Podcasts about art basel miami

This week on Unglossy, we get rare, front-row access to hip-hop happening in real time. Tom and Jeffrey go full fly-on-the-wall as Bun B and Statik Selektah build TrillStatik 5 from scratch—live, unannounced, and completely unscripted—during Art Basel weekend in Miami.From surprise guests walking straight off the street into the booth, to verses written, recorded, and sequenced on the spot, this episode pulls back the curtain on what creative chaos looks like when mastery meets momentum. Bun breaks down the pressure of rapping on every track, the communal energy of artists who simply love to rap, and why TrillStatik is about execution, not exploitation.You'll hear stories involving Tony Sunshine, Termanology, Robb Banks, Bone Crusher, and a legendary Busta Rhymes phone call that turned into a masterclass in respect, legacy, and bars. No rollouts. No safety nets. Just craft, competition, and culture—captured as it happens.If you've ever wondered how real hip-hop gets made when the clock is ticking and the mic is hot, this one's for you. This is Unglossy."Unglossy" is produced and distributed by Merrick Studio and hosted by Bun B, Tom Frank and Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation  and check out all our episodes at https://wearemerrickstudios.com/unglossy-pod.Send us a textSupport the show

Linktree: ⁠⁠⁠https://linktr.ee/Analytic⁠⁠⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠⁠⁠https://ow.ly/msoH50WCu0K⁠⁠⁠ Analytic Dreamz unpacks 21 Savage's surprise fourth studio album, WHAT HAPPENED TO THE STREETS? (WHTTS), announced December 8, 2025, and dropping December 12 via Slaughter Gang/Epic Records. This gritty return to street-level storytelling—questioning eroded "street code"—follows american dream's No. 1 Billboard 200 debut with 133K units, hits like "redrum" and "nee-nah." Expect 14 unreleased tracks in 45-50 minutes, no pre-singles, speculated features from Metro Boomin, Lil Durk, Travis Scott. Highlights: 30-second monochromatic teaser with sniper imagery and voiceover "I wanna know what happened to the street code I grew up on," racking millions of views; Art Basel Miami activation with Slawn's upside-down clown inflatable at Andrew Salomon gallery and Booby Trap; surreal monochromatic cover art fusing urban decay, daggers, shadows—inspired by Kerry James Marshall. After low-key 2025 features on Summer Walker's “Get Yo Boy,” Travis Scott's JACKBOYS 2, Metro's A Futuristic Summa, analysts predict another No. 1 with holiday streams. Analytic Dreamz details rollout, themes of nostalgia vs. modern betrayal, physical editions with five unique Slawn CD covers (2,100 numbered copies), and why this minimalist drop reclaims Savage's roots. Must-listen for 21 Savage, hip-hop street narrative fans. Pre-save now on Spotify, Apple Music.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠⁠⁠https://linktr.ee/Analytic⁠⁠⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠⁠⁠https://ow.ly/msoH50WCu0K⁠⁠⁠ Analytic Dreamz unpacks 21 Savage's surprise fourth studio album, WHAT HAPPENED TO THE STREETS? (WHTTS), announced December 8, 2025, and dropping December 12 via Slaughter Gang/Epic Records. This gritty return to street-level storytelling—questioning eroded "street code"—follows american dream's No. 1 Billboard 200 debut with 133K units, hits like "redrum" and "nee-nah." Expect 14 unreleased tracks in 45-50 minutes, no pre-singles, speculated features from Metro Boomin, Lil Durk, Travis Scott. Highlights: 30-second monochromatic teaser with sniper imagery and voiceover "I wanna know what happened to the street code I grew up on," racking millions of views; Art Basel Miami activation with Slawn's upside-down clown inflatable at Andrew Salomon gallery and Booby Trap; surreal monochromatic cover art fusing urban decay, daggers, shadows—inspired by Kerry James Marshall. After low-key 2025 features on Summer Walker's “Get Yo Boy,” Travis Scott's JACKBOYS 2, Metro's A Futuristic Summa, analysts predict another No. 1 with holiday streams. Analytic Dreamz details rollout, themes of nostalgia vs. modern betrayal, physical editions with five unique Slawn CD covers (2,100 numbered copies), and why this minimalist drop reclaims Savage's roots. Must-listen for 21 Savage, hip-hop street narrative fans. Pre-save now on Spotify, Apple Music.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Dans ce 904eme épisode de NFT Morning, nous explorons avec nos invités, Diane Drubay et Arthemort (Brian Beccafico) deux facettes complémentaires de l'art digital contemporain, entre démarche curatoriale engagée et effervescence du marché international.Diane Drubay et l'exposition After Light, the Bloom à LondresLa première partie est consacrée à Diane Drubay, curatrice et fondatrice de BlueShift, à l'occasion de l'exposition After Light the Bloom présentée à la Bleur Gallery à Londres en partenariat avec la plateforme Danae.io.À travers une sélection de quatre artistes digitaux, Diane défend une vision sensible et apaisée de l'art numérique, en rupture avec les esthétiques hyper spectaculaires et dystopiques. L'exposition invite à ralentir, à contempler et à repenser notre relation au vivant, à la technologie et aux espaces de transition, dans un lieu chargé de sens, une galerie restée fermée pendant plusieurs années avant d'être réactivée.Arthemort, retour de Miami Art BaselDans la seconde partie, Brian Beccafico, alias Arthemort, partage son retour de Miami Art Basel, marquée par un tournant majeur pour l'art digital. La section Zero10 a replacé le numérique au cœur de la foire, avec une forte présence de galeries britanniques et des stands pensés comme de véritables performances artistiques. Loin d'un simple retour spéculatif, cette édition révèle surtout une reconnaissance institutionnelle accrue, portée par les artistes eux-mêmes et une volonté de repenser les codes traditionnels des foires d'art.Phrase clé de l'épisodeQuand les artistes reprennent le contrôle du récit, l'art digital cesse d'être un gadget pour devenir un médium. (Arthemort)Pour aller plus loin* Compte Twitter de Diane Drubay* Compte Twitter d'Arthemort* Site web officiel de la Bleur Gallery London* Site web officiel de Danaë* Site web officiel de la plateforme Blueshift* Site web officiel de Art Basel Miami Beach* Zero10 la Section digitale lancée pour Art Basel Miami This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Sarah Douglas, editor-in-chief of ARTnews and Art in America, to recap Art Basel Miami and assess where the art market stands at the end of 2025. They discuss the fair's redesigned floor plan, the renewed momentum that began in London and Paris this fall, and how that energy shaped expectations heading into Miami. Sarah shares her take on how the fair performed from a sales perspective and which artworks and transactions generated the most attention. Adam and Sarah also consider the shifting global fair landscape, including the growing influence of Basel Paris on both Basel Switzerland and Basel Miami. They reflect on how collector travel patterns are evolving, why sentiment can feel different depending on where one is standing, and what Miami might reveal about the year ahead. The conversation concludes with a discussion of the Zero 10 section, including Beeple's headline grabbing presentation and why this area of the fair sparked mixed reactions among dealers and visitors.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz unpacks 21 Savage's surprise fourth studio album, WHAT HAPPENED TO THE STREETS? (WHTTS), announced December 8, 2025, and dropping December 12 via Slaughter Gang/Epic Records. This gritty return to street-level storytelling—questioning eroded "street code"—follows american dream's No. 1 Billboard 200 debut with 133K units, hits like "redrum" and "nee-nah." Expect 14 unreleased tracks in 45-50 minutes, no pre-singles, speculated features from Metro Boomin, Lil Durk, Travis Scott. Highlights: 30-second monochromatic teaser with sniper imagery and voiceover "I wanna know what happened to the street code I grew up on," racking millions of views; Art Basel Miami activation with Slawn's upside-down clown inflatable at Andrew Salomon gallery and Booby Trap; surreal monochromatic cover art fusing urban decay, daggers, shadows—inspired by Kerry James Marshall. After low-key 2025 features on Summer Walker's “Get Yo Boy,” Travis Scott's JACKBOYS 2, Metro's A Futuristic Summa, analysts predict another No. 1 with holiday streams. Analytic Dreamz details rollout, themes of nostalgia vs. modern betrayal, physical editions with five unique Slawn CD covers (2,100 numbered copies), and why this minimalist drop reclaims Savage's roots. Must-listen for 21 Savage, hip-hop street narrative fans. Pre-save now on Spotify, Apple Music.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ Analytic Dreamz unpacks 21 Savage's surprise fourth studio album, WHAT HAPPENED TO THE STREETS? (WHTTS), announced December 8, 2025, and dropping December 12 via Slaughter Gang/Epic Records. This gritty return to street-level storytelling—questioning eroded "street code"—follows american dream's No. 1 Billboard 200 debut with 133K units, hits like "redrum" and "nee-nah." Expect 14 unreleased tracks in 45-50 minutes, no pre-singles, speculated features from Metro Boomin, Lil Durk, Travis Scott. Highlights: 30-second monochromatic teaser with sniper imagery and voiceover "I wanna know what happened to the street code I grew up on," racking millions of views; Art Basel Miami activation with Slawn's upside-down clown inflatable at Andrew Salomon gallery and Booby Trap; surreal monochromatic cover art fusing urban decay, daggers, shadows—inspired by Kerry James Marshall. After low-key 2025 features on Summer Walker's “Get Yo Boy,” Travis Scott's JACKBOYS 2, Metro's A Futuristic Summa, analysts predict another No. 1 with holiday streams. Analytic Dreamz details rollout, themes of nostalgia vs. modern betrayal, physical editions with five unique Slawn CD covers (2,100 numbered copies), and why this minimalist drop reclaims Savage's roots. Must-listen for 21 Savage, hip-hop street narrative fans. Pre-save now on Spotify, Apple Music.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of Fireside with a VC, I sit down with FabriceGrinda, founder of FJ Labs investing in seed at scale : 3 investments per weekWe discuss:Valuations of AI Seed to Series A startupsAll things market places, take rates, valuations, exitsSecondaries, how to sell, when and how muchTake rates and how to layer revenue on a marketplaceWhy the seed VC market outperforms the growth market Global VC Demo Day Miami – Art Basel

