Podcasts about Rosebud

Multimillionaire newspaper tycoon Charles Foster Kane (Oscar-winner Orson Welles) dies alone in his extravagant mansion named Xanadu, speaking a single word: "Rosebud."  In an attempt to figure out the meaning of this word, a reporter tracks down the people who worked and lived with Kane.  They tell their stories in a series of flashbacks which reveal much about Kane's life but not enough to unlock the riddle of his dying breath.  This was the film directorial debut of Orson Welles who was also an actor and playwright at the time of release, bringing over much of the cast from his renowned Mercury Theatre troupe to play key roles including Joseph Cotton, Dorothy Comingore, Everett Sloane, Ray Collins, George Coulouris, and Agnes Moorehead.  As the story was loosely based on the life of then media magnate William Randolph Hearst, it never achieved the necessary level of release in theaters to eneable it become commercially successful though the film was nominated for nine Academy Awards including Best Picture, along with both Best Actor and Best Director for Welles.  The only Oscar it would win would be Best Original Screenplay for Welles and co-writer Herman J. Mackiewicz.  Over time, its reputation has only grown and it is now considered by many critics and cinephiles to be one of the greatest if not THE best American film of all time. Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

1 September 2026 is Rosebud's THIRD birthday! And to celebrate, we are giving you the chance to listen again to one of our best every episodes: with the late Queen Elizabeth II's groom, Terry Pendry. Terry worked with Queen Elizabeth II for over 28 years, as her Stud Groom and Manager at Windsor Castle. Terry's relationship with the Queen was unique, because he rode with her every morning when she was at Windsor. This is when the Queen was able to relax, and talk about her passions - for horses, dogs, animals and the countryside. And so, this interview with Terry - which we recorded in the Royal Mews at Windsor - gives an unusual level of insight into what it was like to spend time with the Queen, and tells us all about her love and knowledge of horses. And we meet her favourite pony, Emma, who she rode for the last few years of her life. Our thanks to Terry for this wonderful conversation, for introducing us to Noble and Emma, and to Sue Pendry for her hospitality and cake.We won't need to remind you that we're also coming up to the fourth anniversary of the death of Queen Elizabeth II, on 8th September 2026. Which gives us another very fitting reason to replay this episode today. Thank you so much to all of you - our listeners. Whether you've been here since the start, or have only discovered us recently - we love having you here. We couldn't do this without you. So happy birthday to Rosebud, happy birthday to us, and happy birthday to all of you. Sit down with a slice of cake, a cup of tea, or maybe just snuggle up under the duvet and enjoy this. Hosted on Acast. See acast.com/privacy for more information.

Geoffrey Rush: the only Australian actor to win a Tony, a Primetime Emmy and an Oscar, is our Rosebud guest today. Geoffrey tells Gyles about his childhood growing up in Toowoomba, Queensland, the son of a broken marriage, brought up by his mum and grandparents. He talks about his early memories of rural Australia - of gardens, flower festivals and fireworks - and then he tells Gyles about moving to Brisbane, and discovering his talent for performance. He talks about his work with the Queensland Theatre Company, about meeting his wife, Jane, about Shakespeare and training with Lecoq in Paris. He then tells Gyles about his big break in the Oscar-winning Shine, about winning the Oscar, and about Shakespeare in Love. He discusses his case against the Sydney Daily Telegraph, from whom he won damages in 2020.Our heartfelt thanks to Geoffrey Rush for this fascinating conversation.Don't forget to subscribe to our YouTube here. Join The Rosebud Family here. And visit our website here. Hosted on Acast. See acast.com/privacy for more information.

The emptiness you feel after finally reaching a goal isn't proof you aimed too low or that you should be more grateful — it's information about the goal itself. In this episode, Brett Ingram makes the case that a hollow "arrival" almost always means one of three things: the goal was never really yours, it was standing in for a feeling it could never actually deliver, or you never designed a life to live on the other side of it. Once you can tell which one you're dealing with, you stop needing a bigger goal to quiet the feeling. What You'll Learn in This Episode Why the flat, hollow feeling after a real achievement isn't a character flaw or a sign of ingratitude — it's a signal worth reading The "arrival fallacy," the psychological term for expecting a goal to deliver lasting happiness it was never going to deliver Why hedonic adaptation means your baseline quietly rises with every win, so the gap you're chasing never actually closes Why "set a bigger goal" — the standard advice for feeling flat — is often the thing keeping you on the treadmill instead of getting you off it The three reasons an achievement leaves you empty: the borrowed goal, the proxy goal, and the undesigned after Three honest questions to ask about any achievement that didn't land the way you expected What the longest-running study of adult life found actually predicts a life that feels good to live Episode Timestamps [0:00] The empty summit — crossing the line and waiting for a feeling that doesn't come [1:00] Why almost nobody admits this out loud [3:00] Tom Brady's three championships and "there's gotta be more than this" [4:00] The arrival fallacy, and why the feeling is half true [4:00] Hedonic adaptation — why your baseline moves the moment you level up [6:00] Why "set a bigger goal" is the trap dressed up as ambition [8:00] Reason #1 — the borrowed goal you never actually chose [9:00] Reason #2 — the proxy goal standing in for a feeling [11:00] Reason #3 — the undesigned after, and arriving with nothing built on the other side [12:00] Three questions to diagnose your own empty summit [14:00] What an 80-year study says actually predicts a good life [15:00] Rosebud, and the question worth sitting with instead of chasing the next goal Episode Summary There's a specific kind of disappointment nobody warns you about: the one that shows up after you win. You set the goal, put in the years, and crossed the line on some ordinary afternoon — and the feeling you'd been promised, the one that was supposed to make all of it worth it, either never arrived or left after about a Tuesday. This episode makes the case that the emptiness isn't a character flaw, and it isn't a sign you should have aimed higher. It's a signal, and once you can read it, you stop needing a bigger goal to quiet it. Brett opens with why this stays private. Admitting "I got what I wanted and I feel hollow" sounds like a humble brag to everyone who's still chasing what you already have, so people carry it quietly instead of talking about it — which is exactly why it deserves an honest conversation. And it isn't rare, even at the very top. In a 2005 60 Minutes interview that people still reference twenty years later, a 27-year-old Tom Brady, three Super Bowl rings in, asked on camera: "Why do I have three of these and still think there's something greater out there? God, it's gotta be more than this." If it happens at the top of a mountain millions of people are climbing, it isn't a personal failure — it's a human one. Psychologist Tal Ben-Shahar has a name for the specific mistake underneath it: the arrival fallacy — the false belief that reaching a goal will produce a lasting sense of happiness or completion. He coined it partly from his own experience as an elite squash player, winning again and again and feeling great for a night before the emptiness moved back in. The fallacy is convincing because it's half true — you do get a real hit of something when you win. It's just short-lived by design, thanks to hedonic adaptation: the well-documented tendency for humans to adjust to a new normal shockingly fast, whether that's a new salary, a new title, or a harder season of life. Every time you level up, your baseline quietly levels up with it, so the gap you're chasing never actually closes. That's not a bug — it's the same mechanism that helps people recover from hardship. It's just badly matched to a life built entirely around bigger wins. Here's where Brett pushes back on the standard advice. The mainstream playbook has one answer for the empty summit: set a bigger goal. Feel flat? Aim higher. But if the real problem is a finish line that keeps moving, running faster toward a farther finish line isn't the exit from the treadmill — it's a description of it. The bigger goal is the softer, more socially acceptable version of the hustle trap: it looks like ambition and gets applauded as ambition, but it functions as avoidance, keeping you from ever sitting with the signal and figuring out what it's actually saying. So what is it saying? Brett offers three answers, not a system — call them the borrowed goal, the proxy goal, and the undesigned after. The borrowed goal was never really yours. You inherited it — from a parent, a peer group, an industry, or a younger version of yourself trying to prove something — and you optimized brilliantly toward someone else's blueprint. The tell is relief mixed with resentment instead of joy: a quiet "was that it?" paired with "why did I let that run me?" The proxy goal was yours, but it was standing in for something else — safety, being enough, respect, being chosen, being done proving yourself. Achievements are very good at delivering achievements and surprisingly bad at delivering worth, so you get the title or the number and the actual feeling you wanted doesn't come with it, because it was never for sale at that store. The tell: the external thing arrives and the internal need is still standing there, unmet. The undesigned after is the case where the goal was genuinely yours and wasn't standing in for anything — it still felt empty because every ounce of attention, structure, and identity was pointed at the peak, and nothing was built for the other side of it. The scaffolding that organized your days disappears overnight, and what rushes in isn't peace, it's a void. This is the post-launch crash, the post-graduation dip, the flatness after the big project ships. The tell: you don't regret the goal, you just don't know who you are or what the days are for now that it's done. The practice Brett offers is three honest questions, asked once, about whatever achievement left you flat: Was this goal mine, or did I inherit it? What did I actually want this to make me feel — name the real word? And did I build anything to walk into on the other side of this? Most people find that one of the three lights up immediately, and the one that stings is usually the closest to the truth. Each diagnosis points to different work: a borrowed goal calls for an honest values conversation with yourself, not a new goal; a proxy goal calls for meeting the real need directly instead of routing it through one more accomplishment; and an undesigned after calls for designing the after on purpose — relationships, rest, and meaning that don't depend on the next milestone. Brett closes with a finding from the longest-running study of adult life, tracking people for more than eighty years: the strongest predictor of a life that felt good to live wasn't achievement — it was the quality of people's relationships. Which means the empty summit might be doing you a favor, pointing out that the scoreboard was never where the meaning lived. As Brett puts it, borrowing the image from Citizen Kane — a man who built an empire and died reaching for a word from his childhood — the flat feeling on the far side of a win isn't your enemy. It's your own life asking a better question than "what's next": what was this actually for? Resources Mentioned The arrival fallacy — term coined by positive psychologist Tal Ben-Shahar for the false belief that reaching a goal produces lasting happiness  Tom Brady's 2005 60 Minutes interview — the "there's gotta be more than this" moment referenced in the episode  Hedonic adaptation / the hedonic treadmill — the body of research on how quickly people adjust to a new baseline after major life changes  Harvard Study of Adult Development — the 80+ year longitudinal study finding relationship quality as the strongest predictor of a good life  Citizen Kane (1941) — the "Rosebud" reference used to close the episode  Frequently Asked Questions Why do I feel empty or disappointed after finally reaching a goal I worked hard for? It's a well-documented pattern called the arrival fallacy — the false belief that hitting a goal will produce lasting happiness or completion. The letdown almost never means you aimed too low; it usually means the goal was borrowed from someone else, was standing in for a feeling like safety or worth that achievement can't actually deliver, or you never designed anything to live for on the other side of it. What is the arrival fallacy? It's a term coined by psychologist Tal Ben-Shahar for the false belief that reaching a goal will bring lasting happiness or a sense of completion. He named it partly from his own experience as an elite athlete — winning repeatedly, feeling great for a night, and then feeling the emptiness return. What is hedonic adaptation, and why does it stop achievements from making me happier long-term? Hedonic adaptation is the human tendency to adjust to a new normal — a new salary, title, or circumstance — remarkably fast. It means your baseline quietly rises every time you level up, so the emotional gap you're chasing never actually closes, no matter how much you achieve. Why doesn't setting a bigger goal fix the empty feeling after achieving something? If the real problem is a finish line that keeps moving, running toward a farther finish line doesn't get you off the treadmill — it just describes the treadmill. Setting a bigger goal often functions as avoidance: it looks like ambition, but it keeps you from sitting with the signal long enough to understand what it's actually telling you. What's the difference between a "borrowed goal" and a "proxy goal"? A borrowed goal was never really yours to begin with — you inherited it from a parent, peer group, or an earlier version of yourself, and the tell is relief mixed with resentment instead of joy. A proxy goal was genuinely yours, but it was standing in for a feeling like safety, worth, or respect — you get the achievement, but the actual feeling you wanted doesn't come with it. What questions should I ask if an achievement left me feeling hollow? Ask three things, honestly: Was this goal mine, or did I inherit it? What did I actually want this achievement to make me feel — name the real word? And did I build anything to walk into on the other side of this goal? Whichever question stings the most is usually pointing at the truth. What actually predicts a happy, meaningful life if it's not achievement? The longest-running study of adult development, tracking participants for more than eighty years, found that the strongest predictor of a life that felt good to live wasn't career achievement or wealth — it was the quality of people's relationships. Keep Exploring If this episode resonated, these are worth your time: Why Am I So Tired When There's Nothing Actually Wrong With Me? — goes deeper on what happens when your identity and structure are built entirely around striving, and nothing's left in the tank once you stop  The Attention Economy — explores another way modern life quietly sets the goalposts for you before you've asked whether they're actually yours  Why Can't I Stop Replaying That Conversation in My Head? — unpacks the nervous-system side of chasing a finish line that never lets you feel done  Enjoyed This Episode? The best way to support optYOUmize is to subscribe and leave a review — it takes about two minutes and makes a real difference in helping more people find the show. Apple Podcasts · Spotify · Amazon Music · YouTube Leave a Review →

