Lethem, Michael Chabon, and Ben Lerner, who published an open letter in the Guardian calling for a ceasefire. Lame, and morally weak.Rebecca is quite angry at Tilda Swinton, who is wide-open when it comes to sexual and gender identity, calling for a ceasefire. Does she really think Hamas is her friend? Neal urges her to reconsider her approbation for Sam Heughan from Outlander, who signed an open letter and then publicly apologized on Instagram. She needs to forgive him because there are more episodes of Outlander to come. "They just got off the ship in Scotland," she says. "I have to know what happens."Then we pivot to the less serious. Pablo Gallaga appears to talk about the Five Nights At Freddy's movie, which seems to be popular among the kids, but isn't very popular among the critics, including Pablo. Admittedly, Pablo never played the video games, but he does know horror movies very well, and has a lot of negative stuff to say about the movie's boring plot, and, most damningly, lack of jump scares. How can a movie adaptation of one of the scariest video games ever not be scary? Inquiring minds must know. Also, Neal asks, why does Freddy Fazbear's need a security guard if it's abandoned?Also, why do we have a Buffy the Vampire Slayer audiobook series without Buffy the Vampire Slayer and without Joss Whedon? Well, that is 'Slayers,' and Paula Shaffer is here to talk about this return to the Buffyverse. The show is not entirely successful, but Paula seems to enjoy visiting Spike and Cordelia and all her old Buffyverse friends. Everyone seems to be having fun. Isn't that what we want out of our entertainment?Enjoy your entertaining podcast!

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today's kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public's understanding of what the photographic image is, while building vast collections with universalizing ambitions.  Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices. Links Mentioned in the Episode "Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016 Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018 Soichi Sunami's manuscript autobiography, Museum of Modern Art Library The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000) What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022). Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today's kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public's understanding of what the photographic image is, while building vast collections with universalizing ambitions.  Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices. Links Mentioned in the Episode "Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016 Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018 Soichi Sunami's manuscript autobiography, Museum of Modern Art Library The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000) What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022). Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today's kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public's understanding of what the photographic image is, while building vast collections with universalizing ambitions.  Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices. Links Mentioned in the Episode "Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016 Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018 Soichi Sunami's manuscript autobiography, Museum of Modern Art Library The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000) What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022). Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today's kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public's understanding of what the photographic image is, while building vast collections with universalizing ambitions.  Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices. Links Mentioned in the Episode "Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016 Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018 Soichi Sunami's manuscript autobiography, Museum of Modern Art Library The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000) What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022). Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today's kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public's understanding of what the photographic image is, while building vast collections with universalizing ambitions.  Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices. Links Mentioned in the Episode "Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016 Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018 Soichi Sunami's manuscript autobiography, Museum of Modern Art Library The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000) What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022). Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today's kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public's understanding of what the photographic image is, while building vast collections with universalizing ambitions.  Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices. Links Mentioned in the Episode "Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016 Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018 Soichi Sunami's manuscript autobiography, Museum of Modern Art Library The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000) What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022). Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today's kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public's understanding of what the photographic image is, while building vast collections with universalizing ambitions.  Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices. Links Mentioned in the Episode "Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016 Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018 Soichi Sunami's manuscript autobiography, Museum of Modern Art Library The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000) What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022). Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today's kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public's understanding of what the photographic image is, while building vast collections with universalizing ambitions.  Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices. Links Mentioned in the Episode "Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016 Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018 Soichi Sunami's manuscript autobiography, Museum of Modern Art Library The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000) What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022). Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam talks with Mark Tinkleman, co-producer of the podcast, about the genocide in Gaza and the dangerous unity between imperialist “democracy” and fascism, plus what's happening in the House of Representatives and more. Views expressed in this episode are the opinions of Sam and Mark themselves. Follow Mark on Instagram at @marknoodler. Recommended Signs of Hope If Not Now American Jews organizing our community to end U.S. support for Israel's apartheid system and demand equality, justice, and a thriving future for all. Join the protest in DC on Wednesday October 25 calling for a ceasefire or find an event near you: https://www.ifnotnowmovement.org/upcoming-events Jewish Voice for Peace On Wednesday afternoon, thousands of American Jews and allies showed up to Capitol Hill to demand a ceasefire in Gaza and an end to Israeli genocide of Palestinians. Hyerpallergic: Art Organizations Around the World Go on Strike in Support of Gaza Artists, galleries, and museums are closing their doors to demand a ceasefire in Gaza, where Israeli strikes have killed upwards of 4,200 Palestinian people. Open letter to President Biden: we call for a ceasefire now from Judith Butler, Masha Gessen, Rachel Kushner, Ben Lerner, V (formerly Eve Ensler) and others Artists Call for Ceasefire Now from Dua Lipa, James Schamus, Mark Ruffalo, Quinta Brunson, Rosario Dawson, Shailene Woodley and many others An Open Letter From the Art Community to Cultural Organizations Bassem Youssef on Piers Morgan's Show History and Analysis When the Devil Is Your Own: The horrifying continuity between 9/11 and 10/7 by Sarah Kendzior Revcom.us on the history of Palestine in Israel and imperialism The RNL — Revolution, Nothing Less! — Show episode 169: No to Israel/U.S.! No to Hamas! Humanity Needs Revolution & the New Communism! US right heats up inflammatory rhetoric on Palestine as Muslim groups worry Outpouring of extreme statements from Republican politicians threatens safety of Arab Americans, groups warn Professor Ilan Pappé: Israel Has Chosen to be a “Racist Apartheid State” with U.S. Support As Gaza war rages, West Bank faces violent collective punishment Gaza's Last Stand? The Dangers of a Second Nakba by Jamie Stern-Weiner ____________________________ No show next week - we'll be back November 5. How to help the show? Rate and review wherever you get your podcasts; share with your friends! Get involved at RefuseFascism.org. We're still on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@RefuseFascism⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and other social platforms including Threads, Mastodon and Bluesky. Plus! Sam just joined TikTok, check out @samgoldmanrf. Send  your comments to samanthagoldman@refusefascism.org or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SamBGoldman⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Record ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠a voice message for the show here. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect with the movement at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RefuseFascism.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support: · ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠paypal.me/refusefascism⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ · ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠donate.refusefascism.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ · ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/refusefascism⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music for this episode: Penny the Snitch by Ikebe Shakedown --- Send in a voice message: https://podcasters.spotify.com/pod/show/refuse-fascism/message

