Podcasts about ridely scott

The genius of “1984.”   To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TheJeffWardShow

In this episode Paul and I finally wrap up #ScottSeptember (yes, I know what the date is) with a conversation on the Ridely Scott masterpiece, 'Blade Runner'. And we have much to discuss....

Aujourd'hui, pour notre 17ème rendez-vous, nous allons explorer un film qui mérite d'être réhabilité et redécouvert sous un nouveau jour.  Un film qui traîne une réputation injustifiée, mésestimé dans l'univers de la saga Alien : Alien 3. Réalisé par un jeune David Fincher en 1992, Alien 3 a longtemps été perçu comme le vilain petit canard de la saga. Un film boudé par une partie du public et critiqué pour ses choix narratifs et sa production calamiteuse. Mais si l'on gratte un peu sous la surface, on découvre une œuvre riche et profonde. Dans cet épisode, nous allons vous expliquer pourquoi Alien 3 mérite d'être reconsidéré, pourquoi il est bien plus qu'un simple film de franchise, et pourquoi, à l'aube de la sortie imminente d'Alien Romulus, il est temps de revenir sur ce joyau sombre et nihiliste.On parlera de la qualité de l'interprétation, avec une Sigourney Weaver au sommet de son art, mais aussi de la photographie sublime, de l'ambiance pesante et adulte, et de la bande originale qui enveloppe le tout dans une aura oppressante. On reviendra aussi sur son retour aux sources du slasher, un choix audacieux qui plonge cette œuvre dans une atmosphère obscure et désespérée.Alien 3, c'est une plongée dans un univers sans espoir, où la survie est un combat de tous les instants, un film adulte qui ne fait aucune concession. Alors, préparez-vous à redécouvrir ce chef-d'œuvre méconnu, direction la planète Fiorina 161  à l'heure où la franchise Alien s'apprête à faire un retour fracassant sur nos écrans. Le Spectrum, épisode 17, c'est parti ! La sélection : Alien 3 - David Fincher (1992) Invités : Fouad (l'heure magique) Damien (l'heure fantastique) Films mentionnés : La planète des vampires - Mario Bava (1965) Alien - Ridley Scott (1979) Excalibur - John Boorman (1981) Wolfen - Michael Wadleigh (1981) Outland - Peter Hyams (1981) Blade Runner - Ridley Scott (1982) Vigile - Guy Hamilton (1983) Legend - Ridley Scott (1985) Aliens - James Cameron (1986) The Navigator - Vincent Ward (1988) Leviathan - George P. Cosmatos (1989) Simetierre - Mary Lambert (1989) Planète hurlante - Christian Duguay (1995) Fair Game - Andrew Sipes (1995) Les ailes de l'enfer - Simon West (1997) Alien 4 - Jean-Pierre Jeunet (1997) Au-delà de nos rêves - Vincent Ward (1998) Alien vs Predator Requiem - Colin et Greg Strause (2007) Alien Romulus - Fede Álvarez (2024)   Un podcast cinéma produit et réalisé par le Spectrum Intro: Hazebeatzs | Outro: Jeremz Pou | Design Logo: Sebcha

Dale play. --- Send in a voice message: https://podcasters.spotify.com/pod/show/jesus-regalado/message

Frankenstein's Podcast presents: XENOMANIA! - a series in which we take a deep dive into each entry into the Alien universe, one film at a time with special guests along the way.  This episode we're making our way to the end (so far...!) of Ridely Scott's Alien prequel era Alien film series with his 2017 entry, Alien: Covenant. *Thank you to Jim Hall for the music! Check out more of his music⁠⁠ ⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠, and if you like what you hear, please consider donating to support his work⁠⁠ ⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠! *Thank you to Jim Tandberg/Grant Hasbrouck for the Frankenstein's Podcast artwork! Featured Guest: Sarah Welch-Larson is a film critic, writer, and host of the Seeing & Believing podcast. She regularly writers for Bright Wall/Dark Room and has also written for RogerEbert.com and Tor.com. Her book (which we dig into) Becoming Alien: The Beginning and End of Evil in Science Fiction's Most Idiosyncratic Franchise is available from Cascade Books now! Be sure to check out Sarah's latest piece for Bright Wall/Dark Room: No Way Out: The Elusive Borders of Jafar Panahi's No Bears References: Here's what would've happened had Shaw been in Alien: Covenant - JoBlo ‘Alien: Covenant': How the Xenomorph Continues to Horrify Audiences Decades Later - The Hollywood Reporter ALIEN – COVENANT: Charley Henley – Production VFX Supervisor – MPC - Art of VFX The Neomorphs – Alien: Covenant's New Aliens! - AvP Galaxy Ridley Scott: Inspiration for Alien: Covenant's Neomorph - IGN (YouTube) Alien: Covenant' VFX Team Hatches New Neomorph, Xenomorphs - The Hollywood Reporter Shiny Happy People: Duggar Family Secrets - Prime Video AvP Galaxy Perfect Organism Podcast Trigun Stampede - Hulu/Crunchyroll

