Podcast appearances and mentions of Louis B Mayer

Front Row Classics welcomes Alicia Mayer to the podcast this week! Alicia's family history is rooted in the Golden Age of Hollywood. She is the grand niece of Louis B Mayer and granddaughter of Ida Mayer Cummings. Brandon and Alicia discuss the history of the Mayer family and their immigration to America. The conversation also turns to Ida's involvement in causes devoted to Los Angeles' Jewish community. They also discuss how she began researching her family tree and developed her website, HollywoodEssays.com.

Welcome Alicia Mayer Front Row Classics welcomes Alicia Mayer to the podcast this week! Alicia’s family history is rooted in the Golden Age of Hollywood. She is the grand niece of Louis B Mayer and granddaughter of Ida Mayer Cummings. Brandon and Alicia discuss the history of the Mayer family and their immigration to America. … Continue reading Ep. 307-Discussing the Mayer Family Legacy with Alicia Mayer →

Former “Los Angeles Times” Film Critic Kenneth Turan will be at Yiddish Book Center in Amherst, MA to discuss his new book “Louis B. Mayer and Irving Thalberg: The Whole Equation.” The event is on Sunday, May 11th at 2:00 pm.

Almost 60 years after Judy Garland's tragic death, she still remains one of Hollywood's most fascinating (and heartbreaking) talents. As a girl, her powerful voice catches the attention of legendary movie producer, Louis B. Mayer, and she's on her way. Thanks to her iconic role in “The Wizard of Oz,” Judy cements herself as one of the world's biggest and brightest stars. But a steady cocktail of uppers and downers as a youngster - prescribed by doctors at MGM - will haunt the “Over the Rainbow” singer for the rest of her way-too-short life. But despite her untimely death, Judy's legacy lives on.You can follow Brooke and Aricia on socials at @brookesiffrinn and @ariciaskidmorewilliamss. And check out the brand new Even the Rich merch store at www.eventherich.com.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Even The Rich on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial today by visiting wondery.com/links/even-the-rich/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode was originally released on December 22, 2015. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. In the 1940s, Louis B. Mayer was the highest paid man in America, one of the first celebrity CEOs and the figurehead of what for most Americans was the most glamorous industry on Earth. In 1951, Mayer was fired from the studio that bore his name. What happened -- to Mayer, and to movies on the whole -- to hasten the end of the golden era of Hollywood? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Back in Hollywood's Golden Age, two men with vastly different backgrounds came together to shape the future of film. Louis B. Mayer, a shrewd businessman and Irving Thalberg, a visionary producer, formed a partnership that defined MGM and set the standard for the modern studio system. In this episode, famed film critic Kenneth Turan explores their unlikely partnership, their imperial rise, and their eventual fall. 

This week, Air Mail Co-Editor Alessandra Stanley explains how Trump has replaced D.E.I. with his own brand of affirmative action. Something you might call L.O.O.—loyalty, obsequiousness, and obedience. Then, everyone knows Annie Hall as one of the great movies of the past 50 years. But Alex Belth reveals how Woody Allen's 1977 love story was considered a total fiasco when he first edited it and how the director and his team reconceived the movie in the cutting room. And finally, as the founders of MGM, Louis B. Mayer and Irving Thalberg were among the most consequential figures in the history of Hollywood, and Sam Wasson joins us from L.A. to discuss their role in creating movies as we know them today. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Louis B. Mayer (1884–1957) and Irving Thalberg (1899–1936) were unlikely partners in one of the most significant collaborations in movie history.Join us with film critic Kenneth Turan, author of the new biography Louis B. Mayer and Irving Thalberg: The Whole Equation, as we explore their extraordinary partnership and role in creating the film industry as we know it.

Feature: New book ‘Louis B. Mayer and Irving Thalberg: The Whole Equation’ tells the story of two MGM visionaries Moviegoers nowadays might not know much of Metro-Goldwyn-Mayer Studios’ history outside of its iconic mascot, a lion who introduced each film with it’s iconic roar. It was an introduction that was meant to prepare viewers for not just a film, but a spectacle. A new book by retired film critic Kenneth Turan shares the studio’s rich history of spectacle through the work of co-founder Louis B. Mayer, and Irving Thalberg, who served as its head of production following MGM’s inception. For this week’s FilmWeek feature, we’ll speak to former film critic Kenneth Turan, about his forthcoming book Louis B. Mayer and Irving Thalberg: The Whole Equation, and give listeners a glimpse as to how they contributed to Hollywood. “Louis B. Mayer and Irving Thalberg: The Whole Equation” is available for pre-order, and releases February 4th; click here to learn more.

