Podcasts about Black Rain

Episode title: Makishima has experienced twink death We will be back in two weeks to talk about Black Rain! You can follow Niamh on bluskey @foxmomnia.exportaud.io and listen to faer other podcasts, Ghost Divers, Pondering Pootan, and Around the Long Fire by going to exportaud.io/ghostdivers, exportaud.io/pootan, and abnormalmapping.com/longfire. You can follow Autumn on bluesky by going to @autumnalcoffee.exportaud.io and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality. You can also listen to this podcast a week early by giving us a dollar on the patreon!!! Find out more at https://ornate-stairwells.pinecast.co

Nick and the mono moto James Powell head to Japan in 1989 to square off with the Yakuza and Batman! Enjoy!Remember to email the show - comicconspodcast@gmail.com and follow us on Instagram @comicconspodcast

¡Recuperamos el programa EXTRA de Black Rain! Después de clásicos como Alien y Blade Runner, los 80 para Ridley Scott fueron un tanto extraños, con películas como Legend o este Black Rain, en la que se metía, a su modo, en el submundo de los yakuza con un Michael Douglas más chulo que un ocho acompañado del, por entonces, latino de moda, Andy García. Presentan Carlos Cubo e Ismael Rubio. Edición Carlos Cubo e Ismael Rubio. Síguenos, Comparte, Comenta y dale al LIKE, ¡¡Gracias!! ➡️ Únete gratis a nuestro grupo de Telegram https://t.me/tiemposdevideoclub ➡️ Camisetas, Tazas y Merchandising https://latostadora.com/shop/TDV ➡️ Invitándonos a un café en https://ko-fi.com/tiemposdevideoclub ➡️ Visita nuestras RRSS https://allmylinks.com/tdvideoclub ➡️ Contáctanos en tiemposdevideoclub@hotmail.com

Topos in Fabula Black Rain di Ridley Scott

https://linktr.ee/deathbymetalmmb --- Support this podcast: https://podcasters.spotify.com/pod/show/deathbymetalmmb/support

Episode 719: October 29, 2024 playlist: Angel Bat Dawid, "Nuclear War! (Oui Ennui Cosmic Off-Ramp Ouimix)" (Red Hot and Ra - Nuclear War : The Remixes) 2023 Red Hot Organization Philip Jeck, "Mono" (rpm) 2024 Touch A.M. Blue, "September" (September) 2024 [self-released] KMRU, "lattice" (forge) 2024 Seil Songs: Ohia, "She Came To Me As A Ghost (live in Tilburg, Netherlands on October 9th, 2000)" (Live: Vanquishers) 2024 Secretly Canadian Craven Faults, "Lampes Mosse" (Bounds) 2024 Leaf tashi dorji, "begin from here" (we will be wherever the fires are lit) 2024 Drag City Black Rain, "Wintermute" (Neuromancer) 2024 Room40 The Ghostwriters, "Fix It In The Mix" (Objects In Mirrors Are Closer Than They Appear) 1981 Red Music / 2024 Dark Entries Windy and Carl, "Heavy Creation" (Heavy Early and The Creation of Venus) 2024 Blue Flea Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Michael Douglas, Mullets, and Motorcycles....what else do you need?

Discover the phenomenon of black rain in Venezuela, a disturbing environmental issue caused by a mix of pollution, oil industry emissions, and forest fires. Learn about its impact on the environment, public health, and local communities, and what this alarming occurrence means for Venezuela's ongoing environmental challenges. Tik Tok: https://www.tiktok.com/@themediahijacked?lang=en Reddit: https://www.reddit.com/r/theMediaHijacked/ Youtube: https://www.youtube.com/channel/UC7Lbqa8NqieSOZpTCtxshQw T-Shirts “NOW AVAILABLE” https://www.themediahijacked.com/ Every Tuesday @3PM PST/6PM EST Join us on twitch.tv Follow us on Twitch.tv: https://www.twitch.tv/mediahijacked Follow us on www.kick.com/themediahijacked Billy: https://www.instagram.com/youneak/ Chris: https://www.instagram.com/sarkastik_jones/ Don't forget Rate and Subscribe!! Thanks!! --- Support this podcast: https://podcasters.spotify.com/pod/show/mediahijacked/support

Okey-dokey, #ScottSeptember continues with this episode- which eagle-earer listeners may note was recorded last summer- where Paul and I discuss Ridley Scott's 'Black Rain'. And there's talk of many of Scott's films in this ep as we spend a significant amount of time discussing the themes running throughout the director's filmography (during which Paul says something about 'Blade Runner 2049' which I 1000% disagree with- though I don't think I address that with him until our forthcoming 'Blade Runner' episode...).