It's another cracking episode of Gyles's diaries for you today, and Gyles is reading choice extracts from the year 1979. In which he: lets go of the family's live-in nanny and puts their pony, Tonka, out to grass; is mortified by a critical article in the Daily Mirror; and finally takes his driving test.Enjoy this, diary-lovers!Don't forget to subscribe to our YouTube here. Join The Rosebud Family here. And visit our website here. Hosted on Acast. See acast.com/privacy for more information.

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Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: www.holmbergpodcast.com, www.98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Our language is valuable, and we've gotta hold on to that. That's the most human thing we have.” — Jeff Jarvis Last week, to celebrate episode 3,000 of the show, the New York Times' Sam Roberts articulated the art of the obituary. Borrowing from Citizen Kane, he described it as the Rosebud method. Obits are all about life (death only figuring as an afterthought), Roberts explained, so hunt for the moment which defines that life. Today's show is a kind of obituary of that type. Only it's about the life of a machine and the mass media that emerged in its wake. In Hot Type, tech historian Jeff Jarvis introduces us to the magnificent late 19th century machine that not only gave birth to industrial mass media, but also bankrupted Mark Twain. It's the history of the Linotype, the machine invented by Ottmar Mergenthaler that ended four hundred and fifty years of setting type, as Jarvis puts it, “one damn letter at a time.” It's an extraordinary story. Before the Linotype, American daily newspapers were limited to a 4,000 circulation. First installed at the New York Tribune on July 3, 1886, the Linotype scaled print, thereby enabling the age of mass circulation newspapers, magazines and books. It appeared so infinitely scalable that Mark Twain poured his entire family fortune into its doomed rival, the Paige Compositor. He lost all his money, of course, making it his Rosebud moment — Citizen Twain, so to speak. But for the rest of us, Mergenthaler's magnificent type machine was so hot that it revolutionized 20th century culture in the same way that AI is now revolutionizing 21st century reading and writing. The art of obituary. A description of life, not death. Five Takeaways •       One Damn Letter at a Time. For four hundred and fifty years after Gutenberg, virtually every word in every language was set by hand, one letter at a time — which is why the average American daily circulated just 4,000 copies, “a small Substack newsletter.” Steam-powered presses, cheap wood-pulp paper, stereotyping, and the telegraph had solved every other bottleneck; the typesetter with a composing stick was the last. More than 300 typesetting machines failed before Ottmar Mergenthaler — a Baltimore watchmaker who knew nothing about printing, prodded by James O. Clephane, once a stenographer in Lincoln's cabinet — had the eureka: stop imitating hand-setting and mold entire lines of type at once. Installed at the New York Tribune on July 3, 1886, the Linotype made type fresh for every edition, let print catch up with the telegraph, and gave birth to mass media.•       The Union That Didn't Smash the Machine. The book's great labor surprise: the typesetters didn't fight the typesetting machine. Having studied the Luddites' defeat, the International Typographical Union sent spies into the Tribune's composing room, concluded the Linotype was inevitable, and demanded to operate it — with Mergenthaler's blessing. Thirty thousand jobs disappeared, returned to full strength within five years, and grew for seventy-five more, making the ITU America's most powerful union. Then came wave two — paper tape, computers that could hyphenate and justify, cold type, PostScript — and this time the union fought: six of nine New York papers died in the strikes, Bert Powers traded automation for lifetime job guarantees (the last holder retired from the New York Times around 2012), and Murdoch's secret Wapping plant ended Fleet Street — a century, almost exactly, after machine number one. The two lessons: take charge of the technology if you can; if it will replace you outright, find something else to do.•       The Machine That Drove Twain Mad. Mark Twain wanted to be filthy rich and stop writing — so he poured his fortune, and his wife's family coal fortune, into the Paige Compositor, the Linotype's brilliant, doomed rival: only two ever built, the sole survivor sitting in the basement of Hartford's Mark Twain House looking like “a railroad with nowhere to go.” Bankruptcy followed — a far deeper shame in the nineteenth century — and Twain repaid every debtor. Jarvis reads the scars in the fiction: A Connecticut Yankee in King Arthur's Court ends with technology destroying technology in an Armageddon of Camelot; the unfinished No. 44, The Mysterious Stranger conjures strange beasts endlessly duplicating pages — scale itself as nightmare. He lost all his money, of course — his Rosebud moment, as Andrew puts it, borrowing from Sam Roberts' art of the obituary on episode 3,000. The machine robbed Twain not of his humor, Jarvis concludes, but of his love of technology. The biopic pitch: Citizen Twain.•       From One Gilded Age to Another. The Linotype era bridges Twain's Gilded Age — tycoons of steam, steel, and wire — to ours, with its barons of bits and AI. Whitelaw Reid, the book's villain and the first capitalist media mogul, used the machine against his own union and predicted newspapers would never exceed eight pages (completely wrong); Frank Munsey invented the attention economy at a dime a copy — content as honey, audience as product, a model that ruled mass media and infected the Internet. Today's moguls fare no better in Jarvis's telling: Altman selling “vending machines for intelligence” that actually dispense compute, Amodei “the paragon of safety” with a skewed definition of it, all chasing the Valhalla of AGI, “pure BS.” His hope: open-weight models to check the frontier companies. His warning against banning them: guardrails are a fool's errand — the printing press was a general machine, and nobody could tell Gutenberg to keep it from Martin Luther.•       Words Matter, Damn It. The through-line from Jarvis's blog post to the book: language is the most human thing we have. His objection to Anthropic's watermark isn't Keith Teare's shame argument — it's that a scheme treating “overcast” and “gray” as interchangeable declares all language fungible, “a cultural statement damaging to our craft.” His own AI practice is disclosed down to a confessional footnote in Hot Type for a single borrowed phrase: Gemini may pull facts (“don't write for me”), but what you express must be what you want to express. The typewriter shaped Nietzsche and made Hemingway; the newsroom computer made Jarvis an editor more than a writer; Quark made everyone typesetters — “in the end, it was all still me.” Against Kirschenbaum's gray goo, he holds up Pope Leo (work brings dignity; not a Luddite) and poetry itself. Hot type revolutionized 20th century culture the way AI is now revolutionizing 21st century reading and writing. The art of obituary: a description of life, not death — and the most human thing we have is the words. About the Guest Jeff Jarvis is the Emeritus Leonard Tow Professor of Journalism Innovation at CUNY's Craig Newmark Graduate School of Journalism. The creator and founding managing editor of Entertainment Weekly, he has been TV critic for TV Guide and People, Sunday editor of the New York Daily News, and a media columnist for The Guardian. His books include What Would Google Do?, The Gutenberg Parenthesis, Magazine, and The Web We Weave; he blogs at Buzzmachine...