The OTRNow Radio Program 2024-017The Shadow Of Fu Manchu. July 10, 1939. Program #27. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. The Three Golden Pomegranates. Hanley Stafford, Gale Gordon. 11007. The Shadow Of Fu Manchu. July 12, 1939. Program #28. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. Nayland Smith returns with a clue, the trail warms. Hanley Stafford, Gale Gordon. Good News Of 1939. November 17, 1938. NBC net, KFI, Los Angeles aircheck. Sponsored by: Maxwell House Coffee, Bulova (local), Beckman's Furs (local). The first tune is "The Bumpy Road To Love." Frank Morgan relates how he battled burglars in his house. Louis Mayer and Father Flanagan talk about the "Boys Town" movie and appeal for funds. Daddy prepares Baby Snooks for a visit from the boss. Scenes from "The Shining Hour," with Joan Crawford, Melvyn Douglas and Robert Young. "If Men Played Cards As Women Do." About one minute is missing from the middle of the program. Meredith Willson and His Orchestra, Frank Morgan, Tony Martin, Louis B. Mayer, Edward Flanagan, Fanny Brice, Hanley Stafford, Joan Crawford, Melvyn Douglas, Robert Young, Margaret Sullavan, Ted Pearson (announcer).  The Louella Parsons Show. January 05, 1951. ABC net. Sponsored by: Jergens Lotion, Woodbury Soap. Burgess Meredith has been secretly married. The Elizabeth Taylor-Nicky Hilton divorce is proceding. The film "The Miracle" is considered "immoral, irreligious and stupid" by the Catholic Church...and Louella. Faye Emerson and Skitch Henderson are having marital troubles. Louella interviews John Wayne and presents him with a scroll from "Motion Picture Herald." John's interview sounds scripted, but he does mention his anti-communist feelings and his support for "The Motion Picture Alliance.". Louella Parsons, John Wayne, Marvin Miller (announcer).FEDERAL AGENT 1944. Finley syndication. Music fill for local commercial insert. Nick Sarno is up for parole, and it's granted despite the objections of the Feds. Sarno's enemies are wiped out in a gangland massacre, even though Sarno is in France!   Dragnet. March 02, 1950. Program #38. NBC net. "The Big Kill". Sponsored by: Fatima. Jack Carver, just out of Folsom, is suspected of killing a cop for revenge. Friday poses as a criminal in jail to find the missing murder weapon. Jack Webb, Barton Yarborough.  Death Valley Days. June 16, 1939. NBC net. "Shoo Fly". Sponsored by: Twenty Mule Team Borax (some commercials deleted). A tough old lady runs her own claim in the Panamint mountains...with a harsh word and a shotgun. Milton Herman, Frank Butler, John McBryde (as "The Old Ranger"), Irene Hubbard, Jeffrey Bryant, George Hicks (announcer), Ruth Woodman (creator, writer), Dorothy McCann (producer), Bob Prescott (sound effects), Keene Crockett (sound effects), Harry Glantz (bugle call), Joseph Bonime (music). 

Louis B. Mayer: He rose from poverty to become one of the richest and most powerful men in the country. He was the king of his own empire. Of his grand land of make-believe on the sprawling MGM lot. He was a tough boss, he was unfair, and he was downright abusive. But he gave us some of the most iconic film stars in the history of Hollywood. Listen now! Image Source: IMDB Episode Sources: Louis B. Mayer biography from Biography Channel; encyclopedia.com; a New York Times article by Stephen Holden from August 3, 1990; a Medium article from February 16, 2022; IMDB

Film lovers have long heard of the legendary names that built Hollywood into a global entertainment empire - Goldwyn, Mankiewicz, Laemmle, Mayer, Loews. But it was The Schenck Brothers, a ruthless pair of Bowery boys, who worked their way up to launch the Hollywood studio system, creating a lasting legacy of 'star maker machinery" while simultaneously breaking all the business rules. MOGULS: The Lives and Times of Film Pioneers Nicholas and Joseph Schenck (Sept. 24, 2024) is co-authored by Producers Guild of America member and film director Craig Singer, and Brooklyn-based writer Michael Benson (Gangsters vs. Nazis). MOGULS is a noirish, incredible Hollywood history. The Schenck brothers held controlling interests in three major studios: Metro-Goldwyn-Mayer (MGM), Twentieth Century-Fox, and United Artists (UA). But chances are you've never heard of them because they preferred to run their global empire behind closed doors. Nick was Louis B. Mayer's boss. Think Mank meets Chinatown and LA Confidential, with a heaping dose of Hail, Caesar! and The Godfather II (of course). Twice as powerful as the Warner Brothers, the Schencks were immigrants who quietly ran Hollywood out of the spotlight, bringing film into a world of blazing color. They were as American as jazz and baseball, as flashy as Gatsby, as cunning as gangsters, who controlled a third of the motion picture industry at their height - and were some of the richest men in America.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Film lovers have long heard of the legendary names that built Hollywood into a global entertainment empire - Goldwyn, Mankiewicz, Laemmle, Mayer, Loews. But it was The Schenck Brothers, a ruthless pair of Bowery boys, who worked their way up to launch the Hollywood studio system, creating a lasting legacy of 'star maker machinery" while simultaneously breaking all the business rules. MOGULS: The Lives and Times of Film Pioneers Nicholas and Joseph Schenck (Sept. 24, 2024) is co-authored by Producers Guild of America member and film director Craig Singer, and Brooklyn-based writer Michael Benson (Gangsters vs. Nazis). MOGULS is a noirish, incredible Hollywood history. The Schenck brothers held controlling interests in three major studios: Metro-Goldwyn-Mayer (MGM), Twentieth Century-Fox, and United Artists (UA). But chances are you've never heard of them because they preferred to run their global empire behind closed doors. Nick was Louis B. Mayer's boss. Think Mank meets Chinatown and LA Confidential, with a heaping dose of Hail, Caesar! and The Godfather II (of course). Twice as powerful as the Warner Brothers, the Schencks were immigrants who quietly ran Hollywood out of the spotlight, bringing film into a world of blazing color. They were as American as jazz and baseball, as flashy as Gatsby, as cunning as gangsters, who controlled a third of the motion picture industry at their height - and were some of the richest men in America.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Hollywood legend Lena Horne changed what was possible for African-Americans performers in America. After a difficult childhood, she found a key ally in her father, who made clear to studio head Louis B. Mayer that he could hire a maid for his daughter - she would not need to play one on screen. Alternating between Hollywood, which was depressing because of its limitations on Black actors, and a thriving nightclub career, she built a prolific and unique career trajectory that saw her become a prominent voice in the Civil Rights Movement, and a central figure in the Hollywood spiderwebs that Alicia loves so much. We're on break next week, but will be back with more Trashy Divorces on October 6! Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! To advertise on our podcast, please reach out to info@amplitudemediapartners.com. Sponsors Acorns. Head to acorns.com/trashy or download the Acrons app to start saving and investing for your future today! This episode is sponsored by BetterHelp. Visit BetterHelp.com/trashy today to get 10% off your first month. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Described as gay Louis B. Mayer, the big producer during the golden age of Hollywood, Shan Sayles was a big, boisterous man who owned movie theaters, produced films and cemented his mark on the early days of all erotic film. It was a legendary production at the time of its release. Both for its subject matter and the various rumors and circumstances that surround the production.A beautifully chiseled body, gorgeous face and that damn mustache. A one-named wonder of gay erotica that with the help of industry players, an aggressive manager and rumored lover who devoted their energies and talents in order to create a legend. That legend was Roger.On this episode, we're going to celebrate Shan Sayles, a legendary exhibitor and one of the first entrepreneurs to comprehensively hire gay men to perform in, direct, write and edit erotic gay films. We will take a look as his film Song of the Loon, one of the first feature-length all male films that premiered during the beginning of the gay liberation era and is about an interracial gay relationship set during the American Frontier in the 1800s. And finally we are going to celebrate Roger; whose meteoric rise made him one the most popular centerfolds and live performers to come out of the golden age of gay erotic cinema. Support the Show.

