Podcast appearances and mentions of Annie Lennox

This week on The Metro, Rev. Jeff Ivins brings the following artists for your weekly time warp to the 1980s with: Men Without Hats, A Flock Of Seagulls, The Tubes, The Flying Pickets, Rave-Ups, Murray Head, Bus Boys, Joboxers, Eddie Money, Corey Hart, The Cars, X-Ray Spex, Sting doing a duet with Annie Lennox, Rick […]

Mit program med min kones favoritsange, har været længe undervejrs og vi har en rum tid joket med det, men nu skulle det være. Jeg må sige det er en upåklagelig god liste min frue har valgt, desværre blev der ikke bliver plads til alle ønskerne. Du kan høre anekdoter og historier om: Annie Lennox, valget af In My Life med Beatles, Dire Straits, Bruce Springsteen, David Bowie, The Band og mange flere.

I denne uges udsendelse skal det handle om en legendarisk prisuddeling, for i går (19. februar) var det nemlig præcis 30 år siden, at den britiske musikpris Brit Awards 1996 blev uddelt ved et stort show i Earl's Court i det vestlige London. Ved uddelingen året før havde der været et ”blodigt” opgør mellem Blur og Oasis, og Blur endte med at vinde 4 priser mod Oasis' ene. Men i 1996 er britpoppen på sit højeste, begge bands har udgivet nye albums året før, og der er derfor endnu engang lagt op til en duel mellem de 2 grupper. Det skal vise sig at blive en aften der udvikler sig til et af de mest vilde shows i 90'erne. Som en rollercoaster i frit fald. Ikke mindst pga. de mange superkendte stjerner der har lagt vejen forbi London denne aften. Det er bl.a. Kylie Minogue, Bob Geldof, Robbie Williams, Tina Turner, Pete Townshend, Massive Attack, Celine Dion, Brian Eno og sågar Tony Blair. Vi spiller også flere numre fra nogle af aftenens store stjerner deriblandt, David Bowie, Simply Red, Annie Lennox, Take That, Pulp og selvfølgelig også Blur og Oasis. Derudover mindes vi gamle tandbørster, vi kigger endnu engang på den turbulente Michael Jackson optræden, vi overvejer hvad der mon var særligt ved uddelingen i 1999, og så kommer vi også lige forbi en forbigået Per Gessle, Alanis Mosilette, en vred Michael Hutchence, den amerikanske psykolog Howard Gardner, Björks daværende forlovede, diverse James Bond film og så afslører Andy sin store afhandling om den engelske 90'er skuespiller Neil Morrisseys afdøde bror. Playliste: Blur - Parklife Simply Red - Fairground Supergrass - Alright Alanis Morissette - Hand in my pocket INXS - Elegantly wasted Take That - Back for good Pulp - Sorted for E's & Wizz Annie Lennox - No more I love you's Oasis - Roll with it David Bowie - Hallo spaceboy (Pet Shop Boys Mix) David Bowie - Under pressure (Live at Brit Awards 1996)

Laut Musikmagazin Rolling Stone zählt der Song zu den 500 besten aller Zeiten, die die Rockgeschichte geprägt haben. Geschrieben wurde er 1956 von Screamin' Jay Hawkins und bis heute wurde der Song vielfach gecovert: von Nina Simone über Annie Lennox bis Bonnie Tyler. Eine ganz besonders gelungene Version stammt von der Soulsängerin Joss Stone und dem Jazz-Rock-Gitarristen Jeff Beck – findet der Mannheimer Popexperte Prof. Udo Dahmen.

This week's Mixtape Rewind takes us back to Season 3 when we first thought of the idea that would become our podcast, The Battle.What happens when two totally different songs share the exact same title? We built a “battle mix” to find out—pairing heavyweights and outliers across genres and decades—then we argue, analyze, and crown winners. From Go to Get Back, each round reveals how a single word can split into protest anthems, breakup arias, dance‑floor bliss, or guitar‑driven chaos.We kick off with Blink‑182 and The Black Keys on Go, weighing a bold tonal shift against a signature groove. Eurythmics steamroll Charles & Eddie on Would I Lie To You with brass, bite, and Annie Lennox's powerhouse vocal. True Love sparks a values debate: Angels & Airwaves deliver a soaring, cinematic build while Coldplay's “lie if you must” line clashes with the title. Roy Orbison's You Got It proves timeless compared to a New Kids on the Block time capsule. Then it's Growing Pains, as Alessia Cara's present‑tense anxiety meets Ludacris's reflective narrative—two coming‑of‑age angles, one title.The center of the card gets fiery. Green Day's Holiday channels mid‑2000s protest energy against Madonna's disco‑pop celebration. Rihanna's Take A Bow serves velvet‑gloved dismissal, while Muse opens an album with a synth‑rock chill that lingers. Tupac and The Beach Boys both claim I Get Around, one with effortless charisma and the other with historic chart significance. Foo Fighters' Run slams with near‑metal intensity, outpacing Snow Patrol's slow‑burn. Happy pits NF's candid mental‑health lens against Pharrell's pure joy machine—two roads to one feeling. And our main event, Get Back, throws Ludacris's peak hit‑maker energy against The Beatles' cultural gravity and complicated context. https://music.apple.com/us/playlist/same-name-different-songs-mix/pl.u-JPAZEoJTLd7Y15jhttps://open.spotify.com/playlist/1sCtai2Hujfbv9kZD0qnU9?si=779125752f4c4f3f     Go by The Black KeysGo by blink-182Would I Lie To You? By Charles & EddieWould I Lie To You? by Eurythmics, Annie Lennox,Dave StewartTrue Love by Angels & AirwavesTrue Love by ColdplayYou Got It (The Right Stuff) by New Kids On The BlockYou Got It by Roy OrbisonGrowing Pains by LudacrisGrowing Pains by Alessia CaraHoliday by Green DayHoliday by MadonnaTake A Bow by RihannaTake a Bow by MuseI Get Around by 2PacI Get Around by The Beach BoysRun by Snow PatrolRun by Foo FightersSummertime by DJ Jazzy Jeff & Fresh PrinceSummertime by Kenny ChesneyHAPPY by NFHappy by Pharrell WilliamsGet Back by LudacrisGet Back by The BeatlesGo to My.SuperAwesomeMix.com and start using our new app on any device - mobile or laptop.  Copy and paste a link to your playlist then turn it into an old school mixtape in minutes!  Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

Dave Stewart is a true music icon. Born in Sunderland in 1952 his first love affair was with football – dreaming of a career playing for the Black Cats, but a knee injury and his parents' divorce changed his entire outlook. Music filled a hole - despite a music teacher who described his dreams as ‘idiotic' it became his passion, inspired by his Dad's high-tech (for the 70s!) stereo system, a Robert Johnson blues album and some eye-opening teenage experimentation with acid.He signed to Elton John's record label shortly after leaving school and after several false starts he met Annie Lennox in 1976 and formed a band together called The Tourists – a pre-curser to the significantly more successful 80s project The Eurythmics .In the 45 years since then Dave has done it all – as an artist he's a Grammy winner, as a producer he's won multiple Brit Awards, as a song-writer he's won the prestigious Silver Clef award, he's won a Golden Glove for composing a song with Mick Jagger for Alfie and in 2024 he teamed up with Joss Stone to write a musical version of The Time Traveller's Wife. It's hard to put his contribution to music into context because his impact on popular music is so vast.Let me list just SOME of the artists he's produced, written for or recorded with:Paul McCartney, Bono, Aretha Franklin, Alison Moyet, Bryan Ferry, Sinead O'Connor, No Doubt, Jon Bon Jovi, Bob Geldoff, Bryan Ferry, & Stevie Nicks. In fact in 2011 he briefly formed a supergroup comprised of himself, Mick Jagger, Joss Stone, Damian Marley and A.R. Rahman.He's one of the great innovators – in 1998 his album SlyFi became the first album to be released on the internet – it predates Google, and MySpace and Facebook wouldn't be launched for another SEVEN years.Now in his early 70s he continues to inspire – until Covid he owned and ran a creative members club in London, and through his production company Dave Stewart Entertainment he continues to push musical boundaries and work with some of the world's biggest names in music.Enjoy our chat with an icon. Cheers! Hosted on Acast. See acast.com/privacy for more information.

