Podcasts about Blue Planet

Send us a textIn this episode of the SheClicks Women in Photography Podcast, Angela Nicholson chats with Sue Flood, an acclaimed photographer, filmmaker and zoologist with a deep love for wildlife and adventure. Sue's journey has taken her from growing up in North Wales to working with the BBC's Natural History Unit on iconic documentaries like The Blue Planet and Planet Earth, collaborating with Sir David Attenborough. Her determination, patience and passion have led her to capture breathtaking images of wildlife in some of the world's most extreme locations.Sue shares the challenges she faced in breaking into the industry, including the persistence it took to land her dream job with the BBC after years of knocking on doors. She talks about her early inspirations, how she gained experience and the turning points that helped shape her career. From swimming with humpback whales in Tonga to photographing emperor penguins in Antarctica, her stories offer a fascinating insight into life as a wildlife photographer and filmmaker.Throughout our conversation, Sue also discusses the ethics of wildlife photography, the importance of conservation and how photographers can approach animals without disturbing them. She offers invaluable advice for those looking to work in wildlife filmmaking or photography, emphasising the power of perseverance and seizing opportunities when they arise.Whether you're an aspiring wildlife photographer, a fan of nature documentaries, or simply love hearing behind-the-scenes stories from the field, this episode is packed with inspiration. Tune in to hear how Sue turned her childhood dream into a reality, proving that with passion and persistence, anything is possible.TakeawaysPersistence is key in breaking into any competitive industry – keep pushing forward despite setbacks.Gaining hands-on experience, whether through volunteering or personal projects, is invaluable for building skills and credibility.Ethical wildlife photography requires patience, respect for nature and an understanding of animal behaviour.Building strong professional relationships and networking can open unexpected doors and lead to new opportunities.Preparation and adaptability are essential when working in challenging environments, from extreme cold to remote locations.Entering photography competitions can be a great way to gain recognition, confidence and exposure for your work.Connect with SueWebsiteXInstagramFacebookSupport the show

　株式会社Blue Planet-worksは3月11日、各企業の情報システム担当者500名に対し実施した「サイバーセキュリティに関する実態調査」の結果を発表した。

Att etablera uppfattningen att återvinning är bra för miljön var ett smart sätt att legitimera plastens erövring av världen. David Jonstad talar om vår sopsortering som symptombehandling. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Ursprungligen publicerad 2019-02-05.Det var år 2009 när jag och min vän klev ut genom hissen på högsta våningen i en av Stockholms skyskrapor. Vi var i färd med att starta en tidskrift om klimat- och hållbarhetsfrågor och sökte finansiärer. Min vän hade framgångsrikt minglat upp en miljöengagerad direktör för ett stort bolag och nu hade vi fått audiens. Allt verkade lovande. Tills frågan om återvinning dök upp. Direktören berättade entusiastiskt om en återvinningscentral i närheten av hans lantställe dit köerna ringlade långa. Det var nästan som en folkfest på lördagarna när alla kom med sina bilar och släp fyllda av saker att slänga. Jag kunde inte låta bli att fråga om han tyckte detta var bra eller dåligt. Han förklarade förnärmat att det självklart var något bra. Tänk så mycket resurser som återvanns! När jag försynt påpekade att det väl måste ses som ett problem att folk skaffar sig så mycket saker som de sedan slänger skar sig samtalet. Jag insåg då att jag brutit mot ett heligt förbund mellan miljörörelse, politiker och näringsliv – en uppfattning som alla parter delade: återvinning är bra för miljön.Ju mer vi återvinner, desto mer fylls vår värld av skräp.Sedan dess har en del hänt som utmanar denna uppfattning. Trots att återvinningsbehållarna ofta är så fulla att man måste kämpa för att knöla ner sina sorterade sopor i dem, så är det somligt som vägrar att försvinna. Närmare bestämt plasten. Den är över allt. Den förenar sig till nya kontinenter som guppar runt i världshaven. Den bryts ner till mikroskopiska bitar och tas för mat av allehanda havsorganismer som för in plasten i den marina näringskedjan. Det finns mer plast än plankton i havet och om inom några decennier mer plast än fisk. Detta syntetiska stoff finns även i vattnet vi dricker och maten vi äter.Plasten har koloniserat våra liv.Ändå är det som väcker starkast känslor – och som placerar plasten i den politiska skottgluggen – inte detta, utan hur plasten koloniserar andras liv.I ett av de första numren av den där tidskriften – som vi för övrigt finansierade på egen hand – publicerade vi fotografier av döda albatrosser, tagna på en ö mitt i Stilla havet. Dessa bilder av fotografen Chris Jordan har sedan dess kommit att bli närmast ikoniska. På bilderna ses de gråa, halvt nedbrutna, fågelkropparna rama in ett maginnehåll som är märkligt färgglatt. Dödsorsaken är plast.Fåglarna har inte bara stoppat i sig hundratals plastpinaler själva, men också matat sina ungar med dem. Skärvor har skurit sönder fåglarna inifrån. Giftiga ämnen har tagits upp i magsäcken. I vissa fall har magarna varit så fulla av plast att någon mat inte har fått plats.I Storbritannien talas det om Blue Planet-effekten. Vågen av vämjelse och ilska som följt efter ett avsnitt av BBC:s populära naturfilmserie där fokus sattes på plastens naturpåverkan och som bland annat innehöll en hjärtskärande scen med en havssköldpadda intrasslad i en härva av plastavfall.Ju mer vi återvinner, desto mer fylls vår värld av skräp. Något är knas. Vad det är klarnar när jag läser om plastens historia i en lång essä i The Guardian, om återvinningsekonomins brutala strukturförändringar i Financial Times och om forskningen kring plastens effekter. Människans förhållande till plast är ett mikrokomsos av den stora konflikten mellan människa och natur, liksom vårt valhänta sätt att hantera denna.en allians av olje- och kemikalieföretag valde i stället en mer långsiktig och framför allt smartare strategi. Den bestod i att skifta fokus [...] så att problemet med plasten kom att handla om oansvariga individer som skräpade ner.Det var under efterkrigstiden som bergen av plast och annat skräp började att växa. Fram till dess hade avfallet mest utgjorts av organiskt material och utmaningen var då mer logistisk – att låta det förmultna någon annanstans än på städernas gator. Glas- och metallbehållare betraktades som så värdefulla resurser att de återanvändes till nära hundra procent.Den första varianten av plast, bakelit, tillverkades i början av 1900-talet när kemister upptäckte ett sätt att få avsättning för en biprodukt från oljeindustrin. Till en början fanns inte så många användningsområden, men nya former utvecklades och under andra världskriget fick plasten sitt genombrott när den blev material i tusentals delar av det amerikanska krigsmaskineriet. När kriget var slut stod det klart för de stora oljebolagen vilken kommersiell potential som fanns i plasten och bolagen delade upp marknaden mellan sig. Sakta men säkert började det nya moderna materialet att ersätta gammeldags saker som glas, bomull och papper. Med tiden blev plasten så billig att den ofta slängdes bort så fort den fyllt sin funktion.På 1970-talet hade slit och släng-kulturen etablerat sig och den växande mängden plastavfall blivit ett problem så stort och dyrt att politikerna var tvungna att agera. Runt om i USA gjorde myndigheterna försök att förbjuda försäljningen av olika plastartiklar. Alla försök stoppades av industrin som till en början slogs med näbbar och klor mot all lagstiftning. Men snart insåg man att detta skulle vara omöjligt i längden och en allians av olje- och kemikalieföretag valde i stället en mer långsiktig och framför allt smartare strategi. Den bestod i att skifta fokus – från producenterna till konsumenterna – så att problemet med plasten kom att handla om oansvariga individer som skräpade ner. Man finansierade organisationer och reklamkampanjer, till en början hade man miljörörelsen med på tåget. Företagen lanserade också idén om sopsortering. Om hushållen bara kunde stoppa sitt skräp i rätt behållare lovade förpackningsindustrin att återvinna dem.Snabbspola fram till våra dagar och en värld som inte vet vad den ska ta sig till med all plast, vare sig den återvunna eller den som sprids i naturen. Det är inte bara det att det är så fruktansvärt mycket – hittills har det producerats omkring ett ton plast per person – men också att ingen längre vill veta av den. Av den tiondel som sopsorterats har Kina tidigare köpt upp det mesta, men eftersom plaståtervinning är en så skitig process med stora skador på hälsa och miljö har man slutat med det. Som en följd har priset på plastavfall sjunkit som en sten och i städer världen över ansamlas den sopsorterade plasten i väntan på bättre tider.Som så ofta kokar det ner till att problem inte försvinner om man bara behandlar symptomen, men struntar i orsakerna. Man minskar exempelvis inte klimatutsläppen genom att tillverka en elbil, om ni förstår vad jag menar. Men det är så dags att ta itu med orsakerna när problemen blivit helt integrerade i våra liv. Detta gäller oljan och det gäller dess biprodukt, plasten. Detta är också vad olje- och kemiföretagen insåg redan för femtio år sedan: Att etablera uppfattningen att ”återvinning är bra för miljön” var ett smart sätt att legitimera plastens erövring av världen.Stephen Buranyi beskriver i The Guardian plastproblemets paradox: Ju större vi inser att problemet är, desto villigare är folk att agera. Men ju mer vi agerar, desto mer olösligt framstår problemet på grund av dess enorma omfattning. Hindren, skriver Buranyi, är de samma som för alla andra miljökriser: en oreglerad industri, en globaliserad värld och vår egen ohållbara livsstil.Man skulle kunna lägga till ytterligare en sak: självgodheten hos miljöengagerade med en osund förkärlek för symptombehandling.David Jonstad, författare och journalist

The ocean holds clues to past civilisations and cultures, provides a rich resource for new medicines and treatments, but more importantly, is home to millions of undiscovered species. Ocean scientists around the world have been seeking to unlock its secrets, but only just over 20% of the ocean floor is mapped. What lives, feeds and breeds down there in the icy depths remains a huge mystery. Large-scale extraction of ocean species like cod, herring, tuna, swordfish and halibut, has brought the collapse of these wild populations by about 90% in just the last few decades. But, a new wave of understanding about why the ocean matters is bringing a glimmer of hope. On this episode of Climate Connections, Dr Sylvia Earle, Founder of Mission Blue & National Geographic Society Explorer in Residence - who has dedicated her life to explore, study and protect the oceans - shares first-hand insights on her dives into the deep blue and why exploration is an important step in educating the masses. She also dives into what she’s hoping to achieve when she leads Ocean Geographic’s BIG ACE Expedition to ground-zero of the climate crisis: the Arctic, in line with her 90th birthday next year (2025). Special thanks to Ocean Geographic. Feature produced and edited by: Yeo Kai Ting (ykaiting@sph.com.sg)Voiced by: Emaad AkhtarPhoto credits: Michael Aw / Ocean GeographicMusic credits: pixabay & its talented community of contributorsSee omnystudio.com/listener for privacy information.

In this episode of the English Plus Podcast, we take a closer look at our incredible home—Earth, the Blue Planet. Why is Earth so special? From its life-giving water and protective atmosphere to its perfect Goldilocks zone placement, we'll explore what makes our planet unique and why it deserves our care and respect. We'll discuss the challenges Earth faces, including climate change, pollution, and deforestation, and share simple, practical steps we can take to make a difference. Plus, we'll dive into key vocabulary like “Blue Planet,” “climate change,” and “ripple effect,” helping you expand your English skills in context. Join us for a thoughtful conversation about the marvel of Earth and our role in protecting it. Don't forget to stick around for discussion questions at the end, where we'll challenge you to think about your environmental footprint and what Earth might say if it could talk.

Plastics have revolutionized modern life with their versatility and usefulness, but their overwhelming abundance has led to a mounting crisis. Plastic waste is everywhere: in the air we breathe, the ice on Mount Everest, the water we drink, the fish we eat, and even in human placentas. This pollution is not only devastating ecosystems but also harming our health. Adding to the problem, plastics are intrinsically tied to climate change, as most are derived from fossil fuels. In this episode, James and Daisy are joined by Aidan Charron from EARTHDAY.ORG to unpack the plastics problem. What exactly are plastics? Why are they so bad for the planet, and for us? What is the Plastics Treaty, and why does it matter?  SOME RECOMMENDATIONS:EARTHDAY.ORG – EARTHDAY.ORG's founders created and organized the very first Earth Day on April 22, 1970. Since then, Earth Day Network also known as EARTHDAY.ORG has been mobilizing over 1 billion people annually on Earth Day, and every other day, to protect the planet.Babies vs. Plastics Report – Evidence is mounting that plastics, microplastics and their additive chemicals pose potentially serious health risks to humans, with babies and infants being especially vulnerable.Pets vs. Plastics Report – This report is a meta-analysis of some of the available research to date studying the impact of plastics, microplastics and their additive chemicals on the health of our pets. Plastics Treaty – In March 2022, the United Nations Environment Programme instated an International Negotiating Committee (INC) tasked with creating a global, legally binding memorandum tackling the pressing problem of plastics pollution. OTHER ADVOCATES, FACTS, AND RESOURCES:Silent Spring by Rachel Carson – published on September 27, 1962, this book documented the environmental harm caused by the widespread use of pesticides and is recognizes as one of the most influential books of the twentieth century. SYSTEMIQ (2020) – “Breaking the Plastic Wave” is a global analysis using first-of-its kind modelling, showing that we can cut annual flows of plastic into the ocean by about 80% in the next 20 years by applying existing solutions and technologies. Ellen MacArthur Foundation – a charity committed to creating a circular economy, which is designed to eliminate waste and pollution, circulate products and materials (at their highest value), and regenerate nature.Notpla – advanced packaging solutions made from seaweed and other natural materials as an alternative to single-use plastic. The Blue Planet – a wildlife documentary series, presented and narrated by David Attenborough, exploring the planet's oceans.UNDP (2023) – “Scientists estimate that only around 9 percent of all the plastic waste generated globally is recycled.”EARTHDAY.ORG – “More than 500 billion plastic bags – one million bags per minute – were produced worldwide last year.” World Economic Forum (2022) – “Saying no to single-use plastics is the most common sustainable lifestyle change among UK consumers. More than 60% have reduced their use of throwaway plastics.”BBC (2019) – A cotton bag needs to be reused at least 131 times to make it more environmentally friendly than a plastic bag. Thank you for listening! Please follow us on social media to join the conversation: LinkedIn | Instagram | TikTokMusic: “Just Because Some Bad Wind Blows” by Nick Nuttall, Reptiphon Records. Available at https://nicknuttallmusic.bandcamp.com/album/just-because-some-bad-wind-blows-3Producer: Podshop StudiosHuge thanks to Siobhán Foster, a vital member of the team offering design advice, critical review and organisation that we depend upon.Stay tuned for more insightful discussions on navigating the transition away from fossil fuels to a sustainable future.