If you're a regular Rosebud listener, you'll know that we have a private members' club, called The Rosebud Family. The Rosebud Family gives anyone who loves Rosebud a range of benefits: ad-free listening to all the main Rosebud episodes, and a different, brilliant bonus episode every Sunday. We'd love you to join - it's a chance for you to enjoy even more Rosebud, and to hear some really hilarious and unguarded Gyles and Harriet chat every week. It costs £4.99 per month plus VAT to join the Rosebud Family - and we hope today's episode will showcase some of the brilliant things you'd get if you joined!And that's because, today on More Rosebud, we're giving regular listeners chance to hear the most recent special episode we released to the Rosebud Family last Sunday... The episode you're going to hear today is part of our monthly "Down Memory Lane" strand, in which we chat about a different subject each week and discuss how it has manifested itself in our pasts. The episode we're giving you today is all about dreams and nightmares, and it's a lot of fun: it takes in Gyles's most recent anxiety dreams, Harriet's erstwhile obsession with Jeremy Vine, and a romantic dream she once had about the ex-Radio 2 DJ Simon Mayo.If you'd like to join the Rosebud family, you can do so by visiting www.patreon.com/rosebud, or clicking here.Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

We have a treat for you today: an exclusive one-off edition of Rosebud recorded at RHS Wisley, brought to you in association with the Royal Horticultural Society, and starring special guests RHS Ambassadors Dame Mary Berry and James Wong. In this episode, Gyles, Mary and James enjoy walking round the beautiful gardens at Wisley, and discuss the joys and benefits of getting out into gardens of all shapes and sizes. You'll find out about Dame Mary's first memory of gardening, about her love of roses, and about her long relationship with Wisley. You'll find out about James Wong's tips for making your garden more nature-friendly, and about his current pet project: growing a giant waterlily. But most of all we hope this episode will inspire you to get out into your own outside space, and - better still - to visit on the RHS's five flagship gardens somewhere in the UK.Thank you to Dame Mary Berry and James Wong for sharing what gardening and visiting gardens means to them, and of course the important role they can play in bringing people together and creating a sense of community. The RHS is the UK's gardening charity helping people and plants to grow, so go visit your nearest garden today: there are five to choose from, RHS Wisley, RHS Hyde Hall, RHS Rosemoor, RHS Harlow Carr and RHS Bridgewater. You can visit the RHS website here. Hosted on Acast. See acast.com/privacy for more information.

Dave Stanley hosts an expert panel of Brad Davidson, David Fowler and David Gately to chat about the biggest racing topics from the weekend including how good the 2 fillies went in the Rosebud, where Cosmic Crusader could head and more.

Our guest today is the scientist, broadcaster and presenter of The Sky At Night, Dame Maggie Aderin. In this moving conversation, Dame Maggie tells Gyles about her childhood - and her parents' long custody battle, which often led to upheaval for Maggie and her sisters. She talks about her early interest in space, and joining a telescope-making club as a teenager. She talks about thinking big and not taking no for an answer. She talks about "Maggie-isms" and being unusual.This is a fabulous edition of Rosebud with one of our foremost science communicators and educators. Dame Maggie's book, Starchild, My LIfe Under the NIght Sky, is out now and available here. Hosted on Acast. See acast.com/privacy for more information.

