Podcasts about Charles Foster Kane

Antony continues a scene-by-scene analysis of Orson Welles' Citizen Kane. As we enter the second half of the film, things are still going reasonably well with Charles Foster Kane, but the slow descent into despair and emptiness will soon begin with the famous ‘breakfast table montage'.As you listen to this and/or watch the film, it's worthasking a fundamental question about acceptance of reality and whether public acclaim is merely a poor substitute for something fundamental to a happy life. The final part of this series will be out at the end of the month We hope you enjoy the show! 'Film Gold' is on all the main podcast platforms.  Feedback to contrafib2001@gmail.com  Facebook⁠⁠https://www.facebook.com/filmgoldpod⁠⁠ Twitter⁠⁠https://twitter.com/FilmGold75⁠⁠ Antony's website (blog, music, podcasts) ⁠⁠https://www.antonyrotunno.com⁠⁠ Antony's John Lennon/Beatles and Psychology/Alt.Mediapodcasts ⁠⁠https://glassoniononjohnlennon.comhttps://lifeandlifeonly.podbean.com/ Support Antony's podcast work (Film Gold, Glass Onion: OnJohn Lennon and Life And Life Only) at⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.com/paypalme/antonyrotunno⁠⁠⁠⁠⁠⁠OR⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/antonyrotunno⁠⁠⁠⁠⁠⁠ episode linksCitizen Kane film pages⁠⁠https://www.imdb.com/title/tt0033467/?ref_=fn_all_ttl_1⁠⁠⁠⁠https://en.wikipedia.org/wiki/Citizen_Kane⁠⁠ Original trailer for the film⁠⁠https://www.youtube.com/watch?v=8dxh3lwdOFw⁠⁠ The life of Charles Foster Kane⁠https://en.wikipedia.org/wiki/Charles_Foster_Kane⁠ The Citizen Kane files (Wellesnet archive)⁠⁠https://www.wellesnet.com/citizen-kane-resources/⁠ The breakfast table montagehttps://www.youtube.com/watch?v=Rfl2M8B9WA8 Do we create our own reality?https://www.psychologytoday.com/us/blog/intimacy-path-toward-spirituality/201412/do-we-create-our-own-reality How to accept yourselfhttps://psychcentral.com/lib/ways-to-accept-yourself Are the rich more lonely?https://greatergood.berkeley.edu/article/item/are_the_rich_more_lonely

Our continuing journey into the world of Orson Welles's Citizen Kane finds Antony beginning a scene-by-scene analysis, starting with the film's Gothic horror opening,possibly the best-known final word of a character in any film, and then the sudden and jarring segue into the newsreel obituary of the world-famous Charles Foster Kane. We try to make sense of the sometimes absurdly non-linear structure of the film while admiring the remarkable artistry contained in every scene. The young Kane isbrash, charismatic and successful in his professional and personal life, but his downfall will soon begin… Part 4 will be out next month We hope you enjoy the show! 'Film Gold' is on all the main podcast platforms.  Feedback tocontrafib2001@gmail.com  Facebook⁠⁠https://www.facebook.com/filmgoldpod⁠⁠ Twitter⁠⁠https://twitter.com/FilmGold75⁠⁠ Antony's website (blog, music, podcasts) ⁠⁠https://www.antonyrotunno.com⁠⁠Antony's John Lennon/Beatles and Psychology/Alt.Media podcasts ⁠⁠https://glassoniononjohnlennon.comhttps://lifeandlifeonly.podbean.com/ Support Antony's podcast work (Film Gold, Glass Onion:On John Lennon and Life And Life Only) at⁠⁠⁠⁠⁠https://www.paypal.com/paypalme/antonyrotunno⁠⁠⁠⁠⁠OR⁠⁠⁠⁠⁠https://www.buymeacoffee.com/antonyrotunno⁠⁠⁠⁠⁠ episode linksCitizen Kane film pages⁠https://www.imdb.com/title/tt0033467/?ref_=fn_all_ttl_1⁠⁠https://en.wikipedia.org/wiki/Citizen_Kane⁠ Original trailer for the film⁠https://www.youtube.com/watch?v=8dxh3lwdOFw⁠ The life of Charles Foster Kanehttps://en.wikipedia.org/wiki/Charles_Foster_Kane The Citizen Kane files (Wellesnet archive)⁠https://www.wellesnet.com/citizen-kane-resources/⁠ The electric opening to the filmhttps://www.youtube.com/watch?v=BFSjHBVx-xk News On The March!https://www.youtube.com/watch?v=rZ6QnaEQ7sY The projection roomhttps://www.youtube.com/watch?v=iZjkzM8N_oQ The full first half of the filmhttps://www.youtube.com/watch?v=74ol6mKC3aY The Union Forever- The White Stripes vs Citizen Kanehttps://www.youtube.com/watch?v=0X6PoXzpyz0 Renee Zellweger as Judy Garlandhttps://www.youtube.com/watch?v=B_dizVjNTbg

Opera rivoluzionaria e ancora moderna "Quarto potere" (Citizen Kane) di Orson Wells racconta la vita del magnate della stampa Charles Foster Kane.Un film costruito a flashback che cerca di ricostruire la storia di un uomo potente che muore abbandonato da tutti nella sua gigantesca residenza di Xanadu.Ne parliamo con Massimiliano Bolcioni.

Description Returning guest John Darowski joins Joe to discuss one of the most iconic films ever made, Citizen Kane. We discuss Orson Welles’ career, the quality of the film itself, and the impact its had on the movie industry. Support … Continue reading →

Henk had de film zelf nog nooit gezien en kwam daarom met misschien wel één van de beste films aller tijden op de proppen voor onze klassieker van de maand: Citizen Kane. De film van, met en door Orson Welles wordt gezien als een cinematografisch hoogstandje, maar maakt de film ruim tachtig jaar later nog steeds evenveel indruk? Samen met onze special guest Amanda duiken we in de wereld van krantenmagnaat Charles Foster Kane die de wereld na zijn dood achterliet met het woord “Rosebud” Check de gehele review met daarin het antwoord via de welbekende podcast-kanalen of bekijk ‘m met beeld via youtube.com/filmerds. #podcast #vodcast #filmerds #arnhem #citizenkane #orsonwelles #classic #klassieker #1941

Actors win awards and gain our admiration when they convince us that they have “become” someone else–it's what we mean when we say that so-and-so “inhabits” a role. But that's not the only benchmark: a good actor is also someone whose statements are interesting to hear and whose voice engages the listener, whether or not we “believe” that he's really Charles Foster Kane or Norman Bates. That's how Mike approaches James Woods in True Believer (1989). He and Dan also talk about the title and how it reflects an element of the film more interesting than the mystery at the heart of its plot. So grab that hair tie, fix that ponytail, and give it a listen! James Woods's character, Eddie Dodd, is based upon the lawyer Tony Serra; you might be interested in this recent biography of him. Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Actors win awards and gain our admiration when they convince us that they have “become” someone else–it's what we mean when we say that so-and-so “inhabits” a role. But that's not the only benchmark: a good actor is also someone whose statements are interesting to hear and whose voice engages the listener, whether or not we “believe” that he's really Charles Foster Kane or Norman Bates. That's how Mike approaches James Woods in True Believer (1989). He and Dan also talk about the title and how it reflects an element of the film more interesting than the mystery at the heart of its plot. So grab that hair tie, fix that ponytail, and give it a listen! James Woods's character, Eddie Dodd, is based upon the lawyer Tony Serra; you might be interested in this recent biography of him. Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Orson Welles's Citizen Kane (1941) is many people's favourite film of all time, including Donald Trump's. Why does Trump love it so? What does he get right and what does he get wrong about the trajectory of the life of Charles Foster Kane? What does the film reveal about the relationship between celebrity, influence and political power? And why is Rosebud not the real mystery at the heart of this story?Like Kane, want more stuff? To get PPF merch – either an ethically-sourced canvas tote bag or a bone china mug – just go to our website https://www.ppfideas.com/merchNext time: The Life and Death of Colonel Blimp Hosted on Acast. See acast.com/privacy for more information.

This week we kick off our special nine-week summer series, CLASSIC FILMS, CLASSIC CRUCIBLE LESSONS. We begin our examination of the lessons we can learn from movies on the American Film Institute's list of the top 100 U.S. films of all time by discussing CITZEN KANE – No. 1 on AFI's list. Unlike most of the conversations we have on the podcast (and unlike most we'll have on this series), our look at Charles Foster Kane, the title character of this classic, is not an examination of the trials he faced and how he triumphed over them – but how his inability and refusal to grow from the setbacks and failures of his life doomed him to allowing his worst days to define him. But that doesn't mean there isn't plenty we can learn from CITIZEN KANE. The movie is a masterclass in why character and serving others rather than selfishly thinking only of ourselves is the only way to lead a life of joy and fulfilment – what we call a life of significance. In exploring how Charles Foster Kane failed to leave behind a legacy to be proud of – we can discover how to do just that. To explore Beyond the Crucible resources, including our free Trials-to-Triumphs Self-Assessment, visit beyondthecrucible.com. Enjoy the show? Leave a review on your favorite podcast app and be sure to tell your friends and family about us. Have a question or comment? Drop us a line at info@beyondthecrucible.com

Estreou em 1941 um dos filmes que é considerado por muitos o melhor filme de todos os tempos: Cidadão Kane. Filme dirigido por Orson Welles e roteirizado por Welles e Herman J. Mankiewicz, o filme ganhou uma importância cinematográfica além do seu tempo de exibição e premiações. Foi o tempo que colocou Cidadão Kane em seu merecido lugar de destaque.O filme aborda a história de Charles Foster Kane, um magnata, dono de um conglomerado de mídia que influenciou, denunciou, propagandeou e politizou informações junto à população, impactando positiva e negativamente a vida de muita gente. Cidadão Kane desenvolve essa história que busca, através do olhar de terceiros, desvendar quem realmente foi Kane e por que, em seu leito de morte, ele disse "Rosebud".No episódio de hoje, Rafael Arinelli recebe Cecília Barroso (Cenas de Cinema), Alan Alves (colunista Cinem(ação)) e Wesley Castro (Wanna Be Nerd) para conversar sobre as inovações técnicas que o filme trouxe para o mundo do cinema e, sobretudo, sobre como a narrativa, que muitas vezes é pouco elogiada, consegue ser inventiva e moderna ao contar uma história complexa, de forma não linear e com o ponto de vista de tantos personagens.Então, sintonize seu rádio, ligue sua TV, aprume seu jornal, e venha ouvir um podcast detalhando o filme Cidadão Kane.• 03m56: Pauta Principal• 1h12m10: Plano Detalhe• 1h26m23: EncerramentoOuça nosso Podcast também no:• Feed: https://bit.ly/cinemacaofeed• Apple Podcast: https://bit.ly/itunes-cinemacao• Android: https://bit.ly/android-cinemacao• Deezer: https://bit.ly/deezer-cinemacao• Spotify: https://bit.ly/spotify-cinemacao• Amazon Music: https://bit.ly/amazoncinemacaoAgradecimentos aos patrões e padrinhos: • André Marinho• Anna Foltran• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Lima• Eloi Xavier• Gabriela Pastori• Guilherme S. Arinelli• Gustavo Reinecken• Katia Barga• Thiago Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• Twitter: https://bit.ly/twittercinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de apenas R$5,00, você terá acesso a vantagens incríveis. E o melhor de tudo: após 1 ano de contribuição, recebe um presente exclusivo como agradecimento! Não perca mais tempo, acesse agora a página de Contribuição, escolha o plano que mais se adequa ao seu estilo e torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Cecília): Série: Bodkin• (Alan): Filme: Todos Nós Desconhecidos• (Alan): Documentário: Kokomo City: A Noite Trans de Nova York• (Wesley): Música: The White Stripes: White Blood Cells• (Wesley): Filme: O Rapto• (Wesley): Série: The Leftovers• (Rafa): Filme: PedágioEdição: ISSOaí Design

Questa è la cinquecentesima puntata di “Che film guardo stasera?” e la celebriamo con un titolo che ha fatto la storia del cinema. In "Quarto potere", Orson Welles interpreta Charles Foster Kane, magnate dell'editoria, la cui storia viene raccontata alla sua morte nel tentativo di comprendere a fondo la sua incredibile vita.See omnystudio.com/listener for privacy information.

This week we're talking about maybe the most talked-about film of all time, Citizen Kane. It's hard to find things that haven't already been said about this movie, but boy do we try! What would a modern retelling of this movie be like, and why would it be a miniseries instead? What decade of film should we throw in the trash? And has anyone else noticed Charles Foster Kane is kinda similar to a certain political figure we have today? Also, why we hate car windows. (Recorded December 23rd, 2023.)