Smalltalk mit Erich Honecker? Mit Richy Müller in die Arktis? Das Traumschiff nach China gebracht? Einen Nachrichtensender mit gegründet? TV-Produzent Wieland Scharf (Blue Planet TV, Gründer/Geschäftsführer) hat viel gesehen und medial noch viel mehr erlebt, mitgestaltet und mitbewegt als sich die meisten Medienproduzenten nur erträumen können. Mit ziemlicher Sicherheit haben auch die meisten Hörer des HIN & WEG Podcast schon einmal eine Blue Planet Produktion, wenn vielleicht auch ohne es zu wissen gesehen. Denn die Reise-Doku Formate von Wieland Scharf und seiner Firms Blue Planet TV haben das Genre der Reisedokumentation im medialen Deutschland der letzten drei Jahrzehnte maßgeblich mitgeprägt. In der neusten Folge von HIN & WEG: der Reisepodcast mit Sven Meyer und Andy Janz erzählt Wieland Scharf von seinem journalistischen Werdegang, worüber er mit Honecker Smalltalk gehalten hat und wie es in den Anfangszeiten beim Nachrichtensender N-tv vor sich ging. Außerdem plaudert er über seine erfolgreichsten Fernsehformate, wo er am liebsten dreht und warum es demnächst mit "Tatort" Star Richy Müller in die Arktis geht. Eine animierte Folge und ein absolutes Muss für alle Fans der Reise-Dokuf. Jetzt online! Jetzt hören!

On this episode, Campbell McClean, Chief Architect of BT Group joins Kailem Anderson, Blue Planet's Vice President of Global Products & Delivery, to discuss the UK carrier's digital transformation journey and ways BT Group is leveraging Blue Planet software to offer an improved digital experience for its customers. The two discuss the value of Artificial Intelligence (AI) in BT Group's operations and the growing opportunities with AI moving forward. Campbell also shares his experience working in diverse organizations and the importance of fostering a more inclusive work culture.

Simon Mellin is the Founder and CEO of The Modern Milkman. ​Their business started as a local milkround inspired by David Attenborough's Blue Planet and the need to reduce plastic waste. In the space of a few short years, they've grown from four friends and a truck to a vast network of milkmen and women working tirelessly to reduce consumer waste. Their mobile tech supports their 'eco-warriors on earlies' by connecting them to their customers via online ordering and driver apps, facilitating convenient doorstep deliveries. The tech also connects them to their network of independent dairies, farmers and suppliers who are mutually committed to sustainable produce and plastic-free packaging. Their mission is to revolutionise consumer habits by delivering fresh ways to return and reuse packaging, shop ethically and feel good about convenience.Simon joins James Pringle and Hector Mason to discuss key lessons from moving from farmer to founder, the idea behind The Modern Milkman, business expansion to the US, & so much more. Don't forget to like, subscribe, and follow The Riding Unicorns Podcast on our socials and your chosen podcast platform to stay up to date!

Don't adjust those...calendars? It's not Weezetoberfest yet, but we still have a special Weezer experience to discuss. We attended the Voyage to the Blue Planet Weezer concert and we are going to break it down for you to kick off our final(?) Weezetoberfest! Want to support the show and get bonus eps in our off-week? Pay what you can at our PatreonWant to reach out? Follow us on Twitter and Instagram  or email us at billbudspod@gmail.comLike the show? Leave us a review on iTunes!Theme by Arne Parrott! Go follow him on Soundcloud and Twitter

This week, we're scratching The Itch to visit the Blue Planet! Three decades of fandom come to a head as Aaron sees Weezer perform The Blue Album for the first time with support from the ever-entertaining Flaming Lips. And he followed that up by seeing a new act with a throwback 90s hip hop sound in the ever-confident Joey Valence & Brae! Meanwhile, KC had a mixed bag of a time seeing In This Moment, Ice Nine Kills, and Avatar. Let's just say the whole experience was a little foggy. Enjoy. If you like what you hear, you can hear more of us every Sunday night broadcasting rock to the masses from 6-9pm CST on KCLC-FM. If you're not in the St. Louis area, you can stream the show from 891thewood.com, TuneIn, Radio.net, and OnlineRadioBox! And if you have the itch to hear some of the best new tracks in rock, follow our New Rock Roundup playlist! For any and all friendship, questions, inquiries, and offers of pizza, The Itch can be found at the following: Website: itchrocks.com Twitter: Twitter.com/itchrocks Facebook: Facebook.com/itchrocks Instagram: Instagram.com/itchrocks Email: itchrocks@gmail.com Thank you so much for listening. If you like what you hear, please subscribe and leave a positive review and rating on Apple Podcasts or Podchaser to help our audience grow. If you don't like what you hear, please tell us anyway to help our skills grow. Our theme song "Corrupted", is used with permission from the amazing Skindred. All other content is copyright of The Itch. All rights reserved, including the right to rock on.

The development of life on Earth is often framed through the evolution of separate and distinct life forms but less common is the idea of the Earth itself as being one whole living organism. Writer Ferris Jabr's new book, Becoming Earth: How Our Planet Came to Life, takes an all-encompassing view of the intertwined ecosystems on our planet, their origins and where issues such as the climate crisis today might leave them in the future for a book that views the natural world in widescreen. Joining him to discuss it is the journalist, audio producer and book critic, Mythili Rao. We are sponsored by Indeed. Go to Indeed.com/IS for £100 sponsored credit. If you'd like to become a Member and get access to all of our longer form interviews and Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events - Our member-only newsletter The Monthly Read, sent straight to your inbox ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. ... Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Christopher has and has had many roles in the solar and storage industry. Currently he is a consultant and has fractional leadership roles in various companies, such as Kevala. Christopher was also the CEO and COO of Blue Planet, which is pioneer in using Lithium Iron Phosphate (LFP) lithium-ion batteries. Christopher has worked with SEPA, CPUC and many others. Christopher Johnson takes things off the plate of busy CEOs. He lives and works in San Francisco, the climate tech capital of the world!   Topics Covered: Kevala www.kevala.com Blue Planet www.blueplanetenergy.com Tesla Distributed Energy Ford F150 Bidirectional EVs California 100% EVs by 2035 Clean Energy Buyers Association www.cebuyers.com NorCal solar www.norcalsolar.com Rice University Batteries AI = Artificial Intelligence Seneca Nation EV = Electric Vehicle SEPA = Smart Electric Power Association www.sepapower.com SEIA = Solar Energy Industry Association www.seia.com RE+ www.re-plus.com VPPA = Virtual Power Purchase Agreement Tesla Powerwall NEM = Net Energy Metering Bidirectional Electric Vehicle       Reach Christopher Johnson here: LinkedIn: www.linkedin.com/in/enlighten/   Learn more at www.solarSEAN.com and be sure to get NABCEP certified by takingSean's classes at www.heatspring.com/sean

Veteran underwater cameraman, John Ruthven, talks to us about his book and a lifetime of exploring the deep. He is also a producer of Sir David Attenborough's The Blue Planet, a zoologist, film director, writer, editor and stylist.

Our guest for this episode of The WeWhale Pod is Patrick Dykstra, wildlife filmmaker and TV presenter, who has for many years travelled the globe, diving with whales and learning more about their behaviours.  He tells us how seeing an exhibit of a blue whale at the Smithsonian Museum at the age of 16 inspired his love of whales and the ocean. And how he transited from being a corporate lawyer to becoming a wildlife filmmaker and TV presenter. Patrick also talks about his work as a cinematographer on Blue Planet 2, and how he almost got hit by a humpback whale while filming! And he explains how his film, Patrick and the Whale, was prompted by a close encounter with a sperm whale in Dominica. You can find out more about Patrick's work on Instagram. Find out more about WeWhale at wewhale.co and follow us on Instagram, Twitter, Facebook and LinkedIn.

Over the past few years, Ciena's Blue Planet division has supported Building STEPS, a nonprofit organization in Baltimore, as part of its Digital Inclusion program. Tune in for an inspiring conversation between Building STEPS' Debra Hettleman and Ciena's Beth Dolce and Beth Hunter as they dive into the ways this collaboration has sparked students' interest in the industry.

Producer Alastair Fothergill has spent decades making nature documentaries around the world, often working closely with Sir David Attenborough. His work includes Blue Planet and Planet Earth. In this podcast, Alastair discusses why he felt the time was right to make a series concentrating on the nature and wildlife that can be found in the British Isles. He talks about the challenges of securing the footage in some remote locations in Scotland as well as his highlights from the series which took three years to make.

This is Not the End - A 360 review on Regeneration After an incredible 7-year journey, Julian Guderley has recorded the 360th and (for now) final episode of Green Planet Blue Planet podcast. In this special episode, Julian is interviewed by his friend and collaborator Hope Paterson as they reflect on the genesis, evolution, and impact of the show. What started as a childhood dream of having his own "radio show" blossomed into a platform for sharing the voices and visions of inspiring change-makers from around the world. As Julian shares, his intention was to "meet some of the world's impact creators, people that make change, people that bring positivity to the world" through projects, businesses, art and more. Over 360 episodes, Julian has done just that - providing a space for authentic, insightful conversations that illuminate pathways towards individual and collective regeneration. The tagline "More than Sustainability" reveals the underlying ethos - going beyond superficial eco-trends to explore how to truly heal ourselves and build a more beautiful world. The Power of Authentic Conversations A central theme explored is the power of honest dialogue to connect, inspire and transform. Julian reflects that "every single person has something insightful, powerful and authentic to share" if you listen deeply. The intimate podcast format allows guests to "take off the makeup" and speak straight from the heart. Julian's own voice as a host also evolved greatly, sharpening his ability to "sharpen my opinions and own them" rather than holding back. As Hope notes, his "bold voice" and willingness to break rules allowed for brave, unfiltered exchanges. The Regenerative Renaissance One of the most powerful aspects of Green Planet Blue Planet was its role in uplifting and spreading the concept of "regeneration" and "regenaissence" - a rebirth and modern renaissance of regenerative thinking and living. Julian shares about celebrating the win of "contributing to the movement of people seeking a more beautiful world". The mission from the start was to create a platform to give a voice to elders and cultural leaders like: Bruce Lipton, Cynthia Jurs, Swami Chidananda, Charles Eisenstein, James Nestor, Alessa Berg, Daniel Christian Wahl and many more... The podcast surfed the "wave" of an evolving cultural consciousness. Balancing Ambition and Appreciation While celebrating the show's impact, Julian also explores the tension between ambition and contentment. As one of the top 2.5% most popular podcasts globally, there is success to appreciate. Yet the "competitive comparative culture" can breed a nagging sense of "what am I doing that it's not 100,000 listeners?" Ultimately, Julian seems to land in an understanding that trusting the intention behind your authentic expression is what matters most. The podcast created a "360 degree circle of regeneration" - and that completeness is worth pausing to honor. What's Next? Though Green Planet Blue Planet is ending for now, Julian and Hope are already flowing their creative energy into new channels like the "Breaking Rules of Business as Usual" video series. They are excited about facilitating more in-person gatherings that "dive deeper into one's own evolution" in an intimate group setting. As Julian shares, "This is not the end. This is just wrapping a 360 degree circle of the regeneration conversation." The wave of personal, cultural and planetary regenaissence continues to swell, with Julian riding alongside as a guide and catalyst. So stay tuned for whatever surprising form Julian's voice takes next as he keeps embodying the core message: Invest in "the bonds of relationships" as we co-create a more beautiful world. --- Support this podcast: https://podcasters.spotify.com/pod/show/julian-guderley/support

