Podcasts about hobbyists

EP166 Interview With Mark & Simon From Elinchrom UK I sit down with Mark Cheatham and Simon Burfoot from Elinchrom UK to talk about the two words that matter most when you work with light: accuracy and consistency. We dig into flash vs. continuous, shaping light (not just adding it), why reliable gear shortens your workflow, and Elinchrom's new LED 100 C—including evenly filling big softboxes and that handy internal battery. We also wander into AI: threats, tools, and why authenticity still carries the highest value.   Links: Elinchrom UK store/info: https://elinchrom.co.uk/ LED 100 C product page: https://elinchrom.co.uk/elinchrom-led-100-c Rotalux Deep Octa / strips: https://elinchrom.co.uk/elinchrom-rotalux-deep-octabox-100cm-softbox/ My workshop dates: https://masteringportraitphotography.com/workshops-and-mentoring/ Transcript: Paul: as quite a lot of, you know, I've had a love affair with Elinchrom Lighting for the past 20 something years. In fact, I'm sitting with one of the original secondhand lights I bought from the Flash Center 21 years ago in London. And on top of that, you couldn't ask for a nicer set of guys in the UK to deal with. So I'm sitting here about to talk to Simon and Mark from Elinchrom uk. I'm Paul and this is the Mastering Portrait Photography podcast. Paul: So before we get any further, tell me a little bit about who you are, each of you and the team from Elinchrom UK Mark: After you, Simon. Simon: Thank you very much, mark. Mark: That's fine. Simon: I'm, Simon Burfoot. I have, been in the industry now for longer than I care to think. 35 years almost to the, to the day. Always been in the industry even before I left school because my father was a photographer and a lighting tutor, working for various manufacturers I was always into photography, and when he started the whole lighting journey. I got on it with him, and was learning from a very young age. Did my first wedding at 16 years old. Had a Saturday job which turned into a full-time job in a retail camera shop. By the time I was 18, I was managing my own camera shop, in a little town in the Cotswolds called Cirencester. My dad always told me that to be a photographic rep in the industry, you needed to see it from all angles, to get the experience. So I ended up, working in retail, moving over to a framing company. Finishing off in a prolab, hand printing, wedding photographers pictures, processing E6 and C41, hand correcting big prints for framing for, for customers, which was really interesting and I really enjoyed it. And then ended up working for a company called Leeds Photo Visual, I was a Southwest sales guy for them. Then I moved to KJP before it became, what we know now as Wex, and got all of the customers back that I'd stolen for them for Leeds. And then really sort of started my career progressing through, and then started to work with Elinchrom, on the lighting side. Used Elinchrom way before I started working with them. I like you a bit of a love affair. I'd used lots of different lights and, just loved the quality of the light that the Elinchrom system produced. And that's down to a number of factors that I could bore you with, but it's the quality of the gear, the consistency in terms of color, and exposure. Shooting film was very important to have that consistency because we didn't have Photoshop to help us out afterwards. It was a learning journey, but I, I hit my goal after being a wedding photographer and a portrait photographer in my spare time, working towards getting out on the road, meeting people and being involved in the industry, which I love. And I think it's something that I'm scared of leaving 'cause I dunno anything else. It's a wonderful industry. It has its quirks, its, downfalls at points, but actually it's a really good group of people and everyone kind of, gets on and we all love working with each other. So we're friends rather than colleagues. Paul: I hesitate to ask, given the length of that answer, to cut Simon: You did ask. Mark: I know. Paul: a short story Mark: was wondering if I was gonna get a go. Paul: I was waiting to get to end into the podcast and I was about to sign off. Mark: So, hi Mark Cheatham, sales director for Elinchrom uk this is where it gets a little bit scary because me and Simon have probably known each other for 10 years, yet our journeys in the industry are remarkably similar. I went to college, did photography, left college, went to work at commercial photographers and hand printers. I was a hand printer, mainly black and white, anything from six by four to eight foot by four foot panels, which are horrible when you're deving in a dish. But we did it. Paul: To the generation now, deving in a dish doesn't mean anything. Simon: No, it doesn't. Mark: And, and when you're doing a eight foot by four foot print and you've got it, you're wearing most of the chemistry. You went home stinking every night. I was working in retail. As a Saturday lad and then got promoted from the Saturday lad to the manager and went to run a camera shop in a little town in the Lake District called Kendall. I stayed there for nine years. I left there, went on the road working for a brand called Olympus, where I did 10 years, I moved to Pentax, which became Rico Pentax. I did 10 years there. I've been in the industry all my life. Like Simon, I love the industry. I did go out the industry for 18 months where I went into the wonderful world of high end commercial vr, selling to blue light military, that sort of thing. And then came back. One of the, original members of Elinchrom uk. I don't do as much photography as Simon I take photos every day, probably too many looking at my Apple storage. I do shoot and I like shooting now and again, but I'm not a constant shooter like you guys i'm not a professional shooter, but when you spent 30 odd years in the industry, and part of that, I basically run the, the medium format business for Pentax. So 645D, 645Z. Yeah, it was a great time. I love the industry and, everything about it. So, yeah, that's it Paul: Obviously both of you at some point put your heads together and decided Elinchrom UK was the future. What triggered that and why do you think gimme your sales pitch for Elinchrom for a moment and then we can discuss the various merits. Simon: The sales pitch for Elinchrom is fairly straightforward. It's a nice, affordable system that does exactly what most photographers would like. We sell a lot of our modifiers, so soft boxes and things like that to other users, of Prophoto, Broncolor. Anybody else? Because actually the quality of the light that comes out the front of our diffusion material and our specular surfaces on the soft boxes is, is a lot, lot more superior than, than most. A lot more superior. A lot more Mark: A lot more superior. Paul: more superior. Simon: I'm trying to Paul: Superior. Simon: It's superior. And I think Paul, you'll agree, Paul: it's a lot more, Simon: You've used different manufacturers over the years and, I think the quality of light speaks for itself. As a photographer I want consistency. Beautiful light and the effects that the Elinchrom system gives me, I've tried other soft boxes. If you want a big contrasty, not so kind light, then use a cheaper soft box. If I've got a big tattoo guy full of piercings you're gonna put some contrasty light to create some ambience. Maybe the system for that isn't good enough, but for your standard portrait photographer in a studio, I don't think you can beat the light. Mark: I think the two key words for Elinchrom products are accuracy and consistency. And that's what, as a portrait photographer, you should be striving for, you don't want your equipment to lengthen your workflow or make your job harder in post-production. If you're using Elinchrom lights with Elinchrom soft boxes or Elinchrom modifiers, you know that you're gonna get accuracy and consistency. Which generally makes your job easier. Paul: I think there's a bit that neither of you, I don't think you've quite covered, and it's the bit of the puzzle that makes you want to use whatever is the tool of your trade. I mean, I worked with musicians, I grew up around orchestras. Watching people who utterly adore the instrument that's in their hand. It makes 'em wanna play it. If you own the instrument that you love to play, whether it's a drum kit a trumpet a violin or a piano, you will play it and get the very best out of your talent with it. It's just a joy to pick it up and use it for all the little tiny things I think it's the bit you've missed in your descriptions of it is the utter passion that people that use it have for it. Mark: I think one of the things I learned from my time in retail, which was obviously going back, a long way, even before digital cameras One of the things I learned from retail, I was in retail long before digital cameras, retail was a busier time. People would come and genuinely ask for advice. So yes, someone would come in and what's the best camera for this? Or what's the best camera for that? Honestly there is still no answer to that. All the kit was good then all the kit is good now. You might get four or five different SLRs out. And the one they'd pick at the end was the one that they felt most comfortable with and had the best connection with. When you are using something every day, every other day, however it might be, it becomes part of you. I'm a F1 fan, if you love the world of F1, you know that an F1 car, the driver doesn't sit in an F1 car, they become part of the F1 car. When you are using the same equipment day in, day out, you don't have to think about what button to press, what dial to to turn. You do it. And that, I think that's the difference between using something you genuinely love and get on with and using something because that's what you've got. And maybe that's a difference you genuinely love and get on with Elinchrom lights. So yes, they're given amazing output and I know there's, little things that you'd love to see improved on them, but that's not the light output. Paul: But the thing is, I mean, I've never, I've never heard the F1 analogy, but it's not a bad one. When you talk about these drivers and their cars and you are right, they're sort of symbiotic, so let's talk a little bit about why we use flash. So from the photographers listening who are just setting out, and that's an awful lot of our audience. I think broadly speaking, there are two roads or three roads, if you include available light if you're a portrait photographer. So there's available light. There's continuous light, and then there's strobes flash or whatever you wanna call it. Of course, there's, hybrid modeling and all sorts of things, but those are broadly the three ways that you're gonna light your scene or your subject. Why flash? What is it about that instantaneous pulse of light from a xenon tube that so appealing to photographers? Simon: I think there's a few reasons. The available light is lovely if you can control it, and by that I mean knowing how to use your camera, and control the ambient light. My experience of using available light, if you do it wrong, it can be quite flat and uninteresting. If you've got a bright, hot, sunny day, it can be harder to control than if it's a nice overcast day. But then the overcast day will provide you with some nice soft, flat lighting. Continuous light is obviously got its uses and there's a lot of people out there using it because what they see is what they get. The way I look at continuous light is you are adding to the ambient light, adding more daylight to the daylight you've already got, which isn't a problem, but you need to control that light onto the subject to make the subject look more interesting. So a no shadow, a chin shadow to show that that subject is three dimensional. There are very big limitations with LED because generally it's very unshapable. By that I mean the light is a very linear light. Light travels in straight lines anyway, but with a flash, we can shape the light, and that's why there's different shapes and sizes of modifiers, but it's very difficult to shape correctly -an LED array, the flash for me, gives me creativity. So with my flash, I get a sharper image to start with. I can put the shadows and the light exactly where I want and use the edge of a massive soft box, rather than the center if I'm using a flash gun or a constant light. It allows me to choose how much or how little contrast I put through that light, to create different dynamics in the image. It allows me to be more creative. I can kill the ambient light with flash rather than adding to it. I can change how much ambient I bring into my flash exposure. I've got a lot more control, and I'm not talking about TTL, I'm talking about full manual control of using the modifier, the flash, and me telling the camera what I want it to do, rather than the camera telling me what it thinks is right. Which generally 99% of the time is wrong. It's given me a beautiful, average exposure, but if I wanted to kill the sun behind the subject, well it's not gonna do that. It's gonna give me an average of everything. Whereas Flash will just give me that extra opportunity to be a lot more creative and have a lot more control over my picture. I've got quite a big saying in my workshops. I think a decent flash image is an image where it looks like flash wasn't used. As a flash photographer, Paul, I expect you probably agree with me, anyone can take a flash image. The control of light is important because anybody can light an image, but to light the subject within the image and control the environmental constraints, is the key to it and the most technical part of it. Mark: You've got to take your camera off P for professional to do that. You've got to turn it off p for professional and get it in manual mode. And that gives you the control Paul: Well, you say that, We have to at some point. Address the fact that AI is not just coming, it's sitting here in our studios all the time, and we are only a heartbeat away from P for professional, meaning AI analyzed and creating magic. I don't doubt for a minute. I mean, right now you're right, but not Mark: Well, at some point it will be integrated into the camera Paul: Of course it will. Mark: If you use an iPhone or any other phone, you know, we are using AI as phone photographers, your snapshots. You take your kids, your dogs, whatever they are highly modified images. Paul: Yeah. But in a lot of the modern cameras, there's AI behind the scenes, for instance, on the focusing Mark: Yeah. Paul: While we've, we are on that, we were on that thread. Let's put us back on that thread for a second. What's coming down the line with, all lighting and camera craft with ai. What are you guys seeing that maybe we're not Simon: in terms of flash technology or light technology? Paul: Alright. I mean, so I mean there's, I guess there's two angles, isn't there? What are the lights gonna do that use ai? What are the controllers gonna do, that uses ai, but more importantly, how will it hold its own in a world where I can hit a button and say, I want rebrand lighting on that face. I can do that today. Mark: Yeah. Simon: I'm not sure the lighting industry is anywhere near producing anything that is gonna give what a piece of software can give, because there's a lot more factors involved. There's what size light it is, what position that light is in, how high that light is, how low that light is. And I think the software we've all heard and played with Evoto we were talking about earlier, I was very skeptical and dubious about it to start with as everybody would be. I'm a Photoshop Lightroom user, have been for, many years. And I did some editing, in EEvoto with my five free credits to start with, three edits in, I bought some credits because I thought, actually this is very, very good. I'll never use it for lighting i'd like to think I can get that right myself. However, if somebody gives you a, a very flat image of a family outside and say, well, could you make this better for me? Well, guess what? I can do whatever you like to it. Is it gonna attack the photographer that's trying to earn a living? I think there's always a need for people to take real photographs and family photographs. I think as photographers, we need to embrace it as an aid to speed up our workflow. I don't think it will fully take over the art of photography because it's a different thing. It's not your work. It's a computer generated AI piece of work in my head. Therefore, who's responsible for that