Podcasts about orson welles citizen kane

ROBOTS IN DISGUISE!!! The Transformers: The Movie Full Movie Reaction Watch Along:  https://www.patreon.com/thereelrejects With Transformers One coming up, Andrew Gordon & Aaron Alexander Give their First Time Reaction, Commentary, Breakdown, & Spoiler Review for the beloved '80s Animated Movie segueing out of The Transformers Animated TV Series! Featuring the Voices of Peter Cullen (Predator, Knight Rider) as Optimus Prime, Orson Welles (Citizen Kane, Shogun) as Unicron, Leonard Nimoy (Star Trek) as Galvatron, Robert Stack (Airplane!, Unsolved Mysteries) as Ultra Magnus, Frank Welker (Scooby-Doo, Mortal Kombat) as Megatron / Soundwave / Rumble / Frenzy / Ravage / Wheelie, Scatman Crothers (The Shining) as Jazz, Eric Idle (Monty Python, Casper) as Wreck-Gar, Susan Blu (Jem, Beast Wars, Astro Boy) as Arcee, Casey Casem (Scooby-Doo) as Cliffjumper, Judd Nelson (The Breakfast Club) as Hot Rod / Rodimus Prime, Clive Revill (Star Wars: The Empire Strikes Back) as Kickback, & MORE! Andrew & Aaron React to all the Best Scenes & Most Exciting Moments including Unicron Destroys Lithone, Optimus Prime vs The Decepticons Fishing and Lookout Mountain, Autobots Push Back, Dinobots vs. Devastator, Optimus Prime vs Megatron, The Death of Optimus Prime, Decepticon Leadership Battle, Boarding the Shuttles, Unicron Destroys the Moonbases, & Beyond!! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

We arrive at maybe the most notorious and contentious Best Picture winners... ever? John Ford's How Green Was My Valley which triumphed over the 'Best Film Ever', Orson Welles Citizen Kane. In a possibly strident, and yet no less passionate, defense of How Green Was My Valley, co-hosts Dave and Andrew discuss John Ford's enduring classic, encouraging modern viewers to embrace this film without the shackles of its Oscar glory. Somehow we even wrap in a comparison to Steven Spielberg's Ready Player One. Listen to Dave's Top 25 Films of All Time list on Talk Film Society here. Oh, and also make sure to watch The Little Foxes too. Subscribe via RSS Feed, Anchor.fm, Apple Podcasts, or Spotify. Follow the hosts on social media at the links below: Andrew F Peirce – @TheCurbAU David Giannini – @Darnthatdave Awards Don't Matter – @AwardsDontPodSee omnystudio.com/listener for privacy information.

We arrive at maybe the most notorious and contentious Best Picture winners... ever? John Ford's How Green Was My Valley which triumphed over the 'Best Film Ever', Orson Welles Citizen Kane. In a possibly strident, and yet no less passionate, defense of How Green Was My Valley, co-hosts Dave and Andrew discuss John Ford's enduring classic, encouraging modern viewers to embrace this film without the shackles of its Oscar glory. Somehow we even wrap in a comparison to Steven Spielberg's Ready Player One. Listen to Dave's Top 25 Films of All Time list on Talk Film Society here. Oh, and also make sure to watch The Little Foxes too. Subscribe via RSS Feed, Anchor.fm, Apple Podcasts, or Spotify. Follow the hosts on social media at the links below: Andrew F Peirce – @TheCurbAU David Giannini – @Darnthatdave Awards Don't Matter – @AwardsDontPod

We arrive at maybe the most notorious and contentious Best Picture winners... ever? John Ford's How Green Was My Valley which triumphed over the 'Best Film Ever', Orson Welles Citizen Kane. In a possibly strident, and yet no less passionate, defense of How Green Was My Valley, co-hosts Dave and Andrew discuss John Ford's enduring classic, encouraging modern viewers to embrace this film without the shackles of its Oscar glory. Somehow we even wrap in a comparison to Steven Spielberg's Ready Player One. Listen to Dave's Top 25 Films of All Time list on Talk Film Society here. Oh, and also make sure to watch The Little Foxes too. Subscribe via RSS Feed, Anchor.fm, Apple Podcasts, or Spotify. Follow the hosts on social media at the links below: Andrew F Peirce – @TheCurbAU David Giannini – @Darnthatdave Awards Don't Matter – @AwardsDontPod