At 36 years old Roger realized he no longer wanted to be a senior executive of a fortune 500 company so he resigned and pursued a career in wildlife filmmaking.   Roger Horrocks is a wildlife cinematographer with 15 years of experience filming behavioural sequences for the BBC, Netflix, Disney and National Geographic. Roger has worked from the frozen poles to the tropical equator and is experienced in documenting both open-water and benthic-based stories and behaviours. Roger developed his underwater field craft as a competitive spear fisherman while studying for an Honours Degree from the University of Natal in South Africa. He continued to dive while working in the digital and financial services sectors, and furthered his management training at the UCT Graduate School of Business and the London Business School. In 2007 he began working for the BBC Natural History on the Nature's Great Events series directed by Hugh Pearson, and began his apprenticeship under cameramen Didier Noirot and Doug Anderson. During this period he narrated and co-directed three documentaries with Craig and Damon Foster. The first of these "Into the Dragon's Lair", was nominated for an Emmy for best Cinematography in 2010, and the sequel, 'Touching the Dragon" was selected as one of the feature shows for National Geographic's 125th centenary year celebrations. Roger was also nominated for Best Narration at Jackson Hole . In 2011 he shot his first blue chip sequence for John Downer's "Earthflight", for producer Rob Pilley. This was followed by a long term assignment from John Downer to film bottle-nose dolphins for the "Spy in the Pod" series which aired on BBC One in 2013, and two sequences on the BBC Atlantic series for producer Ted Giffords 2010. In 2015 and 2016 he spent 110 days filming for Silverback Films on Disneynature's "Blue", for director Keith Scholey and worked as a second unit DOP on the National Geographic "Into the Okavango" feature directed by Neil Gelinas. In 2017 Roger was appointed as the underwater DOP on the National Geographic Pristine Seas Expedition to Tristan da Cunha, led by Paul Rose, working for producer Alex Verville. For Blue Planet 2, released in October 2017, Horrocks received cinematography credits on four of the six main episodes, shooting for producers Jonathan Smith, Katheryn Jeffs and Joe Steven. For his contribution to the series has was awarded a BAFTA for Outstanding Cinematography in 2018. Between 2015 and 2018 Roger worked for producer Hugh Pearson on the Coastal Seas and High Seas episodes of the Netflix original series “Our Planet”, produced by Silverback Films. He won a nomination alongside cameraman Jamie McPherson for Outstanding Cinematography for a Nonfiction Program at the 2019 Prime Time Emmy Awards on Los Angeles. In 2019 Roger was one of two Underwater DOPs hired by Jonathan Smith of the BBC Natural History Unit to shoot underwater screensavers for Apple TV. He also began initial work on the oceans episode of Planet Earth 3, produced by BBC Studios. In 2020 Roger contributed two sequences to the Animal series on Netflix, produced by Plimsoll Productions., and worked on a sequence for Silverback TV for a new series to be released in 2023. In 2021 and 2022, Roger has been working exclusively on a new ocean series for Netflix, produced by Wildspace.   Join us on the Behind the Wild Lens Podcast as we uncover the mesmerizing secrets and captivating stories behind your beloved natural history TV shows. Immerse yourself in the thrilling journey from the lens to your screen, guided by the unsung heroes - camera wizards, insightful producers, charismatic TV hosts, brilliant composers, editing maestros, and visionary directors. Let us pull back the curtain for an exclusive insider's peek into the enchanting realm of wildlife filmmaking. Prepare to be awestruck by the magic that brings nature to life before your very eyes! (Formerly the Master Wildlife Filmmaking Podcast) SUBSCRIBE wherever you get your favorite podcasts.  

When Robert Zubrin published his classic book The Case for Mars a quarter century ago, setting foot on the Red Planet seemed a fantasy. Today, manned exploration is certain, and as Zubrin affirms in The New World on Mars, so too is colonization. From the astronautical engineer venerated by NASA and today's space entrepreneurs, here is what we will achieve on Mars and how. Shermer and Zubrin discuss: why not start with the moon? • what it is like on Mars • whether Mars was ever like Earth • how much it will cost to go to Mars • how to get people to Mars • resources on Mars • colonization of Mars • public vs. private enterprise for space exploration • economics, politics, and government on Mars • lessons from the Red Planet for the Blue Planet • liberty in space. Robert Zubrin is former president of Pioneer Astronautics, which performs advanced space research for NASA, the US Air Force, the US Department of Energy, and private companies. He is the founder and president of the Mars Society, leading the Society's successful effort to build the first simulated human Mars exploration base in the Canadian Arctic.

Our universe holds lots of mysteries, but perhaps the most fascinating for most is the planet Mars, long thought to be the only planet in out solar system that may be the most similar to our own planet, possibly having the ability to sustain life.In Blue Planet Red, director Brian Cory Dobbs interviews a variety of scientists, researchers, and even people on the street about their theories and thoughts on Mars. The film makes some compelling arguments, but it also presents some theories that are just bonkers (Dobbs even warns us, the viewers, before those theories are explained, in a very Rod Serling kind of way). The film, as strange and far out as some of the theories may be, did manage to keep my interest for the nearly two-hour running time, and never succumbs to techno-babble or talking head syndrome, thanks to the many inserts of stock footage and quick cutting. My main complaint with the film, though, is the absence of any titles that introduce us to the speakers and what their credentials are at the time they are speaking on camera. Brian Dobbs was rather vocal about going against convention on the use of titles when he was a guest on the Home Theater United podcast, but in my opinion, they add a bit more credibility while viewing the film.https://www.hometheaterforum.com/blue-planet-red-blu-ray-review/And here's a 20% off promo link to offer the listeners to add to the show notes.https://vimeo.com/r/3RYW/OVBRYlZlbnBecome a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Get this in your ears the next time you go for a ride. It's like Blue Planet, in podcast form. Wildlife filmmaker and TV personality Hannah Stitfall wants to take you the world below the waves. She'll be chatting to freedivers, marine biologists, submarine pilots and more, hearing mind-boggling stories about the oceans-deep and its inhabitants. We explore The Lost City. We hang out with your favourite animals. The hypnotic sound design and storytelling will drop you right there. Oceans: Life Under Water is brought to you by Crowd Network and Greenpeace UK, which is how these stories can be told so beautifully but also responsibly. To hear more, search for Oceans: Life Under Water in your favourite podcast app. Or click here: https://linktr.ee/oceanspod Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Cuppa 37 of 40 for Tea, as host Rachel Allan shares a cup of English Breakfast tea with acclaimed wildlife and travel photographer, Sue Flood, on an intimate journey across the icy landscapes of the Arctic and Antarctic. Sue Flood unveils the stark beauty of these remote territories, teeming with life, and challenges our perceptions about exploration, conservation, and photography. This tea we are taken to places of awe and surprise.  Sue shares personal stories of proposal - divorce and second marriage; all with nature as witness.  Before diving into the vast expanse of Antarctica, Emperor Penguin Colonies and exploration through the lens of nature connection, climate change and her love of tea.  More details below...  In th meantime, go grab a cuppa and lets dive into this awe filled, generous expedition into true passion, and the power of the heart in nature… Sign up to connect with Rachel & for the GOLD + inside info on 40 for Tea here. More details & time stamps below if you want it:  **Life Lessons & Laughter:** Experience Sue's heartwarming and humorous stories, from the “divorce whale” incident to her rekindled romance and unique wedding with a celebrity witness.  **Polar Exploration:** Sue Flood sets the stage by discussing the differences between the Arctic and Antarctic, the unique wildlife present, and the breathtaking scale of these regions.  **An Ambassador's Lens:** Learn about Sue's role as a photo ambassador, and her efforts to inspire others through her wildlife photography skills while forging a deep connection with the natural world. **Emperor Penguin Encounters:** Immerse yourself in Sue's passion for emperor penguins, as she shares her close encounters, highlights their life cycle, and uncovers the secret behind a heart-shaped pattern on a penguin's chest.  **Environmental Insights:** In light of climate change impacts and conservation efforts, Sue discusses the changes observed in Antarctica and the hopeful signs amidst the challenges. **Photography and Filming:** Revel in Sue's tales of overcoming her fears for the sake of capturing the perfect shot and her remarkable experiences filming with the Blue Planet and Planet Earth teams. **Love for Tea:** Discover how a simple love for Earl Grey tea offers comfort and reflection, even in the coldest corners of our world. **Giving Back:** Hear about Sue's collaboration with Julian Lennon's White Feather foundation and her conservation-oriented initiatives. **Capturing Nature:** Unveil the heightened awareness that comes with time spent amongst wildlife, and the importance of observing nature for restoration and inspiration. **Connect with Sue Flood:** Find out more about Sue Flood's incredible work and her book, "Emperor: The Perfect Penguin." Explore behind-the-scenes content and learn about her upcoming projects and expeditions. Sue's Website. & Instagram: [@SueFloodPhotography] 01.13: Intro to Sue Flood 06:58 The Relationship Stories:  The Proposal filming Bowhead Whales  08:58 The Divorce Whale Story:  Humpback Whale Filming 11:41 Necker Island & the Second Marriage Story 14:44 Overcoming fears, new photography ambassador appointment. 21:22 Training photographers in Antarctica. 25:01 The Emperor penguin life. 26:31 Adults care for chicks, exhibit extraordinary life cycle. 32:35 Connection to nature, Awe and Beauty.  34:16 Michael Pallin acknowledged Sue's sixth sense.  Cultivating sixth sense. 40:13 Teaching wildlife photography and leading expeditions globally. 41:59 Human -  Nature Interconnection 45:27 Volcanic eruption led to healthier Arctic bears. 47:57 Climate Change in Antarctica & info on protection. 50:30 Unforgettable moment in Antarctica's penguin colony. 51:37 Penguin sheds gray fluff, reveals unique heart. 53.05 Where's the Earl Grey?  

Documentaries such as Blue Planet and The Great Reef have brought new wonder and awareness into our living rooms. Former Royal Navy underwater bomb disposal expert turned submarine pilot Mark Taylor now explores the planet's oceans as an integral part of the subsea documentary filmmaking community.  He has seen eels dip into lakes 750 metres under the ocean, witnessed mud volcanoes on the sea floor and come face to face with a giant squid 10 metres long with eyes the size of basketballs.  He also spent many hours submersed with his childhood hero, Sir David Attenborough, filming for Blue Planet II and describes the comraderie and lifelong bond that resulted from it.Show notes: https://www.battingthebreeze.com/our-blue-planet-up-close-and-personalWe love receiving your feedback - head over to https://www.battingthebreeze.com/contact/ Thanks for listening!

I THINk what we want is Star Wars Galaxies Restoration. Cuz I think it's like, we want the Combat Update but not the New Game Experience? I think that's the story. SWG Legends is more popular but it's post NGE, and like, I guess if that's what you want that's fine. But I'm here for a world where Jedi are rare, but dancers are not. Which I guess is also the world I currently live in, Earth, the Blue Planet, Third Rock From The Sun. Hmm. Much to think about. Join the Bottle Crow Discord to check out our live posted show notes as well as chat with us and other listeners! We're on iTunes, Google Play, and Stitcher! You can subscribe on those, and leave a review if you like! That would really help us out. Tell your Dota friends about us, help spread the word! Make sure to vote on the Rhythms of Riftshadow Ruins in the Steam Workshop!

Henk Rogers is the founder of Blue Planet Alliance, an organization helping island communities disproportionately affected by climate change transition from being reliant on importing fossil fuels to using 100 percent renewable energy. Henk is also the president of the Tetris Company and a pioneer in the video game industry. -- If you haven't yet had the chance, make sure to register for our 2024 Real Leaders Impact Awards. Our Impact Award winners gain access to a values aligned community, credibility through Real Leaders, and access to our network of Impact capital sources. Apply now to claim your discounted application ⁠https://eunbi5zgbx7.typeform.com/to/XNdfGsS2#app_first_name=xxxxx&company_name=xxxxx&work_email=xxxxx&campaign_name=xxxxx&channel=LN&owner=Z⁠ Also, check out Outsource Access for all of your Virtual Staffing Needs. At an affordable rate you can outsource the work you need to get done at an extremely affordable rate. You can find more info about them here using this link. https://outsourceaccess.com/

Robert joins us from his home on the island of Oahu to talk about how he started Blue Planet, his love for the water, his fitness routine, new gear trends and what's coming up in 2024. Visit: https://www.blueplanetsurf.com/Watch Full Episode on Youtube: https://youtu.be/y0TC1S2D-LIEpisode Page: https://winglifepodcast.com/episode/episode-30-robert-stehlik About us:Like what we do? Donate & Subscribe to Support usJoin our Facebook Community:  Wing Life - A Wing Foil Community & Canadian ClassifiedsLearn more about us & follow us on Instagram This episode is brought to you by the Wing Foil Expedition in La Ventana, Baja California Sur. Are you looking for an all-inclusive wing foiling adventure this January with oceanfront accommodations? Visit https://winglifepodcast.com/wing-foil-trips to learn more. ★ Support this podcast ★

Associate Head Coach Jai Lucas joins Ryan Young on the pod this week to talk about our "Secret Scrimmage" against Villanova. Coach Lucas also goes in-depth on how the team is looking going into the final week before games, his philosphy on defense and recruiting, learning from a long legacy of basketball family members, and how he got into coaching and ended up at Duke. Shout out to Jai for alwaying being a real one!

Get your DEMYSTICON 2024 tickets here: https://www.eventbrite.com/e/demysticon-2024-tickets-727054969987 Sign up for a yearly Patreon membership for discounted tickets: https://bit.ly/3lcAasB Dr. Katherine Richardson is a principle investigator in the Center for Macroecology, Evolution and Climate, where she focuses on the importance of biological processes in the ocean for the uptake of CO2 from the atmosphere and how ocean biology, especially diversity, contributes to overall Earth biospheric health and stability. She is also co-author on the Planetary Boundaries initiative. (00:00:00) Go! (00:00:17) Kathleen Richardson's big questions (00:07:58) The human fingerprint (00:12:25) Planetary boundaries (00:30:55) CO2 & acid (00:45:11) Convenience v. harmony (01:04:10) Limits on land usage (01:20:47) Understanding life itself in the climate discussion (01:33:20) A successful narrative (01:47:02) Voting effectively (01:59:03) Closing thoughts Tell us what you think in the comments or on our Discord: https://discord.gg/MJzKT8CQub #OceanConservation, #ClimateAction, #MarineScience, #CarbonSequestration, #BiodiversityMatters, #ClimateSolutions, #BluePlanet, #SaveOurOceans, #EcosystemHealth, #OceanDiversity, #ClimateChangeMitigation, #SustainableFuture, #OceanResearch, #MarineBiodiversity, #OceanProtection, #EnvironmentalStewardship, #GlobalWarming, #GreenTech, #OceanicEcosystems, #ClimateResilience. Check our short-films channel, @DemystifySci: https://www.youtube.com/c/DemystifyingScience AND our material science investigations of atomics, @MaterialAtomics https://www.youtube.com/@MaterialAtomics Join our mailing list https://bit.ly/3v3kz2S PODCAST INFO: Anastasia completed her PhD studying bioelectricity at Columbia University. When not talking to brilliant people or making movies, she spends her time painting, reading, and guiding backcountry excursions. Shilo also did his PhD at Columbia studying the elastic properties of molecular water. When he's not in the film studio, he's exploring sound in music. They are both freelance professors at various universities. - Blog: http://DemystifySci.com/blog - RSS: https://anchor.fm/s/2be66934/podcast/rss - Donate: https://bit.ly/3wkPqaD - Swag: https://bit.ly/2PXdC2y SOCIAL: - Discord: https://discord.gg/MJzKT8CQub - Facebook: https://www.facebook.com/groups/DemystifySci - Instagram: https://www.instagram.com/DemystifySci/ - Twitter: https://twitter.com/DemystifySci MUSIC: -Shilo Delay: https://g.co/kgs/oty671

Join Shorewords host, Lesley Ewing, in conversation with Rachel Taylor, one of the people who helped develop Water Worlds: The Protection of our Blue Planet from Glaciers to Deep Sea. Water Worlds is a carefully organized, beautifully illustrated collection of 12 different water environments that introduces the science and some of the people and groups who are working with their communities to reverse some of the degradation of water ecosystems resulting from mining, land development, and climate change. 

