Podcasts about Natal

Meditação do Evangelho do Dia, com Monsenhor Lucas Batista, ao vivo de segunda a sábado, às 5h50, na Rádio Rural de Natal. Comece o seu dia com uma mensagem de fé, reflexão e esperança.

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Meditação do Evangelho do Dia, com Monsenhor Lucas Batista, ao vivo de segunda a sábado, às 5h50, na Rádio Rural de Natal. Comece o seu dia com uma mensagem de fé, reflexão e esperança.

Meditação do Evangelho do Dia, com Monsenhor Lucas Batista, ao vivo de segunda a sábado, às 5h50, na Rádio Rural de Natal. Comece o seu dia com uma mensagem de fé, reflexão e esperança.

Meditação do Evangelho do Dia, com Monsenhor Lucas Batista, ao vivo de segunda a sábado, às 5h50, na Rádio Rural de Natal. Comece o seu dia com uma mensagem de fé, reflexão e esperança.

Meditação do Evangelho do Dia, com Monsenhor Lucas Batista, ao vivo de segunda a sábado, às 5h50, na Rádio Rural de Natal. Comece o seu dia com uma mensagem de fé, reflexão e esperança.

ULTRABM | Use o Cupom CORRIDANOAR10https://cnoar.run/UltraBM26Neste episódio do CNA News, trazemos as principais notícias do universo da corrida. Acompanhe a cobertura completa da chegada de Eliud Kipchoge ao Brasil para correr a New Balance 42K de Porto Alegre. Além disso, destacamos a Meia do Sol de Natal, que agora conta com o prestigiado selo da World Athletics, e trazemos detalhes importantes sobre a Ultra BM. Veja também o caso absurdo do carro de polícia que atrapalhou os líderes em uma prova de Pernambuco e a repercussão dos comentários sobre a polêmica desclassificação em Minas Gerais envolvendo a assessoria Bora.- A chegada de Eliud Kipchoge no Brasil para a New Balance 42K de Porto Akegre (00:00:51)- Meia do Sol em Natal recebe selo da World Athletics (00:03:12)- Informações exclusivas e cupom para a Ultra BM (00:05:41)- Absurdo: carro de polícia atrapalha líderes em Pernambuco (00:07:06)- O caso da desclassificação em Minas Gerais e a assessoria Bora e seus sócios (00:08:36)Nossos cupons e links - https://cnoar.run/cuponsO Corrida no Ar News é produzido diariamente.

Ilhas assombradas, Emily Blunt: ursinho carinho, mariconas tóxicas e suas musas, alienígenas do passado, descontruindo masculinidades com Richard Gadd, a ética do baby talk e a busca por conhecimento.Comentado durante o podcast:02:51 - Widows Bay (Primeira Temporada)36:54 - Dia D (2026, Dir: Steven Spielberg)01:31:22 - Half Man (Minissérie)01:43:02 - Natal Amargo (2026, Dir: Pedro Almodóvar)01:55:30 - The Baby (1973, Dir: Ted Post)02:06:26 - Livro Um Lugar Ensolarado para Gente Sombria da Mariana EnriquezApresentado por:⁠⁠⁠⁠⁠⁠⁠⁠⁠Luiz Machado⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠João Neto⁠⁠⁠⁠⁠⁠⁠⁠⁠ e ⁠⁠⁠⁠⁠⁠⁠⁠⁠Alvaro de Souza⁠⁠⁠⁠⁠⁠⁠⁠⁠.Com a participação especial de ⁠Yuri Célico⁠.Confira o nosso site:⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠esqueletosnoarmario.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@esqueletosgays no ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠e ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠Acesse o⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠apoia.se/esqueletosgays⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E o⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠orelo.cc/esqueletosgays⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Natal adiado para FevereiroSee omnystudio.com/listener for privacy information.

Durante sete décadas, a União Soviética foi metade do mundo. Uma superpotência nuclear que mandou o primeiro homem ao espaço, derrotou o nazismo e prometeu uma utopia de igualdade. Mas no Natal de 1991, esse império simplesmente deixou de existir. Sem uma guerra mundial. Sem uma invasão alienígena. Apenas ruiu por dentro. Como um Estado tão poderoso pôde desmoronar tão rapidamente? Neste episódio de História em Versões, viajamos pelas filas geladas de Moscou, pelos corredores radioativos de Chernobyl e pelas ruas eufóricas de Berlim para entender as decisões, os medos e as pessoas comuns que viveram o fim de um mundo. Vista seu casaco. O inverno frio da Guerra Fria está prestes a terminar.Contato: m7studiospodcast@gmail.com

Em cada dia, Luís Caetano propõe um poema na voz de quem o escreveu.See omnystudio.com/listener for privacy information.

Em sua volta à língua espanhola, Pedro Almodóvar olha para dentro e propõe uma profunda reflexão sobre a dor, a alegria e a ética do processo de criação artística. No longa, selecionado para competir pela Palma de Ouro no Festival de Cannes deste ano, nós acompanhamos o cineasta Raúl (Leonardo Sbaraglia) que, em meio a um bloqueio criativo, usa os dramas reais de pessoas próximas para escrever um roteiro autoficcional. A obra ganha vida em 2004 através de seu alter ego, a publicitária Elsa (Bárbara Lennie), uma mulher marcada por tragédias pessoais. Alternando entre a Madrid do passado e o verão de 2026 nas Ilhas Canárias, "Natal Amargo" usa a metalinguagem para conectar as linhas temporais em uma narrativa que nos envolve nas perdas e paixões, memórias e inspirações de seus personagens, distanciando-se completamente de um conto natalino tradicional. Almodóvar assina o roteiro e a direção de "Natal Amargo", uma produção da El Deseo com distribuição da Warner Bros. Escute ou veja o podcast com a crítica de "Natal Amargo" por Renato Silveira e Kel Gomes, com participação de Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG. Gostou do podcast? Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema. Visite o nosso site para saber como participar. NATAL AMARGO (Amarga Navidad, 2026, Espanha) Direção: Pedro Almodóvar Roteiro: Pedro Almodóvar Produção: Agustín Almodóvar Elenco: Bárbara Lennie, Leonardo Sbaraglia, Aitana Sánchez-Gijón, Victoria Luengo, Patrick Criado, Milena Smit, Quim Gutiérrez, Rossy de Palma Fotografia: Pau Esteve Birba Montagem: Teresa Font Música: Alberto Iglesias Duração: 1h 52min Distribuição: Warner Bros. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br  

The following article of the AI Cloud & Data industry is: 'The Return to the Digital Closet' by David Gonzalez Natal, Partner & North Latam General Director, LLYC. 

Las vacaciones de invierno están cada vez más cerca ytodavía estás a tiempo de planificar una escapada para cambiar el frío por elcalor.En este episodio recorremos algunos de los destinos másatractivos para disfrutar del sol durante el invierno argentino: Fortaleza,Natal, Maceió, Maragogi, Porto de Galinhas y Río de Janeiro. Descubrí por qué el nordeste de Brasil y Río son grandesopciones para disfrutar de playas, paisajes increíbles y experiencias únicas cuando llega el invierno.

A Cleide cresceu na roça, foi mãe solteira aos 17 anos, enfrentou o preconceito e chegou a ser expulsa de casa com a filha pequena nos braços. Após recomeçar ao lado do Pedro e formar uma família com 3 filhos, ela perdeu o marido na véspera de Natal e mais uma vez estava sozinha com as crianças. Anos depois, ela enfrentou um diagnóstico de um câncer no rosto, mas venceu mais uma batalha com fé e determinação! Hoje aos 67 anos, ela vive em paz, cercada pela família e por um novo amor com o João.

Meditação do Evangelho do Dia, com Monsenhor Lucas Batista, ao vivo de segunda a sábado, às 5h50, na Rádio Rural de Natal. Comece o seu dia com uma mensagem de fé, reflexão e esperança.

Na Rádio Rural de Natal, o quadro Bem-Estar e Saúde também conta com a participação da fonoaudióloga Luiza Flora, que traz informações e orientações sobre saúde vocal, comunicação e qualidade de vida.