The 50th Episode Live from BRO! Special guests Justin Harvel, Charlie Spires, and Ryan Shields join the Mancave Caucus to talk about the American Dream, Guns made in Neosho MO, The ol Switcheroo, Kamala's new accent, and much much more

It's only been a few months, and secrets in the bunker are piling up. If you're just joining us: The Asian Coalition, an alliance between Russia, China, and a smattering of other countries have presumably dropped nuclear bombs on U.S. soil sending survivors underground. Among them is Ele, Zander, and Orson — three military-trained children, who band together to make the best of their new lives underground.This episode stars Ana Telfer,  Darius Marquis Johnson, Jeffrey Larson, Jessica Buddah, Alice Bang, and Kevin Holloway-Harris, and features Jim Meskimen and Joseph Rudd.Support the Show.Black Rain is a fictional podcast by American Pantheon. It was created by Chadwick Harman and produced by Scott Lucas, Scott McKinney, and Chadwick Harman.© American Pantheon, ltd. liability co. All rights reserved. Black Rain is listener-supported!

Chapter 1What is HiroshimaIn his gripping book, "Hiroshima," John Hersey transports us into the lives of six individuals who survived the devastating atomic bomb dropped on Hiroshima in 1945. Through Hersey's vivid narrative, the reader experiences the horrific moment and its aftermath from the intensely personal perspectives of a cross-section of residents, including a doctor, a clergyman, and a young woman. Hersey masterfully illustrates the immediate and the long-term human impact of nuclear warfare, highlighting not only the physical scars but also the enduring emotional and psychological trauma. Through these poignant stories, Hersey calls on the world to recognize the profound consequences of nuclear weapons and advocates for a future where such devices of mass destruction are abolished, embodied in the powerful plea, "No more." His narrative is a critical reminder of the human cost of war and a plea for peace and humanity in global politics.Chapter 2 Meet the Writer of HiroshimaJohn Hersey's "Hiroshima" employs a straightforward, journalistic style, which enhances the impact of the harrowing content. Rather than using overtly emotional language, Hersey opts for simplicity and clarity, allowing the stark realities of the atomic bomb's aftermath to resonate profoundly. He uses meticulous detail to humanize the victims, focusing on six survivors to anchor the narrative emotionally. Through these detailed personal stories, Hersey emphasizes the shared humanity and the immense suffering of the individuals, rather than abstract numbers. His restrained language serves as a stark contrast to the devastating circumstances described, compelling readers to engage deeply with the emotional and ethical implications of the event. This approach not only respects the dignity of the survivors but also effectively conveys the profound grief and enduring resilience within the community.Chapter 3 Deeper Understanding of HiroshimaThe bombing of Hiroshima on August 6, 1945, not only marked a pivotal moment in World War II but also left a profound and lasting impact on global culture, literature, society, and ethics. This event has been a crucial and often revisited subject in various disciplines, influencing how people and nations consider war, diplomacy, ethical conduct in science, and the use of technology. LiteratureIn literature, Hiroshima has been a significant theme and subject, used to explore the dire consequences of modern warfare and its profound moral implications. Numerous works focus on human suffering, the moral dilemmas of war, and reflections on peace. Notable literary works include John Hersey's "Hiroshima," which is a journalistic masterpiece that details the lives of six survivors immediately following the bombing. This book is significant for its narrative style and its raw portrayal of human suffering, playing a critical role in shaping the American understanding of the atomic bombings. Japanese literature also carries many accounts and stories inspired by the events, with authors like Kenzaburo Oe (who wrote "Hiroshima Notes") exploring the implications on Japanese society and individual survivors. These literary explorations have helped to humanize the event, shaping how subsequent generations understand and grapple with the tragedy. Art and CultureIn art and culture, Hiroshima has provoked a wide array of responses, from films and paintings to music and photography. For instance, in cinema, both Japanese films like "Black Rain" and international productions like "Hiroshima Mon Amour" delve into the psychological and societal impacts of the bombing. Artists and filmmakers use these platforms to revisit trauma, often addressing the themes of memory and healing. The Hiroshima Peace Memorial Park and Museum itself serves as a cultural beacon, regularly hosting art exhibitions and...