In this episode, DISH Wireless' Executive Vice President of Global Partnerships, Marc Rouanne speaks with Blue Planet's Head of Portfolio & Engineering, Kailem Anderson on DISH's success in building the first cloud-native 5G network in the world and the progress they are making in enabling 5G broadband services for its customers in the United States. They also discussed the unique benefits of running on a true cloud-native network and trends in the 5G space. Blue Planet supported DISH with a dynamic real-time source of truth for its network, empowering DISH to rollout 5G services with speed and agility.

This week on World Ocean Radio we're talking about the megaphonics of ocean communications. How do we as communicators break through? How do we create messaging that resonates and reaches the millions of citizens whose lives are so dependent on the ocean's bounty? We highlight two ocean heroes, Dr. Sylvia Earle and Sir David Attenborough, whose quiet successes have combined to reach millions worldwide.About World Ocean Radio Peter Neill, Director of the World Ocean Observatory and host of World Ocean Radio, provides coverage of a broad spectrum of ocean issues from science and education to advocacy and exemplary projects. World Ocean Radio, a project of the World Ocean Observatory, is a weekly series of five-minute audio essays available for syndicated use at no cost by college and community radio stations worldwide.World Ocean Radio offers five-minute weekly insights that dive into ocean science, advocacy and education, hosted by Peter Neill, Director of the W2O, author, and lifelong ocean advocate. Episodes offer perspectives on global ocean issues, today's challenges, marine science and policy, and exemplary solutions. Available for RSS feed, podcast, and syndicated use at no cost by community radio stations worldwide.

The sixth installment of this season's meditative narrative! Deep in the ocean of the Blue Planet lies a temple filled with violet light. Enter the portal of the fairy ring to adventure into the underwater basilica and have a supernatural experience with angel of light and shadow. This chapter correlates with the sixth chakra, the third-eye. This chakra is represented by a violet color and rules over intuition, psychic energy, and spiritual awakening. The Fairy Ring Podcast is written and produced by your host and cosmic friend, Michelle Lark. Music from Epidemic Sound"Fairy Rings: Mycology, Folklore, and Fae Superstition": https://www.thefairyringpodcast.com/1309630/12508868-fairy-rings-mycology-folklore-and-fae-superstition"Poetry as Spellcraft w/ Kalyn McAlister, Iliana Rocha, and Sydney Vance":https://www.thefairyringpodcast.com/1309630/9901866-poetry-as-spellcraft-w-kalyn-mcalister-iliana-rocha-and-sydney-vanceThe Youtube Channel: https://www.youtube.com/channel/UCnn7mD7aUVBwlj_WLCy9l2ASupport the showInstagram @thefairyringpodcast Tiktok @thefairyringpodcastListen to all episodes for free at http://www.thefairyringpodcast.comThe Fairy Ring Podcast is written and produced by your host and cosmic friend, Michelle Lark.

Welcome back! Let's continue the adventure!In this Part, it is Bertolt and Bee's sense of smell that leads them to the "Blue Planet" that we call Earth.We also get to hear more from their Earthling parents, Randy and Pam, who tell us about how they discovered... ALIENS!Part 3 is all about perspective, and how no two people (or other beings) see things the exact same way. We all have our own way of seeing things. What makes one person excited, may make another terrified. We learn so much about friends, family, or extraterrestrial life just by understanding their perspective.Enjoy Part 3!https://www.instagram.com/bertoltandbee/bertoltandbee@gmail.com

In this outstanding episode, Henk Rogers, famous for Tetris and now Blue Planet Alliance, sits down with Kara Goldin to discuss his journey as a serial entrepreneur. Listen in as Henk shares his journey as a true pioneer, visionary and purpose-driven entrepreneur who co-founded Blue Planet Software, introducing the iconic video game Tetris to the world and since then, spearheading the clean energy movement in Hawaii through the Blue Planet Foundation. Plus we hear more about his take on the impact that we can all make to make this world a better place, an absolute essential element for any founder to zone in on. This is a not-to-be-missed episode in entrepreneurship that you don't want to miss. On this episode of #TheKaraGoldinShow. Enjoying this episode of #TheKaraGoldinShow? Let me know by clicking on the links below and sending me a quick shout-out on social. Or reach out to me at karagoldin@gmail.com https://www.linkedin.com/in/karagoldin/ https://www.instagram.com/karagoldin/ https://twitter.com/karagoldin https://www.facebook.com/KaraGoldin/ https://www.tiktok.com/@KaraGoldin https://www.youtube.com/c/KaraGoldin https://www.threads.net/@karagoldin Check out our website to view this episode's show notes: https://karagoldin.com/podcast/434 To learn more about Henk Rogers, Tetris and Blue Planet Alliance: https://www.instagram.com/henkrogers/ https://www.linkedin.com/in/henkrogers/ https://www.youtu.be/-BLM1naCfME https://www.tetris.com https://www.blueplanetfoundation.org/ https://www.blueplanetenergy.com/ https://www.henkrogers.com  