1. 900 épisodes : un bilan entre nostalgie et luciditéPour cette 900ᵉ émission, Rem et John célèbrent presque cinq ans de podcast et reviennent sur leurs débuts, à l'époque où tout se passait sur Clubhouse. Ils réalisent que 900 épisodes représentent près de 38 jours d'écoute non-stop, une véritable archive de l'univers NFT francophone.Cette étape symbolique met aussi en lumière un sentiment partagé : celui d'être devenus, selon leur propre expression, “des vestiges du NFT”, tant l'écosystème a changé et s'est rétréci au fil du temps.2. Le cœur de l'épisode : les NFT sont-ils vraiment morts ?La discussion s'ouvre sur la question qu'ils n'avaient jamais abordée ouvertement : “Les NFT sont-ils morts ?” Le constat est sévère. Le marché a connu un emballement encore plus extrême que certaines bulles historiques : argent facile, taux zéro, hype monstrueuse… puis effondrement.Ils soulignent que la chute ne vient pas uniquement des scams — même si certains ont effectivement “pris la caisse” — mais aussi d'une immaturité générale, de projets lancés trop vite, de créateurs sincères mais incapables d'exécuter, de communiquer ou d'admettre l'échec.Même au sein de la crypto, les NFT sont désormais perçus comme une micro-niche, à laquelle peu croient encore.3. Projets emblématiques : visions ratées, naufrages et exceptionsJohn et Rem reviennent sur trois trajectoires symboliques.Artifact, d'abord, un projet visionnaire autour du figital et des sneakers, mais dont le rachat par Nike a marqué le début de la fin : trop gros, trop corporate, trop lent.Yuga Labs, ensuite, génie absolu de la hype mais exemple parfait d'une équipe noyée sous l'argent sans parvenir à construire un produit clair. Après avoir tenté tous les chemins — metaverse, gaming, IP — Yuga semble revenir à son idée initiale : un club exclusif. Une boucle bouclée, mais au prix de millions brûlés.Enfin, Pudgy Penguins apparaît comme la rare success story, portée par un entrepreneur solide, capable de transformer une image désastreuse en marque cohérente et durable.4. L'art : dernier refuge, mais pas sans fragilitéSi quelque chose a permis au NFT Morning de tenir 900 épisodes, c'est bien l'art. Mais là encore, les animateurs rappellent que tout n'est pas rose : des plateformes majeures comme AsyncArt, KnownOrigin ou Maker's Place ont disparu, révélant un problème de fond : la plupart des œuvres ne sont pas réellement on-chain, ce qui fragilise leur pérennité.Pourtant, paradoxalement, l'art numérique se porte plutôt bien dans les institutions traditionnelles. Art Basel Miami inaugure une section dédiée aux NFT avec Beeple, Art Blocks et Fellowship, tandis que Paris Photo intègre pleinement la création digitale depuis trois ans. L'art survit, même si l'industrie des plateformes NFT, elle, s'est effondrée.5. Et maintenant ? Vers une renaissance plus lente et plus saineL'épisode se termine sur une vision plus large. Pour Rem et John, ce que l'on a vécu entre 2020 et 2022 n'était qu'un aperçu accéléré du futur : des concepts en avance, mal exécutés, mais qui ressurgiront plus tard dans d'autres produits, comme les idées de la bulle Internet ont ressuscité dix ans après.Le NFT Morning continue car sa force a toujours été sa constance et son focus sur ce qui dure : l'art, les créateurs, la culture numérique. C'est ce qui permet de résister quand tout le reste s'écroule.⭐ Phrase marquante de l'épisode :“Les NFT sont-ils morts ? Non, mais ils ont subi leur propre révolution : de la hype décentralisée, on est revenu à l'essentiel - l'art.”

In this episode of Fireside with a VC, I sit down with Arvin Grover, General Partner at Digital Health Venture Partners (DHVP), to dive into how AI is reshaping healthcare and where the biggest opportunities are for founders and investors.We discuss:· Why roughly 22% of the healthcare sector has adopted AI compared to 9% in the broader economy· The most compelling use cases for AI across the healthcare value chain· How targeted AI solutions and sector-focused innovation can rejuvenate America's competitiveness· What it takes for a digital health–focused venture fund to thrive (or fail) under shifting market conditions

I'm glad you guys think it's funny. I thought it was horrifying. So it wasn't enough for us to just make this. We had to put it in the right place. Does it go outside our studio in Brooklyn? Do we put it in Times Square? My colleagues and I conferred for a little bit, and we realized there's only one place that this thing can ever go. It's Art Basel Miami.很高兴你们觉得这件事好笑。但在我看来，它其实挺可怕的。所以，光是做出这台机器还不够，我们必须把它放在合适的地方。是放在布鲁克林的工作室门口？还是放在时代广场？我和同事们商量了一下，最后发现，这东西唯一合适的地方就是 迈阿密巴塞尔艺术展。So we take it to Miami. Somehow, we get our way into a gallery and we get into a booth. And on day one, people were actually a little bit hesitant to engage, which I totally get it. It's a little bit shady. It's participatory, I understand. But eventually people would muster up the courage to swipe their card. They would clock in at like 100 dollars in their bank account balance, maybe 1,200 dollars in their bank account balance. By the end of the day, however, someone ended up swiping and clocked in at 12,000 dollars in their bank account balance. And then things started to get a little bit weird.于是我们把它运到迈阿密。不知怎么的，我们成功挤进了一家画廊，弄到一个展位。第一天，人们其实有点犹豫，不太敢尝试，我完全理解——它看起来确实有点阴间操作，而且是参与式的。但最终，人们还是鼓起勇气刷了卡。有人显示账户里有 100 美元，有人显示 1,200 美元。但到了当天结束时，有人刷卡显示账户里有 12,000 美元，事情开始变得微妙起来。The next day, a famous celebrity DJ named Diplo showed up with his entire entourage, pulled out his debit card, swiped it in the machine, clocked in at three million dollars in his bank account, and shot to the top of the leaderboard. And honestly, the rest is kind of hazy because a crowd amassed so huge around the ATM machine for the following three days that the art fair actually assigned five extra security guards not to protect the ATM machine, but to keep the crowd from bumping into the artworks of the neighboring galleries, which was actually very funny.第二天，一位著名的明星 DJ —— Diplo 带着他的随行人员出现在展会。他掏出借记卡，在机器上刷了一下，结果账户余额显示 三百万美元，直接登上排行榜首位。接下来的情况有点模糊了，因为在随后的三天里，这台 ATM 机前聚集了庞大的人群，以至于艺术博览会不得不额外安排五个保安——不是为了保护这台 ATM 机，而是为了防止人群撞到隔壁画廊的艺术品。这件事本身就很搞笑。But the most interesting thing that I got to observe here was this unexpected crowd dynamic where when people with astonishingly low bank accounts would swipe their cards, in front of this captive audience, by the way -- and I'm talking really low, like two dollars, concerningly low --但对我来说，最有趣的观察点在于，那些账户余额极低的人刷卡时，意外引发的人群反应。注意，我说的是真的很低，比如只有 两美元，低到令人担心的程度——而且是在一群观众面前公开显示的时候。They would swipe, they would get ranked at the bottom, and then they would turn around to face the audience, and the audience would lose their minds -- they were cheering and screaming and celebrating and clapping and taking pictures. And it was sincere. It was actually like this wholesome "one of us"-like celebration, which was not anything that we expected.↳他们刷完卡，显示在排行榜最底端，然后转过身面对观众。观众却沸腾了——欢呼、尖叫、庆祝、鼓掌、拍照，而且是发自内心的。那感觉就像一种真诚的“你是我们中的一员”的集体庆祝，这完全出乎我们的意料。And then to sort of wrap up that week, the funny thing is, a buyer ended up acquiring the ATM machine as a sculpture for a whopping 75,000 dollars. But the funny thing to me is, I don't think that person ever realized that the artwork was not the ATM machine. The artwork was the act of people engaging with the ATM machine. The actual artwork was the relationships that people developed with one another via the ATM machine.到了那周的尾声，最有趣的是，有人最后以 7.5 万美元 的高价把这台 ATM 当作雕塑买走了。但在我看来好笑的是，我不觉得那位买家意识到：真正的艺术作品并不是这台 ATM 机本身，而是人们与这台 ATM 的互动。真正的艺术，是人们通过这台机器彼此之间建立的关系。See, when we made this thing originally, we were pretty sure it was going to reflect all the worst parts of humanity at Art Basel Miami. But we were wrong. It ended up just being a random crowd of total strangers having a great time together in one big awkward, shared moment of financial transparency.你要知道，当我们最初制作这个东西时，我们确信它会在迈阿密巴塞尔艺术展上揭露人性最糟糕的一面。但我们错了。最后它却成了一个随机的陌生人群体，在一种巨大而尴尬、却共同的“财务透明时刻”中，一起度过了愉快的时光。Oh, I'm not done yet. I'm not done yet. So.哦，我还没讲完呢，我真的还没讲完。好了

