Podcasts about artsy

En su larga exploración estética Rasia integra la fotografía, el dibujo, la pintura, la escritura, el collage y el arte digital.El paso del tiempo, las paradojas de la subjetividad y la complejidad de la condición humana en la sociedad contemporánea son temas recurrentes en su obra.Residente en Uruguay, ha vivido en Inglaterra, Brasil y Alemania donde cursó estudios de Arte y Psicología.Fue fundadora y directora de SaludArte (1999-2024), una Fundación para la Promoción de Salud a través del Arte y el Humor.Fundó y coordinó la Cátedra libre de Arte y Psicología de la Facultad de Psicología de la Universidad de la República (UdelaR) junto a la Lic. Raquel Nogara.Su trabajo ha sido exhibido en Artsy, en la exposición internacional “Paraíso”, organizada por M.A.D.S Art Gallery de Milán (Italia), en la muestra colectiva “ArteUyEnPerspectiva”, en dos Bienales de Colonia (Uruguay), en Artnet, en WTC (Montevideo), en el Hotel Hyatt Centric, en la galería “Tranvía cultural” de San Pablo, entre otros.Con sus obras también han estado presente en espacios no convencionales tales como eventos de Robótica organizados por la Universidad de la República, en Mola (Latin America Sustainable Fashion Event) y centros hospitalarios.Colecciones privadas a nivel nacional e internacional, incluyendo la colección Engelman-Os, tienen ejemplos de sus creaciones.Recientemente fue galardonada con el premio “Leonardo da Vinci”, otorgado por la Presidenta del Consejo Internacional de las Artes de las Naciones Unidas.

Through sensuality, survival, and sharp-witted grace, David Jester paints what too many won't even say out loud. In this powerful episode, Jester reflects on art as confession, HIV survivorship, aging in a queer body, and the brutal cost of being visible. His canvases don't perform—they speak, reminding us what it means to be seen and still stand tall.Recorded in conjunction with Pride NOT Permission and the 50 Postcards project, this conversation dives into the emotional core of Jester's latest work: paintings that don't seek resolution, but insist on truth.

Now showing exclusively on Artsy.net through July 2025: A Symphony of Resistance and Expression by Gemelxs VS, presented by The Bureau of Queer Art.This raw, intimate solo exhibition reclaims the queer body as sacred, sensual, and unapologetically visible. Through layered oil, watercolor, and unfinished space, the twin duo explores gender, mythology, memory, and community with a fearless visual language.These works are more than paintings—they are declarations. Alive. Incomplete. Divine.Explore the exhibition online now at thebureauofqueerart.art#GemelxsVS #TheBureauOfQueerArt #QueerArt #ContemporaryArt #QueerArtists #ArtsyExclusive #OnlineExhibition #GenderExpression #MexicanArt #TwinArtists #VisibleBodies

In this week's feature for The Bureau of Queer Art, we meet Shendra—artist, muralist, educator, TikTok disruptor, and part of the executive team for the upcoming IMMORTAL Queer Art Fair. Originally from the Italian part of Switzerland, born in Australia, and now based in Mexico City, Shendra's work is an ever-evolving codex of queer experience and multilingual consciousness. In our conversation, we dive into her early influences, complex love stories, artistic evolution, and the photograph at the center of her contribution to Pride NOT Permission—a piece titled Wild Pig, Grilled.This is an artist who doesn't just speak five languages—she invents new ones through art. Read the full story and view her limited edition print now live on Artsy.

Convocatoria para Artistas Mexicanos: Visibilidad Sin Fronteras¿Eres un artista queer o aliado en México en busca de visibilidad real y oportunidades más allá de los mismos círculos cerrados? ¿Deseas exponer internacionalmente, conectar con una comunidad artística sólida y tener una plataforma que amplifique tu voz en la escena global?La residencia artística en línea INCUBATOR de The Bureau of Queer Art está abierta para nuevas aplicaciones. Esta no es solo una residencia, es un movimiento comunitario que te conecta con:- Oportunidades de exhibición internacional – Expón tu trabajo en Artsy.net, en muestras individuales y colectivas curadas, y en exposiciones físicas en México y Estados Unidos.- Una red artística global – Conéctate con una comunidad internacional de artistas queer y aliados que están redefiniendo el arte contemporáneo.- Visibilidad curada – Sé visto, coleccionado y construye una carrera con el apoyo de una residencia que valora tu desarrollo artístico.- Un espacio para desafiar normas – Rompe con las limitaciones locales y explora el potencial completo de tu práctica creativa.Próximos Eventos DestacadosMientras nos preparamos para nuestras Exhibiciones Anuales del Orgullo, también estamos seleccionando artistas para IMMORTAL - La Feria de Arte Queer y Aliado, que se llevará a cabo del 31 de octubre al 2 de noviembre de 2025, en el marco del Día de los Muertos.Aplica en cualquier momento. Se está formando un grupo en español para comenzar en abril.Las aplicaciones ya están abiertas con una tarifa reducida. Visita nuestro sitio web para postularte y dar el siguiente paso hacia la visibilidad internacional.Descarga nuestra revista gratuita para conocer más sobre nuestro trabajo y descubrir lo que es posible.Etiqueta a un artista queer o aliado que necesite ver esto. Construyamos algo más grande, juntos.#ArtistasQueer #ArteQueer #ResidenciaArtística #ArtistaMexicano #ExhibicionesInternacionales #ComunidadArtísticaQueer #TBQA #Artsy #ArtistasEmergentes #LaVisibilidadImporta #ArteDíaDeLosMuertos #ExhibicionesDelOrgullo

BONUS RERELEASE | Paul Gravett | Color Studies | Vancouver, BCAs we revisit this conversation from Season 3—originally aired as part of Art Week 2024—I'm thrilled to share that new editions of Paul Gravett's Color Studies are now available on Artsy.net, the premiere art collectors' platform.Gravett's work has been featured in Volumes 3, 4, 5, and 7 of The Bureau of Queer Art magazine and exhibited in TBQA shows across Ventura, CA; San Diego, CA; Mexico City, Mexico; as well as Clavo Movimiento Feria de Arte 2024 & 2025. His work is currently exclusively available on Artsy.net with FOTO(grafia) 2025 | Paul Gravett | Color Studies | Vancouver, BC, running from January 20, 2025 – April 20, 2025.In this episode, we explore his innovative approach to photographic abstraction, discussing how he merges color, form, and light to create mesmerizing compositions. Whether you're discovering his artistry for the first time or revisiting it with fresh eyes, this discussion remains as compelling as ever.Download a free digital copy of The Bureau of Queer Art in English or Español at BUREAUQUEERART.COM.Subscribe to our podcast on Apple, Spotify, Google, or iHeart, and support our vibrant community with your likes, shares, and comments.#TheBureauOfQueerArt #Podcast #QueerArtists #Hockney #ArtCommunity #ListenNow