From Harper Collins: A Best Book of 2023The author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the Academy Awards, focusing on the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama.America does not have royalty. It has the Academy Awards. For nine decades, perfectly coiffed starlets, debonair leading men, and producers with gold in their eyes have chased the elusive Oscar. What began as an industry banquet in 1929 has now exploded into a hallowed ceremony, complete with red carpets, envelopes, and little gold men. But don't be fooled by the pomp: the Oscars, more than anything, are a battlefield, where the history of Hollywood—and of America itself—unfolds in dramas large and small. The road to the Oscars may be golden, but it's paved in blood, sweat, and broken hearts.In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas—some iconic, others never-before-revealed—that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes. Caught in the crossfire are people: their thwarted ambitions, their artistic epiphanies, their messy collaborations, their dreams fulfilled or dashed.Featuring a star-studded cast of some of the most powerful Hollywood players of today and yesterday, as well as outsiders who stormed the palace gates, this captivating history is a collection of revelatory tales, each representing a turning point for the Academy, for the movies, or for the culture at large.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

All the plans are set for 1929's Annual Wampas Frolic and Ball, where the Western Association of Motion Picture Advertisers introduce the latest batch of Baby Stars to the world. The venue is booked, tickets are sold, what could go wrong? Find this out, and more including why Marg the Old Movie Lady called Louis B. Mayer a "rat f*cker"... Hooray! Also includes stories of the microphone's "Nordic superiority complex", a wedding day in shambles, and why you shouldn't let your teenage daughter sign a contract with a murderer. This episode contains mention of murder, sexual harassment and assault, and contains language that may be inappropriate for some listeners. Hosted on Acast. See acast.com/privacy for more information.

Why did fashion become so much more conservative in the 1930s? We look at the puritanical Hays Motion Picture Production Code that banned indecent passions, and at MGM's Adrian Greenberg, the most powerful Hollywood designer of his day. The arrival of colour film stock and the invention of the close-up meant Adrian designed for the camera, experimenting with hats and calf-length dresses that flattered both the lead actresses and ‘Nancy' in the plush seat. MGM's Louis B Mayer, who'd started out selling second hand clothes, made a fortune producing mass-made copies to coincide with each film's release for Nancy's modest budget.