Known for the better part of its 82 years as the greatest movie ever made, can Citizen Kane still live up its reputation with today's generation?  Everything revolutionary about the film - its deep-focus cinematography, experimental editing, innovative sound design and non-linear storytelling - has all been imitated hundreds of times. So is this movie only great because it was ahead of its time, or does it still shine brightly in its own right?  And is the character of Charles Foster Kane just tied to the faded memory of legendary news mogul William Randolph Hearst, or is he newly relevant in the age of Citizens Murdoch and Trump? Join our panel of young film lovers as they bring fresh eyes to this classic. What will they rediscover in Citizen Kane, and what new revelations might they offer from their generation's perspective? Also in this episode, a look back on our first season: find out which of the 12 classics are our panelist's favorites and why. Hosts: Mark Netter & David Tausik  Panelists: Kylee LaRue, Grace Chapman & Guy Lewis An ElectraCast Production. Current AFI Greatest Films List: #1 One of the top 3 films ever made: Sight & Sound, DGA, BFI, BBC, NY Film Critics, & many others Why filmmakers rate Kane the G.O.A.T.: https://www.youtube.com/watch?v=fSk7MAKiWZw Wikipedia: https://en.wikipedia.org/wiki/Citizen_Kane IMDB: https://www.imdb.com/title/tt0033467/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Considered by many to be the greatest movie of all time, our next AFI top 100 pick is the highly-stylized classic from Orson Welles, sitting at the prized #1 position: Citizen Kane. Who is Charles Foster Kane? What is the meaning of his final word? Why is that woman screaming? How many cigarettes and cocktails can one civilization intake? Find out and enjoy Citizen Kane with us! Want to support the show? Come join us on Patreon and get early episodes and bonus content! --- Send in a voice message: https://podcasters.spotify.com/pod/show/cinemasnackbar/message

Embark on a cinematic journey through the extraordinary year of 1941 with hosts Brad Garoon and Jake Ziegler. First up is "Citizen Kane," a monumental achievement in filmmaking directed by Orson Welles. Jake assigns this groundbreaking masterpiece to Brad, who isn't thrilled to share that he'd never seen this all the way through. The fellas delve into the enigmatic life of Charles Foster Kane and the search for the meaning behind his last word, "Rosebud." Together, they discuss the film's intricate narrative structure, Welles' innovative techniques, and the and the film's enduring ability to engage. As they discuss the film's lasting impact and its place in cinematic history, the hosts shed some light on the fascinating backstory of its creation. Next, Brad introduces Jake to "Ball of Fire," a delightful screwball comedy directed by Howard Hawks. Set in the world of academia, the film follows a group of eccentric professors and their encounter with a vivacious nightclub singer. As Jake expresses his joy at the witty banter, romantic entanglements, and comedic situations, the hosts explore the film's timeless charm. Whether you're a fan of classic cinema or simply curious about the timeless works that have shaped the industry, this podcast promises an engaging exploration of forgotten and underappreciated films.

It's tangent city as Dan and Jack return with a new batch of WEElite episodes, starting with season 11's "Guess Who's Coming to Criticize Dinner?," the episode where Homer becomes a food critic. Which network slogan are WEE stealing? What were Charles Foster Kane's last words? Who's taunting the lions at the zoo? Which Bus Stop character loves Fletch? Who is Beastimus John and what is his serial number? All that plus a plot mirage, Flakira, no concept of E, IMIN, Pre-Renaissance Joey, an American Alfred, Jerkass Rising, and another WEE episode where a new Bus Stop character emerges at the very end when everyone's already stopped listening. Visit us at: www.weepodcast.com Buy Our Junk at: https://www.teepublic.com/stores/the-official-wee-studios-store Discuss at: www.reddit.com/r/worstepisodeever Support us at: https://www.patreon.com/weestudios Sign up for the newsletter at: newsletter.weepodcast.com             4 Likes

~~PRESALE FOR TWOAPW T-SHIRTS AVAILABLE UNTIL MAY 22ND HERE~~ THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall The lads head on down to Xanadu and throw themselves into the fire of the largest fireplace imaginable as they cover what is widely considered to be one of the greatest films ever made: Citizen Kane. Topics include the magnetism of Orson Welles, the revolutionary cinematography, and the enduring historical archetype of Charles Foster Kane. Want more TWOAPW? Get access to the rest of this episode, our full back catalogue of premium and bonus episodes, and add your name to the masthead of our website by subscribing for $5/month at Patreon.com/worstofall! Media Referenced in this Episode: Citizen Kane: Available on Apple TV AT&T Operators Recall War of the Worlds Broadcast Orson Welles Shakespeare Collection The Battle Over Citizen Kane The Citizen Kane of Fan-Fiction TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Featuring David Armstrong as “Orson Welles”.

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 1️⃣✖0️⃣1️⃣ | CIUDADANO KANE Dirigida y protagonizada por Orson Welles nos narró la biografía ficticia del magnate Charles Foster Kane tras declarar la palabra "Rosebud" antes de fallecer. Junto a Joseph Cotten, Everett Sloane, Ray Collins y Dorothy Comingore, entre otr@s, en el reparto. Música de Bernard Herrmann y un, como poco, controvertido guion de Herman Mankiewicz, un jovencísimo Orson Welles filmó una de las películas mas influyentes de la historia del cine. ¿Sabías que fue una película que pudo no haberse estrenado nunca por motivos ajenos a la cinematografía?. ¿Y que fue una revolución sonora en la industria del cine?. ¿Sabes porqué todo el mundo alaba su fotografía?. ¿Hablamos de la mejor película de la historia? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a Ciudadano Kane. SECCIONES ▪️ Contexto ▪️ Problemas de estreno ▪️ El uso innovador del sonido ▪️ ¿Porqué luce tan increíble? ▪️ ¿Es la mejor película de la historia? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/1x01-podcastwood-ciudadano-kane/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans ▪️ Enlaces privados para asistir a las grabaciones de los programas para fans ▪️ Críticas semanales de los estrenos de la semana en salas y/o servicios de streaming Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY: https://open.spotify.com/playlist/2FYBsPmqMxvs9gtgrUtQ62 ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2023

Melvyn Bragg and guests discuss Orson Welles' film, released in 1941, which is widely acclaimed as one of the greatest, if not the greatest, films yet made. Welles plays the lead role of Charles Foster Kane, a newspaper magnate, and Welles directed, produced and co-wrote this story of loneliness at the heart of a megalomaniac. The plot was partly inspired by the life of William Randolph Hearst, who then used the power of his own newspapers to try to suppress the film's release. It was to take some years before Citizen Kane reached a fuller audience and, from that point, become so celebrated. The image above is of Kane addressing a public meeting while running for Governor. With Stella Bruzzi Professor of Film and Dean of Arts and Humanities at University College London Ian Christie Professor of Film and Media History at Birkbeck, University of London And John David Rhodes Professor of Film Studies and Visual Culture at the University of Cambridge Producer: Simon Tillotson

Melvyn Bragg and guests discuss Orson Welles' film, released in 1941, which is widely acclaimed as one of the greatest, if not the greatest, films yet made. Welles plays the lead role of Charles Foster Kane, a newspaper magnate, and Welles directed, produced and co-wrote this story of loneliness at the heart of a megalomaniac. The plot was partly inspired by the life of William Randolph Hearst, who then used the power of his own newspapers to try to suppress the film's release. It was to take some years before Citizen Kane reached a fuller audience and, from that point, become so celebrated. The image above is of Kane addressing a public meeting while running for Governor. With Stella Bruzzi Professor of Film and Dean of Arts and Humanities at University College London Ian Christie Professor of Film and Media History at Birkbeck, University of London And John David Rhodes Professor of Film Studies and Visual Culture at the University of Cambridge Producer: Simon Tillotson

...and a Happy New Year! Late to the Movies kicks off 2023 with a new theme for the new month - we'll be picking a few films from the Top 10 of the latest decennial Sight and Sound Critics' Poll! Up first is the longest reigning #1 in the poll's history, down to #3 this time: 1941's "Citizen Kane"! Ben, Anthony, and Kay are on hand to discuss the life and times of Charles Foster Kane, Orson Welles, and the (unfortunately) evergreen relevance of this revolutionary movie. MANK FEVER IS BACK! Directed by and starring Orson Welles, who co-wrote the screenplay with Herman J. Mankiewicz. Featuring Joseph Cotten and Dorothy Comingore. LINKS: Sight and Sound Poll 2022: https://bit.ly/3Z7Rz8v Ben's running list of favorite 2022 movies: https://bit.ly/3WFWc8a

For decades critics said Orson Welles's Citizen Kane was the greatest film ever made. Unfortunately, that intimidating label sometimes keeps people from sitting down and watching the thing. It needn't be so. Kane is eminently watchable and entertaining. It also definitely isn't the greatest film of all time, but it's one of the most technically impressive, especially considering it was directed, produced, co-written and starred in by a 25-year-old who'd never made a movie before. The titular Charles Foster Kane is a character very recognizable to Americans, the larger-than-life business mogul-turned-celebrity who dabbles in politics. Many details of Kane's private life are known to the general public, but the film tells us that there's more to a person than what's said in the newspapers – perhaps especially when that person was himself a newspaperman who took pride in controlling public perception. Kane's complicated, puzzle-like story structure suggests that fully boring down into the mystery of a man's life may be impossible, but also makes us feel that the effort to get beneath the façade is worthwhile. Citizen Kane was included on the Vatican's 1995 list of important films under the category of Art.

Bob has 10 small sports questions for Matt and one BIG one about to consume the World Cup from a societal/morality standpoint. Matt also goes off on the Grey Cup and Bob has the greatest analogy comparing Bill Belichick to Charles Foster Kane,

Sam “speaking”. It's a strange sensation, this... being on-schedule. An abiding struggle has become... LIKE a job. I don't need no tirades about a fortnightly podcast holding no candle to Alaskan crab-fishing or hostage negotiation, alright? I'm talking about a consistent routine, not exertion, OKAY?! Though you try filling silence for three hours with no water. And yes, that's my choice, but why should things be EASY?!

This week on the OETA Movie Club Podcast we discuss "Citizen Kane". Citizen Kane is a 1941 American drama film produced by, directed by, and starring Orson Welles. He also co-wrote the screenplay with Herman J. Mankiewicz. The picture was Welles' first feature film. Citizen Kane is frequently cited as the greatest film ever made. The film is about a reporter that is assigned to decipher newspaper magnate Charles Foster Kane's (Orson Welles) dying words, and his investigation gradually reveals the fascinating portrait of a complex man who rose from obscurity to staggering heights.Listen now wherever you get your podcasts and tune in to "Citizen Kane" on Saturday, October 8, 2022 at 9 pm on  OETA.

En su lecho de muerte Kane acaricia una bola de cristal con un paisaje nevado en su interior, Rosebud, sus últimas palabras. Serán el pretexto del niño pródigio de Hollywood para contarnos la vida del potentado que él mismo interpreta. El debut de Welles , tan caótico como genio, apela a temas universales, el amor, el fracaso, la ambición, el poder, la decadencia, la soledad. El paso del tiempo cubre de polvo y desmemoria la vida más intensa, hasta la del magnate de la prensa Charles Foster Kane, trasunto del real William Randolph Hearst. El Hearst real intentó por todos los medios comprar los derechos del film para destruirlo y que no fuera distribuido en las salas. Kane no es un hombre hecho a sí mismo como el triunfador prototipo del sueño americano. Rico y caprichoso, lo tendrá todo en la vida menos el verdadero afecto, ni el de sus dos mujeres, ni el de un amigo al que humillará, ni el de su madre, perdido en una casa en la nieve. El joven Kane invierte su patrimonio en comprar un periódico, así inicia su imperio. Un joven con don de gentes, seguro de sí mismo y con la espaldas bien cubiertas, desde aquel día en que el banquero Thatcher le arrancó de los brazos de su madre y se convirtió en su guardián legal. Años después mantendrá el equilibrio a duras penas en los terrenos movedizos de la política hasta que tropiece en el portal de una corista rubia con dolor de muelas. A medida que Kane envejece todo su universo se desmorona, como el puzzle que Sarah intenta formar en la gigantesca mansión de Xanadú, el eco de dos voces en soledad choca contra los espejos del castillo. Además del estupendo guion escrito por Herman Mankiewickz y la partitura de Bernard Herrmann. Welles gozó de la libertad creativa que la RKO no le dio en su primer proyecto inacabado, inspirado en “El corazón de las tinieblas” de Joseph Conrad. La factura innovadora y el talento en cada encuadre, en cada transición, el uso de la iluminación con Gregg Toland tras el objetivo de la cámara, la profundidad de campo, el uso del gran angular distorsionando la realidad, los travelings, colocando la cámara en todas las posiciones posibles, mostrando la degradación de un matrimonio mediante varios fundidos en los desayunos con su primera esposa, subiendo con la grúa sobre el cabaret de Sarah y atravesando la claraboya de vidrio, reflejando a una enfermera en la bola de cristal. Un trineo arde y entre el polvo leemos el enigma: Rosebud. Esta noche traspasamos la propiedad privada del magnate Kane… David Velázquez, Zacarías Cotán y Raúl Gallego

Rosebud för hela slanten! Vi tittar på vad som brukar kallas "tidernas bästa film". Charles Foster Kane går från liten pojke i liten stuga till stor tidningsmagnat i stort palats. Men efter hans död undrar alla vem han var och vi undrar om filmen håller. Manus: Herman J. Mankiewicz, Orson Welles Regi: Orson Welles I rollerna: Orson Welles, Dorothy Comingore, Joseph Cotten I studion: Martin Soneby, Erik Broström, Ola Aurell

On ep3 of Replay activist and writer Desmond Cole and cultural studies scholar Shama Rangwala re-think and re-evaluate Citizen Kane and what one of cinema's all time great films says about capitalism and oligarchy in a surprising conversation exploring Orson Well's 1941 classic drama centering on the rise and fall of publishing magnate Charles Foster Kane.

On ep3 of Replay activist and writer Desmond Cole and cultural studies scholar Shama Rangwala re-think and re-evaluate Citizen Kane and what one of cinema's all time great films says about capitalism and oligarchy in a surprising conversation exploring Orson Well's 1941 classic drama centering on the rise and fall of publishing magnate Charles Foster Kane.