Cinnabar by Estée Lauder (1978) + Rising Sun by Michael Crichton (1992) + Philip Kaufman's Rising Sun (1993) + Michael Cimino's Year of the Dragon (1985) + Ridley Scott's Black Rain (1989) with Glen and Psi of Rare Candy  6/26/24 S6E42 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.

The acclaimed crime drama Tokyo Vice on Max follows American journalist, Jake Adelstein (Ansel Elgort.) As a reporter for a large Japanese newspaper in the 1990's, he dives into the dangerous world of the Yakuza, the Japanese organized crime syndicate. The series is based on the book and real life experiences of Jake Adelstein, who named his memoir Tokyo Vice as a wink to the 1980's show, Miami Vice. Michael Mann, creator of Miami Vice, was interested in the show and came on board to executive produce the series and to shoot the pilot. Producer and director Alan Poul joined the Tokyo Vice team later into the development process. “I was aware of Tokyo Vice because of course I had read Jake's book when it came out,” says Alan. With a college degree in Japanese literature and a background in Japanese cinema and theater, Alan began his film career in Japan when director Paul Schrader hired him as an associate producer on Mishima: A Life in Four Chapters. The movie Black Rain, directed by Ridley Scott, quickly followed for him, but Alan didn't want to become known as “the Japan guy” in Hollywood. He built his career producing episodic television for shows like Tales of the City, My So-Called Life, Six Feet Under, and The Newsroom. But Tokyo Vice creator J.T. Rogers knew they needed someone with experience in Japanese production, language and episodic television, so Alan was asked to join the project. “It represented a kind of full circle closure/homecoming,” says Alan, about going back to produce in Japan. “It doesn't happen very often in one's career and so it became an extraordinarily fulfilling experience for me.” The first season of Tokyo Vice began location scouting in 2019 and shooting began in March 2020- for only 6 days before the pandemic shut everything down. Production resumed in October 2020, and the team had to shoot the entire first season under strict Japanese quarantine and COVID testing rules. As a result, Season One uses tighter shots and fewer locations, with more closeups on Jake and the other characters who shape the story. By Season Two, Alan was excited that they were able to expand the visual range of the show, shooting more of Tokyo and the surrounding area. Alan had the opportunity to direct episodes one and two of the second season. “When I am directing, it is always an incredible joy. At least during those 12 hours I try to let go of all the other hats that I have to wear and just wear the hat that allows me to focus 100% on what is taking place in front of the camera.” Though Tokyo Vice has completed its series run on Max, Alan and creator J.T. Rogers are optimistic about the show's future on another platform. Find Alan Poul: Instagram @alanpoul Sponsored by Hot Rod Cameras www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Welcome to another episode of The Video Store Podcast. Today, I am recommending a selection of films that will hopefully not only entertain, but offer a look at the blending and clashing of 1980s American and Japanese cultures. Whether you're a cinephile or just looking for something interesting, these picks will surely add some flavor to your movie night.First up, we have "Gung Ho" from 1986. Directed by Ron Howard, this comedy explores the clash of work cultures when a Japanese company takes over an American car factory. Michael Keaton shines as the foreman trying to bridge the divide. The film is a light-hearted, but it takes on serious themes like globalization and labor relations, making it both fun and thought-provoking at the same time. Although most people focus on the lightness of the movie.Next, we have "Tokyo Pop" from 1988. This one is a hidden gem. It follows the journey of an American singer who travels to Japan. Not only does it feature catchy music, but it also delves into the intricacies of culture shock and relationships. It's a fascinating look at the late eighties music scene and cultural exchange, presented in a vibrant, almost documentary style.Moving on, we look at "Black Rain," directed by Ridley Scott in 1989. This film is a gritty, neon-lit action thriller that explores the underworld of Osaka through the eyes of two New York cops, played by Michael Douglas and Andy Garcia. The film is well-known for its atmospheric cinematography and intense action sequences. It does a great job of capturing the essence of Japan's urban landscape in a dramatic, almost noir-like manner.Lastly, we have "Mr. Baseball" from 1992. In this sports comedy, Tom Selleck stars as an aging New York Yankee who is traded to a team in Japan. The movie is a humorous and heartfelt look at the struggles and surprises of adapting to a new culture and sports environment. It's especially notable for its insights into the differences between American and Japanese baseball.Each of these films offers a unique perspective on American-Japanese relationships, mixing humor, drama, and action. So, grab some popcorn and enjoy these cross-cultural adventures from the comfort of your couch. Subscribe to the Video Store Podcast* The Video Store Podcast* Apple Podcast* RSS This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