Frankenstein's Podcast presents: XENOMANIA! - a series in which we take a deep dive into each entry into the Alien universe, one film at a time with special guests along the way.  This episode we're jumping into Ridely Scott's Alien prequel era film series with the 2012's Prometheus. Plus, we have a bonus interview (starting at 1:17:50) with the fantastic creature actor and Last Engineer himself, Ian Whyte, in which we talk about his many film roles, his participation in several iconic franchises, and his specific relationship with the Alien universe and this film. *Thank you to Jim Hall for the music! Check out more of his music⁠⁠⁠ ⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠, and if you like what you hear, please consider donating to support his work⁠⁠⁠ ⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠! *Thank you to Jim Tandberg/Grant Hasbrouck for the Frankenstein's Podcast artwork! If you like what you hear, consider supporting us on Patreon! References: Xenopedia Before StarBeast — Prometheus - Monster Legacy Dan O'Bannon's comic, The Long Tomorrow Ridley Scott's ‘Prometheus' and the “idiot plot” - a. a. Birdsall What The Original Alien Prequel Script Reveals About Prometheus & Covenant - ScreenRant Ian Whyte website

Frankenstein's Podcast presents: XENOMANIA! - a series in which we take a deep dive into each entry into the Alien universe, one film at a time with special guests along the way. This episode is dedicated to the one that started it all back in 1979, Alien, directed by Ridely Scott and written by Dan O'Bannon. Joining us is Philippa Ballantine, writer and author of the recent, licensed franchise novel, Alien: Inferno's Fall. *Thank you to Jim Hall for the music! Check out more of his music ⁠⁠⁠here⁠⁠⁠, and if you like what you hear, please consider donating to support his work ⁠⁠⁠here⁠⁠⁠! *Thank you to Jim Tandberg/Grant Hasbrouck for the Frankenstein's Podcast artwork! Featured Guest: Philippa (Pip) Ballantine is an award-winning speculative fiction author. Aside from her work set in the Alien universe, She's known for the Books of the Order series, the The Ministry of Peculiar Occurrences novels, The Shifted World series and more. References: Beautiful Monsters: The Unofficial and Unauthorized Guide to the Alien and Predator Movies by David McIntree The Beast Within: The Making of 'Alien' Alien- Wikipedia Mrs. Davis (streaming on Peacock) History of the World Part II (streaming on Hulu) The Long Way to a Small Angry Planet by Becky Chambers The Sandman (streaming on Netflix) The Power (streaming on Prime)

Cette semaine, le film le plus à la tête (et le reste) dans les étoiles et vous emmène pour un lointant voyage au-delà de notre athmosphère terrestre, pour une exploration quasi-documentée des relativement récentes tentatives de blockbusters spaciaux.Hasard ou pas, entre 2013 et 2015, trois films mis en scène par trois (très) grands réalisateurs nous proposaient des protagonistes livrés à eux-mêmes loin de notre chère et précieuse planète bleue. Il ne nous en fallait pas plus pour en dégager opportunément le thème ce cet épisode post-anniversaire.Alors, qui de Gravity, Interstellar ou Seul sur Mars sera le film le plus perdu dans l'espace? Réponse en fin d'épisode...Cinéphilie sélective, mauvaise foi assumée et approximations scientifique seont au rendez-vous.Références de l'épisode :- Gravity d'Alfonco Cuaron (2013)- Interstellar de Christopher Nolan (2014)- Seul sur Mars de Ridely Scott (2015)- Sandra Bullock- George Clooney- Emmanuel Lubezki- Tim Webber- Matthew McConaughey- Anne Hathaway- Michael Caine- Matt Damon- Jessica Chastain- Matt Damon- Jessica Chastain- Matt Damon - Jessica Chastain- Matt Damon- Jessica Chastain- Matt Chastain- Jessica Damon- ...Les recos de l'épisode:- Poncharello (groupe de rock) : http://poncharellorock.com/- Maison magique d'Houdini (Attraction parc Bellewaerde. Oui, encore...) : https://www.youtube.com/watch?v=cmihEXop4DA- Paddleton (2019) de Alexandre Lehmann (film Netflix)- Mon homme (1996) de Bertrand BlierN'hésitez pas à commenter, noter, partager sur toutes les plateformes et retrouvez-nous sur les réseaux sociaux : -Twitter : @lefilmleplus1 -Instagram : podcast.lefilmleplus -Facebook : Le Film Le Plus    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week we watched last duel and tic tic boom both are critically acclaimed movies are they worth the watch. Come check us out on all podcasting platforms youtube-https://www.youtube.com/channel/UCNaXXNkyKXW6e0dcpNx6lng Support us on Our sticker store https://www.etsy.com/shop/ReaperInTheArea?ref=simple-shop-header-name&listing_id=901539462 And our social media Forrest https://www.instagram.com/lifeofforest_/ https://twitter.com/Lifeofforrest_ Bob https://www.instagram.com/12rmendez/ Edward https://www.instagram.com/edwardmysorryegos/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/reincarnatedasapodcaster/support