Get those coke spoons ready, grab that clarinet that you left at the beach and join Troy and Virginia as they welcome you to the magical world of Xaaaaaaanaduuuuuuu!! (Now with less Charles Foster Kane and MORE Kenny Ortega!!) Ka-Chow!!Part 1 of our 2-part series on “random DVDs Troy bought Virginia when she was a wee lassie” features our queen Olivia Newton-John as Kira *mwah*, a muse sent to aid the dumbest man in the world with his “art”. Amidst all the singing and dancing and shopping montages, can Sonny find love? Can our king Gene Kelly find joy once again? Can possibly the worst business plan in the history of existence turn a vacant garbage nightclub into a cocaine fueled success?Drunk construction workers!! Pizza drugs!! Tons of synthesizers!! (We may not be able to pronounce it but we can revel in their glory!!) Can you name the 5 instruments that exist in the world? Would YOU loan out your motorbike to a random stranger? Is Michael Beck the next John Travolta?! (wait…let us answer that for you with a resounding NO!!) We hope you enjoy hearing about the same 3 characters in the same 3 locations over and over again and remember…the ‘40's are to the ‘80's as the ‘80's are to the ‘20's (feel old now?)!!Episode Notes: V got new kittens (Colby and Bleu) so you'll inadvertently hear a LOT from them. Also, we talk about this movie's rating in comparison to another movie's rating from the past and we're here to tell you we messed up!! It's a tie!!Follow us on Facebook, Twitter, IG and TikTok!!This week's Music Spotlight is…A SECRET!!Sponsored by Love Rhino!! Buy shirts!! Help people!!Rate, subscribe and review us on Apple Podcasts, Spotify and Stitcher!! Share with all your friends!! They HAVE to hear about this closing number!!Email us info on how much an ‘80's motorbike costs to TandV@tvandamovie.comEditing by Andrew Dudich!!Logo by HRH Bunny on Twitter and IG!!Jingles/Anthems by Dot Homler!!Theme Song is “TV Head” by The Fantastic Plastics – Check them out at www.thefantasticplastics.com

SynopsisFollowing the death of publishing tycoon Charles Foster Kane, reporters scramble to uncover the meaning of his final utterance 'Rosebud'.LinksHeadphonesNeil The AppSubscibeSupportTwitterWebsite Support the show and get early access to upcoming content!Support this show http://supporter.acast.com/headphonesneil-reviews. See acast.com/privacy for privacy and opt-out information.

A Serious Disc Agreement is the only "serious" podcast on the Australian Internet about "Movie Disc Culture."Alexei Toliopoulos (Finding Drago, Total Reboot) and Blake Howard (One Heat Minute) are expanding their IMPRINT COMPANION podcast to include the best physical media releases worldwide. For this episode, Blake and Alexei discuss Bill Duke's incredible Deep Cover from the Criterion Collection and have a general "Criterion Catch-Up" on the first batch of UHDs.Deep CoverFilm noir hits the mean streets of 1990s Los Angeles in this stylish and subversive underworld odyssey from veteran actor-director Bill Duke. Laurence Fishburne stars as Russell Stevens, a police officer who goes undercover as “John Hull,” the partner of a dangerously ambitious cocaine trafficker (Jeff Goldblum), in order to infiltrate and bring down a powerful Latin American drug ring operating in LA. But the further Stevens descends into this ruthless world of money, violence, and power, the more disillusioned he becomes—and the harder it is to make out the line between right and wrong, crime and justice. Steeped in shadowy, neon-soaked atmosphere and featuring Dr. Dre's debut solo single, Deep Cover is an unsung gem of the nineties' Black cinema explosion that delivers a riveting character study and sleek action thrills alongside a furious moral indictment of America and the devastating failures of the war on drugs.DIRECTOR-APPROVED SPECIAL EDITION FEATURESNew 4K digital restoration, with 2.0 surround DTS-HD Master Audio soundtrack on the Blu-rayNew interview with director Bill DukeAFI Conservatory seminar from 2018 featuring Duke and actor Laurence Fishburne, moderated by film critic Elvis MitchellNew conversation between film scholars Racquel J. Gates and Michael B. Gillespie about Deep Cover's place within both the Black film boom of the early 1990s and the noir genreNew conversation between scholar Claudrena N. Harold and professor, DJ, and podcaster Oliver Wang about the film's title track and its importance to the history of hip-hopTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by GillespieNew cover illustration by Ngabo “El'Cesart” DesireCitizen KaneIn the most dazzling debut feature in cinema history, twenty-five-year-old writer-producer-director-star Orson Welles synthesized the possibilities of sound-era filmmaking into what could be called the first truly modern movie. In telling the story of the meteoric rise and precipitous fall of a William Randolph Hearst–like newspaper magnate named Charles Foster Kane, Welles not only created the definitive portrait of American megalomania, he also unleashed a torrent of stylistic innovations—from the jigsaw-puzzle narrative structure to the stunning deep-focus camera work of Gregg Toland—that have ensured that Citizen Kane remains fresh and galvanizing for every new generation of moviegoers to encounter it.SPECIAL FEATURESNew 4K digital restoration, with uncompressed monaural soundtrackIn the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and three Blu-rays with the film and special featuresThree audio commentaries: from 2021 featuring Orson Welles scholars James Naremore and Jonathan Rosenbaum; from 2002 featuring filmmaker Peter Bogdanovich; and from 2002 featuring film critic Roger EbertThe Complete “Citizen Kane,” (1991), a rarely seen feature-length BBC documentaryNew interviews with critic Farran Smith Nehme and film scholar Racquel J. GatesNew video essay by Orson Welles scholar Robert CarringerNew program on the film's special effects by film scholars and effects experts Craig Barron and Ben BurttInterviews from 1990 with editor Robert Wise; actor Ruth Warrick; optical-effects designer Linwood Dunn; Bogdanovich; filmmakers Martin Scorsese, Henry Jaglom, Martin Ritt, and Frank Marshall; and cinematographers Allen Daviau, Gary Graver, and Vilmos ZsigmondNew documentary featuring archival interviews with WellesInterviews with actor Joseph Cotten from 1966 and 1975The Hearts of Age, a brief silent film made by Welles as a student in 1934Television programs from 1979 and 1988 featuring appearances by Welles and Mercury Theatre producer John HousemanProgram featuring a 1996 interview with actor William Alland on his collaborations with WellesSelection of The Mercury Theatre on the Air radio plays featuring many of the actors from Citizen KaneTrailerEnglish subtitles for the deaf and hard of hearingPLUS: Deluxe packaging, including a book with an essay by film critic Bilge EbiriNew Cover by Mike McQuadeMenace II SocietyDirectors Albert and Allen Hughes and screenwriter Tyger Williams were barely into their twenties when they sent shock waves through American cinema and hip-hop culture with this fatalistic, unflinching vision of life and death on the streets of Watts, Los Angeles, in the 1990s. There, in the shadow of the riots of 1965 and 1992, young Caine (Tyrin Turner) is growing up under the influence of his ruthless, drug-dealing father (Samuel L. Jackson, in a chilling cameo) and his loose-cannon best friend, O-Dog (Larenz Tate), leading him into a spiral of violent crime from which he is not sure he wants to escape, despite the best efforts of his grandparents and the steadfast Ronnie (Jada Pinkett). Fusing grim realism with a propulsively stylish aesthetic honed through the Hughes brothers' work on rap videos, Menace II Society is a searing cautionary tale about the devastating human toll of hopelessness.DIRECTOR-APPROVED SPECIAL EDITION FEATURESNew 4K digital restoration of the directors' cut of the film, supervised by cinematographer Lisa Rinzler and codirector Albert Hughes, with 7.1 surround DTS-HD Master Audio soundtrackIn the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresOriginal 2.0 surround soundtrack, presented in DTS-HD Master AudioTwo audio commentaries from 1993 featuring directors Albert and Allen HughesGangsta Vision, a 2009 featurette on the making of the filmNew conversation among Albert Hughes, screenwriter Tyger Williams, and film critic Elvis MitchellNew conversation among Allen Hughes, actor and filmmaker Bill Duke, and MitchellInterview from 1993 with the directorsDeleted scenesFilm-to-storyboard comparisonTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by film critic Craig D. LindseyNew cover by Sister HydeBlake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & Total RebootVisit imprintfilms.com.au _______One Heat Minute ProductionsWEBSITE: oneheatminute.comPATREON: One Heat Minute Productions PatreonTWITTER: @OneBlakeMinute & @OHMPodsMERCH: http://tee.pub/lic/41I7L55PXV4Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to Slate Money Goes to the Movies, a miniseries in which Felix Salmon, Emily Peck, and a different guest each week discuss popular business-themed movies.  Ben Smith, media columnist for The New York Times, joins Emily and Felix to discuss the urtext of business-themed movies, Orson Welles' 1941 film Citizen Kane. They discuss Charles Foster Kane's real life counterpart William Randolph Hearst, the portrayal of Jewish characters in the 1940s, and how much (or little) the media industry has changed since Kane's day. Email: slatemoney@slate.com Podcast production by Jessamine Molli. Twitter: @felixsalmon, @EmilyRPeck  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Slate Money Goes to the Movies, a miniseries in which Felix Salmon, Emily Peck, and a different guest each week discuss popular business-themed movies.  Ben Smith, media columnist for The New York Times, joins Emily and Felix to discuss the urtext of business-themed movies, Orson Welles' 1941 film Citizen Kane. They discuss Charles Foster Kane's real life counterpart William Randolph Hearst, the portrayal of Jewish characters in the 1940s, and how much (or little) the media industry has changed since Kane's day. Email: slatemoney@slate.com Podcast production by Jessamine Molli. Twitter: @felixsalmon, @EmilyRPeck  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Slate Money Goes to the Movies, a miniseries in which Felix Salmon, Emily Peck, and a different guest each week discuss popular business-themed movies.  Ben Smith, media columnist for The New York Times, joins Emily and Felix to discuss the urtext of business-themed movies, Orson Welles' 1941 film Citizen Kane. They discuss Charles Foster Kane's real life counterpart William Randolph Hearst, the portrayal of Jewish characters in the 1940s, and how much (or little) the media industry has changed since Kane's day. Email: slatemoney@slate.com Podcast production by Jessamine Molli. Twitter: @felixsalmon, @EmilyRPeck  Learn more about your ad choices. Visit megaphone.fm/adchoices

St. Paul has one last chance to address the church in Ephesus before his impending arrest, trial, and death. Have you ever considered what your last words would be before your death? Harriet Tubman, Charles Foster Kane, and The Mellon Family guest star.

This week, the cast of Movies that Make Us take on what is arguably the greatest film ever made, Citizen Kane. Since it was recently dethroned by Paddington 2 as having the best rating on RottenTomatoes.com, we decided to travel back to 1941 and see if Orson Welles' film stands the test of time.The film explores the life of Charles Foster Kane through the lenses of those who knew him, those that loved him, and those that hated him. It's the story of a young man's quest for love, power, and respect who reaches dazzling heights and then has a tragic downfall. Citizen Kane set so many precedents in cinematography, editing, acting, and is still very relevant to life in the modern era. What are your thoughts on the film? Have you seen it before? Do you appreciate its significance? Next week, the cast is reuniting for the first time post Covid, and we're bringing our staff picks to the underappreciated genre of Western films. Then through July, we are talking about movies that reunite us, about gathering together, expressing love for life and each other.Did you miss the video premier of this episode? Be sure to subscribe to our YouTube channel, and then click the little bell to receive notifications when we add a new video or go live.You can also follow our Facebook page so you can receive notifications for new audio or video of our episodes. Sometimes we are are even live on Facebook, so you can give us feedback right then and there. It's pretty sweet.As always, thank you for listening, and for now, we won't see you at the movies… See acast.com/privacy for privacy and opt-out information.

Tim plays Charles Foster Kane and Ryan plays Rosebud in this dramatic reenactment of the 1941 film Citizen Kane.

Film mythique d'Orson Welles, Citizen Kane sortait en salles il y a 80 ans et reste l'un des meilleurs films de tous les temps. On en parle avec notre spécialiste cinéma, Dick Tomasovic. « Bagarre dans la Discothèque » à 11h30, avec Sébastien Ministru et Nicolas Herman. Et dès midi : "L'objet Pop" de Nicolas Herman : la vache qui rit. Les 80 ans de la sortie "Citizen Kane" d'Orson Welles, le 1er mai 1941. A la mort du milliardaire Charles Foster Kane, un grand magnat de la presse, Thompson, un reporter, enquête sur sa vie. Les contacts qu'il prend avec ses proches lui font découvrir un personnage gigantesque, mégalomane, égoïste et solitaire... On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. Le "Boing Boum Tchak" de Sébastien Ministru : « Bob Marley et la fille du dictateur » d'Anne-Sophie Jahn (Grasset). « Tu es vilaine. » C'est la première phrase que Bob Marley lance à Pascaline Bongo, la fille aînée du président gabonais Omar Bongo. Elle a 23 ans et elle vient de se glisser dans la loge du chanteur, après un de ses concerts aux États-Unis. Nous sommes en 1979, Bob a 34 ans et est à l'apogée de sa carrière. Autour de lui, un essaim de groupies tente désespérément d'attirer son attention, sous le regard attentif de sa femme et choriste, Rita Marley. Mais Pascaline, fille chérie de son père tout-puissant, n'a pas l'habitude de se faire rembarrer. Grande et sculpturale, elle regarde un instant la superstar droit dans les yeux, médusée, puis éclate d'un grand rire. C'est parce qu'elle a les cheveux défrisés, or pour les rastas, les cheveux, c'est sacré, ils ne doivent être ni coupés, ni coiffés... Pascaline propose alors à Bob de donner un concert au Gabon, pour l'anniversaire de son père. Le chanteur n'a jamais joué en Afrique. Il répond « oui » à son invitation. Ainsi commence la grande histoire d'amour, la dernière de sa vie, longtemps gardée secrète, entre Pascaline et lui. Une passion qui cristallise l'histoire de la décolonisation, de la religion rasta, du traumatisme de l'esclavage. Anne-Sophie Jahn a enquêté pendant de longs mois et recueilli le témoignage inédit de Pascaline Bongo. Son récit personnel mêle scènes et confidences, solos et foules en transe, sur un ton libre, brûlant, désirable. Ainsi revit l'icône rastafari, partie à 36 ans.