En 2019, à la foire d'art contemporain Art Basel Miami, un objet pour le moins surprenant attire les foules : une banane, fixée au mur avec un simple morceau de ruban adhésif gris. L'œuvre, baptisée Comedian, est signée par l'artiste italien Maurizio Cattelan, déjà connu pour son humour grinçant et ses provocations. Son prix ? Entre 120 000 et 150 000 dollars l'exemplaire. Trois versions de cette banane ont été vendues en quelques jours. Mais comment un fruit périssable, scotché à la va-vite, peut-il être considéré comme de l'art – et surtout, valoir une telle somme ?La clé réside dans la nature même de l'art contemporain. Depuis Marcel Duchamp et son urinoir (Fontaine, 1917), l'art ne se limite plus à la virtuosité technique ou à la beauté esthétique. Il peut être une idée, une provocation, un geste qui bouscule nos certitudes. Cattelan s'inscrit dans cette lignée : en choisissant un objet banal, universel, il met en lumière l'absurdité et parfois l'excentricité du marché de l'art. Ce n'est pas la banane qui a de la valeur en soi, mais le concept qu'elle incarne et la signature de l'artiste.La banane devient ainsi un symbole. Elle parle de consommation, d'éphémère (puisqu'elle pourrit), mais aussi du rôle de l'artiste dans une société où tout peut devenir œuvre d'art si le contexte l'y autorise. Acheter Comedian, ce n'est pas acheter un fruit et du scotch, c'est acheter l'idée, accompagnée d'un certificat d'authenticité. Si la banane noircit, il suffit d'en remplacer une autre : ce qui compte, c'est le geste de la scotcher, selon les instructions de Cattelan.L'événement a aussi généré un énorme buzz médiatique. La banane a été prise en photo par des milliers de visiteurs, reprise dans la presse mondiale, et même… mangée par un performeur, David Datuna, qui a baptisé son acte “Hungry Artist”. Cet épisode n'a fait qu'accroître la notoriété et la valeur symbolique de l'œuvre.En somme, Comedian illustre parfaitement la logique de l'art contemporain : provoquer, questionner, jouer avec les codes. Son prix astronomique n'est pas lié au coût des matériaux, mais à la puissance de l'idée, au nom de l'artiste, et à la frénésie spéculative du marché. Une banane scotchée au mur devient donc une œuvre d'art, parce qu'elle nous oblige à nous demander : qu'est-ce que l'art ? Et rien que pour cela, elle a déjà rempli sa mission. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Talk Art Live in Berlin. Season 26 of Talk Art begins!!!!This episode is a special Paid Partnership collaboration with Berlin Art Week, who flew Russell & Robert to Berlin. Recorded live, in front of an audience, outside the Neue Nationalgalerie in September 2025. Special guests Peaches @peachesnisker (musician, producer, director, performance artist) and Klaus Biesenbach @klausbiesenbach (Director, Neue Nationalgalerie) join the conversation about art, music, and the Berlin art scene.An iconic feminist musician, producer, director, and performance artist, Peaches has spent nearly two decades pushing boundaries and wielding immeasurable influence over mainstream pop culture from outside of its confines, carving a bold, sexually progressive path in her own image that's opened the door for countless others to follow. She's collaborated with everyone from Iggy Pop and Daft Punk to Kim Gordon and Major Lazer, had her music featured cultural watermarks like Lost In Translation, The Handmaid's Tale, and Broad City among others, and seen her work studied at universities around the world.Dubbed a “genuine heroine” by the New York Times, Peaches has released five critically acclaimed studio albums blending electronic music, hip-hop, and punk rock while tackling gender politics, sexual identity, ageism, and the patriarchy. Uncut has raved that her work brought together "high art, low humour and deluxe filth [in] a hugely seductive combination,” while Rolling Stone called her “surreally funny [and] nasty.”An equally prolific visual artist, Peaches has directed over twenty of her own videos, designed one of the most raw and creative stage shows in popular music, and has appeared at modern art's most prestigious gatherings, from Art Basel Miami to the Venice Biennale. On top of it all, she mounted a one-woman production of 'Jesus Christ Superstar'—redubbed ‘Peaches Christ Superstar'—which earned international raves, composed and performed the electro-rock opera 'Peaches Does Herself,' which premiered at the Toronto International Film Festival, and sang the title role in a production of Monteverdi's epic 17th-century opera 'L'Orfeo' in Berlin. Visit: https://www.teachesofpeaches.com/Klaus Biesenbach began his career in Berlin 30 years ago aged 25, when he was one of a group that set up the KW Institute for Contemporary Art in a former margarine factory. In 2004, he became a curator at the Museum of Modern Art in New York, where he rose to the position of chief curator and founded a new department for media and performance art. In 2010, he became director of MoMA PS1, the museum's outpost in Queen's. At MOCA in Los Angeles, he introduced free admission, expanded the collection and navigated the museum through the pandemic. Hosted on Acast. See acast.com/privacy for more information.

Luciano est le dj suisse qui a révolutionné le clubbing sur Ibiza et qui a organisé dʹimmenses festivals jusquʹau Chili. Demandé jusquʹà 180 fois par an sur 5 continents, il produit aussi abondamment sur son label Cadenza, entre un projet " ambient " à paraître avec Mike Horn et une invitation à Art Basel Miami pour ses photographies.

Kris Lefcoe! Filmmaker! Writer! Director! Musician! Friend! Delight! More! We have a great chat! You can have a great listen! About Kris, from her website: "Kris Lefcoe (DGA) is a Canadian-American director and writer based in New York City. Her work has screened at TIFF, SXSW, Tribeca, British Film Institute, Art Basel Miami, IFC and on the Sundance Channel. 

 Kris is co-creator, writer and EP of “Making Plans For Nigel,” a comedy series in network development with Priyanka Chopra Jonas and Mary Rohlich (“Atypical”). Lefcoe's half-hour comedy “Giving Up,” about a New York couple facing their own deadline to either ‘make it' or give up their dreams, won top prizes at Seriesfest and New York Television Festival, and just had a theatrical premiere at the Roxy Cinema in NYC. The series was executive produced by David Wain and developed with Imagine Television. In 2020, Kris made her network directing debut on the NBC comedy “Superstore.”