image? Who owns the copyright to that image? We deal with photographers all the time who literally point a camera, take a picture and spend three hours editing it and tell everyone that, look at this. The software's really good and it's made you look good. I think AI is capable of doing that to an extent. In five years time, we'll look back at Evoto today and what it's producing and we'll think cracky. That was awful. It's like when you watch a high definition movie from the late 1990s, you look at it and it was amazing at the time, but you look at it now and you think, crikey, look at the quality of it. I dunno if we're that far ahead where we won't get to that point. The quality is there. I mean, how much better can you go than 4K, eight K minus, all that kind of stuff. I'm unsure, but I don't think the AI side of it. Is applicable to flash at this moment in time? I don't know. Mark: I think you're right. To look at the whole, photography in general. If you are a social photographer, family photographer, whatever it might be, you are genuinely capturing that moment in time that can't be replaced. If you are a product photographer, that's a different matter. I think there's more of a threat. I think I might be right in saying. I was looking, I think I saw it on, LinkedIn. There is a fashion brand in the UK at the moment that their entire catalog of clothing has been shot without models. When you look at it on the website, there's models in it. They shoot the clothing on mannequins and then everything else is AI generated they've been developing their own AI platform now for a number of years. Does the person care Who's buying a dress for 30 quid? Probably not, but if you are photographing somebody's wedding, graduation, some, you know, a genuine moment in someone's life, I think it'd be really wrong to use any sort of AI other than a little bit of post-production, which we know is now quite standard for many people in the industry. Paul: Yeah, the curiosity for me is I suspect as an industry, Guess just released a full AI model advert in, Vogue. Declared as AI generated an ai agency created it. Everything about it is ai. There's no real photography involved except in the learning side of it. And that's a logical extension of the fact we've been Photoshopping to such a degree that the end product no longer related to the input. And we've been doing that 25 years. I started on Photoshop version one, whatever that was, 30 years More than 33. So we've kind of worked our way into a corner where the only way out of it is to continue. There's no backtracking now. Mark: Yeah. Paul: I think the damage to the industry though, or the worry for the industry, I think you're both right. I think if you can feel it, touch it, be there, there will always be that importance. In fact, the provenance of authenticity. Is the high value ticket item now, Simon: Mm-hmm. Paul: because you, everything else is synthetic, you can trust nothing. We are literally probably months away from 90% of social media being generated by ai. AI is both the consumer and the generator of almost everything online Mark: Absolutely. Paul: Goodness knows where we go. You certainly can't trust anything you read. You can't trust anything you see, so authenticity, face-to-face will become, I think a high value item. Yeah. Mark: Yeah. Paul: I think one problem for us as an industry in terms of what the damage might be is that all those people that photograph nameless products or create books, you know, use photography and then compositing for, let's say a novel that's gone, stock libraries that's gone because they're faceless. Simon: Mm-hmm. Paul: there doesn't have to be authentic. A designer can type in half a dozen keywords. Into an AI engine and get what he needs. If he doesn't get what he needs, he does it again. All of those photographers who currently own Kit are gonna look around with what do we do now? And so for those of us who specialize in weddings and portraits and family events, our market stands every chance of being diluted, which has the knock on effect of all of us having to keep an eye on AI to stay ahead of all competitors, which has the next knock on effect, that we're all gonna lean into ai, which begs the question, what happens after Because that's what happened in the Photoshop world. You know, I'm kind of, I mean, genuinely cur, and this will be a running theme on the podcast forever, is kind of prodding it and taking barometer readings as to where are we going? Mark: Yeah. I mean, who's more at threat at the moment from this technology? Is it the photographer or is it the retouch? You know, we do forget that there are retouchers That is their, they're not photographers. Paul: I don't forget. They email me 3, 4, 5 times a day. Mark: a Simon: day, Mark: You know, a highly skilled retouch isn't cheap. They've honed their craft for many years using whatever software product they prefer to use. I think they're the ones at risk now more so than the photographer. And I think we sort of lose sight of that. Looking at it from a photographer's point of view, there is a whole industry behind photography that actually is being affected more so than you guys at the moment. Simon: Mm-hmm. Paul: Yeah, I think there's truth in that, but. It's not really important. Of course, it's really important to all of those people, but this is the digital revolution that we went through as film photographers, and probably what the Daguerreotype generators went through when Fox Tolbert invented the first transfer. Negative. You know, they are, there are always these epochs in our industry and it wipes out entire skillset. You know, I mean, when we went to digital before then, like you, I could dev in a tank. Yeah. You know, and really liked it. I like I see, I suspect I just like the solitude, Mark: the dark, Paul: red light in the dark Mark: yeah. Paul: Nobody will come in. Not now. Go away. Yeah. All that kind of stuff. But of course those skills have gone, has as, have access to the equipment. I think we're there again, this feels like to me a huge transition in the industry and for those who want to keep up, AI is the keeping up whether you like it or not. Mark: Yeah. And if you don't like it, we've seen it, we're in the middle of a massive resurgence in film photography, which is great for the industry, great for the retail industry, great for the film manufacturers, chemical manufacturers, everything. You know, simon, myself, you, you, we, we, our earliest photography, whether we were shooting with flash, natural light, we were film shooters and that planes back. And what digital did, from a camera point of view, is make it easier and more accessible for less skilled people. But it's true. You know, if you shot with a digital camera now that's got a dynamic range of 15 stops, you actually don't even need to have your exposure, that accurate Go and shoot with a slide film that's got dynamic range of less than one stop and see how good you are. It has made it easier. The technology, it will always make it. Easier, but it opens up new doors, it opens up new avenues to skilled people as well as unskilled people. If you want, I'm using the word unskilled again, I'm not being, a blanket phrase, but it's true. You can pick up a digital camera now and get results that same person shooting with a slide film 20 years ago would not get add software to that post-production, everything else. It's an industry that we've seen so many changes in over the 30 odd years that we've been in it, Simon: been Mark: continue Simon: at times. It exciting Mark: The dawn of digital photography to the masses. was amazing. I was working for Olympus at the time when digital really took off and for Olympus it was amazing. They made some amazing products. We did quite well out of it and people started enjoying photography that maybe hadn't enjoyed photography before. You know, people might laugh at, you know, you, you, you're at a wedding, you're shooting a really nice wedding pool and there's always a couple of guests there which have got equipment as good as yours. Better, better than yours. Yeah. Got Simon: jobs and they can afford it. Mark: They've got proper jobs. Their pitches aren't going to be as good as yours. They're the ones laughing at everyone shooting on their phone because they've spent six grand on their new. Camera. But if shooting on a phone gets people into photography and then next year they buy a camera and two years later they upgrade their camera and it gets them into the hobby of photography? That's great for everyone. Hobbyists are as essential, as professional photographers to the industry. In fact, to keep the manufacturers going, probably more so Simon: the hobbyists are a massive part. Even if they go out and spend six or seven or 8,000 pounds on a camera because they think it's gonna make them a better photographer. Who knows in two years time with the AI side, maybe it will. That old saying, Hey Mr, that's a nice camera. I bet it takes great pictures, may become true. We have people on the lighting courses, the workshops we run, the people I train and they're asking me, okay, what sessions are we gonna use? And I'm saying, okay, well we're gonna be a hundred ISO at 125th, F 5.6. Okay, well if I point my camera at the subject, it's telling me, yeah, but you need to put it onto manual. And you see the color drain out their faces. You've got a 6,000 pound camera and you've never taken it off 'P'. Mark: True story. Simon: And we see this all the time. It's like the whole TTL strobe manual flash system. The camera's telling you what it wants to show you, but that maybe is not what you want. There are people out there that will spend a fortune on equipment but actually you could take just as good a picture with a much smaller, cheaper device with an nice bit of glass on the front if you know what you're doing. And that goes back to what Mark was saying about shooting film and slide film and digital today. Paul: I, mean, you know, I don't want this to be an echo chamber, and so what I am really interested in though, is the way that AI will change what flash photography does. I'm curious as to where we are headed in that, specific vertical. How is AI going to help and influence our ability to create great lip photography using flash? Mark: I think, Paul: I love the fact the two guys side and looked at each other. Mark: I, Simon: it's a difficult question to answer. Mark: physical light, Simon: is a difficult question to answer because if you're Mark: talking about the physical delivery of light. Simon: Not gonna change. Mark: Now, The only thing I can even compare it to, if you think about how the light is delivered, is what's the nearest thing? What's gotta change? Modern headlamps on cars, going back to cars again, you know, a modern car are using these LED arrays and they will switch on and switch off different LEDs depending on the conditions in front of them. Anti dazzle, all this sort of stuff. You know, the modern expensive headlamp is an amazing technical piece of kit. It's not just one ball, but it's hundreds in some cases of little arrays. Will that come into flash? I don't know. Will you just be able to put a soft box in front of someone and it will shape the light in the future using a massive array. Right? I dunno it, Simon: there's been many companies tested these arrays, in terms of LED Flash, And I think to be honest, that's probably the nearest it's gonna get to an AI point of view is this LED Flash. Now there's an argument to say, what is flash if I walk into a living room and flick the light on, on off really quickly, is that a flash? Mark: No, that's a folock in Paul: me Mark: turn, big lights off. Paul: Yeah. Mark: So Simon: it, you, you might be able to get these arrays to flush on and off. But LED technology, in terms of how it works, it's quite slow. It's a diode, it takes a while for it to get to its correct brightness and it takes a while for it to turn off. To try and get an LED. To work as a flash. It, it's not an explosion in a gas field tube. It's a a, a lighter emitting diode that is, is coming on and turning off again. Will AI help that? Due to the nature of its design, I don't think it can. Mark: Me and s aren't invented an AI flash anytime soon by the looks of, we're Simon: it's very secret. Mark: We're just putting everyone off Paul, Simon: It's alright. Mark: just so they don't think Simon: Yeah, Mark: Oh, it's gonna be too much hard work and we'll sort it. Paul: It's definitely coming. I don't doubt for a minute that this is all coming because there's no one not looking at anything Simon: that makes perfect sense. Paul: Right now there's an explosion of invention because everybody's trying to find an angle on everything. Simon: Mm-hmm. Paul: The guys I feel the most for are the guys who spent millions, , on these big LED film backdrop walls. Simon: Yep. Mark: So you can Paul: a car onto a flight sim, rack, and then film the whole lot in front of an LED wall. Well, it was great. And there was a market for people filming those backdrops, and now of course that's all AI generated in the LED, but that's only today's technology. Tomorrow's is, you don't need the LED wall. That's here today. VEO3 and Flow already, I mean, I had to play with one the other day for one of our lighting diagrams and it animated the whole thing. Absolute genius. Simon: Mm-hmm. Paul: I still generated the original diagram. Mark: Yeah, Paul: Yeah, that's useful. There's some skill in there still for now, but, you gotta face the music that anything that isn't, I can touch it and prod it. AI's gonna do it. Mark: Absolutely. If you've ever seen the series Mandalorian go and watch the making of the Mandalorian and they are using those big LED walls, that is their backdrop. Yeah. And it's amazing how fast they shift from, you know, they can, they don't need to build a set. Yeah. They shift from scene to scene. Paul: Well, aI is now building the scenes. But tomorrow they won't need the LED wall. 'cause AI will put it in behind the actors. Mark: Yeah. Say after Paul: that you won't need the actors because they're being forced to sign away the rights so that AI can be used. And even those that are standing their ground and saying no, well, the actors saying Yes. Are the ones being hired. You know, in the end, AI is gonna touch all of it. And so I mean, it's things like, imagine walking into a studio. Let's ignore the LED thing for a minute, by the way, that's a temporary argument, Simon: I know you're talking about. Paul: about today's, Simon: You're about the. Mark: days Paul: LEDs, Simon: we're in, We're in very, very interesting times and. I'm excited for the future. I'm excited for the new generation of photographers that are coming in to see how they work with what happens. We've gone from fully analog to me selling IMACON drum scanners that were digitizing negatives and all the five four sheet almost a shoot of properties for an estate agent were all digitized on an hassle blood scanner. And then the digital camera comes out and you start using it. It was a Kodak camera, I think the first SLRI used, Paul: Yeah. Simon: and you get the results back and you think, oh my God, it looks like it's come out of a practica MTL five B. Mark: But Simon: then suddenly the technology just changes and changes and changes and suddenly it's running away with itself and where we are today. I mean, I, I didn't like digital to start with. It was too. It was too digital. It was too sharp. It didn't have the feel of film, but do you know what? We get used to it and the files that my digital mirrorless camera provide now and my Fuji GFX medium format are absolutely stunning. But the first thing I do is turn the sharpness down because they are generally over sharp. For a lovely, beautifully lit portrait or whatever that anybody takes, it just needs knocking back a bit. We were speaking about this earlier, I did some comparison edits from what I'd done manually in Photoshop to the Evoto. Do you know what the pre-selected edits are? Great. If you not the slider back from 10 to about six, you're there or thereabouts? More is not always good. Mark: I think when it comes to imagery in our daily lives, the one thing that drives what we expect to see is TV and most people's TVs, everything's turned up to a hundred. The color, the contrast, that was a bit of a shock originally from the film to digital, crossover. Everything went from being relatively natural to way over the top Just getting back to AI and how it's gonna affect