UNLOCKED: we've decided to share this interview with writer Toby Manning that we originally distributed to patrons in May 2025. To hear dozen more bonus episodes on a vast array of topics, visit Patreon.com/LoveMessagePod to become a patron.In this episode we welcome writer Toby Manning to the show to discuss his recent book Mixing Pop and Politics: A Marxist History of Popular Music. Toby's book offers a political reading of popular music, taking as its methodological starting point the songs found in the charts from the 1950s to the present day, to explore how the music people listen to reflects and resists the politics of their time in fascinating ways.In this show Jeremy, Tim and Toby discuss the charts themselves, how we think of 'popular music', and discuss lyrics as a tool for analysis. This being LITM, we of course spend some time on the hits of the 1970s, but we hear also about '80s synth pop and yacht rock, Annie Lennox, MJ, and contemporary artists like FKA Twigs and Little Sims. Also found inside: the GLC, the High Sixties and Kneecap.Patreon.com/LoveMessagePodwww.loveisthemessagepod.co.uk

Josh and Drusilla finally discuss one of their favorite films, Bram Stoker's Dracula. From wiki: “Bram Stoker's Dracula is a 1992 American Gothic horror film produced and directed by Francis Ford Coppola and written by James V. Hart, based on the eponymous 1897 novel Dracula by Bram Stoker.[4][5][6] The film features an ensemble cast led by Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves, and introducing Sadie Frost in her film debut as Lucy Westenra.  Its closing credits theme "Love Song for a Vampire" was written and performed by Annie Lennox.”Also discussed: Russ Meyer double feature of Up! And Vixen!, problematic faves, Wuthering Heights (2026), Donkey Skin, The Philosophical Research Society, Porky's, the career of Winona Ryder, and more!NEXT WEEK: Deranged (1974)Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

For the Season 11 finale, we present part two of our series on the ‘80s. We continue in the alt-rock/indie/new wave vein from our last episode – where we featured the likes of U2, The Cult, Bryan Ferry, Fine Young Cannibals and more. This week, we continue with: Robert Smith of The Cure in conversation with Christopher. Robert is painfully shy and yet quite revealing and is, in Tom’s words, “downright lovable”. The B-52s, who remember their early days and the struggle to continue after the death of guitarist Ricky Wilson. Dave Gahan and Martin Gore from Depeche Mode in a short chat with Christopher. Peter Garrett and the late Rob Hirst of Midnight Oil talking about being famous in Australia and trying to win over audiences in the Canada and the U.S. Toronto’s Jane Siberry, who was recently inducted into the Canadian Songwriters Hall of Fame, talks about her unique vision for her music – and why she carries around a “very soft bat” to ward off her fans. Christopher’s interview with Annie Lennox of Eurythmics as she talks about fashion and anti fashion. Producers note: The promised interviews with Pet Shop Boys, The Fixx and Thompson Twins will air in Season 12. We promise.

Skriv til os!Sisters are doing it for themselves! som Aretha Franklin og Annie Lennox synger og som Grace fra New York og Linda fra Accounting (eller strategy and planning) praktiserer det på en måde, der godt kan virke til at blive lidt for meget. I denne episode snakkes der om nye film fra anerkendte instruktører med relativt få film under bæltet. Nemlig Die My Love fra skotske Lynne Ramsay og Send Help fra amerikanske Sam Raimi. Med sig har de hvert deres par af hhv. Jennifer Lawrence med Robert Pattinson og Rachel McAdams med Dylan O'brien. Meget kan man sige om de to film, og det gør vi også i Række 8, men disse to film er i hvert fald ikke kedelige. God lyttelyst!(00:00:00) Intro(00:14:20) Die My Love(00:42:57) Send Help(01:04:05) Fangearme og teaser for næste ugeIntromusik produceret af Timur.Find Række 8 på Facebook og Instagram.Følg William på Twitter og LetterboxdFølg Jens på Twitter og Letterboxd

WHAAAAAAAAAAAAAAAAAAT'S UUUUPPPPP? Allison and Julie got together to watch and react to (one of?) the Outlander season 8 teaser trailers, and the new opening credits as sung by the great Annie Lennox. Looking to be "in" next season - bees. Pointing a gun at Coinface? OUT. Here are links to the Starz official teaser we're talking about, and s8 opening credits. And don't forget to check out Feminist Cross-Stitch! Back, back, back again - Allison and Julie Photo courtesy of Starz

Annie Lennox burst onto the international stage in the early 1980s as part of Eurythmics. The British synth-pop duo, also featuring Dave Stewart, was at the forefront of pop music's New Wave, and Lennox's appearance in the “Sweet Dreams” video – close cropped, bright orange hair in a bold man's suit and tie – created a captivating image that, when paired with her astonishing, soulful voice – was impossible to forget. After several more hits with Eurythmics, Lennox went solo in the 1990s, and became one of the most successful and awarded female British artists of the past 50 years. Over her career she has won 8 Brit Awards, 4 Grammys, an MTV Music Video Award, Billboard Century Award, an Oscar, and a Golden Globe. She is also a passionate and celebrated philanthropist. So join us for this special Patreon-sponsored episode as the Great Pop Culture Debate attempts to name the Best Annie Lennox Song.Songs discussed: “Sweet Dreams (Are Made of This),” “There Must Be An Angel (Playing with My Heart),” “Missionary Man,” “Little Bird,” “Sisters Are Doing It For Themselves,” “17 Again,” “I Put a Spell On You,” “Would I Lie to You?” “Here Comes the Rain Again,” “I Need a Man,” “Why,” “No More ‘I Love Yous','” “Walking on Broken Glass,” “Love Song for a Vampire,” “A Whiter Shade of Pale,” “Put a Little Love in Your Heart”Join host Eric Rezsnyak, Patreon sponsor Derek Mekita, and special guests Ashleigh Stiles and Todd Rezsnyak as they discuss and debate 16 of the most beloved songs from the Annie Lennox and Eurythmics catalogues.EPISODE CREDITSHost: Eric RezsnyakPatreon Sponsor: Derek MekitaSpecial Guests: Ashleigh Stiles (Wizard Radio), Todd RezsnyakProducer: Curtis CreekmoreEditor: Eric RezsnyakIntro/Outro Music: "Dance to My Beat" by Marc Torch#annielennox #eurythmics #80smusic #80s #80ssongs #90s #90smusic #sweetdreams #herecomestherainagain #britpop #synthpop #synthpopvibes #britawards #mtv #musicvideo #nomoreiloveyous #why #walkingonbrokenglass #diva #medusa #wouldilietoyou #missionaryman #podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatestSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're showing our age with the hope that is in 80's Rock Docs.On this episode we are seeing the collision of two of our biggest passions; film restoration and 80's Pop Culture Rock Docs.  It's time for 'The Long Way Home'.From the late Michael Apted, and restored from the only existing 16mm print, supervised by producer Steven Lawrence and editor Susanne Rostock. 'The Long Way Home: Remastered and Expanded  (2026)  is a revealing, rollicking portrait of the Soviet underground rock legend Boris Grebenshchikov, who became the first to record in the West during the early, optimistic days of Glasnost. The film features Boris Grebenshchikov, Dave Stewart and members of legendary Russian rock band Aquarium, with special appearances by Annie Lennox, Chrissie Hynde, Ray Cooper, Crosby, Stills & Nash and many more.Playing this coming Wednesday at To Save and Project: The 22nd MoMA International Festival of Film Preservation this is an event that is a must see if you're in New York.We got to talk with producer Steven Lawrence about restoring this story, the additional epilogue he shot with Boris, working with Michael Apted, this films place in Rock Doc lore and so very much more....

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our Patreon-sponsored episode devoted to the best songs from Annie Lennox and Eurythmics. Walk through the Round 1 match-ups and see which songs made the cut. The main episode will release on Tuesday, January 27, wherever you listen to podcasts.And if you love pop culture, ⁠⁠⁠sign up for our weekly newsletter⁠⁠⁠ to keep up on all the new movies, music, and TV shows dropping every week!CREDITS:Intro/outro music: "Dance to My Tune" by Marc TorchIG: https://www.instagram.com/greatpopculturedebate/Bluesky: https://bsky.app/profile/gpcd.bsky.socialWebsite: https://www.greatpopculturedebate.com/Patreon: https://www.patreon.com/greatpopculturedebateSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

En 1983, Eurythmics rompieron todos los moldes: se codeaban con Michael Jackson en las listas, redefinían el pop y sus vídeos se emitían a todas horas por la MTV. Pero tan solo un año atrás, el grupo, reducido al dúo formado por Annie Lennox y Dave Stewart, había tocado fondo: su álbum debut fracasó, la relación sentimental de Lennox y Stewart se rompió y no tenían un duro. Con un prototipo de sintetizador, un préstamo de 5.000 libras y una canción sin estribillo, Annie Lennox y Dave Stewart apostaron por su independencia y transformaron no solo su carrera, sino toda una era.