 Pitch-black comedy “Public Domain,” Kris' audacious audience-award-winning feature debut about a surveillance-based game show, was hailed as "creepy-funny and well-acted" (Variety), and "an assured debut" (Austin Chronicle). The film premiered at SXSW and was installed at Art Basel Miami.
 Lefcoe's stop motion short “Tiny Riot Project,” featuring a riot squad of corporate mascots in a violent face off with endearing anarchists, premiered at IFF Rotterdam, was installed at Galerie Tomas Schulte Berlin, Havana Biennale, and Art Basel Miami, then sold to the Sundance Channel. Her acclaimed Twilight Zone-esque short “Can I Get a Witness?” starring Scott Speedman, screened at TIFF, BFI and Anthology Film Archives.

 Kris' explosive music videos have garnered numerous nominations and awards, including the Peaches smash “Boys Wanna Be Her” which has over 3 million views on YouTube.
She recently won Best Director at New York Cinefest, and Best Director and Best Comedy at Deluxe Film Festival in Rome, for the sex-robot comedy “Technical Support” starring Aparna Nancherla and Courtney Pauroso, which quickly racked up almost million views on YouTube.  As a musician, Kris performs haunting original songs at live venues around NYC on a vintage keyboard she found in the garbage. Her first solo album will be released in Fall 2025. The advance single “Booked A Room” came out in 2024 with a hallucinatory stop motion video directed by Kris that premiered at the 2024 Tribeca Festival and just won Best Video and the Audience Award at San Luis Obispo Festival.  Kris is also a professor in the MFA Film and Television program at Stony Brook University, SUNY. In 2024 she created and launched the Post-MFA Pilot Incubator Lab to shepherd alumni into the industry. She lives with her husband and daughter in a long-forgotten borough called Manhattan." And this is just the first HALF of our conversation! For part two, subscribe via Apple Podcasts OR simply click on over here to Patreon! Enjoy!

Join Tamara for an interview with Ben Copperwheat, a versatile artist known for his exceptional work in fine art, wearable art, and interior concepts.  His distinctive style is characterized by vibrant colors, bold graphic imagery, and captivating screen prints. His art bursts with a riot of rainbow and neon hues, encompassing a diverse range of motifs and icons that form a unique visual language.  Ben was born in 1975 in Luton, U.K., and received a BA and an MA in the arts before moving to NYC in 2003. He worked as a Print Designer for Calvin Klein for a few years and then freelanced - co-founding an avant-garde menswear line, and working with stylist Patricia Field at events like Berlin Fashion Week and Art Basel Miami. In 2018, he moved here to Savannah and became a Professor of Fibers at SCAD. Check out Ben's work and follow him here:  https://www.instagram.com/bencopperwheat/  http://www.bencopperwheat.com/    Tune in and get all the details! 

Artists know how much of a grind it is to be an artist. So when we see artists exploring and evolving like today's guest Shanneil Clarke we can appreciate the amount of effort that goes into it. Shanneil is out in these art streets, doing shows and building an audience with paintings featuring his unique Black figures. We talk about the essence of his style, the neck pieces, the gold, etc. and the inspiration behind his work. Shanneil talks about his Jamaican roots, how he vibes with collectors and the collab project he did recently with your boy, JBarber. Great incite into a young artist you can get follow on his journey. Right here on the Noize! Listen, subscribe, and share!Episode 198 topics include:grinding in the art streetssymbolism of hairbreaking down Shanneil's style: neck pieces, gold, backgroundslife experiences living in Jamaicainfluence of Black cartoon characters in Shanneil's artcollaborative prints with JBarberexploring materialsconnecting with collectorsShanneil Clarke artist statement:Art has always been my ultimate form of self-expression, a passion that has fueled me throughout my life. Born in Montego Bay, Jamaica, I spent my youth there before migrating to Pennsylvania in 2000. It was in the vibrant artistic environment of Philadelphia that I found inspiration in street art and historical murals. My art journey began during my time at Springfield High School, where I explored multiple mediums and discovered the joy of creating through various projects. After a brief hiatus, I rediscovered my love for art in 2008, particularly using oil-based medium, which reignited my creative energy. Each body of my work draws inspiration from both history and everyday experiences, crafted to evoke subjective interpretations in the viewer. I firmly believe that art is universal and shaped by each individual's life journey. As an introspective figurative artist, I incorporate natural motifs and floral fabric patterns to express communication and determination in the figures' pursuit of a better life. Each stroke of paint exudes boldness, confidence, and strength, aiming to inspire those who encounter my art. I draw inspiration from a multitude of artists, including Dali, Kevin Williams, Charly Palmer, David Hockney, Basquiat, and Amy Sherald, while also embracing techniques from different eras, like gold leaf and textures. Since moving to Atlanta, Georgia, in 2018, I have become actively engaged in the local art community, showcasing my work in various galleries, such as Mint Gallery and Future Dead Artist Gallery. Notably, in 2022, I was featured in an Exhibition sponsored by Amazon Prime during Art Basel Miami. My ultimate goal is to touch hearts and minds with my art, leaving a lasting positive impression on fellow art enthusiasts and inspiring others to express their own passion and creativity. See more: Shanneil Clarke IG @artbys.clarkeFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

In this episode of the ArtTactic Podcast, our host Adam Green is joined by Kabir Jhala, Art Market Editor at The Art Newspaper, to recap this year's edition of Art Basel Miami Beach. We explore how Trump's re-election is shaping gallery expectations and the art market's trajectory, including differing reactions from collectors and dealers at the fair. Kabir also shares insights on the potential impact of tariffs on the U.S. art market, drawing comparisons to the rising costs and challenges faced by the UK art market post-Brexit. We discuss the overall mood heading into the fair and how things ultimately played out, from standout artworks to the broader trends and themes that defined this year's presentations. With the fair taking place in December at the end of a packed art calendar, we consider whether collector fatigue or earlier buying opportunities might affect attendance and sales. Finally, we reflect on Miami's role as the final major test for the art market this year and what insiders are anticipating as we look ahead to 2025.

Last month, Maurizio Cattelan's “Comedian,” a piece of conceptual art that consists of a banana duct taped to a wall, sold at a Sotheby's auction for $6.2 million. WSJ's Kelly Crow traces the banana's origins from Art Basel Miami in 2019 to the top of the art market this year. Further Listening: - A Russian Billionaire, an Art Dealer and an Epic Feud  - The Basquiat Sisters on Managing One of Art's Hottest Brands Further Reading: - A $6.2 Million Banana and the Unexpected Return of the Art Market  - Someone Just Paid $6.2 Million for a Banana Duct-Taped to a Wall  Learn more about your ad choices. Visit megaphone.fm/adchoices

Join this special live edition of Hot Topics as January Jones and Josh Kriger dive into the latest news from the Web3 world. In this episode, they discuss Bitcoin reaching the historic milestone of 100k, the closure of the innovative NFT and sneaker culture brand Artifact, and Justin Sun's controversial $6 million banana purchase. Moreover, Edward Zipco, co-founder of Superchief Gallery, joins live from Art Basel Miami to share exciting updates about NFT Japan and Ordinals Tokyo. Support us through our Sponsors! ☕

Oh man. We are back. Barely. We are back to preview Art Basel Miami (though yes, this is being uploaded on the plane ride home). We are joined by our friend, journalist and writer of The Gray Market Tim Schneider for a belated look back at the auction season that was and a less belated look ahead at what Miami has in store. All that and MORE on THE ONLY ART PODCAST. --- Support this podcast: https://podcasters.spotify.com/pod/show/benjamin-godsill/support

Chris makes a stop in Grass Valley California to meet up with artist friend, Miles Toland!  He shares with us a multitude of knowledge regarding the importance of a proper studio space, organization, community, the relationship with different surfaces he paints upon, his love for traveling, street art and lots more! About the Artist: Miles' creative juices have been squeezed from the fruits of graffiti culture, a BFA at Cornish College of the Arts in Seattle, live painting at festivals, and traveling around the world creating street art in places including Paris, Switzerland, Art Basel Miami, Mexico, Canada, and India. His mural series at the Beatles Ashram in Rishikesh has been published in the Smithsonian Magazine and The New York Times blog. Website: https://www.milestoland.com/ Instagram: @milestoland --- Support this podcast: https://podcasters.spotify.com/pod/show/chris-dyer8/support

When we began Salo and Virtue, we started with a confession portion on our Patreon where we shared some thoughts/experiences that we worried were too risque to share on spotify. We have discontinued creating new content for that platform at the moment, but the episodes live on. Check us out. Today we are Rereleasing our confession #3 which was released with our Virtue #3 on attachment. Double check the description for our trigger warnings. Enjoy! Description: In today's confession, Salo gets into how her attachment style is showed up after meeting someone at Art Basel Miami 2022 and partying in New York.  The trigger warning in the confession has two errors please see below for the correct minute marks for the trigger warnings.  Trigger warning: casual drug use is mentioned throughout the confession, however more serious drug use and addiction is discussed at minutes 6:30 - 8:00 and 16:15 - 18:00. 