"No Yogurt for the Dead", de Tiago Rodrigues & NTGent, esteve no Grand Palais, em Paris, de 18 a 20 de Junho. A peça foi escrita pelo dramaturgo e encenador português a partir dos últimos dias do pai, o jornalista Rogério Rodrigues, e do bloco de notas que ele deixou com a frase “Os mortos já não comem iogurte”. Esta é uma peça íntima e universal sobre um filho que se despede do pai com uma obra de arte. Este é também “um ensaio - colectivo - perante o adeus”, nas palavras da actriz Beatriz Brás, com quem fomos falar, na última noite no Grand Palais. Depois de ter dado volta ao mundo e estreado há mais de um ano na Bélgica, a peça “No Yogurt for the Dead”, do também director do Festival de Avignon, esteve, durante três noites, no majestoso Grand Palais, em Paris. Ao centro, uma pequena montanha branca, duas camas de hospital, quatro actores, duas barbas, um caderno, alguns cigarros, umas centenas de espectadores e telhados de vidro monumentais a cobrirem toda a cena. Ali se passou do riso ao pranto, do canto ao silêncio. Um ritual colectivo de despedida ou, como nos diria, depois, Beatriz Brás, uma espécie de “ensaio da despedida” de nós próprios e dos nossos entes queridos. Depois da homenagem à avó Cândida em “By Heart”, depois de um poema de amor à companheira em “Le Choeur des Amants”, depois da evocação poética à filha em “ La Distance”, em “No Yogurt for the Dead” o público de Tiago Rodrigues regressa a um lugar que já lhe é familiar. O título da peça, “No Yogurt for the Dead”, vem de um caderno de Rogério Rodrigues (“Barba Longa” no espectáculo) que o filho (“Barba Curta”) lhe levou, a seu pedido, para escrever uma reportagem sobre o que se passava no hospital. “A sua última reportagem”. No final, o caderno praticamente só tinha essa frase. Uns tempos depois, nascia o espectáculo, algures entre entre ficção e diário íntimo, entre peça de teatro e reportagem cantada pelas vozes de Beatriz Brás, Manuela Azevedo e Lisah Adeaga, acompanhadas pela guitarra discretamente omnipresente de Hélder Gonçalves. Aproveitámos a passagem por Paris desta peça para conversarmos com uma das actrizes, Beatriz Brás que, com Manuela Azevedo, vai trocando de barbas e vestindo a pele de um pai e a de um filho.   RFI: Como é que nos poderia descrever esta peça? Beatriz Brás, Actriz em “No Yogurt for the Dead”: “É uma peça sobre a mortalidade e sobre como é que nós resolvemos e fazemos as pazes com a partida de alguém, com a nossa própria partida também. Muitas vezes, quando vemos partir alguém, o adeus não foi preparado. Eu acho que esta peça é sobre a preparação para esse adeus, o facto de esse adeus nunca ser perfeito e um bocado fazer as pazes com o facto de sermos humanos. Erramos, mas, no fundo, há a possibilidade de, através da arte, nos despedirmos, através da poesia, através da arte, neste caso deste espectáculo que o Tiago, apesar de ele dizer muitas vezes que isto não é um espectáculo sobre o pai e sobre ele, ou seja, só sobre ele e sobre a história dele com o pai, acaba por ser uma maneira, a meu ver, de ele fazer as pazes com a turbulência que foi a relação deles e que a doença do pai permitiu dar um fim diferente e que este espectáculo também vem dar um fim diferente.” É uma história íntima, mas também universal? “Exactamente. Eu acho que todos nós nos revemos neste ensaio perante o adeus. Isso é a primeira coisa. E também aquilo que eu estava a dizer há bocado: o adeus nunca foi preparado e então parece que ensaiamos na nossa cabeça como é que poderá ser este fim? E na questão da turbulência também acho que há relações familiares complicadas, que nos desafiam - a maioria delas, diria até. Então, eu acho que é uma coisa que o Tiago, ao falar do pai dele, possibilita-nos a nós de também nos vermos naquela história.” A Beatriz interpreta os papéis do pai e do filho. Como é que vestiu toda essa carga simbólica? “Bom, essa carga simbólica nunca lá esteve. Da parte do Tiago, ele sempre nos aligeirou esse peso, do género: ‘Isto não tem de ser uma coisa sobre mim, não sintam demasiado pudor com a história por ser uma coisa pessoal'. Portanto, ele tentou sempre retirar qualquer tipo de peso. Mas é claro que há essa herança, essa questão de ser uma história pessoal e o facto de trocar os papéis é um pouco um exercício de se pôr no lugar de um e no lugar do outro a meu ver. Foi um exercício que surgiu muito naturalmente.” Já estava escrito ou foram vocês que criaram? “Não. O Tiago escreve sempre durante o processo. É uma qualidade dos processos de criação do Tiago, o que é óptimo para nós porque nos dá imensa liberdade para propor coisas e para o espectáculo se ir inventando ao longo do tempo. Portanto, como ele não sabia bem quem é que ia desempenhar o Barba Longa, o Barba Curta, o Tiago ou o Rogério, íamos experimentando, entre eu e a Manuela [Azevedo], até que: ‘E se fôssemos trocando estes papéis?' E ficou assim esta troca de papéis também um bocadinho à boleia desta questão do ensaio, não é? Ora tu fazes de mim, ora eu faço de ti. Vamos lá experimentar o que é isto de fazer uns dos outros e de se pôr nos sapatos uns dos outros'. E foi assim que ficou.” A própria peça é um ensaio. Não sabemos se estamos numa reportagem cantada, se estamos numa peça de teatro... “Pois, isto é uma reportagem sobre o final da vida do Rogério. É uma reportagem que tem tanto de ficção como de documental. Como a própria Lisa, a narradora da história, diz no início: ‘é uma reportagem que está sempre a deambular entre o teatro e o jornalismo'... E o diário íntimo? “E o diário íntimo. Não sabemos aquilo que é verdadeiro ou não. Mas claro que muitas das coisas são inspiradas na vida real do Tiago e da relação com o pai dele, da vida do pai dele, a Teresa Torga, todo aquele artigo que é lido e tudo o mais, as canções, o poema escrito pelo pai do Tiago. Portanto, há muita coisa que é real, que é verdadeira, mas há muita outra que também é ficcional e que eu acho que também é um bocadinho a qualidade dos espectáculos do Tiago, ele gosta sempre de misturar, gosta sempre de desafiar os limites daquilo que é a ficção.” Temos teatro, temos jornalismo, temos música. Qual é o papel da música nesta peça? A música que só se cala mesmo no fim porque há sempre as notas da guitarra eléctrica e as vossas vozes... “Sim. Isto não era para ter tanta música, este espectáculo. Não, de todo. Até que chegámos a um momento em que a Manuela canta a Teresa Torga e experimenta ir para cima da montanha e o Tiago diz: ‘Bom, a partir de agora isto tem de ser um musical'. E começa a escrever a pensar em musicar as letras. O Hélder foi para as férias de Natal muito preocupado porque tinha de criar as músicas para Janeiro, que foi a estreia [2025]. A música não era para ter um impacto tão grande, mas acabou por se revelar muito importante. E também acho que serve um bocado este imaginário das alucinações, do caminho até à morte, de um caminho solitário, meio deambulatório, onde há fantasmas e figuras da morte que nos visitam, figuras do passado, figuras do presente. E tudo se mistura. A lucidez começa a ficar um bocadinho mais... Bom, a própria ficção começa a entrar na realidade, se quisermos. E, portanto, acho que a música serve não só para dar um tom meio melancólico ao espectáculo -e doce ao mesmo tempo, uma melancolia doce, eu diria - mas também para dar corpo a este lado mais fantasmagórico e de alucinação e do desconhecido que é a morte, na verdade, e que nos toca a todos.” A Beatriz canta também “Com que voz”. Como é que surgiu este fado na peça? “Bem, eu já não me recordo sinceramente como é que isto surgiu. O Tiago sabe que eu gosto muito de cantar fado...” Já cantou em “Na Medida do Impossível”... “Exactamente. Bom, falamos que a Teresa Torga era fadista, que gostava de cantar fado e acho que todo esse imaginário já lá estava. Este é um fado que o Tiago gosta muito e acabou por surgir a ideia de aparecer este fado também como imaginário do próprio Rogério, não é? O Jacques Brel, o fado, são tudo repertórios que ele gostava e que acho que servem o espectáculo e que servem estas figuras, estes tais fantasmas que o vão visitando no hospital.” Inclusivamente aparece um adufe que é da música tradicional de Trás-os-Montes... “Exactamente porque o Rogério era de Trás-os-Montes e a Manuela, a uma dada altura, propôs trazer este instrumento que é tradicional de lá, então, fez todo o sentido. Também acho que é uma peça muito portuguesa, com muitas referências portuguesas, e na música também está presente.” A peça é portuguesa, mas o título é “No Yogurt for the Dead”. De onde vem este título? E porquê em inglês? “Porque o próprio Rogério escreveu ‘No Yogurt for the Dead' no seu caderno. Esse tal caderno onde só existem rabiscos. Curiosamente, o Rogério tinha escrito em inglês e foi assim que ficou.” Qual é a história do iogurte? “Como o próprio espectáculo conta, o Rogério não gostava de iogurtes. O próprio título da reportagem que ele escolheu foi ‘No Yogurt for the Dead'. Esta questão do iogurte é uma nova paixão que o Rogério teve no hospital e que só começou a gostar quando estava no hospital e, portanto, é quase como uma metáfora para a sua nova personalidade no hospital, porque foi também no hospital e foi através da doença que se possibilitou uma reaproximação com o filho, com os entes queridos dele. É quase como ele próprio diz – ‘Pareço um miúdo, só quero dar amor e beijinhos. Já não me reconheço e gosto de iogurtes. Eu que nem gostava de iogurtes.' Portanto, é como se surgisse uma nova personalidade no Rogério, que, para quem vê, para quem observa, também deve ser estranho, não é? Quando o Tiago, o ‘Barba Curta', diz: ‘Não pareces tu, pai', há uma certa estranheza. O que é que é isto agora? Mas acho que também é essa nova personagem que ele tem no hospital e que gosta de iogurtes, que permite escrever um novo capítulo para a sua despedida.” Até que ponto é que esta peça sugere que contar histórias é uma tentativa de vencer a morte? Até porque ele morre várias vezes durante a peça... “Eu não sei se é uma tentativa de vencer a morte, não sei se é resistir à morte. Sim, talvez. Não diria resistir, no sentido em que não a podemos combater, é uma inevitabilidade, mas transforma sim, isso sim há resistência, porque transforma a maneira como nos relacionamos com ela, a maneira como a memória é criada deste pai, por exemplo. Ele está a transformar a memória que tem do pai ao escrever de outra maneira a sua partida, ao inventar novas maneiras da sua partida. E então penso que é uma maneira de apaziguar a dor, talvez, ou de, pelo menos, partilhar a dor com o público e de dizermos: ‘Ok, estamos todos aqui. Às vezes, a coisa não corre bem. Às vezes, é imperfeito, mas todos nos identificamos que há sempre uma caneta preta por trazer.' É a tal caneta preta que o Tiago traz no fim, isto é, no sentido em que há sempre uma coisa que poderia ser dita e nós todos nos relacionamos com isso, mas ao pô-lo em palco, talvez nos sintamos mais acompanhados nessa melancolia, nessa partida.” Em vez de uma entrega total à saudade e à tragédia tão portuguesas, há ali muito humor. O que é que o humor também traz a esta despedida? “Eu acho que o humor é essencial neste espectáculo porque senão seria uma coisa muito triste e muito insuportável. É uma das características dos espectáculos do Tiago é este balançar entre a tragédia e o humor. Ele fá-lo muito bem porque é sempre para aguentarmos a próxima facada, digamos assim, a próxima dor, é preciso respirar, rir um bocadinho. Toda a tragédia tem uma certa possibilidade de riso. Eu acho que o humor traz uma certa esperança à dor. Eu acho que é essa a nota final que fica. É claro que há dor, claro que há sofrimento, mas podemo-nos também rir disso e, em conjunto, z sorrir perante a partida de alguém, perante o vazio.” Vamos agora à nossa despedida. Trabalha com o Tiago Rodrigues há algum tempo, fez também com ele ‘Na Medida do Impossível'. Como é trabalhar com o director do Festival de Avignon e correr mundo fora com as peças que criou com ele, ele que tem tanto amor pelas palavras, pela liberdade artística e também, penso eu, vo-las dá? “É um prazer enorme trabalhar com o Tiago. Cada vez que trabalho com ele, como eu disse, a escrita é feita durante o processo de criação, portanto, isto dá muita liberdade aos actores. Ele convoca-nos para a própria criação, portanto, eu que tenho um passado em que criei a minha própria companhia e tudo isso, revejo-me muito nisso, identifico-me muito com esse método de trabalho em que todos estamos a contribuir para a criação. O Tiago tem sempre, apesar do estatuto de director do Festival de Avignon - que claro, está sempre muito ocupado e com as suas mil tarefas e mil emails por responder - a verdade é que ele preserva sempre uma leveza que eu invejo. É uma leveza de fazer do teatro a coisa mais fácil do mundo. Estamos a uma semana de estrear, ainda falta texto e ele diz: ‘Temos imenso tempo, uma semana é imenso tempo, podemos mudar o espectáculo todo!'. Claro que ele diz isto em tom de brincadeira, mas a verdade é que ele preserva sempre este sentido de humor, esta leveza perante o que estamos a fazer e, sobretudo, eu sinto que ele confia muito nos actores e na equipa com quem trabalha. Aliás, ele próprio diz, muitas vezes, que, mais do que ser um bom actor, ele chama pessoas com quem ele gosta de estar. Eu acho que isso se sente nos espectáculos dele e no processo. São também leves, como esta música, que é este tom melancólico, sorridente. Eu acho que também foi assim. E doce. Acho que também são assim os espectáculos e os processos de criação do Tiago.”