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Call for Artists: Visibility Beyond BordersAre you a queer or allied artist in Mexico seeking real visibility and opportunities beyond the same closed circles? Do you crave international exhibitions, meaningful connections, and a platform that amplifies your voice in the global art scene?The Bureau of Queer Art's INCUBATOR Online Artist Residency is open for applications. This is more than a program—it's a community-driven movement that connects you to:International exhibition opportunities—Show your work on Artsy.net, in curated solo and group shows, and in our physical exhibitions in Mexico and the U.SA powerful network—Engage with a global community of queer and allied artists who are redefining contemporary art.Curated exposure—Be seen, be collected, and build a career with the support of a residency that values your artistic evolution.A space to challenge norms—Break free from local limitations and explore the full potential of your creative practice.Upcoming HighlightsAs we prepare for our Annual Pride Exhibitions, we're also selecting artists for IMMORTAL - The Queer & Allied Art Fair, taking place October 31 – November 2, 2025, in conjunction with Día de los Muertos.Apply to enter at any time. A Spanish-speaking group is forming for an April start.Applications are now open with a reduced fee. Visit our website to apply and start your journey toward real international visibility.Download our free magazine to see what's possible and learn more about our work.Tag a queer or allied artist who needs to see this. Let's build something bigger, together.#QueerArtists #ArteQueer #artistresidency #ArtistaMexicano #InternationalExhibitions #QueerArtCommunity #TBQA #Artsy #EmergingArtists #VisibilityMatters #DíaDeLosMuertosArt #PrideExhibitions #callforartist #callforartists

This week was a recommendation from the lovely Mini a friend of the stream and podcast, King's Game. I am not going to lie, it's not good but listen in to what Artsy and I think could have easily made it good! Also sorry, music at the beginning might be a little loud!Want to join us live? Head over to twitch.tv/crazyjam where we live record each episode Wednesday night at 8:30 pm EST! If you want to recommend an anime to us, please use the following linktree to see our “recommend us an anime!” page and also every other way to interact with us! https://linktr.ee/xAnimeAnonymousxRatings:Artsy: 2/10Cj: 1/10

Episode 465/ Zoe HawkZoe Hawk (b. 1982, St. Louis) is an American artist living in Columbia, Missouri. Zoe's paintings deal with the simultaneously joyful and fraught experience of girlhood, exploring issues of feminine identity and belonging. Her work has been published in New American Paintings, Plastik Magazine, and and online in features by Artsy, Hi-Fructose, The Jealous Curator, and BOOOOOOOM. Exhibitions include From Pangs To Pangolins, curated by Trenton Doyle Hancock (Shulamit Nazarian, Los Angeles); SPRING/BREAK Art Show and FREIZE LA exhibits curated by Michael Slenske (Los Angeles); Wayward Girls (Spectrum Fine Art, Seattle); and forthcoming group exhibition Story Time (Rhodes, London). Special collaborative projects include pieces for ZARA's Women In Art clothing collection, released worldwide in 2019, the Day Dreamers Tarot Deck, created for TRUE/ FALSE international film festival 2020, and fabric print designs for the Fall/Winter 2022 collection by Paul & Joe, Paris. In 2024, Zoe was the recipient of the United Women's Art Prize for Painting & Drawing. She has attended artist residencies in Qatar, Belgium, Ireland, Norway, and the USA. Zoe holds a BFA in studio art from Missouri State University, and an MFA in painting from the University of Iowa. 

If you want to stay in style in Detroit, Detroit Furnished Rentals (313-200-8409) is now taking new bookings for their award-winning Detroit Artsy Industrial Loft apartment. Book at https://www.detroitfurnishedrentals.com/listing/detroit-artsy-industrial-loft/ Detroit Furnished Rentals City: Detroit Address: 555 Brush St Website: https://www.detroitfurnishedrentals.com/

This week was a solo episode unfortunately, Artsy was sick but I did get her rating afterwards! For a DC dive into anime, this was a very good one to go into. While Harley is again the most obvious true main character, some of the other characters really steal the show like Clayface. His version is this is easily my favorite version ever. Listen in hear more about my thoughts on this anime!Want to join us live? Head over to twitch.tv/crazyjam where we live record each episode Wednesday night at 8:30 pm EST! If you want to recommend an anime to us, please use the following linktree to see our “recommend us an anime!” page and also every other way to interact with us! https://linktr.ee/xAnimeAnonymousxRatings:Cj and Artsy : 8/10

In today's episode of the Artalogue, Madison chats with Yayoi Shionoiri, VP of External Affairs and General Counsel at Powerhouse Arts. Coming to her legal practice with a unique blend of art history knowledge and legal expertise, Shionoiri has spent over two decades championing artists and navigating intricate legal challenges in contemporary art and estate management. From her beginnings in corporate law to her influential roles at institutions like the Guggenheim Museum and Artsy, Shionoiri‘s career journey has much to learn from for aspiring lawyers and artists alike!We discuss how her undergraduate research into the conceptual art and subsequent trial of Genpei Akasegawa prompted her to learn more about and eventually help artists navigate the limits of artistic and free expression. Shionoiri also shares her personal journey from corporate law to the niche field of art law, highlighting the challenges and opportunities that come with pursuing a unique career path. Her experiences in the vibrant art scenes of Tokyo and New York provide a comparative outlook on how cultural nuances shape artistic innovation and the laws around it. Aspiring art lawyers will find her advice invaluable—emphasizing the importance of mastering legal fundamentals while balancing a deep understanding of the art world. Shionoiri‘s interest in the intersection of copyright, AI, and creativity in today's digital age raises crucial questions about the future of art and law. Join us for a thought-provoking conversation that promises to inspire artists, lawyers, and art enthusiasts alike.Follow Yayoi on Instagram!  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

This week we reviewed a recommendation from Torte, Saga of Tanya the Evil! This was a slightly shorter episode, not because the anime was lacking but just because Artsy was feeling under the weather. This was a second watch for me but still was very entertained. Let us know what you thought of this anime, and give us your recommendations as well!!Want to join us live? Head over to twitch.tv/crazyjam where we live record each episode Wednesday night at 8:30 pm EST! If you want to recommend an anime to us, please use the following linktree to see our “recommend us an anime!” page and also every other way to interact with us! https://linktr.ee/xAnimeAnonymousxRatings:Artsy: 6/10Cj: 9/10

In this special episode of The Bureau of Queer Art podcast, we bring you conversations with artists who participated in CLAVO Movimiento Feria de Arte, sharing their insights on their work, the residency experience, and the role of community in shaping their creative paths.During the fair, these artists spoke about their projects—how they've evolved, the themes they explore, and the impact of being part of The Bureau of Queer Art's residency and exhibition programming. As we celebrate recent successes, including multiple sales sparked by the fair and our Artsy platform, this episode offers a deeper look at the connections, opportunities, and artistic dialogues that continue beyond the exhibition walls.A new residency group is now forming, meeting either Tuesday or Wednesday evenings from 6:00 - 7:30 PM CDMX time, February 25th to May 10th. Read more about the costs, benefits, and reviews by alumni at TheBureauOfQueerArt.com.