In s3e51, Platemark host Ann Shafer talks with Chris Santa Maria, artist and gallery director at Gemini G.E.L. at Joni Moisant Weyl. As director of the New York gallery, Chris is responsible for showcasing and selling the print output of the storied LA workshop to enable it to keep working with amazing artists and producing incredible editions. Chris and Ann touch on Gemini's history, the structure of the workshop, how artists get to work there, and Julie Mehretu, Julie Mehretu, and Julie Mehretu. They also talk about Chris' side hustle as an artist and his intricate paper collages. Josef Albers. White Line Square IV, 1966. 53.3 x 53.3 cm (21 x 21 in.). 2011. The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York; ©Gemini G.E.L. and the Artist. Chris Santa Maria wrangling prints at Gemini G.E.L. at Joni Moisant Weyl, New York. Sidney Felsen, co-founder of Gemini G.E.L. Photo by Alex Berliner. Gemini G.E.L. at Joni Moisant Weyl, 535 West 24th Street, third floor, New York. ©Gemini G.E.L., Los Angeles, California. Chris Santa Maria hanging Julie Mehretu's print at Art Basel Miami, 2019. Julie Mehretu's etching installed at the New York gallery, June 8–August 24, 2023. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Analia Saban working at Gemini workshop. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Robert Rauschenberg working on the limestone for Waves from the Stoned Moon series with Stanley Grinstein in the background. Photograph by Sidney B. Felsen, 1969. From the collection of Getty Research Institute. Jasper Johns deleting imagery from a lithography plate for Cicada, November 1981. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Richard Serra at work on his etchings and Paintstik compositions, November 1990. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Ellsworth Kelly (left) and NGA curator Mark Rosenthal at Gemini; Ellsworth canceling a print from the Portrait Series, February 1990. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Works by Richard Serra and Julie Mehretu at the IFPDA Print Fair, October 2023. ©Gemini G.E.L., Los Angeles, California. Joni Weyl and Sidney Felsen at the 2019 IFPDA Print Fair, New York. Tacita Dean at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Roy Lichtenstein at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at Gemini G.E.L.'s booth at the IFPDA Print Fair, October 2023.         Tacita Dean. LA Magic Hour 1, 2021. Hand-drawn, multi-color blend lithograph. 29 7/8 x 29 7/8 in. (75.88 x 75.88 cm). ©Gemini G.E.L., Los Angeles, California. Chris Santa Maria. Field 31, 2023. Paper college on 4-ply ragboard. 10 x 10 in. Chris Santa Maria's studio. Chris Santa Maria's studio. Chris Santa Maria. President Trump, 2020. Paper collage. 72 x 72 in. Chris Santa Maria. No. 5, 2014. Paper collage on MDF. 58 x 60 in. in the window of Jim Kempner Fine Art, New York. Ellsworth Kelly. The River (state), 2003 and River II, 2005. Lithographs. Installed during the exhibition Ellsworth Kelly: The Rivers, October 25–December 8, 2007 at Gemini G.E.L. at Joni Moisant Weyl, New York. Julie Mehretu's etchings installed at the New York gallery, June 8–August 24, 2023. ©Gemini G.E.L., Los Angeles, California. Bruce Nauman in the curating room canceling a copperplate by drawing a sharp tool across it to destroy the image with assistance from William Padien, 1983. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Works by Ann Hamilton and Tacita Dean in the exhibition at the New York gallery, Selected Works by Gemini Artists. January 2–February 24, 2024. ©Gemini G.E.L., Los Angeles, California. Daniel Buren at Gemini workshop, August 1988. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001.   USEFUL LINKS Gemini G.E.L. at Joni Moisant Weyl. | (joniweyl.com) Gemini G.E.L. Graphic Editions Limited (geminigel.com) Chris Santa Maria Instagram accounts @chrisantamaria @geminigel @joniweyl    

It's Art Basel Miami and Alexis sits down with Influencer / entrepreneur Kellan Ness. The young man made 100 people Millionaires handling their Instagram. He gets candid with your favorite booty!

As the branded content market has surpassed 20 Billion USD, and Art Basel attendees peaked at 80,000 visitors last year, more and more activations are taking over Art Basel Miami every season. For this episode, we're joined live by New York City based visual artist and creative director Alex Alpert to share how this international art week has helped shape his career, why he prefers creating with brands, and his unique journey to becoming an artist.Working as a street artist while studying music in school - Alex went on to build a career at Universal Music Group (UMG). Here, he excelled in brand partnerships, marketing and artist relations.While at UMG, he expanded his practice as a visual artist. He began by making pieces for the musicians he worked with, and created live art during concerts and events. After a few years, he was painting murals around the country, drawing live at huge events, and collaborating with major brands, like Nike, American Express, and Formula 1, and celebrities like Doja Cat and The Weeknd. In partnership with Baileys Irish Cream and recorded live and produced during NRVLD's Art of Wellness events during Art Basel Miami, this episode explores an important conversation on collaborations between the art world, commerce and brands, and best ways to blend with authenticity to keep powering society and the world.  Connect with Alex Alpert on Instagram and online here. Connect with Tony Triumph: @tonytriumphofficial (IG), Tonytriumph10 (Twitter), LinkedInMusic by: Yugy

HOAX (BE) delivers a delightful mix of Afro and Melodic House live from the breathtaking rooftop at The Gabriel in South Beach Miami! Recorded live during Art Basel in December, the mix is an exciting showcase of loads of fresh material from the rising Belgian producer with exclusive edits of Rihanna, Diplo & HUGEL, Whitney Houston, Cydni Lauper and more!

What's Good ZaZaLiferz! Welcome back to another Premium Conversation here on ZaZaLife! Thank you for continuing to join the sesh. We have a special episode lined up for you on this one. As you may know, and if you don't you do now, the first week of December in South Florida is always Art Week Miami Time! That's when Art Basel comes to the Miami Convention Center and brings a FLOOD of artists, exhibits, live entertainment, and more to Miami. It's always a Hussle for artist, curators, and galleries all over the world. On this episode we have 2 special professional artist guest joining the sesh, XSavior Pettway (@x_theartist) & Gabby (@TheAmazingGab_)! They both blessed us with there wisdom, life experiences, and emotions behind their art. We even got some dope ZaZa insight from Cali (@shes_mixed_duh) bringing her knowledge of Za to the Sesh! You're going to be sure to enjoy this entire episode from start to finish. So get you a blank canvas, paint brushes, and paint while enjoying enjoying some Za that'll bring the creative vibes out of you!Viva La ZaZa! ZaZa Reviewed: Laser Gun by Preferred Gardens & Banana Bread by Viola.Remember to follow us on all social media platforms, join our discord, and tune into our Twitch every other Sunday for the live stream. http://linktr.ee/zazalifeSupport the show

Here is my live set from Art Basel in Miami at Club 508 on the Friday night. Such a great vibe - thanks to the 508 crew for having me and to everyone who turned out. Best night of Art Basel for sure.ABOUT DEEP MELODIC EUPHORIC (DME)Every month - I create a compilation mix of the best new music from across House, Trance, and electronic genres, mixed from Miami, USA streamed on one of the largest electronic music radio stations, Afterhours.FM.Follow me @DJHNNRS on Soundcloud and Instagram. Visit www.HNNRS.com for videos, gigs, bookings.Subscribe to listen on Apple Podcasts, Google Podcasts, Amazon Music, Stitcher, iHeartRadio, Pandora, Overcast, Castro, Castindex and Podfriend, TuneIn + Alexa, Podcast Addict, Podchaser, Pocket Casts, Deezer, Listen Notes, Player FM, Podcast Index.---1. ADSR - Ovadia2. Aria - Argy, Omnya3. Pegasus - Spada, Malov4. Chordial - Anyma(ofc)5. In Sequence - Kasablanca6. Deca - Kiko, Olivier Giacomotto7. Beyond the Veil - Khainz, Sezer Uysal8. Hearts Beat Together - Skytech9. Interstellar - Pontifexx10. Simulation - Chris Avantgarde, Anyma(ofc)11. Better Off Alone (Radio Edit) - Turani Qa, Airsand12. Exploration of Space (Cosmic Gate's Third Contact Remix) - Cosmic Gate13. Like A Prayer - Gareth Emery, City, Annabel, LSR City

In this week's edition of the ArtTactic Podcast, we recap Art Basel Miami Beach 2023 with Sarah Douglas, Editor-in-Chief of ARTnews and Art in America. First, Sarah shares what the mood was like at the fair this year and explains why everyone was asking about it during the fair. Then, she identifies some of the most noteworthy sales at this year's edition of the fair as well as some of the aesthetic trends relating to the art on view. Also, Sarah addresses if Art Basel Miami occurring at the end of the year is having a negative impact on the fair. Lastly, she reveals how market participants are feeling heading into 2024.