You can't answer "what do I actually want?" by looking inward harder, because most desire isn't hidden — it's borrowed. In this episode, Brett Ingram makes the case that a lot of what feels like your deepest wanting was actually absorbed from the people around you, and that the brain's craving for something and its enjoyment of having it run on two separate systems that routinely disagree. He offers a three-question "wanting audit" — where a want came from, whether you'd like having it or just getting it, and whether you'd still want it in private — for telling a genuine desire from a borrowed one before you spend years chasing it. What You'll Learn in This Episode Why "look inward and follow your heart" doesn't work — and why desire is mostly formed, not found, built out of what you were exposed to, praised for, and surrounded by René Girard's concept of mimetic desire: why so much of what you want, you caught from other people rather than generated yourself Kent Berridge's discovery that wanting and liking run on two different brain systems — and why the loudest craving is often the least reliable signal The three-question "Wanting Audit" for testing whether a specific desire is actually yours: the origin question, the liking question, and the private question Why intrinsic goals (growth, relationships, contribution) tend to hold up better over a life than extrinsic ones (status, image, wealth) — and why that finding is correlational, not a verdict on ambition itself The difference between reflection and rumination, and why thinking harder about what you want usually just generates heat, not light A simple one-week practice — the one-want audit and a daily "aliveness" note — for catching the wants you couldn't have found by sitting still Episode Timestamps [0:00] Introduction — the question that sounds simple and isn't [2:00] Why this hits hardest for people who are good at getting what they want [3:00] The trap in "figure out what you want" — desire isn't buried treasure [4:00] Why "look inward and follow your heart" doesn't work [6:00] Borrowed desire: René Girard and mimetic desire [9:00] Wanting isn't liking: Kent Berridge's two systems in the brain [12:00] The Wanting Audit — three tests, starting with the origin question [13:00] Test two: do you want to have it, or just to get it? [15:00] Test three: would you still want it if no one knew? [16:00] What the research says: intrinsic vs. extrinsic goals [18:00] The limit of thinking your way there — and the antidote [20:00] This week's practice: the one-want audit and the aliveness log [22:00] Rosebud, and the loudest want is rarely the truest one Episode Summary There's a version of "figure out what you want" that sounds like buried treasure — dig deep enough into yourself and the true answer will surface. Brett Ingram opens this episode by rejecting that model outright. The core claim: desire isn't mostly found, it's formed — built over time out of what you were exposed to, what you were praised for, and who you were standing next to when a want first showed up. If that's true, then sitting still and asking "but what do I really want?" on repeat won't get you anywhere. As Brett puts it, that kind of looping introspection means "all that's gonna do is generate heat. It's not gonna generate light." The first idea Brett builds the episode around is French philosopher René Girard's concept of mimetic desire — the claim that we mostly want things because other people want them, not because of the qualities of the thing itself. We look around to see what's worth wanting, and then we want that. It's why a neighborhood suddenly appeals once a friend moves there, or a career milestone starts to matter only after someone your age hits it first. Girard's point, Brett stresses, isn't a moral indictment — "it's not that you're shallow or a follower... The failure is only in never noticing it's happening." Borrowed desire isn't automatically bad; some of it fits beautifully. The problem is chasing a borrowed want for a decade while assuming it's the deepest expression of who you are. The second idea comes from neuroscientist Kent Berridge's decades of research at the University of Michigan: wanting and liking are two separate systems in the brain. Wanting — the craving, the pursuit — runs largely on dopamine. Liking — the actual pleasure once you have the thing — runs on a smaller, more fragile system, and the two can come apart completely. That's the mechanism behind the flat, quiet letdown after finally getting something you were sure about. "The loudest want is not the truest want," Brett says, and using raw craving as your guide to what you want will steer you straight toward the things you'll like least once you have them. From these two ideas, Brett builds a practical tool: the Wanting Audit, three questions to run on any specific want. The origin question — where did this come from, and who did I first see wanting it? The liking question — do I want to have this, or just to get it? (Imagine the ordinary Wednesday six months later, not the moment of arrival.) And the private question — would I still want this if no one ever knew I had it? None of the three deliver a clean verdict, but together they show where a want came from and whether it's likely to satisfy. The pattern lines up with research from psychologists Tim Kasser and Richard Ryan on intrinsic versus extrinsic goals: people who organize their lives disproportionately around extrinsic goals — wealth, status, image — tend to report lower wellbeing, even when they get what they wanted. The finding is correlational, and Brett is careful to say ambition itself isn't the villain; the wants worth keeping tend to have an intrinsic core, even when they wear an extrinsic coat. Brett also pushes back on his own framework: some wants can't be found by analysis at all. They only reveal themselves through action — small, cheap, reversible experiments, followed by honest noticing of what you actually felt, not what you predicted. That's the difference between reflection and rumination, and it connects directly to the difference between self-knowledge and self-improvement — the deeper terrain this episode sits inside. The homework is simple: run the Wanting Audit on one costly want this week, and keep a running note of the moments you felt genuinely alive, then compare the two lists. Closing with the "Rosebud" ending of Citizen Kane, Brett leaves listeners with the line the whole episode turns on: "You don't have to figure out everything you want today. You just have to stop mistaking a borrowed want for a life." Resources Mentioned René Girard's mimetic desire theory — the idea that we largely want things because other people want them — Britannica: "What is mimetic desire according to René Girard?" Kent Berridge's "wanting vs. liking" research, University of Michigan — the neuroscience showing craving and enjoyment run on separate brain systems — Berridge Lab: Neuroscience of Liking and Wanting Tim Kasser & Richard Ryan's research on intrinsic vs. extrinsic goals — the correlational link between extrinsic-goal-focused living and lower wellbeing — Kasser, "Materialistic Values and Goals," Annual Review of Psychology (2016) Citizen Kane (1941 film) — referenced for the "Rosebud" ending and the idea of getting everything you wanted and finding out it was never really yours Frequently Asked Questions How do I figure out what I actually want in life? Run any specific want through three tests instead of trying to think your way to an answer: where it came from and who you first saw wanting it, whether you'd enjoy having it and not just getting it, and whether you'd still want it if no one ever knew. Wants that survive all three are far more likely to be genuinely yours. Why don't I know what I want anymore? Because desire is mostly formed, not found — built out of what you were exposed to, praised for, and surrounded by — so there usually isn't a single "true" want hiding inside you waiting to be uncovered. What feels like confusion is often a list that's half yours and half absorbed from other people, with no way yet to tell them apart. What is mimetic desire, and why does it matter for figuring out what I want? Mimetic desire is philosopher René Girard's idea that we largely want things because other people want them, not because of the qualities of the thing itself. A lot of what feels like a personal desire is actually a social signal picked up from a peer, a rival, or a culture — which isn't a character flaw, just how humans learn what to value in the first place. What's the difference between wanting something and liking it? Neuroscientist Kent Berridge found that wanting (the craving, the pursuit) and liking (the pleasure once you have it) run on two different, separable systems in the brain. That's why a desire can feel intensely urgent and still deliver almost no satisfaction once you get the thing — the wanting system can fire hard even when the liking system barely responds. Why do I get what I want and still feel unsatisfied? Because the intensity of a craving tells you almost nothing about how much you'll actually enjoy having the thing once you do — that's the wanting/liking gap. It's also often a sign the want was extrinsic (status, image, being seen) rather than intrinsic, and research shows extrinsically-organized goals tend to satisfy the least even when achieved. What is the "Wanting Audit" from this episode? It's a three-question test for any want you're carrying: the origin question (where did this come from, who did I first see wanting it), the liking question (do I want to have it, or just to get it), and the private question (would I still want it if no one ever knew I had it). It won't produce a clean yes or no, but it shows where a want came from and whether it's likely to satisfy you. Is it bad that a lot of my desires are borrowed from other people? No — Brett is explicit that borrowed doesn't automatically mean bad, and mimetic wanting is simply how humans learn what to value. Some desires you catch from other people fit you beautifully. The problem is only when you can't tell the difference and spend years chasing a borrowed want assuming it's the deepest expression of who you are. Keep Exploring If this episode resonated, these are worth your time: Mind & Inner Life Pillar — The full framework on self-knowledge and building a genuine inner life, not just optimizing your output → Mind & Inner Life Guide What Self-Knowledge Actually Is — A companion episode on why real self-knowledge means seeing yourself clearly in motion, not a personality-quiz result → optyoumize.com/podcast/what-self-knowledge-actually-is How to Stop Comparing Yourself to Others — A closer look at the same mimetic pull behind comparison and status-chasing → optyoumize.com/podcast/why-you-cant-stop-comparing-yourself Enjoyed This Episode? The best way to support optYOUmize is to subscribe and leave a review — it takes about two minutes and makes a real difference in helping more people find the show. Apple Podcasts · Spotify · Amazon Music · YouTube Leave a Review →

The Little Birdie crew preview the biggest races across Australia to make sure your betting operation today and this Saturday is a success. With decades of punting expertise Scoot & Walt along with Nick Noonan & GK chew the fat with proven winners in each state.

This week on the pod, Seth and Josh welcome comedian Rosebud Baker! Rosebud talks about growing up in suburban Alexandria, Virginia, with a famous grandfather, former Secretary of State James Baker, and the strict expectations that came with visiting her grandparents and the White House. She shares stories of chaotic, alcohol-fueled family reunions, growing up with a huge extended family, and childhood trips to Chincoteague for the pony swim and Watch Island in New York's Thousand Islands, where the kids had free rein while the adults drank. Rosebud also discusses keeping her standup career secret from her family for years, writing about her experiences with SNL, her memoir Fully Baked, and how her disciplinarian father has mellowed with age. Watch this episode on the Family Trips YouTube or Spotify, or listen wherever you get your podcasts! Watch more Family Trips episodes: https://www.youtube.com/playlist?list=PLlqYOfxU_jQem4_NRJPM8_wLBrEEQ17B6 00:00 Introduction with Seth Meyers and Josh Meyers 02:01 Napa Trip and Falconry 02:33 Wine Cave and Snack Debate 06:24 Cape Cod Gigs 10:12 Meet Rosebud Baker 15:43 Family Legacy and Memoir Talk 37:31 Chincoteague Horse Memories 38:11 Watch Island Summer Chaos 42:11 Selling the Island Goodbye 44:23 Bud Nickname and Accents 46:58 Road Trip Rules and Dad Discipline 59:39 Comedy Career Reveal and Farewell Support our sponsors: Cologuard If you're 45 or older and at average risk, talk to your healthcare provider about screening for colon cancer and ask if Cologuard Plus could be right for you. You can also request a Cologuard prescription online today at https://www.Cologuard.com Article: Article is offering our listeners $50 off your first purchase of $100 or more. To claim, visit https://www.article.com/discount/trips and the discount will be automatically applied at checkout. Aura Frames: Exclusive $35-off Carver Mat, Aspen, and Walden frames at https://on.auraframes.com/TRIPS. Promo Code TRIPS Hims Ready to reach your goals? Visit https://hims.com/trips to get a personalized, affordable plan that gets you. Weight Loss by Hims is not available in all 50 states. Wegovy® is the registered trademark of Novo Nordisk A/S. To get started and learn more, including important safety information, Wegovy® clinical study information, and restrictions, visit Hims.com. Family Trips is produced by Rabbit Grin Productions. Theme song written and performed by Jeff Tweedy. About the Show: Lifelong brothers Seth Meyers and Josh Meyers ask guests to relive childhood memories, unforgettable family trips, and other disasters! New Episodes of Family Trips with the Meyers Brothers are available every Tuesday. Executive Producers: Rob Holysz, Jeph Porter, Natalie Holysz Creative Producer: Sam Skelton Coordinating Producer: Derek Johnson Video Editor: Josh Windisch Mix & Master: Josh Windisch Episode Artwork: Analise Jorgensen Learn more about your ad choices. Visit megaphone.fm/adchoices

It's another action-packed episode of Gyles's 1978 diaries, including: fun chat from G & H about seagulls and sumo wrestlers; Gyles taking a trip to NYC to publicise his joke book; the death of Pope John Paul I; a holiday to Barbados; a disastrous after-dinner speech and perjury. Yes, this is an episode you won't want to miss. Plus an Edinburgh update, and a shout-out to some of the brilliant listeners we've met at the first couple of shows. Thank you to EVERYONE who has supported us in our show this year - either by coming along, emailing, wishing us luck or by following our journey on the podcast. We really appreciate your encouragement! Hosted on Acast. See acast.com/privacy for more information.