In this episode, I am happy to be interviewing historian and author Dr. Jacqueline R. Braitman about her very engaging biography, She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman (University Press of Mississippi, 2020). This very detailed and comprehensively researched book tells the story of Ida Koverman, whose life was almost accidentally remarkable. She was not only Louis B. Mayer's gatekeeper at MGM for over two decades but also a major mover and shaker in the conservative wing of the California Republican party throughout the first half of the twentieth century. Coming from humble beginnings in Ohio, when Ulysses S. Grant was president, Koverman worked tirelessly to elect Herbert Hoover to the White House. In addition, she made a remarkable contribution to American culture, scouting and nurturing the iconic stars of the future at MGM, while also acting as a spokesperson for the studio and its relationship to the politicians of the day. In this interview, Dr. Braitman describes how she came to admire Ida Koverman, whose politics are far to the right of the author's views, and how she was met with surprises throughout the years-long process of writing She Damn Near Ran the Studio. I hope you'll join me for this engaging and informative conversation with Dr. Jacqueline R. Braitman. Bruce Shapiro is a recently retired professor of theater at several universities, primarily in the areas of drama, directing and acting. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, I am happy to be interviewing historian and author Dr. Jacqueline R. Braitman about her very engaging biography, She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman (University Press of Mississippi, 2020). This very detailed and comprehensively researched book tells the story of Ida Koverman, whose life was almost accidentally remarkable. She was not only Louis B. Mayer's gatekeeper at MGM for over two decades but also a major mover and shaker in the conservative wing of the California Republican party throughout the first half of the twentieth century. Coming from humble beginnings in Ohio, when Ulysses S. Grant was president, Koverman worked tirelessly to elect Herbert Hoover to the White House. In addition, she made a remarkable contribution to American culture, scouting and nurturing the iconic stars of the future at MGM, while also acting as a spokesperson for the studio and its relationship to the politicians of the day. In this interview, Dr. Braitman describes how she came to admire Ida Koverman, whose politics are far to the right of the author's views, and how she was met with surprises throughout the years-long process of writing She Damn Near Ran the Studio. I hope you'll join me for this engaging and informative conversation with Dr. Jacqueline R. Braitman. Bruce Shapiro is a recently retired professor of theater at several universities, primarily in the areas of drama, directing and acting. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this episode, I am happy to be interviewing historian and author Dr. Jacqueline R. Braitman about her very engaging biography, She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman (University Press of Mississippi, 2020). This very detailed and comprehensively researched book tells the story of Ida Koverman, whose life was almost accidentally remarkable. She was not only Louis B. Mayer's gatekeeper at MGM for over two decades but also a major mover and shaker in the conservative wing of the California Republican party throughout the first half of the twentieth century. Coming from humble beginnings in Ohio, when Ulysses S. Grant was president, Koverman worked tirelessly to elect Herbert Hoover to the White House. In addition, she made a remarkable contribution to American culture, scouting and nurturing the iconic stars of the future at MGM, while also acting as a spokesperson for the studio and its relationship to the politicians of the day. In this interview, Dr. Braitman describes how she came to admire Ida Koverman, whose politics are far to the right of the author's views, and how she was met with surprises throughout the years-long process of writing She Damn Near Ran the Studio. I hope you'll join me for this engaging and informative conversation with Dr. Jacqueline R. Braitman. Bruce Shapiro is a recently retired professor of theater at several universities, primarily in the areas of drama, directing and acting. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode, I am happy to be interviewing historian and author Dr. Jacqueline R. Braitman about her very engaging biography, She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman (University Press of Mississippi, 2020). This very detailed and comprehensively researched book tells the story of Ida Koverman, whose life was almost accidentally remarkable. She was not only Louis B. Mayer's gatekeeper at MGM for over two decades but also a major mover and shaker in the conservative wing of the California Republican party throughout the first half of the twentieth century. Coming from humble beginnings in Ohio, when Ulysses S. Grant was president, Koverman worked tirelessly to elect Herbert Hoover to the White House. In addition, she made a remarkable contribution to American culture, scouting and nurturing the iconic stars of the future at MGM, while also acting as a spokesperson for the studio and its relationship to the politicians of the day. In this interview, Dr. Braitman describes how she came to admire Ida Koverman, whose politics are far to the right of the author's views, and how she was met with surprises throughout the years-long process of writing She Damn Near Ran the Studio. I hope you'll join me for this engaging and informative conversation with Dr. Jacqueline R. Braitman. Bruce Shapiro is a recently retired professor of theater at several universities, primarily in the areas of drama, directing and acting. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode, I am happy to be interviewing historian and author Dr. Jacqueline R. Braitman about her very engaging biography, She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman (University Press of Mississippi, 2020). This very detailed and comprehensively researched book tells the story of Ida Koverman, whose life was almost accidentally remarkable. She was not only Louis B. Mayer's gatekeeper at MGM for over two decades but also a major mover and shaker in the conservative wing of the California Republican party throughout the first half of the twentieth century. Coming from humble beginnings in Ohio, when Ulysses S. Grant was president, Koverman worked tirelessly to elect Herbert Hoover to the White House. In addition, she made a remarkable contribution to American culture, scouting and nurturing the iconic stars of the future at MGM, while also acting as a spokesperson for the studio and its relationship to the politicians of the day. In this interview, Dr. Braitman describes how she came to admire Ida Koverman, whose politics are far to the right of the author's views, and how she was met with surprises throughout the years-long process of writing She Damn Near Ran the Studio. I hope you'll join me for this engaging and informative conversation with Dr. Jacqueline R. Braitman. Bruce Shapiro is a recently retired professor of theater at several universities, primarily in the areas of drama, directing and acting. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In this episode, I am happy to be interviewing historian and author Dr. Jacqueline R. Braitman about her very engaging biography, She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman (University Press of Mississippi, 2020). This very detailed and comprehensively researched book tells the story of Ida Koverman, whose life was almost accidentally remarkable. She was not only Louis B. Mayer's gatekeeper at MGM for over two decades but also a major mover and shaker in the conservative wing of the California Republican party throughout the first half of the twentieth century. Coming from humble beginnings in Ohio, when Ulysses S. Grant was president, Koverman worked tirelessly to elect Herbert Hoover to the White House. In addition, she made a remarkable contribution to American culture, scouting and nurturing the iconic stars of the future at MGM, while also acting as a spokesperson for the studio and its relationship to the politicians of the day. In this interview, Dr. Braitman describes how she came to admire Ida Koverman, whose politics are far to the right of the author's views, and how she was met with surprises throughout the years-long process of writing She Damn Near Ran the Studio. I hope you'll join me for this engaging and informative conversation with Dr. Jacqueline R. Braitman. Bruce Shapiro is a recently retired professor of theater at several universities, primarily in the areas of drama, directing and acting. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode, I am happy to be interviewing historian and author Dr. Jacqueline R. Braitman about her very engaging biography, She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman (University Press of Mississippi, 2020). This very detailed and comprehensively researched book tells the story of Ida Koverman, whose life was almost accidentally remarkable. She was not only Louis B. Mayer's gatekeeper at MGM for over two decades but also a major mover and shaker in the conservative wing of the California Republican party throughout the first half of the twentieth century. Coming from humble beginnings in Ohio, when Ulysses S. Grant was president, Koverman worked tirelessly to elect Herbert Hoover to the White House. In addition, she made a remarkable contribution to American culture, scouting and nurturing the iconic stars of the future at MGM, while also acting as a spokesperson for the studio and its relationship to the politicians of the day. In this interview, Dr. Braitman describes how she came to admire Ida Koverman, whose politics are far to the right of the author's views, and how she was met with surprises throughout the years-long process of writing She Damn Near Ran the Studio. I hope you'll join me for this engaging and informative conversation with Dr. Jacqueline R. Braitman. Bruce Shapiro is a recently retired professor of theater at several universities, primarily in the areas of drama, directing and acting. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the clock ticks toward All Hallow's Eve, we'll wind down where we began in last month's episode of Breaking Walls, with the October 30th, 1957 episode of LIFE and the World on NBC. The October 14th LIFE Magazine cover featured Little Central High School in Arkansas; the October 21st cover featured American scientists plotting Sputnik's orbit; while the October 28th's cover featured Queen Elizabeth opening Canadian Parliament. This episode features a speech by poet Carl Sandburg and a rare interview with Frank Lloyd Wright, both speaking about Chicago. Both Sandberg and Wright spent significant time in Chicago. Sandburg was back in Chicago debuting a new poem about the city. His speech from the banquet by The Chicago Dynamic Committee, was recorded. Frank Lloyd Wright settled in Chicago shortly after the Great Fire of 1871. He was ninety at the time of this interview, and as passionate as ever. His Guggenheim Museum was under construction in New York, while he dreamed of a mile-high office building for Chicago. On October 29th, 1957, head of MGM, Louis B. Mayer died of leukemia. He was seventy-three. The next day, Variety Magazine carried his obituary. Although Mayer was often disliked and even feared by many, director Clarence Brown said, “he made more stars than all the rest of the producers in Hollywood put together. “He knew how to handle talent; he knew that to be successful, he had to have the most successful people in the business working for him. He was like Hearst in the newspaper business. He made an empire out of this thing.” However, both movie studios and the entertainment industry were rapidly changing. As was America. But the only way passed is through. So, forward we go, in time that is, in the next episode of Breaking Walls.