Meditação do Evangelho do Dia, com Monsenhor Lucas Batista, ao vivo de segunda a sábado, às 5h50, na Rádio Rural de Natal. Comece o seu dia com uma mensagem de fé, reflexão e esperança.

Na Rádio Rural de Natal, o quadro Bem-Estar e Saúde vai ao ar toda segunda-feira, com a participação da psicopedagoga Mi Bispo, trazendo orientações e dicas para o equilíbrio emocional e o desenvolvimento pessoal. 

On the afternoon of 10th January 1883, King Cetshwayo kaMpande climbed off a skiff and onto the beach at Port Dunford, surviving the heavy and powerful surf. The British had been using this stretch of desolate sand as their transport hub into Zululand, which is south of the modern harbour of Richard's Bay. King Cetshwayo then stepped out of the wet boat onto the sand of Port Durnford, where he was formally met by British official Sir Theophilus Shepstone to begin his return to Zululand. Cetshwayo looked around — there was no welcoming committee of his people. Shepstone has purposely kept the date of the King's return a secret, this after 3 years in exile. It was just the sort of thing at which Theophilus excelled — a thoughtful deviousness. The British brought him back to lead a detachment of 6th Dragoons to greet the old Zulu king, and to escort Cetshwayo back to Mthonjaneni above the the emaKhosini valley. Which he did. Shortly after they arrived in early January, Mandlakazi leader Zibhebu came to Mthonjaneni, but not to pay respects to Cetshwayo, he made a grand point of greeting Shepstone, his patron, and ignoring the king. Zululand had been fractured, and Cetshwayo now led a broken people where the different regions were alienated from royal control. Cetshwayo had been restored, but their country was divided. The uSuthu regiment in particular were aghast they were forced to remain under Zibhebhu's rule — he was a tyrant and hated. For the previous 12 months, a game of smoke and mirrors had confounded the king. When he returned from visiting Queen Victoria in England in September 1882, he had been told he was to return home almost immediately. The actual boundaries of his kingdom were undefined. Natal officials were terrified of Cetshwayo, sure that he would invoke the spirits of Dingana and Shaka, and the Zulu would rise up once more. They wanted to confine Cetshwayo to the central portion of his former kingdom, where he would be managed by a Resident supervisor Henry Francis Fynn Junior. In the north, Zibhebhu, Cetshwayo's implacable enemy, would rule independently — the only independent chief out of the 13 selected by the British to rule over different territories in Zululand. Zibhebhu took control over the land north of the Black Mfolozi, land which was dominated by pro-Cetshwayo locals and Zibhebhu was distinctly anti-Cetshwayo. It was into this newly divvied up landscape that Cetshwayo returned in early 1883. Shepstone officiated over the handover of power, and once again, was forced to face a plethora of complaints delivered by the king's men, including Mnyamana's induna Hemulaana. The kings restoration, they said, was a disgrace. Ever the thin-skinned settler, Shepstone was outraged, he was merely a clerk, sent by the British to dot a few I's and cross a few T's, he had no power to alter any of the conditions. After the tongue lashing, he and the dragoons hurried back to the safety of Natal muttering about the insults they'd been forced to endure. With stuffy old Shepstone gone, the Zulu let their hair down == Let the party begin — but the reality of his situation was clear to Cetshwayo. While his homestead at oNdini had been reinstated east of the original town burned down by the British, it was smaller. Still, almost 1000 huts were built in the traditional stye of an ikhanda with the isigodlo at the top, all protocols observed. Well almost all. A large number of senior indunas and chiefs were absent. After Shepstone left, Zibhebhu left too. Hamu stayed aaway. Mfanawendlela did arrive, somewhat shamefaced, it was he who had committed a sacrilege of planting crops on King Mpande's Grave on Mahlabathini plain. But things had changed, when he walked into the isigodlo, he did not prostrate himself before the Zulu king, but idled up to one of the chairs and sat down as if he was Cetshwayo's equal.

