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At 36 years old Roger realized he no longer wanted to be a senior executive of a fortune 500 company so he resigned and pursued a career in wildlife filmmaking. Roger Horrocks is a wildlife cinematographer with 15 years of experience filming behavioural sequences for the BBC, Netflix, Disney and National Geographic. Roger has worked from the frozen poles to the tropical equator and is experienced in documenting both open-water and benthic-based stories and behaviours. Roger developed his underwater field craft as a competitive spear fisherman while studying for an Honours Degree from the University of Natal in South Africa. He continued to dive while working in the digital and financial services sectors, and furthered his management training at the UCT Graduate School of Business and the London Business School. In 2007 he began working for the BBC Natural History on the Nature's Great Events series directed by Hugh Pearson, and began his apprenticeship under cameramen Didier Noirot and Doug Anderson. During this period he narrated and co-directed three documentaries with Craig and Damon Foster. The first of these "Into the Dragon's Lair", was nominated for an Emmy for best Cinematography in 2010, and the sequel, 'Touching the Dragon" was selected as one of the feature shows for National Geographic's 125th centenary year celebrations. Roger was also nominated for Best Narration at Jackson Hole . In 2011 he shot his first blue chip sequence for John Downer's "Earthflight", for producer Rob Pilley. This was followed by a long term assignment from John Downer to film bottle-nose dolphins for the "Spy in the Pod" series which aired on BBC One in 2013, and two sequences on the BBC Atlantic series for producer Ted Giffords 2010. In 2015 and 2016 he spent 110 days filming for Silverback Films on Disneynature's "Blue", for director Keith Scholey and worked as a second unit DOP on the National Geographic "Into the Okavango" feature directed by Neil Gelinas. In 2017 Roger was appointed as the underwater DOP on the National Geographic Pristine Seas Expedition to Tristan da Cunha, led by Paul Rose, working for producer Alex Verville. For Blue Planet 2, released in October 2017, Horrocks received cinematography credits on four of the six main episodes, shooting for producers Jonathan Smith, Katheryn Jeffs and Joe Steven. For his contribution to the series has was awarded a BAFTA for Outstanding Cinematography in 2018. Between 2015 and 2018 Roger worked for producer Hugh Pearson on the Coastal Seas and High Seas episodes of the Netflix original series “Our Planet”, produced by Silverback Films. He won a nomination alongside cameraman Jamie McPherson for Outstanding Cinematography for a Nonfiction Program at the 2019 Prime Time Emmy Awards on Los Angeles. In 2019 Roger was one of two Underwater DOPs hired by Jonathan Smith of the BBC Natural History Unit to shoot underwater screensavers for Apple TV. He also began initial work on the oceans episode of Planet Earth 3, produced by BBC Studios. In 2020 Roger contributed two sequences to the Animal series on Netflix, produced by Plimsoll Productions., and worked on a sequence for Silverback TV for a new series to be released in 2023. In 2021 and 2022, Roger has been working exclusively on a new ocean series for Netflix, produced by Wildspace. Join us on the Behind the Wild Lens Podcast as we uncover the mesmerizing secrets and captivating stories behind your beloved natural history TV shows. Immerse yourself in the thrilling journey from the lens to your screen, guided by the unsung heroes - camera wizards, insightful producers, charismatic TV hosts, brilliant composers, editing maestros, and visionary directors. Let us pull back the curtain for an exclusive insider's peek into the enchanting realm of wildlife filmmaking. Prepare to be awestruck by the magic that brings nature to life before your very eyes! (Formerly the Master Wildlife Filmmaking Podcast) SUBSCRIBE wherever you get your favorite podcasts.
John Downer of Rochester shares his 9/11 memory. Read by Andrew Link.
You might not expect a producer of pop culture phenomena like 'American Idol' and 'So You Think You Can Dance' to create a dramatic wildlife documentary series. But when Emmy-Award-winning producer Simon Fuller met Emmy-award winning doc director John Downer, a "perfect partnership" began.-- The result is the Serengeti series, set on the plains of Tanzania, with Serengeti 2 currently available on Discovery+.-- Simon and John generously share inside info on how they created the series -- from the camera work to the difficulties of working with story lines, climate change complications and finding and staying with story lines with wild animals we get to know by name. -- They also talk of their exceptional crew, including the voiceover artistry of Academy Award-winning and Emmy nominated actress Lupita Nyong'o. -- They each end with a special personal memory of the Serengeti. A wonderful podcast!_____All six episodes of Serengeti 2 are available on discovery+. Viewers can join the conversation on social media by using #SerengetiII and following Discovery on Facebook, Instagram, TikTok, and Twitter for the latest updates. _____Simon Fuller is a British entrepreneur, artist manager, film and television producer. He has managed talent that includes David and Victoria Beckham, Annie Lennox, Steven Tyler, Amy Winehouse, Carrie Underwood, Kelly Clarkson and The Spice Girls. He is in partnership with the duo Jennifer Lopez and Marc Anthony. _____John Downer started his professional life in 1981 at the BBC Natural History Unit, later creating John Downer Productions. He pioneered a number of techniques for wildlife filmmaking, in particular by putting cameras on birds, and by filming birds from the air using various airborne filming platforms._____Podcast host Lea Lane blogs at forbes.com, has traveled to over 100 countries, written nine books, including Places I Remember, and contributed to guidebooks. She's @lealane on Twitter; Travelea on Insta; on Facebook, it's Places I Remember by Lea Lane. Website: placesirememberlealane.com. Please follow, rate and review this weekly travel podcast!