We found ourselves in the empty dark alleyways of early '80s NYC with Stuart Argabright and Michael Diekmann of the legendary Ike Yard. Stuart and Michael take us through their entire history up to today. We also get into Stuart's band Black Rain, his work with William Gibson, and plenty more. Ike Yard sits in a unique and strange place in the dark underground, and this discussion keeps the paranoia alive. For the ExtraNoisextra segment on the patreon, we get into what Ike Yard was like live in the early 80s as well as the process of reforming the band in the 2000s. This segment is in the middle of the episode on the patreon feed.

This month we are learning all about frogs! In this episode Blake teaches us all about the black rain frog. A little introvert known for his grumpy demeanor! --- Support this podcast: https://podcasters.spotify.com/pod/show/savethemermaids/support

Since 2014, Zanias has existed as the unrepentant creative venture of Alison Lewis, born in Australia, raised in Southeast Asia, and also known for her vocal work with Linea Aspera, Keluar and a record shelf's worth of collaborations with the likes of Black Rain, Ancient Methods, Dax J, I Hate Models and Infravision. As the sole custodian of Fleisch Records she spent many years attuning herself to Berlin dancefloors through the timely collision of techno and electronic body music, but her true passion is for understanding the modality of emotions through songwriting. Sound is her psycho-spiritual catharsis and philosophical exploration of existence, expressed through an intense vocal performance, evocative melodies and heavy rhythmic components. With this signature structure she seeks to reinvent her own brand of ethereal pop: atmospheric, multi-layered and as alien as it is authentically, vulnerably human.In 2024  Zanias returns with her latest album called Ecdysis, released on Metropolis Records and Fleisch Records. Named after the final stage of emergence from a former self, Ecdysis lays claim to an entirely new electronic soundscape influenced by the ethereal pioneering of Dead Can Dance, Enya and Fever Ray. Zanias's voice morphs deftly between species and gender, exemplifying the oneness of conscious experience evoked by the more extreme psychedelic states, while the atmosphere is heavily influenced by the Queensland rain forest where much of the recording took place, conjuring an environment rich with biodiversity. https://www.metropolis-records.comhttps://zanias.bandcamp.comQUEEN OF WANDS with DJ Nocturna Every Saturday on ModSnap Radio | KMOD: San Antonio3pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)Radio: https://modsnapradio.comThank you for liking, subscribing and sharing my videos ! If you like the interview, please make a comment. Be sure to hit the bell near the subscribe button to get an alert when I post a new video and THANK YOU for your continued support !Website: https://djnocturna.comYouTube:     / @djnocturna  Facebook:   / nocturna.remixed  Instagram:   / djnocturna  Tiktok:   / dj.nocturna  

Special Guest:  Trent AlbertTha512footdr sits down with Trent Albert live from the studio of life or death to talk Michael Douglas vs Kurt Russell,  bagels vs pretzels , comedy, food, movies, and much more.You won't want to miss this one!!!Check out Trent Albert on Instagram:https://www.instagram.com/belowthebeltboxing/Check out Trent Albert on Youtube:https://www.youtube.com/@whenthesmokeclearsboxing4332Also be sure to Subscribe and Rate to the podcast on which ever podcast platform you enjoy the podcast on. Please follow Tha Dr on Instagram @tha512footdr.Got a question for Tha512footdr and show guests???Call into the podcast question hotline and have your question heard and answered on the air. ‪(512) 900-9226‬NOW ON YOUTUBEhttps://www.youtube.com/playlist?list=PL0CrpxZvy0yQ_klMMtdagdPauRoH10fLRFollow and Play Chess with @Tha512footdr onhttps://www.chess.comMAKE SURE TO TELL A FREAK OR A GEEK ABOUT THE PODCAST!!Tha Dr's Orders Podcast is a Life or Death Studios Production .And thank you to YOU the Freaks and Geeks!!! 