Comedian, former Saturday Night Live writer, and author Rosebud Baker joins Zac for an honest conversation about addiction, grief, motherhood, divorce, and what long-term recovery actually looks like. Rosebud reflects on losing her seven-year-old sister, getting sober at 22, writing her memoir Fully Baked: A Messy Memoir, working at SNL while raising a newborn, and navigating divorce -- and how recovery isn't about becoming someone new, but about getting to the truth of who you already are. One of the most powerful moments comes when she explains why losing her sister and giving birth to her daughter felt strangely similar -- both shattered the life she thought she knew and forced her to see how fragile, and precious, all of it is. This is a conversation about what happens after the drinking stops: emotional suppression, family patterns, burnout, and the deeper work of staying present for your whole life without escaping yourself. Learn more about Rosebud Baker's memoir here:  https://www.amazon.com/dp/1668016222?lv=shuf&channelId=500&plpRedirect=mhFallback Follow Rosebud Baker:: Instagram: https://www.instagram.com/rosebudbaker/ YouTube: https://www.youtube.com/@rosebudbakerstandup Connect with Zac: https://www.instagram.com/zwclark/ https://www.linkedin.com/in/zac-c-746b96254/ https://www.tiktok.com/@zacwclark https://www.strava.com/athletes/55697553 https://twitter.com/zacwclark If you or anyone you know is struggling, please do not hesitate to contact Release Recovery: (914) 588-6564 releaserecovery.com @releaserecovery Learn more about your ad choices. Visit podcastchoices.com/adchoices

“Obituaries are about life, about the lives that people have lived. Death only figures in one sentence.” — Sam Roberts This is, remarkably, episode 3,000 of Keen On America — three thousand conversations since the show launched on TechCrunch in 2010. Fitting, then, that today's guest has written nearly 1,500 obituaries for the New York Times. Sam Roberts is a reporter on the Times' obituaries desk and has a new book about the art of the obit entitled Are They Dead Yet? We recorded this a week before airtime, so I began by asking who's going to die in the interim. He wasn't sure — but noted that the Times keeps 2,000 advance obituaries ready. There are, he added, never enough. Beware, though, the Rockefeller curse. Roberts wrote David Rockefeller's advance obituary, whereupon he learned that three other Times reporters had written Rockefeller advance obits — and all three were dead. (Rockefeller made it to 101.) Borrowing from Citizen Kane, Roberts hunts for the Rosebud moment, the epiphany that defines a life. He hunts for the soul of the subject, not the résumé. Hence his cheerful paradox that obituaries are about life, whereas death only figures in one sentence. As for famous last words, he's a skeptic — most were composed later by better writers. The real ones, he suspects, are “help,” or “get me a drink.” And the obituarist's own Rosebud moment? We have to go back to Brooklyn when he was a six-year-old boy. His father walked him to the corner to watch the Rosenberg funeral procession pass. “I want you to see history as it's happening,” he explained. Half a century later, Roberts got David Greenglass to admit he had lied about the testimony that sent his own sister, Ethel Rosenberg, to the electric chair. From the Times' Portraits of Grief after 9/11, Roberts learned the book's deepest lesson. There are no ordinary lives. Who would you miss more — your mayor or your mailman? Or maybe your obit writer (or even your podcaster)? Sam promised that if he died before airtime, he'd call. The phone hasn't rung. I'm still going too. On to episode 3,001. Five Takeaways •       2,000 Obits, Never Enough. The Times keeps some 2,000 advance obituaries on file, regularly updated — and people still surprise the desk (and presumably themselves) by dying unexpectedly. Print once had a deadline or two a day; now there's a deadline every minute. The occupational hazards are real: three Times reporters wrote advance obits of David Rockefeller and predeceased him — Roberts, the fourth, survived to see his run when Rockefeller died at 101. And the genre changes its readers: “no man who has seen his own obit is ever the same again.” Alfred Nobel, mistakenly obituarized as dynamite's merchant of death, endowed the Nobel Prizes in response — proof that a premature obituary can be the most consequential document a man ever reads.•       The Rosebud Method. Roberts' organizing device comes from Citizen Kane: the Rosebud moment, the epiphany — a teacher, a meeting, an accident — that changed the trajectory of a life and made it worth recording. The model, via The Economist's Ann Wroe, is the soul rather than the stenography: Wikipedia has the chronology; the obituary hunts the essence. Advance obits are never vetted by their subjects — facts checked, yes; the portrait, never — because an obituary is a news story, not a eulogy. And the form's great secret is optimism: obituaries are about life. Death gets one sentence. (Famous last words, meanwhile, are mostly posthumous fiction. The real ones: “help,” or “get me a drink.”)•       Giuliani, Trump, Epstein. The hardest working file on Roberts' desk: Rudy Giuliani — aggressive prosecutor, the mayor who proved New York governable, then a bitter Trump apologist indicted under the same statutes he once used on mobsters. How do you compress that into a lead paragraph? Andrew's suggestion — a narrative of somebody who had a soul and then sold it — requires Shakespeare; Roberts insists on newspaper objectivity, omitting nothing and editorializing never. The Trump obituary already exists (its subject, Roberts guesses, would sue). And context keeps moving after death: Bush the defeated loser became Bush the elder statesman; Epstein's reputation kept falling posthumously. Of the 150,000 people who die each day, three or four make the Times.•       The Rosenberg Rosebud. Roberts' own epiphany arrived at age six, on a Brooklyn street corner where his father took him to watch the Rosenberg funeral procession: “I want you to see history as it's happening.” His family otherwise met death with denial — six months after his father died, an aunt asked how Arthur was doing could only answer “so-so.” The Rosenberg thread ran through his whole career: decades later, for his book The Brother, David Greenglass admitted to Roberts that he had lied about the most incriminating testimony against his sister Ethel — evidence that, truthfully given, would likely have spared her the electric chair. When Roberts assigned graduate students to write his own advance obituary, none of them led with that. He would.•       No Ordinary Lives. From Portraits of Grief — the Times' profiles of virtually every victim of the World Trade Center attack — Roberts drew the book's central lesson: there are no ordinary lives. Who would you miss more, your mayor or your mailman? Carlyle asked whether history belongs to Hannibal or to the anonymous man who invented the spade. The desk has honored the principle in both directions: a front-page obituary for Hercule Poirot (the most famous Belgian, as Andrew noted), and a Jesus of Nazareth obituary written as the Times would have run it in AD 33 — ending, for lack of further confirmation, with the report that he was buried and his body disappeared. No beat generates more reader feedback. “As long as they're reading it, I'm happy.” About the Guest Sam Roberts is a fifty-year veteran of New York journalism, an obituaries reporter and former Urban Affairs correspondent at the New York Times, and the host of the Times' “Close Up,” which he inaugurated in 1992. His many books include The Brother, Grand Central, A History of New York in 101 Objects, and Only in New York. A history adviser to Federal Hall, he lives in New York with his wife and two sons. Are They Dead Yet? The Art of the Obit (Bloomsbury, August 11, 2026) draws on the nearly 1,500 obituaries he has written for the Times. References: •       Are They Dead Yet? The Art of the Obit by Sam Roberts (Bloomsbury, August 11, 2026). Carl Hiaasen: “Mordantly wonderful.” Roz Chast: “I almost died laughing.”•       The Brother by Sam Roberts — in which David Greenglass admitted lying about the testimony that sent his sister, Ethel Rosenberg, to the electric chair.•...

PJ talks to Michael Condon and his mum Megan about what it's like to be the escort of a Rose Bud, the junior section of the Rose Of Tralee Hosted on Acast. See acast.com/privacy for more information.

