Podcasts about J Dilla

Host Nate Wilcox returns with cohorts Eugene S. Robinson, lead singer of the art-punk band Oxbow and veteran entertainment attorney Alexei Auld to continue their discussion of Netflix' Hip Hop Evolution. This week, they look at a new generation of producers who emerged in the late 1990s and early 2000s: Virginia's The Neptunes and Timbaland & Missy Elliott, Chicago's Kanye West and Detroit's J Dilla. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we celebrate 20 years of J Dilla. It's been 20 Years since his passing and we wanted to chop it up about what made J Dilla Legendary. Go Check out our Music Listen to WordPlay T. Jay's Music - https://youtube.com/@wordplaytjay Listen to Icarus Gray's Music - https://youtube.com/@IcarusGray Try our Sponsors Opus Clip - https://opus.pro/?via=wptj Ground News - 40% off - https://check.ground.news/wptj SubmitHub - https://submithub.com/coupon/wordplaytjay Amazon Music Unlimited - https://tryamazonmusic.com/Qy5x96 Watch Us On YouTube: https://www.youtube.com/@NoRhymeorReasonPodcast Follow Us on Social Media Follow Icarus Gray - https://instagram.com/icarus_gray Follow WordPlay T. Jay - https://instagram.com/wordplaytjay

"Algorithms can't silence the beat of the brave..." - Chuck D This one has been a challenge to get together in time (thanks Numa Pompilius), but here we are! We've got J Dilla and Big L in the mix (dropped the ball on a Big Pun record that went missing

Vu sur Beatume 192 : Spéciale Sampleur-samplé x J Dilla Émission spéciale Sampleur-samplé x J Dilla Hommage à James Dewitt Yancey (7 février 1974 – 10 février 2006) aka J Dilla, producteur visionnaire du groupe Slum Village et du crew des Soulquarians. Nous revisitons une partie de ses productions mais surtout les morceaux originaux qu'il a diggé dans la soul et la funk, pour les […] Cet article provient de Radio AlterNantes FM

A new song from Slowe. A wonderful track from Augustin Coombe. Broken Beat from Rosie From the Block, IZCO feat Camille Munn and KASIA. Dancefloor Beats from Mr Scruff, Lovellious and Chris Bangs. Drum & Bass from Calibre remixing Sun Ra Arkestra, Peshay and S.P.Y. Rap from Salimata and Natives From Da Undaground feat Crystal Clear (co-produced by J Dilla). Plus plenty more music treats.

Full show: https://kNOwBETTERHIPHOP.com Artists Played: unselftitled, Yasiin Bey, Mos Def, conshus, E-TURN, J DILLA, CYNE, Nujabes, Minmi, Alexis Taylor, Lola Kirke, Travisty the Lazy Emcee, DJ Kawon, Curtis Harding, MIGHTYHEALTHY, Sankofa, Say She She, Odell, MidaZ the BEAST, King Owusu, Pachakuti, young.vishnu, Substantial, Stacy Epps, Blu, Miguel, Paradox, DJ Sean P, Adam and the Flood, phantomshino, Shad, Shing02, Samm Henshaw, Bilal, Pete Rock, Jake Palumbo, Psycho Les, Q-Unique, OutKast, GOODie MOb, IMAKEMADBEATS

Before the legend, before the mythology... What was it really like recording with J Dilla in the early Detroit days? Then I sit down with Beej to remember the studio sessions, the sound, and the energy of that time. A story about music, friendship, and a moment we didn't know would become history.Stay connected:* YouTube - https://www.youtube.com/@shannoncasonstoryteller* Instagram - https://www.instagram.com/shannoncason/* Twitter - https://twitter.com/shannoncason* Facebook - https://www.facebook.com/ShannonCasonTalks* TikTok - https://www.tiktok.com/@shannoncasonSupport the stories:* Patreon - https://www.patreon.com/shannoncason* CashApp - https://cash.app/$ShannonCason* PayPal - https://www.paypal.com/paypalme/homemadestories1* Merch & more - https://www.shannoncason.com/Supporters get a mention on the next Homemade Stories Podcast! Hosted on Acast. See acast.com/privacy for more information.

Been awhile since I've done a J-Dilla dedication, thought I'd pull a few favorites and related tracks / covers from the crates for you all. All praise due! Tracklist: Hugh Hopper, Something for the People, Macy Gray, Visioneers, The Roots, Carlos Nino Miguel Atwood-Fergueson Georgia Muldrow, Jaubi

MAGZ FM 536 Simha - Frequency Bias Simha - Losing Focus Daykoda - Green Leaves fT Block Mameli Takatsuki Experiment - Aliens Dancefloor Takatsuki Experiment - My Shiny Sheep Scratchclart - 2 People ft Calista Kazuko + Paris Cesvette Silat Beksi - Break The Wall Merle - Fannie Likes 2 Dance Scratchclart - Black Gold Of The Sun ft Zinzile, Scotti Dee, Omagoqa, State OFFF, Mike Patrick, Junior Bailey & Dad La Note - Laboratorium Vice Beats - Breathe with Molly Upton Gabriel Teodros - Violent State J. Cole - What If Mr El - Prince Essassani Naima Farao - Vortex Amara Liora - Velocity Luther Vandross - Only Human Unknown Artist - Shape Shifting Unknown Artist - Wrong Side Prozack Turner - Leisure Rules (prod. by J Dilla)

durée : 00:04:18 - Les samples classiques de J Dilla - par : Max Dozolme - A l'occasion des vingt ans de la disparition du compositeur, DJ et rappeur américain James Dewitt Yancey, plus connu sous son pseudonyme J Dilla, Max Dozolme se penche sur quelques airs de cet artiste important du mouvement hip-hop et notamment sur ses citations discrètes d'airs classiques ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This week on Tri Verse, we dive deep into the connection between hip hop and anime. We talk about J Dilla's influence and how hip hop culture shows up in anime just as much as anime has inspired hip hop over the years

Sean runs through his picks for the 10 most underrated songs in J Dilla's production catalog. (Note: this is an updated take on 2024's 'Making Dill-Matic' episode) ⁠Patreon.com/thequestionshiphop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠questionshiphop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thequestionshiphop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Questions Hip-Hop: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sean Kantrowitz: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠

The Crew Back on SuperBowl Sunday to talk this wrestling shit from CM Punk vs Roman Reigns promo, to AeW PUTTING ON BETTER SHOWS AS OF LATE!Nkb420, Dotman211,and 3D With The Stats host a weekly discussion on Monday Night Raw, NXT, Friday Night Smackdown, AEW Dynamite, Rampage, and Collision. Enjoying the finest marijuana and alcoholic spirits, they delve into rumors, new signings, contract negotiations, and aspects of pop culture such as politics, music, and fashion. It's proclaimed as the greatest wrestling podcast in the world! #Nkb420 #Dotman211 #3dWitThaStatsss #SpoilerBear #HazeHopsnTurnbuckles #631Entertainment #Podcast #Apple #Spotify #wrestling #AEW #WWE #TNA #NJPW #ROH #NachoManStonedHabits #merch #VIRAL #YOUTUBE #TIKTOK #TIKTOKWRESTLING #YOUTUBEWRESTLING #WRESTLINGPODCAST #FYP #EXPLOREPAGE Hosted on Acast. See acast.com/privacy for more information.

(00:00:00) Frank Zappa - Burnt Weeny Sandwich / 1970 (00:34:16) Queensrÿche - Rage for Order / 1986 (01:07:12) J Dilla - Donuts / 2006

Happy Heavenly Birthday James Dewitt Yancey AKA Jay Dee AKA J Dilla.  It's been 20 years since we lost one of the most innovative and influential music producers of our time.   In our annual tradition on this day, we pay tribute to the life and work of J Dilla. #TurnItUp

Kirk's back again with another mixed bag. This time celebrating the birthdays of Al Johnson, Anderson .Paak, J Dilla, Geraldine Hunt, Major Harris, Leon Haywood & Lenny Williams. 40 year anniversaries of album releases from Nu Shooz, Princess, Gwen Guthrie, Lenny Williams & Toney Lee. All that & loads more. Turn it up & enjoy.   