 Aloha friends. It's Robert Stehlik. Welcome to another episode of the Blue Planet Show where I interview foil athletes, designers, and thought leaders. I talk not just about the equipment technique and so on. but also try to find out a little bit more about their background, what inspires them and their plans for the future and so on.You can watch this show right here on YouTube or listen to it on your favorite podcast app. Just search for the Blue Planet Show. I've been trying for a long time to get the Spencer brothers to come on the show and I finally met up with them after the Molokai To Oahu race and I got them both on the show today. So really stoked about that. Finn recently won the Maui to Molokai race and the Molokai to Oahu race, even though he had a major infection on his foot. So congrats on that. And they are both amazing athletes, not just in wing foiling, but also downwind foiling, prone foiling, surfing. They do everything. Really great guys to talk to. Hope you enjoy the show. So without further ado, here are Finn and Jeffrey Spencer. Alright, Finn and Jeffrey, welcome to the Blue Planet show. It's great to have you here. I've been trying to get you for quite a while. And then I finally ran into your dad at the finish of the Molokai Toahu race. And then Jeffrey gave me your text your cell phone number. So finally getting you guys on the show. Stoked. Yeah. Thank you for having us. Yeah. So you're on Maui. I'm on Oahu. And on Maui, just, since the Molokai race and not too long ago, I was in Lahaina like right before the Maui to Molokai race and everything was fine and now it's all gone. So can you talk a little bit about the fires on Maui and what, and. If you know anyone that got affected by it totally, yeah, we we had this storm that was passing to the south of the islands and it was like, usually it's not too concerning because it didn't look like it was actually going to hit us. But what happened was it ended up generating extremely crazy strong winds, like through the whole thing, but there was no rain or anything. So it's just. Like the most windy it's ever been, especially over on the West side in Lahaina. And they're just not used to having, that crazy amount of wind. So tons of stuff was getting knocked down. And I think just in the chaos, like the fire started, it was, there was ones on both sides of the island. There was some up country up in Kula and then also in Lahaina. So it was probably pretty difficult to be able to actually like. Control everything, especially in that amount of wind. It spread extremely quickly. And yeah, it's pretty devastating, but yeah, most the entire town of Lahaina pretty much burnt. Quite a few places up country as well, but look, it wasn't as bad up there. Yeah, it's not as densely populated now, at least but yeah, I was just reading in the paper this morning that there was some like live video of the power lines getting knocked over and then just falling into the grass and just like a line of fire starting instantly. Stuff like that. And then yeah, the wind was so strong that day that it just spread super fast and I guess people didn't even have time to. To get away, it's pretty, pretty tragic. It's like probably the big, the worst fire in, in recent history. Yeah. And then, so do you know anybody that got affected by it or lost their home or? Yeah. A bunch of our friends on the West side that we know and grew up with Santa paddling and foiling and surfing and just lost everything like lost their homes and pretty much everything. Yeah. Anyway, yeah, so if yeah, and then I guess I talked to Zane yesterday who lives over on that side too and Zane Schweitzer, he, and he said like they don't need more clothes and stuff like that. Everybody's been sending clothes, but they just need like certain things like VHF radios and containers and things like that. They need it quickly. So because shipping stuff there, it takes a while, so anyway. Probably the best way to support Maui's is by making a donation. Absolutely. Yeah. The best way is like supporting the families directly. If I know personally, like the Clayton's and the flex from paddling, they're good family friends and there's tons of others. We're able to find them on there, especially social media has been a really good way for people to communicate through all this and the Maui strong foundation as well as a really good resource that they're able to take the funds and use them wherever's most needed at the current moment. That's another really good one to donate to. All right. Yeah. Best wishes for everyone on Maui. That's just a tough situation to be in for sure. But anyways, let's talk a little bit about you guys. How, where did you, have you always lived on Maui or how did you grow up? And, what, how did you get into water sports and all that kind of stuff? Yeah, since we were, We've lived here since we were babies. We were born in Canada, but basically our entire lives was here. We weren't even a couple of years old when we moved here. So yeah, it's just been my way. But interestingly, it took us a while to get super into water sports. We did a bunch of, the average like school sports growing up team ones, like basketball, volleyball, stuff like that. And then we started stand up paddling around. Probably 10 years ago, actually, at this point, but then just from there, like we always had fun bodyboarding and surfing and Santa paddling and then got into it from there. Yeah, right on. Who's older or what are your ages? I'm older and 19, 22 and 19. All right. So I guess when you started, you were. Like around, I was probably 13. We'd always play in like the shore break with boogie boards and, when we were really young, but we didn't really start like getting into it more. Until, yeah, until I was 13 and you were probably like 10, 11. Yeah. Yeah. And that was that your dad taking you down, down to the beach and putting you on a board or did you just show interest in it or like, how did that work out? We would actually, we'd go over to the west side near Lahaina, we'd go to Laniopoko and the waves there are super fleet friendly, the best place for any, anyone to learn. We just take long boards and stand up paddle boards and spend the days over there in the summer. Nice. Nice. Okay. And then how did you start getting into foiling? What was how did you first start foiling? I think it was a while ago now. I think before it all started, we talked to Alex Aguero about just trying some surf foils. Cause he was making kite foils at the time. And then it was funny, he said he had just started working with Kai Lenny on the same thing. So then we started doing that with them, just went to Sugar Co. and had the first GoFoil prototype that we tried and then just started going to the west side a bit and just getting into it and then Kai put out that video of him downwinding and that just exploded it. Yeah. Then everyone was like, Oh, I want to try this. But you were basically tried some of the very first prototypes that Alex was making him. Totally. Yeah. We just be like us in the beach down here, just going with Kai and on this old sub board with a tunnel box drilled into it and Yeah, just testing stuff. It was fun. Yeah. And then where are you mostly trying to do downwinders or more in the surf or both or what were you guys doing? Most part, it was in the surf. For the first couple of months. And then we started to try a couple of downwinders and realize that it was super fun. So then we started doing that a lot more too. Yeah. The foils quickly evolved to be good enough for downwinding. Yeah. And then in the beginning you were using GoFoils and then I guess at some point you got sponsored by Slingshot or or how did that evolve? We'd run GoFoils as well and it was great. And then we had an opportunity to. To try the slingshot stuff as well and it worked really well for us. So yeah, we, we met with Tony Ligo. She's a awesome designer and Yeah wrote with them for a while, which was amazing. Okay. And then did you have like influence in the design and things like that? Developing products or not so much. They just would send you stuff and you'd play with it. We'd help them test stuff, but we're a lot of new stuff and the wings and then all the coils and boards. And so it was super fun. Learned a lot from that for sure. We're definitely still very early on in like our experience though. So it's not like we were saying like, oh, this is. What you should do to make it good, it's like more just Feeling it out and helping as much as we could. Yeah. And then probably the equipment you were using on Maui was like smaller and you guys are lightweight too, right? It's probably like smaller than what they could sell to the average consumer, right? So yeah, and then you were some of the, I think, were you the first to do a back loop on a wing foil board or yeah. That's awesome. I remember seeing that video and I was wow, that's insane. Yeah, I just remember we were doing them surf foiling off of waves. You could come back out and hit the ramp. And I'm just thinking oh, I think this would probably work with the wing after I just had a wave session. And then right after that, I'm like, in my mind, I could see how it would work. And then after that, I went straight back out that night and tried it for a few hours. And then. The next didn't get it, but I got like close. I like fully saw the potential. And then the next day I yeah, went out and tried again and somehow made it work, which was honestly really strange. Like usually if you're trying a new trick, it takes a lot longer to learn. Like even for me, it I usually take weeks to figure some stuff out. But I think the backflip is just so it's such a natural movement on the wing of the foil with that, that it it worked out pretty well. So what are, after people say, are you doing it? Then a lot of people figure it out how to do it, but, I'm still doing it, being the first to do it is always you don't have someone else's videos you can watch to figure out how to do it. So what are the biggest challenges of doing a back flip with a wing? I think a lot of it's very mental because it's it's difficult to, see yourself actually going upside down with the foil, especially. And I think the most important thing safety wise is just to keep your feet like in the straps with the foil facing away from you. Cause as long as that's good, it's not, you're not going to connect with the foil, which is pretty much the main way to hurt yourself if you're trying it. And after, after time of doing it to the biggest. Things that I've learned to help is if you're able to do one surf foiling or even start with a backflip on a trampoline and then transition to do one surf one, so you get the feel of how you move through the air with the foil on your feet. And then, after all that, if you can transition to doing it with the wing, make sure you have enough speed, really stay strong, it's easy to get disconnected with your legs and your upper body when you're going through it. Yeah, if you're able to work on all those things, it makes it a. Much, much more possible. Nice. Okay. Those are some good pointers. What about the wing handling? It seems if you don't get the wing right on the landing, you end up getting backwinded and falling into the wing. Like, how do you deal with that? Totally, yeah. A lot of it's for a lot of wing tricks, so much of it's in the takeoff which, or how much speed you have and what direction you jump when you get in the air. So for that one, it's really about Making sure you get enough height and angling off the window a little bit, because if you turn up too much, you'll come around and that's when it'll backwind. So if you're a little more angled down away from it, when you get that height and then suck your knees in and pull it around, it'll really focus on just pulling that top hand up. It'll not catch as easily when you're coming out of it. Yeah. You guys have amazing Instagram accounts. I'm just looking through it. I'm going to actually screen share this a little bit and maybe you can tell me how far back I need to go to find that when you first started doing backflips, it's pretty close a little further, I'd say. What is this? You're wearing a plastic bag. That was a ghost costume for Halloween. But yeah, a lot of it was not easy to breathe in if you ended up in the water. I think right there. I think, yeah, with the red board on the left and this one. Yeah. Okay. Yeah. So let's watch this. Oh yeah. I remember what, Watching this and being blown away, and you have a really small wing too, I guess that, that helps too, right? Absolutely, if especially if you're learning, the smaller the wing, the easier it is just to maneuver. I'd fully recommend if you're beginning, if you can get a good bump or ramp of a wave to go off of, and then a small wing, it's by far the easiest way to learn. That one right there is a three meter wing. Yeah. Just having less wingspan makes it easier. Yeah. Totally. Yeah. That compact style definitely helps as well. Not like you getting a huge amount of air, but that probably helps to getting high, the higher you get, the more time you have to rotate. But then I guess there's also more risk of injury, right? Probably, yeah. It's tough because sometimes you think so, but giving yourself more time to rotate in the air, actually, it just makes it easier. That's one of the things now I always work on with, especially the backflip, is I just try and get as high as possible. And you don't actually, unless you're going off a massive ramp, you don't end up going that high, just because you have to consider up. But then also as soon as you start pulling the wing back, you, you stop going up, it you just want to give yourselves as much time as possible to come around. Okay. Is there like a, another video you would, that one, your mouth is on right now is a pretty light. This one. Yeah. I'd say this is when I've got it consistent. I'm still using a bit of ramps, still not that much height. It's still pretty early on, but this was, I was feeling more comfortable with the double. Yeah. Nice. Yeah. And then you're doing it, on the way into the beach, just cause that's your natural your natural regular foot or why is it that you're doing it on this tack? We're both regular footed. So we pretty much all our tricks going in, which is a bit of a bar for here. Cause. If we were goofy footed, we'd have way better ramps, but yeah, we try and make it work going in. It's good for surfing here since you're with the window a lot of the time, but yeah, for the wind sports, it's not as not as easy to find a good ramp. And then what about you, Finn? I guess you probably picked up the backflip pretty soon after your brother, or how long did it take you to figure it out? A while, actually. I started trying them pretty soon after, but I had never really done a backflip doing anything before. So I was doing them very weird and not going over backwards, like doing them sideways a bit. And then I went to a trampoline park and learned and then felt comfortable doing them and then went surf foiling and learned them going out off of waves. And then the next time I went, I was getting them down a lot more. Yeah. Finn was funny. His first attempts were so sketchy, which is why I say it's so important to keep the foil away from you and learn all the backflip stuff because he would get straight upside down and then just fold in half and land on top of the wing. But as soon as as soon as he figured it out on the surf foil, it was like night and day compared, for his technique compared to what it was before. I think it was later. It's so important to do this. All your backflip flips? Yeah. Yeah. I've seen, I've had friends who are trying it and it just yeah, like the board coming off their feet in the middle of the jump and there's like the foil landing on their wing and getting, trashing many wings and all that kind of stuff. And plus, yeah, it looked dangerous. What is this move? That looks nuts. But a backflip without the, without using the wing basically. Yeah, just going out and then you drift the wing and then do a flip off the wave. Wow. Yeah. So you guys are definitely on the forefront of all these tricks, but let's talk a little bit about the races. There was a lot of races over the last month. And and you guys both of you guys did really well in in these races. So let's talk first, I guess about the Maui to Molokai race. I, I was there and experienced it and just saw, I saw you, Finn like I was wing foiling too, and I saw you just disappearing on the horizon, just going it seemed like you were just going in a straight line as fast as you could locked into like a real steady, fast downwind angle. Yeah, the wind angle was pretty good. We were able to pretty much shoot straight from the start to, the Kanakakai buoy or the Kamalabouyam, the Kamalabouyam, yeah, and it was just weaving a bit downwind from there. But yeah, that first leg was pretty straight and just. Going super fast the whole time. So then, yeah, and I talked to Bobo Gallagher. He said that he didn't really see you until clo until you guys got close to Molokai. So did you see Bobo at all or after maybe 10, 15 minutes into the start? I think I did a turn and he kept going, and then I just lost sight of him for the, until around the buoy. But that whole race, I couldn't, or that whole section of the race, I couldn't really see anybody, so I had no idea where I was. And then . When I got to the booty I saw him a fair bit ahead of me and I was like, oh, shoot I gotta speed up. So then I just worked super hard and was going as fast as I can to catch up. And then we're, that gap was staying pretty similar to him ahead of me. And then I think once the wind got a bit lighter, I had a bit bigger wing and was able to pull up to him and then pull ahead to the, towards the finish. . So what size wing were you on? I was on a six meter. Yeah. And then Bobo was on like a 5'5 or something. Yeah. Yeah. And then, and you were both on the same foil. Like he showed me the duotone foil. He was using like a kite surfing, kite foil. Yeah, we were both on the Daytona race foil they have. Yeah. Daytona race. Yeah. That thing was, I think probably the foil is the most important thing for going fast. And, but of course also the wing is important for, because that's what powers you along basically. All pretty fast foil and then just a big, powerful wind. You can go as downward as possible. Yeah, and then when and you finished in 114 or something like that. Is that right? Yeah Which is amazingly fast for whatever it was 28 miles or something like that, right? Do you know what your average speed was on that run? I don't I think until the wind got lighter is probably around 28 to 30 miles an hour and then once you got lighter, it really slowed down a lot So at the end when I came towards the end, like everyone that was in my kind of around me just came to completely came off the focus, it wouldn't just completely died for a while. And then after a bit, then there was another gust and I was able to get back up on foil and fly over the line. But how was it for you guys? Did you have the wind completely die and you have to like just pump or how was it at the end? It got pretty light. I think even on the six, I was pretty underpowered and probably for Bobo on the five, five too. But we were both able to pump our way into the finish. Yeah. Yeah. So then, and you ended up finishing all I guess it was pretty close to like he was a minute or two behind you only or something like that. Yeah. So yeah. And from what I could tell is it seemed like you had more of a straight line and Bobo was trying to go more downwind on the way to Molokai. Yeah. So what's I know, like when, cause when the more downwind angle you have, the less power you have in your wing, basically. So how did you figure out your ideal angle to the wind and to the waves? And did you just go on a straight line or did you try to use the energy of the ocean or like how do you maximize your speed? It was mostly just using the winds and just trying to go as downwind as I could. And then just, Yeah. To keep enough power in the wing that I was able to go pretty fast. And then when it got lighter, I had to bear, go a bit slightly more upwind. And then, yeah, just trying to have as much power as possible. So yeah, you have to do that to keep some pressure in your wing. But do you try to weave a little bit to use the bumps or do you just go straight? Do you make any adjustments? When I, when the wind gets lighter. Then you can use the bumps a bit more, but when it's really windy, you're going a lot faster than them. So you're just cutting straight through. Okay. Or like it, you have to stay super focused when you're doing that. Cause you have to go up and down and try not to over foil or hit your board on a bump. And then. Yeah, especially when you're overtaking a bump, then it's easy to overfoil behind it, right? As you're coming down the face. What size mask were you using? I was on a 105. Okay, so pretty long mask, too. And then that, that foil, the Daytona, what's the how many square inches, do you know, like the the surface area? It's around a five. 60 square centimeters. Yeah. And it's not like a super high aspect shape, right? It's almost more like a little bit. Yeah. Like you can control and really just really locked in at high speeds. Yeah. So what do you think makes that foil so fast? I don't know. What is it that, is it a thinner profile or just like the overall, I think it's just. The mast is really slim and fast and then all the connect. It's a full one piece lower, so it's super. Sleep like the fuselage really thin and the wing connections and then the wings are really good shape and good profiles. So Just a lot of that makes it just super fast and low drag all right, and then jeffrey you did the maui to mulukai on a standard foil board, right? So yeah, so talk a little bit about how that went and and the whole experience Yeah, that was good. I same type of thing with Finn. After the start you get going for a bit and then you, it's, the bumps are, even though, it was a good day, there's just so much swell and water in the channel that you don't really see. Anyone else, like even if they have boats and everything, it's actually hard to tell where you are in relation to to everyone. So I was just coming and I had no idea where I was basically, but the run was really good. I think at the start, I had a pretty good line, but then definitely, Were you able to get up on full right away, right from the start or? Yeah, I was able to get going right away, which definitely is important in the races. You can lose quite a bit of time If you're off oil, which I figured out at the end, but about halfway, I think I went too close to the island and I would, the bumps just weren't as fast as they would have been further out. And I was worried about the wind angle being tough to fight against at the end, but it turned out to just get light. It wasn't actually hard to come in. So I think if I was, yeah, to do it again, I would have. Taking a much wider line especially through the finish where near the end, I accidentally, or I actually went too far over the reef and my wingtip came out on just a little accident as I was pumping in. And it was right before the finish where the wind was the lightest and the bumps were super, super small and I did my best to get back up on foil and got up for a second. But it was, if I had stayed further out, I would have had the energy to keep it going to stay in. But. On the inside, it was not the move. I lost tons of time there. Did you, and I was shallow. So you hit the reef or did you go around the reef? It wasn't too bad. I wasn't like all the way inside. I think the tide was pretty high when we were coming in. So I. I luckily didn't hit it. I hit it I was paddling on my stomach coming in, but it was just, once you get over that shelf, the, even the little bumps that you would have just outside of it, just aren't even there. so I just flattened out the bumps basically. Yeah. Yeah. And then you ended up finishing like in 14th place or something like that. Huh? You said 14, but and then what kind of what kind of foil were you on and board and foil? I'm just curious. Yeah, I was on a, just some prototype, a foil board we're working on. And a same thing with the front wing. It's about an 800 square centimeter size, but all the rest of the stuff is production stuff. I was using the mast and fuselage and all that. Like how long of a mass we're using on a standard flow board. I've been actually liking the shorter stuff. I've been using a 75 centimeter mast. Maybe when the conditions get really crazy, it can be nice to ride. A bit longer, so you have a bit more forgiveness just in that trimming and that height. But otherwise, yeah, the 75 is really nice. It feels like you have really good control and that's honestly one of my favorite parts about the whole duotone setup is how stiff it is. So you really feel like you have really good control the entire time when you're riding. Yeah. And then for stand up foiling, it seems like with the shorter mass, it's a little bit easier to pump up on foil too, right? And then you also have less drag from the mass, right? The shorter it is, the less drag is in the water. Cause when you're getting going, that whole mass is just sitting down in the water. So any length you're adding on is just. Pure drag when you're getting going. So that's probably a big reason. But it just helps with being a little bit more comfortable and having more control and more margin of error when you're, especially on wing foiling, I like to, I have a one or three mass and it just gives you that a little bit of extra time to react to, to like getting too high or whatever yeah, but cause when you're on a shorter mass, you really have to follow the contours of the water. Like you always have to go up and down. over every little bump versus the longer mass. Sometimes you can fly over the smaller chop without making too many adjustments, yeah, exactly. Interesting though. I like how, I think it is a little bit different in wing foiling than in standup foiling, like the, or downwind foiling, what size mast you're using. Totally. With the wing, it's nice to have that length. So you can just like, because you don't want to have to worry about going up and down. You just want to cut straight through everything. And then for downwind. Like that control you get from the shorter mass is definitely worth it. So even if you have to change your angle a bit, it's, I think it's nice. Yeah. So when you, when Jeffrey, when you wingfo, do you use the same size mass or do you use a different, or do you wingfo race at all? Or yeah, absolutely. I would use the same setup and was on, if I was doing. Yeah, interesting. Right on. And then the next day was the Molokai Holokai, and I guess only you stayed stuck around on Molokai Jeffrey. And then, yeah, so how did that next day go, the race, just on the Molokai coast? Yeah, it was great. Our our friends had a place for me to stay. So it was really easy for me over there. And it was great. There was tons of the people that live over there that were into doing the canoe race and everything. And the conditions I think were actually, yeah, it was a little lighter. And I think the the whole race was super interesting. Like we paddled way out to the Camelot buoy and which is just offshore near the the start of the run down the coast. And then we, yeah, basically started pumped up the bumps were really slow, which was, it was like kind of work to keep it going, but it was very like, they're just lined up and even it was hard to really gain a bunch of grounds. And when I started the race, the two other people who were really fast and that was Oscar Johansson and Aiden Nichols. And we all took super different lines like. Me from the day before I was thinking, okay, no matter what, I don't want to be too far in. So I went really wide into the middle of the channel and Oscar went in the middle and then Aiden went really close. And I think just the style of the bumps kept us all like really close. We were like super spread out the whole race and then we were coming into the finish and it was crazy after the whole, I forget how long it was exactly. But after that whole time, after the 10 miles or whatever it was, we were all basically in a line next to each other, like almost on the same bump. Basically. Yeah, pretty much. Yeah. So it became like a super hard pumping race and both goes, both those guys are super, strong and super good at pumping, especially like. Oscars of machine when it comes to that stuff. So it's very much for me. I knew I really have to focus on the technical part of it and really make sure I'm like taking the best line to each bump, making sure I save as much energy as possible. But I was still pumping as hard as I could some of the times. And just before the end, luckily, I think Oscar said he made a couple. Like bump mistakes. And then I was able to just pull ahead of them by 10 seconds before the finish. And then Oscar and Aiden were, I think it was 0. 