people like you and people that we work with day to day. I don't think we should be worried about that. We should be worried about the images we see on the news, not what we're seeing, hanging on people's walls and how they're gonna be affected by ai. That generally does affect everyone's daily life. Paul: Yeah, Mark: Yeah. But what Paul: people now ask me, for instance, I've photographed a couple head shots yesterday, and the one person had not ironed her blouse. And her first question was, can we sort that out in post? So this is the knock on effect people are becoming aware of what's possible. What's that? Nothing. Know, and the, the smooth clothing button in Evoto will get me quite a long way down that road and saves somebody picking up an eye and randomly, it's not me, it's now actually more work for me 'cause I shouldn't have to do it. But, you know, this is my point about the knock on effect. Our worlds are different. So I didn't really intend this to be just a great sort of circular conversation about AI cars and, future technology. It was more, I dunno, we ended up down there anyway. Simon: We went down a rabbit hole. Mark: A Paul: rabbit hole. Yeah Mark: was quite an interesting one. Simon: And I'm sorry if you've wasted your entire journey to work and we Paul: Yeah. Simon: Alright. It wasn't intended to be like that. Paul: I think it's a debate that we need to be having and there needs to be more discussion about it. Certainly for anybody that has a voice in the industry and people are listening to it because right now it might be a toddler of a technology, but it's growing faster than people realize. There is now a point in the written word online where AI is generating more than real people are generating, and AI is learning that. So AI is reading its own output. That's now beginning to happen in imagery and film and music. Simon: Well, even in Google results, you type in anything to a Google search bar. When it comes back to the results, the first section at the top is the AI generated version. And you know what, it's generally Paul: Yep. Simon: good and Paul: turn off all the rest of it now. So it's only ai. Simon: Not quite brave enough for that yet. No, not me. Mark: In terms Paul: of SEO for instance, you now need to tune it for large language models. You need to be giving. Google the LLM information you want it to learn so that you become part of that section on a website. And it, you know, this is where we are and it's happening at such a speed, every day I am learning something new about something else that's arriving. And I think TV and film is probably slightly ahead of the photography industry Mark: Yeah. Paul: The pressures on the costs are so big, Simon: Yes. Paul: Whereas the cost differential, I'm predicting our costs will actually go up, not down. Whereas in TV and film, the cost will come down dramatically. Mark: Absolutely. Simon: They are a horrifically high level anyway. That's Paul: I'm not disputing that, but I watched a demo of some new stuff online recently and they had a talking head and they literally typed in relight that with a kiss light here, hairlight there, Rembrandt variation on the front. And they did it off a flat picture and they can move the lights around as if you are moving lights. Yes. And that's there today. So that's coming our way too. And I still think the people who understand how to see light will have an advantage because you'll know when you've typed these words in that you've got it about right. It doesn't change the fact that it's going to be increasingly synthetic. The moment in the middle of it is real. We may well be asked to relight things, re clothe things that's already happening. Simon: Yeah. Paul: We get, can you just fill in my hairline? That's a fairly common one. Just removing a mole. Or removing two inches round a waist. This, we've been doing that forever. Simon: Mm-hmm. Paul: And so now it'll be done with keyword generation rather than, photoshop necessarily. Simon: I think you'll always have the people that embrace this, we can't ignore it as you rightly say. It's not going away. It's gonna get bigger, it's gonna feature more in our lives. I think there's gonna be three sets of people. It's gonna be the people like us generally on a daily basis. We're photographers or we're artists. We enjoy what we do. I enjoy correctly lighting somebody with the correct modifier properties to match light quality to get the best look and feel and the ambience of that image. And I enjoy the process of putting that together and then seeing the end result afterwards. I suppose that makes me an artist in, in, in loose terms. I think, you know, as, as, as a photographer, we are artists. You've then got another generation that are finding shortcuts. They're doing some of the job with their camera. They're making their image from an AI point of view. Does that make up an artist? I suppose it still does because they're creating their own art, but they have no interest 'cause they have no enjoyment in making that picture as good as it can be before you even hit the shutter. And then I think you've got other people, and us to an extent where you do what you need to do, you enjoy the process, you look at the images, and then you just finely tune it with a bit of AI or Photoshop retouching so I think there are different sets of people that will use AI to their advantage or completely ignore it. Mark: Yeah. I think you're right. And I think it comes down, I'm going to use another analogy here, you, you know, let's say you enjoy cooking. If you enjoy cooking, you're creating something. What's the alternative? You get a microwave meal. Well, Paul Simon: and Sarah do. Mark: No. Paul: Sarah does. Simon: We can't afford waitress. Mark: You might spend months creating your perfect risotto. You've got it right. You love it. Everyone else loves it. You share it around all your friends. Brilliant. Or you go to Waitrose, you buy one, put it three minutes in the microwave and it's done. That's yer AI I Imagery, isn't it? It's a microwave meal. Paul: There's a lot of microwave meals out there. And not that many people cook their own stuff and certainly not as many as used to. And there's a lesson. Simon: Is, Mark: but also, Simon: things have become easier Mark: there Simon: you go. Mark: I think what we also forget in the photographic industry and take the industry as a whole, and this is something I've experienced in the, in the working for manufacturers in that photography itself is, is a, is a huge hobby. There's lots of hobbyist photographers, but there's actually more people that do photography as part of another hobby, birdwatching, aviation, all that sort of thing. Anything, you know, the photography isn't the hobby, it's the birds that are the hobby, but they take photographs of, it's the planes that are the hobby, but they take photographs. They're the ones that actually keep the industry going and then they expand into other industries. They come on one of our workshops. You know, that's something that we're still and Simon still Absolutely. And yourself, educating photographers to do it right, to practice using the gear the right way, but the theory of it and getting it right. If anything that brings more people into wanting to learn to cook better, Paul: you Mark: have more chefs rather than people using microwave meals. Education's just so important. And when it comes to lighting, I wasn't competent in using flash. I'm still not, but having sat through Simon's course and other people's courses now for hundreds of times, I can light a scene sometimes, people are still gonna be hungry for education. I think some wills, some won't. If you wanna go and get that microwave risotto go and microwave u risotto. But there's always gonna be people that wanna learn how to do it properly, wanna learn from scratch, wanna learn the art of it. Creators and in a creative industry, we've got to embrace those people and bring more people into it and ensure there's more people on that journey of learning and upskilling and trying to do it properly. Um, and yes, if they use whatever technology at whatever stage in their journey, if they're getting enjoyment from it, what's it matter? Paul: Excellent. Mark: What a fine Paul: concluding statement. If they got enjoyment outta it. Yeah. Whatever. Excellent. Thank you, Mark, for your summing up. Simon: In conclusion, Paul: did that just come out your nose? What on earth. Mark: What Paul: what you can't see, dear Listener is the fact that Mark just spat his water everywhere, laughing at Si. It's been an interesting podcast. Anyway, I'm gonna drag this back onto topic for fear of it dissolving into three blokes having a pint. Mark: I think we should go for one. Simon: I think, Paul: I think we should know as well. Having said that with this conversation, maybe not. I was gonna ask you a little bit about, 'cause we've talked about strobes and the beauty of strobes, but of course Elinchrom still is more than that, and you've just launched a new LED light, so I know you like Strobe Simon. Now talk about the continuous light that also Elinchrom is producing. Simon: We have launched the Elinchrom LED 100 C. Those familiar with our Elinchrom One and Three OCF camera Flash system. It's basically a smaller unit, but still uses the OCF adapter. Elinchrom have put a lot of time into this. They've been looking at LED technology for many years, and I've been to the factory in Switzerland and seen different LED arrays being tested. The problem we had with LEDs is every single LED was different and put out a different color temperature. We're now manufacturing LEDs in batches, where they can all be matched. They all come from the same serial number batch. And the different colors of LED as well, 15 years ago, blue LEDs weren't even possible. You couldn't make a blue LED every other color, but not blue for some unknown reason. They've got the colors right now, they've got full RGB spectrum, which is perfectly accurate a 95 or 97 CRI index light. It's a true hundred watts, of light as well. From tosin through to past daylight and fully controllable like the CRO flash system in very accurate nth degrees. The LED array in the front of the, the LEDA hundred is one of the first shapeable, fully shapeable, LED arrays that I've come across and I've looked at lots. By shapeable, I mean you put it into a soft box, of any size and it's not gonna give you a hotspot in the middle, or it's not gonna light the first 12 inches of the middle of the soft box and leave the rest dark. I remember when we got the first LD and Mark got it before me And he said, I've put it onto a 70 centimeter soft box. And he said, I've taken a picture to the front. Look at this. And it was perfectly even from edge to edge. When I got it, I stuck it onto a 1 3 5 centimeter soft box and did the same and was absolutely blown away by how even it was from edge to edge. When I got my light meter out, if you remember what one of those is, uh, it, uh, it gave me a third of a stop different from the center to the outside edge. Now for an LED, that's brilliant. I mean, that's decent for a flash, but for an LED it's generally unheard of. So you can make the LED as big as you like. It's got all the special effects that some of the cheaper Chinese ones have got because people use that kind of thing. Apparently I have no idea what for. But it sits on its own in a market where there are very cheap and cheerful LEDs, that kind of do a job. And very expensive high-end LEDs that do a completely different job for the photographer that's gone hybrid and does a bit of shooting, but does a bit of video work. So, going into a solicitor's or an accountant's office where they want head shots, but also want a bit of talking head video for the MD or the CEO explaining about his company on the website. It's perfect. You can up the ISO and use the modeling lamp in generally the threes, the fives, the ones that we've got, the LEDs are brilliant. But actually the LED 100 will give you all your modifier that you've taken with you, you can use those. It's very small and light, with its own built-in battery and it will give you a very nice low iso. Talking head interview with a lovely big light source. And I've proved the point of how well it works and how nice it is at the price point it sits in. But it is our first journey into it. There will be others come in and there'll be an app control for it. And I think from an LED point of view, you're gonna say, I would say this, but actually it's one of the nicer ones I've used. And when you get yours, you can tell people exactly the same. Paul: Trust me, I will. Simon: Yes. Mark: I think Paul: very excited about it. Mark: I think the beauty of it as well is it's got an inbuilt battery. It'll give you up to 45 minutes on a full charge. You can plug it in and run it off the mains directly through the USB socket as well. But it means it's a truly portable light source. 45 minutes at a hundred watt and it's rated at a hundred watt actual light output. It's seems far in excess of that. When you actually, Simon: we had a photographer the other day who used it and he's used to using sort of 3, 2 50, 300 watt LEDs and he said put them side by side at full power. They were virtually comparable. Paul: That is certainly true, or in my case by lots. Simon: I seem to be surrounded Paul: by Elinchrom kit, Which is all good. So for anybody who's interested in buying one of these things, where'd you get them? How much are they? Simon: The LED itself, the singlehead unit is 499 inc VAT. If you want one with a charger, which sounds ridiculous, but there's always people who say, well, I don't want the charger. You can have one with a charger for 50 quid extra. So 549. The twin kit is just less than a thousand quid with chargers. And it comes in a very nice portable carry bag to, to carry them around in. Um, and, uh, yeah, available from all good photographic retailers, and, Ellen crom.co uk. Paul: Very good. So just to remind you beautiful people listening to this podcast, we only ever feature people and products, at least like this one where I've said, put a sales pitch in because I use it. It's only ever been about what we use here at the studio. I hate the idea of just being a renta-voice. You it. Mark: bought it. Paul: Yeah. That's true. You guys sold it to me. Mark: Yeah, Simon: if I gave you anything you'd tell everyone it was great. So if you buy it, no, I've bought Paul: Yeah. And then became an ambassador for you. As with everything here, I put my money where my mouth is, we will use it. We do use it. I'm really interested in the little LED light because I could have done with that the other night. It would've been perfect for a very particular need. So yes, I can highly recommend Elinchrom Fives and Threes if you're on a different system. The Rotalux, system of modifier is the best on the planet. Quick to set up, quick to take down. More importantly, the light that comes off them is just beautiful, whether it's a Godox, whether it's on a ProPhoto, which it was for me, or whether if you've really got your common sense about you on the front of an Elinchrom. And on that happy note and back to where we started, which is about lighting, I'm gonna say thanks to the guys. They came to the studio to fix a problem but it's always lovely to have them as guests here. Thank you, mark. Thank you Simon. Most importantly, you Elinchrom for creating Kit is just an absolute joy to use. If you've enjoyed the podcast, please head over to all your other episodes. Please subscribe and whatever is your podcast, play of choice, whether it's iTunes, Spotify, YouTube, or a other. After you head, if you head across to masteringportraitphotography.com the spiritual home of this, particular, podcast, I will put in the show notes all the little bits of detail and where to get these things. I'll get some links off the guys as to where to look for the kit. Thank you both. I dunno when I'll be seeing you again. I suspect it will be the Convention in January if I know the way these things go. Simon: We're not gonna get invited back, are we? Mark: Probably not. Enough. Paul: And I'm gonna get a mop and clean up that water. You've just sprayed all over the floor. What is going on? Simon: wish we'd video. That was a funny sun Mark: I just didn't expect it and never usually that sort of funny and quick, Simon: It's the funniest thing I've ever seen. Paul: On that happy note, whatever else is going on in your lives, be kind to yourself. Take care.