Cheyenne and the Miltary Police are desperately trying to make room for everyone in the bunker, meanwhile, Zander makes a terrible discovery. If you're just joining us: The Asian Coalition, an alliance between Russia, China, and a smattering of other countries have presumably dropped nuclear bombs on U.S. soil sending survivors underground. Among them is Ele, Zander, and Orson — three military-trained children, who band together to make the best of their new lives underground.This episode stars Ana Telfer,  Darius Marquis Johnson, Jeffrey Larson, Jessica Buddah, Alice Bang, and Kevin Holloway-Harris, and features Jim Meskimen and Joseph Rudd.Support the showBlack Rain is a fictional podcast by American Pantheon. It was created by Chadwick Harman and produced by Scott Lucas, Scott McKinney, and Chadwick Harman.© American Pantheon, ltd. liability co. All rights reserved. Black Rain is listener-supported!

Dan teaches a Japanese phrase from the 1989 movie Black Rain set in Osaka, answers a Patreon question about picking up J babes, Shohei Ohtani involved in gambling, and blabs about The Japanese Government's Moonshot Project's goal 7, 8, and 9.⁠ Moonshot Project website ⁠⁠⁠⁠https://www8.cao.go.jp/cstp/english/moonshot/target_en.html⁠⁠⁠⁠ Support the Dan Wilson in Tokyo Podcast Become a Patreon member for 5 bucks a months (that's like one tall boy) and Dan will give you a shoutout and read your questions on the podcast. ⁠⁠⁠⁠⁠patreon.com/DanWilsonUSAJPN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: dan.yahola.wilson@gmail.com Current Sponsors: sarvermovers.com/quote Promo Code- Danielsan for 5% off your move (512-596-9696). brakechimps.com (512-525-8950). The Dan Wilson in Tokyo Podcast Your one-stop podcast for everything Japan and Japanese culture...kind of. Dan Wilson is an American living in Japan working in the entertainment industry as a comedian signed to Watanabe Entertainment. Instagram/TikTok = @danielywilson

Will, Adam, and Mike watched Ridley Scott's Black Rain (1989) and discuss if this East meets West buddy cop movie has any balls. IMDb: https://www.imdb.com/title/tt0096933/

Join Trevor and his buddy Brad from the Cinema Speak podcast as they talk about movies from their collections with nostalgic and "Sentimental Scores"! Brad's Picks: Signs (2002) by James Newton Howard - 5:45 The Social Network (2010) by Atticus Ross and Trent Reznor - 35:00 Jurassic Park (1993) and Home Alone (1990) and more by John Williams - 58:00 Ghostbusters (1984) by Elmer Bernstein - 1:35:50 Trevor's Picks: Face/Off (1997), The Bourne Trilogy (2002 - 2007), and Green Zone (2010) by John Powell 20:45 The Matrix Trilogy (1999 - 2003) by Don Davis, Juno Reactor, Rob Dougan and Gocoo - 47:30 Broken Arrow (1996), Black Rain (1989), Backdraft (1991), Gladiator (2000), The Rock (1996) and The Dark Knight Trilogy (2005 - 2011) by Hans Zimmer - 1:18:30 Robocop (1987), Conan the Barbarian (1982), Conan the Destroyer (1984), Starship Troopers (1997), and Under Siege 2: Dark Territory (1995) by Basil Poledouris - 1:49:001:59:30 And stick around for speed round, where Trevor and Brad briefly talk about runner up picks that they didn't have time to spotlight. Check out Brad's podcast, Cinema Speak on ⁠Libsyn at ⁠Cinema Speak⁠⁠, or on ⁠⁠Twitter⁠⁠ and ⁠⁠Instagram⁠⁠. Follow us on ⁠Instagram ⁠@catchinguponcinema⁠⁠ Follow us on ⁠Twitter ⁠@CatchingCinema

Welcome to our podcast miniseries devoted to celebrating the 1988 contemporary classic, action buddy comedy MIDNIGHT RUN, written by George Gallo & directed by Martin Brest. Produced & hosted by Blake Howard & Jen Johans of One Heat Minute Productions & Watch With Jen, respectively, each week, we'll explore the film we first bonded over when we became friends in 2019 by surfing through an incredible roster of guests from journalists to novelists & beyond who love it as much as we do. Now available wherever you get your pods, each week, you'll find a new installment here & in both the One Heat Minute Productions & Watch With Jen podcast feeds.As this series starts nearing its conclusion, like Jack & the Duke getting to L.A. by midnight, we want to make sure we have a Happy Ending ahead & this week, we definitely did, thanks to our amazing guests, filmmaker & Light the Fuse co-podcaster Charles Hood & HAPPY ENDINGS star Adam Pally. Both major fans of the film, it was a pleasure to chat with the pair for close to an hour about everything from the video store & HBO era of yesteryear to the alchemy of the actors. Also, Adam Pally gave me the thinnest excuse imaginable to riff about BLACK RAIN, which, if you know anything about me, you know was a total blast. Buckle up, you'll dig it.Originally Posted on Patreon (2/28/24) here: https://www.patreon.com/posts/99382828