4 seconds apart across the finish, which is extremely close for a race, right? Over 10 miles. Yeah. Yeah. It's unheard of. I think it was just because the conditions out there and the type of bumps were. They were so lined up. It was so hard to actually make distance on anyone, even though like we all took completely different lines. So it really doesn't make sense that we were right next to each other at the finish. Yeah. Yeah. That's just how it went, which it was pretty fun. It was like, I, it was the hardest I worked. I think in most of the races, just because they were right next to me, I just had something to really push for and really like really focus on to that was the most I focused in, or the most I had to focus in any of the race scenarios. From the past couple of weeks. Yeah. And then that, that just, that length of that race, it's almost, yeah, it's more like you can really go all out the whole way. It's not like you have to conserve for the last part, like on the mobile or whatever. It's really tough on the longer ones to know how much energy you should use at the start. Especially for M2O, that's the scariest part, is that basically, flat water pop up at the start and just thinking okay, if I use this much energy here, how much am I going to have for the end? And so for the Molokai Holokai race, it was like much more of a sprint the whole way. So yeah, it was a full grind. But yeah, it was really fun. Yeah. So yeah, so the Molokai or Maui to Molokai race and the Molokai Holokai, that was like two weeks before the M2O race. And then I think the following weekend there was the gorge challenge in Hood River and also the paddling mua on Maui, right? Finn, which one did you do again? I went to the gorge and then Jeffrey stayed here for Paddleamua. Okay, so how did the gorge, how was the gorge challenge? It was super fun. It was decently windy, a lot lighter than it usually is in the gorge, and then they ran both the wing downwind race and the sub downwind race on the same day, but they were, luckily this year they spaced it out by three or four hours, so we had time to do that one and then go back up to the second. So which ones did you compete in? Which races? I did the wing foiling downwind and course race, and then the sub downwind race. Sub foiling, right? Okay. So how, and then, yeah. So tell us a little bit about how those races went. So the first day they did all the downwinders, so at, in around 10 in the morning, they started the wing one and it was pretty light. We were all, everybody was just on their biggest wings, pretty much. I had a 6'5 and the, everyone started super close. And then these two guys, Johnny Heineken and Joey Pasquale, who are really good kite racers or kite foil racers, and now wing foil racers, they pulled a bit ahead. And then. I was trying, I was keeping with them a lot and then just slowly falling back and then just stayed like that the whole way down and just came in third in that one, maybe 15, 20 seconds behind Johnny and first and then 10 seconds. Wow. So that was a super close race too. Then how, what distance is that? Like how long is it? I think that one's not eight or nine miles. And what was the time on that one? 24. And you're going against the river current too, right? So that, that makes it a little bit slower then. Yeah. If you, yeah. Yeah. When it was super light. Yeah. Yeah, so I guess obviously if the wind was stronger, the how it is a lot of times, then you guys would have had faster times, right? And then in terms of the foils, we're using the same one that used in the M2M or? For the wing race, I was using that same Daytona foil. Yeah, so I guess depending on the wind conditions, you just use a bigger hand wing, but not necessarily a bigger foil. Yeah, usually. Yeah. Yeah. Okay. There's also a 6'5 unit D Lab for that one. Do you know what what kind of wing Johnny Heineken was on foil? I think both him and Joey were on the Mike's Lab foils. Do you know what size by any chance? No. I think the, either the 540 or the 600. Yeah, and those are super fast foils as well. But interesting. Okay. And then how did the Paddle in Mura go? You stayed on Maui, Jeffrey, right? And then how was that? Paddle in Mura was awesome. That event is a fundraiser to support kids with special was. I think 300 people registered to do the race and they had to close registration because it was so full, which was just, yeah, it was so incredible to see the race launches from legal gulch. So having everyone down in there, like the whole. Canoe paddling community. And then all the oil community as well was like, just so incredible to see, and yeah, the race itself was really fun. The conditions were good. We had all had a nice, good start out in the wind line and went down to Kanawha and it was, yeah, pretty good race. I was feeling good. The other guys, there's some other really fast guys. I think James. Casey Andrew, I was where they got a bit ahead of me through the middle of the race. And then I was coming in next to Kai. And then I did the same thing that I did in a M2M where my wingtip came out and I fell and I had to grind back up to get up. And then Oscar came in and passed me just before the finish. And then I was able to like, run past him on the beach to the end. Cause it was like this crazy beach run finish, but it was a super fun race. And also I will mention Edo ended up like just coming out just to be part of it. He wasn't even able to get in just because it was so full, but he was faster than anyone, which was pretty cool to see. Oh, so Edo actually won the race, but he wasn't officially registered kind of thing. Interesting. That was pretty cool. And then, those guys are the ones who've finished in the front on the M2O race as well. Yeah. So that's interesting. But yeah, so let's talk about that. The big one, the paddle board world championships, the Molokai Toahu race that one you guys both did. And so how did that go for you guys? That was good. I think it went very well for me. Yeah, it was super fun. Except for one thing. Yeah, we had good wind and then pretty good bumps the whole way, but it was a bummer for me. A couple days before I started getting this weird pain in my heel and was having a hard time walking. And then the day or two before the race, it just, this weird spot started coming in. And then up until the morning of the race, it just kept growing until a big blister on my heel. And I still just couldn't really put any weight on it. And then did the race. Luckily I had footstraps on my board, so I was able to. Kind of not put much pressure on it and use my toes on my foot a bit more. And then when I got to the finish, I just had to go to the doctor and they like drained it all out and then had to cut all the skin away. And yeah, I saw you briefly at the finish and you were limping and I was like, what's going on? And you showed me, and it's it was almost like a tennis ball size blister on your heel. It was huge, ugly looking too. It's yeah, the night before we were looking at it, wondering should we try and drain it and bandage up now or we ended up just yeah, I talked to Scott Trudeau, and who's Kai's, Scott Sanchez, sorry, who's Kai Lenny's trainer and he just said that I should probably wait to drain it because I don't want getting infected, which was good advice because I think if we had tried to pop it, it might not have been able to race. And then, but luckily made it and then just had to go to the doctor right after. Yeah. And then they basically just cut off all the skin and just cleaned up the infection kind of thing, or did they, do they know what kind of infection or what would happen? No, not really. I think it just, I got like a weird bruise inside and then it was bleeding a little maybe, and then got infected. So are you still healing up from that? Or is that all done now? Yeah, still healing, I think. Still on crutches right now trying not to put much weight on it. And then I think it's maybe another couple weeks before I can do stuff again. And you're taking like some, you probably had to go through some heavy antibiotics and stuff? I had to go through a week after. Yeah. And yeah, wow. But yeah, it was the first time they had the wing flow division at the at the Molokai Molokai Tuawa race. So I always get those mixed up, but anyway so it's cool that you were able to win that one. And it was a really good battle with Bobo and then Aiden Nicholas. Yeah. Most of the whole way, I think. Did you see them? Did you see them going across? Or I know that you guys were all pretty close, but yeah how was that? Yeah, we all started really close and we're pretty much on the same line, all in a pretty tight pack going towards Molokai. And then once the wind got a bit lighter, I think I had a bit more power in my wing and I was able to just drop a bit below them further downwind and pull ahead. And then. Once we got a lot closer to Oahu and further up the coast and we had to start weaving downwind, then I think I really pulled ahead a lot just because I had more power and was able to ride the bumps a bit more when it got really light. And then I think. But before that we were all super close. Yeah, and that's something to mention too that I mean I guess at the start the wind was actually pretty decent but then in the middle of the channel it got really light in some spots and then and it didn't really get seemed like it maybe got a little bit windier again towards the end towards Oahu, but And then once you got around the corner, then it was light again, right? Did you get any lulls coming in towards the finish or? I think I came about as close to coming down as I could have, and then just got another puff of wind, as I was about to come down and kept going, but it was, yeah, it was close coming around the point where there's this big dead zone of wind before you got the wind coming from Hawaii. And then I guess Bobo is a natural goofy footer, which is helps in the Molokai race because you're going in that stance most of the way. So for you, do you feel like you can go faster in your regular stance than in your in when you switch feet in the goofy foot stance or how do you, it's pretty similar right now. And then I will, I need to spend more time going goofy though, cause I think it would be faster, but. With my foot to that race I, it was like, he was my back foot. So I didn't have to put as much weight on it. I had to use that as my front foot. It would have felt a lot worse, but yeah, both, both Bobo and Aiden were goofy footed. So on the. The kind of first reach over to a Wahoo, I think it was a lot more comfortable for them. And then Aiden is from New Zealand, right? And he's on a, he was on the Armstrong foil, right? Yeah. What kind of foil he was on or what size and I think he just had a prototype one. He said it was around 470. Oh, so even smaller than yours, huh? A fair bit smaller than ours, which I think it helped him when it was windier. And then when the wind got lighter, he was just having a hard time going as downwind. So that's another thing to to mention too, like basically on a really small foil. Yeah. Like sometimes you can't get the same downwind angle because yeah, it starts dropping off foil. So you need a little bit more pressure in your wing. Yeah. So it's always like a gamble a little bit. If you are too small. It helps going faster, but then you're also taking a risk at when the wind gets lighter. So yeah, for sure. Cause that's what happened was at the start he was super fast and actually pulling ahead a bit when it was windier. And then once he got lighter, I caught up a lot to him and then was just able to go more downwind and the same speed towards the finish, just put a big gap on him because it was really light. And I was able to go more downwind. And then what handling were you on? It was the duotone. I was on the duotone unit D lab six meter, which I think I would've preferred to have a six five, but it's so hard to tell what the wind is doing. Apart from, do you mind sharing what your weight, your body weight? I think like one 40 to one 45. Okay. So yeah, so six meters, pretty big for you, for your body weight. And what about your board size? What's, what were the dimensions of the board you were using? Four, four, 35 liter sky free board or sky. It's a pretty small board, like basically a sink sinker, right? So it's nice for the weighing down one to just use something that. Cause you're using such a big wing. You don't really need a ton of board to get you going. And then you want something that once you're up is just really out of the way, so you're not catching it on other bumps. And there's a lot of moments there. I feel like they make it a lot easier to control the foil at high speeds. And then, yeah, you're not really too worried about it catching. And you didn't fall at all during the whole way across or did you have any, right at the start, maybe a minute or two in, I was. I think I just hit a weird warble and then the nose started going down and I tried to put weight on my back foot and put it right on my heel where it really hurt and then just. Stuff that knows I've been flying and then luckily God pretty fast, like 10, 15 seconds and was going again. Oh, good. Yeah. That's I always like to use a little bit longer and board higher volume board for racing, because yeah if you do fall or come off and it's light, then it just makes it so much easier to get back on foil for like course racing and then if the wind's lighter, that's definitely the way to go. Cause then it's the worst when you're just stuck down in the water and everyone's passing you and. Yeah, I can't get going again now. All right. Jeffrey, talk about your experience at the Mali to Molokaris. I heard from A lot of stand up foilers that the start was tough. And then all the wing full escort boats went across or, made wakes and chop and world up the water and stuff like that. So yeah, talk a little bit about how the start was and then, yeah, how the whole channel crossing went for you. Totally. Yeah. The start of the race is always difficult since you start just below the island. Time to. Generate as big as they'll be in the middle of the channel yet. And the wind at your back definitely helps. It's, it makes it like much easier than a completely flat water pop up. But the hardest part is you're able to grind up and get going. And that's something I practice a lot, especially like in flat water stuff, but just staying up for that time until you actually get into the bumps that you're able to relax and regain some energy is definitely the difficult part. So my focus on the start was just getting up, getting going and then keeping my heart rate as low as possible and trying to ride as efficiently as possible to not. Burn so much energy. So about how long did it take the pumping in the beginning where you just couldn't even rest at all, like until you reach some bumps where you could just take a little breather, you can take like tiny rest. Cause there was like a little bit of motion, especially like with all the boats going around. Some of it was bad. Some of it, you had to pump through, but then some of it, you could use to, to ride a little bit, I ended up. On the south side of the line at the start. So the boats actually cut across me really quickly, which was bad because it was right at the start and I hadn't gotten on a glide yet. But then I got to the other side of this boat wake and got a tiny bit of rest, which actually might've helped me a little bit. It didn't last very long. It was probably a few minutes before any good rest and then several more until you were like. You could actually ride a bump for a bit. Yeah. Yeah. But my friend Eli was saying he had a couple times where boats went like right in front of him and I think that's something that they need to educate the escort captains on that when we just can't go through a boat wake when it's all turned up. It's not, we just, the foil doesn't work in that, yeah, it makes it super difficult to divide when those currents are moving in the water off the prop. Yeah, it's definitely tough. I'm sure next year we'll have it all figured out, because... It's tough starting the wing and the sub at the exact same time as well. Yeah, there's... Yeah. I guess there's talk of doing the foiling on a different day than the paddling. What do you think of that? Do you think that would be a good way to do it? Yeah, I think that could be awesome. And I'm sure even if they do that, there'll be separate starts for the wing and foil, or maybe the boats will start further out for the wing since they have to like... If they let, if the wingboats let the going to catch up with how fast the wings are going, especially like this year was pretty light winds and which is easier for the boats to drive in and makes the rider slower. But if it's strong, it's going to be even more difficult. So I think I think a separate day in general could be awesome. It would. I think give them more customizability for the race course and just start further on the wind. And then there's maybe talk of finishing down at like Waikiki area. So you have bumps all the way to the finish. And then it's still a cool, like finishing the run that all the guys do over there. And I think it could be nice for like their Just managing everyone in the water. It won't be so many people on one day which is always good for safety as well. Yeah. And then, we were talking about do we really, does every foiler really need an escort boat? Cause it's not like you have to switch out hydration packs or whatever. It's, usually. You don't have that much interaction with your boat. It's for safety, but everyone also had the satellite tracker and whatever. So if they had enough safety boats, maybe not every foiler needs to have their own escort boat. I feel like that's overkill. What do you think about that? I don't think any of the foilers or especially the ones that were going fast had any interaction at all with their boats unless something went wrong, like you said. And I heard that a couple of spoilers, the boats didn't even find them, like they basically went across the whole channel without their escort boat. Oh man. Yeah, I think there were a couple of guys that they didn't find them until they were coming in at the finish. That's crazy. It's tough with so many people out there. Yeah. Yeah. And then you said you... Yeah, pretty good positioning at the end, like you were like around fifth place or something like that coming towards the China walls, Portlock, and then what happened like that. That last part is always so challenging. So how did that go for you? Yeah, I was coming in and I was like, I'd saved enough energy coming into the end that I'm like, okay, I want to save a good amount for the finish here because you always know how tough it is, especially when the swell is small, you're just going to have to pump quite a bit. And I tried coming in. I ended up just on the back of a swell along the wall where the wave breaks. I'm like, okay, I'm not going to make it over this thing. I should just try and pull off, catch another wave. And then when I tried to pull off on the one behind me, it just wasn't breaking. So I ended up going over to the other boil next to it and did catch a wave. And then, but it was too big and I fell on it. And just, yeah, just messed around, wasted tons of time doing it. Was it, sorry, this was at China Walls or further down? China Walls, okay. Yeah, right after I finished, me and my mom and dad went back out on our boat and then was just watching him come in. And, oh, it was such a bummer because he was doing so well and like up with, like up ahead of Kai and Mateo, I think. Mateo was like next to me coming in. Yeah, I think he was running like fourth or fifth. Was just in between two waves coming around, like right at China wall and then came down and then there, there just weren't many ways to catch. So it was, yeah, it was a moment. Yeah. There wasn't that much energy. There wasn't many waves coming through that day. And then and then where did you just paddle straight towards the finish from there? Or what was your strategy after that? Were you trying to catch another bump or were you prone paddling the whole way? Or what, how did it go after that? I decided to wait and catch a bump just because I, there was enough swell that I figured something would come and I did get, I got one first one and then just couldn't hold on to it when I first caught it. And that would have been like good. I wouldn't have lost that much time if I got on that one, but then I had to wait for another one, got on that. And I think it might have actually been faster if I just paddled in, but. I guess I saved a little bit of energy and then I ended up catching another wave at the next reef inside and pumping as far as I could on that. And then, yeah, just paddling all the way in. Yeah. And then just prone paddling or did you paddle on standing up or both? I prone paddled most of the way. I know a bunch of people were actually like doing the knee paddle thing which might've been faster, but I don't know if it was. For me personally, I felt like I could grind pretty well laying down. And then once I got close to the finish where it wasn't as windy, I stood up and paddled in. Yeah, because standing up or kneeling also has more you have more surface area and it's a really strong offshore wind there. So yeah, it's but yeah, it's funny how that the last part is a little bit anticlimactic where it turns into a paddle race, right? But yeah, it's definitely challenging. A lot. Yeah, a lot can change in that last, not even a mile, really, I think even for first place, I think Oscar was actually the first one to the point. And then James was a little behind and even came down, but luckily got back up on a wave just at China wall and then was able to pump like the connection was really good. And he was he's really good at pumping as well. So he's able to like pump further in. Yeah. Yeah. Actually, I think he caught a wave further in. He like, he pumped out to like pillars. Yeah, and then caught a wave there and then was able to connect it all the way over the reef and into the channel. So that's how you want it. So yeah. Cool. Yeah. So that so that was a bunch of exciting races and in a couple of weeks. Yeah. And what's next? Are did you guys know we're doing a wing full race here on Oahu on August 26th? That's like the, we're calling it the Hawaii wing full state championship. So I don't know if you guys can come to that, but that would be. Another somewhere else plan, but if not, yeah, we're certainly considering it because that could be super fun. You should come over for that Yeah, that'd be cool to have you guys But any do you have any other races planned or doing other competition stuff currently? I think you were considering going. Yeah, there's a kind of wing wave event in Morocco that I think I'm gonna go do and then Yeah, after that, not much. Yeah, otherwise we're considering other downwind races if they happen, but yeah, we'll see what comes. Yeah, right on. When is that race in, or the wave event in Morocco, when is that? I think it's end of September. Okay. So if you could design your own competition what would you include? Would it be like racing and freestyle or wave riding or yeah. What would, or does it, would it combine different? Like standup foiling and wing foiling, or what would you like what would be like your ideal race? If you could pick and choose. Everything would be pretty fun. Definitely a downwind subfoil section and then maybe downwind wing and then maybe some surf foiling and wing freestyle wing and waves. Just everything would be super cool. So like almost like four different division four different competitions and then have a combined score for every, everything. That would be cool. Yeah. Thanks. I'd be crazy. Yeah, that'd be super fun. Yeah. Okay. Yeah. We're thinking about maybe trying to put something like that together for Oahu. Yeah. So let's talk a little bit more about, about your equipment. So after you, after your sponsorship with Slingshot Energy you're both writing for Duotone Fanatic now, or yeah. So how did that come about and how's that going? We were just talking to those guys and it. It ended up working out really well because their design team is based on MAUI, which makes it really easy for us to work with them for testing and designing and everything like that. It's really nice to be able to like, meet with people and actually go and ride together sky Solbeck, who's done a lot of the wing boards, and then Ken Winter, who does all the wings, pretty much. They live super close to us, so it makes it really easy. And yeah, it's been awesome working with them on everything. Yeah. And I interviewed Ken and Alan Cadiz and I guess they, they go together on like upwind and downwind to test the wings and see which wing is faster going upwind, which wing is faster going downwind and things like that. Do you guys go out with them too, or do you, are you part of that kind of the testing crew for the wings? Absolutely. We do a bit of that with them. And then I think a lot of reason why we came in was to test the wings for kind of freestyle and jumping too. Because I guess they don't do that a lot. Yeah. Yeah, they don't like I know I don't get this doesn't jump at all that's and I think that's pretty smart because yeah for me too like I like to jump but it seems like I always get hurt when I jump that's how I end up getting hurt so I try to avoid it too lately but Yeah. So what have you guys had any serious injuries? I would, I guess that the infection doesn't really count as a foiling injury, but like what kind of injuries have you had from foiling or water sports? I've had a couple pretty bad, like knee injuries. One a couple of years ago, we were towing and then. I like fell with one of my feet in the straps and got a little rolled and just twisted my knee super weird. I think I'm, I think I strained my MCL. So that was, I was out of the water for two or three months. And then another time, I think it was the first time I was trying front flips winging. I just landed one super weird and tweaked my knee again. And then was out the water for another couple months after that. So actually the front flip the forward loop. If we can't, let's is there like a good video that you can maybe talk about that a little bit? Jeffrey will have a lot more video. I think you posted the one where you hurt yourself. Oh, yeah, I think yeah, it shouldn't be too far down. Maybe Pass this a little further Did you post it? Yeah. Okay. I think yeah the one in the center at the bottom. No, yeah this one Oh, yeah, that's the one I heard myself on. Okay first time trying. Oh, that was your first attempt Yeah. Oh, yeah. It looks like a kind of a rough landing. So what happened, your knees got discontinued, got tweaked forward or something like that? My front knee, I think I just jammed it super hard into the board and then just tweaked it weird. Okay. So that's what, that's, yeah, I guess for somebody trying it, they don't want to visualize it where you hurt yourself, right? So let's I. Okay. So do you have a one that you can, is this a forward loop? I think you should go to Jeffrey's page. He's got a lot. Yeah, tell us which one was a good video that you, where you can talk about the doing. Probably. Yeah. A little up. Oh, wait. Yeah. Back a little. The one at the bottom of the center. That one's actually, yeah, that one's good. This one? Yep. I think the one before might be the first one I posted. Okay. And it was, I don't think like when I was doing this one, I don't think anyone was doing it this style. Like a lot of guys we're doing very like forward loop style ones which were good, but that's when you get like those super hard landings, which can be really tough on the knees and on it. Like when I was first trying this, I didn't actually like. The rotation is much harder for landing than the backflip, because when you come around the backflip, the board's moving forward, so it's very easy to plane out and get right back on foil. But with the forward, you really have to like, slow yourself down in the air so you have a soft landing. So I was pretty happy when this kind of all worked and it all made sense. I actually to learn this one, I wasn't completely blind. Wyatt Miller, who's this really good wind surfer was doing basically forwards on a wing. And I like watched his videos and saw his body movement and saw what like I could adjust a little bit. And yeah, then it all worked out, which was nice. Did you guys ever windsurf? Or before, before starting wing foiling? I can, but I Not a single Not like a single jump windsurfing Is that like how you tuck in on this one it looks A lot like windsurfing like a forward forward loop and wing foiling Like that tucked in Yeah, totally. I'd say the biggest difference is I'm looking like under my right shoulder instead of back up and over it. But they're very similar for sure. Yeah. So yeah. So give us some pointers on or is there another video we can play here? Yeah, near the top there should be some good ones. Okay. Let's look further up. At the very top, I've been posting lots of downward stuff. That one on the right, right there. Yeah. Perfect. Okay. So there's, oh yeah, that's a high one. Oh, over rotated. Yeah. So talk, give us some pointers on how to do this move. Totally. Yeah. So the biggest thing I look for is a decent gust. And that's like for the day you want to make sure when you're in the air, you're not going to hit a hole in the wind and lose power. Cause that's The sketchiest thing and the sketchiest thing is like committing to that forward rotation, right? So as long as you get up and have the power I find it's very consistent to get around. And yeah, once you get over, it's not it doesn't feel dangerous anymore. Like you can land on your stomach or back even, but the foil under you or to the side of you and it's fine. So yeah, I go, I focus on finding a decent gust. Try and get a good amount of height. It's the same as the backflip, where if you give yourself a little more time to come around, you're generally going to have it's generally going to be easier to actually make it. And then the biggest thing is I, so I jumped, get in the air, like a, just a big straighter. But then as I'm coming up, I tuck my legs up under me and keep the board pretty like flat. And then I wouldn't say flat, but like foil facing down. And then once you're at the apex, it's really all about pointing the nose of the wing, just straight down and holding your whole body, like compact and together and strong and then obviously coming out of it, once you feel like you're halfway through the rotation, then you start to extend your legs, trying to reach out and feel for the water on your landing because with front flips you're blind when you're coming in. Like you don't have the, when you're doing a back flip, you can. Look up and you actually get to see how far you are from the water when you're coming into touch. But on front flips, it's like mostly all about feel. So the more you can reach your legs out and feel that water, the like easier time you're going to have. Absorbing the impact of the landing. So I guess, yeah, like for tricks in general it's always good to use like the smallest wing possible handling possible, right? It seems having a smaller wing but at the, it's obviously you don't want to be overpowered and stuff, but you're saying like, yeah, use it basically use a small wing, wait for a good gust. And then. But yeah, I guess this is saying it's you don't want to be like probably overpowered with a wing that's going to be too big or whatever. And yeah, yeah, the bigger wings just make it more like you more technical, I'd say, like your technique has to be a little more on point because otherwise it'll pull you or throw you in a weird direction that you weren't expecting. And with the smaller wings, you just get a bit more of that control which definitely makes it easier to learn. Okay. Cool. Yeah, and then I guess, and also you don't really have that issue where you get back winded, like in the back loop, like if you get the wing in the wrong position, it's not like you're going to get back winded or whatever, but what are some of the potential mistakes or things to avoid when you're doing it? Yeah. It's a funny thing. Cause a lot of. A lot of people that do front flips are they do end up shutting the power off and going much more like over the front and then you can have points where it can potentially backwing but I like to try and keep the power in it just so I don't have that problem. But yeah, the definite, what are the things that I'd say people struggle with the most? I think a big thing is just keeping your legs really connected to your upper body because a lot of times, especially when I was learning them, I would go with the wing and then just leave my legs and the board a bit behind and then just get stretched out during the rotation. Yeah, it's really easy to leave the board and foil behind because there's quite a bit of even though the stuff is super high performance and super lightweight, there still is like volume and weight with everything that's on your feet there. So being like focusing on, you get that jump and you're focusing on the height, really just sucking your feet into your or just your knees up and your knees to your chest basically. And it's not even that much. It's just enough so that you have a good connection. Finn was saying and accusing it all tucked in a little bit, keeping your legs close to your body. The other thing I do is same with backflips. I make sure to not turn too much up into the wind when I'm doing it. And I think that very, like that allows me to keep the power in the wing a lot easier. And it really makes it so that when you're up in the air and you go to point the wing down, that it really like. throws you around and gives you that rotation because it's easy to come up and Force yourself over, but it doesn't throw you around the same way that it does when you're able to turn off the wind a little bit and really open up that wing to the wind and have it throw you around. Yeah, but it seems like also like you always pop up and try to get some height before you throw yourself forward, right? Like you don't want to just instantly throw yourself forward as soon as you come off the water, right? Totally. Especially for front flips, it's a lot easier to get a high jump than for back flips. Because of the way you're holding the wing and the rotation of it. So I always like focus, I jump and then pause for a second and think okay, I want to keep going up here. And then when I feel that I'm high enough for the rotation, then I'll commit to the point in the window and talking and going for it. Yeah. So how about some tips for landing? Not just and when you're doing flips, but just in general, what's, what are some tips for make sticking a landing and making the landing. Totally. Yeah. And in general, foiling is actually really nice for landing because you get. Yeah, the front wing and tail wing extended off that mass. So you get like a nice kind of cushion when you're coming in, as opposed to just straight windsurfing, you land so much harder without the foil. Breaking your fall on the water for basically any foil trick. The most important thing is to reach out as you're coming in and you don't want to reach out to the point where you're overextending your knees because then you could hurt them in another way, but you want to reach out enough just so you get elongated when you're coming in. And then as soon as you feel that water coming up, then you want to start compressing and compress as much as you can coming in, using the wing to support your weight as much as pos