"L'objet Pop" de Nicolas Herman : la vache qui rit. Les 80 ans de la sortie "Citizen Kane" d'Orson Welles, le 1er mai 1941. À la mort du milliardaire Charles Foster Kane, un grand magnat de la presse, Thompson, un reporter, enquête sur sa vie. Les contacts qu'il prend avec ses proches lui font découvrir un personnage gigantesque, mégalomane, égoïste et solitaire... On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. Le "Boing Boum Tchak" de Sébastien Ministru : « Bob Marley et la fille du dictateur » d'Anne-Sophie Jahn (Grasset). « Tu es vilaine. » C'est la première phrase que Bob Marley lance à Pascaline Bongo, la fille aînée du président gabonais Omar Bongo. Elle a 23 ans et elle vient de se glisser dans la loge du chanteur, après un de ses concerts aux États-Unis. Nous sommes en 1979, Bob a 34 ans et est à l'apogée de sa carrière. Autour de lui, un essaim de groupies tente désespérément d'attirer son attention, sous le regard attentif de sa femme et choriste, Rita Marley. Mais Pascaline, fille chérie de son père tout-puissant, n'a pas l'habitude de se faire rembarrer. Grande et sculpturale, elle regarde un instant la superstar droit dans les yeux, médusée, puis éclate d'un grand rire. C'est parce qu'elle a les cheveux défrisés, or pour les rastas, les cheveux, c'est sacré, ils ne doivent être ni coupés, ni coiffés... Pascaline propose alors à Bob de donner un concert au Gabon, pour l'anniversaire de son père. Le chanteur n'a jamais joué en Afrique. Il répond « oui » à son invitation. Ainsi commence la grande histoire d'amour, la dernière de sa vie, longtemps gardée secrète, entre Pascaline et lui. Une passion qui cristallise l'histoire de la décolonisation, de la religion rasta, du traumatisme de l'esclavage. Anne-Sophie Jahn a enquêté pendant de longs mois et recueilli le témoignage inédit de Pascaline Bongo. Son récit personnel mêle scènes et confidences, solos et foules en transe, sur un ton libre, brûlant, désirable. Ainsi revit l'icône rastafari, partie à 36 ans.

Les 80 ans de la sortie "Citizen Kane" d'Orson Welles, le 1er mai 1941. À la mort du milliardaire Charles Foster Kane, un grand magnat de la presse, Thompson, un reporter, enquête sur sa vie. Les contacts qu'il prend avec ses proches lui font découvrir un personnage gigantesque, mégalomane, égoïste et solitaire... On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg.

“You don’t love me. You love me to love you.” — Susan Alexander Kane, Citizen Kane FIRST TIME VIEWERS: ALISA, JOE We can see the headlines now: "Charles Foster Kane on IOML At Last". Yes, that's right, we're finally discussing Orson Welles' directorial debut, Citizen Kane, commonly regarded as the greatest film ever made. With Oscar season upon us, we're taking a look at this fabled movie, nominated for nine Academy Awards, but winner of only one for Best Original Screenplay (Herman J. Mankiewicz and Orson Welles). Was this film a blueprint followed by a recent American President? Is it an examination of the origins and effects of narcissism? Is there anyone left who doesn't know what Kane's last word, "Rosebud," refers to? How many of us learned that information from pop culture parodies? How well does the recently released Netflix film Mank pair with this masterpiece? And where does Sacha Baron Cohen fit into all of this? Join us, as we piece together the puzzle to reveal whether this movie deserves its reputation or if it's all just a bunch of sensationalism. Click here to listen to Episode 31: Citizen Kane. Be sure to subscribe on Apple Podcasts or your favorite podcast app, so you never miss an episode!

It's the motherload. It's the number one movie of all time. It's the inspiration of the greatest directors of our time. Xanadu. Rosebud. CHARLES FOSTER KANE. It's Citizen Kane (1941).

"Citizen Kane", the debut feature from the legendary Orson Welles, is considered by many to be the finest motion picture ever made, and its pioneering use of deep focus camera shots and really sweet kickflips and ollies has entranced fans of both the cinema and skateboarding since its initial release in 1941. Kevin and Mike go deep and discuss the film's impact on both the world of cinema and the world of skateboarding. There have been many famous cinematic images of skateboards, but none as iconic as Charles Foster Kane's beloved Rosebud.

I've talked about "phosphorus" (https://pzspodcast.fireside.fm/272) before -- the ever-glowing points of connection that constitute a kind of trail within the story of our life. Today the subject is another kind of phosphorus, its other side of the coin, by which I mean rejection. In late career I experienced a rejection so mighty in effect that it seemed to pull down the curtain on decades of ministry. This rejection came as an utter surprise. So one day, during the lowest point, I'm in a Jewish deli in SE Florida. And the song "When Smokey Sings" by ABC comes on. The lilting 'Motown' sound carries me right back to former times, of happiness and joy. At the same time, the song becomes instant phosphorus to whatever trail of rejection I have trodden in life. Rejection is decisive! Whether it comes in affairs of the heart, or at work, or in any relationship you want to name -- whether it comes in the form of cancer, self-sabotage, or an intrigue mounted against you -- rejection is impossible to swallow and assimilate, at least not in the initial instance. Some rejections -- like Charles Foster Kane's childhood rejection in Citizen Kane (1941) -- are never overcome. They can stay with you forever. Yet there is a way. There is in fact the promise of new love, which life, which God, almost always brings once you say goodbye to the rejecting love. As my friend Paula White says, When you say 'goodbye', God will bring you a new 'hello'. The Dave Clark Five told the truth back in 1964. You can hear their "take" on this at the end of the cast. But The Beatles did, too, on "Magical Mystery Tour": "I don't know why you say goodbye, I say hello." LUV U.

Jacob once again goes back to the classics. This time it's 1941's, Citizen Kane. Boy oh, boy did we have thoughts. We talk about how stupid pretentious movie critics are and why people think this movie is the greatest of all time. Do we agree? Listen to find out. Oh also, what was up with the cockatoo? This movie was directed by Orson Welles. GD4AM: 63/100 IMDb: 8.0/10 Metacritic: 100/100 RT: 99% Following the death of publishing tycoon Charles Foster Kane, reporters scramble to uncover the meaning of his final utterance; 'Rosebud'. Currently available on HBOMAX.

De sua casa, o casal de editores Luiz Antonio Ribeiro (@ziul.ribeiro) e Luisa Bertrami (@lubertrami) conversam sobre as mais diversas obras artísticas e culturais e compartilham, aqui, suas primeiras impressões. Assim nasce "Diálogos", mais uma série do NotaTerapia. Neste episódio o diálogo é sobre o filme "Cidadão Kane", clássico do cinema dirigido e estrelado por Orson Welles e com roteiro de Herman Mankowitz. O filme conta a história do magnata da imprensa Charles Foster Kane. Produzida a partir de flashbacks de diferentes momentos, a história busca escavar a vida de Charles Kane após sua morte na busca pelo significado da misteriosa expressão falada por Kane antes de morrer: rosebud. Um filme que é uma análise profunda da construção dos Estados Unidos enquanto nação e que, até hoje, é considerado o melhor filme já produzido pela indústria cinematográfica.

Awesome Welles! We discuss Citizen Kane and The Lady From Shanghai, plus the cultural significance of Orson Welles, what made him so good and why his films are unique. Following the death of publishing tycoon Charles Foster Kane, reporters scramble to uncover the meaning of his final utterance; 'Rosebud'.  Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.  Each week we take the best and worst films from a filmmaker or franchise and discuss why one worked and one didn't. And we use freakin maths to determine the best and worst, so no arguing. Unless you think science is wrong???...yeah thought so. Any Questions Email us at Moviebuttspod@gmail.com This is a Murphy House Production: https://www.facebook.com/MURPHYHOUSEPRODUCTIONS/ (https://www.facebook.com/MURPHYHOUSEPRODUCTIONS/) (https://www.facebook.com/MURPHYHOUSEPRODUCTIONS/ (https://www.facebook.com/MURPHYHOUSEPRODUCTIONS/)) MovieButts: https://www.facebook.com/MovieButts/ (https://www.facebook.com/MovieButts/) (https://www.facebook.com/MovieButts/ (https://www.facebook.com/MovieButts/)) Follow us on Twitter: https://twitter.com/moviebutts (https://twitter.com/moviebutts) (https://twitter.com/moviebutts (https://twitter.com/moviebutts)) Our Website: https://movie-butts.captivate.fm/ (https://movie-butts.captivate.fm/) (https://movie-butts.captivate.fm/ (https://movie-butts.captivate.fm/)) IMDB Links for the films we watched: https://www.imdb.com/title/tt0040525/?ref_=nv_sr_srsg_0 (https://www.imdb.com/title/tt0040525/?ref_=nv_sr_srsg_0) https://www.imdb.com/title/tt0033467/?ref_=nv_sr_srsg_0 (https://www.imdb.com/title/tt0033467/?ref_=nv_sr_srsg_0)

De sua casa, o casal de editores Luiz Antonio Ribeiro (@ziul.ribeiro) e Luisa Bertrami (@lubertrami) conversam sobre as mais diversas obras artísticas e culturais e compartilham, aqui, suas primeiras impressões. Assim nasce "Diálogos", mais uma série do NotaTerapia. Neste episódio o diálogo é sobre o filme Mank (2020), dirigido por David Fincher, que conta a história de Herman Mankiewicz, roteirista do filme que, até hoje, é considerado o maior filme de todos os tempos: Cidadão Kane (1941). Fincher nos leva aos bastidores da produção do filme de Orson Welles pelo olhar de Mank, um criativo, bêbado e brilhante roteirista que narra as disputas, amizades e inspirações por trás da produção do texto que deu vida a Charles Foster Kane.

Gary Oldman, simply one of the best actors ever, stars in Mank as Herman J. Mankiewicz, the brilliant but alcoholic screenwriter whose achievements include Citizen Kane. In this interview, Oldman quickly shoots down the notion that he used to deliberately seek out wild roles, and explains how he utilized elements of his own past to play Mank. He also tells us where Citizen Kane ranks among his favorite movies. If you like this episode, please subscribe, write a review, or ask Charles Foster Kane to write about it in one of his many newspapers. See acast.com/privacy for privacy and opt-out information.

God and devil Sinner and Saint Communist and fascist Charles Foster Kane is many things to many people. And the world got to know him in 1941 when the Freshman film of Orson Welles hit a limited number of screens, but still managed to snag multiple Oscar nominations and one win. Citizen Kane is the portrait of a man, as painted by the people who knew him. Shown out of order and through hazy recollection. Equal parts American success story and American tragedy, the film is often considered among the best ever to come from the United States. With multiple battles brewing behind the scenes and more Hollywood folklore than you can shake an Academy Award at, the Nighthawks bring Oscar Czar Cameron Maris in to discuss the legendary Citizen Kane.

Tom talks with multi-award winning Broadway producer Bonnie Comley, co-founder of BroadwayHD, an on-demand video streaming service for Broadway quality live theater. Tom and Bonnie talk about Bonnie's career as an actor, an on-air television personality, Broadway producer, technology start-up founder, and parent. Growing up the daughter of entrepreneurs, Bonnie learned how working in an elevator repair business can prepare you to found a digital streaming platform. Bonnie also talks about how raising money for Broadway shows is like raising money for start-ups, how just being available when someone's first choice quits can jumpstart your career, how work has changed for women since the Me Too movement, why the only people who don't fail are the ones who aren't doing anything, and why no one should end up like Charles Foster Kane.

Hier kommt unsere Abschlussfolge für das Jahr 2020. Wird auch wirklich Zeit, dass ein neues Jahr beginnt. Für diese Episode 46 (!!) haben wir uns einem neuen und einem sehr alten Film angenommen, die gehören nämlich irgendwie zusammen. Wir starten mit Mank, einem neuen Netflix-Film, der am 13.11.2020 released wurde. Doch es handelt sich hierbei nicht einfach um irgendeinen Netflix-Film. Er wurde directed von niemand anderem als David Fincher, den wir bereits von Kino-Perlen wie The Social Network kennen. Das Drehbuch schrieb sein Vater, was diesen Film wohl zu einem besonderen Herzensprojekt macht. Mank erzählt uns die Geschichte von Herman J. Mankiewicz, einem etwas versoffenem Drehbuchautor im alten Hollywood, Anfang der 40er Jahre. Er bekommt vom aufstrebenden Star Orson Wells (richtig, der mit dem Krieg der Welten Radio-Hörspiel) den Auftrag ein Drehbuch für dessen nächsten Film zu schreiben. Dafür, und weil er ein gebrochenes Bein auskurieren muss, zieht er sich auf eine kleine Ranch ins Nirgendwo zurück. Wir begleiten ihn bei diesem nicht ganz so einfachen Akt des Schreibens und lernen ihn und sein Wirken durch viele Rückblenden kennen. Einen Film in schwarz-weiß sieht man heute nur noch sehr selten, aber dieser hier ist mindestens eins: ein Augenschmaus. Citizen Kane ist DER Film von Orson Wells. Zu Lebzeiten geflopped und doch seit vielen Jahrzehnten auf allen Best-Movie-/Best-Actor-/Best-Cinematography-Listen der Welt vertreten. Der schwarz-weiß Film aus 1941 erzählt die Geschichte von dem Medienmagnaten Charles Foster Kane, welcher stirbt und dessen letztes Wort Rosebud eine Schar neugieriger Journalisten zum Rätseln verleitet. Was hat Rosebud zu bedeuten? Und wer war Charles Foster Kane eigentlich für ein Mensch? In vielen Rückblenden in sämtliche Abschnitte seines Lebens und aus unterschiedlichen Perspektiven wird die Suche nach der Antwort beschrieben. Werden sie des Rätsels Lösung finden? Seht ihr schon die Parallelen zwischen den beiden Filmen? Wir erzählen euch wie genau die beiden Filme zusammenhängen und welcher uns jeweils besser gefallen hat. Hier kommen viele interessante Fakten zum alten Hollywood auf den Tisch, besonders für Fans alter Filme ist diese Folge besonders spannend:)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Niall Murphy, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT. So this week, Orson Welles' Citizen Kane. Following the death of Charles Foster Kane, reports of the magnate's final word slip out to the press. Trying to parse a portrait of the public figure's life and times, a reporter attempts to discern the meaning of the word, "Rosebud." At time of recording, it was ranked 97th on the list of the best movies of all time on the Internet Movie Database.