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This week, we explore the life and mysterious death of Mary Pinchot Meyer, a woman with high-profile connections, including John F. Kennedy and the CIA. We'll discuss her tragic 1964 murder, the acquittal of the man charged with the crime, and theories about CIA involvement linked to her affair with JFK and the disappearance of her diary, which may have contained explosive information. Get new episodes a day early and ad free, plus chat episodes, discord access and zoom hangouts at Patreon.com/momsandmysteriespodcast   Thank you to this week's sponsors!   Give your home the refresh it needs with Wayfair. Head to wayfair.com today!  It's time to get your own personal stylist with DailyLook.  Head to DailyLook.com to take your style quiz and use code MOM50 for 50% off your first order.  Indoor cats and indoor humans agree - Pretty Litter helps your house smell fresh and clean. Go to Prettylitter.com/moms  to save 20% on your FIRST order and get a free cat toy. Terms and conditions apply. See site for details.  Give yourself the luxury you deserve with Quince! Go to Quince.com/moms for free shipping on your order and 365-day returns.    Lume's Starter Pack is perfect for new customers. It comes with a Solid Stick Deodorant, Cream Tube Deodorant, two free products of your choice (like Mini Body Wash and Deodorant Wipes), and free shipping.As a special offer for listeners, new customers GET 15% ALL Lume products with our exclusive code - and if you combine the 15% off with the already discounted starter pack, that equals over 40% off their Starter Pack! Use code MOMS for 15% off your first purchase at LumeDeodorant.com.  To advertise on the show, contact sales@advertisecast.com or visit https://www.advertisecast.com/MomsandMysteriesATrueCrimePodcast.  Listen and subscribe to Melissa's other podcast, Criminality!! It's the podcast for those who love reality TV, true crime, and want to hear all the juicy stories where the two genres intersect. Subscribe and listen here: www.pod.link/criminality    Check-out Moms and Mysteries to find links to our tiktok, youtube, twitter, instagram and more.      Sources:   Raymond Crump, Jr., Appellant, v. Sam Anderson, Superintendent, District of Columbia Jail, Appellee, 352 F.2d 649 (D.C. Cir. 1965) Basham, William, PROSECUTOR SETS STAGE IN MEYER…, Washington Star Maxwell, J.T., Crump Case Goes to Jury, Washington Daily News, 1965 Morrow, Two Washington Women, City Journal, 2018 Janney, Peter, The Murder of John Kennedy's Mistress, Part 3, WhoWhatWhy, 2017 Mary Pinchot Meyer, Spartacus Educational, 1997-2020 Janney, Peter, The Murder of John Kennedy's Mistress, Part 1, WhoWhatWhy, 2017 Janney, Peter, The Murder of John Kennedy's Mistress, Part 2, WhoWhatWhy, 2017 Hornberger, Jacob G, When Ben Bradlee…, The Future of Freedom Foundation, 2021 Janney, Peter, The Lone Voice of Justice in the murder of…, Mary's Mosaic, 2016 O'Shea, Devin Thomas, Bad Shot, Mary, Apocalypse Confidential, 2023 Morrow, Lance, 44 Years Later, a Washington, D.C. Death…, Smithsonian, 2008 Kim, Leena, Inside the Unsolved Murder of JFK's Mistress…, Town and Country, 2020 Markoski, Katherine, Artist Mary Pinchot Meyer, Smithsonian Art Museum, 2024  Warwick, Mal, John F. Kennedy's lover kept a diary, and it…, Mal Warwick On Books Vincent, Zachary, Mary Pinchot Meyer, 1920-1964, HASTA, 2023 Zielinski, Graeme, Key CIA Figure Cord Meyer Dies, Washington Post, 2001 Nobile, Phillip, Rosenbaum, Ron, The Curious Aftermath of JFK's…, New Times, 1974 Burleigh, Nina A Very Private Woman(2009-10-21).  Ward, Bernie and Toogood, Granville. "Former Vice President of Washington Post Reveals JFK - 2 Year White House Romance." National Enquirer. March 2, 1976. Kennedy Assassination Meyer and JFK Half Light | Smithsonian American Art Museum Mary Eno Pinchot Meyer (1920-1964) - Find a Grave Memorial McNeil, Liz, McAfee, Tierney, JFK's Mistress Who Was Murdered: Some Say Mary Pinchot Meyer Was Killed by CIA, People, 2017 Kenneth O'Donnell, Spartacus Educational, 1997-2020 Dovey Roundtree, Spartacus Educational, 1997-2020 Burleigh, Nina, The Mysterious Murder of Mary Pinchot Meyer…, The Daily Beast, 2012 Hornberger, Jacob G, A Remarkable Lawyer.., The Future of Freedom Foundation, 2018 JFK love letter to his alleged mistress sells for big money, Boston Globe, 2016 Newton, Michael (2009). "Mary Pinchot Meyer". The Encyclopedia of Unsolved Crimes (2nd ed.). New York: Infobase Publishing. pp. 240–241. ISBN 9781438119144 Bell, Anthony, The quietly defiant, unlikely fighter: Pfc. Sarah Keys and the fight for justice and humanity, The United States Army, 2014 Grant, Steve, Gifford Pinchot: Bridging Two Eras of National Conservation, Connecticut History Weinman, Sarah, Women on the Edge of a Conspiracy Theory, Hazlitt, 2013 Cohen, Alina, The Forgotten Female Artist Who May Have Been Murdered by the CIA, Artsy, 2019 BLOND GHOST: Corn, David: 9780671695255: Amazon.com: Books Flashbacks: Leary, Timothy: 9780874778700: Amazon.com: Books