On the afternoon of 10th January 1883, King Cetshwayo kaMpande climbed off a skiff and onto the beach at Port Dunford, surviving the heavy and powerful surf. The British had been using this stretch of desolate sand as their transport hub into Zululand, which is south of the modern harbour of Richard's Bay. King Cetshwayo then stepped out of the wet boat onto the sand of Port Durnford, where he was formally met by British official Sir Theophilus Shepstone to begin his return to Zululand. Cetshwayo looked around — there was no welcoming committee of his people. Shepstone has purposely kept the date of the King's return a secret, this after 3 years in exile. It was just the sort of thing at which Theophilus excelled — a thoughtful deviousness. The British brought him back to lead a detachment of 6th Dragoons to greet the old Zulu king, and to escort Cetshwayo back to Mthonjaneni above the the emaKhosini valley. Which he did. Shortly after they arrived in early January, Mandlakazi leader Zibhebu came to Mthonjaneni, but not to pay respects to Cetshwayo, he made a grand point of greeting Shepstone, his patron, and ignoring the king. Zululand had been fractured, and Cetshwayo now led a broken people where the different regions were alienated from royal control. Cetshwayo had been restored, but their country was divided. The uSuthu regiment in particular were aghast they were forced to remain under Zibhebhu's rule — he was a tyrant and hated. For the previous 12 months, a game of smoke and mirrors had confounded the king. When he returned from visiting Queen Victoria in England in September 1882, he had been told he was to return home almost immediately. The actual boundaries of his kingdom were undefined. Natal officials were terrified of Cetshwayo, sure that he would invoke the spirits of Dingana and Shaka, and the Zulu would rise up once more. They wanted to confine Cetshwayo to the central portion of his former kingdom, where he would be managed by a Resident supervisor Henry Francis Fynn Junior. In the north, Zibhebhu, Cetshwayo's implacable enemy, would rule independently — the only independent chief out of the 13 selected by the British to rule over different territories in Zululand. Zibhebhu took control over the land north of the Black Mfolozi, land which was dominated by pro-Cetshwayo locals and Zibhebhu was distinctly anti-Cetshwayo. It was into this newly divvied up landscape that Cetshwayo returned in early 1883. Shepstone officiated over the handover of power, and once again, was forced to face a plethora of complaints delivered by the king's men, including Mnyamana's induna Hemulaana. The kings restoration, they said, was a disgrace. Ever the thin-skinned settler, Shepstone was outraged, he was merely a clerk, sent by the British to dot a few I's and cross a few T's, he had no power to alter any of the conditions. After the tongue lashing, he and the dragoons hurried back to the safety of Natal muttering about the insults they'd been forced to endure. With stuffy old Shepstone gone, the Zulu let their hair down == Let the party begin — but the reality of his situation was clear to Cetshwayo. While his homestead at oNdini had been reinstated east of the original town burned down by the British, it was smaller. Still, almost 1000 huts were built in the traditional stye of an ikhanda with the isigodlo at the top, all protocols observed. Well almost all. A large number of senior indunas and chiefs were absent. After Shepstone left, Zibhebhu left too. Hamu stayed aaway. Mfanawendlela did arrive, somewhat shamefaced, it was he who had committed a sacrilege of planting crops on King Mpande's Grave on Mahlabathini plain. But things had changed, when he walked into the isigodlo, he did not prostrate himself before the Zulu king, but idled up to one of the chairs and sat down as if he was Cetshwayo's equal.

Les novetats discogr

le MENTORING ASTRO HYBRID

We're up to the early 1880s where world events are intersecting in various ways with southern African events. The mere ratification of the Pretoria Convention in 1881 failed to bring peace and prosperity to South Africa. The frenzied speculation in diamond shares reached it's height in 1881, and war expenditure had swelled the tide of fictitious prosperity which had flowed from Table Bay to Lydenburg. Now the troops and the glory departed, Natal after the pomp and ceremony of the Wolseley period, drifted into a political backwater — and yet clamoured for responsible government and an augmented imperial garrison. In the Cape, the overcapitalised diamond companies began to topple, and banks shortened credit and in 1882, the crash came. John Scanlen the Cape Prime Minister succumbed to what some called retrenchment mania and laid off judges amongst other members of the bureaucracy. Times were bad, and growing worse, with Phylloxera visiting the Western Cape vineyards, drought had smote the land and red-water fever the cattle. It was old testament level pestilence and suffering, at least if you read the journals of the time. Did I mention the outbreak of smallpox as well? How remiss. It scoured Cape Town first, this pestilence, from whence it followed the railway and wagon route to the diamond fields of Kimberley, and from there into the Orange Free State and Basotholand. Plagues of locusts chewed through what was left. For anyone who would return to an earlier epoch in South African history, believing these were golden years, perhaps the reality I've just outlined would make you recalibrate your Time Machine. SJ Du Toit launched his pro-Afrikaans campaign by the early 1880s, railing against die Engelse and the elites in the Cape who were determined to keep speaking high Dutch instead of this new form which was disparagingly called Kitchen Dutch. Emerging at this messy moment to influence South Africa forever was a lawyer who eventually became known as Lord De Villiers. It's difficult to understand this these days — in the 1880s South Africa was still a mishmash of rebels, settlers, African chiefdoms, Khoesan raiders, dirt tracker miners and trekboers, wild Baltic and Nordic merchants, American and Australian frontiersmen. Every geographical locale was represented by a different language so folks like De Villiers who obsessed over federal ideas were outliers. Self-government meant they leaned towards the Union Jack, the English, for defence, but not the Union Jack as a cloak for interference in the internal affairs of the Cape. The quarrels divided the Anglican community particularly in Natal into adherents of the Church of England, and the Church of the Province of South Africa. The two main questions were these: Must Anglican Bishops in South Africa be appointed by Letters consecrated by the Archbishop of Centebury, and secondly, was the Church in South Africa bound by acts of an Imperial Parliament in England far far away or mainly independent? De Villiers was going to decide both questions — and in doing so — would set the scene for a future South African Republic while also setting in stone, some of our concepts in South Africa of the right to practice the religion we prefer.

Dr. Meek on the mother's smile as a form of philosophical formation and a form of epistemic access to reality, why it's important to see oneself being seen (as beloved), and how modernity operates as a barrier to such interpersoned philosophy.  BIO: Esther Lightcap Meek is Professor of Philosophy emerita at Geneva College. Meek's books include Longing to Know: The Philosophy of Knowledge for Ordinary People (2003); Loving to Know: Introducing Covenant Epistemology (2011); A Little Manual for Knowing (2014); and Contact With Reality: Michael Polanyi's Realism and Why It Matters (2017). Recent books are Doorway to Artistry: Attuning Your Philosophy to Enhance Your Creativity (2023), and with Lisa Cadora, Knowing as Loving: Philosophical Grounding for Charlotte Mason's Expert Educational Insights (2023). Her newest book is The Mother's Smile: Philosophical Formation in the Welcome of Mothers and Friends (2025). PODCAST LINKS:- The Mother's Smile (book): https://wipfandstock.com/9798385236473/the-mothers-smile/ NEWSLETTER:Subscribe to our podcast newsletter and get ***40% OFF*** any Wipf and Stock book: ⁠http://eepurl.com/cMB8ML⁠. (Be sure to check the box next to “Podcast Updates: The Theology Mill” before hitting Subscribe.) CONNECT:Website: ⁠https://wipfandstock.com/blog/category/podcast/⁠YouTube: ⁠https://www.youtube.com/@Wipfandstockpublishers⁠ *The Theology Mill and Wipf and Stock Publishers would like to thank Luca Di Alessandro for making their song “A Celestial Keyboard” available for use as the podcast's transition music. Link to license: ⁠https://pixabay.com/service/license-summary/⁠.