From Jed Clampett to Abraham Lincoln: The Extraordinary Journey of Buddy Ebsen Buddy Ebsen, best known for his iconic role as Jed Clampett in"The Beverly Hillbillies," had a remarkable career in Hollywood. As he told in this 1994 interview, Ebsen worked with some of Hollywood's iconic figures like Shirley Temple and Louis B. Mayer. And even sopeople like Al Capone. He also reveals the three questions everyone always had for him. Get The Other Side of Oz by Buddy EbsenAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Bob Denver and Don Knotts For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube Photo by CBS Television #TheWizardofOz #BuddyEpsen #ClassicFilmTrivia

MGM, 1944 is an odd one. First, MGM's effort to help the war, Song of Russia (directed by Gregory Ratoff), prompts us to ask the question, "What were all of these Communist writers doing working for Louis B. Mayer?" And then, William Dieterle's Kismet, starring Ronald Colman as an amoral magician with misguided plans for his daughter's future, proves to have more to recommend it than just the campy set-piece for which Marlene Dietrich painted her legs gold. Despite the box office failure of Kismet, lavish Technicolor fantasy will have more to do with the future of MGM than Popular Front romance, but in any case, the era of Mickey and Judy and family values is over.    Time Codes: 0h 00m 45s:      SONG OF RUSSIA [dir. Gregory Ratoff] 0h 39m 18s:      KISMET [dir. William Dieterle]   Studio Film Capsules provided by The MGM Story by John Douglas Eames   Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

Happy Fourth of July, dear listeners! Since this day is typically all about celebrating independence, we thought we'd throw a little controversy into the mix (classic this was a thing) by revisiting an episode of America's history where a select group of people was targeted by the U.S. government for suspicions of communist associations and beliefs. And one community at the center of this suspicion was Tinseltown itself - Hollywood. Rob teaches Ray about the Hollywood blacklists and why studio heads like Walt Disney and Louis B. Mayer accused notable writers and directors of inserting communism into their screenplays; how ten men became the face of the resistance standing up to the studios; Ronald Regan's opinion on the matter; the consequences paid for pushing back against these attacks; the betrayals and backstabbing occurring on all sides; and whether "blacklisting" still exists today.And to celebrate the holiday, we're releasing the extended, ad-free version of today's episode, which we make for our Patreon supporters and Apple Podcast subscribers, for everyone! If you like what you hear, please consider supporting us on Patreon or signing up for our subscription option in the Apple Podcasts app. Thank you!TEAMRay HebelRobert W. SchneiderMark SchroederBilly RecceDaniel SchwartzbergGabe CrawfordNatalie DeSaviaARTICLESEPISODE CLIPSHollywood ‘Red' Probe, HUAC Hearings Begin 1947/10/20 - YouTube1947 Walt Disney Testifies at HUAC - YouTubeLouis B Mayer HUAC Testimony, 1947 - YouTubeHerbert Biberman HUAC Testimony Excerpt, 1947 - YouTubeRing Lardner, Jr., one of the “Hollywood 10,” on testifying before HUAC - EMMYTVLEGENDS.ORG - YouTubeHoward Lawson HUAC Testimony Excerpt, 1947 - YouTubeSam Ornitz HUAC Testimony Excerpt, 1947 - YouTubeDalton Trumbo HUAC Testimony Excerpt, 1947 - YouTubeThe Hollywood Ten (1950) - YouTubeYouTube

Adam and Nate start their tour of musical parodies on The Simpsons with On the Town (1949), known for being the first movie musical shot on location and better known as the inspiration for Bart and Milhouse's Broadway-style Squishee bender in “Boy-Scoutz ‘n the Hood” (S5E8). Join Gene Kelly, Frank Sinatra, and a third guy as they take New York City by storm! Also in this episode:• An ode to New York on screen, including “The City of New York vs. Homer Simpson” (S9E1)• Gene Kelly's on-set pranks on Frank Sinatra• How old is Sinatra in this, anyway? (Or, why did they make that one Muppet out of leather?)• Some refreshingly simple cinematography and editing that puts dancing first• Find out why Louis B. Mayer called this musical “smutty and communistic”• Plus more bonus content at SpringfieldGoogolplex.comNext time, Adam and Nate check out My Fair Lady (1964) with Simpsons writer and co-executive producer Michael Price!Follow us @simpsonsfilmpod on Twitter and Instagram.