“The people that are members of the Mural Society are amazing. They do everything that they do because of the love of their community.” Ann Thompson is the art curator of murals for the Lompoc Mural Society. In this episode, Ann chats with Luis about the history of art in Lompoc California, all the beautiful murals around town, how they met, why art needs to be restored, how some murals are done in one day, satellites, how you know when you are finished with a piece of art, how the Mural Society chooses the art, historic buildings, and all the various types of murals around town. Support Road Dog Podcast by: 1. Joining the Patreon Community: https://www.patreon.com/roaddogpodcast 2. Subscribe to the podcast on whatever platform you listen on. GO SLEEVES: https://gokinesiologysleeves.com HAMMER NUTRITION show code: Roaddoghn20 Listeners get a special 15% off at https://www.hammernutrition.com DRYMAX show code: Roaddog2020  Listeners get a special 15% off at https://www.drymaxsports.com/products/ LUNA Sandals “Whether I'm hitting the trails or just hanging out, LUNA Sandals are my favorite. They're designed by Barefoot Ted of Born to Run and made for every adventure—ultra running, hiking, or just kicking back. Its minimalist footwear that's good for your feet!” Check them out and get 15% off at lunasandals.com/allwedoisrun Allwedoisrun.com Ann Thompson Contact Info: Lompoc Mural Society: https://www.lompocmurals.com Luis Escobar (Host) Contact: luis@roaddogpodcast.com Luis Instagram Kevin Lyons (Producer) Contact: kevin@roaddogpodcast.com yesandvideo.com Music: Slow Burn by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Original RDP Photo: Photography by Kaori Peters kaoriphoto.com Road Dog Podcast Adventure With Luis Escobar www.roaddogpodcast.com

Sick of sending openers that women ignore? Not sure what to write on Hinge, Tinder, or Bumble? In this episode, dating coach Connell Barrett shares his top 10 best flirty online-dating openers—tested and proven to get responses. You'll get copy-and-paste openers for every type of woman to get them writing you back and going on dates with you. Plus, Connell reveals his no. 1 opener that works on ANY woman … and gets him replies 81% of the time!You're about to learn:05:30: Connell's Lowest Online-Dating Moment06:45: His Comeback: 3 Great First Dates in 3 Nights—All from the Apps!09:30: Flirty Opener #10: What to Write… when Her Bio is Empty12:52: Flirty Opener #9: …when She Has Lots of Selfies14:31: Flirty Opener #8: …when She's into Partying and Socializing16:25: Flirty Opener #7: …when She Has a Dog in Her Photos19:09: Flirty Opener #6: … when She Has Bold, Flirty Pics (Bikini shots, Cleavage)23:30: Flirty Opener #5: …when Her Bio is Witty or Sarcastic30:01: Flirty Opener #4: …when She's Really into Travel33:40: Flirty Opener #3: …when She's an Artsy, Creative Type37:00: Flirty Opener #2: …when She's Highly Career-driven40:03: Flirty Opener #1: The Best Opener that Works On Any Woman 81% of the TimeListen now and use these flirty openers to get women writing you back… and get dates!FOR A FREE STRATEGY CALL WITH CONNELL TO LEARN HOW TO HAVE GREAT FIRST DATES:http://www.datingtransformation.com/contactTO GET FREE ACCESS TO “THE FLIRTY 30,” CHARMING QUESTIONS TO ASK WOMEN ON DATES, ON THE APPS, AND WHEN YOU APPROACH:http://www.datingtransformation.com/FLIRTY30WANT A FREE COPY OF CONNELL'S NO. 1 AMAZON BESTSELLING BOOK, “DATING SUCKS BUT YOU DON'T”? EMAIL CONNELL AND WRITE “FREE BOOK” IN THE SUBJECT LINE AND YOU'LL GET IT INSTANTLY:Connell@datingtransformation.com

¿Cómo ser un artista? En el episodio de hoy sacamos aprendizajes de la práctica artística basados en las carreras de Keith Haring, Georgia O'Keeffe, Eva Hesse, Basquiat y Sol Lewitt. Ojalá que alguna de las lecciones (o todas) te caiga en el momento correcto. La información salió del formato de "How to be an artist" del medio Artsy. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we wrapped up the full Season 1 of Oshi no Ko, and gotta say episodes 2-11 were great! While we did enjoy the worldbuilding and setup of the movie that was episode 1, the rest of the episodes just raised the bar and delving into how the siblings handle their loss is well done along with the handling of other big issues like online bullying. Want to join us live? Head over to twitch.tv/crazyjam where we live record each episode Wednesday night at 8:30 pm EST! If you want to recommend an anime to us, please use the following linktree to see our “recommend us an anime!” page and also every other way to interact with us! https://linktr.ee/xAnimeAnonymousx Ratings for Season 1 as a whole: Artsy: 8/10 Cj: 8/10

This week was a random pic by Artsy, 2019's Her Blue Sky! This movie went in a different direction than we thought it originally would, with a mix of music, drama, romance, and time travel! Want to join us live? Head over to twitch.tv/crazyjam where we live record each episode Wednesday night at 8:30 pm EST! If you want to recommend an anime to us, please use the following linktree to see our “recommend us an anime!” page and also every other way to interact with us! https://linktr.ee/xAnimeAnonymousx Ratings: Artsy: 3/10 CJ: 4/10

Episode 458 / Emily Wise Emily Wise (born 1988, Baltimore, MD) received her BFA from the Pacific Northwest College of Art in Portland, OR, where she currently lives and works. Exploring themes related to femininity, intimacy, and the mysteries of the natural world, her paintings have been featured in national publications such as Juxtapoz and Artsy. She has exhibited across Portland, LA and NYC with Chefas Projects and DTLA based gallery Simard Bilodeau Contemporary.

Back in 1911, the Mona Lisa didn't get a lot of attention. Art critics considered it an excellent example of a painting from the renaissance era, but the general public wasn't nearly so enamored. That changed in August of that year, when someone plucked it off the wall of the Louvre, busted it out of its glass box and frame, and took off with it. Remember, kids, history hoes always cite their sources! For this episode, Kristin pulled from: “Who stole the Mona Lisa?” by Simon Kuper for Slate “Stolen: How the Mona Lisa became the world's most famous painting,” by James Zug for Smithsonian Magazine “Stealing Mona Lisa,” by Dorothy and Thomas Hoobler for Vanity Fair The documentary “Mona Lisa is Missing” “When Picasso went on trial for stealing the Mona Lisa,” by Ian Shank for Artsy.net “The man who stole the Mona Lisa,” by Laura Cumming for The Guardian “The Theft That Made The ‘Mona Lisa' A Masterpiece,” NPR.org Are you enjoying An Old Timey Podcast? Then please leave us a 5-star rating and review wherever you listen to podcasts! Are you *really* enjoying An Old Timey Podcast? Well, calm down, history ho! You can get more of us on Patreon at patreon.com/oldtimeypodcast. At the $5 level, you'll get a monthly bonus episode (with video!), access to our 90's style chat room, plus the entire back catalog of bonus episodes from Kristin's previous podcast, Let's Go To Court.