Your favorite Hobbyists are back to discuss hobbies that were recommended to them by a fancy computer. Will we learn new and exciting hobbies, or are their brains too hard at this point?For full-length weekly bonus episodes check out the TCGTE Patreon!Like the show? Rate Us on Apple Podcasts and let us know what topic we should check out next.Follow Tim on Bluesky: yourpaltim.bsky.social and Instagram: @yourpaltimFollow Tom on Bluesky: tomreynolds.bsky.social and Instagram: @tomreynolds Hosted on Acast. See acast.com/privacy for more information.

Do you ever wonder what it takes to be the best? Maybe it's extra hours on the mat. Maybe it's reframing your whole outlook on jiu jitsu. Maybe it's a new outlook on life. Luckily, our man JT had boots on the ground with some of jiu jitsu's top performers. Listen to his insights here...----------------------BULLETPROOF SHIRTS: https://www.fanwear.com.au/products/core-bullet-proof-for-bjj-classic-tee----------------------Increase athleticism, reduce injuries and build a grapplers physique with the Bulletproof for BJJ App. Start your FREE 14 Day Trial today:iOS: https://apps.apple.com/us/app/bulletproof-for-bjj/id6444311790Android: https://play.google.com/store/apps/details?id=com.bulletproofforbjj&utm_source=na_MedStay Hydrated with Sodii the tastiest electrolytes in the Game! Get 15% OFF: BULLETPROOF15 https://sodii.com.au/bulletproof

In this episode, Steve Kwan is joined by Rosie Miller to explore the concept of the “tryhard hobbyist” in Jiu-Jitsu: someone who trains seriously and with intention, even if they don't pursue the sport professionally. Rosie, a brown belt out of Atos HQ and founder of The Grappler's Lab, shares her journey of evolving goals, identity, and self-worth within the sport. Together, they discuss the emotional and mental challenges hobbyists face, including impostor syndrome, burnout, risk management, and the struggle to balance ambition with sustainability. Rosie offers a values-based framework to help practitioners define their goals, align training with life priorities, and find long-term fulfillment in Jiu-Jitsu, regardless of competitive aspirations.Follow Rosie on Instagram:https://www.instagram.com/rosierollzWork with Rosie @ The Grappler's Lab:https://www.thegrapplerslab.com/Mental models discussed in this episode:Cognitive Dissonancehttps://bjjmentalmodels.com/cognitive-dissonance/Prioritize Longevityhttps://bjjmentalmodels.com/prioritize-longevity/Return on Investmenthttps://bjjmentalmodels.com/return-on-investment/Reframinghttps://bjjmentalmodels.com/reframing/Flowhttps://bjjmentalmodels.com/flow/Impostor Syndromehttps://bjjmentalmodels.com/impostor-syndrome/Self-Competitionhttps://bjjmentalmodels.com/self-competition/Don't forget to check out BJJ Mental Models Premium!If you love the podcast, you'll definitely love our premium membership offerings. The podcast is truly just the tip of the iceberg – the next steps on your journey are joining our community, downloading our strategy courseware, and working with us to optimize your game. We do all this through memberships that come in at a fraction of the cost of a single private.Sign up here for a free trial:https://bjjmentalmodels.com/Need more BJJ Mental Models?Get tips, tricks, and breakthrough insights from our newsletter:https://bjjmentalmodels.com/newsletter/Get nitty-gritty details on our mental models from the full database:https://bjjmentalmodels.com/database/Follow us on social:https://facebook.com/bjjmentalmodels/https://instagram.com/bjjmentalmodels/Music by Enterprize:https://enterprize.bandcamp.com/

Chuck and Joni Hofmann are two incredible people that live by the hobbyist credo of doing one fun thing a day and maintaining a positive mental attitude. They are true hobbyists at heart with a menu of things that they enjoy. In this video we hike along the Jack Rabbit Trail near Hayesville North Carolina, talk about what they do for a living, their marriage, their many hobbies and what we discover at the end of they day is that friendship is the ultimate break from the grind.Linkshttps://www.breakfromthegrind.com/

In this episode, we're unlocking the energetic frequency of high-cash months and demystifying the strategy behind consistent income growth. If you've ever felt stuck at an income ceiling, wondering why your efforts aren't translating into effortless sales, this episode is for you. We explore the quantum leap from unpredictable income to a scalable, sustainable coaching business that stacks cash month after month. Plus, we break down the money-making mindset shifts that separate industry leaders from those spinning their wheels in frustration.We chat all things:The science behind energetic minimums and how they dictate your incomeWhy pricing with confidence is the key to breaking through your income ceilingThe biggest money mistakes keeping coaches stuck in feast-or-famine cyclesHow to collapse time and accelerate your results using audacious sales strategiesThe mindset shifts that unlock consistent high-cash monthsWhy financial overflow isn't about working harder—it's about aligning your frequencyWORK WITH CARLA: RICH & RESILIENT MONEY INTENSIVE PRIVATE MENTORSHIP FREE The Magazine - MMH Collective The Money Quiz The Money Mindset Track CONNECT Instagram @moneymindsethub YouTube @moneymindsethub Website www.moneymindsethub.com FAVS Mental Clarity & Reduced Stress - Get 20% off Magic Mind Podcast Host - They do the hard work for you - Try Buzzsprout Legal Stuff - My fav legal team to protect your bi...

To continue Killifish Month, the Water Colors team is back to discuss dirt-spawning killis! These varieties of killifish spawn in or over substrate. Hobbyists often use small containers of bark or peat to encourage this breeding behavior. Many of these varieties of killifish are incredibly easy to keep, and can be remarkably beautiful. The team discusses species profiles, care, and shares stories of their own experiences. Which varieties of killifish do you want to keep? To learn more about the upcoming Killifish Karnival/Tropical Magic event (3/29/2025 – 3/30/2025) visit: https://mas.fish/society-events/killifish-karnival/ Join the discussion on the Water Colors Aquarium Gallery Podcast Listeners Facebook group! https://www.facebook.com/groups/788428861825086/ Enjoying the show? Support the gallery by shopping aquarium plants, merch, equipment, and more! https://watercolorsaquariumgallery.com/ Looking for more content? Become a YouTube member for exclusive access to behind the scenes livestreams! https://www.youtube.com/@watercolorsaquariumgallery Resources mentioned in this episode: https://aka.org/ https://wildnothos.wixsite.com/wildnothos https://www.killiclubdefrance.org/ https://killis.org.uk/

#raspberryshake #seismology #citizenscience # jimjimsreinventionrevolution Branden Christensen is a scientist, community builder and spiritual searcher who's decentralizing seismology and enabling citizen scientists, hobbyists and professionals around the world.  Listen to JJRR 121 as Branden shares how a kid from NYC dropped into Ecuador, fell in love with the latino lifestyle, and dove into entrepreneurship.  Passing on traditional corporate opportunities, Branden, now CEO of Raspberry Shake, is bringing the joy of science and technology to all seismology enthusiasts: offering low cost seismographs built on the Raspberry PI computer platform.      https://raspberryshake.org/ https://shop.raspberryshake.org/ https://discord.com/invite/55wdKQ6EtP https://podfestexpo.com/podfest-asia/  https://magicmind.superfiliate.com/JIMCIRILLO https://ko-fi.com/jimjim99 jimjim99 | Twitter, Instagram, Facebook | Linktree 05:30s Branden, dialing in live from Costa Rica 06:08s Raspberry Shake, a decentralized seismology network 10:14s Geophone, a seismic sensor 11:50s How to know that you're sensing earthquakes and not other motion 16:20s Raspberry Pi – a low cost computer / sensing development platform for students and hobbyists 18:12s Integrating Rasberry Pi into real industrial / production applications 21:25s Citizen Science unleashed and decentralized through Raspberry Shake 27:57s The Raspberry Shake business model: Hobbyists, Professionals and Students 31:54s Creating granularity and opening new markets / science communities 34:02s Dropping into Ecuador for a research conference while at University 39:33s Finding a business opportunity in Panama vs the Corporate World 43:02s Not motived by money early in career, valuing freedom 45:58s The only thing you can depend on in life is change: taking the spiritual path 48:21s  Moving from struggle mindset to abundance mindset, opening up to mystery 51:44s Fear vs Curiosity 53:26s Full realization that belief that you're the best is BS! 57:26s Urgency is with AI – not from fear but from curiosity and opportunity Enjoy the episode? Share with friends!  Subscribe in Spotify, Apple or Google Podcasts! https://www.jimjimsreinventionrevolution.com/resources jimjim99 | Twitter, Instagram, Spotify, Facebook | Linktree https://ko-fi.com/jimjim99

Should you cut raw meat on wooden cutting boards? Do the bacteria grow inside the cutting board? Is plastic better? Should you use a finish on wood cutting boards? How often do SERIOUS allergies develop from breathing in wood dust? Should you always wear a mask? What is the risk of cancer for woodworkers? IF YOU'VE BEEN CURIOUS OR CARE ABOUT ANY OF THESE QUESTIONS, YOU SHOULD LISTEN TO THIS EPISODE!In this episode, we speak with Professor of Wood Anatomy at OSU, Dr. Seri Robinson, about these EXTREMELY important topics. Seri has dedicated years of laboratory research towards addressing these topics and leads a wonderful discussion. A rare occurrence in the maker space where two Ph.D. scientists (Paul & Seri) work together to deconvolute these important topics, cut through fear and misinformation, and come away with real world pragmatic recommendations.For more reading on these topics, here is a link to Seri's book ⁠"Living with Wood: A Guide for Toymakers, Hobbyists, Crafters, and Parents" ⁠and Seri's Patreon all about Wood Safety: http://www.patreon.com/woodsafetyTo watch the YOUTUBE VIDEO of this episode and the irreverent & somewhat unpredictable AFTERSHOW, subscribe to our Patreon:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://patreon.com/user?u=91688467