A History Chat on Lawrence's (MA) 'Four Theaters in a Row' and The Merrimack Valley's Hollywood Connections-Featuring Local Historians Joe Bella and Thomas Spitalere About the Four Theaters in the RowJust after the turn of the 20th century, new theaters began to spring up, some in converted older buildings, most as new theaters. At first, the silent film program also included vaudeville shows or celebrities like John L. Sullivan or Helen Keller. At first, Toomey & Demara (Thomas F. Toomey and Napoleon Demara) Amusement Co. owned and operated the Empire, Premier, Colonial, and Broadway (built by Louis B. Mayer) theaters. Later, The Empire Amusement Co., headed by Dr. Alexander l. Siskind, purchased the Empire, Palace, Broadway, and Premier and took a lease on the Colonial. Dr. Siskind had started his association with the movie industry when he opened the Marquise Theater, one of Lawrence's earliest cinemas. His next purchase was the Victoria, which sat opposite the "4 theaters in a row." The four theaters were: the Astor, the Strand, the Broadway, and the Modern. This was considered so unusual that it was highlighted in Ripley's believe it or not! Also Discussed in this episodeLouis B. Mayer - WikipediaThelma Todd - WikipediaJoseph Bella, Past President, Lawrence History CenterJoe has also held various leadership positions with the following:Methuen (MA) Historical Committee, Methuen Historical Society, Methuen Historical Commission, Methuen Bicentennial Committee, Immigrant City Archives, Lawrence, MA.  Joe has also authored various historical publications over the last 25 years Thomas Spitalere, Haverhill HistorianThomas Spitalere is the founder of Essex County Ghost Project which is a Paranormal Investigative Unit.  Tom has been investigating and researching for over 15 years.  Many have commented on the professionalism and down to earth attitude that he projects when he is working with the public on resolving issues of haunted areas.  He is also the President of Board of Trustees of the Hilldale Cemetery in Haverhill, Ma. Thomas SpitalereWebsite:  ESSEX COUNTY GHOST PROJECT - HomeTwitter:  thomas spitalere (@thomasspitalere) / Twitter***Please note all opinions expressed on The Three Guys Podcast do not represent any Group, Company or Organization***Episode Produced by The Three Guys ProductionsThe Three Guys Podcast:WEBSITE AND LINK TO ALL SOCIALSHome | The Three Guys (the-three-guys.com)Instagram:  The Three Guys Podcast (@the_three_guys_podcast_) • Instagram photos and videosTwitter:  The Three Guys Podcast (@TheThreeGuysPo1) / TwitterYouTube:   Three Guys Podcast - YouTubeLinkedIn the-three-guys-podcastDerek:  Derek DePetrillo (@derekd0518) • Instagram photos and videosBrian:  Brian Nazarian (@the_real_brian_nazarian) • Instagram photos and videosBrett:  Brett J. DePetrillo (@78brettzky

The definitive and “utterly absorbing” biography of America's first news media baron based on newly released private and business documents (Vanity Fair). In The Chief, David Nasaw presents an intimate portrait of William Randolph Hearst, famously characterized in the classic film Citizen Kane, and whose influence was nearly as great as many world leaders. A brilliant business strategist, Hearst controlled the largest publishing empire in the United States, including twenty-eight newspapers, the Cosmopolitan Picture Studio, radio stations, and thirteen magazines. He quickly learned how to use this media stronghold to achieve unprecedented political power. The son of a gold miner, Hearst underwent a public metamorphosis from Harvard dropout to political kingmaker; from outspoken populist to opponent of the New Deal; and from citizen to congressman.? With unprecedented access to Hearst's personal and business papers, Nasaw details Heart's relationship with his wife Millicent and his romance with Marion Davies; his interactions with Hitler, Mussolini, Churchill, and every American president from Grover Cleveland to Franklin Roosevelt; and his acquaintance with movie giants such as Louis B. Mayer, Jack Warner, and Irving Thalberg. An “absorbing, sympathetic portrait of an American original,” The Chief sheds light on the private life of a very public man (Chicago Tribune).

We are joined by Judy Garland fan and Old Hollywood lover Kristen Lopez to discuss the 2019 film, Judy. We talk about if Renee Zellweger deserved the Oscar for her performance, other Judy Garland biopics, Louis B. Mayer in comparison to Harvey Weinstein, our hatred for Blonde, Judy's relationship with Mickey Rooney, Old Hollywood biopics we would like to see, and much more.Follow us on Instagram @flick.loving.chick, @1001filmsaday, and @kristenlopez88.Check out Kristen's work here:- Preorder But Have You Read the Book?: https://www.hachettebookgroup.com/titles/kristen-lopez/but-have-you-read-the-book/9780762480975/- Listen to the Ticklish Biz Podcast: https://ticklishbiz.com/ ★ Support this podcast on Patreon ★

We are now on Patreon! We are not setting up a paywall, but if you would like to support Gladio Free Europe, we'll be thankful for your contribution. --- The Golden Age of Hollywood was a rough time to be an actor. Overdoses, suicides, and secret abortions were routine, but always escaped the papers thanks to the hard work of the studio fixers. In the 1930s to the 1950s, Hollywood studio heads hired thugs and corporate spies to maintain control of their employees and keep scandals under wraps, and these fixers often used blackmail and brutality to enforce the studio's will. This week, Gladio Free Europe discuss Joel and Ethan Coen's recent classic Hail, Caesar! which follows a day in the life of one of these fixers, a fairground bouncer turned movie executive named Eddie Mannix, played by Josh Brolin. Although the movie depicts him as a deeply conflicted family man, the real Mannix was a world-class scumbag who abused and manipulated may actors, particularly young women, and may have even murdered those who got in his way. Liam and Russian Sam recount some sordid stories about real Hollywood fixers, especially Mannix, and go into the unlikely origins of America's film industry and its early leaders such as Louis B. Mayer. The studio system was both awful and awe-inspiring, an institution that relied on terrible exploitation and enabled shocking abuse, but also produced many of the greatest cultural achievements America has ever seen. Men like Eddie Mannix made all of that possible. This episode includes some graphic descriptions of abuse.