Ben Lerner and Anne Enright on poetry and fiction

Reviewing Zadie Smith's The Fraud for the latest issue of Harper's Magazine, Adam Kirsch takes stock of Generation X as a literary phenomenon. He finds “Gen X lit” to be composed of two distinct waves, between which Smith is caught. The younger wave, including writers Ben Lerner, Teju Cole, Sheila Heti, and Tao Lin, has formed its ideas about art, culture, and society partly in opposition to predecessors like David Foster Wallace, Elizabeth Wurtzel, and Dave Eggers—who claimed a great moral power for art—and partly in response to the younger millennials, who question whether art has any value at all. Kirsch is joined in this episode by Harper's deputy editor Jon Baskin to discuss how Smith's historical fiction operates within this literary lineage, why autofiction came to succeed the confessional memoirs of the Nineties, and what the novel form can do for us. Subscribe to Harper's for only $16.97: harpers.org/save “Come as You Are” Adam Kirsch's review in the September issue of Harper's: https://harpers.org/archive/2023/09/come-as-you-are-kirsch/ “My Generation” Justin E. H. Smith's essay in the September issue of Harper's: https://harpers.org/archive/2023/09/my-generation/ 6:01: “Instead of rushing up to the reader and giving them a bear hug and saying, ‘This is who I am, please love me,' which I think is a sense that I often get from David Foster Wallace, these younger writers are a lot more complex and ironic and elusive.” 8:46: “Autofiction makes it possible to emphasize the moral ambiguities that memoir has to apologize for or hide.” 14:21: “Smith is writing about things that have come up in her fiction since the beginning—things like: Is it my job to be politically virtuous as a writer? Or am I supposed to be telling some other kind of truth? Is there some sort of artistic mission that is somehow removed from political virtue?” 18:44: “If you step back and make it an alternative reality—in this case, something in the past—you can make more of an effort to see all the way around the subject. And that's something that Smith does very well in The Fraud.” 31:06: “So much of it is about this sort of solidness and resistance to getting involved in things … As we get older and assume different roles in life, something of that remains, the desire to be a sort of Bartleby and say no rather than yes—maybe that's what Gen X will be remembered for.”