Very excited to introduce Carol-Anne Kreiser, the owner of Fly Fitness Aerial Studio, who shares her journey of establishing a pole studio in a conservative town. The conversation explores the challenges faced by sex workers, the importance of allyship, and the efforts to create an inclusive environment for all individuals, regardless of their background. The episode emphasizes the need for education and community engagement to break down stereotypes and foster understanding. In this conversation, Steph Sia and Carolanne Kreiser discuss the importance of inclusivity in pole studios, emphasizing the need for open-mindedness and receptiveness to feedback from students, particularly those from diverse backgrounds. They explore the role of sex workers in pole fitness, advocating for more opportunities for them to teach and share their skills. The discussion also highlights the significance of understanding and respecting the roots of pole dancing, which originated in strip clubs, and the importance of bridging the gap between strippers and pole hobbyists. discussion also touches on the challenges of accessibility and affordability in pole classes, emphasizing the importance of empowering strippers and ensuring their voices are heard in the community. Follow Carol-Anne Kreiser below: This episode was brought to you by PS: Group. An adult marketing agency for the independent creator-driven era, PS: Group offers a comprehensive range of creative services designed exclusively for sex workers, by sex workers. Don't forget to LIKE, RATE, SHARE, REVIEW and SUBSCRIBE! https://x.com/strippedbysia https://instagram.com/strippedbysiapodcast https://patreon.com/strippedbysia https://strippedbysia.bsky.social https://strippedbysia.com

Twice a day the River Thames recedes, revealing a muddy shoreline. Hobbyists known as mudlarks stroll the surface searching for objects that have found their way into the river over the centuries -- everything from ancient Roman jewelry to modern wedding rings. A new book about mudlarking describes the irresistible appeal of searching for treasures and the stories behind them. And: why do performers whisper the phrase Toi, toi, toi to wish each other well backstage before a show? Finally, what's the plural of octopus? Octopuses? Octopi? Or something else? Plus, schniddles vs. schnibbles, visiting vs. talking, fotched a heave, creature comforts, trade-last, a timely pangram, Doves Type, and a brain teaser about malapropisms.  Read full show notes, hear hundreds of free episodes, send your thoughts and questions, and learn more on the A Way with Words website: https://waywordradio.org/contact. Be a part of the show: call 1 (877) 929-9673 toll-free in the United States and Canada; worldwide, call or text/SMS +1 (619) 800-4443. Email words@waywordradio.org. Copyright Wayword, Inc., a 501(c)(3) corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices

[00:18:26] Jonathan Turley [00:36:50] Michael Goodwin [00:55:12] Dr. William Austin - Drone expert [01:13:35] Jimmy Failla [01:32:00] Dan Hendrycks Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this podcast episode, Brad Lunt, CEO of Goat Guns, discusses the evolution of his company, which specializes in highly detailed, 1/3 and 1/4 scale model guns that serve as realistic, non-functional replicas. These miniature guns, which are customizable and often painted to resemble historical military models, have found a niche market among gun enthusiasts, hobbyists, and collectors. Lunt explains how the company started, its challenges in finding a unique market space, and the viral success they've experienced through social media, despite struggling with consistent retail traction.    

So you have a hobby? That's totally fine. In fact, it's great! You'll come to a realization sooner or later though. While hobbies are fine, it's the hobbyists you need to worry about. Join Bull, Dame, and me as we talk about this. Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/5185375114887168 Support The Channel: https://streamlabs.com/RobSays https://streamelements.com/robsays/tip https://patreon.com/RobSays__ http://RobSays.net Send Me A Message, You Might End Up On A Video: https://anchor.fm/redpilled/message Popular Videos ----------------------------------------------------------------------------------------------------------------------------------- Twitter Notifications: https://youtu.be/sw3gOBZQymc The Hardest Red Pill Truth I've Had To Swallow So Far: https://youtu.be/G-2IWgEZni8 On Being A Short Man: https://youtu.be/r5jpHZvUEds Stop Chasing Women: https://youtu.be/hCle07lN8cI Men Love Idealistically, Women Love Pragmatically: https://youtu.be/x9r-jlOQBbM Briffault's Law: https://youtu.be/_aCRJhE7kdc The Lonely Old Man: https://youtu.be/QXRysuGFFUg Carl From Black Label Logic #1: https://youtu.be/4nd5OuL_OTA Carl From Black Label Logic #2: https://youtu.be/8hg52VN6nuA Video Editing w/Rian Stone: https://youtu.be/b1agSdW7SUw

Annie Sexton, Developer Advocate at Fly.io, to discuss Fly.io's approach to simplifying cloud deployment. Annie shares Fly.io's unique position as a public cloud that offers the flexibility of infrastructure control with a streamlined developer experience. They explore Fly.io's private networking and distributed app capabilities, allowing developers to deploy applications close to users worldwide with ease. Annie also addresses common challenges in distributed systems, including latency, data replication, and the balance between global reach and simple, single-region projects. Chapters: - 00:00 - 01:32 Introduction to the Modern Web Podcast and Guests - 01:33 - 04:00 Overview of Fly.io and Annie's Role as Developer Advocate - 04:01 - 06:35 What Makes Fly.io Stand Out Among Cloud Platforms - 06:36 - 08:57 Distributed Applications: Benefits and Use Cases - 08:58 - 11:28 Understanding Distributed Web Servers and Private Networking - 11:29 - 13:49 Challenges in Distributed Data and Replication Techniques - 13:50 - 16:12 Fly.io's Unique Solutions for Data Consistency - 16:13 - 18:34 When to Consider a Distributed Setup for Your Application - 18:35 - 20:35 Tools and Tips for Evaluating Geographical Distribution Needs - 20:36 - 22:22 Simplifying Global Deployment with Fly.io's Command Features - 22:23 - 24:18 Considerations for Latency and Performance Optimization - 24:19 - 26:45 Balancing Simplicity with Advanced Control for Developers - 26:46 - 29:04 Easy Deployment for Hobbyists and Smaller Projects - 29:05 - 31:27 Getting Started on Fly.io with Fly Launch - 31:28 - 33:48 Developer Advocacy and Meeting Diverse Needs in the Cloud - 33:49 - 36:15 Catering to Beginners and Experienced Developers Alike - 36:16 - End Closing Remarks and Where to Find Fly.io and the Hosts Follow Annie Sexton on Social Media Twitter:https://x.com/_anniebabannie_ Linkedin: https://www.linkedin.com/in/annie-sexton-11472a46/ Github: https://github.com/anniebabannie

Hobbyists like to complain about things..myself included but there can be an art to that which might be fruitful or in the very least make us more civilized. I chop that up on today's episode. Also: *New Product Release Schedule *Hobby News Follow us on Social Media: Website:https://www.sportscardnationpo... https://linktr.ee/Sportscardna... E-Mail us at:hobbyquickhits@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/sports-card-nation-podcast--4761791/support.

In this episode of the Pints and Polishing Podcast, hosts Marshall and Nick discuss a variety of topics ranging from their favorite beers to the emotional connections people have with their cars. They delve into the service industry, sharing positive experiences, and debate the merits of naming cars. The conversation shifts to college football, exploring the financial implications of player compensation and coaching decisions. They also touch on the evolution of vehicle design and the challenges faced in the detailing industry, before concluding with a discussion on luxury cars and the lengths wealthy individuals will go to acquire them. In this conversation, Nick and Marshall explore various aspects of luxury car ownership, detailing, and the evolving culture of car enthusiasts. They discuss the reliability of luxury vehicles, the tax benefits associated with owning them, and the importance of proper maintenance. The duo also delves into the significance of products like Fuego in car care, the challenges faced by DIY car owners, and the distinction between hobbyists and professionals in the detailing world. They emphasize the role of the internet in shaping car culture and the importance of humor in the community. Takeaways The service industry often receives negative feedback, but positive experiences should also be shared. Naming cars can create a sense of attachment, but not everyone agrees with this practice. Emotional connections to cars vary greatly among individuals, especially those in the car business. Pets often reflect their owners' personalities and lifestyles, leading to unique relationships. College football has become a business, with significant financial stakes for players and coaches alike. The design of vehicles has evolved, often prioritizing size over quality materials. Detailing cars can reveal surprising and sometimes unpleasant discoveries. Luxury brands like Range Rover have mastered the art of branding and customer satisfaction. Wealth can often bypass regulations and restrictions in the automotive market. The podcast hosts enjoy sharing personal anecdotes that relate to broader themes in society. Most luxury car owners don't drive their cars much. Tax benefits can make luxury cars more appealing. Fuego is a neutral pH product that works well for detailing. Proper maintenance is crucial for high-end vehicles. DIY car care can lead to mistakes if not done correctly. Hobbyists play a significant role in the detailing industry. The internet has transformed how car enthusiasts connect. Car detailing can be a therapeutic activity for many. Humor is essential in car culture and ownership. Not all car enthusiasts are knowledgeable about maintenance. Chapters 00:00 Introduction to the Podcast and Beer Talk 02:05 Positive Experiences in Service Industry 03:51 Naming Cars: A Goofy Debate 05:45 Emotional Attachments to Cars 09:09 Pets and Their Owners: A Unique Connection 10:54 College Football: Expectations vs. Reality 13:04 The Impact of Money in College Sports 17:12 The Evolution of Vehicle Design 20:07 Detailing Challenges in the Automotive Industry 22:02 Luxury Cars and Wealth: A Discussion 24:19 The Reliability Debate of Luxury Cars 26:58 Fuego: The Detailing Game Changer 29:31 Maintenance and Care for High-End Vehicles 33:14 The Challenges of DIY Car Care 36:31 Understanding the Hobbyist vs. Professional Detailer 39:08 The Evolution of Car Enthusiasm 42:52 Finding Joy in Car Care 46:10 The Impact of the Internet on Car Detailing 51:45 Embracing Humor in Car Culture

Video: https://youtu.be/AHPcF6nWDKI Topics discussed: Why I think hobbyists care about succeeding and growing in their hobby field, how I'm adjusting my cross website posting process to try and improve discoverability, demoing adobe generative fill AI, a conspiracy theory about spell check, taking down microphone ranking sites, demoing uploading podcasts to spotify, and sharing my thoughts on doing a No Spend Month.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Neumann U87 Ai: https://geni.us/u87aikit Rode NTH-100:  https://geni.us/rnth100 Universal Audio x8: https://sweetwater.sjv.io/uax8   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 00:17 - Why Hobbyists Care About Success 11:05 - How Cross Posting May Hurt Performance  16:45 - WIBT: Adobe Photoshop Generative Fill AI 21:35 - WYHTS: Bureaucracy is Concernering 25:15 - WYHTS: Take Down Mic Review Sites! 31:50 - WYHTS: Uploading Video Podcasts to Spotify 37:45 - WYHTS: No Clips on the Channel! 43:05 - Value for Value 45:47 - WWA: No Spend Month

Video: https://youtu.be/Buxk7NMdHsA Topics discussed: Video podcasting on YouTube, why people say YouTube Videos aren't podcasts, why I refuse to make an RSS distributed video podcast, the benefits of video distributed via RSS, my favorite comment of all time, if Hobbyists are just failures, the Shure Nexadyne 8/C, the reality of audio & podcast conferences, why some people disliked Susan as the CEO of youtube, and the Ludo - Broken Bride EP.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Shure Nexadyne 8/C: https://geni.us/shure8c Universal Audio x8: https://sweetwater.sjv.io/uax8   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 00:22 - Why People Say "YouTube Video Podcasts" are not Podcasts 03:20 - Why I REFUSE To Make a Video RSS 06:03 - What I'd Lose Through Video RSS Podcasting 11:25 - Actual Benefit of Video RSS Podcasts 14:44 - Summary of Why I Won't Make a "Video Podcast" NMS Video: https://www.youtube.com/live/h_7T1VExTq8?si=G9B1s_55v9Q5ydn4&t=2311 PodcastIndex: https://podcastindex.org Global Media: https://www.globalmediainsight.com/blog/youtube-users-statistics/#:~:text=YouTube%20has%20more%20than%20113.9%20million%20active%20channels. Siteefy: https://siteefy.com/how-many-websites-are-there/ Thread: https://pod.social/@Bandrew/113034420268015435 19:45 - My Favorite Comment of All Time! 22:04 - Are "Hobbysts" Just Failures 27:37 - WIBT: Shure Nexadyne 8/C 29:18 - WYHTS: Reality of Audio & Podcast Conferences 33:00 - WYHTS: Susan Was a Bad CEO & YouTube Sucks. 39:03 - Value for Value 41:40 - WWA: Ludo - Broken Bride https://www.youtube.com/watch?v=XFIaFyuXp_Y   #AudioEducation #YouTube #Podcast

Join Jen & Abby at the National Pastry Conference in Charlotte, NC August 29-31! Justin Fry shares delicious details about the competition and how you can get involved. Hobbyists and pros, get your applications in soon: entries close July 31. Tickets on sale now at www.pastrycon.com 

What should we think about artistic and technological achievements of pagan cultures? How do we balance common ground and citing Scripture when sharing with nonbelievers? Is there a particular field to study for better evangelism? This week, Pastor Jeff and Jordan look for apologetic tips from Paul's teaching at the Areopagus.   —   This episode of The Beyond Sunday Podcast expands upon the sermon “When Evil Surrounds Me | Acts 17:16–34.” In this sermon series, we will follow the journeys of the Apostle Paul and his companions as they trust and follow Jesus to new places and new challenges.   Submit a question: bit.ly/BeyondSundayQuestions

Explore the world's most incredible bird watching hotspots in this immersive audio journey. From national parks teeming with avian life to urban oases harboring feathered surprises, we uncover the best destinations for spotting spectacular birds. Get insider tips for birding like a pro and discover the thrill of encountering nature's winged wonders. Whether you're an experienced birder or just taking flight, this is an essential guide to the captivating world of birding.