Madlib bygger en katedral medveten om att han själv inte kommer att få uppleva slutförandet. Tidslinjen sträcks ut i hans musik som är full av lekfullt genrehoppande och innovationer. Lyssna på alla avsnitt i Sveriges Radios app. Madlib samlar själar och gör collage av viskningar och skuggor. Ger det förgångna mening och ett nytt liv när han hittar outforskade vägar i originalmusiken. Det handlar bland annat om Madlibs klassiska samarbeten som albumen med syskonsjälarna J Dilla (Jaylib) och MF Doom (Madvillain) samt den otippade alliansen med Freddie Gibbs. Efter Dillas bortgång gick Madlib in för allt ännu hårdare, och drog sig undan när han förfinade en ordlös kommunikation. Bilderna på omslaget till 2005-års album ”The further adventures of Lord Quas”, som kom nio månader innan Dillas död, hör ihop med ”Donuts”. J Dilla i fönstret medveten om sitt öde uppmanar Madlib att fortsätta göra sin grej, ”freak out”. Det ser ut som en överenskommelse mellan musikerna. Världen brinner och Dilla försvinner, medan Madlib lever vidare och förstärker viljan att experimentera hos såväl utövare i underjorden som hos mer kommersiella artister.Den andra och sista delen är baserad på två möten med Madlib. Mats Nileskär intervjuar även Peanut Butter Wolf, MF Doom, Freddie Gibbs, Cut Chemist, DJ Shadow, Oh No, Dudley Perkins, Georgia Anne Muldrow, Dur-Dur Band, Ata Kak och Large Professor.

▶ Monte le Son, le podcast # 107 20 ans ! 20 ans que J Dilla, compositeur majeur du rap américain, est décédé. Il n'avait que 32 ans, et laisse pourtant derrière lui un héritage majeur, qui dépasse largement la sphère hip-hop. Pharrel Williams, Kanye West, Erykha Badu, Flea des Red Hot Chili Peppers, ou encore le groupe Hiatus Kaiyote : tous reconnaissent avoir été fortement influencés par le beatmaker devenu légendaire. Afin de rendre hommage à Jay Dee, Salman et Daz ont décidé de lui dédier un épisode du podcast des passionnés de musique. De ses débuts à Detroit avec 1st Down puis Slum Village, aux collaborations folles avec D'Angelo, Common et les autres Soulquarians, en passant par son travail pour The Ummah et A Tribe Called Quest, ou encore Busta Rhymes, vous saurez tout sur la carrière de Dilla. Et pour apporter une véritable analyse de l'œuvre de l'artiste, et notamment ses nombreuses innovations techniques et rythmiques, MLS a réuni trois érudits à l'oreille fine : - le journaliste Raphaël Da Cruz - DJ Fab, pionnier du hip-hop en France et qui a côtoyé Dilla - Monomite, artiste/beatmaker (Jazzy Bazz, Alpha Wann, Prince Wally, Bonnie Banane, etc.) qui s'est beaucoup inspiré de J Dilla N'hésitez pas à naviguer entre les chapitres en fonction de vos intérêts ! ▶ Sommaire : 00:00 Introduction 04:36 Présentation de Raphaël Da Cruz 06:49 Présentation de Monomite 08:09 La dernière date de J Dilla, malade, à Paris 13:11 Présentation de DJ Fab 14:28 La soirée hommage, le 6 février 2026 15:24 Les origines de J Dilla 22:59 Ses débuts dans le rap et le rôle d'Amp Fiddler 28:00 Slum Village et Q-Tip le « pompeur » 37:18 Dilla Time : le rythme chez Jay Dee 46:52 Influence ou plagiat ? De Janet Jackson à Tupac 55:34 La période The Ummah et l'ultra-productivité 1:08:29 L'héritage dans le « hip-hop lofi » 1:10:43 Soulquarians, les avengers de la musique 1:27:50 Voodoo et l'ombre de Dilla 1:40:52 J Dilla le rappeur 1:49:02 Donuts, le testament 2:03:40 Le plus grand ? 2:08:27 Conclusion ▶ La playlist des reco : https://open.spotify.com/playlist/39BlEIIxhGNmUfNkjkNY6M?si=21ab521b99e548fb (les autres plateformes arrivent bientôt) ▶ Le répondeur : https://www.speakpipe.com/MonteLeSon_Podcast Technique : La Bouclette Montage : François Brétéché

Madlib är den ende som finns kvar av den heliga treenigheten. Lyssna på alla avsnitt i Sveriges Radios app. Medan musiker försöker hinna ifatt J Dilla och MF Doom reser Madlib vidare i sitt beatuniversum, fullt upptagen med att förändra föreställningen om det förgångna för framtidens musikälskare.Människor som mött honom nämner hans inbundna och tystlåtna personlighet. Erykah Badu säger att Madlib är så begåvad att det förmodligen gjort honom galen. Namnet är talande - mad liberation. Musiken blir en ordlös befrielse.När en av hiphopens mest mytomspunna och stilbildande producenter väl känner för att prata, vilket inte är så ofta, väljer han sina ord sparsamt och nästan lika noggrant som han selekterar samplingarna. Madlib påstår att han ibland tillbringar tre dagar i sträck i studion utan sömn, utan att förflytta sig från samplern och vinylhögen. Förmodligen färdas han någonstans.Den första delen av två bygger på två möten med Madlib. Mats Nileskär intervjuar även Peanut Butter Wolf, Oh No, Prince Paul, Randy Muller, Kashif, Bob James och Freddie Gibbs.

Episode 97: Robert Glasper. The career-defining, three hour deep dive with one of the most influential musicians of our time. In this conversation, Robert Glasper walks through his entire journey, from his upbringing and early musical foundations to becoming a Grammy-winning pianist, producer, composer, and cultural architect who reshaped the relationship between jazz, hip hop, and R&B. This is the most expansive interview Robert has ever done. He breaks down how he became the Robert Glasper we know and love, how he developed his voice, how to get gigs (and how to keep them), and how he built a meaningful career in music. He speaks openly about his philosophies on collaboration, artistry, leadership, and longevity, offering invaluable lessons for us all. The conversation includes rare stories about him with J Dilla, behind the scenes stories about working with Kendrick Lamar and Terrace Martin on To Pimp a Butterfly, including the creation of These Walls and the collaborative environment that defined that era. He reflects on his vision for Black Radio and how working with Erykah Badu led to their version of Afro Blue, one of the most iconic recordings of his career. Robert also discusses scoring the Miles Davis biopic Miles Ahead and getting to go through the Miles vault! He shares stories and lessons involving Quincy Jones, Herbie Hancock, Kenny Garrett, Terrace Martin, Bilal, Chris Daddy Dave, Lalah Hathaway, Thundercat, and many others. We talk about life lessons, fatherhood and integrity, He shares messages directly to singers and musicians about preparation, confidence, and showing up fully in every room. We also touch on the future of music and AI. This conversation is a complete document of a modern master artist reflecting on his life, career, and legacy in real time. And we have 100 laughing attacks while doing it. Here's my conversation with the great, Robert Glasper! Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Big thanks to our friends Moises.ai for supporting the show! If you need stems, they're the best in the game. Check them out! Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo https://www.instagram.com/gowithelmo/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Sur Tsugi Radio aujourd'hui, à 19h ce sont les globalisto sessions de l'ami Mo Laudi, juste avant, nous accueillerons Olivier Forest, co-fondateur du FAME, festival de films sur la musique qui sera de retour au printemps au Reflet Medicis. Olivier s'intéresse pour nous chaque mois à l'actualité cinéma et séries et craque pour la série Pluribus disponible sur apple tv. mais d'abord on va aller traîner du côté de la rue Jean-Pierre Timbaud dans le 11ème à Paris. Aux studios D, où on peut croiser Laurent Voulzy, Miki, Adrien Soleiman, Victor Le Masne, Philippe Katerine, SebastiAn ou Canblaster. Le D, c'est pour Dorémus, Bastien de son prénom. Sorcier du son et gars sûr de Charlotte Gainsbourg, Juliette Armanet, Christine & the Queens… mais aujourd'hui c'est lui le chef de bande. Take You Out c'est le premier album de Bastien D. qui vient de sortir. Un disque construit comme le planning des studios D, entre visites, rendez-vous, collaborations… Collages audacieux, inspirations 90's, fulgurances pop et synthés en liberté, avec son premier album Bastien D. marche sur les traces de tous ceux qui ont exploré cette zone entre hip hop et musiques électroniques, de DJ Shadow à Portishead en passant par J Dilla. Écouter Take You Out, c'est tomber sous le charme de mélancoliques mélodies enfumées où perce toujours une lumière singulière : il ne nous en fallait pas plus. Bastien d. est aujourd'hui l'invité de Place des Fêtes.

CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience, we recommend signing up for a paid subscription.Paid subscribers also get access to our CUJOPLEX Discord and The Weather Report, a monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. On our latest installment, filmmaker and Zohran Video Guy Anthony DiMieri joins us to talk to tell us about the wild twists and turns of his career as an indie filmmaker turned key contributor to the Zohran & SubwayTakes cinematic universes, dark woke, and why everyone is obsessed with Geese. We're removing the paywall for the next week so you can give it a listen.You'll also get an invite to our second reading group meet-up: a discussion of Richard Barbrook and Andy Cameron's seminal 1995 year essay, “The Californian Ideology,” and Fred Turner's recent article for The Baffler, “The Texan Ideology.” That's going down on Sunday, January 11.In 2005, the music and culture critics Simon Reynolds and Mark Fisher (RIP) began using the term hauntology — a riff on “ontology” — to describe an emergent genre in UK music, built from archival recordings from post-war England, vinyl crackle, and haunted, elegiac atmospherics. (Think: Burial, The Caretaker, and the eerie catalog of the label Ghost Box.) They borrowed the term from Jacques Derrida, who used it to describe a present haunted by futures that had never arrived; Reynolds and Fisher heard that idea vibrating through a generation of musicians excavating Britain's cultural memory.Fisher explored hauntology's political dimension, rooting the movement in a longing for Britain's pre-Thatcherite social democratic past and an affection for cultural touchstones like the BBC Radiophonic Workshop, Brutalist architecture, and films like The Wickerman. Reynolds, meanwhile, mapped its musical lineage—back to '90s hauntology predecessors like Boards of Canada and Broadcast, and across the pond to J Dilla-era hip-hop and underground movements like freak folk, hypnagogic pop, and chillwave.A recent CUJO reading group on the topic inspired us to invite Simon—the author of books like Rip It Up and Start Again, Retromania, and Futuromania (listen to our ep about it!)—to help us mark the 20th anniversary of hauntology and explore what it has to teach us about mobilizing the culture of the past in a way that feels meaningful and even forward-lookingSimon joins us to dig into the cultural factors that gave rise to hauntology, the 21st-century fetish for obsolete media, and the differences between hauntology and simple nostalgia or “retro.” We also talk about the pasts that continue to haunt us—from rave culture to Marxism—and he gives us a sneak peek at his forthcoming book, Still in a Dream: Shoegaze, Slackers and the Reinvention of Rock, 1984–1994, arriving in 2026.Listen to our HAUNTOLOGY PLAYLIST on Apple Music and YouTubeRead more of Simon on hauntology in Retromania: Pop Culture's Addiction to Its Own Past and over at ReynoldsRetroKeep up with Simon and his writing on blissblogFollow Simon on XAdditional reading:Jacques Derrida, Specters of Marx, The State of the Debt, the Work of Mourning and the New International, 1993.Mark Fisher, “October 6, 1979: Capitalism and Bipolar Disorder,” 2005.Simon Reynolds, “Haunted Audio, a/k/a Society of the Spectral: Ghost Box, Mordant Music, and Hauntology,” director's cut of an article in the November 2006 issue of The Wire.Mark Fisher, Ghosts of My Life: Writings on Depression, Hauntology, and Lost Futures, chapter 2, 2014. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

Tell Us How You Really FeelThe needle drops and the room changes—horns breathe, drums loosen, and a sampler starts talking back. We dive into the living thread between jazz and beat culture, from Congo Square and brass bands to dusty chops, off-grid drums, and the global scenes building tomorrow's standards today. The journey moves through the roots—rebellion, soul, spiritual release—into the eras of big band glory, commercial decline, and the underground that kept the flame alive until hip-hop cracked open the vault and let the swing back out.We explore how producers like DJ Premier, Pete Rock, J Dilla, Madlib, and Nujabes reintroduced jazz aesthetics to a new generation, turning horn riffs, Rhodes chords, and brushed cymbals into modern language. Along the way, we spotlight the cities and crews shaping the current wave: London's Yussef Dayes, Kamaal Williams, and Shabaka Hutchings; LA's Kamasi Washington and Terrace Martin; global innovators from Italy, Austria, Japan, and beyond. Labels and collectives like Jazz Is Dead bridge elders and explorers, proving the tradition evolves best when it's shared.Between records, we trade stories and facts that link technique to technology—Miles facing the band for deeper communication, Coltrane's relentless practice, Raymond Scott's early electronic machines, and how big band sessions birthed mic placement and room capture approaches that shaped modern studios and DAWs. Herbie Hancock reminds us that jazz is conversation: musicians, audience, and energy in constant exchange. Beat culture carries that forward—looping, bending, and improvising with machines as instruments. Ride with us, discover new artists and essential beat tapes, and feel the continuity: jazz never died; it reincarnated in the pads.If you felt the groove, subscribe, rate, and share with a friend. Drop a comment with your favorite jazz-sampled track and hit our Linktree to buy a tee shirt or buy us a coffee. Let's keep the lineage loud. Support the showEdited, Mixed and Mastered by GldnmndPodcast Website Link: The Rec Show PodcastSubscribe to Our YouTube Channel: Press Here