En ung Orson Welles fick fria händer vid filmdebuten. I filmen om en döende tidningskungs sista ord lekte han med bild och ljud som aldrig förr. Mårten Blomkvist om världens bästa film. Lyssna på alla avsnitt i Sveriges Radio Play. Nästan redan vid premiären 1941 knep Orson Welles "Citizen Kane" titeln "Världens bästa film", och det är denna film om en rik och ensam tidningsmogul fortfarande känd som. Den är en färd genom ruinerna av ett liv. Orson Welles spelade huvudrollen, regisserade, och tillsammans med Herman Mankiewicz skrev han manuset. Underbarnet Welles var bara tjugosex och hade aldrig gjort film förut. "Citizen Kane" fick heta "En sensation" när den fick premiär i Sverige. Och en sensation var den. Den är en film, men den är också en sorts filmhistorisk fetisch.

En ung Orson Welles fick fria händer vid filmdebuten. I filmen om en döende tidningskungs sista ord lekte han med bild och ljud som aldrig förr. Mårten Blomkvist om "världens bästa film". Nästan redan vid premiären 1941 knep Orson Welles "Citizen Kane" titeln "Världens bästa film", och det är denna film om en rik och ensam tidningsmogul fortfarande känd som. Den är en färd genom ruinerna av ett liv. Orson Welles spelade huvudrollen, regisserade, och tillsammans med Herman Mankiewicz skrev han manuset. Underbarnet Welles var bara tjugosex och hade aldrig gjort film förut. "Citizen Kane" fick heta "En sensation" när den fick premiär i Sverige. Och en sensation var den. Den är en film, men den är också en sorts filmhistorisk fetisch.

Post-synchro # 82 - Citizen Kane ou l'invention de Bernard Herrmann Citizen Kane, le chef-d'œuvre absolu d'Orson Welles, fête ses 80 bougies. L'occasion est trop belle pour être manquée: Post-synchro vous plonge dans le travail du jeune Bernard Herrmann dont le talent est soudainement révélé au monde par l'intermédiaire de deux bandes sonores somptueuses écrites pour son ami Orson Welles : Citizen Kane (1941) et La Splendeur des Amberson (1942). Bonne écoute !  Durée : 33' Production et présentation : Dick Tomasovic

Awesome Welles! We discuss Citizen Kane and The Lady From Shanghai, plus the cultural significance of Orson Welles, what made him so good and why his films are unique. Following the death of publishing tycoon Charles Foster Kane, reporters scramble to uncover the meaning of his final utterance; 'Rosebud'.  Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.  Each week we take the best and worst films from a filmmaker or franchise and discuss why one worked and one didn't. And we use freakin maths to determine the best and worst, so no arguing. Unless you think science is wrong???...yeah thought so. Any Questions Email us at Moviebuttspod@gmail.com This is a Murphy House Production: https://www.facebook.com/MURPHYHOUSEPRODUCTIONS/ (https://www.facebook.com/MURPHYHOUSEPRODUCTIONS/) (https://www.facebook.com/MURPHYHOUSEPRODUCTIONS/ (https://www.facebook.com/MURPHYHOUSEPRODUCTIONS/)) MovieButts: https://www.facebook.com/MovieButts/ (https://www.facebook.com/MovieButts/) (https://www.facebook.com/MovieButts/ (https://www.facebook.com/MovieButts/)) Follow us on Twitter: https://twitter.com/moviebutts (https://twitter.com/moviebutts) (https://twitter.com/moviebutts (https://twitter.com/moviebutts)) Our Website: https://movie-butts.captivate.fm/ (https://movie-butts.captivate.fm/) (https://movie-butts.captivate.fm/ (https://movie-butts.captivate.fm/)) IMDB Links for the films we watched: https://www.imdb.com/title/tt0040525/?ref_=nv_sr_srsg_0 (https://www.imdb.com/title/tt0040525/?ref_=nv_sr_srsg_0) https://www.imdb.com/title/tt0033467/?ref_=nv_sr_srsg_0 (https://www.imdb.com/title/tt0033467/?ref_=nv_sr_srsg_0)