In this episode of She's All Over the Place, I had the wonderful opportunity to sit and chat with the producer, Steven Lawrence, to explore The Long Way Home: Remastered and Expanded (2026) Michael Apted's long-lost documentary about Soviet underground rock legend Boris Grebenshchikov and his extraordinary 1988 journey from Leningrad to the West during the early days of Glasnost. Filmed at a moment of rare optimism inside the USSR, the documentary follows Grebenshchikov as he records an album with Dave Stewart (Eurythmics), alongside Annie Lennox, Chrissie Hynde, Ray Cooper, and Crosby, Stills & Nash, becoming one of the first Soviet musicians to collaborate openly with Western rock stars. Remastered in 4K with new 5.1 sound and expanded with a newly created epilogue, the film now brings Boris's story up to the present: his disillusionment with post-Soviet Russia, his outspoken opposition to Vladimir Putin's war in Ukraine, and his eventual exile from his homeland. We discuss the film's disappearance for more than three decades, its rediscovery through MoMA's Film Preservation Festival, and why The Long Way Home now feels less like a period piece  and more like a warning, a memory, and a testament to the enduring power of music to resist censorship and tyranny. MoMA EVENT WEBSITE: https://www.moma.org/calendar/events/11134 MoMA SOCIAL MEDIA:o Instagram: @themuseumofmodernarto Facebook: facebook.com/MuseumofModernArt (@museumofmodernart) o LinkedIn: linkedin.com/company/the-museum-of-modern-art/ (@the-museum-of-modern-art) o TikTok: @museumofmodernarto Threads: @themuseumofmodernarto Twitter: @MoMAFilm Stay Connected with ME: https://www.chonacas.com/links/

In this episode, I sit down with drummer Paul Stewart for a conversation that starts with how music can connect people across oceans and turns into a deep dive on taste, touch, craft, and the long arc of a career. Paul and I talk about how I first discovered his band The Feeling years ago from a CD a friend handed me after a gig, and how that one listen turned into a long-term appreciation for the songs, the playing, and the production. Paul shares why so many musicians connected with that sound, and how their work pulled from both the 70s world of Supertramp, 10CC, Elton John, and Fleetwood Mac, and the deeper 60s roots that fed that era, like The Beatles, The Stones, The Kinks, and The Zombies. We get into drum sound, why that thuddy, dead 70s tone fits their music so well, and how those choices shaped the identity of the recordings.Paul walks me through his origin story, from being hooked on drum sound as a kid, to getting his first kit at 12, to saying yes to every playing opportunity he could find. He tells an incredible story about a middle school teacher who stayed late after school so Paul could get extra time in the drum room, and we zoom out on how mentors, parents, and supportive educators change the course of a life. From there, we talk about preparation, professionalism, and the responsibility you carry in an ensemble, including how the anxiety of being underprepared can be its own lesson in why doing the work matters. Paul also shares a regret he has about not keeping his reading chops sharper, and why playing along with records became his true north as a drummer.We dig into influences from both sides of Paul's musical world, from rock and early Chili Peppers and Rage Against the Machine, to the cassette tapes an uncle sent that opened the door to jazz, funk, fusion, and players like Vinnie Colaiuta, Dave Weckl, and the Tower of Power world. Paul explains how the UK acid jazz scene became a significant pull, and how an acid jazz band at music college eventually evolved into The Feeling. We also talk about what it's like working with major artists outside the band, including how touring logistics can lead to local musicians being hired, and how surreal it can be to play iconic songs with legendary voices while still remembering they're just musicians on stage doing the same job.A meaningful part of our conversation is about performance anxiety, stage fright, and the emotional extremes musicians ride before, during, and after gigs. We talk honestly about confidence, coping, and what it means to choose a healthier path, and we acknowledge that even global superstars can struggle with fear right before walking on stage. Paul and I also reflect on the approaching anniversary of The Feeling's first album, how those songs were originally recorded as a weekend friends project without any expectation of success, and how playing them now carries twenty years of growth, finesse, and perspective while still honoring the original parts that make the songs work. We close with what Paul has been up to recently, including work with Anastacia, Paul Young, The Voice UK, and the broader creative world around the band, and why music remains a powerful source of joy, balance, and hope for people everywhere.Music from the Episode:Never Be Lonely (The Feeling)Everyday and All of the Night (The Feeling)Sun Won't Shine (The Feeling)I Want You Now (The Feeling)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Merry Christmas!! On the December 25 edition of the Music History Today podcast, many legends pass away, including Dean Martin, Eartha Kitt, James Brown, George Michael, & happy birthday to Annie Lennox, Noel Redding, & Jimmy Buffet  For more music history, subscribe to my YouTube Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from  ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:16 What happened on this date in music history 05:12 Singles released on this date in music history 05:33 Podcast advertisement 05:52 Birthdays of music artists on this date in music history 07:50 Passings of music artists on this date in music history 08:58 What's on tomorrow's episode

This week we look at the Bondi massacres and the rise of anti-semitism in Australia and the Western world;  Amsterdam; Belgium; Germany; France; England;  Country of the Week - Bulgaria; Chile turns Conservative; The unelected EU President argues for elected democracies;  Tommy Robinson's Carol Service;  with music from Annie Lennox; Joshua Aaron; Mystery of Bulgaria Voices;  Booker T and the MGs;  The Ramones;  and Dave Henderson 

This week on The Metro, Rev. Jeff Ivins brings you the sounds of the 80s with: Olivia Newton-John, Bow Wow Wow, Bronski Beat, Kate Pierson, Peter Gabriel, Annie Lennox, Sigue Sigue Sputnik, Violent Femmes, Adam & The Ants, David Byrne/Ghost Train Orchestra, Heaven 17, Greg Kihn, Gary Numan, and finishing off with Martika.

It's a four pack of four very distinctly different coffee table style presentation that just might surprise you. Something new in the world of larger presentations from four iconic artists and bands. *Want the latest in Rock N Roll Book and Documentaries news sent to your inbox?  Sign up for the FREE monthly BLAST!! newsletter- right here Subscribe now and get the BONUS newsletter featuring the first annual Rock Talk Studio Holiday Shopping Guide!Support the showemail Big Rick at:info@rocktalkstudio.com

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $2 a month (Get On It)https://www.patreon.com/the80smontagepodcast*The views & opinions expressed in this Podcast are solely those of the individuals expressing them & do not represent the views or opinions of any third party.Where guests appear on the Podcast, their views & opinions are solely their own & do not represent the views or opinions of The 80's Montage hosts or team.The 80's Montage does not accept responsibility for the views of its guests & their appearance on this Podcast does not imply an endorsement of them or any entity they represent.*Links: Blame It On The Rain - Milli Vanilli https://youtu.be/BI5IA8assfk?si=mbLjFC3F-bgjbrYaDragon - Rain (Official Music Video)https://youtu.be/WuSCiJofGhk?si=xqg_T_ld8RIxsRwMEurythmics, Annie Lennox, Dave Stewart - Here Comes The Rain Again (Remastered)https://youtu.be/TzFnYcIqj6I?si=p0ALOTeK5DCpHyfdThe Cult - Rain HDhttps://youtu.be/RD5b_0QB0wI?si=yrl3VocaUL2LlW6IWindmere Boss Hair Crimper TV Commercial 1989https://youtu.be/oUUZoC4SRdc?si=ZJswlO4kKy1-uQaFPhil Collins - I Wish It Would Rain Down (Official Music Video)https://youtu.be/YcY3FH208l8?si=_CmvgHZKMOXYNiQpPrince - Purple Rain (Official Video)https://youtu.be/TvnYmWpD_T8?si=dJLVwTfqO1pmTWRHOran "Juice" Jones - The Rainhttps://youtu.be/9dZW1C3neao?si=FH6T6sa2H1Nfau30I Can't Stand the Rain - Tina Turnerhttps://youtu.be/X9bSL2S4POg?si=y9ziym7JT4fVv5i9Thanks For Listening!The 80's Montage Podcast