This week: The Moon doubles up with two lunations - a Pisces Last Quarter AND a Gemini New Moon! Gemini loves to do things in pairs, so it would not have it any other way. One of the nicest transits of the year, as Venus makes a conjunction with Jupiter in Cancer, just before Venus enters glamorous Leo. Communication takes on a serious tone when Mercury squares Saturn, and a listener question about the complex quincunx aspect. Plus: Letting the dough rest, trimming palms, and looking for glamor in the back of your closet! Read a full transcript of this episode. Have a question you'd like answered on the show? Email April or leave it here! Subscribe to April's mailing list and get a free lunar workbook at each New Moon! Love the show? Make a donation! Timestamps [1:37] Moon Report! Lunation #1 - Pisces Last Quarter Moon (June 8, 3 am PDT) at 17°38' Pisces and Gemini. Take final action on Taurus New Moon (May 16) goals. Spend some time near water for reflection. Use imagination and intuition for ideas on how to bring those New Moon intentions to fruition. [3:41] Lunar Phase Family Cycle (LPFC). This is the Last Quarter (last action point) in an LPFC that began with a New Moon on Mar. 10, 2024, at 20°16' Pisces. The First Quarter Moon (first action point) was on Dec. 8, 2024, and the Full Moon (awareness point) on Sep. 7, 2025. [5:26] Lunation #2 - Gemini New Moon (June 14, 7:54 pm PDT) at 24°03' Gemini on Sabian symbol, 25 Gemini, A man trimming palms. With Mercury in aspect to Saturn, it's a good New Moon period for tidying up and getting things in order. [7:00] This is the New Moon in a lunar phase family cycle (LPFC) that will unfold over the next three years. The First Quarter (first action point) of this LPFC comes on Mar. 15, 2027 (24°51' Gemini), the Full Moon (awareness point) on Dec. 13, 2027 (21°24' Gemini), and the Last Quarter (last action point) on Sept. 11, 2028 (19°47' Gemini). [9:38] Void-of-Course (VOC) Moon periods. The Moon in Pisces trines Jupiter in Cancer (June 8, 5:38 pm PDT). It's VOC for 7 hours, 55 minutes, then enters Aries (June 9, 1:33 am PDT). Use this VOC Moon to develop a habit of practicing kindness, generosity and appreciation for all of the beauty that you enjoy in the world. [10:39] The Moon in Aries squares Venus in Cancer (June 11, 1:22 am PDT). It's VOC for 4 hours, 6 minutes, then enters Taurus (5:28 am PDT). Use this VOC Moon period to get in the habit of checking in with your inner circle before you make major moves. [11:52] The Moon in Taurus sextiles Jupiter in Cancer (June 13, 12:30 am PDT). It's VOC for 5 hours, 36 minutes, then enters Gemini (6:06 am PDT). Use this VOC Moon period to get in the habit of slowing down and appreciating all of the people, places and things in your life that feel like home to you. [12:57] The Moon in Gemini conjoins the Sun (June 14, 7:54 pm PDT). It's VOC for 9 hours, 20 minutes, then enters Cancer (June 15, 5:14 am PDT).  Use this VOC Moon period to get in the habit of taking short breaks to breathe and focus on what you feel in your body, heart and gut. [15:01] Venus conjoins Jupiter (June 9, 12:59 pm PDT) at 25°46' Cancer, on the Sabian symbol 26 Cancer, Contentment and happiness in luxury, people reading on davenports. Find a balance between having some of what you want without sacrificing too much to get it. [17:03] Mercury squares Saturn (June 9, 10:39 pm PDT) at 12°58' Cancer-Aries. A reality check is in order. Take responsibility for your actions and your feelings. [18:57] Venus enters Leo (June 13, 3:47 am PDT, until July 9). Make those thrilling purchases that you may have been putting off for a long time. [21:04] Listener Glenda asks about the quincunx aspect. Check out this class with Rick Levine/Astrology Hub and also this video with Stormie Grace. Here is a link to Stormie Grace's new book, The Big Book of Planetary Aspects: A Comprehensive Guide to Natal and Transit Astrology. [28:37] Leave a message of one minute or less at speakpipe.com/ bigskyastrologypodcast or email april (at) bigskyastrology (dot) com; put “Podcast Question” in the subject line. Free ways to support the podcast: subscribe, like, review and share with a friend! [29:07] A tribute to this week's donors! If you would like to support the show and receive access to April's special donors-only videos, go to BigSkyAstropod.com and contribute $10 or more. You can make a one-time donation in any amount or become an ongoing monthly contributor.

Sabia que estes dois filmes estrearam exatamente no mesmo dia há 42 anos? Jogo sujo... Gremlins é claramente um filme de Natal. Foi para lixar a estreia ao Ghostbusters, só pode.See omnystudio.com/listener for privacy information.

En este nonagésimo quinto episodio del ¡Bipartidismo Strikes Back! (una producción del #PodcastLaTrinchera), Christian Sobrino y Luis Balbino discuten los ataques recientes del PIP y el MVC contra el PNP y el PPD, el contra ataque de Luisito Herrero contra Manuel Natal, la visita de la Delegación PNP a la oficina del Comisionado Residente, lo más reciente en las primarias demócratas en la Ciudad de Nueva York, la presencia militar en Roosevelt Roads, municipios cobrando arbitrios a contratistas de la reconstrucción federal y mucho más.Este episodio es presentado a ustedes por:- San Juan Lincoln, donde encontrarán una exclusiva colección de vehículos de lujo diseñados para satisfacer todas sus expectativas. Allí descubrirán la presencia imponente de la Navigator, la elegancia dinámica de la Aviator, la sofisticación refinada de la Corsair y el diseño moderno de la Nautilus. Pueden visitarlos en la Avenida Kennedy en San Juan para explorar lo que una SUV de lujo debe ser. Su equipo está listo para ofrecerles una experiencia inigualable. Para más información u orientación, llamen al 787-331-5023.- La Tigre,  el primer destino en Puerto Rico para encontrar una progresiva selección de moda Italiana, orientada a una nueva generación de profesionales que reconocen que una imagen bien curada puede aportar a nuestro progreso profesional. Detrás de La Tigre, se encuentra un selecto grupo de expertos en moda y estilo personal, que te ayudarán a elaborar una imagen con opciones de ropa a la medida y al detal de origen Italiano para él, y colecciones europeas para ella. Visiten la boutique de La Tigre ubicada en Ciudadela en Santurce o síganlos en Instagram en @shoplatigre.Por favor suscribirse a La Trinchera con Christian Sobrino en su plataforma favorita de podcasts y compartan este episodio con sus amistades.Para contactar a Christian Sobrino y #PodcastLaTrinchera, nada mejor que mediante las siguientes plataformas:Facebook: @PodcastLaTrincheraTwitter: @zobrinovichInstagram: zobrinovichTikTok: @podcastlatrincheraYouTube: @PodcastLaTrinchera

When Cetshwayo kaMpande was captured after the Anglo-Zulu War, he was ferried to Cape Town and on to Robben Island. His countenance was one of dignity but that is difficult to maintain in the face of terrible sea-sickness. The Zulu king had made it be known that he was afraid of the sea, and his nervousness compounded the queasiness. He was also terribly sea-sick on the five day voyage from Port Durnford, modern day Richards' Bay, and Simons Town. He and his five wives who'd joined him in captivity were ensconced in a hut that had been erected for him on the poop deck, from where he watched the activities on the shore for almost a week before he disembarked. As he observed all the ships, the developments on the coast, it became apparent that his attempt at fighting the powerful British empire had always been doomed. When he eventually stepped onto Cape turf, his appointed custodian Captain J Ruscombe Poole of the Royal Navy escorted the Zulu King from Simon's Town. Like Nelson Mandela's minders much later, Captain Ruscombe-Poole was a sympathetic jailer, so too the king's interpreter, Henry Longcast. Henry was an Irish orphan who'd been brought up at the KwaMagwaza Mission station and had known Cetshwayo since he was a child. An odd relationship developed between these two men, Longcast was a straighforward honourable man, and became Cetshwayo's advisor - never betraying the Zulu King's trust. Joining Cetshwayo in exile was Mkhosana kaZangqana, formely one of Mpande's counsillors. Three other attendants were at hand, including the royal hairdresser, four young women of royal standing, and a female servant. They were first to spend time in the Flagstaff Bastion of the 17th Century Castle in Cape Town, where they were alloted a suite of apartments and a parapet for daily walks. Throngs of what they called daytrippers in Victorian times, we would describe them as tourists, gathered to catch a glimpse of the Zulu King on the heights of the Castle. Back in Zululand, Sir Garnet Wolseley had been fashioning together a new Zulu system. Believe it or not, it resembled the system resembled what the British were trying to impose on Afrghanistan. There Lord Lytton was trying to secure the North West Frontier of India, what is now Pakistan, by breaking Afghanistan into a number of impotent principalities. There local princes who were sympathetic to British control would be handed the levers of power. Wolseley wanted to secure the safety of Natal and the Transvaal by fragmenting the Zulu kingdom. Sir Theophilus Shepstone was the go-to once more, along with ex-Cape Native Affairs Secretary Charles Brownlee and Natal commissioner, Sir Henry Bulwer. Shepstone's main aim was to destroy the power of the Zulu royal family, and believed it was fragile anyway. This was a miscalculation on numerous fronts. Cetshwayo may have been in exile, but the concept of political power in Zululand was well and truly in the hands of the extended Royal Family. Thirteen chiefs should be nominated, said Shepstone, each independent of the other but utterly dependent on the British. Much much further north, in Afghanistan, Lord Lytton the British Viceroy of India, envisaged Kandahar province as the bulwark against the rebellious tribes of Afghanistan and the wild mountains of north western India. The British defeated Sher Ali Khan in the war between 1878 and 1880. Lytton's vision involved separating key regions and strengthening frontier zones that could be more easily influenced from India. In this thinking, Kandahar mattered enormously. It sat astride the routes connecting southern Afghanistan to the approaches toward the Indian subcontinent, linking trade and military corridors running west toward Persia and north toward central Afghanistan. By now, Cetshwayo kaMpande was technically free to return from exile once these arrangements had been made, but he first requesting a meeting with Queen Victoria.