"How the Jews Invented Hollywood - An Empire of Their Own" is a book that provides insight into the role of Eastern European Jews in the development of the American film industry. The book explores how the main players in the industry, including Karl Lemieux, Adolph Zukor, William Fox, Max Goldstein, Louis B. Mayer, Benjamin Warner, and Cecil B. DeMille, utilized Thomas Edison's inventions to create a new form of entertainment. The book also covers the influence of immigrants on the American entertainment scene and the impact they had on American culture and values. In Matthew chapter 13, Jesus tells the story of the tares and the wheat. The story is about a farmer who was supposed to watch over his field but fell asleep, allowing an enemy to come in and sow tares among the wheat. The Lord ultimately commends the unjust steward because he sowed the tares in the Kingdom of God and those who do iniquity will be cast into a furnace of fire. The righteous will then shine forth as the sun in their father's kingdom. These men found Thomas Edison's inventions such as phonographs, electric lights, peep shows, and movie pictures and began to buy and use them. American values ultimately came to be defined by the movies the Jews made. The movie industry was a result of enterprise and brains from the sweatshop and Penny Arcade game. Many present-day leaders of the movie industry were poor, hardworking immigrant Jews. However, some people, including Charles Lindbergh, believed that the Jews' large ownership and influence in the movie industry, press, radio, and government posed a danger to the country. A lot of movies can have a damaging effect on people's mental health, and this is not in line with the teachings of God. Deuteronomy 28:32 states that our sons and daughters will be given to another people, and parents will lose control of their children. In Chapter 11 of the book of Revelation, Jesus says that he will destroy those who destroyed the Earth and the Western world. It's time for Christians to take a stand and protect their culture and young people from being taken over by another group.

GGACP celebrates the birthday of the late, great character actor James Karen (b. November 28, 1923) with this ENCORE of a memorable interview from 2015. In this episode, James talks about spending seven decades on the big and small screen, befriending the legendary Buster Keaton, sharing a house with Marlon Brando and Wally Cox and working with Jane Fonda, James Garner, Gene Hackman, Robert Redford and Steven Spielberg (just to name a few). Also, James "sells" Craig T. Nelson a haunted house, Clark Gable parties with Louis B. Mayer, a Boy Scout uniform leads to an acting career and a controversial "Jeffersons" episode nearly sinks a plum TV pitchman gig. PLUS: "Return of the Living Dead"! "Frankenstein Meets the Space Monster"! Gilbert gets a one-cent residual check! Moe Howard recites from "The Tempest"! And James teaches Michael Douglas to drive! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019) A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback's eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s. In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California's premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer's obsession with racing, producing one of America's most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire's late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.) Finally, Shuback analyzes the decline of both industries. It's a sad note, but one that leaves you grateful for the memories. Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019) A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback's eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s. In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California's premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer's obsession with racing, producing one of America's most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire's late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.) Finally, Shuback analyzes the decline of both industries. It's a sad note, but one that leaves you grateful for the memories. Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019) A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback's eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s. In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California's premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer's obsession with racing, producing one of America's most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire's late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.) Finally, Shuback analyzes the decline of both industries. It's a sad note, but one that leaves you grateful for the memories. Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019) A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback's eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s. In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California's premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer's obsession with racing, producing one of America's most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire's late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.) Finally, Shuback analyzes the decline of both industries. It's a sad note, but one that leaves you grateful for the memories. Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019) A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback's eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s. In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California's premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer's obsession with racing, producing one of America's most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire's late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.) Finally, Shuback analyzes the decline of both industries. It's a sad note, but one that leaves you grateful for the memories. Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019) A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback's eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s. In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California's premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer's obsession with racing, producing one of America's most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire's late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.) Finally, Shuback analyzes the decline of both industries. It's a sad note, but one that leaves you grateful for the memories. Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019) A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback's eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s. In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California's premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer's obsession with racing, producing one of America's most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire's late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.) Finally, Shuback analyzes the decline of both industries. It's a sad note, but one that leaves you grateful for the memories. Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Scott Shepherd has overseen hundreds of hours of your favorite TV shows like The Equalizer, Miami Vice, Quantum Leap and many more including Monarch, his new show on Fox and Hulu. Scott is currently pouring his gift for storytelling into a series of mystery novels featuring Scotland Yard Detective Austin Grant. Scott is with us to share his writing tips, tricks and practices, his passion for Steven King, The Twilight Zone and Bruce Springsteen, and a bouquet of stories about his intriguing show biz lineage which includes his great grandfather, Louis B. Mayer. Plus, Fritz and Weezy are recommending Where the Crawdads Sing and The Patient.Path Points of Interest:Scott ShepherdScott Shepherd's Amazon Author PageGift of DemocracyThe Patient - FX/HuluWhere The Crawdads Sing MovieWhere The Crawdads Sing by Delia OwensGift of Democracy

Harvey Brownstone conducts an in-depth interview with Scott Eyman, Golden Age of Hollywood Celebrity Biographer About Harvey's guest: Today's guest, Scott Eyman, is one of America's most respected and prodigious authors, whose books are beloved by film buffs, because he  specializes in the golden age of Hollywood.   He's written 16 highly acclaimed books, including definitive biographies of Mary Pickford, Cary Grant, John Ford, Ernst Lubitsch, Louis B. Mayer, Cecil B. DeMille, and John Wayne.  He co-wrote THREE books with screen legend Robert Wagner, including his deeply moving memoir, “Pieces of My Heart: A Life”.  And one of my personal favourites, is “Hank and Jim: The Fifty-Year Friendship of Henry Fonda and James Stewart”.   His very first book, now in its 7th edition, entitled, “Flashback: A Brief History of Film”, co-authored with Louis Giannetti, became an instant classic, and is required reading at film schools everywhere.   His latest book is entitled, “20th Century-Fox: Darryl F. Zanuck and the Creation of the Modern Film Studio”.  He was a Pullitzer Prize finalist and has won multiple awards including the Richard Wall Memorial Book Award for his book about Cecil B. DeMille, and the National Board of Review William K. Everson Award for Film History, for his prolific body of work.   He lectures extensively at museums and film festivals around the world.  And he's provided commentaries on DVDs of many classic movies.  You've seen him on Turner Classic Movies, and he's written for the Wall Street Journal, the New York Times, the Washington Post, the Chicago Tribune, and practically every film magazine in existence.  And somehow, he also has time to be an adjunct professor of film history at the University of Miami.  For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/https://www.scotteyman.com/ https://mobile.twitter.com/scotteyman1https://www.facebook.com/ScottEyman1 #ScottEyman   #harveybrownstoneinterviews 