Citizen Kane || Ray Taylor ShowSubscribe: InspiredDisorder.com/rts Binge Ad Free: InspiredDisorder.com/Patreon Show topic: Following the death of publishing tycoon Charles Foster Kane, reporters scramble to uncover the meaning of his final utterance; 'Rosebud'.Director: Orson WellesWriters: Herman J. MankiewiczSponsored By:Patreon.com/InspiredDisorder $3 membership.*Binge full week of Ray Taylor Show (audio+Video)*Massive discount code for The Many Faces*Download raw photoshop filesInspiredDisorder.com/Ting $25 CREDIT! The best carrier. The best coverage.Same low rates, now with three coast-to-coast networks.Follow me:Twitter.com/RayTaylor Instagram.com/RayTaylorShow

Is Derrick Henry the Charles Foster Kane of NFL Running Backs? Austin Huff answers that with his weekly rant on 3HL.

Is Derrick Henry the Charles Foster Kane of NFL Running Backs? Austin Huff answers that with his weekly rant on 3HL.

You know the story of Charles Foster Kane, but do you know the story of Herman J. Mank(iewicz)? Well, David and Jack Fincher did, and the guys are back for their review of the film created through the Fincher collaboration. Does the film stand on it's own beyond the legacy of Citizen Kane?   What were your thoughts on Mank? Let us know on Twitter and Instagram @twistedmugmedia or email us at twistedmugmedia@gmail.com

Min 5: EL FILTRO LUCHINI: DESPEGANDO Las salas de cine ya se consideran por fin lugar seguro y se nota en la lluvia de estrenos. “Wonder Woman 1984” confirma que aterriza el 19 de diciembre, pero antes, como gran aperitivo, los cines comerciales dan la bienvenida al regreso de Isabel Coixet con “Nieva en Benidorm”; al fenómeno del año en Italia: “Nuestros mejores años”; a la actualización del terror de Henry James en “Otra vuelta de tuerca” o la intimista cinta española “El arte de volver”, la gran prueba de fuego de Macarena García como protagonista absoluta. Pero la paradoja de la actualidad cinematográfica nos hace compartir el protagonismo de las salas de cine con la apuesta de cine grande en casa de plataformas como “Netflix”. El largometraje con el que puede hacer historia lleva por título “Mank”, diminutivo del apellido Mankiewicz y tras el que se esconde Herman, el crítico, escritor y guionista cuyo gran legado fue, nada más y nada menos, el guión de “Ciudadano Kane”. Con Alberto Luchini analizamos los estrenos de la semana y este brillante biopic rodado por un inspirado David Fincher. Min. 35 ESPECIAL BSO “DE MANK A KANE” Muestra de la calidad y del favoritismo temprano de “Mank” hacia los Oscars 2021 es que se convierte, por derecho propio, en vaso comunicante con la obra maestra en la que bucea: “Ciudadano Kane”. Por eso Ángel Luque, nuestro gourmet de la música de cine, coloca el diván de las BSO en la habitación más suntuosa del palacio imposible de “Xanadú”. Desde allí conoceremos la génesis musical de la que para muchos sigue siendo la mejor película de la historia. Supuso el debú en el séptimo arte del joven y talentoso Orson Welles, pero también de un elenco de genios que, años después, pasarían a los anales de la historia del cine. Entre ellos, el joven compositor Bernard Herrmann, que compuso una completísima y heterogénea banda sonora para el universo de Charles Foster Kane y que acabaría siendo, amén del compositor clave del cine de Hitchcock, uno de los grandes creadores de música de cine. Este es nuestro homenaje a “Mank” a “Kane” y a aquel cine de otro tiempo que nos enseñó que este arte, al que llamaron “séptimo”, no sólo es evasión y negocio, sino cultura y entretenimiento de altura. Gracias por elegirnos y bienvenidos hoy a las brumosas y exóticas estancias de “Xanadú”. Feliz escucha.

En una nueva edición del viernes de cine en Página 13, Iván Valenzuela conversó con Antonio Martínez y Ascanio Cavallo sobre “Mank”, película de David Fincher para Netflix y el documental “Harley Quinn” de Carolina Adriazola y José Luis Sepúlveda, que sigue a una mujer, madre de dos hijos, uno de ellos fallecido, que vive en Puente Alto. Además, nuestros columnistas recordaron a la actriz Pamela Tiffin, protagonista de ”Uno, dos, tres” y “En busca del amor”, que falleció a la edad de 78 años en un hospital de Nueva York por causas naturales. Finalmente, Martínez y Cavallo comentaron los 80 años de “El ciudadano Kane”, película de 1940, dirigida por Orson Welles, que cuenta la historia de un periodista obsesionado con el hecho de descubrir el significado de la última palabra que Charles Foster Kane dijo antes de morir.

Fri, 11 Dec 2020 12:06:00 +0000 http://feedproxy.google.com/~r/journalistenfilme_derpodcast/~3/7DOP0-dIhm0/21-journalistefilme-de-der-podcast-20-mank-2020 https://www.journalistenfilme.de/?p=4331 David Fincher ist zurück als Filmemacher. Seit dem 4. Dezember ist sein neuer Film Mank exklusiv auf Netflix abrufbar. Im Mittelpunkt steht Herman Mankiewicz, Ideengeber und Co-Autor des wohl schwergewichtigsten Zeitungsfilms aller Zeiten: Citizen Kane Als große Fans des Regisseurs müssen Thomas von SchönerDenken und Patrick dringend drüber reden. Denn es ist was faul mit den Erdbeeren des Films. Warum sie uns nicht richtig munden, erfahrt Ihr in einer neuen Episode von journalistenfilme.de – der Podcast. Text & Moderation: Patrick Torma. Bildmaterial: Netflix. David Fincher und die Medien – seit 2007 spielt die Reflexion über die Wirkmechanismen der Medien eine wiederkehrende Rolle in den Werken des Filmemachers. Damals erschien Zodiac – Die Spur des Killers. Der Film über einen der berühmtesten Kriminalfälle in der Geschichte der USA seziert den Hype, den die Berichterstattung über einen mitteilungsbedürftigen Killers auslöst und fragt ganz konkret nach der Verantwortung der von Jake Gyllenhaal und Robert Downey Jr. porträtierten Journalisten. Mit Ausnahme von seinem märchenhaften Der seltsame Fall des Benjamin Button kehrte Fincher immer wieder zu diesem Themenkomplex zurück: The Social Network beleuchtet den immensen Erfolg von Facebook und seines Gründers Mark Zuckerberg. In seinem Remake der Stieg Larsson-Verfilmung Verblendung ermittelt der Investigativjournalist Mikael Blomkvist. In Gone Girl versucht ein Journalisten-Pärchen die Szenen ihrer verkorksten Ehe medial auszuschlachten. Und auch in seinen höchst erfolgreichen Serienausflügen ist die mediale Öffentlichkeit ein stets präsentes Spannungsfeld: Mindhunter spinnt in gewisser Weise die Fäden aus Zodiac weiter, in House of Cards scheitern reihenweise Journalistenfiguren im Intrigen-Sumpf der Underwoods. David Finchers Vater Jack lieferte das Drehbuch zu Mank Nun also Mank, David Finchers erster Spielfilm seit Gone Girl, den er auf Grundlage eines Drehbuchs seines 2003 verstorbenen Vaters inszeniert hat. Der Trailer verspricht Einblicke in die Entstehungsgeschichte von Citizen Kane, Orson Welles kanonisch vergöttertem Sittengemälde eines allmächtigen Medienmoguls. Doch dieses Versprechen löst Mank nur bedingt ein. Zwar begleiten wir Co-Autor Herman Mankiewicz (Gary Oldman) bei seinem alkoholgeschwängerten Schreibprozess. Allerdings versteift sich Mank darauf, selbst wie Citizen Kane zu sein. In Rückblenden streifen wir mit Mankewicz durch eine desillusionierende Ära, irgendwo zwischen Schein und Sein der Traumfabrik Hollywood, zwischen Depression und Zweitem Weltkrieg, staut sich der Frust des Autors an, der sich – mutmaßlich – im Drehbuch von Citizen Kane entlädt. Zweifelsohne spielen die Erwartungen eine Rolle, inwieweit man seine Freunde an Finchers neuem Film hat. Spoiler: Aus Sicht dieses Blogs wurden die Erwartungen an mögliche Anknüpfungspunkte nicht erfüllt. Auch wenn er in Mank eine Schlüsselrolle einnimmt, so erfahren wir nicht wirklich, wer der Verleger William Randolph Hearst (Charles Dance), immerhin die wichtigste Inspiration für Orson Welles Charles Foster Kane, wirklich war. Seine mediale Allmacht, sein immenser Einfluss auf die US-amerikanische Politik über Jahrzehnte hinweg werden nur angedeutet – in einer fulminant inszenierten Episode, die wie ein Parabolantenne ganz wunderbar auf unsere postfaktische Gegenwart ausgerichtet ist, aber zu wenig in die Handlung, der wir eigentlich folgen sollen, hinein reicht. Mank entzieht sich seinem Zugriff durch journalistenfilme.de Letztendlich entzieht sich Mank der Betrachtung durch die Brille dieses Blogs konsequent. Das allein kann man Fincher nicht zum Vorwurf machen. Ungeschoren kommt er deswegen nicht davon. Mein Gast Thomas Laufersweiler (SchönerDenken) hat eine zauberhafte Überschrift für vorliegende Episode ersonnen. Würde ich meine Podcast-Folgen nicht so einfallslos durchnummerieren, stünde sie jetzt oben über diesem Beitrag. Stattdessen soll sie als Teaser zu ihrem verdienten Ruhm kommen: Faule Erdbeeren. Oder: Warum Mank keinen Oscar verdient hat. Wir sagen es Euch im Podcast. Viel Spaß! Danke Thomas, dass Du diesen Podcast nach deinen Auftritten in den Episoden zu Futureworld und State of Play zum dritten Mal bereicherst. Als Mitglied eines Blog- und Podcast-Konsortiums, das Film-Liebhaber*innen mit journalistischem Background vereint, haben die Kolleg*innen eine Schwäche für Journalisten- und Medienfilme. In ihrem Podcast halten die „Üblichen Verdächtigen“ bei SchönerDenken ihre ungefilterten Eindrücke unmittelbar nach dem – hoffentlich bald wieder möglichen – Kinobesuch fest. Alle Episoden von SchönerDenken (aber auch die weiterer Kolleg*innen, Hinweise sind immer willkommen!) die ins Beuteschema fallen, findet Ihr in unserer Übersicht journalistenfilme to go – Podcasts über Journalistenfilme. SchönerDenken könnt und solltet Ihr aber auch hier abonnieren. Das im Podcast erwähnte Special von Bianca und Marco Mewes alias Duoscope zur Entstehungsgeschichte von Citizen Kane findet hier unter diesem Link. Die hauseigene Besprechung: Die Leiden des Charles Foster Kane. Was sagt Ihr, liebe Hörerinnen und Hörer? Mundet Euch Mank? Danke auch an Euch, liebe Hörerinnen und Hörer fürs Einschalten. Wie hat Euch Mank gefallen? Teilt Ihr unsere Enttäuschung oder haben wir in Euren Augen etwas übersehen? Schreibt es gerne in die Kommentare. Kurz vor Weihnachten (aber auch ganzjährig) freue ich mich über 5-Sterne-Bewertungen und lobende Zeilen bei iTunes. Es müssen keine Epen à la Mankiewicz sein, aber jedes Wort hilft, diesen Podcast sichtbarer zu machen. Abonnieren könnt Ihr journalistenfilme.de – der Podcast über die folgenden Bezugsquellen: im RSS-FeedI-TunesSpotifyPodcast.de Ihr möchtet journalistenfilme.de darüber hinaus unterstützen? Mit Hilfe einer kofi-Spende oder einem Kauf über die Affiliate-Links, die ihr in diesem Blog häufig am Ende eines Beitrags findet, verschafft Ihr mir etwas mehr Spielraum für die Anschaffung obskurer und / oder schwer erhältlicher Journalistenfilme. Der Beitrag journalistefilme.de – der Podcast #20: Mank (2020) erschien zuerst auf journalistenfilme.de. full David Fincher ist zurück als Filmemacher. Seit dem 4. Dezember ist sein neuer Film Mank exklusiv auf Netflix abrufbar. Im Mittelpunkt steht Herman Mankiewicz, Ideengeber und Co-Autor des wohl schwergewichtigsten Zeitungsfilms aller Zeiten: Citizen Kane no Patrick Torma / journalistenfilme.de 4916 Patrick Tormahttps://journalistenfilme.podigee.io/21-journalistefilme-de-der-podcast-20-mank-2020https://cd

En una nueva edición del viernes de cine en Página 13, Iván Valenzuela conversó con Antonio Martínez y Ascanio Cavallo sobre “Mank”, película de David Fincher para Netflix y el documental “Harley Quinn” de Carolina Adriazola y José Luis Sepúlveda, que sigue a una mujer, madre de dos hijos, uno de ellos fallecido, que vive en Puente Alto. Además, nuestros columnistas recordaron a la actriz Pamela Tiffin, protagonista de ”Uno, dos, tres” y “En busca del amor”, que falleció a la edad de 78 años en un hospital de Nueva York por causas naturales. Finalmente, Martínez y Cavallo comentaron los 80 años de “El ciudadano Kane”, película de 1940, dirigida por Orson Welles, que cuenta la historia de un periodista obsesionado con el hecho de descubrir el significado de la última palabra que Charles Foster Kane dijo antes de morir.