Time Artist Title Duration Album Year 0:00:00 ProgPhonic Intro 0:01:14 Fish on Friday Black Rain 4:43 Black Rain 2020 0:07:18 Final Conflict The Rise Of The Artisan 9:03 The Rise Of The Artisan 2020 0:16:21 Freedom To Glide Rain (part 1) 5:44 Rain 2013 0:22:06 HUIS Oude Kerk 1 5:31 Despite Guardian Angels 2014 0:29:40 […]

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I feel like I'm always telling young people, I know you want to make your own films, and I know you think you know everything. And that's one way to do it is to take an iPhone and just make a terrible first feature and then learn as you go. But I'm such a believer in mentorship. And when you have the time when you're young, find people that you admire and put yourselves in their orbit and just absorb and it will serve you so well later in life. I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I feel like I'm always telling young people, I know you want to make your own films, and I know you think you know everything. And that's one way to do it is to take an iPhone and just make a terrible first feature and then learn as you go. But I'm such a believer in mentorship. And when you have the time when you're young, find people that you admire and put yourselves in their orbit and just absorb and it will serve you so well later in life. I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."My most formative TV experience having been Six Feet Under, I tend to want to take a rather conservative approach to score, in that if a scene works brilliantly without music, why do you need music? And that score, especially, is usually there to provide an element that you're not getting fully from the dry–when there's no score, we call it dry. So with the dry footage, that was always our philosophy on Six Feet Under: if the scene works just as well without music, we don't need music. And that just runs a little counter to what was, and kind of still is, the prevailing philosophy on television, which is that everything needs music. Like, people won't know what to feel if you don't score it, which I think is a really very insulting underestimation of the intelligence of the audience.And so there's always pressure to put more music in, and our feeling is, no, if we don't need it, we don't need it. Now, that changes, like when we get to Tokyo Vice because of the genre elements of the show. You know, if you have an action sequence, you need music. If you have a really tense, suspenseful moment, it probably needs music.”https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"My most formative TV experience having been Six Feet Under, I tend to want to take a rather conservative approach to score, in that if a scene works brilliantly without music, why do you need music? And that score, especially, is usually there to provide an element that you're not getting fully from the dry–when there's no score, we call it dry. So with the dry footage, that was always our philosophy on Six Feet Under: if the scene works just as well without music, we don't need music. And that just runs a little counter to what was, and kind of still is, the prevailing philosophy on television, which is that everything needs music. Like, people won't know what to feel if you don't score it, which I think is a really very insulting underestimation of the intelligence of the audience. And so there's always pressure to put more music in, and our feeling is, no, if we don't need it, we don't need it. Now, that changes, like when we get to Tokyo Vice because of the genre elements of the show. You know, if you have an action sequence, you need music. If you have a really tense, suspenseful moment, it probably needs music.”Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I was always a film and theater kid. I just was completely starstruck and only wanted to have some kind of contact with showbiz. I didn't really understand in what creative shape that would take. It was when I was trying to work in theater. Stephen Sondheim was a close friend and advisor for the period. I was trying to work in theater, and he really changed how I think about art. And then before I went to do Mishima, I spent 3 years working with Robert Wilson, the great international stage director. Bob is a complete genius, and I adore him. Just being an apprentice to him and being one of his many producers working on his big international projects was a hugely formative and nurturing experience. And then finally Schrader [was an important mentor] because Schrader just sort of said, 'Here, you're going to work in movies. Come with me.'"Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I was always a film and theater kid. I just was completely starstruck and only wanted to have some kind of contact with showbiz. I didn't really understand in what creative shape that would take. It was when I was trying to work in theater. Stephen Sondheim was a close friend and advisor for the period. I was trying to work in theater, and he really changed how I think about art. And then before I went to do Mishima, I spent 3 years working with Robert Wilson, the great international stage director. Bob is a complete genius, and I adore him. Just being an apprentice to him and being one of his many producers working on his big international projects was a hugely formative and nurturing experience. And then finally Schrader [was an important mentor] because Schrader just sort of said, 'Here, you're going to work in movies. Come with me.'"https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