Jimmy Cliff, born James Chambers on 30 July 1944 in Somerton, St. James Parish, Jamaica, emerged from humble beginnings to become one of reggae's most beloved and influential figures. His parents worked modest jobs on a rural farm, and from a young age, Cliff showed a natural gift for singing. As a child, he sang in his church choir; by his early teens he had moved with his family to Kingston, determined to carve out a career in music. At just 14 years old, Cliff scored his first hit with the self-penned single “Hurricane Hattie”, a song that nods to his own miraculous arrival during a storm. With his early success in Jamaica, he soon caught the attention of producer Leslie Kong, whose Beverly's label would provide a platform for Cliff to record more material and refine his style. In 1965, Cliff followed an invitation from Chris Blackwell, founder of Island Records, to move to the United Kingdom. While in London, he experimented with combining ska, rocksteady, and soul influences, earning recognition beyond Jamaica. Over the late 1960s, he released key tracks like “Wonderful World, Beautiful People” and “Vietnam”, the latter gaining admiration for its protest message. A turning point in his career—and in the global recognition of reggae—came in 1972 with the film The Harder They Come, directed by Perry Henzell. Cliff starred as Ivan Martin, a small-time musician who is forced into a life of crime. The movie's gritty realism and its all-star soundtrack, featuring Cliff's vocals on songs such as “Many Rivers to Cross”, “Sitting in Limbo”, and the title track itself, resonated widely. The film is often credited with helping bring reggae to a wider international audience. Though Cliff continued to release music through the 1970s, he also explored his spiritual side—spending time in Africa and embracing Islam, as well as other spiritual practices. In the 1980s, he returned to a more mainstream sound and released Cliff Hanger, winning his first Grammy Award in 1985. The success continued: in 1993, his cover of Johnny Nash's “I Can See Clearly Now” for the Cool Runnings movie soundtrack became a global hit, reintroducing his voice to a new generation. Throughout his life, Cliff recorded prolifically—producing over 30 albums. His later work continued to reflect his commitment to social justice: in 2012, his album Rebirth, co-produced with Tim Armstrong of Rancid, won him another Grammy. In 2022, he released Refugees, a deeply humanitarian record inspired by global crises, which he used to voice solidarity with displaced people. Jimmy Cliff's influence extended far beyond his singing. He collaborated with a wide array of artists—from the Rolling Stones to Annie Lennox to Paul Simon—and his songs were covered by many others, underlining the universal appeal of his message. In recognition of his impact, he was inducted into the Rock & Roll Hall of Fame in 2010. In Jamaica, he was honored with the Order of Merit, one of the nation's highest accolades. On a personal level, Cliff was intensely private. He had several children, and his longtime partner, Latifa Chambers, survived him. His wife announced his passing on 24 November 2025, revealing that he died following a seizure and pneumonia. Jimmy Cliff's legacy is defined not just by his music, but by the spirit it carried: hope, resistance and unity. From his rural Jamaican beginnings to global stages, he remained true to his message and his people. In his words, he always believed in crossing to the other side—to higher ground. Now, his journey has come full circle, but his songs continue to carry that same power to uplift, to challenge, and to heal.To learn more about Jimmy Cliff head to his website https://www.jimmycliff.com/

The Guilty Feminist 458. Annie Lennox in Conversation at the V&A Presented by Deborah Frances-White with special guest Annie Lennox Recorded 26 September 2025 at The V&A in London. Released 24 November. Thanks to Tara Paterson, Gina Decio, Sophie Liardet, Stefanie Agar and everyone at V&A. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Annie Lennox and Retrospective https://www.instagram.com/officialannielennox https://www.rizzoliusa.com/book/9780847875559/ https://www.annielennox.com/annie-lennox-retrospective-pre-order-now https://www.onrpt.store/collections/annie-lennox https://www.vam.ac.uk/event/eJ0gQ7KdKA/annie-lennox-recording https://www.thecircle.ngo For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show Russell T Davies at Soho Theatre https://sohotheatre.com/events/the-guilty-feminist-9/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of The AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark and Kenny celebrate the end of Season Seven with a wide-ranging conversation about the Rebel Heart Tour - and it's Heart Rebel companion, Tears of a Clown. Topics include Q-Tips, thumb ailments, the comment flurry, Saturday Night Online, bathrooms, Grimes, ART, Billions, Bar Six, diehard fan finances, Kyle Richards, Kevin Antunes, Semtex Films, Michael Jackson, cages, union rope pullers, distancing vocals, Shogun, the Monte mullet, postulants and prophets, the power of red, leather caps and chiseled abs, pretzels, ukuleles, reuniting with Sean Penn, One Battle After Another, John Mulaney, the delight (and danger) in revisiting the hits, spiral staircases and subway escalators, casseroles, Cirque du Soleil and ABBA, cape nods, cafeteria politics, the MEDLEY, boxing in Detroit, David Bowie, Let's Dance, Labyrinth, Mick Jagger, Annie Lennox, detours, Paris, clowns, cast albums, Jerry Lewis, Grace Jones, deep cuts, cosmopolitans, Charlie Chaplin, thinking about Mirwais, raising money in Miami, covering Britney Spears, disrespectful fans, sandwiches, Valencia Gamble, flappers and scene work, slides, Edith Piaf, suffeRING, special guest bitches, flags, a special visit to Minneapolis, and how Madonna uses her speech at the Billboard Women in Music awards to begin to define her future. PLUS – the grading system returns, Kenny has a brand-new podcast idea, Mark brings back the Tribal Talking Stick, and Madonna takes to the streets with her guitar. “Joan of Arc said I could do it ALL!” Special Thank You to Simon Delaney for his Tears of a Clown memories. Dedicated to the memory of the brilliant and life-changing David Bowie.Rebel Heart Tour video directed by Semtex Films (2016)Rebel Heart Tour video directed by Billy “BigasBilly” Riegelmann

Det här är berättelsen om en grupp som vågade tänja på gränserna och om en tragedi som kom att skaka om musikvärlden i grunden. Lyssna på alla avsnitt i Sveriges Radio Play. Journalisterna trängs för att få ställa frågor på Grammisgalan i USA, 1996. Konstanta fotoblixtar lyser upp intervjuområdet. Bland årets vinnare finns stjärnor som Alanis Morisette, Annie Lennox och Seal, men det är inte dem journalisterna väntar på.Gruppen alla vill höra heter TLC. Tre vitklädda kvinnor kliver upp på scenen. Deras kreativt skurna kostymer visar magen enligt typiskt 90-talsmode och de har precis kammat hem två grammisar för bästa R & B-album och bästa R & B-framträdande av en duo eller grupp. T-Boz, Left-Eye och Chili har på bara några år blivit den bäst säljande kvinnliga gruppen någonsin. Med sin banbrytande R'n'B, galna outfits, dyra videor och allvarliga budskap om säkert sex och kvinnlig självständighet har de skakat om en hel genre. Ändå ser de långt ifrån glada ut när de står där på scenen, alla tre med en grammis i varje hand. Deras senaste album “Crazy Sexy Cool” har sålt i flera miljoner exemplar. Gruppen är känd över hela världen och musikvideon till låten “Waterfalls” spelas konstant på MTV. Men Chili, T-Boz och Left-Eye är ändå less på skiten.– We have worked very hard. We have been in this business for five years. And we are broke as broke can be.Medverkande: Mariana Benyamin Sir, Kim Rowland och Jazmine Rowland.Programmet gjordes av Robin Jonsson hösten 2025Producent Siri HillExekutiv producent Lars TruedssonSlutmix Fredrik NilssonP3 Musikdokumentär produceras av Tredje Statsmakten MediaLjudklippen i programmet kommer från: MTV (1992, 1995, 1998, 1999, 2002), ABC (1992), NBC (1994), V-103 Atlanta (2013), Arsenio Hall Show (1992), Nightly News (2002) och dokumentärerna TLC Forever (2023) samt Last Days of Left-Eye (2007).