In today's episode, we dive into the deeply transformative work of DanaidX—a collaborative force comprised of Hope Brooks and Angela Yarian. Fresh off their participation in FOTO(grafia) 2025 and their Artsy.net solo exhibition Goddess, Myths, and Monsters, we explore how this duo crafts a visual dialogue on womanhood, vulnerability, and resilience. Through the evocative medium of cyanotype, Brooks and Yarian blur the lines between personal grief and universal myth, using their art to dismantle archetypes and reframe cultural expectations. Their works, such as Matron and Placenta #1, challenge perceptions of strength and interdependence while reclaiming the narratives surrounding cis and trans women. Join us as we unpack their artistic philosophy, process, and the power of care in creation. DanaidX reimagines ancient myths and modern struggles, offering a blueprint for finding beauty in imperfection and strength in limitation. Listen now and let their story inspire your own creative exploration. Available on all major podcast platforms. #DanaidX #Photography #Cyanotype #ContemporaryArt #QueerArt #FOTOgrafia2025 #ArtPodcast

In this episode of Platemark, Jonathan Higgins discusses his journey as the owner and master printer of Manneken Press, established in 2000 in Bloomington, Illinois. We talk about his early life in Berkeley, California, his initial interest in art and ceramics, and his transition to printmaking. After exploring lithography and working for various artists and print workshops in New York, including at Galamander Press with Randy Hemminghaus, he eventually founded Manneken Press. Jonathan shares insights into the operational strategies, collaborative projects with artists, challenges with photogravure, and his approach to publishing and curating prints. He also touches on the impact of COVID-19 on his work processes and future projects, while emphasizing the importance of selecting artists whose work resonates with him. The interview concludes with a reflection on the evolution of Manneken Press and Jonathan's current focus and achievements.   Episode photo by: Matt Shrier https://mannekenpress.com/ Blog: https://mannekenpress.com/news-the-manneken-press-blog/ Artsy: https://www.artsy.net/partner/manneken-press Printed Editions: https://www.printed-editions.com/gallery/manneken-press/ IG: @mannekenpress IG: jonathiggins   Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook   Philip Van Keuren (American, born 1948). Snowstorm, 2016. Photogravure. 14 x 18 in. Published by Manneken Press. Courtesy of Manneken Press. Philip Van Keuren (American, born 1948). Tulips, 2019. Photogravure. 18 x 14 in. Published by Manneken Press. Courtesy of Manneken Press. Manneken Pis, Brussels, Belgium. Manneken Pis, Brussels, Belgium. Shrine to Manneken Pis at Manneken Press. Courtesy of Manneken Press. Rupert Deese (American, born 1952). Array 1000/Dark Blue, 2011. Woodcut. 45 x 45. Published by Manneken Press. Courtesy of Manneken Press. Ted Kincaid (American, born 1966). Nest 920, 2008. Etching. Plate: 20 x 16 in.; sheet: 25 x 21 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). (L–R) Bugs, Drugs, Plugs, 2021. Set of three aquatints. Each: 21 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). Lunar Lantern, 2024. Aquatint. 23 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). Mind Gap, 2024. Aquatint. 23 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). Winter Pool, 2024. Aquatint. 23 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Preparing to print the plate for the watercolor monotype Foursquare Foresworn by Judy Ledgerwood (American, born 1959) at Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Foursquare Foresworn, 2020. Watercolor monotype. 22 x 30 in. Published by Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Detail of watercolor monotype Old Glory, right after printing. Published by Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Old Glory, 2020. Watercolor monotype. 22 x 30 in. Published by Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Inner Vision, 2020. Suite of 9 watercolor monotypes. Published by Manneken Press. Courtesy of Manneken Press. Jill Moser (American, born 1956) working on the plates for Chroma Six in her Long Island City studio. Courtesy of Manneken Press. Jill Moser (American, born 1956). Chroma Six, 2019. Suite of six color aquatints. Each: 23 1/2 x 20 in. Published by Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974) stopping out a copper plate with asphaltum at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). Detail of a plate with soap ground applied prior to etching at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974) plates with soap ground applied prior to etching at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). The first plate of Prospect inked and ready to print at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). The second plate of Prospect inked and ready to print at Manneken Press. Courtesy of Manneken Press. Jonathan Higgins pulling a color proof of Prospect, an etching by Jason Karolak (American, born 1974) at Manneken Press. Courtesy of Manneken Press. Jonathan Higgins pulling a color proof of Prospect with all 10 colors, an etching by Jason Karolak (American, born 1974) at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). Working proof of Prospect, 2024. 2-plate aquatint. Plate:  21 x 18 in.; sheet: 26 1/2 x 23 in. Published by Manneken Press. Courtesy of Manneken Press.

Podcast Show Notes: In this episode of The Art Elevator Podcast, we are joined by Lucy Walter, Head of Small Business Partnerships at Artsy, the world's largest online marketplace for discovering, buying, and selling fine art. Lucy shares her journey from finance to her current role at Artsy and discusses how the platform is revolutionizing the art market for small and emerging galleries.  From strategies for increasing visibility to the importance of diversifying sales channels, Lucy provides invaluable insights into how galleries can thrive in the digital art world. She also introduces Artsy's exciting new partnership with ArtCloud, which simplifies gallery operations and empowers them to focus on what they do best: connecting collectors with incredible art. Whether you're a gallery owner, an art collector, or simply fascinated by the intersection of art and technology, this episode is packed with actionable advice and inspiring stories. What You'll Learn in This Episode: What is Artsy? An introduction to the platform and its mission to expand the global art market. Challenges for Small Galleries: How Artsy helps galleries grow visibility, reach global collectors, and manage operations efficiently. Online Art Sales Trends: Why 80% of collectors are buying art online and how Artsy is leveraging this shift. The Power of an Online Presence: Tips for galleries to integrate in-person events with online platforms for maximum impact. Artsy x ArtCloud Partnership: How this integration is transforming inventory management and sales for galleries. Why Artsy is a Game-Changer for Collectors: A seamless journey from discovery to purchase and beyond. Key Highlights:  Artsy has seen a 40% increase in sales this year despite a broader market downturn. Galleries on Artsy gain global visibility, which is essential for emerging artists with regional demand. Artsy's tools and analytics help galleries save time, optimize their operations, and grow their businesses. The ArtCloud partnership streamlines inventory and sales management, saving galleries up to 80% of time on administrative tasks. Collectors can explore curated collections, discover emerging artists, and purchase works from galleries worldwide with ease. Resources and Links: Register interest in Artsy: https://partners.artsy.net/gallery-partnerships/   Explore the ArtCloud Partnership: https://partners.artsy.net/artcloud/ 2024 report on collector behavior: https://partners.artsy.net/resource/art-collector-insights-2024/ Artsy Viewing Rooms: https://www.artsy.net/viewing-rooms Sponsor Shoutout: This episode of The Art Elevator is brought to you by Artifactual History and Larissa Wild Fine Art. To stay inspired and informed, join our email list today! You'll receive updates about our latest creations, valuable tips, and a deeper look into the art world.   CLICK HERE TO JOIN THE FUN! - https://larissawild.com/podcast-signup