Is conventional wisdom shifting? Many believe art fairs and artists shouldn't mix. One artist described it to me as watching your parents have sex. It's not something artists want to do! But not everyone agrees. In this episode I speak to artist Mark Joshua Epstein about his experience at the Miami art fairs and why he believes the stigma associated with artists who attend without exhibiting their work has changed. He got a lot out of his visit, and shares what he gained, who he thinks will benefit, and when it won't help you. And he shares plenty of insider tips to help you if you decide to go!   Names mentioned: Shelter Gallery presents Jaqueline Cedar at NADA https://www.shelternyc.com/   Mrs Gallery presents Nickola Pottinger at Art Basel Miami  https://www.mrsgallery.com/2023-art-basel-miami-beach   High Noon presents Ryan Crotty at Untitled  https://www.highnoongallery.com/untitled-art-miami-2023   County presents Danielle Mysliwiec at Untitled  https://www.daniellemysliwiec.com/exhibitions   To Weave The Sky at El Espacio 23  https://elespacio23.org/2023/10/05/to-weave-the-sky-textile-abstractions/   Noon Projects presents Alex Kerr at Nada  https://elespacio23.org/2023/10/05/to-weave-the-sky-textile-abstractions/   Aysa Geisberg at Untitled  https://www.asyageisberggallery.com/

E94 of WTBS, recorded 12/7/23 and released 12/11/23. In this episode we discuss: News: fx(hash) 2.0 ETH integration delayed, Art Basel Miami & Vera Molnar passes Topic: Reacting to the 2.0 delay, start-up mentality, what the fx(hash) team did right and looking forward to the proper launch on 12/14 Will buys a grey Smollskull & HAL09999 is a favorite of the week with The WRK Paradox Tender & Verse crushing the Untitled fair at Art Basel Miami with the Dimensionality Exhibition, featuring work by quibibi, Zach Lieberman, Anna Lucia, Licia He, Cory Haber, Marcel Schwittlick, Emily Edelman & ArandaLasch Tezos projects still dropping on fx(hash) including Smollskulls x Monster Gaze, The Soul of Flowers & 5-Grid Compression Lots of mintable projects to shout out! Bonus Magic: The Gathering discussion :) Thanks for listening as always! If you want to support the show you can subscribe to our Patreon or donate directly to wtbs.tez & wtbs.eth Follow us on Twitter @waitingtosign and Instagram @waitingtobesigned Episode art from The WRK Paradox by HAL09999

Unfortunately our second episode with Krystina Arielle didn't work out due to technical difficulties, but no worries!! We will have her back on soon. In the meantime we wanted to spill on our beautiful time in Miami that was sponsored by Threads / Meta. We are so appreciative and want to give a special thank you to this amazing team, can't wait to share all the content we made! We also met up with two of everyone's favorite ladies from Real Housewives of Miami  If you haven't seen our story or Thread posts, now is your chance to dive in with us. Be sure to join us on Threads, and if you haven't followed us click the link below! https://www.threads.net/@bravowhileblack We also wanted to shoutout 3 of the restaurants we went to on this trip! Kiki On The River: https://g.co/kgs/od98Gw Mandolin Aegean Bistro: https://g.co/kgs/faaT4n Swan: https://g.co/kgs/LbJzm2 This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

About the guestLinda Mariano oversees the marketing and brand extension efforts for Redwood Art Group. With a career that spans over 35 years, Linda is a leader in marketing, brand management, e-commerce and promotion initiatives for the art industry, contemporary art fairs, specialty retail, art licensing partnerships, media and entertainment, as well as entrepreneurial business environments. Founded in 2009, Redwood Art Group is the nation's leader in exhibitions and event production, media, and marketing for the global fine art community. They produce Art Expo New York, Art Santa Fe, Art San Diego, Spectrum Miami and Red Dot Miami.Linda's Linkedin https://www.linkedin.com/in/linda-mariano-b69430b/Linda's Instagram https://www.instagram.com/redwoodartgroup/Spectrum Miami Art Fair https://redwoodartgroup.com/spectrum-miami/Artist Collective https://redwoodartgroup.com/redwood-art-group-collective/Art Business News https://artbusinessnews.com Artists mentioned by LindaKate Taylor https://www.katetaylorstudio.com/James Koskinas https://jameskoskinas.com/Julie Schumer https://julieschumer.com/Kris and Angela Gerhardt https://artbusinessnews.com/2017/08/meet-kris-and-angela-gebhardt-and-explore-the-future-of-the-art-world/  Subscribe to the Art Biz Talk NewsletterApply to be a guest Ask a question for the show Become part of the community for professional visual artistsIf you're a late emerging or mid-career visual artist earning $5K or more a month and are ready to scale your studio practice, Art Biz Pro is the place for you. (Re) Emerging ArtistsStarting to build your full time studio practice and need a DIY guide with templates for your artist statement, Press Kit and pricing your art? Sounds like you need our Artist Starter Kit. CREDITSOriginal Music composed by Hillary Albrecht at Rhapsody on MarsArt Biz Talk is hosted by Andrea La Valleur-Purvis, Artist and Art Business Coach at Vivid Creative

Featuring a one hour mi by J Rythm to get you ready for Art Basel Miami! JRythm.com for show details and upcoming events. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of the ArtTactic Podcast we preview this month's major New York auctions with Daniel Cassady, art business reporter for ARTnews. First, Daniel identifies some of the indicators that the art market is softening heading into the auctions. Then, he answers if the sales will be the biggest test for the art market since the pandemic. After, Daniel discusses some of the major estates and artworks heading to auction this month. Lastly, Daniel speaks about Art Basel Miami, the last major art market event of the year.

Ona meets OONA, as Leah gets to know the anonymous artist's ideas on the value of female artists, applying the tenets of cryptocurrency to fine art, wallet washing, manipulating social value, faceless performance art, CCTV's complicity in the male gaze, misgendering, and the innocence (or not) of lambs being led to slaughter in the era of social media. About OONA. OONA doesn't really exist, but she takes herself very seriously, so you should too. OONA is an anonymous conceptual artist whose practice explores the intersections of technology, finance, gender, and identity. Through moving image and performance art, OONA exposes the collision between progressive technologies and socially regressive ideas, offering a critical perspective on the contemporary cultural landscape. OONA was born on November 1st, 2021 in the Holy See. She has exhibited her works internationally at prestigious venues, including Art Basel Miami 2022, the Metropolitan Museum of New York, Proof of People London, Proof of People New York, and Avalanche Summit Barcelona. OONA's performances and exhibitions have garnered critical acclaim and attention from collectors and curators. She has been featured in numerous publications and her work is held in private and public collections. OONA is important.