Huddle in as we go on a fun filled adventure with our special guest Jeremy Lively where we go from speeding violations to rough terrain Elk hunting. Share your favorite hobby with us at nojokinexp@gmail.com

Originally loaded April 9th, re-edited April 22nd. Chris Holman welcomes back Dillon Li, General Manager, AP Lazer, Mason MI. Welcome back Dillon, remind the Michigan business community about AP Lazer? Please share that company history from your Dad and on through today? What are your core services and products now in 2024? Hobbyists and businesses can leverage you machines, do you have any examples to share? » Visit MBN website: www.michiganbusinessnetwork.com/ » Watch MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/

In this episode is with Chase Yoselowitz, a certified strength and conditioning specialist, about injury prevention for beginner grapplers in Jiu-Jitsu. We discuss Chase's background in Jiu-Jitsu and his work with athletes and hobbyists. We also cover topics such as preventing lower back pain, building muscle for Jiu-Jitsu, energy systems, and conditioning for Jiu-Jitsu. Chase emphasizes the importance of progressive overload, proper form, and individualized training. He also encourages beginners to start Jiu-Jitsu regardless of their fitness level and advises on incorporating strength and conditioning into their training. In this conversation, Chase Yoselowitz, CSCS, discusses strength and conditioning for jiu-jitsu athletes. He emphasizes the importance of incorporating strength and conditioning into a training routine, recommending two to three days a week. Chase also explains the concept of working within a range of reps and weights to optimize performance and prevent injury. He suggests starting with unilateral exercises to address imbalances and build stability, then progressing to bilateral exercises like barbell squats and deadlifts. Chase also touches on the value of explosive movements like cleans and snatches, as well as the importance of mobility training and full range of motion for injury prevention and improved performance. Connect with Chase here! https://www.instagram.com/grapplism/ https://grapplism.com/ Want to support this show further? Consider joining our Patreon and YouTube Membership for early and exclusive content plus other perks! https://www.patreon.com/ElbowsTight https://www.youtube.com/@elbowstight Get $25 off the JordanTeachesJiuJitsu Theory Course and Wrestling for BJJ with ELBOWSTIGHT25 at Checkout - https://courses.jordanteachesjiujitsu.com Join the El-Bros Facebook and Discord Communities! https://www.facebook.com/groups/elbroscommunity/ https://discord.gg/sp2J8mPS LET'S EXCHANGE PATCHES! SEND A PATCH TO THE PO BOX, AND WE WILL SEND YOU A CUSTOM ELBOWS TIGHT PATCH BACK! Travis Motl PO Box 768 Seabeck, WA 98380 The Equipment Behind Elbows Tight Podcast: https://kit.co/ElbowsTightPodcast Follow Our Social Media Pages! Instagram Podcast Page https://www.instagram.com/elbowstight/?hl=en Facebook https://www.facebook.com/ElbowsTightPodcast

In this episode of the RepcoLite Home Improvement Show, sponsored by Benjamin Moore, Dan and Hailey discuss a week filled with unexpected pest encounters, including ticks, spiders, and an incident with a house centipede. They provide insights on the benefits house centipedes offer by eating other undesirable bugs, though they also share the heart-attack-inducing fact that female centipedes can live up to three to five years and produce a vast number of offspring. Practical advice is given on how to manage household pests by eliminating food sources and sealing up the home. Additionally, they discuss the Festool ETS 125 sander and make a case for why you might need one! Finally, they focus on the concept of color consultations, explaining who can benefit from this service, what it entails, and how to enter a contest to win a personal consultation with Hailey.00:00 Introduction and Welcome Back00:25 Launching a Contest and Discussing Festool Sanders00:34 Bugs, Ticks, and Spiders: A Week in Review02:06 The Unexpected Benefits of House Centipedes03:24 How to Get Rid of House Centipedes05:21 Introducing Festool Sanders06:43 Why Festool Sanders are Worth the Investment11:59 Who Should Consider Buying Festool Sanders14:06 The Benefits of Festool Sanders for Hobbyists and Professionals18:04 Unbiased Reviews and High Prices18:22 Demo Models and Customer Feedback18:40 Exciting Contest Announcement19:01 The Value of Color Consultations19:28 The Contest Details and Benefits20:32 The Role of a Color Consultant23:02 The Pitfalls of Asking Family for Color Advice24:21 The Expertise of a Color Consultant26:14 The Importance of Sampling Colors30:52 The Follow-up and Final Recommendations31:22 How to Enter the Contest38:47 Wrapping Up and Contest Reminder

Many model railroad lovers have setups in their basement, a bedroom, or the garage, but in Roslindale, model train enthusiasts have spent decades creating a museum dedicated to the craft of creating intricate train layouts! The members of the Bay State Model Railroad Museum love to lay track, paint, build, and create, and the public will get soon get a chance to see their work up close and personal. Jeremy Hartwell, President of the Museum, joins Nichole this week to talk about their work, the layouts they have on display, and their efforts to connect with their community.

Ben Roberson⁠⁠⁠ and Stuart Jordan⁠ are cofounders of ⁠⁠Guide Book⁠⁠, a platform built to empower outdoor guides by getting them in front of new clients and providing them the tools they need to manage their business all in one place. Ben is a fly fishing guide and has used that experience to inform Guide Book's growth so far, Stuart brings a lifetime of outdoor experiences and business prowess to the table, and their combined efforts have allowed Guide Book to flourish. They are excited about the future of the business and the changes it will bring to the outdoor guide industry. Recorded November 2023 Links Mentioned in Today's Episode: • Ben Roberson on Linkedin • ⁠⁠⁠⁠⁠⁠Stuart Jordan on Linkedin • ⁠⁠Guide Book on Linkedin • ⁠⁠⁠⁠⁠⁠Guide Book website Leave Some Feedback: • Email ⁠⁠⁠⁠⁠⁠podcast@awesomeinc.org⁠⁠⁠⁠⁠⁠ with what you want to hear about next. • Did you enjoy this episode? If so, please leave a short review. Connect with Us: • Subscribe to our podcast • ⁠⁠⁠⁠⁠⁠awesomeinc.org⁠⁠⁠⁠⁠⁠ • Instagram -- @awesomeinclex • Twitter -- @awesomeinclex • ⁠⁠⁠⁠⁠⁠YouTube --- Send in a voice message: https://podcasters.spotify.com/pod/show/awesomeinc/message

In this episode, the Water Colors Team breaks down a handful of ways that casual aquarists can use the scientific method to better their aquariums, and better the hobby as a whole. There are plenty of fish keepers that have dabbled in breeding fish, but what do you know about the environments your fish come from? Or their conservation concerns? The evolutionary biology of the fish you love? Let's take a closer look at how we can all be better scientists using our aquariums at home. Join the discussion on the Water Colors Aquarium Gallery Podcast Listeners Facebook group! https://www.facebook.com/groups/788428861825086/ Enjoying the show? Support the gallery by shopping aquarium plants, merch, equipment, and more! https://watercolorsaquariumgallery.com/ Looking for more content? Become a YouTube member for exclusive access to behind the scenes livestreams! https://www.youtube.com/@watercolorsaquariumgallery

On episode 145 I am joined by Head of athletic performance at Meath GAA Barry Horgan. Barry is an experienced coach and sports scientist working with the Australian institute of sport, brumbies rugby, and sport Australia before returning to the role as general manager with Meath GAA. Barry has since switched roles to Head of athletic performance with the senior footballers.  A big thank you to our sponsor - The Irish Strength & Conditioning Network. A diverse coaching network that includes members from a wide range of fields. From S&C coaches, sports scientists, and physiotherapists to Students, Hobbyists, and anyone with an interest in coaching, at all levels of sport and health, from grassroots to elite performance. As a listener of this episode, The Irish S&C Network are offering a 30-day free trial for all listeners. Simply use the code "ISCNPLAY" at checkout to access this fantastic opportunity to connect and learn from experienced practitioners in an open and honest environment.  https://www.irishscnetwork.com/  https://www.instagram.com/irishscnetwork/  https://twitter.com/irishscnetwork  Find Barry here:  https://twitter.com/BarryHorganSC  https://www.linkedin.com/in/barryhorgan/  Follow The Sideline Live Social Media channels:  https://twitter.com/thesidelinelive  https://www.instagram.com/thesidelinelive/  Recorded using Samson Q2 microphone, Edited using GarageBand If you are looking to set up your own podcast get in touch with the Prymal Productions team ⁠⁠⁠www.prymal.ie⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-sideline-live/message

On episode 4 of The Coaching Playbook series, host Adrian O'Sullivan chats with S&C Coach Conor Clifford. Conor and Adrian crossed paths in 2022 with the Dublin Senior Camogie team. Conor is now working with the Westmeath Senior Hurlers and has previously found success with Dublin U21 Football 2014 - 2016 (All Ireland & 3x Leinster titles), Shamrock Rovers FC first team 2015 & 2016, Dublin Senior Hurling and National Athlete Development Academy. Adrian and Conor discuss his professional journey to date from an internship with NADA to becoming a head coach with inter county teams, his insights to S&C, and more! Conor currently runs his own gym Armoured Performance in Clondalkin Dublin. Find Conor here: http://www.armoured.ie/ https://www.instagram.com/armouredperformance/ https://www.instagram.com/cliffordconor/ Host Adrian O'Sullivan Series 1 is sponsored by ⁠@irishscnetwork⁠ a diverse coaching network that includes members from a wide range of fields. From S&C coaches, sports scientists, and physiotherapists to Students, Hobbyists, and anyone with an interest in coaching, at all levels of sport and health, from grassroots to elite performance.  As a listener of “ The Coaching Playbook”, The Irish S&C Network is offering a 30-day free trial for all of our listeners. Simply use the code "ISCNPLAY" at checkout to access this fantastic opportunity to connect and learn from experienced practitioners in an open and honest environment.  Follow The Sideline Live Social Media channels: https://twitter.com/thesidelinelive https://www.instagram.com/thesidelinelive/ Recorded using Samson Q2 microphone, Edited using GarageBand If you are looking to set up your own podcast get in touch with the Prymal Productions team ⁠⁠⁠www.prymal.ie⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-sideline-live/message