When a reporter is assigned to decipher newspaper magnate Charles Foster Kane's (Orson Welles) dying words, his investigation gradually reveals the fascinating portrait of a complex man who rose from obscurity to staggering heights. Though Kane's friend and colleague Jedediah Leland (Joseph Cotten), and his mistress, Susan Alexander (Dorothy Comingore), shed fragments of light on Kane's life, the reporter fears he may never penetrate the mystery of the elusive man's final word, "Rosebud." Thanks for listening to the Have You Scene It Podcast. Tune in every day of the week for the latest movie news, movie reviews, and television series recaps. Be sure to subscribe to our Youtube channel for exclusive content and all the podcast episodes! You can also find the podcast on Spotify, Apple Podcast, SoundCloud, Google Play, and Stitcher! Have You Scene It Merch Store https://teespring.com/stores/my-store-10324394 Spotify https://open.spotify.com/show/4BffBmG14m5k50NMBUnWc7 Apple Podcast https://itunes.apple.com/us/podcast/have-you-scene-it/id1228002984?mt=2 YouTube https://www.youtube.com/channel/UC2z6TzoTg6mG0__fprVM0Pg?view_as=subscriber Soundcloud https://soundcloud.com/user-813663368 Follow our Instagram for daily stories on movie trivia, box office numbers, breaking news, and much more! Instagram: https://www.instagram.com/haveyousceneit/?hl=en Facebook https://www.facebook.com/haveyousceneit Twitter: @SceneitPodcast @ThatsJustCash

What does this film tell us about the range of responses we can have toward aspects of our lives that are outside our complete control? How does Charles Foster Kane exemplify, through failure, Aristotle's views on virtues, his doctrine of the mean, and his views on happiness or flourishing? How does he exemplify, through failure, Stoic Doctrine? How does Kane's life parallel Welles's own life, and his character traits? What can we infer as to authorship with regard to the collaborative nature of his work on film and radio?

This is the big one. The consensus #1 film of all time according to the American Film Institute: 1941's Citizen Kane. Directed, produced, co-written, and starring a 26 year old Orson Welles, Citizen Kane is a revolutionary, influential, timeless, and funny tale about Charles Foster Kane, an extremely rich and powerful media mogul, who, while being in the public spotlight for most of his life, is still an enigma. Listen in as Andy & Michael Fernandez travel to Xanadu in an attempt to understand the movie that many consider to be the greatest of all time on a brand new episode of What Makes It Great! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

New Movies:  Mank - Follows screenwriter Herman J. Mankiewicz's tumultuous development of Orson Welles' iconic masterpiece Citizen Kane(1941).Black Bear -  A filmmaker at a creative impasse seeks solace from her tumultuous past at a rural retreat, only to find that the woods summon her inner demons in intense and surprising ways. Minor Premise - Attempting to surpass his father's legacy, a reclusive neuroscientist becomes entangled in his own experiment, pitting ten fragments of his consciousness against each other. The Sound of Metal - A heavy-metal drummer's life is thrown into freefall when he begins to lose his hearing. Undisputed ClassicCitizen Kane - Following the death of publishing tycoon Charles Foster Kane, reporters scramble to uncover the meaning of his final utterance; 'Rosebud'. 1990 The Grifters - A small-time conman has torn loyalties between his estranged mother and new girlfriend, both of whom are high-stakes grifters with their own angles to play. The Rookie - A veteran detective gets stuck with a rookie cop when in pursuit of a German crook. Next Week - The Prom, Alabama Snake, Let Them All Talk, I’m Your WomanClassic -1990 - Edward Scissorhands, Mermaids, Havana, Look Who’s Talking Too, The Sheltering Sky

On today’s episode, I talked with Christian Palacios, an old soccer and AP World history classmate and he picked a film that is steeped in both world and film history, and that film is, Citizen Kane. At the age of 16, Welles gets his acting debut using the gift of the gab in Dublin in 1931, fast 1935 he makes his radio debut, on CBS, a year later he establishes himself as a director with The Voodoo Macbeth, which featured an all-black cast adaptation of the accursed play. In 1937 he established Mercury Theatre and opened with a powerful anti-fascist adaptation of Shakespeare’s Julius Caesar, titled Caesar: Death of a Dictator and at the age of 23 he shocked the world over with War of the Worlds. All of these achievements led up to what is known as the greatest film contract ever written, one in which said he would provide two films to RKO Pictures both with complete creative control that means producing, cowriting, acting, and editing an unheard of and mocked notion at the time, especially for a new film director. He teamed up with writer Herman Mankiewicz, and Directory of Photography, Greg Tolland, one man had a vendetta the other, wanted to break new ground and that greatest of all-time contract, combined with two of Hollywood’s best behind the scenes men, they soon resulted in arguably the greatest film ever made, Citizen Kane. Citizen Kane follows a reporter on assignment to find out the meaning of the last word of the greatest media mogul in the 20th century, Charles Foster Kane, Rosebud. Our reporter visits both surviving and deceased mentors, partners, friends, and an ex-wife to figure out the placement of the last piece to the jigsaw that was Charles Foster Kane’s life. So sit back, relax, and watch out for any screaming cockatoos. You can purchase Citizen Kane here. Cinemallennials is a podcast where myself and another millennial are introduced to a classic film for the very first time ranging from the birth of cinema to the 1960s. Myself and my guest will open your eyes to the vast landscape of classic film as we discuss the films' performers, their performances, those behind the camera, and how they and their films still influence our world today. Website: dlewmoviereview.com/ Social Media: Facebook: facebook.com/dlewmoviereviews/ Twitter: twitter.com/dlewmoviereview Instagram: @dlew88 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Citizen Kane is universally recognized as one of the greatest films of all time. Orson Welles and his collaborators created a masterpiece that was well ahead of its time in storytelling, cinematography, and special effects. Yet for all its achievements, it's one of the saddest movies ever made. The film tells the story of Charles Foster Kane, a wealthy businessman who began his career with good intentions. But over time, he tries to control everyone around him. In the end he dies alone with a mansion full of treasures and a heart full of bitterness and regret. In a powerful scene late in the movie, Kane's former friend and employee Jed Leeland tells a reporter, “That's all he ever wanted out of life, was love. That's the tragedy of Charles Foster Kane. You see, he just didn't have any to give.” On today's episode, Kent encourages us to develop our love of writing and the people we serve. *** If you enjoyed this episode, we would be grateful if you leave a review on Apple Podcasts. It helps more people discover the show, and the more people listen, the more we can invest into it and improve the show. Follow Kent Sanders: Facebook: https://facebook.com/kent.sanders Instagram: https://instagram.com/kentsanders Twitter: https://twitter.com/kentsanders

Citizen Kane is universally recognized as one of the greatest films of all time. Orson Welles and his collaborators created a masterpiece that was well ahead of its time in storytelling, cinematography, and special effects. Yet for all its achievements, it's one of the saddest movies ever made. The film tells the story of Charles Foster Kane, a wealthy businessman who began his career with good intentions. But over time, he tries to control everyone around him. In the end he dies alone with a mansion full of treasures and a heart full of bitterness and regret. In a powerful scene late in the movie, Kane’s former friend and employee Jed Leeland tells a reporter, “That's all he ever wanted out of life, was love. That's the tragedy of Charles Foster Kane. You see, he just didn't have any to give.” On today's episode, Kent encourages us to develop our love of writing and the people we serve. *** If you enjoyed this episode, we would be grateful if you leave a review on Apple Podcasts. It helps more people discover the show, and the more people listen, the more we can invest into it and improve the show. Follow Kent Sanders: Facebook: https://facebook.com/kent.sanders Instagram: https://instagram.com/kentsanders Twitter: https://twitter.com/kentsanders 

CITIZEN KANE When a reporter is assigned to decipher newspaper magnate Charles Foster Kane's dying words, his investigation gradually reveals the fascinating portrait of a complex man who rose from obscurity to staggering heights. Alan and Craig discuss how little politics has changed, the political power of capitalism, a recap of the last 100 episode and the movie “Citizen Cane" on this 200th Episode of Matinee Heroes! This week's episode is sponsored by Matinee Heroes presents CastOFF! Last week, Reigning champion Randy Redacted defeated Derek McCaw in Game 1 of the CastOFF! playoffs to secure his position into the next round. This Tuesday, November 10th at 9pmEst 6pmPST the Newbie League has their first game as Richard Jensen and Joey Jones recast The Suicide Squad. See who will win this 16-person, single-elimination tournament to name the best Caster on the internet. Go to twitch.tv/matineeheroes or matineeheroes.com/castoff to subscribe to the video stream. Show Notes 0:54 Craig and Alan walk down memory lane recapping the past 100 episodes. 15:16 Craig and Alan discuss "Citizen Kane" 41:45 Recasting 59:18 Double Feature 1:03:47 Final Thoughts 1:08:51 A preview of next week's episode "42" Next week, Craig and guests Brendan Agnew & Brandon Ushio honor Chadwick Boseman's death with "42"

CITIZEN KANE When a reporter is assigned to decipher newspaper magnate Charles Foster Kane's dying words, his investigation gradually reveals the fascinating portrait of a complex man who rose from obscurity to staggering heights. Alan and Craig discuss how little politics has changed, the political power of capitalism, a recap of the last 100 episode and the movie “Citizen Cane" on this 200th Episode of Matinee Heroes! This week's episode is sponsored by Matinee Heroes presents CastOFF! Last week, Reigning champion Randy Redacted defeated Derek McCaw in Game 1 of the CastOFF! playoffs to secure his position into the next round. This Tuesday, November 10th at 9pmEst 6pmPST the Newbie League has their first game as Richard Jensen and Joey Jones recast The Suicide Squad. See who will win this 16-person, single-elimination tournament to name the best Caster on the internet. Go to twitch.tv/matineeheroes or matineeheroes.com/castoff to subscribe to the video stream. Show Notes 0:54 Craig and Alan walk down memory lane recapping the past 100 episodes. 15:16 Craig and Alan discuss "Citizen Kane" 41:45 Recasting 59:18 Double Feature 1:03:47 Final Thoughts 1:08:51 A preview of next week's episode "42" Next week, Craig and guests Brendan Agnew & Brandon Ushio honor Chadwick Boseman's death with "42"

Cidadão Kane (1941), de Orson Welles, fala sobre Charles Foster Kane. Na verdade, sobre a construção de um obituário após a sua morte. Um jornalista tenta entender quem era essa famosa figura dos Estados Unidos e todas as polêmicas que envolviam seu nome para retratá-lo da maneira mais fidedigna possível! Vem ouvir o que conversamos sobre um dos maiores clássicos do cinema Americano! Não esquece de nos seguir nas redes sociais: @vissebr no Twitter e Instagram, e de entrar no nosso grupo de discussões no Telegram! (também @vissebr). A equipe: Aninha: Instagram @_aninhaguimaraes e Twitter @marvelousmsana Leo: Instagram e Twitter @leoaalbuquerque Matheus: Instagram e Twitter @matheusbc23 Lembrando que é recomendado assistir ao filme antes de ouvir o podcast, pois ele está cheio de SPOILERS.

In this very first installment of "Must Watch Movies" Christopher and Patrick decide to go big: Citizen Kane. The 1941 Orson Welles classic is often cited as not only one of the best films of all time but THE best film of all time, so why not see what happens when someone with an attention span of 11 minutes is subjected to it? Patrick enlists his wife and Bears For Years chanteuse Gina Monafo to help parse out the story of Charles Foster Kane and determine its value in the world of film.