Unfolding Memory, Time, and Self is a powerful solo exhibition by Lucia Znamirowski, presented by The Bureau of Queer Art on Artsy from September 28, 2024, to January 11, 2025. This deeply personal collection invites viewers to explore the fluid nature of memory, identity, and time. Through works like Ghost Stain and The Passcode Only Works Once, Lucia delves into how memories evolve and reshape, mirroring the ways we understand ourselves and the world around us. These themes will be further explored in her upcoming appearance on The Bureau of Queer Art podcast.View today on Artsy.net (Link in Bio) and Apply for upcoming exhibitions and residency program (online) leading to Art Week CDMX 2025 in February and Foto(grafia) 2025!@luciastudio @artsy#teotihuacan #queerart #TipDeModa #DiaDeLosMuertos #VidaMuerteArte #MexicoCityArt #ArtWeekCDMX2025 #QueerCommunity #QueerAllied #ArteQueer #Podcast #harrisforpresident2024 #photographer #beyonce

This week we got back into the world of Made in Abyss, and it was definitely a tough one for Artsy. If you are not okay with gore, or children going through tough, brutal issues then this movie and series is not for you! Listen in on what we did, and didn't, like so much about this movie!Want to join us live? Head over to twitch.tv/crazyjam where we live record each episode Wednesday night at 8:30 pm EST! If you want to recommend an anime to us, please use the following linktree to see our “recommend us an anime!” page and also every other way to interact with us! https://linktr.ee/xAnimeAnonymousx Ratings: Artsy : 1/10 Cj: 6/10

Dive into Jennifer Nerio's latest work, Aftertaste, where she masterfully blends humor and introspection to explore the impermanence of memory and life itself. Through playful imagery like melting popsicles and vanitas-inspired portraits, Nerio invites us to reflect on fleeting moments and familial legacy with a mix of levity and depth. Her participation in The Bureau of Queer Art's residency has pushed her work into more personal and existential territory, making Aftertaste one of her most intimate and thought-provoking pieces yet. We are building for an amazing 2025 with: • Foto(grafia) 2025 in CDMX and San Diego, CA. with Studio Door - sponsored by Secretary of Culture CDMX/Benito Juarez • Art Week CDMX, February 5-9, at the Centro Cultural Juan Rulfo & Clavo Movimiento. • World Pride in Washington, D.C.Maryland Art Place in Baltimore, MD, this September. • Closing the year in November with a special exhibition from our online residency program, THE INCUBATOR. Let your art speak the truth that history may overlook. Let it be our declaration, our resilience, our reclamation. Reduced App fees to $12.50 USD! TheBureauofQueerArt.com #QueerVoices #CreativeResistance #HealingThroughArt #ArtsyExhibition #EmergingArtists #ArtsyExclusive #artsy #bureauqueerart #arteMexico #ArtExhibition

In this episode of the Valley Today, host Janet Michael speaks with Niki Foster from the Front Royal-Warren County Chamber of Commerce. The conversation covers a wide range of topics including the significance of Small Shop Saturday, upcoming events, and the importance of supporting local businesses. The discussion begins with a lighthearted exchange about recording on Black Friday and the chilly weather outside. Janet and Niki commend each other for not partaking in the Black Friday madness, instead choosing to support local businesses on Small Shop Saturday. They then transition into the main subject of the upcoming events organized by the Chamber of Commerce. One such event is 'Coffee and Conversation,' which has been running since July and has quickly become a community favorite. It offers informative yet casual meet-ups where attendees can interact with local officials and learn more about the community. Niki shares her excitement for the December 6th event featuring leaders from Warren County Fire and Rescue Services. The conversation also delves into the upcoming Christmas Parade, scheduled for December 7th. Niki emphasizes the importance of timely registration and outlines the logistical challenges of organizing such a large event. Janet also humorously remarks on the ridiculousness of last-minute entries trying to be part of the parade. Following that, they discuss the 'Merry Market,' which will have 48 vendors offering unique, locally-made products. Janet and Niki underscore the value of shopping local not only during the holidays but throughout the year. They mention how buying locally-made products keeps money within the community and helps small businesses thrive. Niki details the various activities happening downtown on parade day, including carriage rides, Christmas classics at Royal Cinemas, and special events at local businesses like Stone Branch Center for the Arts and Artsy. There will also be food trucks and musical performances, making it a full-day event for the community to enjoy. Wrapping up the conversation, Janet and Niki talk about an upcoming Business After Hours event at Royal Cinemas, where donations will be collected for the foster care program. The event will conclude with a free screening of 'It's a Wonderful Life,' making it a festive occasion for networking and holiday cheer.  

Ben Cuevas weaves their identity, resilience, and activism into art that transcends the personal and the political. As a queer, non-binary, HIV-positive, Latinx artist, Cuevas transforms textiles into vessels of survival and belonging. Through groundbreaking works like Knit PrEP—a knitted sculpture reimagining the HIV-prevention pill as a symbol of care and community—Cuevas dismantles stigma and bridges narratives of otherness. Their art, deeply autobiographical, turns the mundane into the profound, bearing witness to the HIV/AIDS epidemic while empowering future resilience. Through their craft, Cuevas calls us to embrace humanity, challenge ignorance, and honor the ongoing fight for equity and compassion. The Bureau of Queer Art commemorates World AIDS Day 2024 with an exclusive on Artsy.net. - Discover 12 visionary queer artists confronting the past and reshaping the future. - Access a free special edition of our magazine, filled with stories that refuse to stay silent. - Listen to a bonus podcast episode exploring the art and activism that changed generations. Celebrate #WorldAIDSDay by diving into the fearless legacy of #QueerArt and the transformative power of #ArtAsActivism. Explore the bold narratives of #GranFury and #VisualAIDS as we honor #AIDSHistory through the voices of #QueerVoices and #LGBTQActivism. This is more than art—it's #CreativeResistance, a call to action for #ArtForChange , and a celebration of unyielding defiance.

On this World AIDS Day 2024, we're proud to release a special edition of THE BUREAU OF QUEER ART podcast & magazine, diving deep into GRITO VIEJITO—an extraordinary collaboration by Dolissa Medina and Gera Ananias Méndez Soria. This interdisciplinary project reimagines the traditional Mexican dance La Danza de los Viejitos to explore resilience, queer survival, and the untold stories of long-term HIV survivors. Listen now on Amazon, iHeart, Apple Podcasts, and Spotify to discover how art becomes a powerful tool for healing and liberation. Don't miss the companion magazine, available at THEBUREAUOFQUEERART.COM, featuring an exclusive Artsy.net show dedicated to this transformative work. Together, let's amplify these vital narratives and honor the lives and stories that shape our shared history. We are building for an amazing 2025 with: Foto(grafia) 2025 in CDMX and San Diego, CA. with Studio Door - sponsored by Secretary of Culture CDMX/Benito Juarez Art Week CDMX, February 5-9, at the Centro Cultural Juan Rulfo & Clavo Movimiento. World Pride in Washington, D.C. Maryland Art Place in Baltimore, MD, this September. Closing the year in November with a special exhibition from our online residency program, THE INCUBATOR. We accept applications directly on our website at a reduced cost for the INCUBATOR online residency. Seeking artists for solo exhibitions on Artsy.net collectors platform. Learn more at THEBUREAUOFQUEERART.COM.