In this episode, Travis interviews Rob Cole, an experienced martial artist and Jiu Jitsu practitioner, about the ecological approach in martial arts training.   They discuss Rob's background in various martial arts, the evolution of martial arts, and the role of ecological dynamics in Jiu Jitsu.   They also explore the difference between positional sparring and the constraints-led approach, and how to apply the ecological approach to beginners. Additionally, they discuss the benefits of the ecological approach for hobbyists and the challenges of implementing it in gi Jiu Jitsu.   In this conversation, Rob and Travis discuss the importance of grips in Jiu-Jitsu and how different grips can be used to gain inside position and control. They also explore the concept of constraint-led classes and how they can benefit both small and large practitioners.   Rob shares his approach to teaching and developing games, emphasizing the importance of representative learning design and constant adjustment. They discuss the potential commercialization of ecological dynamics and the need to maintain the scientific approach behind it.    The conversation concludes with Rob offering advice for brand new white belts and where to find him online.   Takeaways   •The ecological approach in martial arts training emphasizes realistic and game-based training to develop practical skills. •Positional sparring is different from the constraints-led approach, as the latter focuses on creating specific scenarios and goals for learning. •The ecological approach can be applied to beginners by starting with simple and clear goals in constrained environments. •The ecological approach is particularly beneficial for hobbyists, as it maximizes training time and provides a more engaging and effective learning experience. •Instructionals can still be useful in conjunction with the ecological approach, but the focus should be on understanding concepts and goals rather than memorizing techniques. •The ecological approach can be adapted to gi Jiu Jitsu by focusing on specific goals and constraints related to grips and positions.   Chapters   00:00 Introduction and Background 03:36 The Evolution of Martial Arts 08:16 The Role of Ecological Dynamics in Martial Arts 12:46 Positional Sparring vs. Constraints-Led Approach 18:23 Individual Constraints in Jiu Jitsu 23:19 Teaching the Ecological Approach to Beginners 32:23 The Benefits of Ecological Approach for Hobbyists 37:35 The Relationship Between Instructionals and Ecological Approach 41:06 Applying Ecological Approach in Gi Jiu Jitsu 42:50 The Importance of Grips in Jiu-Jitsu 46:54 Developing Games for Small vs. Large Practitioners 47:35 Partner Pairings vs. Games 50:06 Demoralization and Constraint-Led Classes 54:51 Keeping Notes and Evaluating Constraint-Led Games 58:57 Avoiding the Commercialization of Ecological Dynamics 01:10:23 Advice for Brand New White Belts 01:11:38 Where to Find Rob   Join the El-Bros Facebook and Discord Communities! https://www.facebook.com/groups/elbroscommunity/ https://discord.gg/sp2J8mPS   Get $25 off the JordanTeachesJiuJitsu Theory Course and Wrestling for BJJ with ELBOWSTIGHT25 at Checkout - https://courses.jordanteachesjiujitsu.com   LET'S EXCHANGE PATCHES! SEND A PATCH TO THE PO BOX, AND WE WILL SEND YOU A CUSTOM ELBOWS TIGHT PATCH BACK!   Travis Motl PO Box 768 Seabeck, WA 98380   The Equipment Behind Elbows Tight Podcast: https://kit.co/ElbowsTightPodcast   Follow Our Social Media Pages! Instagram Podcast Page  https://www.instagram.com/elbowstight/?hl=en   Facebook https://www.facebook.com/ElbowsTightPodcast

We sit down with Eitan Shapiro AKA @sportscardcartel and manager at Toronto card shop Mintink to discuss his hobby history, the early days of eBay, his experience setting up at card shows, the meaning behind his Sports Card Cartel brand, how the success and expansion of Mintink runs counter to hobby narrative, whether people's expectations of the hobby and products within are unreasonable, the importance of education, why collecting cards with pictures of athletes is not childish and more so join us live and bring your questions and comments as they will be in play.

In episode 91 of the David Grey Rehab Podcast David chats with Steven Sahyoun. Steven, a Strength & Conditioning Coach based in Australia, helps Combat Athletes & Hobbyists to build strong, robust bodies to tackle the demands of their sport.David initially met Steven at one of his workshops in Sydney earlier this year. Listen in as the guys chat about everything from mobility to money. This is a good one! Connect with Steven Sahyoun: 

Dante Leon is a Brazilian Jiu Jitsu black belt, and NoGi competitor from Canada. SHOW SPONSORS:  Please support this podcast by checking out our sponsors: 

Zach with Josh's Frogs joins Josh to talk about what it's like to run a large reptile and amphibian breeding operation. Hear how Zach went from keeping a few reptiles as a kid to running an operation employing dozens of people. They discuss questions such as: How many animals does Josh's Frogs breed every year? Is Josh's Frogs like a puppy mill? What are the breeding teams at Josh's Frogs currently working on? How do we determine what species to work with? Why are we focused on captive-bred animals? What is the Josh's Frogs Conservation Program? Check out the many animals we breed! Shout out to Natural Tanks

The Multi-Passionate Mastery podcast is BACK for season 4!

In this episode of Good Niche/Bad Niche? Ben and Jon talk about dropshipping remote control related products to people who are passionate about remote-controlled vehicles. As always, Good Niche/Bad Niche is a valuable insight into how to find the right customers and products to sell for a high ticket dropshipping business if you are thinking about getting started. Links Mentioned ⁠⁠⁠⁠DropshipBreakthru.com/5⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Wondering what products you'll sell? Take our 5 day challenge and find the market you're going to serve ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DropshipBreakthru.com/join⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  — Join the course and start your journey today! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DropshipBreakthru.com/Call⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Thinking about joining the course? Book a no obligation call with Jon and he'll walk you through it! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DropshipBreakthru.com/message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Want your question answered on the show?  Leave us a voicemail for your chance to be featured ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join Our FREE Facebook Group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow DropshipBreakthru on Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to the Dropship Breakthru ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sponsors ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DropshipBreakthru.com/Clearsale⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  — Add this app to your business and never worry about fraud  chargebacks again. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DropshipBreakthru.com/Shopify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — The only Ecommerce platform we recommend. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DropshipBreakthru.com/Grasshopper⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Get an 800 number for your business from Grasshopper ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DropshipBreakthru.com/Rewind⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Automatically back up your Shopify store data ⁠⁠DropshipBreakthru.com/PrimedMind⁠⁠⁠⁠ — Get coached by the #1 Mindset Coach in the world, Elliot Roe --- Send in a voice message: https://podcasters.spotify.com/pod/show/dropship-podcast/message

Wil Anderson knows you think your mates are funnier than him, but that doesn't bother him. After more than two decades dominating the Australian comedy scene, Wil's learned that his job isn't just to be funny: his job is to be funny when the red light comes on.  Wil recognises that life is hard more often than it's easy, and nobody performs at their best when things are truly tough. However, what separates the professionals from the hobbyists, he says, is the ability to perform even (and especially) when the conditions aren't perfect.  And since internalising this lesson, Wil's come full circle on his approach to ‘bad days.' Now, he relishes difficult times, because they're an opportunity for him to strengthen his resolve and practice his professionalism. Connect with Wil on Instagram or listen to his podcasts here You can find the full interview here: Wil Anderson's on-the-fly creative process *** My new book Time Wise is out now. You can grab a copy here.   Connect with me on the socials: Linkedin Twitter Instagram    If you're looking for more tips to improve the way you work, I write a fortnightly newsletter that contains three cool things I have discovered that help me work better, which range from interesting research findings through to gadgets I am loving. You can sign up for that at http://howiwork.co Visit https://www.amantha.com/podcast for full show notes from all episodes. Get in touch at amantha@inventium.com.au   CREDITS Produced by Inventium Host: Amantha Imber Sound Engineer: Martin ImberSee omnystudio.com/listener for privacy information.

From Vintage to Ultra Modern, from generational GOATs to today's hottest hobby stars, it was once again a massive year for PSA on-site grading at the National Sports Collectors Convention. Hobbyists save some of the biggest cards imaginable to grade on-site with PSA each July at the industry's biggest show of the year. In this installment of Hit Draft, the guys not only recap some favorites that passed through the PSA grading operation this year in Chicago, but then curate their dream collections from a pool of cards that is as premium as they come.

In this episode of the Beginner Photography Podcast, I chat with commercial, fashion, and personal branding photographer Dauss Miller. We delve into the creative use of light and motion in photography. Dauss shares his insights and experiences, offering valuable lessons for photographers of all levels. You'll discover the power of understanding artificial light, starting with reflectors and experimenting with different lighting sources outdoors. Dauss also emphasizes the importance of capturing the essence of a subject and their story, unlocking their true impact through photography. So, grab your camera and join us on this enlightening journey as we explore the art of photography and unleash our creativity. Get ready to learn, be inspired, and take your photography to new levels!The Big Idea with Timestamps:00:08:04 Photography challenges; instinctual understanding of light.00:11:11 Lost job due to identity theft; found purpose in photography and self-employment.00:24:40 Creatives create from within, without distractions.00:28:39 Understanding the creative process and technical capability.00:35:42 Understanding clients, their purpose, and creating visual impact.00:49:46 Finding balance: capturing self while being creative.00:51:59 Understanding artificial light: start with a reflector.00:00:30 Photography interview with Dos Miller, discussing creativity, light, and communication.00:08:04 Photography came naturally; instinctual understanding of light.00:11:11 Lost job due to identity theft; found purpose in photography and self-employment.00:18:24 Recently moved to Austin, discovered personal development.00:24:40 Creatives create from within, without distractions.00:28:39 Understanding the creative process and technical capability.00:35:42 Understanding clients, their purpose, and creating visual impact.00:39:14 Supportive coaching for high-level women in business00:49:46 Finding balance: capturing self while being creative.00:51:59 Understanding artificial light: start with a reflector.00:57:47 Dos said you need less input than you think; tailoring for clients can make you more creative; positive feedback is important. Links and Resources:Photographer Dauss Miller's WebsiteFollow Dauss on InstagramSign up for the All new Private Beginner Photography Podcast Community!https://beginnerphotopod.com/group Connect with the Beginner Photography Podcast! Email me at BeginnerPhotographyPodcast@gmail.com Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

On this episode of Americanreef, we discuss one way to help avoid scratching your aquarium glass with your algae cleaning products. We also take a look at the new Tunze Premium Care Booster. Please send any comments to Americanreef@me.com

In this episode of "Brown and Black," hosts Jack Rico and Mike Sargent discuss the need to challenge the stigma surrounding multi-hyphenates and the superficial nature of the question, "What do you do?" They emphasize the importance of recognizing one's own values and personal branding, highlighting passions and values instead of specific skills. By reframing the conversation, multi-hyphenates of color could overcome societal norms and forge deeper connections with others, leading to a more inclusive and understanding society. Episode Summary: Societal Perceptions and Multi-Hyphenates: Explore why multi-hyphenates, especially those of color, face judgment and often have their social standing diminished. The Gig Economy & Perception of Multi-Hyphenates: Dive into how the rise of side hustles and the gig economy have contributed to a perception of multi-hyphenates as amateurs or solely motivated by financial gain. Artists vs. Multi-Hyphenates: Learn why artists are more readily accepted as multi-hyphenates, whereas other professions may limit exploration and growth outside of specialized fields. Hobbyists vs. Professionals: Understand why multi-hyphenates are often labelled as hobbyists, which can imply a lack of professionalism or commitment. Reconsidering The Question - "What Do You Do?": Consider a fresh perspective on this classic question, and why the response should focus on values and passions to foster deeper connections. The Brown & Black podcast, a 2023 Webby Nominee in the Best DE&I Episode Category, offers insightful examinations of race and pop culture. Hosted by two distinguished film and culture critics - one Latino and one Black - the podcast reimagines the narrative surrounding pop culture news and opinions in America. Jack Rico and Mike Sargent feature interviews with Latino and Black filmmakers, actors, musicians, and artists, unpacking the complex relationship between entertainment and race. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jasmine Rocha is a Jiu Jitsu black belt under her father Vagner Rocha and Vagner Rocha Martial Arts. She competes in both IBJJF and ADCC rule sets. On August 10th, Jasmine takes the stage for the Co-Main Event at Who's Number One where she will attempt to secure the 125 lb Championship. SHOW SPONSORS:  Please support this podcast by checking out our sponsors: 