What I learned from reading The Difference Between God and Larry Ellison: God Doesn't Think He's Larry Ellison by Mike Wilson[1:06]  You want to know what I think about Larry Ellison? Well, I suppose he had some private sort of greatness but he kept it to himself. He never gave himself away. He never gave anything away. He just left you a tip. He had a generous mind. I don't suppose anybody ever had so many opinions, but he never believed in anything except Larry Ellison. [1:45] That was the way Ellison's mind worked. He was like a search engine gone haywire. [3:01] I asked Ellison how he had seen his adult life when he was a kid. What he thought was going to happen to him. “You mean did I anticipate becoming the fifth wealthiest person in the United States? No. This is all kind of surreal. I don't even believe it. When I look around I say this must be something out of a dream.” [3:57] Ellison is the Charles Foster Kane of the technological age. He is bright, brash, optimistic, and immensely appealing, yet somehow incomplete. [4:31] He worked in the computer industry for several years but never had a job that suited what he saw as his superior intellectual gifts. [6:08] The stockholder who benefited the most from Oracle's performance was Larry Ellison, exactly what he intended. Ellison started the company because he wanted to be his own boss. And he stayed in control throughout his tenure at Oracle always holding onto enough stock that his power and authority could never be seriously challenged. [7:57] To him there was now power greater than the human mind. [8:23] What Larry reminds me of is a truth that Benjamin Franklin hit on 250 years ago. He says his mind was much improved by all the reading he did. There were very tangible results in Benjamin Franklin's life when people found his conversations more enjoyable because he was a more interesting person to talk to—that led him being able to raise money for his business. It helped him close sales. Larry Ellison is very much the same way. [8:53] When hiring, Ellison valued intelligence more than experience. He often looked for unruly geniuses instead of solid, steady workers. [10:52] If he hadn't made me rich, I'd probably hate him because he is obnoxious. He is not nice to people. [12:39] He was capable of chilling selfishness and inspiring generosity. He could dazzle people with his insights and madden them with his lies. He was a fundamentally shy man who could delight audiences with his colorful speeches. He was known for his healthy ego and often seemed deeply insecure. Many people learned to accept Ellison's contradictory nature. [14:01] In 1970 sales of packaged computer programs amounted to only $70 million for the entire year. [15:55] There is a book called The HP Way. I did a podcast on it (Founders #29) [16:20] The Oracle Way was simply to win. How that goal was achieved was secondary. [17:18] Ellison's early life left a lot to be desired. He was never very happy with the humdrum facts of his life so he changed them. Beginning when he was a child, and continuing into his days in the Forbes 400, Ellison lived partly in a world of his own invention. [18:15] He wasn't going to be smothered by the dreary circumstances of his life. He was going to leap over them. [20:13] Larry reads a lot of biographies. One person he admired the most was Winston Churchill. He had a lot in common with Churchill. Both were mediocre students. Both desperately sought the approval of their fathers to no avail. And both were witty, insatiably curious, and charming when it suited them. Reading about Churchill reassured him that even ‘gods have moments of insecurity.' [22:30] A description of Larry in his mid twenties: Ellison was extremely hard on himself. He had a mental image of where he should be and what he should be and he was not able to attain it. [25:19] He has incredible intelligence and he applies it with incredible intensity. [26:44] The subject he liked best was himself. He was forever telling people how wonderful he was, how smart he was, and how rich he was going to be. [29:50] For Ellison Oracle was a holy mission. [30:33] There was a problem. A sheet rock wall stood between the offices and the computer room. Scott said, “Larry, we need to hook up these terminals. How are we going to hook them up?” “I'll show you how.” Ellison replied. He grabbed a hammer and smashed a hole through the wall. Bruce Scott came to believe that Ellison's entire business philosophy could be summed up in that single act. Find a way or make one. Just do it. [32:41] Ellison could not have dreamed up a more amiable and helpful competitor than IBM. Think of the marketing of relational technology as a race, with Ellison and IBM as two of the main entrants. IBM taught Ellison to walk, bought him a pair of track shoes, trained him as a sprinter, and then gave him a big head start. How could he lose? [35:14] He was practicing. He was working. He knew there was a problem and he fixed it. [35:47] The idea that somebody else might take away Oracle's business was poison to Ellison. He understood the importance of locking up a large share of the market early. “How much does it cost Pepsi to get one half of a percent of the market from Coke once the market has been established?” he once asked rhetorically. “It's very expensive. This market is being established. If we don't run as hard as we can, as fast as we can, and then do it again twice as fast, it'll be cost prohibitive for us to increase market share.” [36:14] Larry put marketing first and everything else second. Average technology and good marketing beat good technology and average marketing every day. [39:17] My view is that there are only a handful of things that are really important and you should devote all of your time to those things and forget everything else. [40:46] I was not terribly forgiving of mediocrity. I was completely intolerant of a lack of effort. And I was fairly brutal in the way I expressed myself. [41:16] Kobe Bryant: I had issues or problems with the people who don't demand excellence from themselves. I won't tolerate that. [42:30] The guy that was in charge of Oracle's advertising in the early days of the company: My ads attack like a pack of speed crazed wolverines and have the same general effect on your competition that a full moon does on a werewolf. [44:00] Larry fundamentally believed that his company was going to be more important than IBM. You can't imagine how far fetched those ideas sounded. He would say he was here to become the largest software company in the world. People were taken aback. [45:32] Larry goes against consensus. Every single on of his advisors told him sell equity, sell equity, sell equity. And Larry just had a fundamental belief that that would be a mistake because the equity is going to be worth a lot more in the future. [46:21] There are only two kinds of people in the world to Larry. Those who are on his team and those who are his enemies. There is no middle ground. [48:03] Even when he was feeling his worst Ellison remained an optimist. A man who couldn't help looking forward. He lived in the future. [49:34] He was terrified he would fail, confirming his father's dark predictions about him. There was a note in his voice that you didn't usually hear with him—just scared, worried. [56:30] I am very competitive, and sometimes, when somebody does something really great, I get upset because I just feel like that isn't me. And my reaction to Steve [Jobs] wasn't competitive at all. I felt what he had done was so wonderful, and I was so proud of him, and I love him so much, it was almost as if I had done it. I didn't feel the least bit competitive. The wonderful thing about loving somebody else is that it can expand your ego in the best sense. If they do something great, you feel terrific about it. [57:38] The only things that are important in our lives are love and work. Not necessarily in that order. We work because work is an act of creation. We identify with it. Both love and work conspire to deliver some kind of happiness. If we can get reasonably good at both of them, we are in really great shape. [58:21] He's got the same problem the rest of us have. He has to engage in an enlightened pursuit of happiness. To figure out what makes him happy. Human beings are builders. He is going to have to find something he really wants to build. He is going to have to have some idea and create something out of that idea. —“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested, so my poor wallet suffers.”— GarethBe like Gareth. Buy a book. It's good for you. It's good for Founders. A list of all the books featured on Founders Podcast.

What I learned from reading The Difference Between God and Larry Ellison: God Doesn't Think He's Larry Ellison by Mike Wilson.If you want to listen to the full episode you’ll need to upgrade to the Misfit feed. You will get access to every full episode. These episodes are available nowhere else. Upgrade now.Notes and quotes from Founders #127:You want to know what I think about Larry Ellison? Well, I suppose he had some private sort of greatness but he kept it to himself. He never gave himself away. He never gave anything away. He just left you a tip. He had a generous mind. I don’t suppose anybody ever had so many opinions, but he never believed in anything except Larry Ellison.  That was the way Ellison’s mind worked. He was like a search engine gone haywire. I asked Ellison how he had seen his adult life when he was a kid. What he thought was going to happen to him. “You mean did I anticipate becoming the fifth wealthiest person in the United States? No. This is all kind of surreal. I don’t even believe it. When I look around I say this must be something out of a dream.”  Ellison is the Charles Foster Kane of the technological age. He is bright, brash, optimistic, and immensely appealing, yet somehow incomplete.  He worked in the computer industry for several years but never had a job that suited what he saw as his superior intellectual gifts.  The stockholder who benefited the most from Oracle’s performance was Larry Ellison, exactly what he intended. Ellison started the company because he wanted to be his own boss. And he stayed in control throughout his tenure at Oracle always holding onto enough stock that his power and authority could never be seriously challenged.  To him there was no power greater than the human mind.  What Larry reminds me of is a truth that Benjamin Franklin hit on 250 years ago. He says his mind was much improved by all the reading he did. There were very tangible results in Benjamin Franklin’s life when people found his conversations more enjoyable because he was a more interesting person to talk to—that led him being able to raise money for his business. It helped him close sales. Larry Ellison is very much the same way. When hiring, Ellison valued intelligence more than experience. He often looked for unruly geniuses instead of solid, steady workers.  If he hadn’t made me rich, I’d probably hate him because he is obnoxious. He is not nice to people.  He was capable of chilling selfishness and inspiring generosity. He could dazzle people with his insights and madden them with his lies. He was a fundamentally shy man who could delight audiences with his colorful speeches. He was known for his healthy ego and often seemed deeply insecure. Many people learned to accept Ellison’s contradictory nature.  In 1970 sales of packaged computer programs amounted to only $70 million for the entire year.  There is a book called The HP Way. I did a podcast on it (Founders #29)  The Oracle Way was simply to win. How that goal was achieved was secondary.  Ellison’s [early] life left a lot to be desired. He was never very happy with the humdrum facts of his life so he changed them. Beginning when he was a child, and continuing into his days in the Forbes 400, Ellison lived partly in a world of his own invention.  He wasn’t going to be smothered by the dreary circumstances of his life. He was going to leap over them. Larry reads a lot of biographies. One person he admired the most was Winston Churchill. He had a lot in common with Churchill. Both were mediocre students. Both desperately sought the approval of their fathers to no avail. And both were witty, insatiably curious, and charming when it suited them. Reading about Churchill reassured him that even ‘gods have moments of insecurity.’  A description of Larry in his mid twenties: Ellison was extremely hard on himself. He had a mental image of where he should be and what he should be and he was not able to attain it.  He has incredible intelligence and he applies it with incredible intensity.  The subject he liked best was himself. He was forever telling people how wonderful he was, how smart he was, and how rich he was going to be.  For Ellison, Oracle was a holy mission.  There was a problem. A sheet rock wall stood between the offices and the computer room. Scott said, “Larry, we need to hook up these terminals. How are we going to hook them up?” “I'll show you how.” Ellison replied. He grabbed a hammer and smashed a hole through the wall. Bruce Scott came to believe that Ellison's entire business philosophy could be summed up in that single act. Find a way or make one. Just do it. Ellison could not have dreamed up a more amiable and helpful competitor than IBM. Think of the marketing of relational technology as a race, with Ellison and IBM as two of the main entrants. IBM taught Ellison to walk, bought him a pair of track shoes, trained him as a sprinter, and then gave him a big head start. How could he lose?  He was practicing. He was working. He knew there was a problem and he fixed it. The idea that somebody else might take away Oracle's business was poison to Ellison. He understood the importance of locking up a large share of the market early. “How much does it cost Pepsi to get one half of a percent of the market from Coke once the market has been established?” he once asked rhetorically. “It's very expensive. This market is being established. If we don't run as hard as we can, as fast as we can, and then do it again twice as fast, it’ll be cost prohibitive for us to increase market share.”  Larry put marketing first and everything else second. Average technology and good marketing beat good technology and average marketing every day.  My view is that there are only a handful of things that are really important and you should devote all of your time to those things and forget everything else.  I was not terribly forgiving of mediocrity. I was completely intolerant of a lack of effort. And I was fairly brutal in the way I expressed myself.  Kobe Bryant: I had issues or problems with the people who don’t demand excellence from themselves. I won’t tolerate that.  The guy that was in charge of Oracle’s advertising in the early days of the company: My ads attack like a pack of speed crazed wolverines and have the same general effect on your competition that a full moon does on a werewolf.  Larry fundamentally believed that his company was going to be more important than IBM. You can’t imagine how far fetched those ideas sounded. He would say he was here to become the largest software company in the world. People were taken aback.  Larry goes against consensus. Every single one of his advisors told him sell equity, sell equity, sell equity. And Larry just had a fundamental belief that that would be a mistake because the equity is going to be worth a lot more in the future.  There are only two kinds of people in the world to Larry. Those who are on his team and those who are his enemies. There is no middle ground.  Even when he was feeling his worst Ellison remained an optimist. A man who couldn’t help looking forward. He lived in the future.  He was terrified he would fail, confirming his father’s dark predictions about him. There was a note in his voice that you didn’t usually hear with him—just scared, worried.  I am very competitive, and sometimes, when somebody does something really great, I get upset because I just feel like that isn’t me. And my reaction to Steve [Jobs] wasn’t competitive at all. I felt what he had done was so wonderful, and I was so proud of him, and I love him so much, it was almost as if I had done it. I didn’t feel the least bit competitive. The wonderful thing about loving somebody else is that it can expand your ego in the best sense. If they do something great, you feel terrific about it.  The only things that are important in our lives are love and work. Not necessarily in that order. We work because work is an act of creation. We identify with it. Both love and work conspire to deliver some kind of happiness. If we can get reasonably good at both of them, we are in really great shape.  He’s got the same problem the rest of us have. He has to engage in an enlightened pursuit of happiness. To figure out what makes him happy. Human beings are builders. He is going to have to find something he really wants to build. He is going to have to have some idea and create something out of that idea. If you want to listen to the full episode you’ll need to upgrade to the Misfit feed. You will get access to every full episode. These episodes are available nowhere else. Upgrade now.

This episode was re-uploaded due to errors in the original audio file. The episode was originally uploaded on March 19th, 2020. After a week hiatus we return to your feed to discuss the fictitious life of Charles Foster Kane and how it prophetically parallels the life of Orson Welles: the director, writer, and actor who […]

Nueva ración de Xanadú unplugged en la que un servidor, William Randolph Hearst, opina a propósito del PIN parental mientras su compañero de fatigas, Charles Foster Kane, acude en Viena a un concierto (quizá el último) de John Williams para dejar de escuchar su devaneos.

