Podcasts about pro audio review

In this episode of the Creative Spaces podcast, we're talking to recording industry veteran and all-around awesome audio person, Russ Long. Originally from Colorado, Russ moved to Nashville in the mid-eighties to attend Belmont University and went on to engineer the hits “Kiss Me” and “There She Goes” by Sixpence None The Richer. He has recorded and/or mixed albums by Wilco, Dolly Parton and Amy Grant. Russ' film credits include the soundtracks to The Sapphires, Girl Interrupted, How To Lose A Guy In 10 Days and The Pirates Who Don't Do Anything. Russ works in his private mix room, Dangerland, just outside of Nashville. Russ is also an engineer for live sound recordings having multi-tracked live performances for Switchfoot, Luke Bryan and Guy Clark and has mixed numerous live events including the KLOVE Music awards, Challenge America Musical Gala at the Kennedy Center, Barbara Bush's 90th Birthday concert featuring Reba McEntire and the Grammy and CMA Awards. Russ has authored over 150 articles and reviews for Pro Audio Review, Pro Sound News, and Mix Magazine. In 2018, Russ joined Yamaha's R&D team where his primary focus is large format live-console development. You can find out more about Russ on his website Dangerland. You can also get more information about Russ' personal studio build by visiting pro-sound-news-blog/russ-long-shares-how-he-completed-his-dangerland-mix-facility or  SonicScoop - making-mix-room Click the player below to listen to this episode, or stream anywhere you listen to podcasts!

On this episode, Dan and Ted are once again joined by Frank Wells who has a tremendous history in radio, recording studios, and with AES.  We discuss shifting from a technical studio career to an editorial career, joining and engaging with AES, the evolution of the Audio Engineering Society, supporting the future of the audio industry, $3m recording studios being bulldozed to build condos, and a whole lot more! Learn more about joining AES: www.aes.org/membershipTo learn more about the ‘World-First’ Cross-Border Interactive Performance that we discussed, click here. 

On this episode, Dan and Ted are joined by Frank Wells who has a tremendous history in radio, recording studios, and with AES.  We discuss being at the cutting edge of both analog and digital technologies, Frank’s first experience with dither, tracking sound signatures of Russian submarines in the Atlantic Ocean, using an SSL console as the world’s largest and most expensive mouse, and a whole lot more! Learn more about The Audio Engineering Society and become a member: http://www.aes.org/Learn how Focusrite RedNet products Enabled ‘World-First’ Cross-Border Interactive Performance: click here 

Working Class Audio #184 with Joe Tessone!!! Joe Tessone is the owner and lead audio engineer at Mystery Street Recording Company. He is a graduate of Columbia College Chicago’s famed school of Audio Arts and Acoustics, with a degree specializing in Audio Design and Production. Since 2007, he has been an audio archiving consultant and mastering engineer for the Old Town School of Folk Music where he has helped preserve over 30,000 songs from recordings that date as far back as 1956. He is a member of the Association for Recorded Sound Collections, the Audio Engineering Society, and is a voting member of The Recording Academy (Grammys). His work has been featured on Chicago Radio Stations such as Q101, WXRT,  WGCI, WPNA, WGN, WLUW and more. He has also been highlighted multiple audio publications, including Live Sound International, Pro Audio Review, and Mix Magazine. Joe worked as an engineer for the “127 Songs Live From the Old Town School of Folk Music” project, during which he mastered tracks by world renowned artists including Pete Seeger, Jeff Tweedy, Mahalia Jackson, Donovan, Andrew Bird, and more. Since 2012, Joe has been a consultant for Sensaphonics, advising touring engineers and artists (including Steven Tyler, The Decemberists, My Morning Jacket, Lisa Loeb, Wayne Kramer (MC5), John Feldmann (Goldfinger), Chance the Rapper, Thom Yorke, The Lumineers, and David Crosby), and teaching students and doctors of audiology, the implementation of in-ear monitoring in live and studio environments. In 2014, he mixed and and mastered a live recording for Iron and Wine and he continues to work with dozens of Chicago’s favorite performers across all genres of music. Joe is also the Head of Audio for Sofar Sounds Chicago, were he produces dozens of live recordings year, including recent recordings of Jack Garrett, Shawnee Dez, CHAI, and Tank and the Bangaz. In addition to his accomplishments in the field of audio, he is a musician of sorts. His musical career spans over 15 years of experience, most recently as singer/songwriter for the socially conscious punk rock band‚ Behold!‚ and banjo/ukulele player for the Americana ensemble, The Rust Belt Ramblers. Joe also is a volunteer producer for the Punk Rock Karaoke Collective, a community fundraising organization and an advocate for Jail Guitar Doors, an organization dedicated to bringing music to the lives of those in prison. In his spare time, Joe enjoys playing with his two kids, skateboarding, vegan cooking, and birdwatching with this wife, Kristen. About this Interview: Joe joins me to talk about his multi-facetted studio Mystery Street Recording  which exemplifies the concept of diversification. The studio handles an array of  tasks including a traditional recording studio, format transfers, rehearsal space, Karaoke recording party's, video production, consulting and podcast recording. Enjoy! - Matt ________________________________ Show Notes and Links Universal Audio's "Half Yearly Sale": https://www.uaudio.com/half-yearly-sale Mystery Street Recording: https://www.mysterystreetrecording.com/