Last week, Adam chaired a conversation between Ben Lerner and Jakuta Alikavazovic, on the writing and translating of The Topeka School, at the conference BEN LERNER - EDGE OF GENRE. The discussion was compelling, enlightening and hilarious in equal measure. Enjoy!Buy The Topeka School: https://www.shakespeareandcompany.com/books/the-topeka-schoolBen Lerner was born in Topeka, Kansas, in 1979. He has received fellowships from the Fulbright, Guggenheim, and MacArthur Foundations, and is the author of three internationally acclaimed novels, Leaving the Atocha Station, 10:04 and The Topeka School. He has published the poetry collections The Lichtenberg Figures, Angle of Yaw (a finalist for the National Book Award), Mean Free Path and No Art as well as the essay The Hatred of Poetry. Lerner lives and teaches in Brooklyn.Jakuta Alikavazovic is a French writer of Bosnian and Montenegrin origins. Her debut novel, Corps Volatils, won the Prix Goncourt in 2008 for Best First Novel. She has translated works by Ben Lerner, David Foster Wallace and Anna Burns into French. She lives in Paris and writes a regular column for the daily newspaper Liberation.*Listen to Alex Freiman's Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The Second World War obsessed Luke Turner when he was growing up, before he founded the music website Quietus. Music has also been former teacher and now Add to Playlist host Jeffrey Boakye's passion and he's written a novel for teens called Kofi and the Rap Battle. Lisa Sugiura researches the online world that has drawn in so many. Chris Harding has been to see the new James Graham play at the National Theatre which explores the football team put together by Gareth Southgate. They come together for a conversation about how young men find their role models and navigate growing up? Jeffrey Boakye's books include Hold Tight: Black masculinity, millennials and the meaning of grime and What is Masculinity? Why does it matter? And other big questions (co-authored with Darren Chetty); his new childrens' book is called Kofi and the Rap Battle Summer. Lisa Sugiura researches focuses on cybercrime and gender at the University of Portsmouth Men at War: Loving, lusting, fighting, remembering 1939-1945 by Luke Turner is out now Dear England by James Graham runs at the National Theatre until August 11th 2023 You might also be interested in a Free Thinking conversation about the changing image of masculinity with authors Ben Lerner, JJ Bola and Derek Owusu https://www.bbc.co.uk/programmes/m000b0mx And Matthew Sweet talked with photographer Sunil Gupta, authors CN Lester and Tom Shakespeare, and a Barbican exhibition curator Alona Pardo about How do we build a new masculinity? https://www.bbc.co.uk/programmes/m000gm6h

This week, Zohar is joined by poet and novelist Ben Purkert to discuss his debut novel The Men Can't Be Saved, taglines, Ben Lerner, Being John Malkovich, copywriting, the relationship between art and commerce, Jewishness and Judaism, writing as a practice of self-discovery, spirituality in the modern world, masculinity and its discontents, branding, comedy, and academia. Pre-order Ben's book here.

This week, Zohar is joined by poet and novelist Ben Purkert to discuss his debut novel The Men Can't Be Saved, taglines, Ben Lerner, Being John Malkovich, copywriting, the relationship between art and commerce, Jewishness and Judaism, writing as a practice of self-discovery, spirituality in the modern world, masculinity and its discontents, branding, comedy, and academia. Pre-order Ben's book here.