The art world is changing fast, and in this solo Q&A episode of Art and Cocktails, Kat shares how artists can adapt and thrive in today's landscape. Topics include:   Navigating Economic Challenges: Practical advice for growing your art career in a tough financial climate. The AI Era: How to stay motivated and double down on your humanity in a world of automation. Rethinking Gallery Representation: When galleries make sense, how to approach them, and alternatives for self-representation. Curating Your Own Shows: Steps for creating independent exhibitions and showcasing your art on your own terms. Connecting with Collectors: Finding your ideal audience, even in uncertain times.   This episode is packed with honest insights and actionable strategies for artists ready to take control of their careers and create opportunities despite challenges. Perfect for creatives navigating a rapidly evolving industry.   Shop my favorites:  https://www.amazon.com/shop/katerinaspopova Resources Mentioned Books & Articles: The Complete Smartist Guide – Comprehensive tips for pricing and marketing your art. https://www.amazon.com/shop/katerinaspopova UBS Art Market Report – Insights into global art market trends. https://theartmarket.artbasel.com Art Newspaper, Financial Times, New York Times Art Sections – Stay updated on art pricing and trends. Websites & Platforms: NYFA (New York Foundation for the Arts) – Open calls, residencies, and portfolio reviews. YourOwnArtShow.com – Step-by-step program for curating your own exhibitions. Artsy.net – Pricing insights and gallery connections. Tools & Technology: Cameras: Sony ZV-1 (linked in Amazon favorites). https://www.amazon.com/shop/katerinaspopova Website Builders: Squarespace for creating a professional portfolio and shop. Email Marketing: Flowdesk and MailChimp for building and engaging your audience. Previous Podcast Episodes: Interview with Stephanie Sachs on finding collectors and marketing strategies. Sonia Burrell on art collecting and gallery relationships. Tim Fowler on scaling to larger canvases. Special Mentions: Gita Joshi – Collaborative programs and insightful episodes on the podcast. https://www.thecuratorssalon.com Create Magazine – Juried opportunities and connecting with curators. www.createmagazine.co

Dive into the heart of Libia Rocha's artistic journey in our latest episode, now live on the podcast and in The Bureau of Queer Art free digital magazine. From Durango to Mexico City, Rocha explores themes of love, loss, and queer identity in her boldest work yet, Sappho's Death. As part of the Efímero | Vida, Muerte, & Arte exhibition now exclusively on Artsy.net, Rocha shifts into abstraction, inviting viewers to connect with the raw emotions behind her work. "Art connects us to our humanity," Rocha shares. "It's a bridge in divided times." Download the magazine at TheBureauOfQueerArt.com #LibiaRocha #TBQAPodcast #Efimero #QueerArt #ArtsyExhibition #Community #arteCDMX #arteMexico #artmexico #artsy #thebureauofqueerart #bureauqueerart

In this episode of High Theory, Faye Raquel Gleisser tells us about Risk. A calculable danger in economics, athletics, sociology, or healthcare, risk has become a socially constructed danger that changes who we are and how we move through the world. Faye asks us to think about how risk management and risk literacy shaped the conceptual and performance work of American artists in the late twentieth century. Who is at risk? Who is safe? And how do we know? Faye's book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (U Chicago Press, 2023) studies how artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists' experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists' anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society. Faye Raquel Gleisser is an associate professor of art history at Indiana University and curator, whose work focuses on three main subject areas: art and tactical intervention; the racial logics of archives; and curatorial ethics and canon formation. By bridging curation, art history, and performance studies, she investigates histories of art that challenge intertwined anti-Black societal structures and patriarchal, white-centering notions of value that have long limited the canon of “American art.” She approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter. In the episode Faye names several artists including Asco, Chris Burden, the Guerrilla Girls, Tehching Hsieh, and Adrian Piper. This image for this episode is a photograph by Harry Gambota Jr. titled First Supper (After a Major Riot), 1974 that documents a performance by the Chicano art group Asco in Los Angeles. See the Artsy page about the photograph for more about the art and the artist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode of High Theory, Faye Raquel Gleisser tells us about Risk. A calculable danger in economics, athletics, sociology, or healthcare, risk has become a socially constructed danger that changes who we are and how we move through the world. Faye asks us to think about how risk management and risk literacy shaped the conceptual and performance work of American artists in the late twentieth century. Who is at risk? Who is safe? And how do we know? Faye's book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (U Chicago Press, 2023) studies how artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists' experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists' anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society. Faye Raquel Gleisser is an associate professor of art history at Indiana University and curator, whose work focuses on three main subject areas: art and tactical intervention; the racial logics of archives; and curatorial ethics and canon formation. By bridging curation, art history, and performance studies, she investigates histories of art that challenge intertwined anti-Black societal structures and patriarchal, white-centering notions of value that have long limited the canon of “American art.” She approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter. In the episode Faye names several artists including Asco, Chris Burden, the Guerrilla Girls, Tehching Hsieh, and Adrian Piper. This image for this episode is a photograph by Harry Gambota Jr. titled First Supper (After a Major Riot), 1974 that documents a performance by the Chicano art group Asco in Los Angeles. See the Artsy page about the photograph for more about the art and the artist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode of High Theory, Faye Raquel Gleisser tells us about Risk. A calculable danger in economics, athletics, sociology, or healthcare, risk has become a socially constructed danger that changes who we are and how we move through the world. Faye asks us to think about how risk management and risk literacy shaped the conceptual and performance work of American artists in the late twentieth century. Who is at risk? Who is safe? And how do we know? Faye's book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (U Chicago Press, 2023) studies how artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists' experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists' anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society. Faye Raquel Gleisser is an associate professor of art history at Indiana University and curator, whose work focuses on three main subject areas: art and tactical intervention; the racial logics of archives; and curatorial ethics and canon formation. By bridging curation, art history, and performance studies, she investigates histories of art that challenge intertwined anti-Black societal structures and patriarchal, white-centering notions of value that have long limited the canon of “American art.” She approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter. In the episode Faye names several artists including Asco, Chris Burden, the Guerrilla Girls, Tehching Hsieh, and Adrian Piper. This image for this episode is a photograph by Harry Gambota Jr. titled First Supper (After a Major Riot), 1974 that documents a performance by the Chicano art group Asco in Los Angeles. See the Artsy page about the photograph for more about the art and the artist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Episode 8 is now live on Spotify, iHeart, and Apple Podcasts. This week, we feature Colette Hebert — Tango champion, artist, and advocate for movement as a form of expression. Colette shares her journey of blending the worlds of dance and painting, creating art that feels alive with rhythm and energy. Discover how her passion for Tango influences her creative process, how love shapes her work, and the unique techniques she uses to bring dynamic tension and harmony to her canvas. This exclusive show is available on podcast platforms and Artsy until January 11, 2025.Tune in to hear Colette's inspiring story of passion, art, and movement.#Podcast #Tango #ArtAndDance #ColetteHebert #queerArt #CreativeJourney #queerartistsofinstagram