Kevin talks about the old music industry versus the new music industry, metadata, and the importance of networking. Kevin Becka has been a recording engineer for over 25 years, working with top names in the music industry including Kenny G., Quincy Jones, Michael Bolton, George Benson, George Lynch, and more. Also an experienced educator, Kevin is currently the co-director and an instructor at The Blackbird Academy in Nashville. He has taught advanced recording at Belmont University, surround recording and lecturer at the Danish Rhythmic Music Conservatory in Copenhagen, Denmark, and was director of education and instructor at the Conservatory of Recording Arts for over 10 years. As a journalist Kevin has worked as editors of Pro Audio Review and Audio Media USA magazines. And Since 2003, Kevin has been the technical editor of the industry-leading Mix Magazine where he writes features, product reviews and a monthly column. Kevin is also a voting member of The National Academy of Recording Arts and Sciences (NARAS), the Country Music Association (CMA), and the American Society of Composers, Authors, and Publishers (ASCAP). Download your FREE RIN-M eBook and plug-in at: http://RSRockstars.com/RIN   Thanks to our sponsors:  Check out Chris Graham Mastering: http://RSRockstars.com/FreeMasteringSample Roswell Pro Audio: https://RoswellProAudio.com   Leave a Review  Get the full show notes at: http://RSRockstars.com/105 -Also- Free mix training with Lij at: http://MixMasterBundle.com Get yourself a Rockstar T-shirt at: http://RSRockstars.com/Tshirt Download the theme music at: http://SkadooshMusic.com  

Kevin Becka has been a musician and recording engineer for over 30 years. He has engineered and been on the production teams for the top names in secular and Christian music including George Benson, Kenny G., Quincy Jones, Michael Bolton, Matt Maher, Gretchen Harris, Danielle Rose, Paul Melle, Tom Booth, George Lynch, and more. Kevin has taught audio recording at the High School and post-secondary levels including teaching surround recording at the Danish Rhythmic Music Conservatory in Copenhagen, Denmark; advanced recording at Belmont University; and served as a Director of Education, instructor and lecturer for over 10 years. Kevin is also a seasoned journalist serving as editor of both Audio Media and Pro Audio Review magazines, and has been technical editor of Mix Magazine since 2003 where he writes the TechTalk column, product reviews and features. In his work with Mix, Kevin has written, produced and hosted webcasts for Royer Labs, Millennia Media, Avid, Focusrite, Lynx Studio, Universal Audio, Mackie, Shure and Stanford Research. Kevin is a voting member of The National Academy of Recording Arts and Sciences (NARAS), a board member of The Society of Professional Recording Services (SPARS) and a member of the Audio Engineering Society (AES).

Kevin Becka has been a musician and recording engineer for over 30 years. He has engineered and been on the production teams for the top names in secular and Christian music including George Benson, Kenny G., Quincy Jones, Michael Bolton, Matt Maher, Gretchen Harris, Danielle Rose, Paul Melle, Tom Booth, George Lynch, and more.Kevin has taught audio recording at the High School and post-secondary levels including teaching surround recording at the Danish Rhythmic Music Conservatory in Copenhagen, Denmark; advanced recording at Belmont University; and served as a Director of Education, instructor and lecturer for over 10 years.Kevin is also a seasoned journalist serving as editor of both Audio Media and Pro Audio Review magazines, and has been technical editor of Mix Magazine since 2003 where he writes the TechTalk column, product reviews and features. In his work with Mix, Kevin has written, produced and hosted webcasts for Royer Labs, Millennia Media, Avid, Focusrite, Lynx Studio, Universal Audio, Mackie, Shure and Stanford Research.Kevin is a voting member of The National Academy of Recording Arts and Sciences (NARAS), a board member of The Society of Professional Recording Services (SPARS) and a member of the Audio Engineering Society (AES).