This week we are chatting with Vanessa Montgomery from https://astroallstarz.com/ (as always) Today's Astro charts are located at https://astromary.libsyn.com/ Vanessa is resident Astrologer at Glamour U.S with a weekly horoscope (since mid-2019), she has launched a horoscope column for News.com.au, and is a former resident astrologer for Whimn Magazine (which closed in June, find articles housed in Body+Soul Magazine) – She launched The Cosmic Eye Monthly Forecast for Astrology University Podcast which she co-anchored from 2019 through to 2023, returning with the occasional guest appearance. Her work has appeared in Vogue U.S, Elle, Cosmopolitan, Time Out London, Refinery29, Vice Broadly, The Fashion Journal, Traveller (Easy Jet Inflight Magazine), The Kit C.A, Bloom Mag, C & The Moon and more. As resident Astrologer, she launched a new and full moon Luna scope for Lunae Sparkling, Jan 2023, on the new moon in Aquarius. Her books Star Power, Cosmic Power, and most recently, Astro Power, Published by Quadrille, have generated over a million dollars in sales internationally. Art Museums like the Guggenheim N.Y have sold them + MoMA London – And stores from Anthropologie to Urban Outfitters. Link to Vanessa's Books https://amzn.to/4uJaSoc Amazon affiliate link, I could earn a small comission if you click the link Vanessa Montgomery Natal and transits for Star Power publication   Natal and transits for publication of Cosmic Power Natal & transits for Astro Power  

On the podcast: why authentic founder-led content outperforms, tapping into HSA payments to unlock a whole new audience, and the growth lever no dashboard can measure.Top Takeaways:

➡️ O atendimento da psicóloga Vanessa Floriano está disponível no link abaixo.https://wa.me/5543988099911➡️ Para trâmites sobre imigração na Espanha - clica aqui:https://bit.ly/hiespanha➡️ Para trâmites sobre imigração em Portugal, Alemanha, Austria, Hungria e Polônia - clica aqui: https://bit.ly/hiportugal➡️ Para trâmites sobre imigração na Itália - clica aqui:https://bit.ly/hiitalia➡️Terminou de ouvir? Então corre para o nosso grupo no telegram:https://t.me/historiadeimigrante***➡️Sobre o episódio177Néia saiu de um casamento abusivo com um marido controlador, criou um plano para reencontrar o filho nos Estados Unidos e acabou vivendo uma sequência de relacionamentos secretos, manipulação emocional, traições e culpa dentro da imigração na Europa. A história da Néia mistura abuso psicológico, dependência emocional, imigração, religião, sexualidade escondida e relações tóxicas em uma das histórias mais chocantes do História de Imigrante.➡️Se gostou dessa história vai gostar também...Vale a pena trocar de marido?

See omnystudio.com/listener for privacy information.

In Episode 51 of the Trust Psyche Podcast, Jessica and Travis DiRuzza explore the astrology of attraction through the lens of sex, intimacy, marriage, and natal aspects. Together they discuss: -Why we are drawn to certain partners -Venus in relationship astrology -Natal aspects connected to attraction and attachment -Eros as a psychological and spiritual force -The transformative potential of long-term partnership Blending archetypal astrology, depth psychology, and relationship insight, this conversation explores how intimacy can become a path of self-awareness and soul-making.

Último episódio da temporada! Pra fechar com chave de ouro, confira um power ranking de como chega cada equipe após o draft para a temporada 2026. Também analisamos o calendário de jogos da temporada, Thanksgiving, Natal e os jogos internacionais, além das últimas notícias da liga.Para mais conteúdo do Talk e Tackle: Nos siga no Instagram e no X: @talketackle. Inscreva-se no nosso canal: ⁠⁠⁠⁠www.youtube.com/@tocoetackle⁠⁠⁠⁠⁠⁠. Apresentação: Jonas Faria; Comentários: Jonatan Mombach.

Jane divorced a year ago. Since then her ex-husband has been saying bad things about her to their kids. Her relationships with all three children have suffered. Jane and I explore the strikingly positive relational messages in her natal chart, along with the transits and other movement systems that show her currently strained family relationships. I also offer ideas on how to mend fences with her kids. Resources Learn my invocations for healing and awakening in my FREE life-transforming video: Instant Divine Assistance: Your Free Guide to Fast and Easy Awakening, Healing, and More. Let my Awakening Plus membership help you awaken, heal, connect, and thrive! "This Week in Astrology" Free Session Entry. (2 chances each month to win a free session with me!) My forecasts in writing. My services: Astrology+, Energy Healing & Spiritual Guidance, life coaching, Deep Dive Trauma Healing, and more. Apply to have me do a free reading for you on an episode of "This Week in Astrology." If you'd like to support my work, you can click here to make a tax-deductible donation. Watch the video. Segment start times: 2:03 - Jane's concern 3:28 - Natal relationship insights 7:44 - Transits intro 8:13 - T-Pluto conjunct the Sun 21:31 - T-Chiron conjunct Moon, Chiron & South Node 27:54 - Secondary progressions 33:56 - Solar arc 36:37 - Solar return 41:23 - Possible solutions May the stars light your way, Benjamin

The hill of Doves — in isiZulu amaJuba means the place of many doves or pigeons. It became a place of violence and blood, and yet the catastrophic defeat of the British at Majuba was indeed to lead to peace. The doves would fly again albeit fleetingly. As you heard last episode, British commander General George Colley had been one of the casualties of the battle — Sir Evelyn Wood was now in charge of the empire's army in the Transvaal. Or to be more accurate, in Natal attempting to enter the Transvaal. Colley was buried at Mount Prospect — the British base below Laings Nek in sight of Majuba — letters of condolence were sent to his wife Lady Colley by the Town councils of Pietermaritzburg and Durban .. and also by the Transvaal Boer Leaders. Colley had asked that his body should be allowed to remain where he fell on the battlefield, and so it was. His wife would have to travel to the Transvaal border to see where he lay. A state of war existed, the Boers continued to besiege all British garrisons in the Transvaal in early 1881. More about that in a moment. The Summer rains were falling, drenching the landscape like the blood of Majuba, and both sides sought peace. Boer emissaries had met with the Swazi king, but he was loathe to join the attack on the empires forces. On the 2nd March 1881 Evelyn Wood relayed a letter to the Boer leadership, the triumpherate as they were known from his base at Newcastle. “to President Brand, Bloemfontein, P Joubert (he means Commandant Piet Joubert, Boer commander in the Transvaal) requests me to send you the following telegram…” The British commander as postman — relaying one Boer message to another. Brand's message back was reconciliatory in tone. “…We are willing to accept every offer made by your Honour …” and by your honour Joubert meant Wood … “that peace may be, as far as it is not in direct opposition to our liberty…” That was the minimum demand — the Boers demanded their liberty. ON the 5th, Wood and his staff met Piet Joubert and Boer leaders half way between Mount Prospect and Laing's Nek in a hastily erected tent. The British hardliners were horrified - how could Wood, an English General who had now built up a force of 10 000 soldiers in Natal concede to an interview with the leaders of the enemy for the sake of gaining time to negotiate peace? Some said it was too absurd to be credited, others in the English camp were astonished. But he was also a general who represented an army that had been beaten four times in an open fight — Bronkhorspruit, Laings Nek, Schoonspruit, Majuba. Why continue the war? It was time to resolve things. While the English nationalists bayed for Boer blood, were calling for this upstart Transvaal Republic to be crushed as a warning to other rebels across the empire, cooler heads prevailed. Joining Wood were Major Frazer, Captain Maude and Mr Cropper the translator. On the Boer side, Piet Joubert, DC Uys, CJ Joubert and CHJ Fouchees, with AJ Foster interpreting. A tight group. The fewer involved the better. Wood opened with meeting with an explanation — he was there to call for an armistice so that Kruger and the Volksraad could reply to General Colley's communication of the 21st February re: peace. The entire meeting was to last an astonishing 90 minutes. Joubert presented the Transvaal position most concisely, Complete amnesty for all leaders, freedom of the Transvaal from British government although they'd accept suzerainty, no interference in Transvaal's internal affairs — they meant on matters pertaining to race and land. It was the word suzerainty that was the problem child here. To the British government, particularly officials in London, suzerainty implied that the restored Boer republic in the Transvaal would enjoy internal self-government but would remain subordinate to the British Crown in matters such as foreign relations as well as overall imperial authority. The Boer negotiators understood the term far more loosely.