PJ looks back at last nights Cork Camogie homecoming, hears Dervla say her son needs supports and not talk of autism being a superpower, chats with Michael who is an escort for a Rosebud in the junior section of the Rose of Tralee. And more... Hosted on Acast. See acast.com/privacy for more information.

Hour 4 with all of Thursday morning's biggest stories. And, remembering the pioneer tragedy at Donner Pass, a mountain canyon now tackled by American truckers that rule interstates carving through the once-hostile west. Rosebud, funnel cakes and elephant ears, on the 8-6-26 Bob Rose Show

William Huhn is a critically acclaimed, award-winning writer of poetry and narrative essays. Huhn, the grandson of Alcoholics Anonymous co-founder Henrietta Seiberling, graduated from Vassar College with a degree in chemistry. He works for a testing and certification company, overseeing its East Coast laboratories. But despite the science side to him, he is really a creative artist at heart.He studied classical violin from age five and then took up old-time fiddle. He played fiddle across Europe after graduating from college, hoping to raise enough funds to live as a poet. He wrote much poetry during that period and others, many examples of which were published in journals and magazines.Now, years later, his debut poetry collection was released. Bachelor Holiday, which has been praised by Midwest Book Reviews, Literary Titan, and by notable award-winning writers. Kirkus Reviews gave it a starred review and the book was a finalist at American Book Fest's 2024 Book Award for Poetry. It also was the winner of the Literary Titan Gold Book Award for Poetry.He's had numerous narrative essays published in American Literary Review, Sport Literate, Pembroke, Rosebud, and other publications. Eight of these essays were listed as “Notable Essay” in The Best American Essays series. His writings received two honorable mentions in the New Millennium Award (for nonfiction) and twice he received Pushcart Prize nominations for nonfiction.His poetry has been published in Verse Daily, The Carolina Quarterly, Talking River Review, 34th Parallel, San Pedro River Review, Grey Sparrow Journal, Blue Moon Literary and Art Review, and elsewhere. BlazeVOX, his book publisher, is among the most prestigious independent literary presses in the nation.Born in Bryn Mawr, and raised in Devon, Pennsylvania, he also lived in Southern California and New York. He resides in a suburb of New York City with his wife and two young children. For more information, please see: www.williamhuhn.com.  Connect on social media:https://www.facebook.com/WilliamBucklerHuhn/https://www.instagram.com/willhuhn/https://x.com/WillHuhnBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

It's Tuesday, so we have another delicious slice of Gyles's diaries for you. It's 1979, and his son Benet is learning to ride his pony, Tonka; Gyles is learning to drive at the ripe old age of 30, and Michele is giving birth to their third child: Aphra. Plus some fun Gyles and Harriet chat, a brilliant email from Gemma O'Connor about nerves and stage fright, and the usual brilliant observations about British life at the end of the 20th century from Gyles's diary. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

This week we're delighted to be bringing you another ground-breaking conversation between Gyles and one of the world's great composers: on this occasion, Pyotr Ilyich Tchaikovsky. In this episode, Gyles will find out about Tchaikovsky's first memory, the fragile and sensitive nature which gave him the nickname "child of glass", his early love of music, and his struggles to come to terms with his homosexuality. We find out about Tchaikovsky's musical education, his worldwide fame, and his tragic demise. In this conversation, Tchaikovsky is brought to life by the writer and performer, Tama Matheson. What you are going to hear is a classic Rosebud interview, answered by Tama as if he were Tchaikovsky himself. Tama is a brilliiant writer/performer who has written and conceived a series of shows based on the lives of great artists - composers and poets - in which he brings these geniuses to life through performance, music, and meticulous research. Tama's show about the life of Tchaikovsky, Child of Glass, is at Opera Holland Park in London on the 13, 14 and 15 August. Tickets are available here. Hosted on Acast. See acast.com/privacy for more information.

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My guest is my mom, Rosebud, a mother of four who spent fifty years building a life around preventative medicine. In this episode she tells her whole story: growing up with no money in Ozone Park, Queens; losing her father at three, her brother at thirty-two, and her first husband at twenty-five; and how that grief turned into a set of convictions about how she wanted to raise her children. We talk about the plant-based, vegetable-heavy way we ate growing up, the natural births, the years she spent learning from John Galamaga, and the pushback she took for doing things differently. Newsletter: https://jonathanjarecki.substack.com/Full Show Notes: https://docs.google.com/document/d/11ISCy3tLwVzrfEq-lR3jvp6qdYoZCOqB3GheuYJqC4s/edit?usp=sharing *Disclaimer: This episode is a personal and family history, offered for educational and general-interest purposes only. It is not medical advice and should not be used to diagnose or treat any condition. Neither the host nor the guest is a licensed medical professional. Nothing here is a recommendation for how you should care for yourself or your children — please consult a qualified physician about your own health decisions.Timestamps: 00:00 Intro03:08 Mom04:53 Mom's childhood, family situation, & diet09:28 Relationship with the doctor growing up, health habits10:43 Mom's mom (grandma)13:14 First daughter14:38 Vaccines, mom worked as a medical assistant15:41 How my mom thought about health growing up; diet, medications, vaccines, sunshine18:49 First husband passed away, life changed, breastfeeding21:32 Meeting my dad, second child, Grandma's first heart attack23:12 Finding John Galamaga; Dad having seizures, dad's health transformation29:54 Natural Childbirths32:59 Grandma's heart attack, heart health, health transformation36:03 Experience raising her children, no meltdowns, vaccine exemptions36:55 Dad being a chriopractor38:24 Dairy, juicing, diet, healthy snacks41:18 Surprise baby (Jonathan), limited doctor visits, high risk child, childbirth44:22 Pregnancy with Jonathan, lifestyle, diet, doctor visits48:48 Master Lowe, qigong, pregnancy52:59 Delivering Jonathan in the hospital57:42 Refusing childhood medical interventions; Vaccines, PKU, Vitamin K, hospital stay time01:01:31 Leaving the hospital, home environment01:03:46 Infrared sauna protocol, walking, magnet therapy, hydrogen water, epsom salt bath,01:05:34 Family dynamic while raising children01:06:26 The divorce01:09:37 No medications; Tylenol, Advil, cough syrup... oh my!01:10:22 Symptoms when I got sick01:12:03 Diet, Hippocrates01:16:53 Menopause, bone density, bioidentical hormones01:21:32 The sacrifice of raising children01:22:48 Tofu on hormones; testosterone, estrogen...01:29:16 Restrictive diets on menopause01:30:10 Food when we were sick; diet, resting, immune system01:31:38 Gerson Therapy, white potatoes, cancer, low protein01:36:46 Feeling energized throughout the day01:38:43 Specifics on the diet01:39:55 Importance of self education; Book recommendations01:49:42 Audience Questions:01:50:02 How did your kids go to school without vaccines?01:52:11 Essential oils01:54:38 Did we have any allergies growing up?01:56:30 Daycare; navigating different environments01:59:34 What to do when you catch the flu?02:00:15 Bentonite and Psyllium cleanse protocol02:02:29 My mom's personal health02:05:54 Jaundice remedy02:06:41 Replacements for Tylenol02:07:34 Did you get any pushback for raising your children vegan?

We're thrilled to announce that our guest today is Dame Elaine Paige! So many of you have told us you'd love hear Elaine's Rosebud, and this conversation will not disappoint. In it, Elaine tells Gyles about her childhood, growing up in a maisonette on Barnet High Street with loving, talented parents who always gave her the right advice. She talks about her schooldays, and how she went to school for the social life... and she talks about being sent to theatre school and modelling gym slips and swimming costumes for M&S as a teenager. Dame Elaine tells Gyles about being in the film Oliver!, about getting naked in Hair and about being auditioned for Evita. She talks about Edith Piaf and the breakdown she had and how her mother and father helped her to recover. This is a wonderful edition of Rosebud, our thanks to Elaine Paige for her time, energy and infectious laughter. Elaine's album, "Miscellaneous Paige", is out now, and available here. Hosted on Acast. See acast.com/privacy for more information.

Our guest today is the DJ, music producer and drag artiste Jay Clarke AKA Jodie Harsh. In this conversation, Jay/Jodie talks to Gyles about their childhood in Canterbury, growing up as a young gay man in a close-knit family with a father who struggled to accept his son's sexuality. Gyles hears about escaping from the family home down the bathroom drainpipe and going up to London, secretly, to go underage clubbing at the Astoria. And thus Jay/Jodie burst onto London's gay scene - and the rest is history. Jodie Harsh was born, went on to become one of London's best known drag artistes, friends with stars such as Amy Winehouse and Kylie, and DJ for celebrity parties and Madonna. Perhaps not what you'd usually expect from Rosebud - this is a fascinating story of excess, club culture and the search for identity. It does contain mention of drink and drugs and some sexual references. Jodie's book, You Had To Be There is out now and available here. Hosted on Acast. See acast.com/privacy for more information.