Welcome to Media in the Mix, the only podcast produced and hosted by the School of Communication at American University. Join us as we create a safe space to explore topics and communication at the intersection of social justice, tech, innovation & pop culture! Our special guest today is SOC Alumn, H Spencer Young! To give you a little background on our guest today: H Spencer Young is a contemporary artist, screenwriter and film director based on New York's Lower East Side. At his time at American, he was sponsored by Czech author and screenwriter Arnost Lustig to attend the Film and TV School of the Academy of Performing Arts in Prague.  During undergraduate studies, Spencer was one of 13 students from across the United States selected by presidential historian and author Dr. Douglas Brinkley for The Majic Bus, a twice-run collegiate experiential learning program. The Majic Bus traveled to 44 states to study Geography of the American Civil Rights Struggle, American Intellectual History, American Road Literature, and American Social history, where it precisely happened. Spencer's artwork is featured in 3 shows in the next month at Art Basel Miami, and galleries in New York City and Cleveland. Amazingly, Spencer's artwork raised thousands of dollars to help emerging artist grants, not-for-profit galleries, and organizations supplying resources to the art world. He has also written and directed many commissioned films, commercials, political documentaries such as “Swing State” in 2008, and music videos, which have been featured in W Magazine, The Atlantic, Brooklyn Vegan, Fact Magazine, New York Times, Zoe Report, Bloomberg, and film festivals nationwide. To check out H Spencer Young's diverse body of work, visit:https://hspenceryoung.com/To donate to American University's School of Communication and to continue supporting this podcast, visit:https://giving.american.edu/

In this very special episode, I interview my sister on how she went from a depressed college grad working a corporate job she hated to getting her art seen globally practically overnight. Alyssa goes into great detail on what energetic shifting and manifestation tools and techniques she used to do this, and I also intuitively channeled some things that she did to make this happen for herself. In this unscripted conversation, you'll hear advice from both of us on how you can take full responsibility for your current situation and completely shift your life to live a life you love (internally & externally). Be sure to check out more on Alyssa below, and where to reach her! Alyssa Stevens is a 25 year old full-time 1/1 artist in the NFT space. Creating art has always been an integral part of Alyssa's life, but she never thought she could make a career out of it. She graduated from Bentley University with a degree in Marketing in 2020 and was soon immersed in the corporate world, working in social media advertising at a media agency in Boston. Alyssa continued making art and soon entered the NFT space, spending her free time researching NFTs and Web 3.In March 2022, Alyssa's life changed overnight. Her artwork was featured on the homepage of OpenSea, the largest and most well-known NFT marketplace. Within two days, her collection Interconnected Planes, which consists of over 100 1/1's, sold out; pieces from the collection continued to sell on the secondary market. One month later, Alyssa decided to quit her corporate job and focus full-time on her art and Web 3.Since then, Alyssa's artwork has also been exhibited at NFT NYC (2x), NFT London, NFT Bali, and on Shillr's digital van during Art Basel Miami. She also led a panel at NFT NYC 2023 centered around the role of NFT tech in shifting the narrative around artists. Alyssa's art has been collected by hundreds of people, including one of her biggest inspirations, Gary Vaynerchuk.ALYSSA'S ART- Alyssa describes her artwork as abstract expressionism, and an extension of her perspective on life. She draws inspiration from various artists, such as Picasso, Matisse, and Basquiat, as well as her favorite books, The Alchemist and The Little Prince. Childhood and connection are significant themes throughout her work, which are portrayed through imperfect forms and bright colors, cultivating a sense of nostalgia and yearning for simpler times. Each piece that Alyssa creates embodies our collective existence in a moment of time.How to find AlyssaBook a Private Session Be the first to know everything by adding your email at the bottom of this page! Follow on Tiktok Follow on Instagram 

Artist Sven Loven joins Adam in his living room where they consume edibles and discuss Sven's new show, 'Humiliation Ritual', at No Gallery in New York. For the exhibition, Sven turned to portraiture and creates a time capsule, or perhaps a capsule of a moment in which time has lost meaning, of the Dimes Square meme. Subjects include: Black Dean Kissick, Art Basel Miami stabber Siyuan Zhao, Reena Spaulings Gallery and Dimes Square spiritual mother Emily Sundblad, Peter Thiel as angel, and more. Exhibition texts are written by previous guest Dana Dawud and Sierra Armor. Sven and I discuss the surrealism of digital life, Dimes Square as simulacra of art scene, new age ketamine therapy, transgenderist ideology, reality television, and more. FULL EPISODE HERE SOUNDTRACK: Disclose "Fear of the War" Streicher "National Action" Klaus Schulze "Freeze" Forest "As A Shade Above This Land" Monoshock "Crypto-Zoological Disaster" Brian Eno and John Cale "Lay My Love"  LINKS: Sven Loven Sven Loven 'Humiliation Ritual' Sven Loven for Safety Propaganda

In this episode of Broken Boxes Podcast we hear from Tsedaye Makonnen, a multidisciplinary artist, curator, researcher and cultural producer. Tsedaye's practice is driven by Black feminist theory, firsthand site-specific research, and ethical social practice techniques, which become solo and collaborative site sensitive performances, objects, installations, and films. In our conversation Tsedaye shares with us about her experiences in building and sustaining her art practice which focuses primarily on intersectional feminism, reproductive health and migration. She shares how her personal history as a mother, the daughter of Ethiopian refugees, a doula and a sanctuary builder nourish and guide her creative expression. “I am Building worlds that have not existed yet, for myself and for others. I want to be as expansive and imaginative as possible - to me that is freedom.” - Tsedaye Makonnen Music: Tew Ante Sew by GIGI Broken Boxes opening song by India Sky Artist Website: https://www.tsedaye.com Photograph of Tsedaye Makonnen taken by performance artist Ayana Evan Tsedaye Makonnen is a multidisciplinary artist, curator, researcher and cultural producer. Tsedaye's practice is driven by Black feminist theory, firsthand site-specific research, and ethical social practice techniques, which become solo and collaborative site sensitive performances, objects, installations, and films. Her studio primarily focuses on intersectional feminism, reproductive health and migration. Tsedaye's personal history is as a mother, the daughter of Ethiopian refugees, a doula and a sanctuary builder. In 2019 she was the recipient of a Smithsonian Artist Research Fellowship. In 2021 her light sculptures were acquired by the Smithsonian NMAFA for their permanent collection, she has also exhibited these light sculptures at the National Gallery of Art and UNTITLED Art Fair. In 2023, she will be showing these light installations in traveling exhibitions at the Metropolitan Museum of Art, Bard Graduate Center and the Walters Art Museum. She is the current recipient of the large-scale Landmark Public Art Commission for Providence, RI where she will create a permanent installation of her renowned light sculptures. In the Fall 2022 she performed at the Venice Biennale for Simone Leigh's ‘Loophole of Retreat' and was the Clark Art Institute's Futures Fellow. In 2021 she published a book with Washington Project for the Arts titled ‘Black Women as/and the Living Archive' based on Alisha B. Wormsley's ‘Children of Nan'. In 2021, she exhibited at Photoville & NYU's Tisch, the Walters Art Museum as a Sondheim Prize Finalist, CFHill gallery in Stockholm, Sweden and 1:54 in London. In 2022 she exhibited at Artspace New Haven in CT and The Mattress Factory and much more. Other exhibitions include Park Avenue Armory, National Museum of Women in the Arts, Art Dubai, and more. She has performed at the Venice Biennale, Art Basel Miami, Art on the Vine (Martha's Vineyard), Chale Wote Street Art Festival (Ghana), El Museo del Barrio, Fendika Cultural Center (Ethiopia), Festival International d'Art Performance (Martinique), Queens Museum, the Smithsonian's, The Momentary and more. Her work has been featured in Artsy, NYTimes, Vogue, BOMB, Hyperallergic, American Quarterly, Gagosian Quarterly and Transition Magazine. She is represented by Addis Fine Art and currently lives between DC and London.