Chris, Andy, and Steve deep dive Denis Villeneuve's Blade Runner 2049 in anticipation of his latest film, Dune. They talk about that film's successes, compare it to Ridely Scott's original Blade Runner, and Steve shares a story about a concrete T-Rex. See trailers to the TV and film properties we discuss in the podcast here:{HBO Max} Blade Runner 2049https://www.youtube.com/watch?v=dZOaI_Fn5o4&ab_channel=WarnerBros.Pictures{Rent or Buy} Oldhttps://www.youtube.com/watch?v=A4U2pMRV9_k&ab_channel=UniversalPictures{Netflix} Attack of the Hollywood Cliches!https://www.youtube.com/watch?v=BC_mPcjsh1M&ab_channel=NetflixSegment TimecodesCrossing Streams - 00:12:45Blade Runner 2049 - 00:44:30Blade Runner 2049 Spoilers - 00:54:08WE HAVE A PATREON!Please consider becoming a Patreon Producer for Streaming Things by following the provided link:https://www.patreon.com/StreamingThingsLEAVE US A VOICEMAILCall: 859-757-4051Watch Streaming Things content on Twitch or YouTube!Twitch Link:https://www.twitch.tv/streamingthingspodYouTube Link:https://www.youtube.com/channel/UCMaZR3vG1yj6aTfjD1JWaZAJoin the conversation at streamingthingspod@gmail.comFollow us all on Twitter!@StreamThingPod for the show.@moviesRtherapy for Chris.@andymostdays for Andy.@stevemay13 for Steve.Support the show

When last we left our heroic crew, the alien had just burst from their shipmate's chest, and was about to run amok throughout the ship. We're back to finish our breakdown of Ridely Scott's ALIEN.

The film Blade Runner was set in a dystopian 2019 Los Angeles. A timely gathering is in order. Three futurists sit down for a conversation on the film’s legacy and its relevance to Southern California. The guest speakers are David Brin, Paul Sammon and Mike Davis. They discuss the film’s influence and compare its vision with today’s 2019. Blade Runner initially underperformed in theaters when it was first released in 1982; some praised its thematic complexity and visuals, while others were displeased with its slow-paced narrative and unconventional plot. However, by 1992 it had become a cult classic and was re-released in newly edited versions. Why did it take a decade to find — or create — its audience? Series: "Library Channel" [Humanities] [Show ID: 34684]

The film Blade Runner was set in a dystopian 2019 Los Angeles. A timely gathering is in order. Three futurists sit down for a conversation on the film’s legacy and its relevance to Southern California. The guest speakers are David Brin, Paul Sammon and Mike Davis. They discuss the film’s influence and compare its vision with today’s 2019. Blade Runner initially underperformed in theaters when it was first released in 1982; some praised its thematic complexity and visuals, while others were displeased with its slow-paced narrative and unconventional plot. However, by 1992 it had become a cult classic and was re-released in newly edited versions. Why did it take a decade to find — or create — its audience? Series: "Library Channel" [Humanities] [Show ID: 34684]

The film Blade Runner was set in a dystopian 2019 Los Angeles. A timely gathering is in order. Three futurists sit down for a conversation on the film’s legacy and its relevance to Southern California. The guest speakers are David Brin, Paul Sammon and Mike Davis. They discuss the film’s influence and compare its vision with today’s 2019. Blade Runner initially underperformed in theaters when it was first released in 1982; some praised its thematic complexity and visuals, while others were displeased with its slow-paced narrative and unconventional plot. However, by 1992 it had become a cult classic and was re-released in newly edited versions. Why did it take a decade to find — or create — its audience? Series: "Library Channel" [Humanities] [Show ID: 34684]