There are a baffling, and I mean BAFFLING, number of Oscar winners in this movie. Like, it's alarming how inept a film by an Oscar winning director, with 3 Oscar winning actors, and an Oscar winning songwriter can be.  Just, with these people it feels like it should have been... accidentally competent.  Well, listen to us talk about the movie that proved Louis B. Mayer right. Nobody knows nothing.

GGACP celebrates the 90th anniversary of the Marx Brothers' "Horse Feathers" (released August 10, 1932) by revisiting this 2019 interview with a panel of Marx aficionados, including authors Robert S. Bader(“Four of the Three Musketeers”) and Josh Frank (“Giraffes on Horseback Salad”) and Harpo's son, musician Bill Marx. Also: Chico works blue, Salvador Dali meets Louis B. Mayer, Harpo shares a bill with Allan Sherman and Bill visits the set of “Love Happy.” PLUS: “The Big Store”! Harpo goes to Russia! Groucho livens up the party! Zeppo inspires Cary Grant! And Bill reveals his favorite Marx Brothers movie! Learn more about your ad choices. Visit megaphone.fm/adchoices

Why did fashion become so much more conservative in the 1930s? We look at the puritanical Hays Motion Picture Production Code that banned indecent passions, and at MGM's Adrian Greenberg, the most powerful Hollywood designer of his day. The arrival of colour film stock and the invention of the close-up meant Adrian designed for the camera, experimenting with hats and calf-length dresses that flattered both the lead actresses and ‘Nancy' in the plush seat. MGM's Louis B Mayer, who'd started out selling second hand clothes, made a fortune producing mass-made copies to coincide with each film's release for Nancy's modest budget.

"1999: For Your Consideration" ―This episode will look at how campaigning changed the Oscars game at the turn of the century and the long history of campaigning dating back to Louis B. Mayer. Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Harvey Brownstone conducts an in-depth interview with Anthony Loder, Son of Legendary Actress and Inventor, Hedy LamarrAbout Harvey's guest:Anthony Loder is the son of one of the most glamorous and fascinating screen goddesses in cinematic history.  At one time, she was considered the world's most beautiful woman:  Hedy Lamarr.    She lit up the screen in films like “Algiers”, “Boom Town”, “Ziegfeld Girl” and “Samson and Delilah”.  But what very few people knew, until her son made a point of bringing worldwide awareness to it, is that Hedy Lamarr was not just an actress.  She was a mathematical and scientific genius.  At the beginning of World War II, she and composer George Anthyle developed a radio guidance system using frequency-hopping spread spectrum technology for Allied torpedoes, intended to defeat the threat of jamming by the Axis powers.  The technology that she invented is largely responsible for the creation of wireless communications, including cell phones, GPS,  Wifi and Bluetooth.  She was inducted into the National Inventors Hall of Fame in 2014.  Our guest produced a fascinating documentary in 2004 called “Calling Hedy Lamarr”, and he also appeared in the 2017 documentary entitled “Bombshell: The Hedy Lamarr Story”. Hedy Lamarr, born Hedwig Eva Maria Kiesler was an Austrian-born American film actress and inventor.  Her father was born to a Galician Jewish family in Lemberg (now Lviv in Ukraine) and was a successful bank director.   Trude, her mother, a pianist and Budapest native, had come from an upper-class Hungarian Jewish family.  She had converted to Catholicism and was described as a "practicing Christian" who raised her daughter as a Christian.Lamarr helped get her mother out of Austria after it had been absorbed by the Third Reich and to the United States, where Gertrude later became an American citizen. She put "Hebrew" as her race on her petition for naturalization, which was a term often used in Europe.After a brief early film career in Czechoslovakia, including the controversial Ecstasy (1933), to avoid the Nazi persecution of Jews following the Anschluss, she fled from her husband, a wealthy Austrian ammunition manufacturer, and secretly moved to Paris. Traveling to London, she met Metro-Goldwyn-Mayer studio head Louis B. Mayer, who offered her a movie contract in Hollywood. She became a film star with her performance in Algiers (1938).  Her MGM films include Lady of the Tropics (1939), Boom Town (1940), H.M. Pulham, Esq. (1941), and White Cargo (1942).  Her greatest success was as Delilah in Cecil B. DeMille's Samson and Delilah (1949).   During World War II, Lamarr learned that radio-controlled torpedoes could easily be jammed and set off course.  She thought of creating a frequency-hopping signal that could not be tracked or jammed. She and a friend, composer George Antheil, drafted designs for the frequency-hopping system, which they patented on August 11, 1942.In 1997, Lamarr received the Electronic Frontier Foundation Pioneer Award and the Bulbie Gnass Spirit of Achievement Bronze Award, given to individuals whose creative lifetime achievements in the arts, sciences, business, or invention fields have significantly contributed to society. The principles of their work are incorporated into Bluetooth and GPS technology and are similar to methods used in legacy versions of CDMA and Wi-Fi.  This work led to their induction into the National Inventors Hall of Fame in 2014.For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/https://www.hedylamarr.com/#HedyLamarr #AnthonyLoder  #harveybrownstoneinterviews