Juan Jullian é roteirista brasileiro da Globo, com trabalhos em produções como Dona de Mim, Reencarne, Ritmo de Natal e o filme Roubo do Cão. No papo, Juan contou experiências, processos e muito mais. No papo de abertura, segunda temporada de Jury Duty

High Timeline Living Website:https://www.hightimelineliving.com/Readings with Kristin Lawhead:https://kristiraeastrology.wixsite.com/blogReadings with Alisa Dixon: https://www.astrologywithalisa.com/Fun Astrology YouTube Channel:https://www.youtube.com/@funastrologypodcastBuy Thomas a Coffee!https://www.buymeacoffee.com/funastrologyThank you!Join the Fun Astrology Lucky Stars Club Here!Old Soul / New Soul Podcast - Back Episodes:https://www.buzzsprout.com/2190199https://www.youtube.com/@OldSoulNewSoulAstrologyPodcastDisclaimer: The material in this episode is intended as informational and educational purposes only from an astrological perspective and reflects only the opinions of the presenter. In no way is this podcast considered professional psychological or medical counseling or advice. If you are experiencing a personal crisis, please contact 988 for immediate professional, licensed assistance. 

⁠⁠⁠⁠Welcome to class 7 of ⁠⁠⁠Celestial Essentials!⁠⁠⁠⁠ In this episode, we are officially putting all of the pieces together that we've learned so far to synthesize a chart. This is very exciting.Celestial Essentials is our 9-week course with weekly live calls led by us, intentional practices via workbook, study materials and real-life practice alongside others.This course is for anybody who:wants to understand themselves and the people in their lives on a deeper levelhas looked at an astrology chart and been interested, but have no idea what you're looking athas a beginner-to-intermediate understanding of astrology and wants to take their knowledge to the next levelAll of the details are live and ready for ya ->⁠⁠⁠ ⁠HERE!⁠⁠⁠⁠--By the end of this episode, you will:have the building blocks to create your own strategy and flow when it comes to interpreting a chartknow the non-negotiables of chart interpretation, whether you have 5 minutes or 5 hourshear different ideas around how to approach chart readingknow more about Will Smith and Madonna than you did at the beginning of the episode. ;)We hope you enjoy, and as always: stay curious!-Ready to look at charts in the most beautiful and functional way? Look no further than →⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠LUNA Cloud Astrology Software⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ← this link saves you 10%, or enter STAYCURIOUS on the signup page.Explore our first full season (Episodes 1-50) to explore our living astrological library!Sign up for our newsletter →⁠⁠⁠⁠ ⁠*HERE!*⁠⁠⁠⁠⁠Follow us on →⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Drop us some love in the form of a 5-star review and follow. :)

O preço do combustível para aviões duplicou, desde que começou a guerra no Irão e foi impedida a circulação de petroleiros no Estreito de Ormuz, e vai naturalmente reflectir-se no preço dos bilhetes. A possível escassez de combustível pode ser, no entanto, um problema maior se levar ao cancelamento de voos no pico do Verão ou no Natal e Ano Novo. Um sector a passar por um verdadeiro teste de stress. Contra o turismo português pesa igualmente o caos que se voltou a instalar no aeroporto de Lisboa. Neste episódio, conversamos com António Moura Portugal, o Director Executivo da RENA — Associação das Companhias Aéreas em Portugal.See omnystudio.com/listener for privacy information.

Spencer Michaud discusses the Full Moon in Scorpio II, finding meaning through an exploration of Decanic Tarot, Fixed Stars, and the I-Ching. . Check out our Extended Spring Sale! ALL Readings & Recordings are 20% OFF until Monday 5/4! The sale includes all Natal, Transit, and Tutoring Sessions, plus save on the Decan Webinar Series, our Dignity & Devotion Planetary Magic Series with Tanja Andrews & the Stars & Cards Tarot Webinar. . Use Code: SPRING20 at checkout! . #astrology #fullmoon #scorpio #taurus #forecast #monthlyforecast #tarot #decans #fixedstars #traditionalastrology #mythology #divination #iching #youtube #livestream #zodiac #spencermichaud #astrodad #traditionaltechniques #nurturingthemes . Visit Spencer: https://www.spencermichaud.com/ . Visit Third Coast Mojo: https://www.etsy.com/shop/ThirdCoastMojo . Visit the Webinar Store: https://www.spencermichaud.com/p/store_9.html . Finding value in these videos? Help Spencer keep creating content by buying him a coffee! Thank you for your support! :) . Support the Channel: https://www.buymeacoffee.com/spencermichaud . Venmo: @spencermichaud . PayPal Me: http://www.paypal.me/spencermichaud . Thank you for supporting your local astrologer! : ) . Book a reading / tutoring session: https://spencermichaudastrology.as.me/ . Subscribe to the Newsletter: https://www.spencermichaud.com/p/subscribe.html#.YC2Gu157lp8 . Instagram: https://www.instagram.com/spencermichaud/ . Bluesky: https://bsky.app/profile/spencermichaud.bsky.social . Apple Podcasts: https://podcasts.apple.com/.../spencer.../id1498982837 . Spotify: https://open.spotify.com/show/1BZBpFaFRUBeUVrdPtRZ5X?si=kuKimd0wSr66qCUAQ6rzNw . Soundcloud: http://www.soundcloud.com/spencermichaudastrology . Facebook: http://www.facebook.com/spencermichaudastrology . https://youtu.be/Jh-0UQ13Sik

Weather, some say, is fickle. Of course nature is just nature but when you're on high ground, the mountains, and the weather moves in, the temperature drops in minutes and wind shifts. It is a dangerous place and that's during mid-summer. Perhaps summer is the most dangerous time to be caught in a mountain storm, particularly in South Africa because there's more moisture and freezing sleet and snow sweeps over the summit, overwhelming hikers in shorts and T-shirts. During January and February 1881, the weather along the Natal escarpment near Volksrust and Majuba was characterized by high rainfall, frequent thunderstorms, thick mist, and cold nights. This period was at the height of the summer rainy season, creating wet, muddy conditions that significantly impacted military operations during the First Boer War. The weather at times was bitter, just like the Boer sentiment. Laing's Nek gravesite was desecrated in 1969 when Afrikaner Nationalists under cover of dark, blew up a large Cross that had been erected over the graves of Royal Navy sailors who'd perished during the Battle of Laing's Nek in February 1881. Such was the depth of historical bitterness. Memories run deep. The last known Boer of the First Anglo-Boer war, Jacob "Jaap" Coetzer died in the same year as the exploding cross — 1969 - showing just how long veterans of war can live amongst a population that has no clue about their past. A vet of the first Anglo-Boer War had lived to hear Beatles music. Coetzer was 15 year's old when he joined Commandant Piet Joubert's commandos in the area of Laings Nek, and was a survivor of the next major clash, Majuba. Not that Jaap Coetzer was in any way linked to the desecration. Laing's Nek lies on the N11, a quick 20 minute drive through this pass and you ascend from the rolling hills of KZN into the highground of Mpumalanga — or the Transvaal as it was in 1881. In January 1881, the British force under Major General Sir George Pomeroy Colley moved off from Newcastle after his ultimatum to the Boers had been ignored. Despite his intelligence and administrative competence, his battlefield record would reveal a critical weakness: a tendency to apply textbook European tactics in environments where they were increasingly obsolete. The Boers, by contrast, were armed with modern Westley Richards breech-loading rifles and other similar breech-loading firearms, which allowed for faster and more accurate fire than the older muzzle-loading weapons that had shaped earlier British tactics. Many Boers were also skilled marksmen, accustomed to hunting and irregular warfare, and they fought from concealed positions—rocks, ridges, and scrub—rather than in formal lines. This combination of mobility, cover, and firepower was going to be devastating. Colley led 1216 officers and men including five companies of the 58th Regiment, 5 companies of the 3rd Battalion of the 60th Rifles, 150 cavalrymen, a party of Royal Navy sailors with two 7 pound guns, and a mounted unit of Royal Artillery with four 9 pound guns. Major General Colley was determined to revenge the previous month's debacle at Bronkhorstpruit. The Boers setup four main laagers on the escarpment north east of Majuba. Their main camp was based at a point south of the Standerton Road, about 10 kilometers from Wakkerstroom. From here, flanking the two roads which approached from Newcastle, their patrols could ride out to watch the Buffalo River fords, as well as Laing's Nek. Colley had moved off from Newcastle on the 24th January, after two days of heavy rain held up his wagons. On the 25th they struggled across the Imbazane River, and on the 26th, crossed the Ingogo River. British patrols saw Boers moving on the pass, and on the evening of the 27th, noted that Laings Nek was occupied in force. More heavy rain fell that day, and a thick mist drifted across the landscape. On the morning of the 28th, Colley led his force out of the laager.