Today, Dave is joined by legendary video game pioneer Henk Rogers. Best known for bringing Tetris to the world, Henk shares his inspiring journey from gaming icon to renewable energy crusader. Join us as Henk shares how he's pursuing this goal through bold ventures like Blue Planet Energy and advocating for sustainability initiatives across the globe. Henk also provides visionary perspectives on tackling climate change, the future of renewable energy, and how we can accelerate the transition away from fossil fuels. 

Josh Smith and Dustin Shoe sit down with the creative team behind the @DukeMBB social media empire: Senior Assistant Director of Creative Video, Nolan Elingburg; Associate Director of Player Branding, Nicholas Colosimo; and Creative Director, David Bradley. They talk about the evolution Duke's social media network, from its early days of Top 5 videos to its current iterations spanning everything from Tiktok to long-form player profiles. Other topics discussed include: How Duke's social media presence differs from other schools The need to balance player branding with the Duke brand Gearing videos towards specific audiences versus chasing engagement Using analytics to stay aware of trends Helping players to find their unique social media voice The development of The Brotherhood podcast The Brotherhood as more than a branding exercise The importance of adaptability in an uncertain college basketball landscape Conference realignment and the future of the sport To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today we're talking with Dr. Alex Brylske a veteran dive industry professional, coral reef biologist and retired professor at the College of the Florida Keys.  We discuss his book, ‘Beneath The Blue Planet' that provides an in-depth dive into all things ocean.    We'll also get his unique perspective on the changing nature of both our endangered Ocean and the role the dive industry can and must play in protecting it.  Plus we'll find out what his coral students have to say that most excites him.  Rising Tide, the Ocean Podcast is co-hosted by Blue Frontier's David Helvarg and the Inland Ocean Coalition's Vicki Nichols-Goldstein. This podcast aims to give you information, inspiration and motivation (along with a few laughs) to help understand our ocean world and make it better. The ocean is rising, and so are we!Learn more at bluefront.org