Liliane Laborde-Edozien is a US-born French-Italian-Nigerian-Brazilian filmmaker and photographer whose work explores resilience, love, and collective memory. Her documentaries have picked up awards in the US and have been screened in major cities on four continents.  In this episode, we talk about her first three documentaries—defining love beyond language, escaping poverty and gang violence through sports, and collective memory within Brazil’s African diaspora. We also discuss the censorship of artistic expression, recognising our shared humanity, and Alan Watts’ beloved story of the Chinese farmer.  Liliane’s two recommended films are Orson Welles’ “Citizen Kane” (1941) and John Carpenter’s “They Live” (1988)—two classics that Liliane argues are relevant meditations on corporate media and consumer culture. The book we discuss on maintaining an open heart is Michael Singer’s “The Untethered Soul: The Journey Beyond Yourself”. For a selection of Liliane’s work, including photography, films, and gallery curation, head over to LilianeLabordeEdozien.com. Enjoy!  

I wrestle with 'Mank'--and you know what they say: when you wrestle with 'Mank', you both get dirty, but 'Mank' likes it!'Mank' lovers, proceed with caution.Contains major spoilers for 'Mank', minor spoilers for 'Citizen Kane', and a gratuitous tangent about 'The Simpsons'. I also rank on-screen portrayals of Orson Welles in a special one-off segment, Who Wore it Wellesest?Follow me on twitter @panickypictures or on Letterboxd @panickyintheuk.--- Send in a voice message: https://anchor.fm/panickypictures/message See acast.com/privacy for privacy and opt-out information.

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On the second episode of "Essential Film Club" we talk in great depth about the cinematic masterpiece from the brilliant mind of Orson Welles "Citizen Kane".

J Dilla’s Donutshttps://en.wikipedia.org/wiki/Donuts_(album)Pt 1. Competition’s Not BinaryClip from Mans Plain Nation about J Dilla’s Donutshttps://www.acrashpod.com/mansplain/2019/2/28/episode-7-michelle-obama-amp-apologiesSteve Jobs by Aaron Sorkinhttps://en.wikipedia.org/wiki/Steve_Jobs_(film)There Will Be Blood by PTAhttps://en.wikipedia.org/wiki/There_Will_Be_BloodClips of Steve Jobs Being Steve Jobshttps://www.youtube.com/watch?v=v_5KcoSwmg4Kanye West on J Dillahttps://www.youtube.com/watch?v=xJxfoJP_kqgPt 2. Stop, The Devil’s Winning a Nice ChairMark Zuckerberg by Aaron Sorkin (The Social Network)https://en.wikipedia.org/wiki/The_Social_Network#Historical_accuracyWilliam Randolph Hearst by Orson Welles (Citizen Kane)https://en.wikipedia.org/wiki/Citizen_Kane#Hearst's_responseThe Third Man improvised speech by Orson Welleshttps://en.wikipedia.org/wiki/The_Third_Man#%22Swiss_cuckoo_clock%22_speechHannibal by Thomas Harris ala Bryan Fullerhttps://en.wikipedia.org/wiki/Hannibal_(TV_series)American Psycho by Bret Easton Ellis ala Mary Harronhttps://en.wikipedia.org/wiki/American_Psycho_(film)Pt 3. No Discernible ExampleSe7en by David Fincherhttps://en.wikipedia.org/wiki/Seven_(1995_film)Clip from Mans Plain Nation about Competitionhttps://www.acrashpod.com/mansplain/2019/2/21/episode-6-doing-the-work-amp-competitionPt 4. Fully Customizable MessVox Earworm on J Dilla and the MPC3000https://www.youtube.com/watch?v=SENzTt3ftiUPt 5. Latchkey Drunk Three Year OldsAlways Crashing The Podcast Ad Break by Tim Notarihttps://www.bayalarm.com/blog/home-security-technology-latchkey-kids/Ludwig Von Smashmouthhttps://twitter.com/MaglioJen/status/1164378338108018688https://en.wikipedia.org/wiki/All_Star_(song)https://en.wikipedia.org/wiki/Piano_Sonata_No._14_(Beethoven)