Spencer Michaud discusses The Astrology of May 2026, finding meaning through an exploration of Decanic Tarot, Fixed Stars, and the I-Ching. . Check out our Spring Sale! ALL Readings & Recordings are 20% OFF until Friday 5/1! The sale includes all Natal, Transit, and Tutoring Sessions, plus save on the Decan Webinar Series, our Dignity & Devotion Planetary Magic Series with Tanja Andrews & the Stars & Cards Tarot Webinar. . Use Code: SPRING20 at checkout! . #astrology #may #may2026 #taurus #gemini #forecast #monthlyforecast #tarot #decans #fixedstars #traditionalastrology #mythology #divination #philosophy #iching #youtube #livestream #zodiac #spencermichaud #astrodad #traditionaltechniques #nurturingthemes . Visit Spencer: https://www.spencermichaud.com/ . Visit Third Coast Mojo: https://www.etsy.com/shop/ThirdCoastMojo . Visit the Webinar Store: https://www.spencermichaud.com/p/store_9.html . Finding value in these videos? Help Spencer keep creating content by buying him a coffee! Thank you for your support! :) . Buy me a coffee: https://www.buymeacoffee.com/spencermichaud . Venmo: @spencermichaud . PayPal Me: http://www.paypal.me/spencermichaud . Thank you for supporting your local astrologer! : ) . Book a reading / tutoring session: https://spencermichaudastrology.as.me/ . Subscribe to the Newsletter: https://www.spencermichaud.com/p/subscribe.html#.YC2Gu157lp8 . Instagram: https://www.instagram.com/spencermichaud/ . Bluesky: https://bsky.app/profile/spencermichaud.bsky.social . Apple Podcasts: https://podcasts.apple.com/.../spencer.../id1498982837 . Spotify: https://open.spotify.com/show/1BZBpFaFRUBeUVrdPtRZ5X?si=kuKimd0wSr66qCUAQ6rzNw . Soundcloud: http://www.soundcloud.com/spencermichaudastrology . Facebook: http://www.facebook.com/spencermichaudastrology . https://youtu.be/iHaAkaFGDjY

Spencer Michaud discusses the New Moon in Aries III, finding meaning through an exploration of Decanic Tarot, Fixed Stars, and the I-Ching. . Check out our Spring Sale! ALL Readings & Recordings are 20% OFF until Friday 5/1! The sale includes all Natal, Transit, and Tutoring Sessions, plus save on the Decan Webinar Series, our Dignity & Devotion Planetary Magic Series with Tanja Andrews & the Stars & Cards Tarot Webinar. . Use Code: SPRING20 at checkout! . #astrology #newmoon #aries #horoscope #zodiac #forecast #tarot #decans #fixedstars #traditionalastrology #mythology #divination #iching #spencermichaud #nurturingthemes #astrodad . Visit Spencer: https://www.spencermichaud.com/ . Visit Third Coast Mojo: https://www.etsy.com/shop/ThirdCoastMojo . Visit the Webinar Store: https://www.spencermichaud.com/p/store_9.html . Finding value in these videos? Help Spencer keep creating content by buying him a coffee! Thank you for your support! :) . Buy me a coffee: https://www.buymeacoffee.com/spencermichaud . Venmo: @spencermichaud . PayPal Me: http://www.paypal.me/spencermichaud . Thank you for supporting your local astrologer! : ) . Book a reading / tutoring session: https://spencermichaudastrology.as.me/ . Subscribe to the Newsletter: https://www.spencermichaud.com/p/subscribe.html#.YC2Gu157lp8 . Instagram: https://www.instagram.com/spencermichaud/ . Bluesky: https://bsky.app/profile/spencermichaud.bsky.social . Apple Podcasts: https://podcasts.apple.com/.../spencer.../id1498982837 . Spotify: https://open.spotify.com/show/1BZBpFaFRUBeUVrdPtRZ5X?si=kuKimd0wSr66qCUAQ6rzNw . Soundcloud: http://www.soundcloud.com/spencermichaudastrology . Facebook: http://www.facebook.com/spencermichaudastrology . https://youtu.be/zPccKoSYxyw

Let's finally talk to the stars, as I'm joined by Dr. Stormie Grace to discuss The Big Book of Planetary Aspects: A Comprehensive Guide to Natal and Transit Astrology. We'll explore how planets act as unique characters in a celestial play, engaging in constant dialogues that shape our personal narratives. You'll learn to decipher the vocabulary of energy by observing how planetary aspects facilitate interactions, ranging from harmonious trines to the challenging friction of squares. By studying both natal charts and moving transits, we gain fluency in the language of the stars, enabling us to better understand our relationships and life transitions. Get ready to embark on a path toward planetary integration, aligning our daily actions with the rhythmic vibrations of the cosmos. More on Stormie: https://www.stormiegrace.com/ Book: https://amzn.to/4dufTLF Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cornelius Vijn had made a few bad decisions in his life as we all do at some point. Born in Holland in 1856, he made his way to Natal in 1874 where he rapidly learned both English and isiZulu. That wasn't necessarily a bad decision. During his childhood, however, he'd suffered an accident, he was run over by a wagon — the wheel shattered his leg, it healed badly and from then on he walked with a limp. He had lived in Natal for over 4 years before setting out from New Guelderland with six Zulu drivers and assistants, sixteen oxen, and a wagon loaded with woollen, baize and cotton blankets, picks, knives, saddles bridles and beads. Just to put his location into perspective, New Guelderland is a few kilometers north of KwaDukuza aka Stanger. Cornelius Vijn's destination — Zululand. This was a miscalculation because his journey began October 1879 on the eve of the Anglo-Zulu war. Tension had been rising for months, and most whites had fled the territory. Vijn was determined to go the other way. He sensed he could make some extra money without any competition from the other Natal Traders. Vijn was 23 years and six months old. After being held up by rainy weather and a border check to make sure he wasn't carrying guns, he crossed the Thukela on November 1st. We know all of this because Cornelius' journal was published by Bishop Colenso in 1880 — and you can find a copy online at the University of Cape Town archives. It's called Cetshwayo's Dutchman, and what a fascinating read it is. His plan was to travel to meet King Cetshwayo kaMpande and sell him all the goods in the wagon in exchange for cattle. The king had good reason to treat Vijn well, he needed someone who could function as a translator and letter writer because Cetshwayo would spend most of the coming months repeatedly sending emissaries to Lord Chelmsford, asking for negotiations. In May, word arrived that the Boers were at Cetshwayo's home, they were working together to defeat the English. Later Cetshwayo was to tell Cornelius that “No doubt the Boers are better than the English, for Mpande was setup as king by the Boers and died as King, whereas I, Cetshwayo, was crowned by the English and now my country is taken from me…” Following the British disaster at Isandlwana and the agonizingly slow progress of the second invasion of Zululand, the British government lost confidence in Lord Chelmsford's strategic capabilities. In May 1879, Sir Garnet Wolseley was appointed as Supreme Commander in South Africa, effectively superseding Chelmsford.When word reached him deep in Zululand his reaction was one of desperate urgency rather than resignation. Knowing his reputation was on the line, Chelmsford took several decisive actions including what you may call a race for Ondini.

SEXTOU COM O (EX) GORDO DO DANILO! Nesta sexta (20), o Pânico fecha a semana recebendo o locutor e apresentador mais sem limites do Brasil: Diguinho Coruja! O cara vem com um segredo: ele prometeu revelar uma novidade bombástica com exclusividade ao vivo! O que será que esse tal de "Dioguinho Ceruja" vai aprontar? Tô doido pra saber o que o "Kurt Cobacon" conta pra gente! Ele também vem contar sobre essa mistura louca que ele anda fazendo com projetos de futebol e comédia, tem até filme de Natal que vai gravar com o "parceiro de crime" no The Noite do SBT, Danilo Gentili! Quem ficar de fora, pode ir se preparando pra assistir o Linhagem Geek em russo por 3h seguidas!