In our previous episode, we looked at the history of flight - from dinosaurs to the modern aircraft that carry people and things all over the world. Those helped to make the world smaller, but UAVs and drones have had a very different impact in how we lead our lives - and will have an even more substantial impact in the future. That might not have seemed so likely in the 1700s, though - when unmann Unmanned Aircraft Napoleon conquered Venice in 1797 and then ceded control to the Austrians the same year. He then took it as part of a treaty in 1805 and established the first Kingdom of Italy. Then lost it in 1814. And so they revolted in 1848. One of the ways the Austrians crushed the revolt, in part employing balloons, which had been invented in 1783, that were packed with explosives. 200 balloons packed with bombs later, one found a target. Not a huge surprise that such techniques didn't get used again for some time. The Japanese tried a similar tactic to bomb the US in World War II - then there were random balloons in the 2020s, just for funsies. A few other inventions needed to find one another in order to evolve into something entirely new. Radio was invented in the 1890s. Nikola Tesla built a radio controlled boat in 1898. Airplanes came along in 1903. Then came airships moved by radio. So it was just a matter of time before the cost of radio equipment came down enough to match the cost of building smaller airplanes that could be controlled with remote controls as well.  The first documented occurrence of that was in 1907 when Percy Sperry filed a patent for a kite fashioned to look and operate like a plane, but glide in the wind. The kite string was the first remote control. Then electrical signals went through those strings and eventually the wire turned into radio - the same progress we see with most manual machinery that needs to be mobile. Technology moves upmarket, so Sperry Corporation the aircraft with autopilot features in 1912. At this point, that was just a gyroscopic heading indicator and attitude indicator that had been connected to hydraulically operated elevators and rudders but over time would be able to react to all types of environmental changes to save pilots from having to constantly manually react while flying. That helped to pave the way for longer and safer flights, as automation often does. Then came World War I. Tesla discussed aerial combat using unmanned aircraft in 1915 and Charles Kettering (who developed the electric cash register and the electric car starter) gave us The Kettering Bug, a flying, remote controlled torpedo of sorts. Elmer Sperry worked on a similar device. British war engineers like Archibald Low were also working on attempts but the technology didn't evolve fast enough and by the end of the war there wasn't much interest in military funding. But a couple of decades can do a lot. Both for miniaturization and maturity of technology. 1936 saw the development of the first navy UAV aircraft by the name of Queen Bee by Admiral William H. Stanley then the QF2. They was primarily used for aerial target practice as a low-cost radio-controlled drone. The idea was an instant hit and later on, the military called for the development of similar systems, many of which came from Hollywood of all places. Reginald Denny was a British gunner in World War I. They shot things from airplanes. After the war he moved to Hollywood to be an actor. By the 1930s he got interested in model airplanes that could fly and joined up with Paul Whittier to open a chain of hobby shops. He designed a few planes and eventually grew them to be sold to the US military as targets. The Radioplane as they would be known even got joysticks and they sold tens of thousands during World War II.  War wasn't the only use for UAVs. Others were experimenting and by 1936 we got the first radio controlled model airplane competition in 1936, a movement that continued to grow and evolve into the 1970s. We got the Academy of Model Aeronautics (or AMA) in 1936, who launched a magazine called Model Aviation and continues to publish, provide insurance, and act as the UAV, RC airplane, and drone community representative to the FAA. Their membership still runs close to 200,000. Most of these model planes were managed from the ground using radio remote controls.  The Federal Communications Commission, or FCC, was established in 1934 to manage the airwaves. They stepped in to manage what frequencies could be used for different use cases in the US, including radio controlled planes. Where there is activity, there are stars. The Big Guff, built by brothers Walt and Bill Guff, was the first truly successful RC airplane in that hobbiest market. Over the next decades solid state electronics got smaller, cheaper, and more practical. As did the way we could transmit bits over those wireless links.  1947 saw the first radar-guided missile, the subsonic Firebird, which over time evolved into a number of programs. Electro-mechanical computers had been used to calculate trajectories for ordinances during World War II so with knowledge of infrared, we got infrared homing then television cameras mounted into missiles and when combined with the proximity fuse, which came with small pressure, magnetic, acoustic, radio, then optical transmitters. We got much better at blowing things up.  Part of that was studying the German V-2 rocket programs. They used an analog computer to control the direction and altitude of missiles. The US Polaris and Minuteman missile programs added transistors then microchips to missiles to control the guidance systems. Rockets had computers and so they showed up in airplanes to aid humans in guiding those, often replacing Sperry's original gyroscopic automations. The Apollo Guidance Computer from the 1969 moon landing was an early example of times when humans even put their lives in the hands of computers - with manual override capabilities of course. Then as the price of chips fell in the 1980s we started to see them in model airplanes. Modern Drones By now, radio controlled aircraft had been used for target practice, to deliver payloads and blow things up, and even for spying. Aircraft without humans to weight them down could run on electric motors rather than combustable engines. Thus they were quieter. This technology allowed the UAVs to fly undetected thus laying the very foundation for the modern depiction of drones used by the military for covert operations.  As the costs fell and carrying capacity increased, we saw them used in filmmaking, surveying, weather monitoring, and anywhere else a hobbyist could use their hobby in their career. But the cameras weren't that great yet. Then Fairchild developed the charge-coupled device, or CCD, in 1969. The first digital camera arguably came out of Eastman Kodak in 1975 when Steven Sasson built a prototype using a mixture of batteries, movie camera lenses, Fairchild CCD sensors, and Motorola parts. Sony came out with the Magnetic Video Camera in 1981 and Canon put the RC701 on the market in 1986. Fuji, Dycam, even the Apple QuickTake, came out in the next few years. Cameras were getting better resolution, and as we turned the page into the 1990s, those cameras got smaller and used CompactFlash to store images and video files. The first aerial photograph is attributed to Gaspar Tournachon, but the militaries of the world used UAVs that were B-17 and Grumman Hellcats from World War II that had been converted to drones full of sensors to study nuclear radiation clouds when testing weapons. Those evolved into Reconnaisance drones like the Aerojet SD-2, with mounted analog cameras in the 50s and 60s. During that time we saw the Ryan Firebees and DC-130As run thousands of flights snapping photos to aid intelligence gathering. Every country was in on it. The USSR, Iran, North Korea, Britain. And the DARPA-instigated Amber and then Predator drones might be considered the modern precursor to drones we play with today. Again, we see the larger military uses come down market once secrecy and cost meet a cool factor down-market. DARPA spent $40 million on the Amber program. Manufacturers of consumer drones have certainly made far more than that.  Hobbyists started to develop Do It Yourself (DIY) drone kits in the early 2000s. Now that there were websites, we didn't have to wait for magazines to show up, we could take to the World Wide Web forums and trade ideas for how to do what the US CIA had done when they conducted the first armed drone strike in 2001 - just maybe without the weapon systems since this was in the back yard.  Lithium-ion batteries were getting cheaper and lighter. As were much faster chips. Robotics had come a long way as well, and moving small parts of model aircraft was much simpler than avoiding all the chairs in a room at Stanford. Hobbyists turned into companies that built and sold drones of all sizes, some of which got in the way of commercial aircraft. So the FAA started issuing drone permits in 2006.  Every technology had a point, where the confluence of all these technologies meets into a truly commercially viable product. We had Wi-Fi, RF (or radio frequency), iPhones, mobile apps, tiny digital cameras in our phones, and even in spy teddy bears, we understood flight, propellers, plastics were heavier-than-air, but lighter than metal. So in 2010 we got the Parrot AR Drone. This was the first drone that was sold to the masses that was just plug and play. And an explosion of drone makers followed, with consumer products ranging from around $20 to hundreds now. Drone races, drone aerogymnastics, drone footage on our Apple and Google TV screens, and with TinyML projects for every possible machine learning need we can imagine, UAVs that stabilize cameras, can find objects based on information we program into it, and any other use we can imagine.  The concept of drones or unmanned aerial vehicles (UAV) has come a long way since the Austrians tried to bomb the Venetians into submission. Today  there are mini drones, foldable drones, massive drones that can carry packages, racing drones, and even military drones programmed to kill. In fact, right now there are debates raging in the UN around whether to allow drones to autonomously kill. Because Skynet.  We're also experimenting with passenger drone technology. Because autonomous driving is another convergence just waiting in the wings. Imagine going to the top of a building and getting in a small pod then flying a few buildings over - or to the next city. Maybe in our lifetimes, but not as soon as some of the companies who have gone public to do just this thought. 

On February 4, 2023, an F-22 fighter jet committed the first air to air kill in the weapons history. It was an alleged Chinese spy balloon near Myrtle Beach. In the days that followed the F-22 would score another kill, this time against a mysterious floating object above the Yukon.But this second object hadn't come from China. Hobbyists, in fact, think it might be one of their balloons. Across the world there is a small but dedicated group of people who love launching tiny balloons into the sky.It's been a weird month for the community. What with the fighter jets patrolling the sky and constant reports of UFOs. On this week's Cyber, Motherboard reporter Becky Ferreria stops by to talk about the amateur balloonists who lived through the great balloon panic of 2023.Stories discussed in this episode:'Unfortunate and Amusing': Balloon Enthusiasts Undeterred by U.S. Air Force ShootdownsWe're recording CYBER live on Twitch and YouTube. Watch live during the week. Follow us there to get alerts when we go live. We take questions from the audience and yours might just end up on the show.Subscribe to CYBER on Apple Podcasts or wherever you listen to your podcasts. Hosted on Acast. See acast.com/privacy for more information.

On this weeks episode, Jon tells about his run in at the Y and his experience at the anniversary of Bethlehem Baptist Church in Peachtree City. It is the oldest African American church in the city and is so full of history. Next the guys talk about our US military shooting down….. hobby balloons? It's finally time for the first Movie of the Month review! My Cousin Vinny gets reviewed and the movie for next month is revealed! A bit of an off-the-wall choice for This Week in History involving a baby being held for ransom. And of course The Meme of the Week! Check out the show on Facebook or you can email the guys at chuckandjon@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

-J.D. Vance made his banking committee debut by saying that crypto, fake internet money, could be as useful as the internet itself, and that the internet, which was created by government research, could have been killed by government regulation. An industry trade group witness nodded and called him a good boy. -Hobbyists might have standing to sue the U.S. government for taking out their balloons. The Two Sams consider buying a balloon of their own. -File Follies: Our previous request for Pete Buttigieg's first month schedule revealed that he met with freight rail lobbyists, the CEO of one freight rail company, BNSF, and was briefed on rail labor. In light of the East Palestine, OH disaster, we seek records related to those meetings, and records related to the agency's angry Twitter reply to David Sirota -Norfolk Southern, Elon Musk, the Wall Street Journal, the New York Times, Eli L*ke, and Packers Sanitation Services are all nominated for the Garbage Can Music by Adam Fligsten www.adamfligsten.com To listen to future episodes, subscribe at Patreon.com/DistrictSentinel

Jules, Rachel, and Stephanie chat about art pricing and how the old ways are no longer serving today's artists. If you have a question you'd like us to discuss feel free to  email us at hello@artistssoar.com Artist Spotlight Remington Robinson - he does these amazing miniature paintings in Altoid Tins! http://www.remingtonrobinson.com/ Key Talking Points The book artpricingcalculator.com to get on the waitlist to get the Art Pricing Secrets: Ethically Price Your Artwork. The Formula That Works. There are two types of artists: a hobbyist and a professional.  A hobbyist mentality is different from a professional one.  Hobbyists want to get paid for the piece, the professional wants a profit to live off of.  Art is a skill set that is worked at and should be compensated.  Show the process to get your collectors involved so they know the value the artist puts into the piece. Stephanie talks about how the square-inch model is failing today's artists.  50% of your work is just creating your artwork, if you don't do the remaining 50% of work to do the promotion. We'd love to hear from you, what have you learned about pricing your artwork where do you stand on pricing your artwork, email us at hello@artistssoar.com  Rise with us! On Artists Soar! For More Information and Fabulous Resources: For the Art Business Checklist go to: https://www.stephanieweaverartist.com/art-business-checklist Art Pricing Calculator - the calculator is available to Art Business Program Members.  The book will be released in June at the latest.  You can pre-order yours now at artpricingcalculator.com Our Websites and Shops Are you an avid reader?  Then sign up for Rachel's newsletter here: https://bubblybibbly.com/ Love illustrations and bright colors?  Then sign up for Jule's newsletter here: https://www.juliemstudios.com/ Want to learn how to paint, or be part of a growing and active community? Or just love painting? Then sign up for Stephanie's newsletter here: https://www.stephanieweaverartist.com/artist-newsletter Got a Listener Question?  Email us at: hello@artistssoar.com

Most of us have been guilty of it one time or another, it's easy to do but most of the time it doesn't have a positive connotation. I am trying & will be doing it less. Also: *New Product Release Schedule *Hobby News Follow us on Social Media: Website:https://www.sportscardnationpo... https://linktr.ee/Sportscardna... E-Mail us at:hobbyquickhits@gmail.com