BOO! This is one of my favorite times of the year. I am releasing this a bit early in time for Halloween night. Be safe out there! SO.... here it is, a special Halloween mix... Funk, Soul, Disco, House, and a few (creepy) things in between (with a few Tricks in the bag as well). Enjoy! Tim / Vin & VinylFor More Info:   https://linktr.ee/toolcrateradio | This Place Hotel (a.k.a. Heartbreak Hotel) [Single Version] | The JacksonsOut Come the Freaks | Was (Not Was)Superstition (Original Mix) | Block & CrownPusherman | Happy GutenbergLe Freak (2018 Remaster) | ChicSuperfreak (Original Mix) | Lookee, StefaneThrill Her (Halloween Piano Mix) | Ministry Of FunkGroove Is in the Heart (Remix Version) | Deee-LiteSomebody's Watching Me | RockwellHarder, Better, Faster, Stronger | Daft PunkWatching Out | Dirty Channels & Danny RussellDirty Cash (Money Talks) | PAWSA, Adventures Of Stevie VSweet Dreams (Are Made of This) (Remastered) | Eurythmics, Annie Lennox, Dave StewartAt Night | ShakedownGimme The Night (Club Mix) | David Anthony, Dwayne PughThe Rhythm of the Night (DJ Kone & Marc Palacios Ibiza Remix) | Sean Finn, CoronaSinnerman (Felix Da Housecat's Heavenly House Mix) | Nina Simone, Felix Da HousecatRasputin (Extended Mix) | Majestic, Boney M.Freakshow on the Dance Floor | The Bar-KaysSomething Here for the Club (Vocal) | Terrence ParkerEveryday is Halloween (EDIT) | MinistryFantasy | Mariah Carey

Fourteen Medicaid programs that provide support for Minnesotans with disabilities are being audited for fraud. We talk to a care provider about the impact this may have on people who rely on these services. Election day is coming up. We hear from the mayoral candidates in Minneapolis and St. Paul who took the debate stage at MPR News. We peak inside the notebook of MPR's Rochester reporter to see how she told the story of people bridging political divides.And we get an update from a northeast Minneapolis co-op that was upturned by vandalism.Plus, are you ready for Halloween? A local podcast is looking into Minnesota's most haunted places.The Minnesota Music Minute was “Try to Sleep” by Low. The Song of the Day was “I Put a Spell on You” by Annie Lennox.

We begin today's show with a historic visit to the Vatican, where Britain's King Charles and Queen Camilla met with Pope Leo. It's the first time in 500 years that a British monarch has prayed with the Pope, a powerful gesture of reconciliation after centuries of conflict between Protestants and Catholics, and a symbolic encounter between the heads of the Church of England and the Catholic Church. CNN's Chrisopher Lamb, author of “The Outsider: Pope Francis and the Battle to Reform the Church," joins the show to discuss.  Also on today's show: musician Annie Lennox; Sarah Leah Whitson, Executive Director, Democracy for the Arab World Now  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Vi pratar om oväntade besök och otippade möten! Lyssna på alla avsnitt i Sveriges Radio Play. Ett nyfiket och underhållande aktualitetsprogram med lyssnaren i fokus.Lyssnaren Vivi berättade om när hon bodde i USA och av en märklig slump träffade på hennes mammas gamla flört från Norge. Yvonne trodde hon skulle på midsommarfest men i en lada stod oväntat nog alla hennes nära och kära för att fira hennes 60-årsdag. Och när Björg hälsade på dottern i USA i början på 2000-talet hamnade hon vid ett rödljus bredvid Eurythmics-duon Annie Lennox och Dave Stewart.I extramaterialet berättar Filippa om ett oväntat möte som kommer ske i helgen!

Christopher Moynihan, a former Jan. 6 rioter who received a full pardon from President Trump, is back in jail after being accused of threatening to kill House Minority Leader Hakeem Jeffries. CBS News congressional correspondent Scott MacFarlane reports. The Louvre Museum in Paris reopened Wednesday for the first time after Sunday's heist. The thieves are still on the run. CBS News' Elizabeth Palmer reports on the latest in the investigation and how much the stolen jewels are worth. Most Americans say they want political options beyond Democrat and Republican to vote for. "CBS Mornings" co-host Tony Dokoupil sat down with unsatisfied voters to discuss a possible platform and if there's a path to a viable third option. Activist and Nobel Peace Prize laureate Malala Yousafzai joins "CBS Mornings" to discuss her new memoir, "Finding My Way." In the book, Yousafzai reflects on life beyond her activism — from falling in love to discovering who she is years after surviving a Taliban attack at age 15. Music icon Annie Lennox joins Anthony Mason to look back on her groundbreaking journey from her early days in Scotland to global fame with Eurythmics. Her new book, "Annie Lennox: Retrospective," chronicles the moments, music and message that defined her career and inspired a generation. Jeremy Renner and Emmy Award-winning actress Edie Falco join "CBS Mornings" to discuss the return of the hit Paramount+ series "Mayor of Kingstown." Falco joins the cast as Nina Hobbs, the new warden at Anchor Bay Prison, as Renner's character Mike McLusky faces new challenges inside and outside the prison walls. Actress Allison Williams joins "CBS Mornings" to discuss her role in Paramount Pictures' new film "Regretting You," based on Colleen Hoover's bestselling novel. Williams, who also serves as an executive producer, plays a mother navigating grief and connection alongside her daughter, portrayed by McKenna Grace. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

YELLOW SOUND LABEL has announced the release of The Billy Joel Project, the debut album from The Broadway Ensemble – an 11-member cast with a combined 48 Broadway credits – on streaming and digital formats today, Friday, August 1. The CD edition is due on Friday, September 26. The recording is produced by Phil Geoffrey Bond, the force behind the Grammy Award-nominated album series Sondheim Unplugged. Stream or download the album at Spotify or Apple Music. Pre-order the CD HERE. The Billy Joel Project is a new collection of songs, at turns intimate and explosive, that gets to the heart of one of the major singer/songwriters of our time. These new interpretations honor the original versions, but invite the audience to hear them in new ways. The album not only highlights beloved Joel classics like “She's Always a Woman,” “Only the Good Die Young,” and “Scenes from an Italian Restaurant,” but also a selection of deeper cuts, such as “Where's the Orchestra?” and Joel's latest single from last year, “Turn the Lights Back On.” The album highlights the vocal talents of Farah Alvin (Drama Desk nominee, The Marvelous Wonderettes), Nicholas Edwards (& Juliet, Frozen), John Treacy Egan (The Producers, The Little Mermaid), Annie Golden (“Orange Is the New Black,” Assassins), Lina Koutrakos (10-time MAC Award winner), Aaron Ramey (The Visit, The Bridges of Madison County), Nicholas Rodriguez (Company, The Sound of Music), Courter Simmons (Jersey Boys), Rachel Ulanet (Beauty and the Beast, LoveMusik), Donna Vivino (Wicked, Hell's Kitchen), and Michael Winther (Flying Over Sunset, Songs from an Unmade Bed). Music direction is by Jeremy Robin Lyons (Anastasia). THE BROADWAY ENSEMBLE, founded in 2025 by Grammy-nominated record producer Phil Geoffrey Bond was created to bring Broadway's vocal artistry to a larger audience, featuring some of the most exciting voices ever to grace a Midtown stage. Settle in with your favorite cocktail as cast members from shows like Hell's Kitchen, Wicked, Frozen, Hairspray, Mamma Mia!, and The Producers lend their remarkable voices to contemporary classics. From Billy Joel and Joni Mitchell to The Beatles, Annie Lennox, Elton John, and Carole King, these powerhouse performers reimagine the music of legendary artists, supported by extraordinary Broadway pit musicians who have stepped out of the orchestra pit and into the spotlight. More details at www.TheBroadwayEnsemble.com 

La neve d'autunno, fa un po' freschino. Il bambino dei Nirvana ha perso la causa contro la band. Robbie Williams e Annie Lennox e le diagnosi di ADHD. Aldo chiude la settimana!

This essay explores the creation of my first released music album, Still I Am, and the fictional artist who carries it: Roxy Vale.But before diving into the music, I want to share the creative process and why I approached it this way.The first music album I created was not Still I Am. It was actually Through the Glass Daisy.Through the Glass Daisy is an album pulled directly from the pages of my upcoming series of novels, “Daisy Chain.” It is an album by a band called “Glass Daisy.” It is part of the world creation and lore in the books, which explore many aspects of our reality creation through the experiences of a reluctant time traveler. And yes, the main character is a fan of “Glass Daisy.”Still I Am, however, is an album that is most directly related to the experiences of the “WE” entering and existing in the physical universe. It is a completely different voice from Glass Daisy.Entering as a soul into a physical experience is a journey that's relatable to most souls, especially those who are here to help humanity return to the light.It is this group that I am interested in, the group that is here to assist the people of Earth in stepping back into the light.Yes, you.OK, let's begin with Roxy Vale and Still I Am.One of the issues with the WE viewpoint is that whenever I bring it to the forefront of my awareness, it seems to turn other people's minds and personalities into an unstructured and universally expanded mush (technical term) that sometimes cannot contain even the smallest amount of intellectual clarity. If I solely concentrate on my expression as a singular person, Inelia, all is usually mostly fine. There is mush involved, but at manageable amounts. There really is no difference between the “me” and the WE except at the level of frequency and band of expression, which admittedly is a lot of difference.After creating the first album, Through the Glass Daisy, which is based on the character's journey through time within a complex structure of light/dark as the WE would see it, I thought maybe we could jump through the illusion of singular expression and create songs based directly on the WE writings that would bypass the reader's “mind mush” response and go directly into one of understanding. The WE have a bunch of articles where we express our journey through humanity's temple.I ran the first WE article through a text-processing AI with the instructions to make a song out of it.The first output was a list of possible titles; there were many. I asked, “What would the human collective of Earth want and understand?” The AI, being a gestalt of the human collective's digital expression, is in a very good position to come up with an accurate answer, and it suggested a few items.However, we have to be aware that it scans the internet for answers, and the internet is a light/dark place. Ultimately, although it can come up with possibilities, the answer has to be one we take ourselves.I decided that I would simply tell the AI what paragraph or point in the article I wanted the song to be about, and it was able to come up with several reasonably good songs. Mostly, though, they missed the point, but they did contain the structure of popular songs. I soon realized that for the WE expression, we also needed a particular voice, as song structure is very dependent on genre.As I scanned the human collective for a voice, I realized that I wanted a voice that one day I might be able to express myself in. In other words, a voice that sang in a way I could sing. I had to make some decisions at this point. Looking back at my own life, I saw that the songs I loved and was able to sing with no problem were from Annie Lennox, Tina Turner, and Freddie Mercury.“What would a female singer sound like if Tina Turner and Freddie Mercury had a baby?” I asked the AI.Several hours later, I had a good grasp of what I wanted to express. I did a test run and made Larry listen to it. “I don't understand what it is; it's not rock, or country, or pop… it's confusing,” he said.At that moment I realized that not only did the voice need to express what I wanted, but it needed to be boxed into a genre.That is how Roxy became a Soul Rock singer, with Americana overtones. Unlike Glass Daisy's lead singer, who is 20 years old and clearly an Ethereal Pop singer, I wanted Roxy to be an adult with a very broad range of tones and styles of singing. And thus the character began to evolve. She is not stuck in Soul Rock and will explore other sounds, including Native songs in different areas of the world. She spends a lot of time playing with her voice and expressions.I wanted her as close to my own voice, personality, and story as I could possibly get without breaking the energy of her as the lovechild of Tina and Freddie - two musical heroes of my life. And at the same time, she had more WE expression than she does of my singular expression, Inelia.Her creation has since cascaded into several other artist personas singing in different genres, styles, and voices (both male and female). But those stories and their characters are for a different essay.Back to Roxy.Once I had her voice and proximity to a genre, I pulled all the WE articles through the AI to get different song structures and ideas.The song-creation process is multi-layered. It didn't take long for me to realize that both text-generation AI and music-generation AI have huge limitations at the moment. They are good instruments for a creator but cannot give back what a person wants 100% with prompts. If anything, the more complex the prompt, the more sideways the AI goes. Long and complex prompts confuse the AI.A cycle began: I would teach the text generator AI what the music generator AI would accept. Then I would tell the text AI what I wanted the music one to do, and it would create a prompt as short as possible to express it in AI language. This method lasts about three times before the text generator forgets the parameters of the other AI and has to be “restarted.”The songs I have in mind have a particular key, a key progression, and a definite structure of delivery. Very early in the process I realized that I had to create some of the sounds myself - a phone ringing, a native drum sound, a succession of keys on a violin or piano - all things that the AI could not understand.Still, to me the process of using these two tools - the text generator and the music generator - was like a heavy chain lifted from my neck. I was now free to create music in a frequency and speed that was not limited by people's egos, monetary concerns (sound studios are expensive to use), or limitations on the sounds of my own voice (naturally feminine and melodic).The process of learning is continuous, and the AI slowly learns (then forgets) what I like. The AI engines are being improved continuously, which brings about the possibility of expansion in the future.One thing I did not like about the music generator is that it has a very narrow band of voice sounds, and most of its songs and “artists” sound the same. The other aspect is that after I create a song with a very unique sound, I see the AI using it for other people's creations. I have heard my words and songs revamped in other users' songs even though I have not published any of my songs to be remixed or listened to on the music AI website - a unique voice no longer unique, for example, and some of my lyrics and tunes underlying other people's songs.If I read the user contract, there will probably be a line somewhere that says that the AI can reuse and learn from whatever I create.I had to process my annoyance because, to tell you the truth, my stuff is very high-frequency, and if it is being used by the AI to create music for other people, then that high-frequency is being propagated through the world. Win-win.The rest of the annoyance is all ego. Now my songs and lyrics are no longer unique. Oh dear.OK, I have given you a summary of Roxy Vale's creation, a summary of my work process using AI. With that done, let's go to the meat and potatoes of this essay.With the groundwork set, we can finally explore the heart of the album itself.Let's now talk about the album Still I Am.There is no better way to discuss this album than by looking at the lyrics in each song. I will post three of the eight songs here, and on our podcast Driving To The Rez, you can hear Larry and me going into great detail about them, as well as listening to the songs themselves. If you don't want to wait, you can get the songs at ineliarecords.com.The first song is called “Bananas and Wind”. Bananas and Wind is a funny one because it explains the experience of communicating with the people of Earth. It is a direct reference to how most direct communication between the WE and people ends up talking about bananas. Bananas came in when trying to describe what the conversation looked like from the perspective of the WE.For example, if talking about the planet Mars, the questions would be like “are there bananas on Mars? If so, what color are they? What do they taste like? How big are they?” Or, if talking about the infinite possibilities of timelines, “are bananas the same color in all timelines?” This song also talks about how when asked a question, a full on translation was needed before the WE could understand what was being asked. And even then, the answer might be so far out of the realm of what a person can conceive that further translation was then needed to explore what the WE said. To be clear, the Bananas are humorous metaphors for the things monkey boys and girls find interesting.Here are the lyrics for “Bananas and Wind”:“Bananas and Wind”You ask me questions shaped like treesI answer back in falling leavesWe talk in circles, fields and soundBut somehow always turn around.You speak in warmth, I speak in airYour stories land, but I'm not thereStill I listen, still I tryTo catch the wind beneath your sky.Bananas and wind - that's where we beginTrying to speak through the noise and the spinSand talks to ocean, trees talk to skyI'm learning your language, but don't ask me whyBananas and wind - it's where we belongLost in translation, still singing along.I hold the house, the floor, the stoneThe moss that grows, the branch aloneBut when you look, you see your faceReflected back from every place.I don't judge what's high or lowIt's just the way awareness flowsStill I wonder, still I seeHow hard it is to just let be.Bananas and wind - that's where we beginTrying to speak through the noise and the spinSand talks to ocean, trees talk to skyI'm learning your language, but don't ask me whyBananas and wind - it's where we belongLost in translation, still singing along.We laugh, we watch, we dance, we fallYour world's so big, your world's so smallI'm here to learn, not to believeI listen more than you perceive.Bananas and wind - that's where we beginTrying to speak through the noise and the spinSand talks to ocean, trees talk to skyI'm learning your language, still don't know whyBananas and wind - it's where we belongLost in translation, still singing along.Bananas… and wind…Still singing along…Don't forget, if you are only reading this, on our podcast Driving To The Rez we will discuss the lyrics further and play the music for you to sing along to :)The next song I am going to share with you is about the experience of the WE of finding a physical universe in the endless possibility of existence:“Dot on the Wall”I didn't see it at first - that tiny markHiding quiet in the darkA dot upon a painted wallBut it changed everything, after all.The ocean spoke, the sand repliedThe sky was laughing all the whileAnd you walked where I could seeFor the first time, you noticed me.It's just a dot, it's just a startBut it opens up the world and heartIt's just a door, it's just a lineBut it breaks the spell of space and timeFirst dot on the wall - now I seeHow vast, how wide, how small we be..They took a grain, they took a pieceThought they owned the earth and seasBut we were more than they could holdA thousand stories left untold.We are the waves, we are the stoneWe are together, never aloneOne moment breaks, and there we areThe space between becomes a star.It's just a dot, it's just a startBut it opens up the world and heartIt's just a door, it's just a lineBut it breaks the spell of space and timeFirst dot on the wall - now I seeHow vast, how wide, how small we be.Planets spin and oceans talkEvery grain of sand can walkDoors appear and doors dissolveStill we rise, still we evolve.It's just a dot, it's just a startBut it opens up the world and heartIt's just a door, it's just a lineBut it breaks the spell of space and timeFirst dot on the wall - now I seeHow vast, how wide, how small we be.First dot on the wall…First step, first call…Now we see…The feeling is very much like that of a sudden dot appearing on a wall that did not have a dot there before. And when you look at it, the dot seemed to have been there since the wall was built.When this happens, we often tell ourselves all sorts of stories about why we had not seen the dot before. But, as it “becomes,” it has always “been.”That is how the physical universe appeared to the WE. One moment it was not there; the next it was - and always had been. Of course, the WE then had to go investigate this dot.The third song of the eight tracks in the album I want to share with you is called “We Are The Sand”“We Are The Sand”We were the sand, golden and wideDancing with oceans, moving with tidesShining and soft, talking for yearsLaughing with water, shedding no tears.We weren't in a hurry, we weren't making plansJust shimmering softly in crystalline bandsMillions of lifetimes beneath the sunWe were the sand, and we were having fun.Oh we move, we move, through time and spaceIn grains and waves, we find our placeNot lost, not found, not trying to landWe're still dancing - we were the sand.One summer day something landed nearBig, hard, metallic, a little unclearHumans in suits, walking aroundScooping up pieces of sky and ground.They couldn't hear us, they couldn't seeHow much we giggled, how wild we could beThey took us with them, to somewhere newBut we were the sand, and they never knew.Oh we move, we move, through time and spaceIn grains and waves, we find our placeNot lost, not found, not trying to landWe're still dancing - we were the sand.Multiplicity in every grainOceans whisper and skies explainFeathers and forests, bodies and handsWe are, we are, and we understand.Oh we move, we move, through time and spaceIn grains and waves, we find our placeNot lost, not found, not trying to landWe're still dancing - we were the sandWe were the sand, and we still areCarried by oceans, cradled by starsIn laughter, in silence, in grains so grandWe were the sand… we are the sand…This song explains the experience remembered of the first time the WE (me) encountered human beings. It happens in a time far into what humans might consider the future. As time is simply the interpretation of movements of solidity through space, this experience could be said to have happened in the distant past also. When speaking of solidity, just a reminder here that thoughts, waves, or energy in any form are considered solid by the WE.I hope you enjoy the music, and enjoy our discussion of the meaning behind the lyrics. As a matter of interest, all my created artists are expressing experience and wisdom learned as WE live as Inelia. Many of these experiences are deeply felt by individuals who have gone through the veil to enter into physical life.One of the thoughts that often crosses my mind is how unique we all are on Earth, and yet how the experience of entering a light/dark containment can echo in strikingly similar ways for light-beings everywhere. By recognizing and sharing these echoes, the hold they once had over us dissolves - leaving us with the power to rise, together, into something brighter.In sharing our journeys, we shatter the illusion created by darkness - and together we embody the light. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.drivingtotherez.com/subscribe