百多年前科州的淘金热创造了许多矿业大亨，但您知道吗，但其中为人所知的该属凯恩（Kane），这一个虚构的人物了。凯恩是1941年天才剧作人奥森威尔士（Orson Welles）好莱坞电影“公民凯恩（Citizen Kane）”里的主人翁，这一部在当年极受争议性的电影因为影射报业大亨威廉赫斯特（William Hearst），从制作，拍摄到放映一路都是一波三折，导致上映之初并没有引起大家的注意，直到十数年后该片的艺术价值才逐渐被欧美的电影产业所重视，更屡屡被美国和欧洲权威的电影学会誉为最伟大的电影榜首。这一部电影采倒叙模式，由电影主人翁查尔斯福斯特凯恩的讣闻开始 ，一名记者藉由了解凯恩的一生来找出凯恩遗言“蔷薇花蕾（Rosebud）”的含义。出生在科州的凯恩，幼时家庭并不富裕，直到1871年在凯恩家的地底发现金矿，凯恩的父母希望把凯恩送到上流社会深造而改变的了他一生的命运，也为“蔷薇花蕾这个谜题的答案留下了伏笔。凯恩在继承家里财富之后往报业发展，成为了八卦小报的大亨，但也由于嚣张跋扈，不可一世，让他众叛亲离，朋友和妻子都纷纷离他而去，晚年在家财散尽后，独居他在佛罗里达如宫殿般的仙乐都（Xanadu）庄园里。凯恩的故事和当时报导风格颇受争议的威廉赫斯特的发迹和一生不谋而合，所以此片也被许多人认为是用赫斯特同样的以讹传讹的八卦小报风格来描述赫斯特的一生。看过这部电影的许多人都不会忘记故事结尾用凯恩珍藏多年的幼时雪橇在大火中被烧毁做终的画面，但没有多少人留意其实凯恩是科州孩子的这一段历史，但无可否认的凯恩由始至终都在怀念他和父母相依的那一段往事和在科州天真无邪的童年时光。

Composer, conductor, and librettist Daron Hagen recently created a new magic trick: An opera that's not an opera about the director Orson Welles (Citizen Kane) but not necessarily about Orson Welles which may be performed in a different way every time it's performed and, according the website, "may, in fact, not exist at all, except as a set of options."  Hagen's opera Orson Rehearsed has a lot to teach us about the use and usefulness of operatic structure and about the creative process. Welles, who was an actual magician, loved the process of creating. Hagen makes that process part of the performance of Orson Rehearsed by placing each performance in the hands of an appointed person (the opera's "Magician") who makes decisions about the opera from a set of sound collages that they can dictate the order and placement of as it's happening. And it all takes place in the last hour of Orson Welles' life, as Hagen has envisioned it.  Honestly, you're just gonna have to listen, people. Music in this episode: Live recording of Chicago performance of his opera    Special Thanks to Todd Reynolds for his music, Taskforce: Farmlab from Outerbourough.    

I review "The Stranger" (1946) Directed by Orson Welles ( "Citizen Kane , "The Magnificent Ambersons") Starring Welles, Edward G. Robinson and Loretta Young. I also review "Unsane" (2018) Directed by Steven Soderbergh ("Oceans Eleven" , "Traffic") Starring Claire Foy, Amy Irving and Jay Pharoah. Both films are streaming now. "The Stranger" on Netflix and "Unsane" on Amazon Prime.  I also comment on the passing of Burt Reynolds.

Marion Davies is enshrined in memory as the gorgeous but questionably talented mistress of publishing magnate William Randolph Hearst -- thanks in part to the depiction of a Davies-esque character in Orson Welles’ Citizen Kane. But Davies’ involvement with the much older Hearst both ensured she would have a movie career, and perhaps doomed Davies to ridicule and limited stardom. This episode will explore how Davies and Hearst hooked up, the mutually beneficial working relationship between Hearst and Louis B. Mayer, the souring of that relationship over MGM’s (mis)use of Davies and Mayer’s effort to block the release of Kane on Hearst’s behalf. Learn more about your ad choices. Visit podcastchoices.com/adchoices