This week on Drink the Movies, we are diving into the complex layers of Orson Welles' legendary masterpiece, Citizen Kane. We will break down the innovative cinematography, the haunting mystery of a man's rise and fall, and the lasting impact of a single enigmatic word. To toast to the film's enduring search for meaning, we are serving up a sophisticated cocktail called the Rosebud. Dim the lights, revisit the headlines, and join us as we raise a glass to the greatest cinematic portrait of power and memory. ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.drinkthemovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Please Drink Responsibly*

Have you heard the news? Food & Wine officially tapped Columbus as one of America's Next Great Food Cities, and Condé Nast Traveler readers ranked it as a Top 10 Food City in the U.S. On this episode, Boxer and Sarah welcome one of Columbus' most influential chefs, Josh Dalton, and his long-time business partner, Mitch Coale to talk about the evolution of the Columbus food scene and to preview the opening of their newest concept, Amara. Josh Dalton is a nationally recognized Columbus chef and restaurateur known for creating distinctive dining experiences that have helped shape the Columbus' culinary scene. His restaurants include Veritas, Speck Italian Eatery, The Citizens Trust, Rosebud's and newly opened Amara. Inspired by travel, exceptional ingredients and genuine hospitality, Josh believes every restaurant should have a soul. He's known for being deeply hands-on, the kind of owner who's in the dining room as often as he's behind the scenes, and for treating his staff and guests like extensions of his own family. When he's not traveling in search of new culinary inspiration, Josh enjoys exploring Columbus' ever-evolving restaurant scene — preferably with a great margarita on a sunny patio.Mitch Coale is Director of Operations for Joshua Dalton's growing restaurant group, overseeing the day-to-day operations of Veritas, Speck Italian Eatery, The Citizens Trust, Rosebud's and newly opened Amara. Working alongside Josh for nearly a decade, Mitch has helped bring each concept to life while building teams known for exceptional hospitality and seamless execution. Respected for his calm leadership and attention to detail, Mitch is passionate about developing people and creating memorable experiences for every guest. A Columbus resident, Mitch genuinely loves this city's food scene, not just as someone who works in it, but as someone who eats and drinks his way through it too.

Gyles Brandreth's unique record of the late twentieth century continues, as he reads from the diaries he's kept since he was 10 years old. We're now reading from 1977 and 78. Gyles is forced to take the outrageous and unprecedented step of taking a day off a week, by his wife, Michele. He invents the Collins Academic Year Diary. He wears a novelty jumper for the first time ever. And he ponders the death of Elvis Presley. Plus chat with Gyles and Harriet about great British landmarks, dates, and being liked.Send us a postcard from your holidays! Address is to: Rosebud, JW Marriott Grosvenor House, Park Lane, London W1K 7TN. Enjoy this! Hosted on Acast. See acast.com/privacy for more information.

Jordan and fellow comic Rosebud Baker talk about pregnancy, what changes after having children, how to choose a long-term partner, canceling shows, divorce, and pigeonholing yourself. Rosebud plays some of her daughter's standup routine for Jordan.Rosebud's memoir, FULLY BAKED, is out now! Order it and check out her tour schedule at https://rosebudbaker.comStart your free Shopify trial at https://shopify.com/jordanjensenIf you're struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/jordanjensenHead to https://factormeals.com/ripjordan50off and use code 'ripjordan50off' to get 50% off and free daily greens per box.Make your summer wardrobe feel easier. Go to https://quince.com/rip for free shipping on your order and 365-day returns.The RIPJJ Patreon is now live! Become a member HERE.Catch Jordan out on the road! Tickets @ https://punchup.live/jordanjensenThe RIP Jordan Jensen Theme Song is "Superstition" by Music BandFollow Jordan on YouTube, Instagram & TikTok

Misty and her husband Craig get honest about how they communicate differently — and the daily choice to assume the best instead of the worst.

Managing Director of Innovation DuPage, Dan Facchini, joins Jon Hansen on Your Money Matters to discuss how their programs are helping businesses and organizations grow. They are joined by Sam Rose, Founder of RoseBud Ice Cream, to discuss RoseBud’s soft serve ice cream in portable pouches. Sam shares how his experience working in an ice cream shop […]

We are delighted to have the actor Adrian Lester, currently in the West End as Cyrano de Bergerac, in the Rosebud chair today. Adrian talks to Gyles about his childhood in Birmingham, growing up in an effusive and loving family of Jamaican heritage, surrounded by aunties, cousins and grandparents. He talks about the formative experience of being a chorister in the cathedral choir, and of doing drama at the Midlands Arts Centre. He talks about going to RADA, doing Shakespeare with Cheek by Jowl and Peter Brook, and playing Cyrano. Finally, he talks about relationships and fatherhood. Our thanks to Adrian Lester for this fascinating conversation. Cyrano de Bergerac is at the Noel Coward Theatre in London. Tickets are available here. Hosted on Acast. See acast.com/privacy for more information.

It's The Mooch! Yes, today Rosebud celebrates 250 years of American independence with our final U.S. guest: the irrepressible host of the Rest Is Politics U.S., Anthony Scaramucci. In this fascinating and free-wheeling conversation, Anthony talks to Gyles about his childhood in a Long Island, in a loving and hard-working Italian-American family, with parents who managed to fit 600 years of arguments into their 60 year marriage. He talks about his high school years, when he was a self-confessed "Long Island Guido" with combed back hair, gold jewellery, and a choice of shirts hanging in the back of his Camaro to impress the ladies at the school dance. He talks about landing his first job on Wall Street in a suit made of 100% polyester. He talks about Superman. He talks about Donald Trump - and this part of the conversation is not to be missed - it's fascinating, candid and hilarious. And finally, he talks about marriage and how to make it work. Oh yes, and astrology. This a truly fabulous episode of Rosebud. We're deeply grateful to Anthony Scaramucci for talking so openly, honestly and generously to us. It was a very special experience for us all! Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

It's 1977, and Gyles is welcoming his first daughter, Saethryd, into the world - and explaining the origins of her name to all his friends. "Why such an extraordinary name?" "Because she's an extraordinary girl!" He's also fighting on several fronts: with the noisy neighbours next-door, with the theatre company which is refusing to pay up, and with the National Theatre. Gyles and Harriet chat about diary-writing, self-loathing, and whether Gyles has mellowed over the years... Plus a bit of astrology. It's a good one, diary fans! Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

Michael Feinstein, the pianist, singer and perhaps the greatest living interpreter of what is known as The Great American Songbook, is our guest today. He talks about his childhood, when his life was changed by his father's impulsive decision to buy a piano, which young Michael discovered he could play by ear. He talks about being an outsider, his belief in reincarnation, and his early enthusiasm for the classic songs of America's golden age. Michael talks about his deep friendship and working relationship with Ira Gershwin, and how that led him to meeting Rosemary Clooney, and later, Liza Minelli. He talks about his relationship with Liza, and what makes it special - and what makes her such an electrifying performer.This is a truly fascinating edition of Rosebud - remarkable for its honesty, openness and tenderness. We close with Michael's beautiful rendition of "My Love Is Here To Stay" by George and Ira Gershwin, performed by Michael Feinstein. If you love music, emotion and conversation, you'll love this episode. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

Akshata Murthy, entrepreneur, philanthropist and wife of the former Prime Minister, Rishi Sunak, is our guest today. And it's particularly interesting to listen to this episode in light of the resignation of Keir Starmer yesterday (Monday 22 June 2026): what is it really like to be married to a prime minister? What are Akshata's memories of the day, in the pouring rain, that Rishi Sunak announced the fateful 2024 election? Did she feel she sacrificed her own life and career to make way for Rishi's ambitions? Plus, this episode opens with some topical chat from Gyles and Harriet - move over, Rest is Politics!But this episode is really about Akshata's own life and times - her unusual childhood, in which she was raised until the age of five by her maternal grandparents in a small, dusty town, eating mangoes straight from the tree, while her parents worked hard to build their company. She talks of the pain and confusion of missing her parents, and of the conflicting emotions that brings up. Akshata talks about her parents' vision and commitment to giving back to India - to "compassionate capitalism" and philanthropy. She talks about moving to Bangalore, her school life and her first crush. She talks about college in California and meeting Rishi.This is an interesting, unexpected conversation. With many thanks to Akshata Murthy. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