Doug Allan was lead cameraman on The Blue Planet, Planet Earth, Life, Human Planet, Frozen Planet, Expedition Iceberg and Forces of Nature and is responsible for some of the most famous wildlife footage ever filmed, including the extraordinary sequence of killer whales creating waves to wash seals off ice floes in Antarctica. Doug has won eight Emmys and four BAFTAs and in 2017 he won an outstanding contribution award at the British Academy Scotland Awards. In 2011 he filmed and was a presenter for the BBC series Ocean Giants about whales worldwide and In 2012 he was one of the presenters on Operation Iceberg, as well as filming many of the sequences in this award winning series. Doug appeared on BBC Radio 4's Desert Island Discs in 2014 and The Museum of Curiosity in 2019 .Doug Allan is guest number 314 on My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Tickets for Doug Allan's tour are available here - dougallan.com .Follow Doug Allan on Twitter @DougAllanCamera .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. Get this podcast ad-free by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

The Edinburgh Fringe kicks off this week! Adam is checking out the vibe at the Festival with comedians John Robins and Rosie Holt. Oceans reached their hottest ever recorded temperatures this week. BBC's former climate analyst Roger Harrabin and Blue Planet cameraman Doug Allan join Adam to discuss the findings and share what they've seen when working around the world's oceans. And… What do you call your TV remote? This week's debate between Newscasters rumbles on. You can join our Newscast online community here: https://tinyurl.com/newscastcommunityhere Today's Newscast was hosted by Adam Fleming. It was made by Fiona Leach with Miranda Slade and Rufus Gray. The technical producer was Rohan Madison. The editor is Sam Bonham.

From Farm to Fork: Exploring the Environmental Impact of Animal Products This episode is brought to you by Beach Read Bundle. Buy The Fiddler's Talisman and get the sequel, The Piano's Key for 50% off. The episode is also brought to you by my favorite productivity and well-being app, Brain.fm*, and this podcast's host, Podbean*. Follow the podcast on Instagram or TikTok and check out our shop for merch, music, and musings. Stay until the end and get a super cool and easy-to-do mindfulness skill builder, so you can reduce stress, regulate your emotional response, and improve your cognitive reasoning abilities. It's all part of the mindfulness and meditation in just five minutes a day series. If you want to reduce stress, try this exercise and stay tuned for the upcoming class. In this thought-provoking episode of "Creative Solutions: A Vegan Life Solutions Episode," we peel back the layers of the environmental impact of animal agriculture and dive into the astounding carbon footprint it leaves behind. Join us as we uncover the hidden costs of every bite of meat and sip of dairy, and explore the transformative power of embracing a vegan lifestyle. Get ready to be inspired and empowered to make a positive change for our planet. Episode Highlights: The shocking truth about the carbon footprint of livestock farming and its contribution to global greenhouse gas emissions. Unraveling the intricate connections between animal agriculture and climate change. Exploring the hidden environmental costs of meat and dairy production, from methane released by livestock to deforestation for grazing and feed crops. The symphony of greenhouse gas emissions: understanding the role of carbon dioxide, methane, and nitrous oxide in driving climate change. Empowering individuals to make sustainable choices and create a brighter future through veganism. Join the movement: Subscribe to "Creative Solutions: A Vegan Life Solutions Episode" and be part of the solution. Gain valuable insights, practical tips, and inspiring stories to fuel your journey towards a more sustainable and compassionate lifestyle. Together, let's create a harmonious world where our choices make a positive impact. Subscribe to the show! Remember to share this episode with your friends, family, and anyone passionate about making a difference. Together, we can amplify our efforts and create a wave of change that benefits our environment and future generations. Stay tuned for more exciting episodes where we explore the creative solutions that veganism offers to address the pressing issues of our time. Connect with me Book a Discovery Call Answering a Question? I'd love to hear from you! Leave Me A Voicemail (and yours might get picked to be in an episode) This episode is brought to you by my book, Speak From Within. Review what's inside and purchase at https://IzoldaT.com/speak-book. This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset .* URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!** An Ingenious Idea! You can now show your support with Creative Solutions Podcast Merch! Grab the Creative Solutions logo on a bottle, hat, phone case, button, and more. Support the show on Patreon. Support the show. Buy me a coffee. Social Media LinkedIn: https://www.linkedin.com/in/izoldat/ Website: IzoldaT.com Author Website: https://izoldatauthor.com/ Facebook author page: https://www.facebook.com/IzoldaST Instagram: https://www.instagram.com/izoldat/ TikTok: https://www.tiktok.com/@izoldat Twitter: https://twitter.com/Izoldat Listen on These Channels Apple Podcasts | Spotify | Stitcher | Google Podcasts | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic | I'm thrilled that you're tuning in to the Innovative Mindset. Get in touch if you have questions or comments. *Affiliate link. If you purchase it through the above links and take the 20% off, I'll get a small commission.  

Disney's live-action adaptation of THE LITTLE MERMAID is a beautiful retelling of the beloved animated film. It's filled with the characters and songs you love while keeping it fresh and modern. Director of photography Deon Beebe ACS ASC shares how they used incredible rigs to pull off the spectaular underwater scenes. Deon and Go Creative Show host, Ben Consoli, discuss the inspriation from BBC's BLUE PLANET series, using different lens types above and below the water, cinematography tricks used when Ariel can't speak, why the Italian coast was perfect to portray the Caribbean, and so much more. Subscribe Now! What you will learn in this episode   Bringing the animated film to life (03:26) Being inspired by BBC's BLUE PLANET (08:15) Filming the underwater world (11:30) Putting actors in rigs to simulate swimming (18:18) Using different lenses for above and below water (25:57) Why THE LITTLE MERMAID is so dark (28:11) Turning an Italian beach into the Caribbean (32:26) Why the underwater scenes were so difficult (40:33) Filming the shipwreck scenes (42:37) Cinematography tricks used when Ariel can't speak (46:01) Filming Under The Sea musical number (52:36) Dion's thoughts on the visual effects (54:27) And more!   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links THE LITTLE MERMAID (2023) trailer THE LITTLE MERMAID on IMDb Follow Our Guest Dion Beebe's Instagram Dion Beebe's IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Connor Crosby (producer) Ignition Visuals' website

Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l'Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children's book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water."When I was writing On Time and Water somebody said this is not just one book. This is about your grandmother, about glaciers. You have to focus. You can't have this mythology and glacial and ocean sites, speculations about words like ocean acidification, and your grandfather's sister who is visiting Tolstoy. You have to focus. You can't put all this into a book. And then I thought, oh yes, I forgot my favorite uncle, who was the researcher of crocodiles. I also have to put him into the book. And when I put the crocodile's story into the book, it was like a keystone. Everything fell into a whole picture.Because we live in democratic societies and literature is an art of entertainment. People want to continue reading books, and it's based on instant ways of storytelling. Of course, it's strange to live in a society where we have to entertain ourselves to understand the most important issue in the world."www.andrimagnason.comwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"When I was writing On Time and Water somebody said this is not just one book. This is about your grandmother, about glaciers. You have to focus. You can't have this mythology and glacial and ocean sites, speculations about words like ocean acidification, and your grandfather's sister who is visiting Tolstoy. You have to focus. You can't put all this into a book. And then I thought, oh yes, I forgot my favorite uncle, who was the researcher of crocodiles. I also have to put him into the book. And when I put the crocodile's story into the book, it was like a keystone. Everything fell into a whole picture.Because we live in democratic societies and literature is an art of entertainment. People want to continue reading books, and it's based on instant ways of storytelling. Of course, it's strange to live in a society where we have to entertain ourselves to understand the most important issue in the world."Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l'Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children's book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water.www.andrimagnason.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"In On Time and Water, I was invited to interview the Dalai Lama twice. I was thinking, what do you ask a person that has been reincarnated 14 times? I also interviewed lots of scientists, and sometimes the gurus are more rational than scientists, and they talk about climate solutions. And I seek wisdom from my grandparents, and simple friendship and stories. They were both 98 years old, and I would ask them: 'Is 100 years a long time or a short time?' And they would tell me it's a very short time.And this climate scientist encouraged me to write and said, 'People don't understand data, but they understand stories.' And it's a very strong belief that the artist does have a role in our society. Sometimes he's an entertainer. Sometimes he's just documenting, but sometimes you maybe have a role in a very fundamental shift in our history. I think I could not be a writer here and now in history and not make some effort to address this issue."Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l'Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children's book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water.www.andrimagnason.comwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l'Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children's book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water."In On Time and Water, I was invited to interview the Dalai Lama twice. I was thinking, what do you ask a person that has been reincarnated 14 times? I also interviewed lots of scientists, and sometimes the gurus are more rational than scientists, and they talk about climate solutions. And I seek wisdom from my grandparents, and simple friendship and stories. They were both 98 years old, and I would ask them: 'Is 100 years a long time or a short time?' And they would tell me it's a very short time.And this climate scientist encouraged me to write and said, 'People don't understand data, but they understand stories.' And it's a very strong belief that the artist does have a role in our society. Sometimes he's an entertainer. Sometimes he's just documenting, but sometimes you maybe have a role in a very fundamental shift in our history. I think I could not be a writer here and now in history and not make some effort to address this issue."www.andrimagnason.comwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l'Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children's book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water."When I was writing On Time and Water somebody said this is not just one book. This is about your grandmother, about glaciers. You have to focus. You can't have this mythology and glacial and ocean sites, speculations about words like ocean acidification, and your grandfather's sister who is visiting Tolstoy. You have to focus. You can't put all this into a book. And then I thought, oh yes, I forgot my favorite uncle, who was the researcher of crocodiles. I also have to put him into the book. And when I put the crocodile's story into the book, it was like a keystone. Everything fell into a whole picture.Because we live in democratic societies and literature is an art of entertainment. People want to continue reading books, and it's based on instant ways of storytelling. Of course, it's strange to live in a society where we have to entertain ourselves to understand the most important issue in the world."www.andrimagnason.comwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"When I was writing On Time and Water somebody said this is not just one book. This is about your grandmother, about glaciers. You have to focus. You can't have this mythology and glacial and ocean sites, speculations about words like ocean acidification, and your grandfather's sister who is visiting Tolstoy. You have to focus. You can't put all this into a book. And then I thought, oh yes, I forgot my favorite uncle, who was the researcher of crocodiles. I also have to put him into the book. And when I put the crocodile's story into the book, it was like a keystone. Everything fell into a whole picture.Because we live in democratic societies and literature is an art of entertainment. People want to continue reading books, and it's based on instant ways of storytelling. Of course, it's strange to live in a society where we have to entertain ourselves to understand the most important issue in the world."Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l'Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children's book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water.www.andrimagnason.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast