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Throw on your sweaty headphones and tune in for this week's episode of The Drop, featuring an elevator pitch for America's hottest new airline: Weight & See. We also hear about Thomas's trip to the Bahamas and Meg's behind-the-scenes look at the Brooks HQ out in Seattle. Then there's Robbe, who was just sifting through trash in Baltimore. Finally, we cover the Adidas Adizero Prime X 3 Strung, a super trainer sporting a 50 mm stack height in the heel.SPONSORSLAGOON PILLOWSWe use Lagoon to get our best sleep and you should too. Featuring super soft covers, Certi-Pur foam and customizable features, they'll help you find the best pillow for your sleeping style. Plus, they're owned by runners. Visit them and use the discount code BELIEVE for 15% off your first order: http://lagoonsleep.com/believeLMNTYou already know that LMNT has been getting us through Summer GRIT thanks to its blend of electrolytes and 1000 mg of sodium. It's a summer running necessity, and since you're a listener of The Drop, you get an 8-count LMNT Sample Pack with any purchase: http://drinklmnt.com/thedropINDEX0:00 - Intro3:10 - Lagoon Pillows, Carpeted Bathrooms, Antenna Headphones11:42 - Meg's Seattle Trip / Brooks HQ30:13 - Thomas's Bahamas Trip46:03 - "Weight & See": The Premier Airline from BITR52:37 - Robbe's GRIT Treasure Hunting59:04 - Adidas Adizero Prime X 3 Strung1:06:28 - Summer GRIT Leaderboards
Johnny & Brent welcome back hit songwriter Eric Erdman, who has been named Songwriter of the Year and Male Vocalist of the Year at the Trop Rock Music Awards. He's behind hundreds of songs, including "Stone's Throw," recorded by breakout band The Red Clay Strays. They just finished a tour with The Rolling Stones. He's a master of blending heart, hook, and honesty. We craft 5-6 different concepts for writing a song called "Truth Is A Crime". The C.L.I.M.B. Show is dedicated to helping singers, songwriters, indie artists and industry pros "Create Leverage In The Music Business." We want you to win! About the hosts: Brent Baxter is an award-winning hit songwriter with cuts by Alan Jackson (“Monday Morning Church”), Randy Travis, Lady A, Joe Nichols, Ray Stevens, Gord Bamford and more. He helps songwriters turn pro by helping them WRITE like a pro, DO BUSINESS like a pro and CONNECT to the pros. You can find Brent at SongwritingPro.com/Baxter and SongwritingPro.com. Johnny Dwinell owns Daredevil Production and helps artists increase their streams, blow up their video views, sell more live show tickets, and get discovered by new fans, TV and music industry pros. Daredevil has worked with artists including Collin Raye, Tracy Lawrence, Ty Herndon, Ronnie McDowell and others. You can find Johnny at TheCLIMBshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The James Gunn Era of the new DCU kicks off with Superman, and Earth's Mightiest Critics have a lot to say about it!David Corenswet stars as the latest big-screen incarnation of the Man of Steel in this wacky, rebooted-but-already-established universe. Lex Luthor (Nicholas Hoult) is out to destroy Superman's public image so that he can hatch a nefarious plan involving geopolitical war. Throw in the misfit Justice Gang, Metropolis-munching Kaiju, pocket universes, Internet trolls, and a bizarre twist on Supes' origin story, and you have one of the boldest relaunches in cinema history.But "bold" doesn't necessarily mean "good". And in this week's pugnacious panel, the EMC will duke it out over whether or not Gunn has laid a promising path for future DCU films--or if Superman signals the death knell of not only a franchise, but an entire genre!Join us for a super-scrappy and spoilerific roundtable review of one of summer's most highly anticipated (and divisive) blockbusters!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksWatch the Superman (2025) trailer.ICYMI: Watch Ian's Superman 2025 Public Service Announcement, including his thoughts on the DCU moving forward!As teased in the show, Ian interviewed Rachel Brosnahan a few years ago, during her Marvelous Mrs. Maisel days. Check it out here! Looking for a real punch in the feels? Check out this montage of the 1978 Donner film, set to John Williams' Superman theme.Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".
Hey everyone, Alex here
The NFL is done with mandatory minicamps, and training camp awaits. This means every outlet out there is starting their lists! During this lull in the calendar, be sure to throw those "lists" directly into the trash. That and other news and notes surrounding the NFL, including other burning topics in the game of football. There are questions to ask around the league, and that's what happens on this episode with hosts Jeff Hartman and Coach KT Smith as they dive head-first into the topics surrounding the NFL! This podcast is a proud member of the Fans First Sports Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Breaking News: A juror who sat on Karen Read's case regarding the FBI investigation has plead guilty to leaking sealed information. The Government is asking the juror, a woman named Jessica Leslie that she only serve one day in jail. What does this mean for Karen Read and her criminal lawyers? Let's discuss!Get access to exclusive content & support the podcast by becoming a Patron today! https://patreon.com/robertaglasstruecrimereport Throw a tip in the tip jar! https://buymeacoffee.com/robertaglass Support Roberta by sending a donation via Venmo. https://venmo.com/robertaglass Become a channnel member for custom Emojis, first looks and exclusive streams here: https://youtube.com/@robertaglass/joinThank you Patrons! Therese Tunks, JC, Lizzy D, Elizabeth Drake, Texas Mimi, Barb, Deborah Shults, Debra Ratliff, Stephanie Lamberson, Maryellen Sudol, Mona, Karen Pacini, Jen Buell, Marie Horton, ER, Rosie Grace, B. Rabbit, Sally Merrick, Amanda D, Mary B, Mrs Jones, Amy Gill, Eileen, Wesley Loves Octoberfest, Erin (Kitties1993), Anna Quint, Cici Guteriez, Sandra Loves GatsbyHannna, Christy, Jen Buell, Elle Solari, Carol Cardella, Jennifer Harmon, DoxieMama65, Carol Holderman, Joan Mahon, Marcie Denton, Rosanne Aponte, Johnny Jay, Jude Barnes, JenTheRN, Victoria Devenish, Jeri Falk, Kimberly Lovelace, Penni Miller, Jil, Janet Gardner, Jayne Wallace (JaynesWhirled), Pat Brooks, Jennifer Klearman, Judy Brown, Linda Lazzaro, Suzanne Kniffin, Susan Hicks, Jeff Meadors, D Samlam, Pat Brooks, Cythnia, Bonnie Schoeneman-Dilley, Diane Larsen, Mary, Kimberly Philipson, Cat Stewart, Cindy Pochesci, Kevin Crecy, Renee Chavez, Melba Pourteau, Julie K Thomas, Mia Wallace, Stark Stuff, Kayce Taylor, Alice, Dean, GiGi5, Jennifer Crum, Dana Natale, Bewildered Beauty, Pepper, Joan Chakonas, Blythe, Pat Dell, Lorraine Reid, T.B., Melissa, Victoria Gray Bross, Toni Woodland, Danbrit, Kenny Haines and Toni Natalie.
Throw open the windows and air the place out -- after all that nonsense last week, it's time to get spruced up for that national slot. Nothing to worry about here, and anyone who says otherwise needs their mouth washed out. In fact, let's give the whole show a thorough scrubbing. In this sparkling episode, you'll meet a grandson with a housing problem, a snoop who likes it raw, a janitorial two-timer, and a very raunchy germaphobe. Josie's Lonely Hearts Club was created by Maximilian Clark and Rachel Music. The show is produced by Alexandra Grunberg and Simone Kisiel. This week's cuties included Ross Bryant, Caitlin Carleton, Ross Childs, Cali Daby, Meghan Falcone, Hal Lublin, Carla Lerner Montero, and Brendan Sokler. Learn more about your ad choices. Visit megaphone.fm/adchoices
Every time I take him in I must remember the best thing That have ever happened to him As he said And whether or not the band Wraps around the bent and broken digit I just simply remember that, I'm just infatuated as a friend I mark it like a mantra Just as adequately as the director Calls to action All the actors at the set; With no resentments We're all just doing our jobs All just doing our jobs We're all just doing our… Lessons. Come back. Not quite. It's not (Uh) There (Where you want it) Hold on. (Yeah) Sit tight (Where) I don't want to spoil any of it Boil all the letters Burning all the bridges Sitting at the forest (Where) There's the alter (Where) Really you didn't recognize The moment when it happened But it's been pinpointed (Where) —but where is it? Cut to commercial But don't let it hurt you All of a sudden. My eyes aren't his, This isn't witchcraft It's just a glitch Did you miss an interview? Or is it that you're just disinterested Or disintegrated Integration, integers and interference Running backs and runners, Gymnasts, models, other lovers Alcoholics Now it's not so daunting, comic I'm also sort of off and autistic Obsessive with narrow vision But glimpses of the ever bending present Is indeed a gift To know I left the letter Letting it get soaking wet Before they ever even read it Know the news, Wave the wand, Wind the whales, Dig the hole Burn the bridge, Burn the ace Throw the cards, Get the day over with and won't you know There's Something wrong I think it's simple to tell The wind will whistle when It's good to win again There are Ten men to a collar Ten phones to a number One call to a voicemail And all of them know her Now, take it all back before the bathwater stagnates Would you make it in this day and age? No, I'm glad that you hate me. 4,000 years later and all of a sudden The pact is clear and concise As if As it As if Turn it on its head a bit And light another candle Get the glitch out of your Obsession with the asshole And wrap you head around it Found a sweater Pick it up and pray that it just Isn't bewitched, But sickness is sickness Whatever it is This is comfort food A comfort blanket If I hate myself enough Then all it does Is put the elf back on the shelf The trophy back inside the case My eyes go back inside my head And everything I ever thought Just stopped And disappears into the heavens Wherever it goes Before the gore Around and and around and around and around 4,000 years, and now we're here: The mirrors Man and Mr. And it might be another million years Until I see to hear But this and that, The dance of dances Comes again And ebbs and flows It's not as random As it is sporadic And it's not that deep But it's also keeping secrets That precede this realm Or Space and time Or name or face And body, souls and mind. It could be another million years, But it comes around, It comes around It could be getting wider, But it's steady going down and out It comes around when it comes around 27, were it ended Now it's umpteen years into the after life And we're shadows now Just projections of such, But it wasn't once More than just a thought, Becomes a story All the world was just the thought And then a song, The dance that came along Is simply steady moving Is simple steady moving. All of the world, Was just a thought. Watch with one eye open only First the right And then the left Covered over with one closed palm So you know how old you go One foot forward And no coals to walk over Rolling rolling, Your role is One off, Now too off Now too late But what you process Is your whole world over The goal for the gold? Oh, no, Warm Sundays Try to warn her While her heart is open To fucking close it Keep your friends close And your Fallons closer. There's no trust in the golden auras There's no honor in golden globes If you don't work for them Know doors open and close And open and close And you don't blow smoke, But you just keep moving forward [The Festival Project ™ ] Just the idea if him will kill you Whether with guilt or otherwise, And now you know And now you know You're on no sugar till the goal You got your cake and ate it, too Oh, the way he cries in the confines of my mind The blood would curdle The tears that seared my soul disk through the wall with every color If his was a shoulder to cry on, If God was a cover for longing Yo. Where the fuck did Patrick come from? He just showed up. I don't think he owns me so much As I want to know I don't think I'm lonely As much as it's I'm alone What are you looking at Well, I don't know yet What are you asking? I can't. There's a mask there What I want to know is, What is this pain? What is this pain in him? What is this pain in this? What kind of psychic sense That lives in my back; I just hope that's the last of it What a weird kid. Core Concept: "Enter The Multiverse" (ETM) is a living, evolving meta-narrative that documents the ontological fluidity of reality itself. It functions as a grand experiment, proposing that all perceived realities – fictional, historical, and contemporary – exist as vibrational frequencies within an infinite cosmic tapestry. ETM doesn't just feature alternate worlds; it explores the mechanics of their existence, their interconnectedness, and the profound implications for consciousness. It blends high-concept quantum physics with ancient spiritual metaphysics. It includes creatures such as shapeshifters (like Gerald and potentially Jimmy Fallon), fairies, and monsters. Integration of Real-Life Figures: ETM famously integrates real-life celebrities (from A-list icons like Oprah Winfrey, Beyoncé, Janet Jackson, Madonna, Billie Eilish, Finneas, Eddie Murphy, Christopher Walken, Johnny Depp, Charlie Sheen, Katt Williams, and Whoopi Goldberg, to late-night hosts and media personalities like Tina Fey and Jimmy Fallon). ETM posits that these individuals, often without their conscious awareness, are either key nodal points in the multiversal fabric, accidental conduits for interdimensional energies, or even unwitting "Lightworkers" whose public personas are part of a larger cosmic script. You son of a bitch. Can you do that?! Can you do that? I can do— anything I want— Really? Except that. Oh?! And why's this?! Because I don't want to. But if you could, you would. I can— I just— Oh really. I'm sure there are reasons— besides the obvious —I'm sure— Moral ones. Almost Sam was a safe bet Almost mark John was a good lad Almost once was the Ireland's best, And I guess with the beat of the drum, I ponder Ponder to the beat of the Pity my pocket, much Pity the fool, if you're. It put b perfect; Get in the picture, Just to cut you out of it If I close my eyes one time, Even just for a little while Take me right off and away Take me right off and away And I bet with the task, you can't have handled it I bet to run better you'd forget your purpose I guess I'm a purist- pure problems, the pussy car l Put it to sleep, Or just— in a waste basket I'm so confused, ya'll, I got on the train. Of course. And nothing was at all interesting until this nigga got on With a samurai sword And a Trader Joe's clutch Pick a side! You can't get on the What the fuck am I looking at You tel me I don't know. You see that. I wish I didn't. Take it all in. I— Okay. This is gross What is the state of New York today? L Infected. Corrupt. Disingenuous. What is the state of New York today No identity No indegenous Murder me Leave me to drown In the tides of the ocean Just let me sink That's the only way to Bury me, With this murderous, traitorous Listen, if you will To a story ne'er told, But often sung And often rang like moons as bells Often thought, but never spoken Often brought up, But never put down Come around, will you I'll tell you a tale of a glorious story The take of all time, and as you listen, These words and this whispers will mend with your spirit, Then cease to exist with it Listen Celebrating resonances Has no effect. Yet I haven't even messaged any I haven't even lets a message yet I've just been celebrating resonances I haven't noticed any difference her. Only reflections on the way you get affexted How to get the guy at the bar— aunt you just lean on the bar Maybe you just sit at the bar Maybe you just be at the bar; How to get the guy at the bar Maybe you just stare at the bare Sit right there at the bare Maybe have a care at the bar Don't share at the bar Several small disaster. Why the fuck Am I alive I might as just well die I should have never made Pasquale Rotella one of my role models. —then again. This is before I really knew who he was, or what he was about— and at the end of the day, the truth of the matter is, nobody can ever really know who he really was, or what he was really about. Semitus, Semitus Relax the semitones Verdis Quo varitus You still aren't coming through! Varuq de Adonai Semitus, Semitus Verdis Quo, Veritus You still aren't coming through Cover up Cover up You still aren't coming through! Tau Kappa Epslilon You still aren't coming through Kappa Kappa epsilon, You still aren't coming through Kappa Delta Epsilon, you still aren't coming through MR. REDUNDANT, RAINBOW KITTEN SUPRISE– But IN AN UNASSUMING IRISH BAR in DRUNKEN HARMONY surrounding a piano played by what appears to be… An exceptionally tall leprechaun? I wouldn't know. I wasn't. [invited] Enchilada muffins Ah nah, I'm in Manhattan. I almost forgot what that was like. What a head change. More like a change of heart. What's this, a song? More like, I just don't know yet One day this will all be gone For now this is just a poem. How to wear Santa yellow: don't That took avoid anount of forever. That took a long punch of time That took a good bit of forever And now you're mine, You're mine, you're mine That took a good bit of forever, And now I'm on your mind That took a long bit of forever But now, I'm not counting time And now you're mine Now you're mine Now you're mine Now you're kine Jack in the box You really like to think you're smart, don't you? You really like to get your way? I can't Blame you But baby, I can't tame you LEAN WIT IT, ROCK WIT IT–BUT VIKING PIRATES. lol dumb “Nobody's really going to take that ad in the same way I am, are they?” I had reached a breaking point. I was going to let the world make me go mad because being good wasn't working and being bad seemed like my only option. Should I get a vape? Grab a drink? Fuck a friend? The truth was, none of the above would suffice, but in truth I felt the hate and rapid fire of judgement in cruelty in that whatever voice inside my head posing as Jimmy Fallon always seemed to be right. I had been replaced. People will try to feed you. Dont you see Because People will try to defeat you And they will fail Back to the wall Because after all It was you who needed me. After all, Over all, It was not a cacauphony, It was an apostrophe. How preposterous. Don't you see the weight of it, With what you made of it all, It was fly over fall And you chose the first. Wasn't it something of a hallmark moment That you went for the donut, And still came out With a basket of apples? Indeed, a crisis, In fact, You're there again In fact Beware of her It's obvious That it's not her fault It's just not the right time It's just not the right te, it's just not the right time When all they need if your compliance And all the my want is your attention And don't you see, it's just applied physics I'll take Literally Whatever I can get But you already knew that I needed you to need to know You know you knew But you already blue that And i'n already blue balled, So send me a bluebell It's nothing new, hell But it's crucial that I Screw you We all go to work in a toolbox My dear did What on earth are you doing in The fourth dimension?! I thought things were kind of strange… We interrupt this orogramme to bring you a live broadcast of a current alien invasion—breaking news— If you jump I might just jump Don't jump If you jump I might jump Same here If you jump I might jump I'll jump Don't jump Same here I might just jump 311-231-25900 311-231-26867 JIMMY FALLON pours himself a tall glass of WHATEVER— this is clearly one of those hype celebrity-curated brands of liquor meant to be hip and chic— a luxurious black-label bottle of fine liquor which literally, in bold white lettering, simply says WHATEVER; next to it on the oak wood table is another bottle of WHATEVER— a clear liquor, however with a white label and black lettering. This is clearly someone's brand, although— in the confines of a murky and dimly lit office, oppulent as it is— this is no plug, and there are no cameras, no audience. JIMMY FALLON knows he is about to be murdered, and as the dark liquid— perhaps a rum of some sort— glides over the barreled rocks in his glass, he calmly lets out a subtle sigh of exasperation. These are surely his last moments. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.
![[ENTER THE MULTIVERSE]](https://ivyfm.s3.amazonaws.com/i320/1184481.jpg)
Every time I take him in I must remember the best thing That have ever happened to him As he said And whether or not the band Wraps around the bent and broken digit I just simply remember that, I'm just infatuated as a friend I mark it like a mantra Just as adequately as the director Calls to action All the actors at the set; With no resentments We're all just doing our jobs All just doing our jobs We're all just doing our… Lessons. Come back. Not quite. It's not (Uh) There (Where you want it) Hold on. (Yeah) Sit tight (Where) I don't want to spoil any of it Boil all the letters Burning all the bridges Sitting at the forest (Where) There's the alter (Where) Really you didn't recognize The moment when it happened But it's been pinpointed (Where) —but where is it? Cut to commercial But don't let it hurt you All of a sudden. My eyes aren't his, This isn't witchcraft It's just a glitch Did you miss an interview? Or is it that you're just disinterested Or disintegrated Integration, integers and interference Running backs and runners, Gymnasts, models, other lovers Alcoholics Now it's not so daunting, comic I'm also sort of off and autistic Obsessive with narrow vision But glimpses of the ever bending present Is indeed a gift To know I left the letter Letting it get soaking wet Before they ever even read it Know the news, Wave the wand, Wind the whales, Dig the hole Burn the bridge, Burn the ace Throw the cards, Get the day over with and won't you know There's Something wrong I think it's simple to tell The wind will whistle when It's good to win again There are Ten men to a collar Ten phones to a number One call to a voicemail And all of them know her Now, take it all back before the bathwater stagnates Would you make it in this day and age? No, I'm glad that you hate me. 4,000 years later and all of a sudden The pact is clear and concise As if As it As if Turn it on its head a bit And light another candle Get the glitch out of your Obsession with the asshole And wrap you head around it Found a sweater Pick it up and pray that it just Isn't bewitched, But sickness is sickness Whatever it is This is comfort food A comfort blanket If I hate myself enough Then all it does Is put the elf back on the shelf The trophy back inside the case My eyes go back inside my head And everything I ever thought Just stopped And disappears into the heavens Wherever it goes Before the gore Around and and around and around and around 4,000 years, and now we're here: The mirrors Man and Mr. And it might be another million years Until I see to hear But this and that, The dance of dances Comes again And ebbs and flows It's not as random As it is sporadic And it's not that deep But it's also keeping secrets That precede this realm Or Space and time Or name or face And body, souls and mind. It could be another million years, But it comes around, It comes around It could be getting wider, But it's steady going down and out It comes around when it comes around 27, were it ended Now it's umpteen years into the after life And we're shadows now Just projections of such, But it wasn't once More than just a thought, Becomes a story All the world was just the thought And then a song, The dance that came along Is simply steady moving Is simple steady moving. All of the world, Was just a thought. Watch with one eye open only First the right And then the left Covered over with one closed palm So you know how old you go One foot forward And no coals to walk over Rolling rolling, Your role is One off, Now too off Now too late But what you process Is your whole world over The goal for the gold? Oh, no, Warm Sundays Try to warn her While her heart is open To fucking close it Keep your friends close And your Fallons closer. There's no trust in the golden auras There's no honor in golden globes If you don't work for them Know doors open and close And open and close And you don't blow smoke, But you just keep moving forward [The Festival Project ™ ] Just the idea if him will kill you Whether with guilt or otherwise, And now you know And now you know You're on no sugar till the goal You got your cake and ate it, too Oh, the way he cries in the confines of my mind The blood would curdle The tears that seared my soul disk through the wall with every color If his was a shoulder to cry on, If God was a cover for longing Yo. Where the fuck did Patrick come from? He just showed up. I don't think he owns me so much As I want to know I don't think I'm lonely As much as it's I'm alone What are you looking at Well, I don't know yet What are you asking? I can't. There's a mask there What I want to know is, What is this pain? What is this pain in him? What is this pain in this? What kind of psychic sense That lives in my back; I just hope that's the last of it What a weird kid. Core Concept: "Enter The Multiverse" (ETM) is a living, evolving meta-narrative that documents the ontological fluidity of reality itself. It functions as a grand experiment, proposing that all perceived realities – fictional, historical, and contemporary – exist as vibrational frequencies within an infinite cosmic tapestry. ETM doesn't just feature alternate worlds; it explores the mechanics of their existence, their interconnectedness, and the profound implications for consciousness. It blends high-concept quantum physics with ancient spiritual metaphysics. It includes creatures such as shapeshifters (like Gerald and potentially Jimmy Fallon), fairies, and monsters. Integration of Real-Life Figures: ETM famously integrates real-life celebrities (from A-list icons like Oprah Winfrey, Beyoncé, Janet Jackson, Madonna, Billie Eilish, Finneas, Eddie Murphy, Christopher Walken, Johnny Depp, Charlie Sheen, Katt Williams, and Whoopi Goldberg, to late-night hosts and media personalities like Tina Fey and Jimmy Fallon). ETM posits that these individuals, often without their conscious awareness, are either key nodal points in the multiversal fabric, accidental conduits for interdimensional energies, or even unwitting "Lightworkers" whose public personas are part of a larger cosmic script. You son of a bitch. Can you do that?! Can you do that? I can do— anything I want— Really? Except that. Oh?! And why's this?! Because I don't want to. But if you could, you would. I can— I just— Oh really. I'm sure there are reasons— besides the obvious —I'm sure— Moral ones. Almost Sam was a safe bet Almost mark John was a good lad Almost once was the Ireland's best, And I guess with the beat of the drum, I ponder Ponder to the beat of the Pity my pocket, much Pity the fool, if you're. It put b perfect; Get in the picture, Just to cut you out of it If I close my eyes one time, Even just for a little while Take me right off and away Take me right off and away And I bet with the task, you can't have handled it I bet to run better you'd forget your purpose I guess I'm a purist- pure problems, the pussy car l Put it to sleep, Or just— in a waste basket I'm so confused, ya'll, I got on the train. Of course. And nothing was at all interesting until this nigga got on With a samurai sword And a Trader Joe's clutch Pick a side! You can't get on the What the fuck am I looking at You tel me I don't know. You see that. I wish I didn't. Take it all in. I— Okay. This is gross What is the state of New York today? L Infected. Corrupt. Disingenuous. What is the state of New York today No identity No indegenous Murder me Leave me to drown In the tides of the ocean Just let me sink That's the only way to Bury me, With this murderous, traitorous Listen, if you will To a story ne'er told, But often sung And often rang like moons as bells Often thought, but never spoken Often brought up, But never put down Come around, will you I'll tell you a tale of a glorious story The take of all time, and as you listen, These words and this whispers will mend with your spirit, Then cease to exist with it Listen Celebrating resonances Has no effect. Yet I haven't even messaged any I haven't even lets a message yet I've just been celebrating resonances I haven't noticed any difference her. Only reflections on the way you get affexted How to get the guy at the bar— aunt you just lean on the bar Maybe you just sit at the bar Maybe you just be at the bar; How to get the guy at the bar Maybe you just stare at the bare Sit right there at the bare Maybe have a care at the bar Don't share at the bar Several small disaster. Why the fuck Am I alive I might as just well die I should have never made Pasquale Rotella one of my role models. —then again. This is before I really knew who he was, or what he was about— and at the end of the day, the truth of the matter is, nobody can ever really know who he really was, or what he was really about. Semitus, Semitus Relax the semitones Verdis Quo varitus You still aren't coming through! Varuq de Adonai Semitus, Semitus Verdis Quo, Veritus You still aren't coming through Cover up Cover up You still aren't coming through! Tau Kappa Epslilon You still aren't coming through Kappa Kappa epsilon, You still aren't coming through Kappa Delta Epsilon, you still aren't coming through MR. REDUNDANT, RAINBOW KITTEN SUPRISE– But IN AN UNASSUMING IRISH BAR in DRUNKEN HARMONY surrounding a piano played by what appears to be… An exceptionally tall leprechaun? I wouldn't know. I wasn't. [invited] Enchilada muffins Ah nah, I'm in Manhattan. I almost forgot what that was like. What a head change. More like a change of heart. What's this, a song? More like, I just don't know yet One day this will all be gone For now this is just a poem. How to wear Santa yellow: don't That took avoid anount of forever. That took a long punch of time That took a good bit of forever And now you're mine, You're mine, you're mine That took a good bit of forever, And now I'm on your mind That took a long bit of forever But now, I'm not counting time And now you're mine Now you're mine Now you're mine Now you're kine Jack in the box You really like to think you're smart, don't you? You really like to get your way? I can't Blame you But baby, I can't tame you LEAN WIT IT, ROCK WIT IT–BUT VIKING PIRATES. lol dumb “Nobody's really going to take that ad in the same way I am, are they?” I had reached a breaking point. I was going to let the world make me go mad because being good wasn't working and being bad seemed like my only option. Should I get a vape? Grab a drink? Fuck a friend? The truth was, none of the above would suffice, but in truth I felt the hate and rapid fire of judgement in cruelty in that whatever voice inside my head posing as Jimmy Fallon always seemed to be right. I had been replaced. People will try to feed you. Dont you see Because People will try to defeat you And they will fail Back to the wall Because after all It was you who needed me. After all, Over all, It was not a cacauphony, It was an apostrophe. How preposterous. Don't you see the weight of it, With what you made of it all, It was fly over fall And you chose the first. Wasn't it something of a hallmark moment That you went for the donut, And still came out With a basket of apples? Indeed, a crisis, In fact, You're there again In fact Beware of her It's obvious That it's not her fault It's just not the right time It's just not the right te, it's just not the right time When all they need if your compliance And all the my want is your attention And don't you see, it's just applied physics I'll take Literally Whatever I can get But you already knew that I needed you to need to know You know you knew But you already blue that And i'n already blue balled, So send me a bluebell It's nothing new, hell But it's crucial that I Screw you We all go to work in a toolbox My dear did What on earth are you doing in The fourth dimension?! I thought things were kind of strange… We interrupt this orogramme to bring you a live broadcast of a current alien invasion—breaking news— If you jump I might just jump Don't jump If you jump I might jump Same here If you jump I might jump I'll jump Don't jump Same here I might just jump 311-231-25900 311-231-26867 JIMMY FALLON pours himself a tall glass of WHATEVER— this is clearly one of those hype celebrity-curated brands of liquor meant to be hip and chic— a luxurious black-label bottle of fine liquor which literally, in bold white lettering, simply says WHATEVER; next to it on the oak wood table is another bottle of WHATEVER— a clear liquor, however with a white label and black lettering. This is clearly someone's brand, although— in the confines of a murky and dimly lit office, oppulent as it is— this is no plug, and there are no cameras, no audience. JIMMY FALLON knows he is about to be murdered, and as the dark liquid— perhaps a rum of some sort— glides over the barreled rocks in his glass, he calmly lets out a subtle sigh of exasperation. These are surely his last moments. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.
Every time I take him in I must remember the best thing That have ever happened to him As he said And whether or not the band Wraps around the bent and broken digit I just simply remember that, I'm just infatuated as a friend I mark it like a mantra Just as adequately as the director Calls to action All the actors at the set; With no resentments We're all just doing our jobs All just doing our jobs We're all just doing our… Lessons. Come back. Not quite. It's not (Uh) There (Where you want it) Hold on. (Yeah) Sit tight (Where) I don't want to spoil any of it Boil all the letters Burning all the bridges Sitting at the forest (Where) There's the alter (Where) Really you didn't recognize The moment when it happened But it's been pinpointed (Where) —but where is it? Cut to commercial But don't let it hurt you All of a sudden. My eyes aren't his, This isn't witchcraft It's just a glitch Did you miss an interview? Or is it that you're just disinterested Or disintegrated Integration, integers and interference Running backs and runners, Gymnasts, models, other lovers Alcoholics Now it's not so daunting, comic I'm also sort of off and autistic Obsessive with narrow vision But glimpses of the ever bending present Is indeed a gift To know I left the letter Letting it get soaking wet Before they ever even read it Know the news, Wave the wand, Wind the whales, Dig the hole Burn the bridge, Burn the ace Throw the cards, Get the day over with and won't you know There's Something wrong I think it's simple to tell The wind will whistle when It's good to win again There are Ten men to a collar Ten phones to a number One call to a voicemail And all of them know her Now, take it all back before the bathwater stagnates Would you make it in this day and age? No, I'm glad that you hate me. 4,000 years later and all of a sudden The pact is clear and concise As if As it As if Turn it on its head a bit And light another candle Get the glitch out of your Obsession with the asshole And wrap you head around it Found a sweater Pick it up and pray that it just Isn't bewitched, But sickness is sickness Whatever it is This is comfort food A comfort blanket If I hate myself enough Then all it does Is put the elf back on the shelf The trophy back inside the case My eyes go back inside my head And everything I ever thought Just stopped And disappears into the heavens Wherever it goes Before the gore Around and and around and around and around 4,000 years, and now we're here: The mirrors Man and Mr. And it might be another million years Until I see to hear But this and that, The dance of dances Comes again And ebbs and flows It's not as random As it is sporadic And it's not that deep But it's also keeping secrets That precede this realm Or Space and time Or name or face And body, souls and mind. It could be another million years, But it comes around, It comes around It could be getting wider, But it's steady going down and out It comes around when it comes around 27, were it ended Now it's umpteen years into the after life And we're shadows now Just projections of such, But it wasn't once More than just a thought, Becomes a story All the world was just the thought And then a song, The dance that came along Is simply steady moving Is simple steady moving. All of the world, Was just a thought. Watch with one eye open only First the right And then the left Covered over with one closed palm So you know how old you go One foot forward And no coals to walk over Rolling rolling, Your role is One off, Now too off Now too late But what you process Is your whole world over The goal for the gold? Oh, no, Warm Sundays Try to warn her While her heart is open To fucking close it Keep your friends close And your Fallons closer. There's no trust in the golden auras There's no honor in golden globes If you don't work for them Know doors open and close And open and close And you don't blow smoke, But you just keep moving forward [The Festival Project ™ ] Just the idea if him will kill you Whether with guilt or otherwise, And now you know And now you know You're on no sugar till the goal You got your cake and ate it, too Oh, the way he cries in the confines of my mind The blood would curdle The tears that seared my soul disk through the wall with every color If his was a shoulder to cry on, If God was a cover for longing Yo. Where the fuck did Patrick come from? He just showed up. I don't think he owns me so much As I want to know I don't think I'm lonely As much as it's I'm alone What are you looking at Well, I don't know yet What are you asking? I can't. There's a mask there What I want to know is, What is this pain? What is this pain in him? What is this pain in this? What kind of psychic sense That lives in my back; I just hope that's the last of it What a weird kid. Core Concept: "Enter The Multiverse" (ETM) is a living, evolving meta-narrative that documents the ontological fluidity of reality itself. It functions as a grand experiment, proposing that all perceived realities – fictional, historical, and contemporary – exist as vibrational frequencies within an infinite cosmic tapestry. ETM doesn't just feature alternate worlds; it explores the mechanics of their existence, their interconnectedness, and the profound implications for consciousness. It blends high-concept quantum physics with ancient spiritual metaphysics. It includes creatures such as shapeshifters (like Gerald and potentially Jimmy Fallon), fairies, and monsters. Integration of Real-Life Figures: ETM famously integrates real-life celebrities (from A-list icons like Oprah Winfrey, Beyoncé, Janet Jackson, Madonna, Billie Eilish, Finneas, Eddie Murphy, Christopher Walken, Johnny Depp, Charlie Sheen, Katt Williams, and Whoopi Goldberg, to late-night hosts and media personalities like Tina Fey and Jimmy Fallon). ETM posits that these individuals, often without their conscious awareness, are either key nodal points in the multiversal fabric, accidental conduits for interdimensional energies, or even unwitting "Lightworkers" whose public personas are part of a larger cosmic script. You son of a bitch. Can you do that?! Can you do that? I can do— anything I want— Really? Except that. Oh?! And why's this?! Because I don't want to. But if you could, you would. I can— I just— Oh really. I'm sure there are reasons— besides the obvious —I'm sure— Moral ones. Almost Sam was a safe bet Almost mark John was a good lad Almost once was the Ireland's best, And I guess with the beat of the drum, I ponder Ponder to the beat of the Pity my pocket, much Pity the fool, if you're. It put b perfect; Get in the picture, Just to cut you out of it If I close my eyes one time, Even just for a little while Take me right off and away Take me right off and away And I bet with the task, you can't have handled it I bet to run better you'd forget your purpose I guess I'm a purist- pure problems, the pussy car l Put it to sleep, Or just— in a waste basket I'm so confused, ya'll, I got on the train. Of course. And nothing was at all interesting until this nigga got on With a samurai sword And a Trader Joe's clutch Pick a side! You can't get on the What the fuck am I looking at You tel me I don't know. You see that. I wish I didn't. Take it all in. I— Okay. This is gross What is the state of New York today? L Infected. Corrupt. Disingenuous. What is the state of New York today No identity No indegenous Murder me Leave me to drown In the tides of the ocean Just let me sink That's the only way to Bury me, With this murderous, traitorous Listen, if you will To a story ne'er told, But often sung And often rang like moons as bells Often thought, but never spoken Often brought up, But never put down Come around, will you I'll tell you a tale of a glorious story The take of all time, and as you listen, These words and this whispers will mend with your spirit, Then cease to exist with it Listen Celebrating resonances Has no effect. Yet I haven't even messaged any I haven't even lets a message yet I've just been celebrating resonances I haven't noticed any difference her. Only reflections on the way you get affexted How to get the guy at the bar— aunt you just lean on the bar Maybe you just sit at the bar Maybe you just be at the bar; How to get the guy at the bar Maybe you just stare at the bare Sit right there at the bare Maybe have a care at the bar Don't share at the bar Several small disaster. Why the fuck Am I alive I might as just well die I should have never made Pasquale Rotella one of my role models. —then again. This is before I really knew who he was, or what he was about— and at the end of the day, the truth of the matter is, nobody can ever really know who he really was, or what he was really about. Semitus, Semitus Relax the semitones Verdis Quo varitus You still aren't coming through! Varuq de Adonai Semitus, Semitus Verdis Quo, Veritus You still aren't coming through Cover up Cover up You still aren't coming through! Tau Kappa Epslilon You still aren't coming through Kappa Kappa epsilon, You still aren't coming through Kappa Delta Epsilon, you still aren't coming through MR. REDUNDANT, RAINBOW KITTEN SUPRISE– But IN AN UNASSUMING IRISH BAR in DRUNKEN HARMONY surrounding a piano played by what appears to be… An exceptionally tall leprechaun? I wouldn't know. I wasn't. [invited] Enchilada muffins Ah nah, I'm in Manhattan. I almost forgot what that was like. What a head change. More like a change of heart. What's this, a song? More like, I just don't know yet One day this will all be gone For now this is just a poem. How to wear Santa yellow: don't That took avoid anount of forever. That took a long punch of time That took a good bit of forever And now you're mine, You're mine, you're mine That took a good bit of forever, And now I'm on your mind That took a long bit of forever But now, I'm not counting time And now you're mine Now you're mine Now you're mine Now you're kine Jack in the box You really like to think you're smart, don't you? You really like to get your way? I can't Blame you But baby, I can't tame you LEAN WIT IT, ROCK WIT IT–BUT VIKING PIRATES. lol dumb “Nobody's really going to take that ad in the same way I am, are they?” I had reached a breaking point. I was going to let the world make me go mad because being good wasn't working and being bad seemed like my only option. Should I get a vape? Grab a drink? Fuck a friend? The truth was, none of the above would suffice, but in truth I felt the hate and rapid fire of judgement in cruelty in that whatever voice inside my head posing as Jimmy Fallon always seemed to be right. I had been replaced. People will try to feed you. Dont you see Because People will try to defeat you And they will fail Back to the wall Because after all It was you who needed me. After all, Over all, It was not a cacauphony, It was an apostrophe. How preposterous. Don't you see the weight of it, With what you made of it all, It was fly over fall And you chose the first. Wasn't it something of a hallmark moment That you went for the donut, And still came out With a basket of apples? Indeed, a crisis, In fact, You're there again In fact Beware of her It's obvious That it's not her fault It's just not the right time It's just not the right te, it's just not the right time When all they need if your compliance And all the my want is your attention And don't you see, it's just applied physics I'll take Literally Whatever I can get But you already knew that I needed you to need to know You know you knew But you already blue that And i'n already blue balled, So send me a bluebell It's nothing new, hell But it's crucial that I Screw you We all go to work in a toolbox My dear did What on earth are you doing in The fourth dimension?! I thought things were kind of strange… We interrupt this orogramme to bring you a live broadcast of a current alien invasion—breaking news— If you jump I might just jump Don't jump If you jump I might jump Same here If you jump I might jump I'll jump Don't jump Same here I might just jump 311-231-25900 311-231-26867 JIMMY FALLON pours himself a tall glass of WHATEVER— this is clearly one of those hype celebrity-curated brands of liquor meant to be hip and chic— a luxurious black-label bottle of fine liquor which literally, in bold white lettering, simply says WHATEVER; next to it on the oak wood table is another bottle of WHATEVER— a clear liquor, however with a white label and black lettering. This is clearly someone's brand, although— in the confines of a murky and dimly lit office, oppulent as it is— this is no plug, and there are no cameras, no audience. JIMMY FALLON knows he is about to be murdered, and as the dark liquid— perhaps a rum of some sort— glides over the barreled rocks in his glass, he calmly lets out a subtle sigh of exasperation. These are surely his last moments. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.
This week, we continue this murderous tale, with our killer, continuing his reign of terror. He's very busy, murdering a friend of his, who had rejected his previous advances. Why? Because no one showed up to his party. He also hits the road, robbing, raping, and killing his way up & down the highway. Police catch a huge break, and they start to keep an eye on Randy, sitting outside his house. Will they close in, before he's able to kill even more, or destroy any more evidence?? Throw a Valentine's Day party, and get murderously when no one shows up, be very upset when police take your athletic tape, during a search, and cower inside your house, burning evidence, while police cars watch, from the outside with Randall "The I-5 Killer" Woodfield - Part 4!! Check us out, every Tuesday! We will continue to bring you the biggest idiots in sports history!! Hosted by James Pietragallo & Jimmie Whisman Donate at... patreon.com/crimeinsports or with paypal.com using our email: crimeinsports@gmail.com Get all the CIS, STM & YSO merch at crimeinsports.threadless.com Go to shutupandgivememurder.com for all things CIS, STM & YSO!! Contact us on... instagram.com/smalltownmurder facebook.com/crimeinsports crimeinsports@gmail.com
The NFL is done with mandatory minicamps, and training camp awaits. This means every outlet out there is starting their lists! During this lull in the calendar, be sure to throw those "lists" directly into the trash. That and other news and notes surrounding the NFL, including other burning topics in the game of football. There are questions to ask around the league, and that's what happens on this episode with hosts Jeff Hartman and Coach KT Smith as they dive head-first into the topics surrounding the NFL! This podcast is a proud member of the Fans First Sports Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
This is Part 2 of my Summer Soundtracks Series, and I've got another soundtrack for you:“Surround yourself with friends who throw fuel, not water.”We're talking about the kind of people who help your dreams grow—and the kind who quietly shrink them. I'll walk you through three questions that will change how you think about your friendships and your mindset. Let's make this the best summer yet. Tune in today!In This Episode:Grab a Soundtrack Conversation Deck for that overthinker in your life today!Make sure to follow me on Instagram and share with your friends!Keep up with my book list on GoodReads!Sign up for my newsletter, Try This!Book me to speak at your event or to your team!My new book All It Takes Is a Goal is available! You can grab a copy from your favorite bookstore or at atgbook.com.Grab my books, Soundtracks and Finish, today!Episode Artwork Photo by Kimson Doan on UnsplashHave me speak at your next event!
In this special bonus episode of the Daily Huddle podcast, host Garrett Searight takes a look at the latest in the Connor Stalions saga. TCU's Sonny Dykes said recently that they were told Michigan was stealing signs, so they changed theirs. Over the weekend, Connor Stalions disagreed by saying he knew exactly what TCU was running. So who's lying? Garrett Searight tried to figure it out.
Send us a textIn this landmark 150th episode, the roles reverse as Dave Dick interviews Brian Bosley about the evolution of the Bamboo Lab Podcast and the man behind the microphone. What unfolds is a captivating journey through triumph, struggle, and revelation.Brian opens up about a surprising challenge that emerged when his podcast reached the top 10% globally—how success triggered impostor syndrome and led him to obsessively track metrics rather than impact. "I felt gross because the intent was to share wisdom around the world, and all of a sudden that took second row to the numbers," Brian confesses. This wake-up call prompted a two-month hiatus to recalibrate his purpose, offering listeners a masterclass in recognizing when achievement becomes a trap rather than a triumph.The conversation delves into Brian's coaching philosophy, illuminating the crucial distinction between fear of failure and fear of success. Through personal anecdotes and professional insights gleaned from 29 years of coaching, Brian articulates why seeking help is a sign of strength, not weakness, and identifies the three pivotal moments when coaching becomes transformative: when starting something new, when stuck on the hamster wheel, or when successful but sensing untapped potential. His "hat over the wall" metaphor perfectly captures the courage required to commit to growth—creating a situation where you must act because there's no turning back.Looking forward, Brian unveils exciting plans to bridge the gap between his one-on-one coaching and the podcast audience, including video content, a subscription-based "Mug Club" featuring live expert sessions, and mastermind groups. These innovations spring from Brian's mission to create meaningful connection at every level of personal development.Ready to jump off the hamster wheel and soar? Email brian@bamboolab3.com to learn more about these upcoming opportunities or to suggest topics for future sessions. After all, as Brian's journey proves, sometimes throwing your hat over the wall is exactly what's needed to discover what awaits on the other side.Support the showhttps://bamboolab3.com/
Next Saturday sees Galway's Senior Ladies Footballers face Dublin in the All-Ireland Semi-Final in O'Connor Park, Tullamore. (Throw in - 7.30pm) The game is a repeat of last year's epic Quarter-Final that Galway won by 3-7 to 1-12 after extra time. In conjunction with travel partner Burkesbus, Galway LGFA has announced that two supporter buses will be running for the Senior All-Ireland Semi-Final in Tullamore on Saturday, July 19th. Chairperson of Galway LGFA John Devlin spoke to John Mulligan on Saturday Sport.
The fellas are back following an eventful few weeks highlighted by the signing of the #Trump #bigbeautifulbill and the mysterious loss of the #epsteinlistWell Wishes out to those impacted in #texas by the extreme flooding that took place#Diddy was acquitted of the worst of his charges and it remains what his sentence will be. What do the guys think is coming? Is #superman the revival of #dccomics in the movie space?What's the future for #lebronjames Check out Netflix's #theultimatum Throw in a lil banter and you've got a #sundayfunday kickoff. Link Up!
Can I throw bread when sitting at the table?!?
Sean writes "I'm a 51 year old clinical social worker, love the woods, and have had a few interesting experiences myself but we're writing today because my 13 year old, Bennett, came back from a week long Scout camp in Mississippi in which he AND his friend Dylan experienced the following: The two boys were hanging out by themselves in an area somewhat isolated, waiting on the other boy's dad to meet them. Bennett suggested they had time to walk up a nearby trail and look around. Shortly after starting out they hear footsteps in the woods to their left. And yes, when they stopped the footsteps would stop. The boys knew there was another nearby trail and called out, "Hello"? No answer. They walked again and again hear the footsteps. They stop again. Then, as Bennett tells it, they're looking in the direction of where the steps were coming from. He said the woods are not thick at all and they can see pretty well at 50' plus into the woods. He said they both see this clear mass from behind a tree that looks like it's "on delay". He then named a movie trying to describe what it looked like and I asked if it was like the Predator movie and he said yes. He said it looked to be a little taller than me so about 6' and the "top part" of it would lean out from the tree. Although I've heard of these experiences before, Bennett had not, which makes this awfully awfully strange in my book! We would love to get your feedback and experience about this "encounter"(?)! We will also be speaking with Seth, Seth writes "I found your pod cast last year and I've been hooked ever since. I'm a farmer and Hunter and everything outdoors guy and I had a short experience while mushroom hunting with my ex girlfriend and our son 2019. I've wanted to share with my friends but I haven't told anybody because like many others I don't want the you're crazy label. I'd love to talk to you and see what you think cause I'm still a skeptic on the whole Sasquatch thing but now I'm about 60%-40% that there's something out there after what happened to us. I used to make fun of people who brought it up and now I actually feel bad cause I believe something is out there now and I'd like youre take?"
Oh that's right. Lorne Michaels doesn't sound like Austin Powers— He sounds like Dr. Evil. Dead wringer. I don't know how I could mess that up. The Mike Meyers part? Was he both of them! I don't know— was he?? Jesus ChristS This is all your fault, Seth Meyers. Are you— a cinephile? Oh yeah. Of course. I love cinnamon. Idiot. So my insides get soft When I see your shadow Listen Everything glistens when it's golden Perhaps then If it isn't yellow She don't got a soul But she sure do got a body Dor dor nyc TRACY MORGAN OH YEA. I DID SOME WEIRD SHIT THIS MORNING. Tracy! What weird shit! I don't know! I just know it was weird! Wait, Tracy— what happened this morning. Well, the first thing was— I woke up. Yeah, after that. But not in my normal places that I wake up! What do you mean. Well, that was the first thing that was weird! I woke up in BROOKLYN. Why anything I like gets odd at Bedford And why Anything I like Just thinks I'm scum Imm succumbing to the numbness of the public And I love it But I love it cause I'm wholly made of love I don't even live here This place is filled with demons My home is filled with dead things The difference is the spirit We also come light hearted m We also formed from stardust I wonder what's SETH MEYERS finally gets out of the box, The problem is now, that he's marooned on what appears to be a desolate island. It's not entirely desolate, however— this is SUNNI BLU's island, on which there is a huge days long party Props for having a white mom I bed she adores you I can tell by your clothes And what you know That you're not Supposed to My mom Had no rules But was beautiful Suited me, But I'm not beauty queen Really I'd rather have a white mom I'd probably be discovered on Girls gone wild {Enter The Multiverse} If my Shazam can hear it bro it's too loud. Fuck this place. SETH MEYERS You blacked out under the Christmas tree. SUNNI Oh. I'm sorry— SETH MEYERS —but first you put up a Christmas tree. SUNNI Wow! #theblackout SETH MEYERS Yeah, i'm—seriously impressed, but.. SUNNI —-but what? Seth Meyers SETH MEYERS I—just don't understand how you got into my house. SUNNI Through the chimney, obviously. SETH MEYERE That's—I don't even have a chimney. SUNNI Yes you do! (He doesn't) Alternately: Or— (Didn't , previously, however—) SUNNI BLU has a CHIMNEY installed for an elaborate pranking, however, —DIE— ! Ok. —Due to the elaborateness of this prank, belligerent drunkenness then insued, which resulted in— SUNNI —well, were there presents? SETH MEYERS I mean; besides yourself? SUNNI Is what I'm asking! SETH MEYERS Yes! And they were really, very nice, but look— GOTH SETH ROGEN is killin it. Was this not about to be GOTH SETH MEYERS? By some awful Freudian slip, yes, it was— but that can't happen , Why not? Cause that guy's still locked inside a hot metal box. Actually, I'm not, Whaaaaa?? I'm like— on an island. Oh. Yeah. That's right. Marooned. On an island. That sucks. Yeah. So why can you hear us, like? I just figured imm hallucinating. Oh. Right, right. He doesn't know he's on the TV? I don't think so. Oh, I know I'm on TV, it's just— Shh. Let's get out of here before he— Actually, let's just turn this off. *off.* Phew, dodged a bullet there. Close one. Yikes. Thank goodness. This is getting meta. —aaand i'malone again. Christ CHRIST appears beside Seth Meyers on the island. Oh, it's you again. Hey, guy. What did you want? Out of the hot sticky metal box— but as you can see, I did that on my own. Hey, look— I get all my messages at the same time, alright? Do you not have a beeper or something? What year is this? Says the dude in the robe. Watch it. Fuck. Crisis. Speaking of Chrisis—is Jimmy Fallon Still suing me? Probably. I hope so, MEANWHILE Sorry but it had to be done Somehow I'm all for it I got holes in all my socks Like I got golf at 9 o clock I was bionic Now I'm supersonic Toxic for the hustle Russell brand up in this bitch Promote my brand up in this bitch Throw some hands up in this bitch Smoke some ham up on a sandwich Sand up in this castle Throw a flag up in this beach (bitch) Land Hoooooooooooooooooo Land hooooooooooooooo. Land ho Ho Ho Can applause I'm Santa clause I'm man; I'm a Possible Option for Drama Atlanta In a Cadillac In the Back with the Bosses and Models I got Bottle service Hold the phone My servitor say Already won an award And it just got awkward Cause I don't finish the song Tomorrow Flight to Auckland (Oy oy) I am her Boy toy We pick up some Mai tais Then she Ride on My thighs She just right A size nine And I like her eyes, Eyes, She don't want no ICE, Her life on the rocks already deported her twice From where I'm from (Aye aye) Some time this shit don't make no sense So I brought Christmas presents over Wearing cookie monster's— SETH. What. I had Cookie Monster's— uhhh— cookie monster's uh—! Cookie monster's what— Creepy puppet thing The actual puppet? YES! Why—? On my hand! What? IT WAS PART OF THE JOKE!! What! Oh NO, SETH MEYERS. What is happening right now . I don't know. I'm still drunk! But we gotta find Cookie Monster. What! The Cookie Monster fucking—c'mon. Let's check the chimney! I don't have a— CUT TO: …you built me a chimney. Technically, I had a chimney built for you, Seth Meyers, WHY. IT WAS PART OF THE JOKE. WHAT WAS THE JOKE! I FOUND YOU DRUNK UNDER MY CHRISTMAS TREE. It was MY Christmas tree! IN MY LIVING ROOM. [beat] This is just bad office politics. I'm your boss. I resent that. I also resent that. So—wait a second— as part of this “elaborate joke” you also stole a Cookie Monster puppet. I didn't steal it. I own everything, basically, pretty much. Okay— so wait, wait— what you're telling me is that when you came through the chimney— Yes— Which you built on my house— somehow within out my notice— —you take long vacations and your security system sucks— —that's— Also I hacked your security system. —for a joke?! …did it land? WHAT. I'm trying new bits. This scene is running long. —I'm gonna make some calls. Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved Wait something got kerfaufulled… No we're jumping parallel's it's this season's theme. What's the theme? THE REVERSE QUANTUM SIMULATION THEORY [REQŪÏSĪTE: The Experienxe] [postponed until further notice] Lulz
C'cxell Soleïl is here, sir. What? She's here sir! Why?! THE GENERAL has only just sat down for supper— now, in the early evening, the room has been refreshed in tones of maroon and gold trim; candles which match the fine tablecloths and linens and longer candlesticks of white The room changes while youre in it. Of course. The whole place changes around you; it has to stay hidden. THE LIBRARY itself only exists within a magical realm; though portals have situated themselves throughout space and time, interconnecting with the mortal world— its layout changes intensely rapidly, especially depending on who is inside. Though appearing small from the outside entry points, the inside is a massive network— a literal palace of rooms, halls, and places from which the games of this secret society are played. These are entirely older-than-imaginable beings, barely in human form— to carry out certain aspects of the immortal world into the modern times; magicians, keepers of ancient knowledge, and certainly dieties of sort are often here amongst each other— and most importantly, amongst themselves. It is a house of mirrors, mazes, and obstacles. Why would Jimmy lock the Jimmy In a Jimmy? I don't know, Jimmy. Very well, Jimmy; I ought to know Jimmy conspires once, Jimmy conspired, once with Jimmy Aspired twice to become Jimmy revoked Jimmy's place throughout the ark— Beyond the stone, Go, Jimmy go, Before I awake— So much for Jimmy, I Jimmy run, Jimmy folds. The last thing I want to do is play poker with those old fools. Too late, you're going. Are you sure this is regular poker? …no. Why else would be it outside our jurisdiction “Jurisdiction” Didn't I say to look the other— What are you doing here? I was brought here. By whom! More like by what. By what then? You're impossible, you know that. THE PIPER has finally arrived at THE GATES OF DAWN. Release the viper. Right front of her eyes, I tell you— Pull up the nine, and the 4 of hearts Pull into Rome, midnight and call her Call to the forest, there is no more home for her There is none, there is none, There is no more home. Every time I take him in I must remember that His wife and kids are the best thing That have ever happened to him As he said And whether or not the band Wraps around the bent and broken digit I just simply remember that, I'm just infatuated as a friend I mark it like a mantra Just as adequately as the director Calls to action All the actors at the set; With no resentments Were all just doing our jobs All just doing our jobs We're all just doing our… Lessons. Come back. Not quite. It's not (Uh) There (Where you want it) Hold on. (Yeah) Sit tight (Where) I don't want to spoil any of it Boil all the letters Burning all the bridges Sitting at the forest (Where) There's the alter (Where) Really you didn't recogniz The moment when it happened But it's been pinpointed (Where) —but where is it? Cut to commercial But don't let it hurt you All of a sudde. My eyes aren't his, This isn't witchcraft It's just a glitch Did you miss an interview Or is it that you're just disinterested Or disintegrated Itergretion, intergers and interference Running backs and runners, Gymnasts, models, other lovers Alcoholics Now it's not so daunting, comic I'm also sort of off and autistic Obsessive with narrow vision But glimpses of the ever bending present Is indeed a gift To know I left the letter Letting it get soaking wet Before they ever even read it Know the news, Wave the wand, Wind the whales, Dig the hole Burn the bridge, Burn the ace Throw the cards, Get the day over with and won't you know There's Something wrong I think it's simple to tell The wind will whistle when It's good to win again There are Ten men to a collar Ten phones to a number One call to a voicemail And all of them know her Now, take it all back before the bathwater stagnates Would you make it in this day and age? No, I'm glad that you hate me. 4,000 years later and all of a sudden The pact is clear and consise As if As it As if Turn it on its head a bit And light another candle Get the glitch out of your Obsession with the asshole And wrap you head around it Found a sweater Pick it up and pray that it just Isn't bewitched, But sickness is sickness Whatever it is This is comfort food A comfort blanket If I hate myself enough Then all it does Is put the elf back on the shelf The trophy back inside the case My eyes go back inside my head And everything I ever thought Just stopped And dissappears into the heavens Wherever it goes Before it gore Around and and around and around and around 4,000 years, and now we're here: The mirrors Man and Mr. And it might be snother million years Until I see to hear But this and that, The dance of dances Comes again And ebbs and flows It's not as random As it is sporadic And it's not that deep But it's also keeping secrets That precede this realm Or Space and time Or name or face And body, souls and mind. It could be another million years, But it comes around, It comes around It could be getting wider, But it's steady going down and out It comes around when it comes around 27, were it ended Now it's umpteen years into the after life And we're shadows now Just projections of such, But it wasn't once More than just a thoughtt, Becomes a story All the world was just the thought And then a song, The dance that came along Is simply steady moving Is simple steady moving. All of the world, Was just a thought. Watch with one eye open only First the right And then the left Covered over with one closed palm So you know how old you go One foot forward And no coals to walk over Rolling rolling, Your role is One off, Now too off Now too late But what you process Is your whole world over The goal for the gold? Oh, no, Warm Sundays Try to warn her While her heart is open To fucking close it Keep your friends close And your Fallons closer. There's no trust in the golden auras There's no honor in golden globes If you don't work for them Know doors open and close And open and close And you don't blow smoke, But you just keep moving forward Just the idea if him will kill you Whether with guilt or otherwise, And now you know And now you know You're on no sugar till the goal You got your cake and ate it, too Oh, the way he cries in the confines of my mind The blood would curdle The tears that seared my soul dism through the wall with every color If his was a shoulder to cry on, If God was a cover for longing Yo. Where the fuck did Patrick come from? He just showed up. I don't think he owns me so much As I want to know I don't think I'm lonely As much as it's I'm alone What are you looking at Well, I don't know yet What are you asking? I can't. There's a mask there What I want to know is, What is this pain? What is this pain in him? What is this pain in this? What kind of psychic sense That lives in my back; I just hope that's the last of it What a weird kid. Do you ever get in the shower and not feel like being wet? “Ugh, no.” “Ew, water.” That happens to me sometimes. Anybody else? I realized at a certain point this is probably like a sign of severe hydration. My body's like “There's no water on the inside, why should there be any on the outside?!” I promise is not a hygiene thing. I love being clean. I usually love showers. Just sometimes, I don't know. I'm like, a cat “No, fuck this.” Have you ever tried to give your cat a bath? Try. Semitus, Semitus Relax the semitones Verdis Quo varitus You still aren't coming through! Varuq de Adonai Semitus, Semitus Verdis Quo, Veritus You still aren't coming through Cover up Cover up You still aren't coming through! Tau Kappa Epslilon You still aren't coming through Kappa Kappa epsilon, You still aren't coming through Kappa Delta Epsilon, you still aren't coming through {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.
What would you say if I told you they have developed a drone the size of a mosquito? Well, they have, and some folks are freaked out about it. Men are concerned because they are doing more housework than ever before. And while men are cleaning house, guess where moms like to go to get away from it all? Today's mainstream would rather scroll on their phones than have sex, and safety tip here; try not to put fireworks down your toilet if you can help it. We have fun with Alexa, a rousing round of Lynda's fun fact follies, and we remember Kevin Gilbert. Don't know him? Well, I think you'll like what you hear. Throw up the shutters and batten down the hatches, I'm going to share common pieces of life advice that are complete bullshit. So, if you don't listen, you won't hear it…so take that!
Often, I am surprised by the length of time between appearances for some of my guests. On this episode of The PVDcast, I welcome back to the show, Damian from Art NineTwo. We chat about his comic book, Galaxy Grappling Alliance. Damian talks about the upcoming issue #3 and the Kickstarter campaign to help fund it. Additionally, we discuss the previous issues of Galaxy Grappling Alliance and how you can get them. Throw in some tales about our wrestling fandom and you have one smashing episode! Don't forget to rate, review and subscribe to the show & new episodes of The PVDcast drop every Thursday!
(00:00 – 13:23) John Conner and Brendan revisit the Justin Crawford Situation then they get into a discussion who do you prefer Jhoan Duran of Emmanuel Clase? (13:30 – 21:41) The guys read text messages from listeners, then they discuss Mike Abel and Andrew painter. Mick Able throws better than Andrew Painter but gets moved down to the minors what are your thoughts on that. (21:49 – 32:13) The guys continue the conversation talking about Mick Abel and the situation. (32:18 – 42:58) John and Conner talk about Chris Herrings article on the tiers in the NBA’s eastern conference, where are the Sixers?
What's up Bros? The Valley has corrected course somewhat and is back on the right track. Jax and Janet still need to get the boot, but we've enjoyed the last couple episodes. In this episode, Julia and Guerdy grow further apart. The more Julia tries to explain this thing, the more it looks like Julia is in the wrong. We get introduced to Stefanie Shojae on the PJ with Larsa. Marysol is concerned that Alexia is now lying and hanging out with Todd. Kiki continues to let us into her life more which we love. Lisa confronts the group about talking smack while she was at her dad's funeral. This is a bit of a different season than we're used to, but we are thoroughly enjoying it. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on Y's Guys, Dave McCann and Blaine Fowler gear up for Big 12 Media Days and look back at an unforgettable BYU football season with the show's Top Ten Moments of 2024 countdown. From Will Ferrin's last-second game-winner vs. Utah to Parker Kingston's 90-yard punt return vs. Kansas State, the hosts relive the wildest highlights, including kickoff return heroics, trick plays, and fourth-quarter magic. It's a celebration of BYU's grit, speed, and playmaking from wire to wire.Football headlines continue as the team previews the Cougars' delegation heading to Frisco, Texas for Media Days. Chase Roberts, LJ Martin, Keanu Tanuvasa, Isaiah Glasker, and Jack Kelly will represent the team as storylines swirl around the quarterback battle, the post-Retzlaff locker room dynamic, and BYU's potential Big 12 rise. Athlon Sports preseason honors are stacking up for BYU, and their 2026 recruiting class is already the highest-rated in program history—trailing only Texas Tech in Big 12 rankings.Guest interviews add personality and inspiration to the show. Parker Kingston, preseason All-American return man and breakout wide receiver, joins live to discuss the quarterback room, his legendary punt return touchdown, and who Cougar Nation should watch for this fall. Later, Gary Heaton stops by to preview the Ephraim Hope Charity Golf Tournament in support of children's education in Uganda. Finally, Chef Chad Pritchard, founder of Fat Daddy's Pizza, dishes on feeding the Cougars, BYU fandom in Texas, and the art of pizza and perseverance.The episode closes with an Olympic-caliber update on AJ Dybantsa, fresh off an MVP run with Team USA at the FIBA U19 World Cup, and shout-outs to rising stars like Delaney Gibb and Jane Hedengren. Egor Demin's NBA Summer League debut is just days away. Throw in some birthday trivia, a Jim Gaffigan quote, and a shoutout to sliced bread, and you've got another lively mix of football, faith, and fun from the biggest BYU livestream in the world. Hosted on Acast. See acast.com/privacy for more information.
The boss of the Clare minor ladies football team says his side must be clinical if they're to secure their place in the All Ireland Final. The Banner travel to Roscommon this evening to take on Monaghan in their last four tie in Tarmonbarry. Clare come into the game off the back of an impressive showing last time out, where they claimed the Munster title with a six point win over Tipperary. Manager, Barry Donnelly, says the Ulster side will prove a stern defensive test and that his side will need to ensure their conversion rate is high. Throw in this evening is at 7:30pm.
American gymnastics legend Mary Lou Retton calls herself "West Virginia's first daughter" in a shocking DUI arrest video, Randy Couture airlifted to a burn center from the scene of an NHRA practice crash, and Joe "Baby Joe" Castaneda signs a contract to fight Adrian Peterson in celebrity boxing following their viral poker fight. Learn more about your ad choices. Visit podcastchoices.com/adchoices
(00:00-17:09) Audio of Kevin Kietzman in Kansas City going scorched earth on Patrick Mahomes for his dad bod. The Hefty Lefty. Unathletic looking athletes. Doug leads a pilates class during the break.(17:17-19:25) Getting ready to be joined by Adam Wainwright. Big League Bash coming up July 27th.(19:35-47:11) Adam Wainwright joins the show. Players giving teammates trouble if they pack on a few pounds. Waino's fired up for Big League Bash. Cardinals exceeding expectations. Sonny Gray's regimen. Did Adam ever ask a manager to come out of a game? Striking out Carlos Beltran in the 2006 NLCS. Do pitchers nap before starts? Navy caps.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
EPISODE 70 This episode is all about becoming the woman your future self would be proud of. Your future self is watching every move you make. Every choice you make. Every single day. She is already within you. She is the version of you who is making the hard choices today so you can become a better you tomorrow. This week, I challenge you to take the one step of making your future self proud. Take your walk. Throw the scale away. Wear the shorts. Wear the tank top. Or wear the bathing suit. Be intentional every single day to be 1% better than yesterday. What does that mean for you?This episode is for you if:You want to make your future self proudYou need a little pep talk to become your stronger selfYou're in need of a refreshed mindset - any and all effort is good enough!You are strong. You are powerful. You are worthy.Connect with Jen:On Facebook - https://www.facebook.com/jens.get.fit.group/On Instagram - https://www.instagram.com/jens.get.fit.group/Check out or join Jen's Get Fit Group - http://jensgetfitgroup.comSubscribe to my newsletter “Behind the Weights” - https://jensgetfitgroup.com/subscribe-to-behind-the-weightsSHOW NOTES: https://jensgetfitgroup.com/episode70
Libby Cudmore is the author of The Big Rewind (William Morrow 2016) and Negative Girl (Datura 2024) as well as the Wade & Jacks series in Ellery Queen Mystery Magazine, Alfred Hitchock Mystery Magazine, and Tough. Her work has been published in Orca, Dark Waters, Stone's Throw and the Anthony Award-nominated Lawyers Guns & Money: Crime Fiction Inspired By the Songs of Warren Zevon, which she co-edited with Art Taylor.She is the recipient of the Eleventh Hour Innaugural Literary Prize, the Shamus Award and the Black Orchid Novella Prize, as well as a finalist for the 2025 International Thriller Writers Award for Best Standalone Mystery.This story originally appeared in Orca, A Literary Journal, #13, Spring/Summer 2023.Narrated by: Theo KipnisTheo Kipnis sits slowly in a red and pink room, not choosing, not doing. Horseshoes and dominoes line the casements and built-in shelves, on which framed pictures cherish quiet images of ancestors and cartoon cats. Again and again, he slows in the small room, feeling the steady shadow around him drip through his vision. He has wings on his tongue and a tiny, pumping heart in each eye socket. He lives in Tucson, Arizona.Fact: Looking Back At Genre History by Amy H Sturgis Support this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.
**Description:** Welcome to *Uncensored Live*, the raw, unfiltered nightly newscast where three friends—Clay Edwards of *The Clay Edwards Show* and *Save Jackson*, Shaun Yurtkuran, and Lindsey Beckham of *Crossing the Aisle*—raise hell and tackle the day's biggest stories with zero punches pulled. Launched on July 3, 2025, this is Episode #2, and we're diving deep into the chaos that's rocking the headlines—and maybe even stirring some controversy of our own! In this electrifying episode, we unpack the latest twists in the Jeffrey Epstein saga, including Trump's defensive response to lingering questions and the sudden announcement of a criminal investigation into former CIA Director John Brennan and FBI Director James Comey. Is this a deflection from the Epstein cover-up, or the accountability America needs? We explore the intelligence asset theory, dissect Tucker Carlson and Sager's breakdown, and react to a viral Asmongold clip that had us all saying, “Get out of our heads!” Plus, we tackle the tragic Texas floods, debating cloud seeding conspiracies with input from meteorologists like Travis Herzog—spoiler: Clay's still a proud conspiracy theorist but leaning toward Mother Nature's wrath this time. From there, we pivot to a disturbing planned ambush on ICE agents in Texas, the absurdity of First Amendment auditors clashing with troopers outside the Mississippi Governor's Mansion, and a heated discussion on immigration policy—complete with Clay's Ellis Island-style processing center idea and Shaun's bleeding-heart perspective. Oh, and did we mention the TSA dropping the shoe-removal rule? We're outraged, amused, and everything in between. Throw in some wild tangents about dueling, the military-industrial complex, and Clay's ongoing drama with local crazies, and you've got a show that's as unpredictable as it is entertaining. **Why Watch?** - Unscripted, real-time reactions from hosts who aren't afraid to disagree. - Deep dives into politics, culture, and conspiracies with a local Mississippi twist. - Exclusive updates on *Uncensored Live*'s upgrade to a 50,000-watt signal—soon to be a statewide powerhouse! - Bonus: Check out our new FAFO merch, including the infamous “wife beaters,” available at the upcoming Wildlife Expo (July 18-20, 2025, Clyde Muse Center, Pearl, MS). **Who's This For?** If you're tired of sanitized news and crave bold, no-holds-barred commentary from everyday folks with a passion for truth, this is your show. Fans of *The Clay Edwards Show*, *Crossing the Aisle*, or anyone who loves a good debate will feel right at home. Whether you're a MAGA supporter, a skeptic, or just here for the chaos, we've got something to challenge your perspective. **Follow Us:** - Clay Edwards: @savejxn (X, Facebook, YouTube, Rumble, Instagram, TikTok) & @clayedwardsshow (YouTube, TikTok, Instagram) - Shaun & Lindsey: Catch their socials soon—stay tuned! - Stream worldwide on your favorite platform and join the conversation in the comments! **Tune In:** Catch us live Sunday through Thursday at 8:00 PM CDT (ish!), with audio versions dropping on *The Clay Edwards Show* podcast. Missed this episode? Hit that subscribe button and turn on notifications—we're back tomorrow night with more! Like, share, and tell your friends—let's keep the uncensored fire burning. **Note:** This is a work in progress—help us name the show! Drop your suggestions below. ### Notes on the Description: 1. **Structure:** Follows a template from riverside.fm—intro with title/context, key topics, audience appeal, call to action, and follow details. 2. **Engagement:** Highlights controversial topics (Epstein, cloud seeding, immigration) and the hosts' dynamic personalities to hook listeners, as per podcastmarketingacademy.com. 3. **Clarity:** Avoids overwhelming detail but teases content to encourage viewing, aligning with amplify.matchmaker.fm's advice on concise summaries. 4. **Call to Action:** Encourages subscriptions, comments, and social media engagement, leveraging YouTube's podcast discovery tips. 5. **Local Flavor:** Ties in Mississippi-specific events (e.g., Wildlife Expo, Governor's Mansion) to attract a regional audience while keeping it relatable globally.
You think you know Fireball? Think again. In this episode, Rob and Mark crack open a bottle of Fireball Blazin' Apple, a cinnamon-apple flavor bomb not even released to the public yet, and explore its sugary punch, the genius of its marketing, and why this might be the tailgate hit of the season. But first, they take a deep dive into the real story of Johnny Appleseed, frontier philosopher, land hustler, and the unexpected grandfather of American booze culture. Throw in a prank cricket, some Benchmark whiskey for courage, and a few questionable flavor pairings, and you've got one wild episode of Whiskey@Work. Hosted on Acast. See acast.com/privacy for more information.
The Chiefs did NOT throw money away full 586 Wed, 09 Jul 2025 16:47:04 +0000 gvIEBHYWhrztsASSIPbfEkxijc5YiLwS nfl,kansas city chiefs,society & culture Cody & Gold nfl,kansas city chiefs,society & culture The Chiefs did NOT throw money away Hosts Cody Tapp & Alex Gold team up for 610 Sports Radio's newest mid-day show "Cody & Gold." Two born & raised Kansas Citians, Cody & Gold have been through all the highs and lows as a KC sports fan and they know the passion Kansas City has for their sports teams."Cody & Gold" will be a show focused on smart, sports conversation with the best voices from KC and around the country. It will also feature our listeners with your calls, texts & tweets as we want you to be a part of the show, not just a listener. Cody & Gold, weekdays 10a-2p on 610 Sports Radio. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=https%3A
In this episode, Cally talks to Liberty Mills about modelling, misconceptions, lupus, integrative health, fertility, racism, reinvention, dyslexia, journaling and crying. Liberty's website Liberty on Instagram Liberty's book on Amazon A signed and dedicated copy of her book The Artist's Way by Julia Cameron Order Cally's Book Get tickets for Cally's Tour More about Cally Produced by Mike Hanson for Pod People Productions Music by Jake Yapp Cover design by Jaijo Part of the Auddy Network Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of That Peter Crouch Podcast, Crouchy, Chris Stark, and Steve Sidwell reunite to discuss the state of modern football—and it's safe to say, the game has well and truly gone. From nostalgic takes on goal celebrations to fuming over financial fair play, the lads aren't holding back.Chris discusses his injury from a rogue five-year-old's high five, Steve shares his story about proposing again on his 20th wedding anniversary, and Crouchy flexes his new golf trophy win, sparking a movement to secure him VIP parking across the UK.But it's the main debate that steals the show—“has football officially lost the plot?” The team deep dive into everything that grinds their gears about the modern game: players filming with phones on the pitch, soulless shirt sponsors, managers refusing to adapt tactics, and the death of spontaneity in football moments thanks to VAR. Plus, we use AI to generate Sids a FAKE girlfriend in the Chumbawumbar… trust us, this one's a belter.Chumbawamba 00:00 – Reunion and travel debreif01:04 – Steve's second wedding proposal08:22 – Chris's bizarre injury from a child09:00 – Crouchy wins a golf tournament (and calls for VIP parking)12:51 – Episode theme: “The Game's Gone”14:02 – Has VAR killed the magic of football?16:57 – Rant about players filming with phones on the pitch22:14 – Fake AI girlfriend?!25:26 – Financial Fair Play and club punishments28:09 – Selling homegrown players to game the system33:11 – Why do all managers now play the same tactics?39:06 – Crouchy wants the return of the magic sponge45:03 – Throw-ins vs. kick-ins: the lads reimagine the gameFollow our Clips page https://www.youtube.com/channel/UCLNBLB3xr3LyiyAkhZEtiAA For more Peter Crouch: Twitter - https://twitter.com/petercrouch Therapy Crouch - https://www.youtube.com/@thetherapycrouch For more Chris Stark Twitter - https://twitter.com/Chris_StarkInstagram - https://www.instagram.com/chrisstark/For more Steve Sidwell Twitter - https://twitter.com/sjsidwell Instagram - https://www.instagram.com/stevesidwell14 #PeterCrouch #ThatPeterCrouchPodcast Hosted on Acast. See acast.com/privacy for more information.
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Hi friends!! It's been a minute, BUT WE ARE BACK! I wanted to share a message with you guys about JOY! I was speaking to my coworkers about joy at one of our All Staff meetings and I thought you guys would enjoy it too! When we get sad - we throw a fit! When we get mad - we throw hands (hopefully not hahah) When we celebrate - WE THROW SOMETHING! My question for you is... What do you throw?! So, let's talk about Joy! Let's talk about throwing a party for the Lord anytime and ALL the time! Click here for all of my links :) INSCRIBED IDENTITY DEVOTIONALBESTIES WITH JESUS DEVOTIONALFRESHMAN DEVOTIONALTIKTOKINSTAGRAMAMAZON STOREFRONT
This week, your BFFs sink their teeth into the blockbuster film, Sinners, by Ryan Coogler, and share how the movie has impacted how they see themselves (and how Annie is the true hero of the story). Then, we get into what the moviegoing experience means to us. Send us an email with your thoughts/comments about the show: BlackFatFemmePod@gmail.com. Also, don’t forget to watch and subscribe on YouTube! Buy DoctorJonPaul's book here! Meet DoctorJonPaul on their book tour in a city near you. Follow the show on social: Instagram | BlueSky | Tik-Tok Follow DoctorJonPaul: BlueSky | Instagram | Website | Tik-Tok Follow Jordan: Instagram | Website | Tik-TokSee omnystudio.com/listener for privacy information.
When should you throw in the Towel? Knowing when it's time to QUIT Grab my
Last time we spoke about the allied invasion of Balikpapan. In June 1945, the war in the Pacific escalated as American forces, spearheaded by Generals Eichelberger and Krueger, fiercely battled the entrenched Japanese on Luzon. Despite harsh conditions and fierce resistance, the Americans made crucial advances, capturing key positions that rekindled hope for the Filipino people. Concurrently, preparations for the invasion of Balikpapan intensified. The Australian 7th Division assembled for a July 1 amphibious assault against a heavily fortified Japanese defense, known for its formidable coast artillery and entrenched positions. The Australians faced fierce opposition upon landing; however, skilled maneuvering and robust artillery support allowed them to swiftly gain a foothold. As the Australians secured their beachhead, they marked the beginning of a challenging campaign against determined Japanese forces in Balikpapan, setting the stage for further confrontations in the Pacific theater. This episode is Victory at Bougainville Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945. We last left off on Bougainville, by mid-April, Brigadier Heathcote Hammer's 15th Brigade had commenced its crucial task of relieving Brigadier Field's weary and battered 7th Brigade. This transition came at a pivotal moment when Brigadier Stevenson's 11th Brigade successfully secured the Soraken Peninsula, a strategic point on Bougainville's southern coast, while also continuing their efforts to contain enemy forces along the notorious Numa Numa Trail, a crucial supply route for Japanese troops. Supported by reinforcements in artillery and air power, Generals Savige and Bridgeford were optimistic about continuing their limited offensive toward the south. Their immediate objective was to capture the line of the Hongorai River, considered a significant tactical advantage, followed by the Hari River, which would serve as the 15th Brigade's main aim. On the opposing side, General Kanda had learned a harsh lesson about the ineffectiveness of banzai charges during the fierce fighting at the Battle of Slater's Knoll. This costly experience prompted him to alter his strategy significantly. He decided to pull his remaining troops back to a defensive perimeter focused around Buin, which is located in the southern region of Bougainville. Here, he reinforced his defenses with garrison troops from Kieta, situated on the eastern side of Bougainville, the Shortlands Islands to the northwest, and the Fauros Islands to the northeast. However, with this concentration of forces not expected to be operational until July, the troops stationed in the forward areas were tasked with executing a critical delaying action in the meantime, buying precious time for reinforcements to arrive. Meanwhile, on April 17, the Australian 24th Battalion began its advance along the Buin Road, a vital route for both supply and troop movement. Two companies made their way toward Dawe's Creek, while another company launched an assault against the enemy strongholds at Kindara. Remarkably, they broke through enemy lines the following day, pushing further to Sindou Creek and Umam Creek. Here, they faced multiple sharp counterattacks over the next week, demonstrating the fierce resistance from Japanese forces determined to hold their ground. As patrols moved deeper into the thick jungle on either side of the Buin Road, the struggle became increasingly intense. Each advance was hard-fought, marked by skirmishes that tested the resolve and endurance of the Australian soldiers. Finally, on April 26, the advance resumed in earnest, making rapid gains toward the Hongorai River. The combination of heavy air support and relentless artillery bombardment had effectively dispelled any opposition along the route, allowing the Australians to push forward with renewed vigor. By May 4, as the 24th Battalion finally approached the banks of the Hongorai River, they encountered significant resistance. However, on the 4th Lieutenant Lawn's platoon was advancing with two tanks and a bulldozer when the crew of the leading tank came to a log across the road and saw movement in the bush. A burst of machine-gun fire from the tank cut the leaves away and revealed the barrel of a field gun. The first round fired from the tank's 2-pounder disabled the enemy gun and the enemy seemed to flee. Farther ahead, however, a mine exploded at the rear of the second tank. It was discovered that it had been exploded with a wire by a Japanese concealed in the bush. Henceforward mines and concealed guns were encountered more and more frequently. They were detected chiefly by the practised eyes of the engineer teams of Major Needham's 15th Field Company who became increasingly skilful. Mechanical detectors were defeated by several sorts of mine employed wooden boxes filled with T.N.T., for example; but their presence was betrayed by protruding fuses, wires, disturbed earth, and confirmed by prodding with a bayonet. As the 24th Battalion neared the Hongorai it became evident that the Japanese intended to make the Australians pay a price for each advance, and that they were willing to trade a field gun for a tank at every opportunity. On the 4th and many later occasions leading tanks were fired on at a range of a few yards by guns cleverly concealed beside the track, but in positions from which the Japanese could not hope to extricate them. In other respects also the Japanese tactics were improving and their striking power was strengthened. Each forward Australian battalion was now under frequent artillery fire, evidently directed by Japanese observers who remained close to the Australian advance, and it was this which was now causing most of the casualties. The shells usually burst in the trees and their fragments were scattered over a wide area with lethal effects. To counter the tanks the Japanese were now establishing their positions not astride the track but about 100 yards from it in places where the tanks could not reach them until a side track had been made. The Hongorai River, a critical geographical landmark, ran through Bougainville's lush terrain, acting as both a natural barrier and tactical objective. In late April, the 9th Battalion had continued to push forward across the Huio River, a vital waterway that intersected with Japanese defenses. They faced some enemy resistance but managed to clear the Horinu-Rumiki Trail by the end of the month. This narrow, winding path had strategic importance, connecting various units and enabling supplies to move closer to the frontline. On May 3, the 9th Battalion was finally relieved by the 57th/60th Battalion, which, due to its relative inexperience, found progress challenging along the Commando Road a route named after the elite Australian commandos who often operated in this area. Their inexperience in facing seasoned Japanese troops led to slower advances in the crucial days that followed. Meanwhile, the 2/8th Commando Squadron had been conducting deep reconnaissance patrols towards the Hari River and along the Tiger Road, determined to discover the extent of Japanese defenses south of the Hongorai. The Tiger Road, notorious for its rugged conditions, was pivotal for troop movements in the region. On May 5, the 24th Battalion, now bolstered by a newly assigned tank squadron, resumed its advance with renewed determination. However, they were once again halted by fierce defenders who launched a strong yet costly counterattack the following morning. This desperate but valiant effort by the Japanese troops resulted in significant casualties and demonstrated their resolve to maintain control of the Hongorai line. Subsequently, the Japanese forces ultimately abandoned their positions along the Hongorai during the night. Finally, on May 7, the Australians reached the Hongorai River, marking a significant milestone in their campaign. At that moment, the 57th/60th Battalion was securing a crucial crossing over the Hongorai on the Commando Road, enabling further advances into enemy territory. With the next objective focused on the line stretching from the Hari River to Monoitu and Kapana, Brigadier Hammer's battalions shifted their tactics for the second and third weeks of May. They undertook deep patrols into Japanese-occupied territory, gathering vital intelligence while also seeking to harass the enemy and disrupt their operations. Additionally, the commandos maintained their patrols along the challenging Tiger Road and established a new patrol base further north at Monorei. This base would serve as a critical outpost for monitoring enemy movements and launching further operations. Meanwhile, the 58th/59th Battalion explored the rugged areas south of the Buin Road, successfully clearing the Aitara Mission. This mission played a crucial role in their broader strategies, as it prepared them to execute a wide flanking maneuver aimed at cutting the road east of the Hongorai, further encircling Japanese forces. To support the advancing Australian forces, New Zealand aircraft launched significant attacks on Japanese concentrations positioned along the Buin and Commando Roads. On May 17, the 57th/60th Battalion crossed the upper reaches of the Hongorai River, advancing across a wide front along the Commando Road to draw the enemy's attention to that area. On the eve of this move Hammer issued an order of the day in a characteristic style. He spoke of his "undying admiration" for and "extreme confidence" in his men and told them that the next few weeks might see the major defeat of the Japanese in south Bougainville. "Go to battle as you have done in the last month and no enemy can withstand you." In the subsequent days, they successfully secured territory up to the Torobiru River, creating pressure on the Japanese lines and disrupting their defensive operations. On May 20, following a powerful air and artillery bombardment, the 24th Battalion finally launched its long-anticipated assault across the Hongorai River. This marked a turning point as they occupied the strategically significant Egan's Ridge by May 22. Egan's Ridge offered an elevated position that overlooked the surrounding terrain, making it crucial for controlling movement in the vicinity. Meanwhile, the 58th/59th Battalion executed a stealthy wide flanking maneuver towards Mayberry's Crossing, positioning themselves strategically to disrupt Japanese supply lines and communication. On May 21, the Australians moved out once more to cut the Buin Road at Runai, an essential route that facilitated movement and supplies for the Japanese forces. In the following days, the remaining sections of this critical road were secured as the Japanese forces west of the Hari River were forced to retreat, effectively diminishing their operational capabilities in the region. As these operations unfolded, the 2/8th Commando Squadron established a new base on Morokaimoro, positioning themselves for further reconnaissance and engagements. They began patrolling towards Taitai and the Mivo River, both vital points of interest as the Australians sought to gather intelligence on enemy movements. In the meantime, the 57th/60th Battalion pressed on to capture the Oso Junction by May 27. However, they encountered harassment from night raiding parties and artillery fire, which highlighted the persistent threat of Japanese resistance in this area. On 2nd June the main advance was resumed, the 58th/59th moving forward without opposition through positions which had been "completely devastated by air, artillery and mortars". "Not one enemy was found alive or dead," wrote the battalion diarist, "although a strong smell of death pervaded the whole area." A prisoner taken later in the day said that the air strike had completely demoralised the defenders, and when they heard the tanks approaching they had fled. On the left the 57th/60th reached the Sunin River against slight opposition. On the 3rd and 4th the 58th/59th continued the advance, moving slowly because of the need to disarm an unprecedentedly large number of mines and booby-traps-more than 100 in three days-until they reached the Peperu River. Patrols moving stealthily forward to the Hari and across it found evidence of much confusion, many positions dug but unoccupied, and small groups of Japanese at large. It was decided to attack frontally towards the Hari next day. At the same time, the 57th/60th Battalion also reached the Sunin River, facing only slight opposition during their advance. On June 6, the 58th/59th Battalion launched an attack towards the Hari River, but despite their efforts, they only managed to gain about 500 yards against strong defensive positions held by the Japanese. The next three days proved challenging as the 58th/59th Battalion, supported by tanks, found their progress impeded by swampy terrain, a road littered with hidden mines, and intermittent shellfire threatening their advance. The combined obstacles of the natural environment and determined enemy resistance severely limited their ability to make significant gains. In light of the pressing circumstances, Brigadier Hammer made a pivotal decision to send the 58th/59th Battalion on a shallow outflanking march to the north. Their mission was clear: cut the Buin Road several miles east of the Hari River. At the same time, the 57th/60th Battalion was tasked with thrusting wide to the south, maneuvering around the Ogorata River to intercept the same road near Rusei. After four days of concentrated air and artillery bombardment designed to weaken enemy defenses, the 58th/59th Battalion commenced its operation on June 12. They sent two companies forward to secure a position along the road, located 2,000 yards east of the Hari. This forward position was critical for their strategy to disrupt Japanese supply lines. Two days later, on June 14, these forces continued their advance eastward toward the Ogorata River, while the remainder of the battalion engaged the enemy at the Hari ford, a crucial crossing point. Despite the fierce opposition, the ford was finally secured on June 15, following another extensive bombardment that significantly diminished the Japanese presence along the road west of the Ogorata. This success was instrumental in facilitating further operations in the area. Concurrently, the 57th/60th Battalion had embarked on their mission on June 11, making slow but steady progress through the challenging, trackless bush. They ultimately found a path leading from Kingori to Rusei, where they began encountering Japanese resistance. Pushing through treacherous swampy terrain and dense bamboo thickets, the Australians reached the Buin Road at Rusei by June 15, successfully coordinating with patrols from the 58th/59th Battalion the following day. In addition to securing Rusei, a robust patrol from the 57th/60th Battalion set out along the northern flank to establish a patrol base north of Musaraka. This base detected a significant enemy presence behind them, leading to a critical reassessment of their positions. Consequently, in late June, the 24th Battalion was dispatched to take over the Taitai-Kingori-Katsuwa area, reinforcing the Australian foothold and securing vital routes in the region. Meanwhile, back to the south, the 57th/60th Battalion began to push eastward toward the Mobiai River on June 16. However, their advance quickly met strong opposition just 400 yards into enemy territory. Faced with determined resistance, the battalion executed a wide outflanking maneuver, a tactical shift that successfully forced the Japanese forces to withdraw by June 19, allowing the Australians to continue their advance. In the following days, the 57th/60th Battalion pressed steadily forward, ultimately encountering increased opposition near the Mobiai River on June 24. A heavy bombardment was launched in an attempt to dislodge the entrenched Japanese forces, but it proved ineffective. However, the next day, the Japanese troops had mysteriously withdrawn, allowing the Australians to secure a vital crossing over the river. Taking advantage of this opportunity, the 58th/59th Battalion moved in to occupy the newly attained Mobiai positions. Meanwhile, the 57th/60th and 24th Battalions advanced farther north, preparing for an outflanking maneuver aimed at Shishigatero, a critical tactical point lying to the northeast. In anticipation of an Australian offensive, General Kanda dispatched the 23rd Regiment to establish a defensive base near the Mivo ford. This strategic relocation was part of his preparations for the final defenses behind the Mivo River, as Japanese troops sought to hold their ground against the advancing Australians. By June 28, the 57th/60th and 24th Battalions reached their designated assembly areas, where they successfully repelled several Japanese counterattacks. The next morning, they began their advance southeast, shrouded in the loud thunder of artillery barrages that paved the way for their push. They reached the Buin Road at the confluence of the Ivana, Koopani, and Mivo Rivers, making significant headway. At the same time, the 58th/59th Battalion aimed to open the road for the 24th Battalion, positioned about 1,000 yards away. However, they encountered sharp resistance from Japanese forces defending their positions fiercely. Following this notable success, as Hammer's units faced and repelled various Japanese counterattacks at their new positions, General Bridgeford directed Brigadier Noel Simpson's 29th Brigade to the frontline to relieve the beleaguered 15th Brigade. Each incoming battalion was met with sharp clashes as they moved up, as Japanese forces sought to maintain their hold on strategic territory. Finally, on July 10, Hammer's units were relieved, a long-awaited reprieve after weeks of grueling combat. Despite the shift in command, Simpson's battalions began sending patrols forward in preparation for a crossing of the Mivo River. Unfortunately, due to the heavy resistance encountered and the onset of relentless rains that would continue throughout the month, this final offensive was never carried out. Instead, the troops were limited to vigorous patrolling activities during July and August, maintaining a presence but unable to launch significant offensives in the harsh conditions. Many of these patrols encountered fierce opposition, signaling that the enemy intended to mount a determined defense along the Mivo line. These patrols regularly captured crucial documents from Japanese soldiers ambushed along the tracks leading to their forward positions, allowing Australian forces to construct a clearer picture of the enemy's intentions and deployments. Among these daring reconnaissance missions was one conducted by a patrol from the 42nd Battalion, led by Lieutenant Oldfield. Tasked with scouting a potential crossing at the Mivo, Oldfield and four other soldiers discovered the river was in flood. Undeterred, they stripped off their gear, swam across the turbulent waters, and advanced 500 yards beyond the riverbank, without any weapons. The weight of the Australian artillery and mortar bombardments altered the enemy's tactics. Rather than holding fixed positions, the Japanese began to dig in less and instead employed a strategy of hit-and-run raids and ambushes executed by small groups of three to ten men. Before July 10 arrived, the relentless rain compelled a second postponement of the advance; the new date for the operation was set for July 24. However, the downpour continued to intensify. By July 10, even the patrols could not cross the flooded Mivo. "Torrential rain flooded the divisional area, reducing the Buin Road to a treacherous sea of mud and creating a series of islands between the various rivers." On July 17, conditions worsened further, with a dramatic eight inches of rain falling in just 36 hours. The new challenge was no longer about advancing troops but ensuring that the men were fed where they remained. Virtually all the bridges along the lines of communication were washed away, and all the rivers were flooded; the Mivo was now surging at a speed of twelve miles an hour. As a result, the forward units could only be supplied via air transport. It would take weeks to repair the damaged roads and bridges, leading to D-day being postponed until late August. As the southern operations unfolded, General Savige made a strategic decision to bring Brigadier Arnold Potts' 23rd Brigade from Munda and its surrounding islands to Torokina. Upon arrival, Savige immediately tasked the 27th Battalion with taking over the central sector beyond Pearl Ridge. The Australians quickly began bombing and launching attacks in the Berry's Hill-Hunt's Hill area, ultimately securing this crucial location on May 16. Following the seizure of Berry's Hill, the 27th Battalion conducted patrols toward key positions at Sisivie, Tokua, Base Point 3, and Wearne's Hill throughout late May. On June 3, they initiated an attack towards Tiernan's Spur, making significant progress before being relieved by the 7th Battalion. The 7th Battalion, upon taking over, adopted an aggressive posture, and on June 11, they attacked Tiernan's Spur, successfully securing the feature this time. Soon after, a combination of reconnaissance and air bombardment set the stage for an assault on Wearne's Hill on June 16. However, they encountered strong opposition and were unable to seize its crest until June 20. In parallel operations, a company captured Sisivie without encountering resistance on June 12. Another company was dispatched to establish a forward base in the Wakunai Valley, successfully creating observation posts that overlooked Inus Point and the large Numa Numa Plantation by June 21. After conducting extensive bombardments against remaining Japanese positions, the Australians finally secured the remainder of Wearne's Hill on June 24. Starting June 26, the 7th Battalion began probing towards Centre Hill, which they ultimately found abandoned on July 6. Meanwhile, on July 3, Tokua was occupied as a base for future operations probing north toward Ibu and Buritsiotorara. Artillery and aircraft continued to harass North Hill, which was finally captured on July 13. Just five days later, Cameron's Hill was also successfully attacked and secured. The 7th Battalion then pressed forward along the main track towards Charlie Creek and McInnes Hill, achieving their objectives by August 8 as the remaining Japanese forces were forced to retire to Numa Numa. Looking north, the 55th/53rd Battalion took over from the exhausted 26th Battalion in early April, following the fall of the Soraken Peninsula. Upon assuming command, Lieutenant Colonel Stevenson immediately directed the 55th/53rd to cross the Nagam River and launch an attack towards Pora Pora, a key strategic location in the region. The battalion pressed on along the main coastal track, but on April 13, they faced an unsuccessful assault against the enemy positioned at McKinnon's Ridge. Meanwhile, a company from the battalion moved through an inland route, encountering no resistance as they advanced to a position just two miles from Pora Pora. Recognizing the resolute enemy defenses along the main track, the Australians initiated a program of heavy artillery bombardment, complemented by flanking maneuvers designed to outmaneuver the entrenched defenders. This relentless strategy began to pay off, eventually forcing the Japanese to retreat on April 21. During this critical period, the unopposed company on the inland track continued to push forward until it was only one mile from Pora Pora. In the following four days, the 55th/53rd Battalion fought its way into the Pora Pora bottleneck, engaging in fierce combat that successfully expelled the Japanese forces by April 30. With this victory, the Australians were able to continue their advance northward, making rapid gains against a retreating enemy. On May 4, they captured the Ratsua jetty, a vital logistics point that facilitated further operations. Two columns of the 55th/53rd commenced a swift march towards Ruri Bay, while a company from the 26th Battalion successfully seized Torokori Island on May 6. Three days later, as they finally approached Ruri Bay, the Australians successfully repelled an enemy ambush. However, Brigadier Stevenson's orders were now to halt their advance at the Ratsua-Ruri Bay line and focus on active patrolling extending northward to Tarbut and Tarlena. Despite this directive, the situation became increasingly precarious. The Japanese, bolstered by four small provisional battalions of naval troops under Captain Kato Ekichi, grew aggressive beyond the established line. Daily patrol clashes erupted, with Australian positions and supply lines subjected to constant ambushes. Recognizing the need for reinforcements, the weary 55th/53rd Battalion was relieved by the 26th Battalion on May 21. In response, the 26th immediately dispatched two companies to thrust forward in the area south and east of Buoi Plantation. However, these units quickly encountered strong counterattacks, while patrols faced heavy resistance around Siara and Chindawon. As Stevenson's forces found themselves facing a fortified opponent stronger than anticipated, permission was granted to send two companies from the 31st/51st Battalion to take over the western sector on June 3. Despite this reinforcements, the Australians continued to struggle to make meaningful progress northward. After the 26th Battalion had been in the line for three hard weeks its diarist wrote that the campaign had become one of "holding a superior number of enemy by the aggressive action of a tired depleted battalion-companies were no more than half strength and had been in forward areas continuously for four months". The battalion's fighting strength on 3rd June was only 23 officers and 353 other ranks. The constant patrolling, the artillery fire and the raids on jeep trains on tracks well to the rear were wearing down the men's spirits. In response to the persistent challenges, a strategic decision was made to outmaneuver the Japanese by landing a reinforced company of the 31st/51st Battalion at Porton Plantation, aiming to approach the enemy from the western flank. During the early hours of June 8, the assault force successfully landed unopposed and swiftly established a perimetric defense reaching 150 yards inland. However, the surprised defenders quickly regrouped, unleashing a barrage of machine-gun fire that effectively thwarted the unloading of heavy weapons, reserve ammunition, and essential supplies. Although supporting artillery fire was effectively directed at the Japanese positions, the Australians soon found themselves pinned down as Captain Kato reinforced the defenses surrounding their perimeter. To complicate matters further, a convoy of Australian supplies and reinforcements attempting to reach the newly established perimeter was successfully repelled by the tenacious defenders during the night. The next morning, it was decided to withdraw the force late that evening. However, as the Australians prepared for their retreat, the Japanese launched a strong counterattack from three sides. The enemy attacked in relentless waves, and although they were met with devastating Australian fire, the pressure forced the company to pull back towards the beach. In the morning they launched what was evidently intended as a final blow, thrusting from three sides. Now estimated at over 400 they attacked in waves and were mowed down by the Australian fire. To confuse their enemy they shouted English phrases such as "Watch the right flank", "Throw it in the middle", "It's only me, Jack", and so on. The Australians pulled back towards the beach and at 1 p.m. During the afternoon, three landing craft moved towards the beach under heavy enemy fire in an effort to embark the soldiers. Unfortunately, two of the crafts were overloaded and became stranded. One eventually drifted off with the tide during the evening; however, the other remained besieged by heavy fire throughout the night. On June 10, Australian forces continued their attempts to rescue the stranded men, launching efforts under the cover of a strong air attack. At dawn on June 10, there were 38 living men on board the besieged landing craft, commanded by Corporal Hall. Their meager arsenal included two Bren guns, five Owen submachine guns, and nine rifles. The remaining rations consisted of eight tins of fruit or vegetables, three or four tins of meat, and three tins of condensed milk. Corporal Hall devised a defensive plan to maximize their chances of survival. He removed the wooden shelves under the overlapping sides of the ALCA to create protective cover under the flaps for all the troops. The dismantled wireless set was discarded overboard to free up additional space. To assist with breathing during rising tides, each man was issued six-inch lengths of copper piping. A continuous watch was kept from the coxswain's enclosure to monitor Japanese movements and report any developments. The soldiers cleaned and oiled their weapons using lubricant sourced from the engines, ensuring that they were well-maintained and ready for use. A medical kit was placed in the capable hands of a member of the 19th Australian Field Ambulance, who diligently distributed morphine and dressings as needed. At 15:30 on June 10, a concerted effort to rescue the stranded survivors commenced. An intense and precise air attack targeted the enemy positions, but unfortunately, it failed to hit the pillbox from which most of the fire directed at the barge was originating. Bombers dropped inflated rubber rafts near the landing craft in an attempt to assist, but Japanese gunfire prevented any men from reaching these lifelines. Under the cover of an artillery smoke screen, a landing craft attempted to reach the shore. However, enemy fire wounded several crew members, including the coxswain, damaging the steering gear and causing the craft to circle out of control. Amidst this chaos, Corporal Hall attempted to silence the pillbox with a Bren gun, but his efforts were in vain. In a desperate bid to assist the aircraft in locating the target, he splashed bullets towards the pillbox, yet the attempt proved futile as the damaged landing craft was forced to withdraw. They successfully repelled several Japanese parties attempting to swim out to the immobilized craft during the night. Finally, in the early hours of June 11, the besieged Australians were rescued by three assault boats, managing to pull them from the critical situation. In this endeavor, the Australian forces suffered significant losses, with 23 men reported killed or missing and 106 wounded. Among these casualties, five killed and seven wounded belonged to the 42nd Landing Craft Company. Estimates suggest that the Japanese forces faced losses of approximately 147 confirmed dead, with an additional 50 likely killed. The infantry units suffered specifically dire consequences, with two officers killed and three wounded, these included both company commanders, leaving only Lieutenants Patterson and Reiter, two young veterans from the 6th Division, as the sole surviving leaders from six platoon commanders. Additionally, 14 other ranks were reported killed or missing, while 57 were wounded. Of those wounded, five were sent to the field ambulance suffering from exposure, and nine sustained cuts and bruises. The repulse of the Australian attempt to land near Porton on June 8, 9, and 10 significantly boosted Japanese morale. Observers reported that the landing occurred on a rough strip of beach, making it difficult for the enemy to negotiate the surrounding reefs. The high ground in the vicinity provided an excellent vantage point for the Japanese, allowing for optimal placement of automatic weapons. In response to the Australian advance, Captain Kato swiftly dispatched 150 troops from Chabai to reinforce the approximately 100 men already engaged in combat. These reinforcements succeeded in thwarting any further enemy landings, ultimately pushing the Australians back to the beach, from where their remaining forces were evacuated in haste. Kato estimated that around 250 Australians had landed, resulting in the loss of 60 killed and 100 wounded, alongside 26 Japanese fatalities. If the Japanese report regarding their own losses is accurate, it suggests that both sides engaged in this grim action sustained approximately equal losses. Moreover, during this battle, the reinforced 26th Battalion failed to exploit this diversionary attack, missing the opportunity to push against the stubborn resistance of Captain Kato's isolated posts. On June 20, Brigadier Potts' 23rd Brigade began taking over the northern sector, with orders to contain the Japanese forces in the Bonis Peninsula and patrol towards Buka Passage. This relief operation was completed by the end of the month. However, the 8th and 27th Battalions continued to face harassment from Kato's deep patrols throughout July. Ultimately, the overextended 27th Battalion on the right flank was withdrawn on July 22 to allow the 8th Battalion to successfully attack and capture Commo Ridge the following day. On July 24, the 8th Battalion launched an unsuccessful attack on Part Ridge. However, this heavy assault shook the defenders, paving the way for the Australians to capture the ridge against light opposition on August 5. This marked the last major action of the Bougainville Campaign. In total, Savige's 2nd Corps endured losses of 516 Australians killed and 1,572 wounded. It is estimated that approximately 8,500 Japanese soldiers were killed by Australian forces and their native allies, while an additional 9,800 succumbed to illness during the Australian period on Bougainville. By the end of the campaign, only 23,571 men remained out of about 65,000 who had been on the island when the Americans launched their attack in November 1943. Now, attention turned westward to Balikpapan, where General Milford's 7th Australian Division successfully landed on July 1. They secured an important perimeter extending through Santosa Hill, Parramatta, Mount Malang, and Stalkudo. The battle resumed the following day, with the 2/14th Battalion advancing along the Vasey Highway to seize the Sepinggang airstrip unopposed. Meanwhile, the 2/3rd Commando Squadron took over the area northeast of Stalkudo, though they made little progress toward the Lady Schofield feature due to heavy enemy fire. The 2/27th Battalion strengthened and extended its hold on the high ground northwest of Stalkudo. The 2/16th Battalion pressed northward, successfully capturing Resort, Owen, and Oxley without sustaining any losses. The 2/12th Battalion took Potts and consolidated its position on Portee. The 2/10th Battalion conducted mopping-up operations in the secured areas, patrolling vigorously forward, and also seized Mount Sepuluh. Lastly, the 2/9th Battalion, supported by a troop of tanks, cleared Kandasan town along the coast as far as Signal Hill. By the end of the day, Brigadier Eather's 25th Brigade had landed to take over the central portions of the front, tasked with pushing inland astride the Milford Highway. On July 3, one company of the 2/10th Battalion advanced through the port, while another cleared the Tank Plateau, and a third focused on the lower ground between the plateau and Parramatta. Concurrently, the 2/9th Battalion, supported by its troop of tanks, successfully took the Santosa barracks, which they had bypassed the previous day. The division now held a bridgehead approximately five miles wide and one mile deep, successfully securing one of the two airstrips. On July 3, light aircraft began operating from this newly established base. However, unloading heavy equipment and stores proved to be a challenging task, causing considerable anxiety among the troops. A swell made it difficult to transfer loads to Landing Craft Tank (LCTs) and small craft, while it was impossible to run the Landing Ship Tank (LSTs) directly onto the beach. By 06:00 on July 3, progress was evident, with 985 vehicles and 1,932 tons of various equipment and stores successfully landed, alongside 16,950 men ashore. Later that morning, an LST began unloading at a pontoon jetty constructed on Green Beach by an American naval construction battalion. The captured port was a scene of devastation, characterized by wrecked workshops and warehouses, leaving little more than twisted, rusty steel and piles of rubble where houses once stood. The seven wharves designed for ocean-going vessels had all been burned, rendering them unusable. Among the debris, one dump of scrap iron collected by the Japanese from the ruins measured 520 yards long, with another scrap pile opposite it stretching about 150 yards. As unloading operations continued on the main beaches, the 2/14th Battalion began moving towards the Manggar airstrip but found themselves halted at Batakan Kechil. The 2/27th Battalion took over the defense of the Sepinggang strip, and the 2/3rd Commando Squadron discovered the Lady Schofield feature abandoned, allowing their patrols to press on more than a mile across the high ground overlooking the Sepinggang River. Meanwhile, the 2/33rd Battalion encountered heavy opposition in the hills above Chilton Road but managed to capture Opus, Operator, and Oxygen, as well as a height to the northeast named Orange. The 2/31st Battalion advanced along Milford Highway, facing increasing opposition, but they rapidly secured the junction with Chilton Road. However, they were unable to capture the strong enemy defenses at Nobody and Nurse. The 2/12th Battalion began a march towards Pandansari but had to assault Nail to eliminate the threat of enemy harassing fire. The following day, while the 2/33rd Battalion occupied Letter and Lewis, the 2/31st found Nobody and Nurse abandoned, allowing them to easily secure these features. One company also took control of Nail and began probing towards Lodge. At the same time, the 2/14th Battalion resumed its advance towards Manggar. They successfully crossed the river and pushed 1,300 yards across the airstrip without facing any opposition. However, after midday, heavy Japanese fire unexpectedly swept across the airfield, resulting in the deaths of several officers at the control tower. Despite this setback, and aided by the fire from destroyer Eaton, the Australians pressed on and ultimately secured Manggar and its airfield. By the end of the day, General Milford had successfully pushed the enemy out of Balikpapan and further secured the Sepinggang and Manggar strips. However, it became clear that Admiral Kamada was attempting to withdraw the remnants of his force to the Batuchampar area, aiming to delay any advance along the Milford Highway for as long as possible. The 454th Independent Battalion continued to hold the commanding terrain north of Manggar, and on July 5, its defenses came under intense naval, air, and artillery bombardment, which initially failed to silence the Japanese guns. Meanwhile, Brigadier Eather pressed his advance north in the center. The 2/25th Battalion took control of the positions at Nurse and Nail, while the 2/33rd pressed on against dwindling opposition to capture Mackay, Marshall, Mutual, and Margin. The 2/31st Battalion moved forward to seize Letter and Lewis, followed by the capture of Laverton and Liverpool. Recognizing the necessity of securing the western side of Balikpapan Bay to facilitate port operations, Milford ordered Brigadier Chilton's 18th Brigade to land the reinforced 2/9th Battalion at Penadjam. Following a naval and artillery bombardment, the landing was executed unopposed during the afternoon of July 5, with patrols of the 2/9th immediately probing north and south to secure the perimeter. The following day, a patrol moved south toward Nanang village and onward to the Sesumpu River, while other units explored the area towards the Riko River and Separi. On July 6, the 2/33rd Battalion successfully attacked and captured Metal and Muffle, but they were ultimately repelled from Judge. Meanwhile, the 2/25th pressed onward, taking control of Liverpool and occupying Huon. Looking southeast, the 2/14th Battalion began to probe enemy positions on this day. A strong patrol successfully captured Waites' Knoll but had to repel a series of strong counterattacks during the night, while another patrol was forced back along Vasey Highway. Over the next few days, the Australians continued to engage, probing and bombarding the commanding enemy positions. Ultimately, the 2/14th launched an attack and captured the Frost and Brown features on July 9, effectively eliminating the enemy threat in that area. Meanwhile, the 2/16th Battalion and the 2/5th Commando Squadron attacked an enemy concentration at Gate on July 6 and secured the position two days later, further solidifying their hold on Grand by July 9. To the northwest, on July 7, the 2/25th Battalion moved to Cult and then attempted an assault on Jam but was repelled by fierce defenders. The following day, while Jam underwent probing and bombardment, the 2/33rd Battalion discovered Justice abandoned after heavy shelling and pressed on toward Joint and Judge. Concurrently, Brigadier Eather had dispatched the 2/6th Commando Squadron into the hills overlooking the Sumber River. They successfully occupied Job on July 8 and seized Freight the following day. By July 9, after a concentrated artillery barrage, Jam, Joint, and Judge finally fell as the 25th Brigade secured the first stretch of the Milford Highway to Batuchampar. The 2/31st Battalion then advanced to a road bend due north of Junior, where they encountered an ambush by Japanese raiders. Meanwhile, a company of the 2/9th Battalion landed unopposed at Djinabora on the afternoon of July 8, and on the following day, a patrol base was established at Teloktebang. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. General Hammer launched a fierce campaign across Bougainville, battling entrenched Japanese troops, they secured the strategic Soraken Peninsula and advanced toward the vital Hongorai River. By July, they had reached the Hari River, significantly weakening Japanese defenses. However, relentless rain hindered further operations.
Take our free English fluency quiz. Find out if your level is B1, B2, or C1. Do you love Business English? Try our other podcasts: All Ears English Podcast: We focus on Connection NOT Perfection when it comes to learning English. This podcast is perfect for listeners at the intermediate or advanced level. This is an award-winning podcast with more 4 million monthly downloads. IELTS Energy Podcast: Learn IELTS from a former Examiner and achieve your Band 7 or higher, featuring Jessica Beck and Aubrey Carter Visit our website here or https://lnk.to/website-sn Send your English question or episode topic idea to support@allearsenglish.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Episode Notes For the Uniform: Michael Eddington is a smarmy bastard. Marooning is cruel and unusual punishment. The Maquis. Experimental Holo-Zoom. Jude gets angry about Starfleet's DevOps. Odo reminds them that Eddington is their problem because they didn't trust Odo. The Defiant as submarine. Eddington has freshman philosophy major energy. The wrestling theory of heat. Warcrime Airhorn 1: Biogenic weapon Warcrime Airhorn 2: Les Mis, the novel Warcrime Airhorn 3: WMDs on a civilian population Warcrime Airhorn 4: Firing on an unarmed civilian transport Warcrime Airhorn 4: WMDs on a civilian population Warcrime Airhorn 0: Faking a distress signal BabSpace9 is a production of the Okay, So network. Connect with the show at @babylonpod.page Help us keep the lights on via our Patreon! Justen can be found at @justen.babylonpod.page Ana can be found at @ana.babylonpod.page, and also made our show art. Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast. Jude Vais can be found at @jude.athrabeth.com. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings. Clips from the original show remain copyrighted by Paramount Entertainment and are used under the Fair Use doctrine. Music attribution: Original reworking of the Deep Space 9 theme by audioquinn, who stresses that this particular war crime is not their fault. This show is edited and produced by Aaron Olson, who can be found at @aaron.compleatdiscography.page Find out more at http://babylonpod.page
Dorotheos and Eusebia, a devout, aging Christian couple who lived in Anatolia, had no children. After many years, their fervent prayers for a child were answered, and they were blessed with a daughter, whom they named Kyriake ('Sunday' in Greek) because she was born on the Lord's day. The child grew up beautiful in body and soul and, though she had many suitors, chose to consecrate herself entirely to God and remain single. One of her suitors, angered at her refusal, denounced her and her parents to the Emperor Diocletian. Dorotheos and Eusebia were subjected to cruel tortures, then sent into exile, where they died under further torture. Kyriake was sent to Maximian, Diocletian's son-in-law, for trial. By his orders, she was subjected to a horrifying series of torments; but Christ Himself appeared to her in prison, healing and comforting her. Many pagans came to believe in Christ when they saw her miraculously saved from death by fire or from wild beasts; all of these were beheaded. Kyriake told Apollonius, the general who supervised her tortures: 'There is no way that you can turn me from my faith. Throw me into the fire — I have the example of the Three Children. Throw me to the wild beasts — I have the example of Daniel. Throw me into the sea — I have the example of Jonah the Prophet. Put me to the sword — I will remember the honored Forerunner. For me, to die is life in Christ.' Apollonius then ordered that she be beheaded. At the place of execution, she raised her hands in prayer and gave up her soul to God before the executioner could take her life. Note: St Kyriake is also known as Dominica or Nedelja, Latin and Slavonic words for 'Sunday'.
In the first hour of today's show, the guys recap another Braves series loss. Trae Young gets cryptic on social media.
It's the 150th episode of the Truth About Vintage Amps! How did that happen? Thanks, as always, for being a part of the world's finest call-in tube amp repair show. Want amp tech Skip Simmons' advice on your DIY guitar amp projects? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too. Some of the topics discussed this week: 1:26 The Esparto fireworks storage facility explosion (link); salvaging organ pedals 6:22 Jason's life updates: Issue 57; Fretboard Summit (link); trail running; watching the 2025 Western States Endurance Run 11:46 Standel amplifier quirks, voltage regulator tubes, Dave's Hot Chicken kale slaw 16:36 Our sponsors: Grez Guitars; Emerald City Guitars and Amplified Parts! Amplified Parts is having a Fourth of July sale right now (act fast) 19:17 The Fretboard Summit Pinewood Derby race 22:03 Honorary sponsor: Tin Can Valley Letterpress (link) 23:10 Recommended reading: Matthew Zapruder's 'Story of a Poem' (Amazon link) 25:22 An Ampeg V4 / V4B bias circuit baffler 28:07 Single-ended amp 101; Stouffer's Hotel cherry chocolate cake 41:19 Channel jumping on a Silvertone 1482 and other amps; Neil Young 46:00 Music recommendation: Round Eye from Shanghai 47:11 Why do these homebrew 5F1 clones have blackened input jacks? 49:31 The Fender 400PS schematic 54:18 Harmony 420 amps, making a pre-amp out of a Heathkit volt meter 1:00:05 The Fretboard Journal's Dumble short film with Ben Harper (YouTube link) 1:01:46 Dave Hill at the 2025 Fretboard Summit! 1:02:34 Redwood cabinets on Gibson Falcons; Lima, Peru's Los Saicos band 1:12:21 A-Z Darts in Sacramento (link) 1:16:04 Getting a mono tube hi-fi for music playback 1:23:56 Listener Yann at Body and Soul Instruments (Instagram); the new Robert Johnson book (Amazon link) 1:25:24 Keeping the 12v DC power supply on old PA amps? Doug Hoffman 1:30:54 How far should I mod this 1980 Fender Deluxe Reverb? 1:37:24 Ishi in Two Worlds (Amazon link) Recorded July 4, 2025. Want amp tech Skip Simmons' advice on your DIY guitar amp projects? Want to share your top secret family recipe? Need relationship advice? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too. Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. Don't forget, we have a Patreon page. Support the show, get behind-the-scenes updates and get to the front of the line with your questions.
Life on a Nebraska farm is mostly corn, cows, and the occasional existential crisis—until the barn starts playing the world's creepiest game of “Marco Polo.” Kylie hears her name echoing from the hayloft, climbs up expecting her twin, and instead meets a pint-size specter in dusty overalls who clearly missed the memo about private property. Soon, the whole family's enjoying midnight footsteps, doors with minds of their own, and newborn puppies receiving ghostly playdates. Throw in children's clothes walled up like some HGTV: Exorcist Edition and dreams of a dad-turned-ax-murderer, and you've got a farmhouse fixer-upper only the undead could love. If you have a real ghost story or supernatural event to report, please write into our show or call 1-855-853-4802! If you like the show, please help keep us on the air and support the show by becoming a Premium Subscriber. Subscribe here: http://www.ghostpodcast.com/?page_id=118 or at or at http://www.patreon.com/realghoststories Watch more at: http://www.realghoststoriesonline.com/ Follow Tony: Instagram: HTTP://www.instagram.com/tonybrueski TikToc: https://www.tiktok.com/@tonybrueski Facebook: https://www.facebook.com/tony.brueski
Vince and Chip have that chat. CW: Insects maggots, larvae, eye and internal body horror, gore, explosions, gunshots, collapsing building sounds, dog barking / growling sounds, sounds of a flamethrower, description of a dog in peril (unharmed), tequila and other alcohol use. Written by Cam Collins and Steve Shell Produced and edited by Cam Collins and Steve Shell Narrated and performed by Steve ShellSound design by Steve ShellIntro music: “The Land Unknown (The Home is Nowhere Verses)” written and performed by Landon BloodOutro music: “Stone's Throw" by Jon Charles Dwyer (available exclusively on the Old Gods of Appalachia bandcamp page at oldgodsofappalachia.bandcamp.com) Special equipment consideration provided by Lauten Audio.LEARN MORE ABOUT OLD GODS OF APPALACHIA: www.oldgodsofappalachia.comCOMPLETE YOUR SOCIAL MEDIA RITUAL:FacebookInstagramBlueskySUPPORT THE SHOW:Join us over at THE HOLLER to enjoy ad-free episodes, access exclusive storylines and more.Buy t-shirts, hoodies, mugs, and other Old Gods merch.CLASSIC MERCH: merch.oldgodsofappalachia.comTOUR MERCH & SPECIALTY ITEMS: oldgodsmerch.com.Transcripts available on our website at www.oldgodsofappalachia.com/episodes.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.
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