Our guest today is the hugely successful author of twisty, suspenseful, page-turning, gripping novels - such as Tell No One, Fool Me Once and Deal Breaker - Harlan Coben. Here, Harlan talks to Gyles about his childhood, spent in a very ordinary all-American town in New Jersey, which had secrets and rumours lurking beneath its cookie-cutter exterior. He talks about his family - his inspirational father who died too young, and his mother, who lied about her age and was a feminist and a wild-child. He talks about his grandfather's shady mafia dealings. He talks about falling in love, being at college with Dan Brown, and the poetry of Bruce Springsteen. Harlan also talks in depth and detail about his approach to writing. If you've loved any of Harlan's brilliant books or watched any of the thrilling Netflix adaptations of his work - you will find this fascinating. If you're not yet familiar with Harlan's work - you'll want to be after listening to this. What a charming, perceptive and wise person... Thank you Harlan for your time, energy and stories. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

On this episode, Heather welcomes Rosebud Baker back to the podcast. Rosebud has been busy since the last cruise. She now has a 2 year old daughter, is getting divorced and even had time to write a book! Fully Baked is a memoir that tackles family tragedy, motherhood, addiction all with honesty and humor. She also chats about her time and her departure from SNL.Episode Sponsors:For a limited time, Nutrafol is offering our listeners $10 off your first month's subscription and free shipping when you visit Nutrafol.com and enter promo code ABSOLUTELYNOT.Head to https://www.squarespace.com/absolutely to save 10% off your first purchase of a website or domain using code absolutely.Save 20% Off Honeylove by going to honeylove.com/ABSOLUTELY! #honeylovepod Visit hillhousehome.com and use code absolutely at checkout for 20% off your first purchase.Please note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For decades, Leo “Bushido” Bercier (Ojibwe) balanced a full-time job and a family as he worked to make a name for himself as a professional fighter. Now, he's hoping the controversial sport of bare-knuckle boxing will afford new opportunities. Along the way, he's helping other amateur fighters in Great Falls, Mont. Similarly, across the country, Joshua Oxendine (Lumbee) is lining up bouts while also teaching traditional boxing at a gym he owns with his wife outside Charlotte, N.C. We'll speak with both fighters about their passion for the sport that was banned for more than a century. We'll also get perspectives on the 150th anniversary of the Battle of Rosebud. Chief Crazy Horse and Lakota and Cheyenne warriors successfully turned back the U.S. Army column led by Gen. George Crook, cutting off the re-enforcements heading to the fateful Battle of Greasy Grass eight days later. GUESTS Leo Bercier (Turtle Mountain Band of Chippewa Indians), boxer and owner of Bushido Fight Series Josh Oxendine (Lumbee), boxer, MMA fighter, and owner of Oxfitness Wilma Bearshield-Robertson (Sicangu Lakota), historian and artisan Leo Killsback (Northern Cheyenne), professor at the University of Arizona and author Break 1 Music: Sacrifice (song) Bloodline (artist) Break 2 Music: Round Dance (song) Black Lodge (artist) Enter the Circle – Pow-Wow Songs (album)

It's 1976, and we have more hilarity, honesty, and social commentary from Gyles's diaries. In this episode he shares a stage with Bernard Manning and some go-go dancers, publishes a cheeky book about the Queen, and fires the nanny. Plus Gyles and Harriet chat about love at first sight and John Keats. Enjoy this! Hosted on Acast. See acast.com/privacy for more information.

Davin Malasarn is a writer an author whose work has appeared in The Los Angeles Review, Rosebud, Opium Magazine, SmokeLong Quarterly and other journals in print and online. His debut novel, The Outer Country, is just out from One World/Random House. The QWERTY podcast is brought to you by the book The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars, instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.

We're in New York City, so we need glamour, class, poise, elegance, talent and wit; and we're pleased to say we've got them all... because our guest today is Christine Baranski. Star of The Gilded Age, The Good Wife, Sybil, Mama Mia and guest star in Big Bang Theory, Christine Baranski is a gifted actress with an impressive body of work across stage, television and film. In this brilliant and in-depth conversation with Gyles, she talks about her childhood in a close Polish family in Buffalo, New York, where she shared a bedroom with her theatrical and flamboyant grandmother, a formative influence. She talks about the death of her father when she was only nine years old, and the ways in which life changed following that devastating event. She talks about being a sexy Catholic schoolgirl. She talks about getting a place at the prestigious Juillard in New York, and about her early work in theatre. This is a fascinating, honest, moving and elegant conversation with a great star of the old school. We felt privileged to spend time with Christine Baranski, and we hope you will feel the same! Christine is in Hay Fever with Richard E Grant in London from September 2026. Tickets are available here. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

Stephanie Cheape and Phoebe I-H present a selection of tracks from BBC Introducing, including a look ahead to the BBC Introducing stage at TRNSMT, and a day fest at the RNCM, Manchester. There's a new Track of the Week by ORACLE, and music from FRANSIS, Douvelle19 feat. Manga Saint HIlare, Mica Millar, Dose, Mercy Girl, James Emmanuel, Girl Group, Tanzana, Ellur, Abbie Gordon, Eyes of Home, Róise, HAMISH, and Yemi Bolatiwa feat. Rosebud.Produced by BBC Audio for BBC Radio 6 Music.

Comedian, actor, and Emmy Award-winning writers Rosebud Baker (The Motherload, Saturday Night Live, Inside Amy Schumer) and Judy Gold (Not Suitable for Work, Life, Larry and the Pursuit of Unhappiness) join Jameela for an episode that somehow ends up on the freeway.Two women with a combined four Emmy Awards and an extensive history of catastrophic decision-making sit down to compare notes on humiliation, and it goes exactly as well as you'd expect.Judy describes the night she accidentally outed a closeted castmate while trying to be a good lesbian. Rosebud recounts the Thanksgiving she tried to rescue a sunken golf cart on her father's country club before cursing everything with the phrase "This can't get any worse." And Jameela contributes her own golf cart story, which involves the Universal lot, a freeway, and a teenage temp whose career was nearly ended.In Misery Loves Company: listener Angela takes one bong hit on her stoner roommate's advice before a job interview, and does not get the job.Follow Rosebud on Instagram and TikTok @rosebudbaker and grab her new book Fully Baked: A Messy Memoir, out now. Follow Judy on Instagram @jewdygold and get her book Yes, I Can Say That: When They Come for the Comedians, We're All in Trouble wherever books are sold. Judy is performing all summer at The Post Office Cabaret in Provincetown.Jameela's Substack is A Low Desire To Please, you can also find her on Instagram, TikTok and YouTube.Our consulting producer is Colin Anderson.Wrong Turns was created and produced by Jameela Jamil and Stewart Bailey. Hosted on Acast. See acast.com/privacy for more information.

Graydon Carter, the celebrated magazine editor, is the second guest in our New York series. Carter edited Vanity Fair for 25 years and transformed the magazine into the must-read glossy for the intelligent, the curious and the culturally-savvy. He talks to Gyles about his vision for Vanity Fair and why it was such a success, about the four elements you need to put together a good story, and about the famous Oscars Party. He talks about Spy magazine, the celebrated satirical New York weekly he co-founded and ran prior to his job at Vanity Fair. He talks about his long-standing beef with Donald Trump, his love of clothes, and his childhood in Ottawa. And, along the way, he teases Gyles for his "novelty knits" - which you'll enjoy listening to! This is a witty, perceptive, sharp and fascinating interview with a man who has been at the heart of American cultural life for half a century. Graydon's book When the Going Was Good is available here and is highly recommended. Our thanks to Graydon for his time, energy and fabulous stories. Hosted on Acast. See acast.com/privacy for more information.

Rosebud Baker joins me to discuss her memoir, Fully Baked. We talk about motherhood, sobriety, grief, relationships, comedy, and what it was like writing Fully Baked and raising a young daughter. Rosebud shares how life's biggest transitions shaped her perspective and inspired one of the most honest books I've read in a long time. Sponsor BetterHelp - Sign up and get 10% off at https://betterhelp.com/wife Our Next book club will be My Friends by Fredrik Backman Amazon - https://amzn.to/4u33YsT Bookshop - https://bookshop.org/a/97615/9781982112820 Call (818) 949-8536 to leave a voicemail with a question for LeeAnn (and sometimes Bert) that might be answered in a future episode! Fully Loaded at Sea 2026 Tickets bertkreischercruise.com/presale Stream LUCKY on Netflix https://www.netflix.com/title/81713944 PERMISSION TO PARTY WORLD TOUR is on sale now: http://www.bertbertbert.com/tour Learn more about your ad choices. Visit megaphone.fm/adchoices

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