80 years before Jeff Bezos owned the Washington Post, a wealthy heir named Charles Foster Kane picked up a struggling New York newspaper. We watched Orson Welles' CITIZEN KANE (perhaps you've heard of it?) to see what it could tell us about oligarchy and the media. PLUS: Joe Biden's "gaffes," Bernie Sanders v. the Washington Post, a rightward turn in Canadian media, and the clown prince of crime. "You Must Be This Conservative To Ride: The Inside Story of Postmedia’s Right Turn" by Sean Craig - https://www.canadalandshow.com/the-conservative-transformation-of-postmedia/ "Why Joe Biden's Campaign is Struggling" by Philip Elliott - https://time.com/5634771/joe-biden-problems/ "Orson Welles as Ideological Challenge" by Jonathan Rosenbaum Part 1: http://www.jonathanrosenbaum.net/2018/02/orson-welles-as-ideological-challenge/ Part 2: http://www.jonathanrosenbaum.net/2018/02/orson-welles-as-ideological-challenge-part-2/ See Luke discuss Canadian philosopher George Grant at House of Anasi Bookstore on August 21, 7pm - https://www.eventbrite.com/e/great-books-toronto-reading-george-grant-with-house-of-anansi-press-tickets-68004933587

Wildly heralded as one of the greatest films of all time, Citizen Kane is a masterpiece. We finally sat down to watch it, and can now say that it deserves to be there without question. Orson Welles was years ahead of his time, and a total babe. Citizen Kane asks the question, can a word define a man, and by looking back at Charles Foster Kane's life, we learn the power that words and actions have on a man's life.  Have you seen it?! What word would you use to define your life? Let us know. We're @wehavethoughts3 on twitter and instagram. We like making new friends.  #CitizenKane #OrsonWelles #AFI #Rosebud #TCM #MovieReview

in which Andy and guest Matthew Westfox from the Superhero Ethics Podcast talk about what shaped Tony’s memories of his father, the shift in Tony’s business perspective, and how those closest to Tony react to his announcement Film Sundries Thank you for supporting Marvel Movie Minute on Patreon! Watch this film: iTunes • Amazon • Netflix • Hulu • YouTube Join the conversation on Discord Script Transcript Original teaser trailer Original theatrical trailer Original poster artwork Art of the Title Original Material Subscribe to the Superhero Ethics Podcast Follow Matthew Westfox on Twitter

Ron and Ed talk to Schmoedown Champ William Bibbiani about his Nerd GOAT: Charles Foster Kane from Citizen Kane! Brace for top-shelf film-geek pretentiousness! Bibs is a prolific critic and commentator. Listen to his podcasts CRITICALLY ACCLAIMED and CANCELED TOO SOON on the Schmoes Know Network. Subscribe on Patreon for his delightful premium pod ONLY THE BEST, in which he and his co-host watch every single Best Picture nominee ever, in order, in a row. And follow him @williambibbiani on Twitter and @wbibbiani on Instagram! — QUOTES: “I love the ‘Step Up’ movies. You’ve seen all five of them, right?” “Just when you think Trump’s about to say something kind of human, he says, ‘But the real message I think we can take away is Kane married the wrong woman.’” “One of the financiers was the brother of the Shah of Iran, so when there was a revolution in Iran, the movie became property of Iran.” “This concept, that most of the time genius is rewarded…That’s the stupidest thing I ever heard in my f**king life.” “When you have everything and none of your life has the urgency of human wants, basically all you have is how you are perceived.” “That isn’t horror, it’s a coming-of-age drama with a demon clown.” — COME SEE RON'S BIRTHDAY SHOW! Ron performs LIVE in LA at Jeff May's MINT ON CARD SHOW @ Blast From The Past in Burbank, CA! It's FREE! See Ed MERCILESSLY DESTROY on Movie Fights, and catch him every Wednesday on the Screen Junkies Universe livestream! SUBSCRIBE TO OUR PATREON for bonus episodes, movie reviews, and behind-the-scenes content! Subscribe, rate and review Nerd GOAT on Apple Podcasts, Stitcher, or your favorite podcast app. Follow Bail Bonds Media on Instagram!

Allie, Evan, Kristina and Max discuss Floating City by Kerri Sakamoto and the parallels to one Charles Foster Kane (1:20); how feeling entitled whilst having a chip on your shoulder is the worst combo (7:30); Evan is the podcast's Macklemore (13:19); Kerri Sakamoto joins the conversation (17:09); when victims of racism don't end up being the nicest of people (19:29); the most wondrous building in Toronto (26:24); ‘Stardust', Wong Kar-Wai, and a brilliant friend (29:26)

On this episode of Whole Life Healing, Dr. Alex discusses the idea of having a great life and the steps that we can take to make our lives great for us.  The questions to ask yourself (pray and/or meditate) on the quest for a great life are: What is keeping me from being great or having a great life? What is keeping each of my relationships (spouse, parent, friend, boss, child, etc.) from being great? What would have to change in order for me to have a great life? What internal things need to change? What should I start or stop doing? Perhaps one of the most broadly recognized stories of greatness is portrayed in the movie Citizen Kane, where the main character, Charles Foster Kane, delivers the key line “If I hadn't been very rich, I might have been a really great man.” Time and again, we have seen and heard stories of people who threw away the simplicity of their lives and their deep relationships in order to progress in their careers and become rich only to find that they are lonely and unfulfilled with their riches in the end. It is important to remember that while we may measure other people's greatness by things they have attained externally, greatness is a very personal and internal thing that is specific to each person. Trying to compare yourself to others will only lead to disappointment. When you give up your desire for external greatness in exchange for working on your internal harmony with spiritual principles, you are truly on the path to greatness in your life.   You can join Dr. Alex each Wednesday for a free Whole Life Healing seminar on a variety of topics covering health, wellness, relationships, success, addressing mind, body and spirit; living the whole life. They are held every Wednesday afternoon and are completely free to anyone who would like to join. As a bonus, a few callers can get on the call a free personal custom code for any issue bothering them the most right now.  https://www.dralexanderloyd.com/calls

Hablamos de películas en la que lo que ocurre cuando eres demasiado inteligente o demasiado bobo, como "Charly" o "Sin límites", así como novelas como "Flores para Algernon" para ilustrar el tema antes de mostrar cuánto hay de ciencia en los test de inteligencia y qué otros factores son también importantes pero a menudo no se valoran. (Todo eso, disculpad, con una calidad de sonido inferior a la habitual... disculpad, somos tontos). Duodécima edición del podcast sobre cine y ciencia "Xanadú: Hearst & Kane". Una mansión extraordinaria situada en la cima de una colina donde departiremos amigablemente, café negro vienés en mano. Bienvenidos a nuestra sala de estar, mientras afuera llueve y en la chimenea crepita un acogedor fuego. Las velas LED iluminan la estancia. El ciclotrón de nuestro sótano explora el mundo subatómico. Y nosotros, Charles Foster Kane y William Randolph Hearst, tan felices.

Special guest Captain Stuart Foley of the YouTube channel Trekyards joins hosts Jeremiah and Chris over the interwebz to watch the 1986 animated classic, "Transformers: The Movie". Otherwise known as the film that broke a million children's hearts (no spoilers). It had a great cast for an animated toy commercial, such as John Bender as Futuristic Pink Sports Car Robot, Spock as Ugly Purple Laser Cannon Robot and Charles Foster Kane as Planet Eating Robot. We've got the touch!

Stephanie Carey and her husband Adam Carey have purchased the Kansas City alternative newspaper THE PITCH back from a media consortium, and now media nerds from KC own the local voice of the people again. Stephanie talks to Brock Wilbur and Vivian Kane about a life in media, including the worst first day on a job of all time, and the process by which you go all Charles Foster Kane and buy a newspaper.

'The Founder' tells the story of Ray Kroc, a businessman once described as a “Chamber of Commerce Gordon Gekko” by Matt Zoller Seitz. Played by Michael Keaton, Kroc sluggishly but deliberately breaks bad in an attempt to acquire the McDonalds fast-food chain, and take for himself a chunk of the American dream. Written by Robert Siegel, 'The Founder' has a similar underdog theme to his 2008 film, 'The Wrestler.' Beautifully-crafted, 'The Founder' follows Kroc as he sheds his Willy Loman skin to become a Charles Foster Kane. In doing so, he only needs to crush anyone who gets in his way. We spoke with Siegel about making your protagonist be your antagonist, using research to get into your characters’ heads, and writing for outsiders. Stay up-to-date on other creative advice at www.creativeprinciples.live

The Great Milenko by Insane Clown Posse. Cameron and Nathan continue to investigate the music—nay, the phenomenon—of the Insane Clown Posse, with their 1997 album The Great Milenko. Along the way, they digress a lot, ending up talking about mom’s spaghetti and other fine foodstuffs. It's not so much that they don't like the album or anything, it's more that they find it very hard to remain on-topic.  Learnin’ Links: Genmaicha Nemo: Heart of Ice, which features Charles Foster Kane (of Citizen Kane fame) as a character Edward Said’s book Orientalism Faygo A forum thread about the phrase “rode hard and put away wet” Good Christian Fun podcast Steve Taylor ICP in the WWF Alice Cooper on The Muppet Show Weird Al’s Song “Couch Potato” “The Streets of Cairo, or the Poor Little Country Maid” Listen along to The Great Milenko on Spotify here. You can support us in several ways: Kick us a few bux on Patreon! By becoming a supporting member, you'll gain access to special bonus episodes! Buy T-shirts, sweatshirts, and more at our merch page!

"Rosebud..." Those were the last words on Charles Foster Kane's lips as the snowglobe dropped to the floor, shattering. A tear rolled down his face as he looked upon the crumpled diaper on the fireplace mantle. He let out his last breath. Alone amongst his sculptures in Xanadu... What did that last word mean? Find out on this week's episode, where we reboot Orson Welles' 1941 classic film as NETIZEN KANE 2.0! If you have any suggestions for future episodes, go ahead and tweet to us at @thatsnotpod. You can also drop us a line at thatsnotpod@gmail.com. A special thanks this week to Andy Serkis. There's nothing that you and hundreds of special effects artists can't do.

Desde su primer e increíble plano-secuencia, esta película deja en claro que el color y el movimiento serán un envoltorio permanente de una historia autoconscientemente manida, la que a su vez envuelve un centro duro, oscuro y triste como el Rosebud del Charles Foster Kane. Los clásicos citados y homenajeados no están ahí para que escudarse en su grandeza sino para dar las pistas y el tono a una tragedia inevitable (privada y pública), cuya amargura es exacerbada por un perverso y perfecto "happy-ending". De eso, de Whiplash (2014) y de otras cosas, más hablamos en el podcast.

In this episode of hypothetical movie, the B-Movie Bros discuss what would happen if Johnny from "The Room" (Tommy Wiseau) met Charles Foster Kane "Citizen Kane (Orson Wells).

No episódio de hoje, Fred e Alexandre recebem o primeiro convidado especial do PFC, o podcaster Marcelo Zagnoli (TigreCast) e juntos investigam os segredos do excepcional “Cidadão Kane” (Citizen Kane, 1941), filme do estreante Orson Welles, garoto prodígio que chega à Hollywood com apenas 24 anos, dirige seu primeiro longa-metragem e muda a história do cinema para sempre. A produção americana da RKO, que durante muito tempo se manteve no topo da lista de melhor filme já feito, finalmente chega ao Podcast Filmes Clássicos em episódio especial com mais de duas horas de duração. Entretanto, é nossa opinião que foi pouco tempo para um filme de tamanha estatura e importância, pois é um dos poucos que podemos dizer com certeza que influenciou tudo que veio a seguir. Embarque nesta viagem à Xanadu atrás da identidade do verdadeiro Charles Foster Kane!

We are back with a new format and a new direction! Join Adolfo Acosta and new co-host Mark Espinosa as we discuss, arguably, the greatest film of all time: CITIZEN KANE!On this show:• How did we first experience the film?• The pros and cons of Laserdisc• How did Orson Welles get into Hollywood, including a discussion on the War of the Worlds Broadcast• Discussions on both THE BATTLE OVER CITIZEN KANE and RKO 281• If you're Orson Welles, how do you top CITIZEN KANE?• The similarities between Charles Foster Kane and William Randolph Hearst• The brilliance of the narrative device and how innovative it was• Gregg Toland's gorgeous cinematography• Rosebud: What does it symbolize and does it matter?• The greatest dirty joke in movie history• The similarities between CITIZEN KANE and THE INTERVIEW. (Yes, we make a connection!)• How did Hearst blackmail the Hollywood studios to almost kill CITIZEN KANE• HOW GREEN WAS MY VALLEY is the FORREST GUMP of 1941• What happened to Welles post-KANE?• How did the film, after its initial box office failure, become to be regarded as the greatest film of all time?•What other box office bombs of the modern era could potentially be considered a classic in 40 years?• Orson Welles as Jesus?• And much more!

Título original Citizen Kane Año 1941 Duración 119 min. País Estados Unidos Estados Unidos Director Orson Welles Guión Orson Welles & Herman J. Mankiewicz Música Bernard Herrmann Fotografía Gregg Toland (B&W) Reparto Orson Welles, Joseph Cotten, Everett Sloane, George Coulouris, Dorothy Comingore, Ray Collins, Agnes Moorehead, Paul Stewart, Ruth Warrick, Erskine Sanford, William Alland, Alan Ladd Productora RKO / Mercury Theatre Productions Género Drama | Periodismo. Película de culto Sinopsis Un importante magnate estadounidense, Charles Foster Kane, dueño de una importante cadena de periódicos, de una red de emisoras, de dos sindicatos y de una inimaginable colección de obras de arte, muere en Xanadú, su fabuloso castillo de estilo oriental. La última palabra que pronuncia antes de expirar, ”Rosebud”, cuyo significado es un enigma, despierta una enorme curiosidad tanto en la prensa como entre la población. Así las cosas, un grupo de periodistas emprende una investigación para desentrañar el misterio.

This 4th of July we celebrate the uniquely American life and times of Charles Foster Kane as Chris, Sarah, and Tim discuss Orson Welles' Citizen Kane. Does this much-exalted film deserve its status as a classic? Warning: Contains explicit language, spoilers, and dramatic crimitism... criticism... I am drunk.Subscribe to our podcast on itunes here.Listen to us on Stitcher here.

Join Sam, Gabe, Tom, and Mike as they have a tycoon tussle of titanic proportions as Daniel Plainview and Charles Foster Kane step into the ring. Who will drink who's milkshake!? It's There Will Be Blood takes on Citizen Kane!

Orson Welles' most mysterious film has him playing a sinister international tycoon who, like Charles Foster Kane, is obsessed with his past, which he can't remember -- or can he? A motley assortment of the director's pals fill out the various roles, including then-wife Paola Mori.