The film Blade Runner was set in a dystopian 2019 Los Angeles. A timely gathering is in order. Three futurists sit down for a conversation on the film’s legacy and its relevance to Southern California. The guest speakers are David Brin, Paul Sammon and Mike Davis. They discuss the film’s influence and compare its vision with today’s 2019. Blade Runner initially underperformed in theaters when it was first released in 1982; some praised its thematic complexity and visuals, while others were displeased with its slow-paced narrative and unconventional plot. However, by 1992 it had become a cult classic and was re-released in newly edited versions. Why did it take a decade to find — or create — its audience? Series: "Library Channel" [Humanities] [Show ID: 34684]

The film Blade Runner was set in a dystopian 2019 Los Angeles. A timely gathering is in order. Three futurists sit down for a conversation on the film’s legacy and its relevance to Southern California. The guest speakers are David Brin, Paul Sammon and Mike Davis. They discuss the film’s influence and compare its vision with today’s 2019. Blade Runner initially underperformed in theaters when it was first released in 1982; some praised its thematic complexity and visuals, while others were displeased with its slow-paced narrative and unconventional plot. However, by 1992 it had become a cult classic and was re-released in newly edited versions. Why did it take a decade to find — or create — its audience? Series: "Library Channel" [Humanities] [Show ID: 34684]

The film Blade Runner was set in a dystopian 2019 Los Angeles. A timely gathering is in order. Three futurists sit down for a conversation on the film’s legacy and its relevance to Southern California. The guest speakers are David Brin, Paul Sammon and Mike Davis. They discuss the film’s influence and compare its vision with today’s 2019. Blade Runner initially underperformed in theaters when it was first released in 1982; some praised its thematic complexity and visuals, while others were displeased with its slow-paced narrative and unconventional plot. However, by 1992 it had become a cult classic and was re-released in newly edited versions. Why did it take a decade to find — or create — its audience? Series: "Library Channel" [Humanities] [Show ID: 34684]

The film Blade Runner was set in a dystopian 2019 Los Angeles. A timely gathering is in order. Three futurists sit down for a conversation on the film’s legacy and its relevance to Southern California. The guest speakers are David Brin, Paul Sammon and Mike Davis. They discuss the film’s influence and compare its vision with today’s 2019. Blade Runner initially underperformed in theaters when it was first released in 1982; some praised its thematic complexity and visuals, while others were displeased with its slow-paced narrative and unconventional plot. However, by 1992 it had become a cult classic and was re-released in newly edited versions. Why did it take a decade to find — or create — its audience? Series: "Library Channel" [Humanities] [Show ID: 34684]

Los 80 y el videoclub ya nos habían puesto en contacto con la cultura oriental pero Black Rain nos ofrecía una nueva visión basada en el choque culturar, a pesar de ser un producto típico del cine Hollywoodiense lleno de personajes clichés y tópicos de los thrillers policiacos ya explotados. Por esto, por ser una de las películas más alquiladas a finales de los 80 en el videoclub, por una estupenda música de Hans Zimmer montada al más puro estilo ochentero, la dirección de Ridely Scott, la interpretación de Michael Douglas entre otros y mucho más, hemos realizado este programa en el que hemos contado como invitado con el periodista y escritor David B. Gil quien nos ha hablado de los orígenes de la “Yakuza”, las costumbres japonesas y la descripción en el guión del contraste entre culturas. El equipo del programa ha estado formado por Javi García que por fin está de vuelta, Pedro Uceda con quien hemos podido contar nuevamente, el actor y director Carlos Aceituno, el actor Oscar Cabrera y la dirección y presentación de Juan Pablo Videoclubsero. Recuerda que también puedes escucharnos en www.remakealos80.com / Itunes / Spotify y que puedes contactar con nosotros por redes sociales o correo electrónico,

Los 80 y el videoclub ya nos habían puesto en contacto con la cultura oriental pero Black Rain nos ofrecía una nueva visión basada en el choque culturar, a pesar de ser un producto típico del cine Hollywoodiense lleno de personajes clichés y tópicos de los thrillers policiacos ya explotados. Por esto, por ser una de las películas más alquiladas a finales de los 80 en el videoclub, por una estupenda música de Hans Zimmer montada al más puro estilo ochentero, la dirección de Ridely Scott, la interpretación de Michael Douglas entre otros y mucho más, hemos realizado este programa en el que hemos contado como invitado con el periodista y escritor David B. Gil quien nos ha hablado de los orígenes de la “Yakuza”, las costumbres japonesas y la descripción en el guión del contraste entre culturas. El equipo del programa ha estado formado por Javi García que por fin está de vuelta, Pedro Uceda con quien hemos podido contar nuevamente, el actor y director Carlos Aceituno, el actor Oscar Cabrera y la dirección y presentación de Juan Pablo Videoclubsero. Recuerda que también puedes escucharnos en www.remakealos80.com / Itunes / Spotify y que puedes contactar con nosotros por redes sociales o correo electrónico,