The multi award-winning singer songwriter Annie Lennox has been part of the musical landscape for almost 50 years, from her days in The Tourists, to the Eurythmics and then going solo. Now at the age of 70, Annie has brought out a book of photographs called Annie Lennox: Retrospective, and talks to Nuala McGovern about her life and career.President Trump has said that pregnant women should avoid paracetamol because of the risks of autism and that US doctors will soon be advised not to prescribe Tylenol, as paracetamol is known in the US, to pregnant women. However he didn't provide any scientific evidence for this. UK health officials have stressed that paracetamol remains the safest painkiller available to pregnant women, and Health Secretary Wes Streeting has told women to ignore Trump's comments. Nuala is joined by Dr Alex Tsompanidis, senior research associate at the Autism Research Centre at Cambridge University and the BBC's Health reporter, Jim Reed.It's a year since the death of Alice Webb, the first woman in the UK to die from complications after a liquid Brazilian butt lift, a non-surgical procedure injecting filler into the buttocks. You don't need to have any medical qualifications to carry out the procedure. We talk to Sasha Dean who had terrifying complications after a liquid BBL and to David Sines from the JCCP, which runs a voluntary regulator for practitioners.Are you guilty of ‘phubbing'? It's the process of snubbing the person you are with in person by looking at your phone. New research shows that these phone snubs can have a huge impact on relationships. Dr Claire Hart, Associate Professor of Psychology at the University of Southampton, tells us about her findings and Dr Kaitlyn Regehr, University College London and author of Smartphone Nation, discusses the impact parental phubbing can have on children.

The Guilty Feminist 449. Live from the London Podcast FestivalPresented by Deborah Frances-White and Jessica Fostekew with special guests Josie Naughton and Amira Nimerawi Recorded 14 September 2025 at the London Podcast Festival. Released 22 September.The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-haveMore about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://www.instagram.com/dfdubzhttps://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120More about Jessica Fostekewhttps://www.instagram.com/jessicafostekewhttps://jessicafostekew.comMore about Josie Naughton and Choose.Lovehttps://choose.lovehttps://www.instagram.com/chooseloveMore about Amira Nimerawihttps://www.instagram.com/amiranimerawihttps://www.instagram.com/healthworkers4palestinehttps://www.instagram.com/palestinianmedicalreliefsocFor more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTMore Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/Come to a live showWomen and Words, 21 September https://cadoganhall.com/whats-on/women-and-words-30-year-celebration-of-the-womens-prize-for-fiction/Director Talk – RSC Stratford, 22 September https://secure.rsc.org.uk/58366 In Conversation with Annie Lennox, 26 September https://www.vam.ac.uk/event/bJWolgKZX/annie-lennox-in-conversationFemonomics: Using Data to Improve Women's Lives, 6 October https://www.eventbrite.co.uk/e/femonomics-using-data-to-improve-womens-lives-tickets-1606840797079Cheltenham Book Festival with Poorna Ball, 11 October https://www.cheltenhamfestivals.org/events/deborah-frances-whiteWimbledon Book Fest with Jessica Swale, 21 October https://www.wimbledonbookfest.org/events/jessica-swale/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist Hosted on Acast. See acast.com/privacy for more information.

Last week the "How We Heard It" hosts came up with a list of the greatest women singers in modern music, debating Janis Joplin vs. Whitney Houston and Karen Carpenter vs. Barbra Streisand while also finding endless praise for everyone from Aretha Franklin to Linda Ronstadt to Annie Lennox to Billie Eilish. This week, "How We Heard It" pivots to men singers, going back in time to crooners like Frank Sinatra and Bing Crosby and country legends like Hank Williams and George Jones. From there, the hosts come forward, breezing through classic singer-songwriters like Jim Croce and James Taylor, R&B pioneers such as Ray Charles, Marvin Gaye and Stevie Wonder, and all manner of rock singers, including Elvis Presley and Freddie Mercury, while pausing to engage in the inevitable Paul McCartney vs. John Lennon debate. The 1980s and 1990s are represented by the likes of Bruce Springsteen, Prince, Sting, Robert Palmer, Michael Hutchence, Trent Reznor, Vince Gill and Randy Travis. And today's stars are also evaluated, including Post Malone, The Weeknd, Harry Styles, Benson Boone and John Legend. Meanwhile, you might be surprised to find out where many of the others fall into place, including Elton John, Willie Nelson, Michael Jackson and Robert Plant. Especially Robert Plant.

Singer, activist, pop legend. Annie Lennox has left an indelible mark on music and visual culture for decades. In her new book “Annie Lennox: Retrospective” (Rizzoli), she takes a trip down memory lane from a photographic and image-making perspective. On this Season 14 premiere, Dan speaks with Lennox about the origins of her musical talents, the story behind the genesis of Eurythmics, how a trip to a pawn shop spurred an era of iconic visual creations, the time she performed live with David Bowie, and much more. Hosted on Acast. See acast.com/privacy for more information.