Le Choc du Siècle Musical Tu l'as senti venir, pas vrai ? Cette vague IA dans la musique, l'Intelligence Artificielle qui compose, mixe et masterise à la vitesse de la lumière. Elle t'a bluffé. Tu t'es dit : “Ok, c'est fini. L'IA groove mieux que moi.” ERREUR FATALE. Oui, l'IA musique écrit des lignes de basse techniquement « parfaites ». Oui, elle respecte le clic, la grille, le BPM. Mais la question n'est pas “si” elle peut le faire. La vraie question, c'est “comment” cette perfection tue ton âme musicale. Parce qu'un groove parfait est un groove mort. La machine ne transpire pas. Elle ne respire pas. Elle ne doute pas avant de poser une note. Et c'est précisément ce doute-là, cette tension fragile entre ton intention et ton imperfection,qui fait bouger les têtes, les hanches, et les cœurs. (chaleurwww) Si ta ligne de basse n'a plus de respiration, elle n'a plus d'âme.L'IA ne sait pas désirer la note. Elle la dépose. Toi, tu la vis.Johann Berby Ici, je ne vais pas te dire de fuir l'IA. Je vais te montrer comment la dompter. Comment la retourner contre elle-même. Et comment faire en sorte que, demain, quand ton public écoutera ton groove, il sente une chose que l'IA ne pourra jamais simuler : la vibration humaine. IA musique : Quand la Perfection Devient Toxique Avant de déclarer la guerre, faut connaître ton ennemi.L'IA, aujourd'hui, se divise en deux camps : les générateurs et les assistants. Les Générateurs IA (Suno / Udio) : Les Frankenstein du Groove Tu tapes “funky bassline 110 BPM” dans Suno ou Udio… et en trois secondes, tu obtiens un groove propre, dense, cohérent. Tu souris. Tu te dis : “Wow. C'est ça le futur.” Mais ce que tu n'entends pas, c'est le vide. Le rien entre les notes. Le silence sans tension. Le groove IA est parfait, mais il ne respire pas. Forces de l'IAFailles humaines fatalesVitesse hallucinante.Zéro micro-retard, tout pile sur le clic.Complexité rythmique bluffante (pour la musique occidentale).Ghost notes mal comprises, trop audibles.Cohérence harmonique totale.Aucune intention, aucune émotion Piège Mortel du Débutant : Tu t'habitues à la perfection froide.Ton oreille s'anesthésie.Tu confonds la propreté du son avec la puissance du groove.Résultat : tu deviens un bassiste robotisé, déconnecté de ton propre corps. Les Assistants IA (Moises / Lalal) : Les Scalpels du Son Eux, ce sont les outils que « j'aime ». Moises.ai ou Lalal.ai ne génèrent pas. Ils déconstruisent. Ils te permettent d'isoler la basse de Jamerson, la batterie de J Dilla, ou la voix de Stevie Wonder.Tu peux enfin écouter comment le vivant groove. Conseil :Utilise Moises pour écouter l'humain.Isole la basse d'un vrai musicien. Écoute sa respiration entre deux notes.Sens son corps, ses hésitations, son swing.L'IA devient ton microscope, pas ton remplaçant (et ça, je valide). La Menace Cachée : Le Double Piège du Débutant et du Pro C'est ici que ça fait mal. Parce que peu importe ton niveau, l'IA te menace différemment. Pour le Débutant : Le Mirage du Résultat Instantané Tu veux groover vite. Tu veux “sonner pro”.L'IA te donne tout, sans effort.Tu écoutes une ligne générée par Suno et tu te dis :“Ok, j'ai pigé le concept. Je suis dans le bon tempo.” Mais ce que tu ressens n'est pas du progrès.C'est une illusion de compétence. Tu n'as pas appris, ni maîtrisé quoi que ce soit. Tu as uniquement consommé un résultat. Et ton cerveau, manipulé par la dopamine, se dit : “Cool, j'ai avancé.”Sauf que non.Tu as remplacé l'effort par une gratification immédiate.Et la dépendance commence là (comme un drogue forte). L'illusion de progrès.L'IA te donne la sensation de maîtriser… alors qu'elle t'enlève la seule chose qui t'aurait permis de progresser : le ressenti (avec ton cœur, tes tripes, ton intuition). Tu finis par tourner en rond.Tu joues juste. Mais tu ne vis plus rien.Tu n'as plus de groove. Tu n'as plus d'histoire à raconter (c’est triste non ?). Le Plafond de Verre Créatif Toi, tu sais jouer.Tu connais tes modes, tes gammes, tes renversements d’accords à la basse et au piano.Mais chaque fois que tu testes un générateur IA, tu sens cette frustration sourde :“Elle ne comprend pas pourquoi je joue cette note-là.” Tu veux dire quelque chose avec ta musique et ton âme, mais elle ne parle pas ta langue.Parce qu'elle ne connaît pas ton intention, ton histoire humaine, ton unicité. Pour moi “Le groove commence là où la machine s'arrête.”Johann Berby Ce moment où tu poses ta note juste derrière le temps,où ton doigt hésite avant d'attaquer,où ton souffle se cale sur la caisse claire du batteur, c'est là que naît la magie. Et cette magie, aucune IA ne peut la simuler.Pas encore. Pas jamais. Ton intention, c'est ton ADN.C'est ton patrimoine rythmique.Protège-le comme ta plus grande richesse. La Contre-Attaque Humaine : Les 3 Piliers du Groove Vivant C'est ici que tout change.Tu peux continuer à craindre la machine…ou décider de redevenir humain à 5000 %. Pilier 1 : La Correction Chirurgicale Garde en tête ceci l'IA te donne la ligne.Toi, tu la rends vivante. Injecte ton souffle, ton histoire, tes douleurs, tes joies. Tes doigts. Ta respiration.Corrige la ligne IA à la main, sans quantizer (jamais quantizer un groove qui vient des tripes). Le secret : ne joue pas la ghost note, frôle-la.C'est la nuance entre “jouer” et “faire respirer”. Petit exercice de pig pour toi:Joue une ligne IA parfaite.Puis, refais-la avec un micro-retard, juste derrière la batterie.Sens ton corps. Sens le frisson.Tu viens de recréer le groove. Le groove, ce n'est pas “être dans le temps”.C'est “faire danser le temps avec toi et ceux qui t’écoutent.”Johann Berby La Dopamine Learning Comme dans n’importe quelle relation toxique, l'IA te trompe avec une fausse dopamine : le plaisir immédiat du résultat. Mais la vraie dopamine, celle qui te transforme, vient du progrès senti. Chez GLAP®, on appelle ça le Dopamine Learning.Chaque micro-victoire que tu vis crée une explosion de plaisir naturel.Ton cerveau apprend parce que ton corps groove.Pas parce que l'écran s'allume. La dopamine du vrai progrès, c'est ton corps qui groove, pas ton écran qui s'illumine. La Communauté Vivante Le groove, c'est une langue.Une conversation.Et une conversation, ça ne se fait pas seul devant une machine. L'IA t'isole. La communauté te relie. Victor Wooten le dit magnifiquement : “La musique, c'est un langage. On apprend en parlant avec d'autres.” Chez GROOVE LIKE A PIG®, tu n'apprends pas à copier l'IA.Tu apprends à corriger, ressentir, partager.Et c'est cette humanité collective qui crée la puissance. L'Appel à la Révolution L'IA n'est pas ton ennemie.C'est juste un brouillon.Un miroir de ta technique.Mais ton cerveau est l'usine, et ton corps est le temple. La machine ne respire pas.Toi, oui.Et c'est dans ce souffle que naît la vie. L'IA t'a donné le plan.À toi d'y injecter l'âme. La Révolution Commence Maintenant Tu veux ressentir un groove au lieu de le subir ?Tu veux apprendre à corriger l'IA en 5 minutes ? Rejoins le Défi 3 Jours : Humain vs Intelligence Artificielle.C'est la seule expérience où tu vas apprendre à battre la machine par le ressenti. “L'IA groove en code.Toi, tu grooves en chair.” FAQ – IA & Groove : Les 10 Questions Que Tout le Monde se Pose 1. L'IA peut-elle vraiment créer un groove humain ? Non. Elle peut le simuler, mais pas le ressentir. Elle ne respire pas, ne tremble pas, ne doute pas. 2. Quelle est la meilleure IA pour créer des lignes de basse ? Suno et Udio sont les plus puissantes, mais elles restent des robots de perfection. À toi d'y injecter ton âme. 3. Comment utiliser Moises.ai pour progresser ? Isole les pistes humaines. Étudie les micro-retards. Copie les erreurs. Ce sont elles qui créent la magie. 4. Pourquoi les grooves IA semblent plats ? Parce qu'ils n'ont pas de tension ni de relâchement. Tout est mathématique. Rien n'est viscéral. 5. Comment corriger une ligne IA ? Change la vélocité, respire entre les notes, frôle les ghost notes. Tu viens d'ajouter la vie. 6. Quelle est la différence entre feeling et timing ? Le timing, c'est la pulsation dans ton cycle rythmique (peu importe la métrique).Le feeling, c'est la vie dans la mesure. 7. L'IA remplacera-t-elle les musiciens ? Non. Elle remplacera les exécutants sans âme. Pas les créateurs de groove. 8. Qu'est-ce que le GrooveCamp Humain vs IA ? Un défi de 3 jours pour apprendre à corriger, ressentir et dompter la machine au profit de ton groove, ta créativité, ta sensibilité, ton unicité. 9. Est-ce accessible à tous ? Oui. Que tu sois débutant, pro ou simplement curieux, tu vas redécouvrir ton pouvoir humain. 10. Pourquoi devrais-je m'y inscrire ? Parce que tu veux redevenir vivant. Parce que tu veux groover, pas juste cliquer. Et en plus, c’est GRATUIT, donc pas d’excuse ! —->>>> Chez GROOVE LIKE A PIG® on adore la musique. Alors partage cet article sur les réseaux sociaux afin qu’il puisse aider, et encourager d’autres amateurs de basse motivés à progresser !