Robot Animal Spies: The boys have their mind blown by robot spy animals that ingrain themselves into animal communities.Drive Thru Zoo: Nothing like humans interacting with animals, especially when they are being freaked out at a drive thru zoo.Knockout Fart: We have a few palette cleansers including some cops getting roasted, a car crash and most importantly a knockout that leads to a fart.SIGOURNEY WEAVER!, ATTRACTIVE!, DRESS UP GANG!, NOFX!, VINCENT!, STARRY STARRY NIGHT!, SICK, TWISTED WORLD!, COREY TAYLOR!, JOKER!, SLIPKNOT!, WAIT AND BLEED!, JIM'S NOT HERE MAN!, TAKE A CELEBRITY'S NAME AND MAKE A SONG OUT OF IT JIM!, KUMAIL NANJANI!, ROBOT ANIMAL SPIES!, ANIMAL SPIES!, BEES!, DRONE!, EAGLES!, SPY TURTLE!, NATURE SHOWS!, SEA TURTLES!, BABIES!, DOCUMENTARY!, JOHN DOWNER!, CAMERA EYES!, BBC!, SHELL!, SPY TURTLE!, EGGS!, SPY GORILLA!, DICK!, SHIT!, JERK OFF!, BANANA!, BABY YODA!, SILVERBACK!, SHARKS!, SPY SEAL!, HOT DOGGING!, BABY SEAL!, CROCODILE!, SPY OTTER!, KIDNAP!, PUPS!, ORANGUTAN!, SAW!, SPY BEAR!, HORSES!, KARENS!, KICK!, SAND!, BEACH!, ZEBRA!, SLAP!, SNACK!, SHITHEADS!, HE MAD!, CUP!, GO ANIMALS!, SHOO!, SAY SHOO!, THROW UP!, YACHT!, COW!, MONGOLIANS!, BREAK HORSE!, SHOPPING CART!, THROW!, RETARDED!, MENTALLY HANDICAPPED!, LIFT CART!, THROW IT!, CHOKED OUT!, BIKE LANE!, PEDALS!, SPEED!, STREET LEGAL!, ELECTRIC BIKES!, TALK SHIT!, ROASTED!, ARGUMENT!, TRUCK!, SMASH!, CAR!, FUCK YOU LIKE YOU AIN'T NEVER BEEN FUCKED BEFORE!, REAL MAN!, RACIST!, HIT BY BUS!, KNOCKOUT!, FART!, MY SHIT!, PUNCH!, HEAD SMASH!, SLEEP!, OUT!, FARTED!, NO HELP!, DEAD!, TREE!, REAL FIGHT!, ROOFTOP FART!, FAKE!You can find the videos from this episode at our Discord RIGHT HERE!
The Cinematography Podcast Episode 81: John Downer and Richard Jones Director John Downer and cinematographer Richard Jones have always had a love of animals. John went to work for the BBC after film school and quickly moved into the BBC Natural History division. Richard grew up in Kenya and started out in the film industry, then went to work with a wildlife filmmaker in Botswana, soon picking up a camera and teaching himself. They both agree that to be a good wildlife documentarian, it's important to spend a great deal of time around the animals, in order to understand and anticipate what they are going to do and capture it on camera. For the Discovery Channel/BBC series Serengeti, John and Richard felt for the first time that all the camera technology was finally advanced enough to capture the true nature of the animal's lives. They were able to use small, high quality hidden remote cameras that are durable and “lion proof,” as well as a special array of cameras with long lenses on a stabilization system attached to their vehicles, so Richard could shoot while the jeep was driving. While wild animals are definitely not directable, John and Richard knew what wildlife they wanted to follow as characters with the script following the changing seasons as an overarching story plotline. Serengeti follows the interconnected stories of a cast of savannah animals over one year, capturing the drama of the wildlife up close. It was important for John and producer Simon Fuller to show that animals are a lot like us and we are all in this world together. See Serengeti on Discovery GO: https://go.discovery.com/tv-shows/serengeti/ Find John Downer: http://jdp.co.uk/ Find Richard Jones: http://rmjfilming.com/ Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep81/ Sponsored by Hot Rod Cameras www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
Special Wednesday episode of the program all about TV. Our guest: John Downer, executive producer from the new nature miniseries Serengeti, presented next month on Discovery Channel.
Paul Shaw & John Downer get back to the their original subject – concluding the essential differences in typography between Iowa & NYC!File Download (12:15 min / 11 MB)
Paul Shaw & John Downer continue their cozy living room chat Paul's business :: John's business :: File Download (13:21 min / 12.3 MB)
Paul Shaw & John Downer get back to the their original subject – concluding the essential differences in typography between Iowa & NYC! A short bio of Paul :: A short bio of John :: File Download (8:10 min / 8 MB)