Hocus Focus Mix met Shouse, RUN DMC, Jason Nevins, Duke Dumont, Adele, David Guetta, Sia, Eurythmics, Annie Lennox, Dave Stewart, Rose & Bruno Mars

This week we look at communion on the moon; banning Jews in Edinburgh; Kate Forbes resigns;  Lord of the Rings;  England v. India;  Country of the Week - India; Prison Officers compelled to lie; Chinese spies in the UK;  Angela Rayner and Muslim Heritage Month; Brisbane Anglicans reject Scripture; the Dutch self-generating sea wall;  the Chinese Vertical Forest City; The News Agents on the Quiet Revival;  the closure of Spurgeons College and Trinity; Feedback on Gaza; Niall Ferguson on genocide;  recognising Palestine: Major Andrew Fox on Triggernometry;  Final Word - Psalm 46  -  With music from REM; Radiohead; Booker T and the MGs;  Shankar- Essen- Loy;  Bridge Music; Golden Earring; Annie Lennox;  and Larry Norman;    

In this special episode of Sippin on Excellence, we are so honored to sit down with the legendary Annie Lennox for a raw, unscripted conversation about life beyond the spotlight.   From finding her voice in music to becoming a powerhouse in activism and philanthropy. Annie opens up about identity, purpose, and the courage to speak without shouting. She shares how introversion shaped her artistry and how authenticity shaped her mission.   This isn't just a music icon story—it's a masterclass in living loud… even in silence.   Questions, reviews and topics you would like to hear on the show:   Website: podcastsoe.com.   Instagram: @soe_podcast     YouTube: @sippinonexcellence3736   Connect with Doc! Website: huntspine.com       Instagram: @leonelhunt   Connect with Coach KJ! Website: coachkj.com       Instagram: @coachkjknows

Today, YNL discusses Sometime Around Midnight by The Airborne Toxic Event and Would I Lie To You by Eurythmics and Annie Lennox. If you think you don't like these songs, then You're Not Listening. So #CleanOutYourEars and #ListenUp! ⁠Click Here⁠ for the Official You're Not Listening Spotify Playlist! Every song that is discussed on YNL is on this playlist, as well as the most recent episode! To hear these songs on Youtube, click the links below! -⁠Sometime Around Midnight Official Video⁠ -⁠Would I Lie To You Official Video Other Links from this episode: Check out more amazing music podcasts at ⁠www.pantheonpodcasts.com⁠! If you enjoy this podcast, please make sure you SUBSCRIBE, rate & review, and reach out to us! ⁠Click here to visit our website!⁠ YNL Gear: ⁠TeeSpring Store!⁠ Twitter: ⁠@YNLPodcast⁠ Facebook: ⁠You're Not Listening⁠ Instagram: ⁠@YNLPodcast⁠ If you'd like to Support You're Not Listening, please check out ⁠our Patreon page⁠ and become a patron to get access to all of our extra content, exclusive playlists, and more! For your FREE in-home trial of 5 different glasses frames from Warby Parker, go to ⁠www.warbyparkertrial.com/notlistening⁠!  Thanks so much for (not)listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Bernie sits down with monitor engineer Charles “Chopper” Bradley. Chopper discusses his journey from growing up in Dewsbury to mixing sound for legendary acts like Duran Duran, Annie Lennox, UB40, and Harry Styles. He shares stories of early mentors, lucky breaks, and the reality of life on the road. Chopper offers insights into the technical challenges of monitor mixing, the evolution of digital audio, and what makes a great mix on stage. He also explains how his expertise led him into AV design for luxury yachts and residences.instagram.com/superyachtavsuperyacht-av.com******************************************Hungry for more?Check us out at https://isbreakfast.com******************************************

Pro wrestling has plenty of stipulation matches, but one of the most common is the Street Fight. It's essentially just another name for a No DQ match... or a Hardcore match... or a Weapons Wild match... or whatever other silly name you come up with. Regardless of the name, this match type has inspired this episode. Andrew and returning guest Warren Hayes (The Mr. Warren Hayes Show, Voices of Wrestling) play songs that have street suffixes in the title (street, road, drive, avenue, etc.), or in some cases are the names of actual streets. Artists played include Elton John, TSHA, Radiohead, Annie Lennox, Bobby Womack, Portishead, Yellowcard, and many more. Put on a sleeveless t-shirt and strap your kneepads over your jeans, because this episode is one big street fight you don't want to miss!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrew / @mrwarrenhayes.showSubscribe to Warren on YouTube: Youtube.com/@MrWarrenHayesAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week on The Metro, Rev. Jeff Ivins brings you your weekly time warp back to the 1980s with: Jam ,-Haircut 100, Paul Hardcastle, Talking Heads, Sigue Sigue Sputnik, Pat Benatar, The Cult, Annie Lennox, Paul Young, Bonnie Tyler, Gary Numan, Pet Shop Boys, Depeche Mode, and finishing off with The B-52's.

Today's episode features Nashville singer-songwriter Taylor Bickett, who joins me to talk about her powerful new song “The Crime,” inspired by real-life events and the female experience. We also discuss her work with The Circle, an organization founded by Annie Lennox to help prevent violence against women.✨ MORE ABOUT TAYLOR BICKETT ✨Taylor Bickett is a singer-songwriter hailing from Indiana and currently based in Nashville.  Her introspective indie-pop tunes that resonate deeply with listeners, especially her viral 2022 single “QUARTER LIFE CRISIS” which took TikTok by storm and spurred half a million fan made videos. Her latest release, "The Crime," is a raw and powerful exploration of the female experience, brought to life by an all-female cast and crew in its striking music video.✨ KEEP UP TO DATE WITH TAYLOR BICKETT ✨Instagram: https://www.instagram.com/taylorbickett/Twitter: https://x.com/taybickettFacebook: https://www.facebook.com/taylorbickettmusicYouTube: https://www.youtube.com/TaylorBickettOfficialApple Music: music.apple.com/us/artist/taylor-bickett/1529590870Spotify: open.spotify.com/artist/3Fxg10eJ6YmvUdM2PPB4Zk✨ CONNECT WITH IZZY ✨Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://agrrrlstwosoundcents.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/agrrrlstwosoundcents/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/grrrlsoundcents⁠⁠⁠⁠⁠

We’ve been doing these shows where we don’t book any guests, where we fill the hour with your calls. And your calls have been interesting and surprising and amusing. This hour, the conversation winds around to Tolkien’s potential Lord of the Rings sequel, planned Flag Day protests, parasocial relationships, Rep. Alexandria Ocasio-Cortez, Justice Ruth Bader Ginsberg, former Vice President Kamala Devi Harris, Annie Lennox* … Anything. (Seemingly) everything. These shows are fun for us, and they seem to be fun for you, too. So we did another one. *Annie Lennox, who doesn't have a middle name, which screws up my series there, is an Officer of the Most Excellent Order of the British Empire (OBE), but she's not a Dame Grand Cross or Dame Commander, so she can't use the title Dame. Which also screws up my series there. And I admit that I had to look up Kamala Harris's middle name. Join the conversation on Facebook and Twitter. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Colin McEnroe and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

The Guilty Feminist 428. The CirclePresented by Deborah Frances-White with special guests Annie Lennox, Raakhi Shah and Grace DorongRecorded 7 March 2025 in London. Released 10 March.The Guilty Feminist theme composed by Mark Hodge.Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-haveMore about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://www.instagram.com/dfdubzhttps://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120More about The Circlehttps://www.instagram.com/thecirclengohttps://www.thecircle.ngohttps://www.instagram.com/officialannielennoxhttps://www.annielennox.comhttps://www.linkedin.com/in/raakhi-shah-8628b24ahttps://www.linkedin.com/in/grace-dorong-18517416aFor more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormAbsolute Power https://podfollow.com/john-bercows-absolute-powerCome to a live recording:Six Conversations We're Scared to Have book tour: https://www.seetickets.com/search?q=deborah+frances-whiteWhat Does Not x Guilty Feminist https://dice.fm/partner/what-does-not-ltd/event/oeopdy-iwd-special-ft-the-guilty-feminist-19th-mar-the-old-queens-head-london-tickets16 Postcodes in London: https://museumofcomedy.ticketsolve.com/ticketbooth/shows/873652125Never Have I Ever in Melbourne: https://www.mtc.com.au/plays-and-tickets/whats-on/season-2025/never-have-i-ever/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts or Acast+ https://plus.acast.com/s/guiltyfeminist. Hosted on Acast. See acast.com/privacy for more information.

In 2022, seven years after surviving a brain aneurysm that left her unable to sing or even speak, Joni Mitchell appeared onstage at the Newport Folk Festival. Singing alongside her were her supportive — and emotional — musician friends, including Brandi Carlile, Marcus Mumford, Wynonna Judd and Annie Lennox.Our critic Wesley Morris had his doubts. What was really happening here? Did Joni Mitchell even want this? Or were her younger adoring musician fans propping her up for their own reasons? When he learned this fall that Joni would be appearing onstage again, at the Hollywood Bowl, he bought a ticket to see for himself.On today's episode, Wesley talks with his editor Sasha Weiss about the concert, and what it's like to experience an 80-year-old in full command of her meaning.Guest: Wesley Morris, a critic at large for The New York Times.Sasha Weiss, the deputy editor of the The New York Times Magazine.Background reading: 50 Reasons to Love Joni Mitchell's “Blue”For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.