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On this week's episode, we look at who is eligible for the first time for next year's class of the Rock & Roll Hall of Fame.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayLIST OF ARTISTS WHO ARE ELIGIBLE FOR THE FIRST TIME FOR THE ROCK AND ROLL HALL OF FAME INDUCTION CLASS OF 2026:A Camp, Alicia Keys, As I Lay Dying, Avantasia, Avenged Sevenfold, Bayside, Ben Frost, The Black Dahlia Murder, Black Rebel Motorcycle Club, Blake Shelton, The Blow, Brand New, Breaking Benjamin, British Sea Power, Broken Social Scene, Bubba Sparxxx, Chromatics, Cloud Cult, Comets On Fire, The Constantines, The Coral, Cut Copy, D-Fuse, Dabrye, Damien Rice, Daniel Bedingfield, David Guetta, The Decemberists, Dirty Vegas, Disarmonia Mundi, Dresden Dolls, Dungen, Eclipse, El-P, Ex Models, Finch, Flobots, Fruit Bats, Gemini, Gojira, Gym Class Heroes, Hot Chip, India.Arie, J Dilla, Jack Johnson, Jon Hopkins, Josh Groban, Kaskade, Liars, LP, M83, Mastodon, mewithoutYou, Midlake, Miranda Lambert, Municipal Waste, N.E.R.D., The National, Norah Jones, Orgone, Peter Bjorn and John, PSY, Ray LaMontagne, Reigning Sound, RJD2, Sharon Jones & the Dap-Kings, Shearwater, Showtek, Solar Fields, Starsailor, Stephen Malkmus, The Streets, The Strokes, T.I., Tenacious D, Tiësto, Tim Hecker, Tinariwen, Tomahawk, The Vines, The Walkmen, Will.i.am, The Word, & the Yeah Yeah Yeahs.

Episode 78 du podcast par Loukoum, le retour ! (@loukoumzer) Loukoum - Derrière ce nom, un clin d'œil à 'Loukoums' de DJ Mehdi, une mixtape hommage à l'album 'Donuts' de J Dilla. Considéré par Mehdi comme un projet conceptuel fait d'inachevés, il rassemble des inspirations nées lors de ses différents projets passés. Toujours un pied dans le rap, un autre dans la musique électronique. À sa manière, Loukoum suit cette même logique : après près de 8 ans à raconter le rap français dans un média spécialisé, elle passe derrière les platines pour assembler ses propres inspirations. Si elle a grandi avec le hip-hop, son amour pour la house et la techno n'a jamais été loin, nourri par la scène de Chicago & Detroit (Robert Hood/Floorplan, Inner City, Larry Heard) et les nouvelles sonorités UK (Mark Blair, Mall Grab, Lemtom). Aujourd'hui, elle mélange ces influences dans des sets où la House reflète l'énergie brute du rap, avec toujours cette idée en tête : faire danser en racontant une histoire. Vous pouvez également retrouver ce podcast sur Apple Podcasts et sur YouTube. APRODMEDIA RADIO www.instagram.com/aprodmediaradio www.youtube.com/@aprodmediaradio/ LOUKOUM @loukoumzer https://www.instagram.com/loukoumusic/

On September 26, 1998, a video game made its debut in Japanese arcades. It was over seven feet tall and weighed just over 900 pounds. It had no characters, no story, no quests to fulfill or bosses to beat. What it had was a metal platform on which you were supposed to stand, put your feet into the right place at the right time, and dance. Join two music critics, long-ago players, and Sota Fujimori fans as they take you on the astonishing journey through the artists, influences, and innovators of Dance Dance Revolution, a game two and a half decades in the making and still going -- in homes, arcades, and expos. From its unexpected appearance to its social heyday to its reappearance in the American market, DDR has taken many forms -- not all of them sanctioned by Konami. It has spawned community, creativity, competition, lawsuits, 1,000+ songs that range from wacky to tacky to beautiful, and yes, a lot of dancing. While we were all leaning on the back bar, working up a sweat, DDR managed to change the world. Jessica Doyle has a Ph.D. in city planning and a love for writing about the connections between pop music, globalization, and the built environment. She cares for her family in the Atlanta suburbs. Jordan Ferguson is the author of J Dilla's Donuts, #93 in the 33 1/3 series of record guides, and co-host of the Geekdown, a podcast about fandoms. He lives and works in Toronto, Canada. Find him online @jordan_ferguson. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On September 26, 1998, a video game made its debut in Japanese arcades. It was over seven feet tall and weighed just over 900 pounds. It had no characters, no story, no quests to fulfill or bosses to beat. What it had was a metal platform on which you were supposed to stand, put your feet into the right place at the right time, and dance. Join two music critics, long-ago players, and Sota Fujimori fans as they take you on the astonishing journey through the artists, influences, and innovators of Dance Dance Revolution, a game two and a half decades in the making and still going -- in homes, arcades, and expos. From its unexpected appearance to its social heyday to its reappearance in the American market, DDR has taken many forms -- not all of them sanctioned by Konami. It has spawned community, creativity, competition, lawsuits, 1,000+ songs that range from wacky to tacky to beautiful, and yes, a lot of dancing. While we were all leaning on the back bar, working up a sweat, DDR managed to change the world. Jessica Doyle has a Ph.D. in city planning and a love for writing about the connections between pop music, globalization, and the built environment. She cares for her family in the Atlanta suburbs. Jordan Ferguson is the author of J Dilla's Donuts, #93 in the 33 1/3 series of record guides, and co-host of the Geekdown, a podcast about fandoms. He lives and works in Toronto, Canada. Find him online @jordan_ferguson. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

On September 26, 1998, a video game made its debut in Japanese arcades. It was over seven feet tall and weighed just over 900 pounds. It had no characters, no story, no quests to fulfill or bosses to beat. What it had was a metal platform on which you were supposed to stand, put your feet into the right place at the right time, and dance. Join two music critics, long-ago players, and Sota Fujimori fans as they take you on the astonishing journey through the artists, influences, and innovators of Dance Dance Revolution, a game two and a half decades in the making and still going -- in homes, arcades, and expos. From its unexpected appearance to its social heyday to its reappearance in the American market, DDR has taken many forms -- not all of them sanctioned by Konami. It has spawned community, creativity, competition, lawsuits, 1,000+ songs that range from wacky to tacky to beautiful, and yes, a lot of dancing. While we were all leaning on the back bar, working up a sweat, DDR managed to change the world. Jessica Doyle has a Ph.D. in city planning and a love for writing about the connections between pop music, globalization, and the built environment. She cares for her family in the Atlanta suburbs. Jordan Ferguson is the author of J Dilla's Donuts, #93 in the 33 1/3 series of record guides, and co-host of the Geekdown, a podcast about fandoms. He lives and works in Toronto, Canada. Find him online @jordan_ferguson. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

A quality track from the new Jamie Woon album. You need to check the tune from Leif Maine & Lex Amor & Wu-Lu & L.A. Salami. Anti-War Reggae / Dub form Robert Ffrench reissued by VP / Greensleeves. Soul from The Quantic Soul Orchestra feat Alice Russell covering D'Angelo (the Red Astaire version) and Wanda Felicia. Unique style percussive styles from Gasper Lawal on Strut. Rap from T-Love (produced by J Dilla) and Freestyle Fellowship (R.I.P P.E.A.C.E who sadly passed away recently). A great Drum and Bass tune from Trakker on Bristol's Sofa Sounds and S.P.Y's classic remix of Zero7 feat Sophie Barker. Plus plenty more music treats. 

Madlib bygger en katedral medveten om att han själv inte kommer att få uppleva slutförandet. Tidslinjen sträcks ut i hans musik som är full av lekfullt genrehoppande och innovationer. Lyssna på alla avsnitt i Sveriges Radio Play. Madlib samlar själar och gör collage av viskningar och skuggor. Ger det förgångna mening och ett nytt liv när han hittar outforskade vägar i originalmusiken. Det handlar bland annat om Madlibs klassiska samarbeten som albumen med syskonsjälarna J Dilla (Jaylib) och MF Doom (Madvillain) samt den otippade alliansen med Freddie Gibbs. Efter Dillas bortgång gick Madlib in för allt ännu hårdare, och drog sig undan när han förfinade en ordlös kommunikation. Bilderna på omslaget till 2005-års album ”The further adventures of Lord Quas”, som kom nio månader innan Dillas död, hör ihop med ”Donuts”. J Dilla i fönstret medveten om sitt öde uppmanar Madlib att fortsätta göra sin grej, ”freak out”. Det ser ut som en överenskommelse mellan musikerna. Världen brinner och Dilla försvinner, medan Madlib lever vidare och förstärker viljan att experimentera hos såväl utövare i underjorden som hos mer kommersiella artister.Den andra och sista delen är baserad på två möten med Madlib. Mats Nileskär intervjuar även Peanut Butter Wolf, MF Doom, Freddie Gibbs, Cut Chemist, DJ Shadow, Oh No, Dudley Perkins, Georgia Anne Muldrow, Dur-Dur Band, Ata Kak och Large Professor.

Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off using code onceadj10https://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsEmbarking on a profound exploration of the multifaceted artistry of Brian Cross, also known as B+, this episode delves into his pivotal contributions to the realms of hip hop and DJ photography. As we dissect his significant works, we illuminate the intricate interplay between music and visual narrative, particularly focusing on his celebrated projects such as the Keeping Time and Brazilian Time documentaries. We will traverse the vibrant landscape of hip hop culture, examining notable moments like the Beat Battle between Will I Am and Thess One, while also paying homage to a luminary like J Dilla through the Sweet for My Dukes project, an endeavor that transcends mere tribute to achieve a resonant eulogy. Our discourse invites DJs and enthusiasts alike to engage with the sonic and visual tapestry that B+ has masterfully woven, promising insights that are as enlightening as they are entertaining. Prepare to immerse yourself in a conversation that is not only a celebration of artistry but also a testament to the enduring impact of hip hop culture on visual storytelling.

Two Detroit titans for the price of one this month on Groovement - I was hanging with Guilty at the end of August when he was over for Jimi Goodwin's NightjaR gig, then we did a show at the Rat & Pigeon the following day, all courtesy of Broken Wing who brought him over to the UK. Phat Kat was here a year ago, performing at the sadly-missed Hip Hop Chip Shop , and we sat down before hand with Blacksmith, who was also on the line up. It's humbling to say the least to be in the presence of either of these two, let alone have them both on one radio show, so I extend my sincere thanks to both of them for their time and energy. Obviously they're both inexorably linked with the legacy of J Dilla, and we talk about him too, but they both very much fully carry the weight of their own art. Manchester producer and longtime friend of Groovement, Mecca:83, has both of these cats on his new album, so let's start with that track. DJAY ANA MAY on the co-hosting duties! 

Madlib är den enda som finns kvar av den heliga treenigheten. Lyssna på alla avsnitt i Sveriges Radio Play. Medan musiker försöker hinna ifatt J Dilla och MF Doom reser Madlib vidare i sitt beatuniversum, fullt upptagen med att justera föreställningen om det förgångna för framtidens musikälskare.Människor som mött honom nämner hans inbundna och tystlåtna personlighet. Erykah Badu säger att Madlib är så begåvad att det förmodligen gjort honom galen. Namnet är talande - mad liberation. Musiken blir en ordlös befrielse.När en av hiphopens mest mytomspunna och stilbildande producenter väl känner för att prata, vilket inte är så ofta, väljer han sina ord sparsamt och nästan lika noggrant som han selekterar samplingarna. Madlib påstår att han ibland tillbringar tre dagar i sträck i studion utan sömn, utan att förflytta sig från samplern och vinylhögen. Förmodligen färdas han någonstans.Del 1 bygger på två möten med Madlib. Mats Nileskär intervjuar även Peanut Butter Wolf, Oh No, Prince Paul, Randy Muller, Kashif, Bob James och Freddie Gibbs. Den andra delen publiceras i oktober.

Itunes iVoox Spotify Bienvenidas y bienvenidos todos. Aquí estamos, de nuevo, en el podcast de hacercanciones.com , un día más con el veneno de la música y las canciones recorriendo nuestras venas.  Como podéis comprobar, estoy inspirado, demasiado tal vez, (no me lo tengáis muy en cuenta) y, en cualquier caso, este estado de ánimo me va a venir bien para hablar del tema de hoy, de una técnica moderna, pero que ya tiene unas buenas décadas a sus espaldas, una técnica y unos dispositivos con los que podemos crear música de una forma distinta a las tradicionales. Me refiero a los samplers, a los dispositivos que utilizan muestras de audio para crear música nueva, lo que se suele llamar generalmente, sampling. #mailpoet_form_3 .mailpoet_form { } #mailpoet_form_3 .mailpoet_column_with_background { padding: 10px; } #mailpoet_form_3 .mailpoet_form_column:not(:first-child) { margin-left: 20px; } #mailpoet_form_3 .mailpoet_paragraph { line-height: 20px; margin-bottom: 20px; } #mailpoet_form_3 .mailpoet_segment_label, #mailpoet_form_3 .mailpoet_text_label, #mailpoet_form_3 .mailpoet_textarea_label, #mailpoet_form_3 .mailpoet_select_label, #mailpoet_form_3 .mailpoet_radio_label, #mailpoet_form_3 .mailpoet_checkbox_label, #mailpoet_form_3 .mailpoet_list_label, #mailpoet_form_3 .mailpoet_date_label { display: block; font-weight: normal; } #mailpoet_form_3 .mailpoet_text, #mailpoet_form_3 .mailpoet_textarea, #mailpoet_form_3 .mailpoet_select, #mailpoet_form_3 .mailpoet_date_month, #mailpoet_form_3 .mailpoet_date_day, #mailpoet_form_3 .mailpoet_date_year, #mailpoet_form_3 .mailpoet_date { display: block; } #mailpoet_form_3 .mailpoet_text, #mailpoet_form_3 .mailpoet_textarea { width: 200px; } #mailpoet_form_3 .mailpoet_checkbox { } #mailpoet_form_3 .mailpoet_submit { } #mailpoet_form_3 .mailpoet_divider { } #mailpoet_form_3 .mailpoet_message { } #mailpoet_form_3 .mailpoet_form_loading { width: 30px; text-align: center; line-height: normal; } #mailpoet_form_3 .mailpoet_form_loading > span { width: 5px; height: 5px; background-color: #5b5b5b; }#mailpoet_form_3{border: 1px solid #fcb900;border-radius: 40px;text-align: center;}#mailpoet_form_3 form.mailpoet_form {padding: 20px;}#mailpoet_form_3{width: 70%;}#mailpoet_form_3 .mailpoet_message {margin: 0; padding: 0 20px;}#mailpoet_form_3 .mailpoet_paragraph.last {margin-bottom: 0} @media (max-width: 500px) {#mailpoet_form_3 {background-image: none;}} @media (min-width: 500px) {#mailpoet_form_3 .last .mailpoet_paragraph:last-child {margin-bottom: 0}} @media (max-width: 500px) {#mailpoet_form_3 .mailpoet_form_column:last-child .mailpoet_paragraph:last-child {margin-bottom: 0}} Por favor, deja este campo vacío ¿Escribes canciones o te gustaría hacerlo? He leído y acepto la Política de Privacidad Con las Guías «El viaje de una canción» y «El viaje del músico independiente» de regalo Revisa tu bandeja de entrada o la carpeta de spam para confirmar tu suscripción.

When does Afro Blue and Smells Like Teen Spirit belong on the same record? When it's a Robert Glasper album! In 2012, Glasper's Black Radio brought together artists like Erykah Badu to bring a jazz standard, Afro Blue, back into the popular music canon. Black Radio hit #1 on the jazz charts, while simultaneously reaching #4 on the hip-hop R&B charts and #15 on the Top 200. The Blue Note pianist has been bending genres since the 90s, bringing together the best of traditional jazz and weaving it seamlessly with R&B, hip-hop, soul and rock & roll. And it all fits, because Glasper is equally at home in all of these categories. He grew up listening to all kinds of music, like Nirvana, Billy Joel, Busta Rhymes -- everything. Black Radio, he says, was a way to put his "life on wax". Rob Harvilla from 60 Songs to Explain the 90s: The 2000s joins Adam and Peter to dive into what makes this album great, and how it refutes from any attempt to categorize it. From the J. Dilla Influence, to Casey Benjamin's album-defining flute, to the Erykah Badu of it all, you'll never hear this album the same way again.And this album inspired what is possibly our best YHI outro yet. Let us know if you agree!