Unveiling a mesmerizing fusion of ancient mythology and modern tech, Kelley and Gavin Brodin's two-headed serpent sculpture reimagines Quetzalcoatl, the mighty Aztec deity of life, death, and rebirth. Crafted with cutting-edge 3D technology, this piece brings a timeless legend into the now, honoring the cycle of existence with striking detail. Catch it at Efímero | Vida, Muerte, & Arte on Artsy dot net until 2025 – a tribute to the beauty and impermanence of life itself. The Brodins' art is where tradition meets innovation, making it a must-see moment in this year's exhibition!

We are nearing the end of the season of Bob as we review today's movie The Family Fang. Starring Jason Bateman, Nicole Kidman, and Christopher Walken, The Family Fang follows the performance art driven Fang family as they simultaneously make crappy art and ruin their kids lives. Now as adults, brother and sister Baxter and Annie reconnect and sort out their past demons together.Support the showCatch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

FutureLAND is an annual multi-day conference celebrating the diversity in tech, arts, and culture in Northeast Ohio. The City Club is proud to partner with FutureLAND again this year for a special LIVE broadcast from the Allen Theatre in Playhouse Square!rnrnThis year, we will hear from Everette Taylor, CEO of Kickstarter, the world's premierrncrowdfunding platform for creative projects. Under Everette's leadership, Kickstarter was named one of Time Magazine's 100 Most Influential Companies for trailblazing the future of work and for the company's global impact in the creator economy.rnrnPrior to joining Kickstarter, Everette most recently served as the CMO of Artsy, the largest online marketplace for buying and selling fine art. During his time at Artsy he was recognized by Forbes as one of the World's Most Influential CMOs due to the business seeing all-time record revenue growth and brand awareness.rnrnAs an entrepreneur, Everette founded or co-founded several multi-million-dollar companies before the age of 30 (PopSocial, GrowthHackers, MilliSense) and sold his first company (EZ Events) at the age of 19.

This hour we take your calls about anything you want to talk about.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

This week on The Curatorial Blonde we have Lauryn Levette. Levette sets her colorful figurative works in a dreamscape capturing the subconscious mind and elevating agency and power in Black women. Her paintings and drawings reference personal narrative, pop culture, and spirituality to explore themes of the self, the power of introspection, and learning to assert comfort and vulnerability in a world that is still learning to value it. Levette graduated with a BFA in Painting from the Rhode Island School of Design in 2021. Her art has been exhibited in several fairs, auctions, and solo and group shows across the U.S. and internationally for venues such as Soho House, Untitled, Miami, and WACO's Wearable Art Gala. She is recognized in Artsy, Juxtapoz Magazine, and RISD Museum publications. . . . . . . . . . . . . . . . . . . #thecuratorialblondepodcast  #LaurynLevette #womenartists #artpodcasts  #Blackwomeninarts

Erin and Stanger welcome SNL's James Austin Johnson to the weight room! We talk being the artsy sibling in an athlete family, trying to be healthy while living your dream job and the first time James ate an orange!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We meet curator and writer Gemma Rolls-Bentley to discuss her exciting new book Queer Art, recorded in front of a live audience at the Turner Contemporary in Margate.Gemma's debut book Queer Art; From Canvas to Club and the Spaces Between is out now. With nearly 200 artworks selected by leading LGBTQI+ curator Gemma Rolls-Bentley, this book mixes the high-brow with the low, gallery stalwarts with Instagram stars, and the racy with the fabulous. This is a unique celebration of queer life – a must-have for the LGBTQI+ community, art lovers and anyone interested in the culture surrounding queer identity. The twentieth century saw key shifts for the LGBTQI+ community across the western world: from the Stonewall uprising to the first pride parades and homosexuality law reforms. The years following these milestone moments have seen queer life face new challenges, celebrations, injustices and liberations. As ever, this journey has been closely mapped by art and culture. Artists working across all mediums from painting, performance, digital and beyond have captured key moments, from the HIV/AIDS crisis and the rise of drag, to marriage equality and the fight for trans liberation.Gemma was born and raised in South Yorkshire. She spent her early years living on a farm and then in a village on the Yorkshire/Derbyshire border at the edge of Sheffield, where her parents still live. She left when she was 18 to go to Edinburgh University to study Maths & A.I. but graduated with a degree in Art History instead. When she moved to London to do an MA at the Courtauld Institute of Art she discovered that everyone in the art world was posh. She changed her surname to Rolls-Bentley on Facebook as a joke and it stuck. Gemma curated her first exhibition when she was a student in Edinburgh, a group show of fine art students in an abandoned travel agents. She's been curating ever since.She's spent almost two decades working passionately to champion diversity in the field. Curating exhibitions and building art collections internationally, her curatorial practice amplifies the work of female and queer artists as well as providing a platform for art that explores LGBTQ+ identity.Gemma is a creative consultant and advisor for brands, organisations, and cultural projects, in addition to teaching at numerous institutions including the Royal College of Art, the Glasgow School of Art, and Goldsmiths. She spent a decade working at the intersection of art and technology, holding positions of Chief Curator at Avant Arte and Curatorial Director at Artsy. Prior to that she spent 6 years working at Damien Hirst's studio, where she learned a lot about the art world (and what she wanted to help change).She co-chairs the board of trustees for the charity Queercircle, and sits on the Courtauld Association Committee. She was previously a trustee for Deptford X. In 2011, Gemma launched the arts arm of the East London Fawcett Group and ran their 2012-2013 Art Audit campaign.Recent curatorial projects include Tschabalala Self's first public art project at Coal Drops Yard in London, the Tom of Finland Art & Culture Festival, and the Brighton Beacon Collection, which is the largest permanent display of queer art in the UK. In 2023, she curated the group exhibition Dreaming of Home at Leslie Lohman Museum of Art in NYC, and she is the host of the museum's new podcast series.Follow @GemmaRollsBentley Hosted on Acast. See acast.com/privacy for more information.