The gang's all together and it's a fight to the finish as we see who can mention Star Trek or wrestling more.....plus news, emails and what we're watching and a little Thor teaser More Sexual assault allegations, non spoiler Thor Ragnarok review, Lord of the Rings tv show in development, Stranger Things 2 had sexual views, Nielsens can get ratings from, Triple H is back,Ted Dibiaso documentary, Ridely Scott has one more Alien film, Me myself and I canceled, Nightshift canceled, Zoo canceled, Major crimes is ending, Riverdale, Supergirl, The Flash, Mom, Blackish, Greys Anatomy, Inhumans, SMILF, Mr Robot, Samurai Gourmet,The Middle, Modern Family, American Wife, Ten days in the valley ​ You can follow us on twitter : @NothingsOn123 http://www.stitcher.com/ https://taylornetworkofpodcasts.com xtremecomedyct.weebly.com

The gang's all together and it's a fight to the finish as we see who can mention Star Trek or wrestling more.....plus news, emails and what we're watching and a little Thor teaser More Sexual assault allegations, non spoiler Thor Ragnarok review, Lord of the Rings tv show in development, Stranger Things 2 had sexual views, Nielsens can get ratings from, Triple H is back,Ted Dibiaso documentary, Ridely Scott has one more Alien film, Me myself and I canceled, Nightshift canceled, Zoo canceled, Major crimes is ending, Riverdale, Supergirl, The Flash, Mom, Blackish, Greys Anatomy, Inhumans, SMILF, Mr Robot, Samurai Gourmet,The Middle, Modern Family, American Wife, Ten days in the valley ​ You can follow us on twitter : @NothingsOn123 http://www.stitcher.com/ https://taylornetworkofpodcasts.com xtremecomedyct.weebly.com

Sommaren är här med besked och vi fortsätter att leverera vår filmpodcast. I avsnitt 97 presenterar Tomas sitt hat över den nya Pirates Of The Caribbiean-filmen . Han gör spä av Thomas och återigen kommer Smurferna på tal. Vi utmanar sci-fi-rullen LIFE av Daniel Espionas mot Alien Covenant och undersöker om Ridely Scott får något motstånd.Tom Cruise dammar av The Mummy och denna gång är det en hämdlysten tjejmumie som är förbannad och vill ställa till oreda. Tomas beskriver filemen som en Mission Impossible / Jack Reacher mash-up. Och Thomas fattar ingenting.Uppdraget till denna gång var den vackra koreanska filmen The Handmaiden. Det blev något att bita i för Tomas och han blir distraherad av vackra vyer så han glömmer bort att läsa in filmens handling. Så det blir en en tvetydling recension från Mr. Törnros.Dessutom famlar vi runt i filmvärlden som yra höns och vi skjuter högt och lågt som vanligtDet blir tv-seriesnack och vi funderar på ifall David Lynch har spårat ur med den nya säsongen av TWIN PEAKS. Förolämplingarna och häckleriet osar i luften. Trevlig sommarlyssning med andra ord. Välkomna. 

Join Ethan and Mike with their friend Ray as they talk about that movie Ridely Scott made that no one talked about. Also features creepier than normal Tom Cruise and this weird scene that Mike loves:

Ridley Scott’s 1982 film Blade Runner, set in a dystopian city-world of the future, presented extreme cinematographic challenges. UCSB Film and Media Studies faculty members Ross Melnick and Anna Brusutti discuss the making of the film and why it resonates so many years after its original release. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 29844]

Welcome to the Mancave Movie Review podcast, Episode 42. Today we are talking about , the long awaited prequel to the Ridely Scott sci-fi classic, Alien. This movie stars Noomi Rapace, Michael Fassbender, Idris Elba and Charlize Theron.  So kick back with some alien free alcohol of your choice while Steve, Mark, Jeff and Ken explain why following the Indiana Jones school of archeology on an alien planet leads to disaster. Next week we will be talking about Die Hard! Until then check us out on Facebook, Itunes and Stitcher!