As a contemporary street artist, Seek One has built his name in the fine art community by developing 1 of 1 pieces that fuse iconic figures, vintage media, and street style together. Born and raised in Philadelphia, Seek One began writing graffiti at a young age. After years of experimenting with street art, photography, and other various art forms, Seek One developed his own unique style. His work has been featured in galleries across the world from The Hamptons to Dubai, Art Basel Miami, magazines like Forbes and MAXIM, and owned by top celebrities, athletes, and influencers.Artist Statement - "As a contemporary artist, I aim to develop one of one pieces of fine art that bring iconic figures, vintage media and street style into one. My work stems from my background as a graffiti street artist and photographer while also depicting nostalgic influences from my childhood and world travels. Mixed with my obsession with popular culture and its influence on society; this drives me to channel that influence and incorporate it to my work. Blurring the lines between urban culture and fine art has established my unique style of art bringing iconic images and street style together. My goal is to create timeless pieces of fine art that everyone can connect with."Tune in for an transparent conversation on the journey and creativity of Seek One!1:05- The Journey2:56- Stardom Realization 7:37- Advice For Others in Industry 11:40- Upcoming Projects 13:10- "I AM"13:59- Growth and Expansion Tell and Tell Secrets:"I love to play golf, which is something people wouldn't expect from a street artist, It is a sneaky hobby and something O have started to enjoy as I got older"Follow Seek One: Websitewww.seekoneart.comInstagram@seekoneartFollow Shawn Zanotti at http://www.thejourneytold.com or http://www.exactpublicity.com Instagram - http://www.instagram.com/publicistshawn Facebook - http://www.facebook.com/shawnzanottihttps://www.thejourneytold.com/Facebook: https://www,facebook.com/thejourneytoldshowInstagram: https://www.instagram.com/thejourneytoldshow

Jessica Yatrofsky is a NYC-based artist and activist, known for film and photographic work exploring body politics, beauty, and gender. After receiving her MFA from Parsons the New School for Design, she published her first photography monograph, I Heart Boy, with powerHouse Books in 2010, and her second photography monograph, I Heart Girl, in 2015 with her accompanying film "I Heart Girl - Video Screen Tests," capturing over 100 women featured in her series. The film premiered with i-D Magazine in 2016. Her photographic work has been exhibited internationally in addition to book signings with Barnes&Noble and Strand Books in NYC. In 2015, her film SUN IN MY MOUTH received an Honorable Mention in the LGBTQ “All Out Arts” Fresh Fruit Festival as well as screened during the Northside Film Festival in Brooklyn, New York. In 2016, Yatrofsky was featured in the cover story THE NEW PROGRESSIVES for the “Activists Issue” in Interview Magazine. Her work was featured in the NSFW:Female Gaze group exhibition at the Museum of Sex in NYC from 2017-2018. Yatrofsky's work is part of the permanent collection at the Leslie-Lohman Museum for Gay and Lesbian Art. In 2016, Yatrofsky founded the NY FEM FACTORY, a feminist collective that has hosted and curated literary readings, art exhibitions, and live immersive events in North America and Europe coinciding with the release of her debut book of poetry Pink Privacy. Yatrofsky and the NY FEM FACTORY recently completed a residency at the experimental Institut fur Alles Mogliche in Berlin including collaborations with Soho House Berlin and the German woman's publication, Libertin Magazine. In 2017, Yatrofsky and NY FEM FACTORY curated a live activation for “Performance is Alive” in the Satellite Art Show during Art Basel Miami. In 2018, Yatrofsky and the NY FEM FACTORY curated a reading featuring local female poets hosted with the Ace Hotel in NYC. This winter Yatrofsky and NY FEM FACTORY will cohost the YCC in Miami Beach, FL at the PULSE Art Fair that includes a live performance and curated installation for PULSE PROJECTS. Yatrofsky has curated panel discussions and hosted literary events with The Battery in San Francisco, CA, The Standard in both West Hollywood, CA and Miami, FL as well as participated in artist lectures for the Camera Club of New York, The Robert Giard Foundation, and the International Center for Photography in NYC. From 2016-2017, the Soho House hosted her touring conversation series “Gender Beauty & the Camera.” In 2019, Yatrofsky moderated a PULSE PERSPECTIVES panel discussion on “Art, Mindfulness & the Power of Community” in conversation with SAG actor Tiffany Lighty. Tune in for this in-depth conversation which focuses on all things in the creative process! 1:02-I am an artist 4:36-Inspiration Behind the Lens 7:38-Observing The Surroundings11:11-Art Style-Giving Everyone A Voice 14:57-Being A Film Movie Lover 19:29-3 tips for Artists 20:20-Upcoming Projects 24:04-I am Tell and Tell Secret:I am a solid speed cuber. I solve the rubik's cubeTell and Tell Secret: "I have been cutting my own hair since I was 16 years old"Follow Jessica: Instagramhttps://www.instagram.com/jyatrofsky Follow Shawn Zanotti at http://www.thejourneytold.com or http://www.exactpublicity.com Instagram - http://www.instagram.com/publicistshawn Facebook - http://www.facebook.com/shawnzanottihttps://www.thejourneytold.com/Facebook: https://www,facebook.com/thejourneytoldshowInstagram:...

Our guest today is Mark Soares.  He is the founder of Blokhaus Inc, a Marketing & Communications agency in Web3 and Blockchain. Prior to founding Blokhaus, Mark was responsible for Marketing & Communications at a global consumer electronics company. Upon discovering Bitcoin in 2015, he passionately championed blockchain as a transformative technology that can better connect people and help reimagine how value is exchanged in the new digital economy. Mark is also a member of Cointelegraph's Innovation Circle, a contributor at Rolling Stone, and has been featured on several speaking panels for NFT/Web3-centric discussions at top events, including SXSW, Art Basel, Art Basel Miami, VidCon, NFT NYC, and more. He  and his team at Blokhaus have helped top brands with Web3-centric projects, including Gap, McLaren, Art Basel, Red Bull Racing, Evian, NY Mets, Manchester United, Papa Johns, Guerlain, and more. This episode was recorded through a StreamYard call on April 5, 2023. Read the blog article here: https://webdrie.net/how-blockchain-technology-can-transform-marketing-and-entrepreneurship-with-mark-soares If you're interested in the free Web3 masterclass, please send me a DM on LinkedIn, Twitter or Instagram. 

Today, a studio visit with collage artist Judy Bowman. In less than a decade, Bowman's bright, textured collages have gained a national audience and collector base. She's shown her art in New York, at Art Basel Miami, and her first solo exhibition, called “Gratiot Griot,” is currently wrapping up at the Museum of Contemporary Art Detroit. But despite her national fame, Bowman is, admittedly, a homebody. Her home is her studio. She lives and works in Romulus, and her artwork prominently features the scenes and people of her childhood in Detroit's Black Bottom and Eastside. ___ Looking for more conversations from Stateside? Right this way. If you like what you hear on the pod, consider supporting our work.See omnystudio.com/listener for privacy information.

In this episode of The Truth In This Art, Rob Lee interviews Kip Omolade, a talented mixed media artist famous for his marvelous futuristic portraits inspired by his Nigerian heritage who's career began as a graffiti artist while interning at Marvel Comics, and they discuss his career, inspirations and much more.  About the guestBorn in Harlem, NY Kip Omolade began his art career as a graffiti artist while interning at Marvel Comics and The Center for African Art. He continued his studies at The Art Students League of New York and earned a BFA at the School of Visual Arts.His work has been exhibited at Opera Gallery, Jonathan LeVine Projects, Joseph Gross Gallery and Art Basel Miami. Good Morning America, Huffington Post, Juxtapoz and Hi-Fructose have also featured his work. Special projects include ESPN, Red Bull, Nike, 2 Chainz, The Versace Mansion, Fantasia Barrino and Sony Music. Kip Omolade's work is in the permanent collections of Viacom and Hallmark Cards. ★ Support this podcast ★

On this special episode of 'Weekends With Wos,' Wos is joined by writer Ben Golliver from The Washington Post to discuss the biggest prospect of 2023, Victor Wembanyama, and where they see him going in the next year (2:00). Then, Wos shares two interviews he did with former NBA legends Alonzo Mourning (28:45) and Gary Payton (38:31) at Art Basel 2022 in Miami. Host: Wosny Lambre Guests: Ben Golliver, Alonzo Mourning, and Gary Payton Producer: Jade Whaley Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we spoke with 19 Keys at The Royal Albert Hall. He talked about Web3, how creators can maximize their followings, emotional intelligence, business and more.   This is a High-Level Conversation that took place on a World stage. This was a moment in time and a call to action for our generation. #19keys #London #earnyourleisure  EYL University: https://www.eyluniversity.com  RSVP to Art Basel Miami: https://news.unitedmasters.com/eymSee omnystudio.com/listener for privacy information.

In this episode we talked about a record breaking year for the life insurance industry, Elon's fight against Apple, and the energy sector. #lifeinsurance #elonmusk #appleMonthly Investment Deal: https://www.earnyourleisure.com/pages/stock-market-dealsRSVP to Art Basel Miami: https://news.unitedmasters.com/eymSupport this podcast at — https://redcircle.com/marketmondays/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, Congressman Jamaal Bowman went over the inner workings of politics, he talked about how money controls elections, we discussed reparations, education, lobbyists, super packs and more. #politics #earnyourleisure #reparations Link to EYL University: https://www.eyluniversity.com/join1 Link for Market Mondays Live:http://www.marketmondays.com RSVP to Art Basel Miami http://news.unitedmasters.com/eym  See omnystudio.com/listener for privacy information.