The tea leaves all point to a lowering in mortgage rates in the US and in this episode of the SLO County Real Estate Podcast with Hal Sweasey, Ben Lerner from Cross Country Mortgage makes a return to point out some of the things that First time home buyers can do RIGHT NOW in order to get ahead of a potential massive influx of buyers coming to the market and once again driving prices up, especially in a desirable market. If you want to win in volatile market you need to pay close attention to this episode of the SLO county Real Estate Podcast. For information on how you can best prepare for your situation contact Ben Lerner at blerner.com or call him at 805-441-9486 Teamsweasey.com CA DRE #01111911

Ben Lerner reads his story “The Ferry,” which appeared in the April 10, 2023, issue of the magazine. Lerner is the author of the novels “Leaving the Atocha Station,” “10:04,” and “The Topeka School,” which was a finalist for the Pulitzer Prize in 2020. He was awarded a MacArthur Fellowship in 2015.

Ben Lerner from Cross Country Mortgage stops by to tell us about an exciting program for first time Home Buyers in California. The “Dream For All Shared Appreciation Program” might not last long due to the limited funding but Ben also gives us tips on other ways a first time home buyer shouldn't be as rare as it is in the state by offering lender incentives for the 3-2-1 Buy Down Loan. The team show that "living the Dream" can be a reality on this episode of the SLO County Real Estate Podcast with Hal Sweasey. teamsweasey.com CA DRE #01111911 860 Walnut Street Suite A, San Luis Obispo, CA, 93401 (805) 781-3750 If you have any questions you can connect with Hal at hal@teamsweasey.com Contact Ben Lerner @ the Lerner Team at blerner.com or on his mobile at 805-441-9486

Dr. Ben Lerner is the COO of the publicly traded company IMAC Holdings. Additionally, he is the President/CEO of the Ultimate Influence Group (UIG). UIG owns, manages, and has invested in multiple companies and start-ups in health, manufacturing, tech, finance, marketing, real estate, consulting, and coaching. He has written twenty books including two NY Times […] The post Keep Smiling & Learn How To Go From 0 to 1 Million with Dr Ben Lerner DC – Chiro Hustle Podcast 397 appeared first on Chiro Hustle.

Dr. Ben Lerner is the COO of the publicly traded company IMAC Holdings. Additionally, he is the President/CEO of the Ultimate Influence Group (UIG). UIG owns, manages, and has invested in multiple companies and start-ups in health, manufacturing, tech, finance, marketing, real estate, consulting, and coaching. He has written twenty books including two NY Times […] The post Keep Smiling & Learn How To Go From 0 to 1 Million with Dr Ben Lerner DC – Chiro Hustle Podcast 397 appeared first on Chiro Hustle.

Next in the series exploring The Exuberance of Youth World Book Club talks to the award-winning American author Ben Lerner about his beguiling debut novel Leaving the Atocha Station. Brilliant, unreliable, young American poet Adam Gordon is on a fellowship in Madrid, where he is struggling to establish his identity and dazzle his contemporaries. Instead of studying, his research becomes a meditation on authenticity - are his relationships with the people he meets in Spain, especially the two clever and beautiful women he falls for, as fraudulent as he fears his poems are? In the aftermath of the 2004 Madrid train bombings has he participated in history or merely watch it pass him by? Winner of the Believer Book Award and a Guardian Book of the Year from 2012 which marked the launch a major new literary talent. (Picture: Ben Lerner. Photo credit: Catherine Barnett.)

Ben Lerner reads his story “Café Loup,” from the September 5, 2022, issue of the magazine. Lerner is the author of the novels “Leaving the Atocha Station,” “10:04,” and “The Topeka School,” which was a finalist for the Pulitzer Prize in 2020. He was awarded a MacArthur Fellowship in 2015. 

An encore of a two-part miniseries from 2020, in which past City Arts & Lectures guests talk across, among, and around one another. In the second half of Crosstalk, our guests discuss genre. What is a novel? What is autofiction? What is poetry, a fable, creative nonfiction, a short story? Does perfect writing exist? Then, some of our writers speak to cancel culture – the contentious concept of striking from the cultural ledger figures who have villainous personal histories, whose actions are deemed too abhorrent to allow us to continue consuming their work. Finally, these artists celebrate the other artists they are engaging with, and sharing community among. Meg Wolitzer, Ocean Vuong, Zadie Smith, Ben Lerner, Marlon James, Rebecca Solnit, Sally Rooney, Rachel Cusk, Ta-Nehisi Coates, and more defend, dismiss, and celebrate.