Award-winning Marvel cover artist: Mike Del Mundo stops by the show to talk about his brand-new book: The Marvel Art of Mike Del Mundo.  We talk about landing his first gig with Marvel after impressing editor C.B. Cebulski in 2010, collaborating with hip-hop heavyweights like Freddie Gibbs on Alfredo 2, creating legendary Marvel Hip-Hop Variant covers, and his viral J Dilla artwork. Plus, Mike reveals insights into his creative process with writer Jonathan Hickman, the story behind some of his all-time favorite covers, and the artists who inspire him most. The campaign for the book goes live on August 12th. Back it here:  https://www.kickstarter.com/projects/cloverpressart/the-marvel-art-of-mike-del-mundo-a-deluxe-art-book-and-more?ref=dxywl2 Watch the uncut video version of this episode here: https://youtu.be/XXPlUVRU0hs LINKS: Subscribe to The Short Box Podcast YouTube channel for video episodes!Join our Patreon Community, and get access to bonus episodes, free comics, and other rewards! Try a FREE 7-day trial: HERETake your comic shopping experience to the limit, by shopping online at Gotham City Limit!The Schiller Kessler Group  We read Fan Mail, send us some! Proudly sponsored by Gotham City Limit!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showREACH OUT!

Full show: https://kNOwBETTERHIPHOP.com Artists Played: conshus, DJ BMF, J Dilla, Teddy Pendergrass

  Welcome back to another episode of Hip Hop What Ifs! In this episode, we dive deep into the life and legacy of the legendary J. Dilla, aka James Yancey. Join hosts [Speaker 1] and Kyle as they explore the profound impact J. Dilla had on hip hop and beyond, from his early days with Slum Village to his groundbreaking production work that shaped the sound of a generation.

It's a Ruff Draft, but Moulz & Mel -- with @fromoldharlem sitting in for a full review for the first time in over a year -- are here to find out if Jay Dee, b.k.a. J Dilla, gave the world something that could pass for a finished product with his 2003 EP. --------------------------------- Intro (0:00) -- The Rating System, Explained (4:33 - 7:14) -- The Rap Rankings Game (34:46) -- This Week In Moulz & Mel (1:46:49) -- Ruff Draft Info (2:23:06) -- Jesse's House (2:35:13) -- Track 1: "Intro" (3:08:19) -- Track 2: "Let's Take It Back" (3:11:19) -- Track 3: "Reckless Driving" (3:27:55) -- Track 4: "Nothing Like This" (4:15:07) -- Track 5: "The $" (4:33:56) -- Track 6: "Interlude" (4:53:57) -- Track 7: "Make'em NV" (5:06:33) -- Track 8: "Interlude" (5:35:15) -- Track 9: "Crushin' (Yeeeeaah!)" (5:37:45) -- Track 10: "Shouts" (5:55:19) -- Ranking Ruff Draft (6:05:44) -- Outro (6:07:33)

Lock in to a groove and turn the vibes up to "Immaculate," this week the EarWax crew dives into The Roots' "Things Fall Apart."Cody and Hilary touch on the Soulquarians, and the sessions that resulted in some of the most stunning work of this era. "Things Fall Apart" was the result of two batches of sessions - one a host of Philadelphia community members and friend so the group. The next at Electric Lady Studios, with folks like Lady B, Mos Def, and J Dilla in the room."Things Fall Apart" is one of those records that you've heard, even if you haven't. Its thumbprint is all over contemporary hip-hop, soul, jazz, and R&B. With the group ready to break through, they created something that did more than break them, it locked them in as legends.Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

It's DILLA TIME This month's special is about Jay Dee aka J Dilla, a Detroit hip-hop producer's whose work is so prolific and influential his MPC sampler is in the Smithsonian. Dilla worked with hip-hop and R&B greats - Q-Tip, A Tribe Called Quest, Busta Rhymes, The Roots, The Pharcyde, D'Angelo, Common, Madlib and made his own signature rhythm that others copied - he used a sampler like no one had before. Through his unique methods of playing with layered timing, rhythmic expectation, polyrhythm, samples stretching and feel and his ability to bend time-signatures to his will, Dilla changed how music moves, and made Dilla Time (a term coined in the 2022 book of the same name by Dan Charnas). We explore his production work, solo music and the legacy of his final album from 2006, released three days before he died - Donuts - a sample psychedelic beat tape of melancholic beauty and a magic trick of sampling that serves as a towering and influential creative statement. The accompanying Dilla playlist. * Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord community Listen on Apple | Android  | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link  

B. Cox returns with a look back at Common's landmark fourth album, Like Water For Chocolate as it turns 25.After his breakthrough sophomore album 1994's Resurrection and his acclaimed third album 1997's One Day It'll All Make Sense, the Chicago emcee picked up his roots and moved to New York City and linked up with Questlove, The Roots and other creatives who were working within the Electric Lady Studios. There he collaborated with the aforementioned, D'Angelo, super producer DJ Premier, musicians such as keyboardist James Poyser, famed bass player Pino Palladino and horn legend Roy Hargrove among others. The catalyst for this collaboration, however, came from producer Jay Dee (bka J Dilla) who produced the lion's share of the album's tracks.The album was widely acclaimed up on release. It is has been RIAA certified gold and is considered along with 2005's BE as is his best work.Visit The Vault Classic Music Reviews Onlinewww.vaultclassicpod.comBuy Exclusive The Vault Podcast Merchandise!www.vaultclassicpod.com/storeSupport The Vault Classic Music Reviews on Buy Me A Coffeehttps://www.buymeacoffee.com/vaultclassicpodBuild Your Own Amazing Podcast Website In Less Than 5 Minutes!https://www.podpage.com/?via=ivecre8Show NotesAlbumism: Common's "Like Water For Chocolate" Turns 25 | Album Anniversary https://albumism.com/features/common-like-water-for-chocolate-album-anniversary#google_vignetteStereogum: 'Like Water For Chocolate' Turns 20https://www.stereogum.com/2077724/common-like-water-for-chocolate-review/reviews/the-anniversary/Grammy | Q&A: Common Tells Stories Behind 'Like Water For Chocolate'https://www.grammy.com/news/qa-common-tells-stories-behind-water-chocolate-its-20th-anniversarySupport this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sampling isn't a new concept—it's been around for decades. But its roots in hip-hop and R&B can be traced back to the 1970s and 1980s, when DJs and producers in New York City began experimenting with turntables and drum machines. One of the earliest examples of sampling comes from the legendary DJ Kool Herc, who's often credited as one of the founding fathers of hip-hop. Herc would isolate the *breakbeat*—the part of a song where the drums take center stage—and loop it to keep the party going. This technique laid the groundwork for what we now know as sampling. But it wasn't just about looping beats. Producers like Marley Marl, J Dilla, and later, Pete Rock and Dr. Dre, began taking snippets of vocals, horns, and basslines from soul, funk, and R&B records, and weaving them into entirely new compositions. Sampling became a way to pay homage to the past while creating something fresh and innovative. Of course, with innovation came controversy. As sampling grew in popularity, so did legal battles over copyright and ownership. Artists and record labels began suing producers for using their music without permission, leading to stricter laws and higher costs for clearing samples. But despite these challenges, sampling has remained a vital part of music production. Join me for this episode where we will explore the impact of DJ Kool Herc and some popular samples.

All the way from Brussels, Belgium - please welcome ECHT! bassist FEDERICO PECORARO to episode 084! An honor and privilege to connect across the world with a member of one of the most exhilarating bands I've had the good fortune of stumbling upon in many, many moons. An idiosyncratic quartet since 2017, ECHT! (Brusselier for ‘The Real Thing') is remarkably adept at reverse engineering electronic music, a modus operandi of progressive-minded live instrumentation unleashed on a lava-like level beyond your wildest imagination. These brilliant lads blend a malevolent concoction of 'Belgian Trap Jazz' that oscillates through soundscapes of sonic revolution. On March 7, 2025 ECHT! will release their highly-anticipated third full-length LP Boilerism via the Sdban Ultra label. 00:00 - episode 084 preview 03:40 - The Upful Update 07:25 - introducing FEDERICO from ECHT! 13:30 - interview w/ Federico Pecoraro [72 min] 1:24:50 - afterglow > ViBE Junkie Jamz Your humble narrator randomly discovered ECHT! via debut LP INWANE, during a lysergic intercontinental deep dive in early January 2022. In the interim three years, the band has been omnipresent in my ear goggles, and I've enthusiastically evangelized the mighty ECHT! everywhere I've set foot, copious festivals and dancefloors from coast to coast . Thanks to Seb at Sdban Ultra, I finally had the pleasure to conversate with ECHT! low-end technician Federico via the interwebs, 5pm in Brussels, 8am here in the East Bay.  For over an hour, we unpack the bombastic unicorn magic that makes ECHT! tick tick boom! Including - but not limited to: new LP Boilerism; embryonic band origin story; the concept/execution of the ECHT! brand of kaleidoscopic sound art; four musicians moving as one organism; the Brussels sound/scene; influences/inspirations from J Dilla to Jonwayne, Skee Mask, Aphex Twin, and even D'Angelo(!); the challenging realities of touring internationally; bouncing back from injuries; programming a live set; their individual and collective creative process, keeping the music in constant evolution; sick side projects, and so much more. ECHT! bio A **deep bow** of gratitude to Federico, the members of ECHT!, and Seb at the label, for making this mothership connection possible. Large Up all dearly beloveds for tuning in to *The Upful LIFE Podcast*. - bg ViBE Junkie Jamz ECHT! 1. Chris Dave & Daniel Crawford - “Takin Orders” > Ashley Morgan - “DOUBLESIZE” > De La Soul - “The Bizness” (Brewmix vol.1, 2021) 2. “Charlier” - INWANE 2021 3.“Boilerbeek” - Boilerism 2025   ECHT! on IG ECHT! on YT ECHT! on Bandcamp Brewmix vols. 1-3 (audio)   Send B a few dollas for makin you holla! EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE

This week on the Mr. Throwback Thursday Podcast, highlights include tributes to Sha-Rock and J-Dilla, discussions on T.I.'s new bill, and new music from MC Shan. Other segments cover DMX, Irv Production, and feature a record of the week by Sporty Thievz, along with the Bill Reads Lyrics segment.

Mike is honoured to welcome Anthony D Holt Jr (Tony Holt), to talk about the relevance of Ralph Ellison's 1962 novel Invisible Man to today's society, what we can learn and why Tony wrote an essay comparing it to Black Panther! You don't need to read Invisible Man by Ralph Ellison to understand what is discussed in this conversation (although it will bring additional context), as the duo talk about code-switching, the power of understanding someone else's perspective, identity (both cultural and individual) and Tony's essay comparing Invisible Man to the 2018 Black Panther run by Ta-Nehisi Coates from Comics Lit Volume 1. Mike & Tony also talk about Tony's home city of Detroit, other works by Ellison and so much more – this conversation is important to every person on this planet. Although Tony doesn't have social media, you can find his notable releases and podcast appearances at https://linktr.ee/tonyholtjr Tony mentioned a few things in this conversation, including; Ta-Nehisi Coates' 2018 Black Panther run; The Intergalactic Empire of Wakanda and his book Between the World and Me. Detroit: I Do Mind Dying, A Study In Urban Revolution by Dan Georgakas & Marvin Surkin. The podcast The Prof G Pod with Scott Galloway. The Detroit-based producer J Dilla and the book about him called Dilla Time by Dan Charnas – since recording, a street in Detroit was officially renamed J Dilla Street, details here: https://hiphopdx.com/news/j-dilla-street-renaming-detroit-common-questlove Find Comics Lit Volume 1 on Amazon or at the below link, you get 10% off with code 4HP10 at checkout (& don't forget to review): www.accomplishinginnovationpress.com/product/comics-lit-vol-1 Mike also spoke about Comics Lit Vol1  in full with Tonya Todd and Tony Farina in episode 250 of Genuine Chit-Chat! The conversation that sparked Mike picking up Invisible Man was an episode of Tonya Todd's Banned Books Conversations, found on the podcast feed of the Femme On Collective or here: https://youtu.be/eTdFuragMug?si=yHRxLxILsGkwO2TA The last episode of GCC was Douglas Vincent speaking about his Star Wars journey from 1977 to the Disney era and prior to that was the return of Gough of Beernuts Productions! If you want to support the show and get bonus content & early access, please support on Patreon for at least one exclusive bonus episode every week: www.patreon.com/GenuineChitChat Mike's Recent Guest Spots: Mike appeared on Spider-Dan & The Secret Bores for their top 5 small cast movies, listen here: https://pod.fo/e/289237  Mike recently appeared on JAC's Back To The Filmography podcast, tune in here:  https://pod.fo/e/28e32e Mike also appeared on Spider-Dan's pod with Megan, talking Princess Diana in Spencer: https://pod.fo/e/2916c6  Find all of Mike's social media & other links at https://linktr.ee/GenuineChitChat  Intro & outro read by BZ The Voice: http://bzthevoice.com Don't forget to share and review the podcast, it helps more than you know!

This episode of The Other Side of the Bell, featuring trumpeter Emile Martinez, is brought to you by Bob Reeves Brass.    Visit Bob Reeves Brass at TMEA 2025 in San Antonio, Texas, Feb. 13-15! We'll have over 350 trumpet mouthpieces, mutes, cases, Shires trumpets, and valve alignments. For more information and to sign up for a valve alignment go to https://bobreeves.com/blog/tmea2025/.   About Emile:   Emile Martinez, a Los Angeles native and two-time Grammy-nominated trumpeter, composer, arranger, producer, and educator, embodies a multifaceted musical journey that transcends genre boundaries. Graduating with a Master of Fine Arts from the California Institute of the Arts and recognized as a presidential scholar at Berklee College of Music, Martinez's passion for the trumpet ignited at the tender age of ten. Under the tutelage of esteemed mentors such as Oscar Brashear, Clay Jenkins, Ed Carroll, Josef Leimberg, Van Hunt, Miguel Atwood-Ferguson, Rasheed Ali, Sal Cracchiolo, PhD. James Ford, PhD. Derrick Finch, Lee Secard, and Wadada Leo Smith, Martinez's artistic evolution was profoundly shaped, fueling not only his musical prowess but also his commitment to mentorship and education, fostering creative pathways for future generations. While often associated with jazz, Martinez's artistic palette is expansive, drawing inspiration from an eclectic array of genres including Hip-Hop, R&B, Neo Soul, Classical, and Soul Electronica. His collaborations with luminaries such as Anderson Paak, S.I.R., Iman Omari, Shafiq Husayn, Big Sean, Rasheed Ali and Ed Sheeran underscore his versatility and musical adaptability. Having graced prestigious stages from the Lincoln Center to the Playboy Jazz Festival during his early years as a trumpeter, Martinez's performances captivate audiences with their dynamic fusion of styles and infectious energy. His recent venture into production showcases a deep reverence for cultural icons such as, J-Dilla, Quincy Jones, Shafiq Husayn, Josef Leimberg, Rasheed Ali, 9th Wonder, and Madlib. As he prepares to unveil his debut album, "Lamad," Martinez showcases his work not only as a trumpeter and improviser but as a composer, producer, and arranger. Martinez embarks on a new chapter with his ensemble, "The Education," comprising a collective of exceptionally talented young artists from across Los Angeles. Through "Lamad," Martinez invites listeners on a sonic odyssey, where each track intricately weaves a narrative that transcends musical boundaries, reflecting his unwavering commitment to artistic exploration and innovation.  

As Senior Pastor of Trinity United Church of Christ in Chicago, Otis Moss carries the torch for generations of church and civil rights leaders, including his own father, a regional director in the SCLC, and a friend of Dr. Martin Luther King. But it is his late sister Daphne whose influence most impacts his ministry and social advocacy. A brilliant young woman who struggled with schizophrenia, Daphne introduced a young Otis to what he calls “the continuum” – a spirituality born of poetry, literature and jazz that has woven its way through our history. Drawing as much from the beats of J Dilla as from the speeches of Dr. King; from the politics of Public Enemy as from the poetry of Langston Hughes; from John Coltrane and Miles Davis as from Reinhold Niebuhr and Abraham Joshua Heschel, Pastor Moss shares a timely, deeply personal story about the American jazz narrative — how a disparate and diverse people who are not supposed to make music together do — and do so beautifully.Music by Ryan Holladay and Jonathan Mouton. Follow Jonathan on Instagram: @entertainer4lyfeIf this episode resonates with you, we'd love to hear from you. Please take a moment to share your reflections by rating and reviewing Meditative Story in your podcast player. It helps other listeners find their way to the show, and we'd be so grateful.Each episode of Meditative Story combines the emotional pull of first-person storytelling with immersive music and gentle mindfulness prompts. Read the transcript for this story: meditativestory.comSign up for the Meditative Story newsletter: https://meditativestory.com/subscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.