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Fen and Zander discover a mysterious signal, while Ele and Orson make a bet over the future of the bunker.If you're just joining us: The Asian Coalition, an alliance between Russia, China, and a smattering of other countries has presumably dropped nuclear bombs on U.S. soil sending survivors underground. Among them is Ele, Zander, and Orson — three military-trained children, who band together to make the best of their new lives underground.This episode stars Ana Telfer,  Darius Marquis Johnson, Jeffrey Larson, Jessica Buddah, Alice Bang, and Kevin Holloway-Harris, and features Jim Meskimen and Joseph Rudd.Support the showBlack Rain is a fictional podcast by American Pantheon. It was created by Chadwick Harman and produced by Scott Lucas, Scott McKinney, and Chadwick Harman.© American Pantheon, ltd. liability co. All rights reserved. Black Rain is listener-supported!

Welcome all you slack jawing sons of bitches to Men of Action, the monthly action movie throw down show. This month we are pitting 2 kick ass Scott Brother action flicks against one another in a no holds barred battle to the death, to see which one truly reigns supreme. Our contestants in this month Scott Family Showdown are Tony Scott's "The Last Action Hero" (1991) & Ridley Scott's "Black Rain" (1989). Along the way we will give you our monthly recommendations of must see movies and TV shows, as well as defecate all over a pair of horse shit films, and to top it all off we will close things out with 4 new inductees into our exclusive, Top 100 Films Of All Time list. So buckle up buckeroos, shit's about to get explosive. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ryan-rebalkin01/message

Drew and Travis get wet with Black Rain, the 1989 neo-noir from director Ridley Scott, starring Michael Douglas! TIMESTAMPS 00:00:00 - Black Rain 00:45:17 - The Shelf 00:52:08 - Calls to Action 00:53:21 - Currently Consuming 01:16:03 - End SHOW LINKS Tokyo Vice by Jake Adelstein Alien Nation The Exorcist: Believer Fargo Season 5

Patrick is joined by friend and comedian Joel Edmiston to talk about Wes Anderson's first film. Download this episode here. (41.6 MB) Listen to F This Movie! on Spotify and on Apple Podcasts. Also discussed this episode: The Game (1997), Beyond a Reasonable Doubt (2009), Black Rain (1989), The Hunger Games: Ballad of Songbirds and Snakes (2023), The Retirement Plan (2023), Thanksgiving (2023)

Its a full house as Mike, Chris, Joe and Rob discuss Captain Marvel #1 (2012), Black Rain, Nyghtfall #1, Abbott and Costello Meet Frankenstein, Abbott and Costello Meet The Invisible Man, Creature from the Black Lagoon, Shogun Warriors #15, Tomb of Dracula #19-20, Night of the Hunter, Marvel Two-in-One #48

"An American Cop in Japan. Their country. Their laws. Their game. His rules." In this week's episode, we are discussing the 1989 crime drama "Black Rain." It stars Michael Douglas, Andy Garcia, Ken Takakura and Kate Capshaw. Directed by Ridley Scott. Black Rain - IMDB: https://www.imdb.com/title/tt0096933/?ref_=tttg_ovBlack Rain - Rotten Tomatoes: https://www.rottentomatoes.com/m/1002512-black_rainBill's Letterboxd Ratings: https://letterboxd.com/bill_b/list/bills-all-80s-movies-podcast-ratings/Jason's Letterboxd Ratings: https://letterboxd.com/jasonmasek/list/jasons-all-80s-movies-podcast-ratings/Website: http://www.all80smoviespodcast.comTwitter (X): https://twitter.com/podcastAll80sFacebook (META): https://www.facebook.com/profile.php?id=100030791216864TikTok: https://www.tiktok.com/@all80smoviespodcast

PREVIEW: What did 1945 know of radiation and Black Rain before Hiroshima and Nagasaki?  Charles Pellegrino, author, To Hell and Back: Last Train from Hiroshima https://www.amazon.com/Hell-Back-Hiroshima-Pacific-Perspectives-ebook/dp/B013FWE5XW/?_encoding=UTF8&pd_rd_w=7CKgU&content-id=amzn1.sym.579192ca-1482-4409-abe7-9e14f17ac827&pf_rd_p=579192ca-1482-4409-abe7-9e14f17ac827&pf_rd_r=143-0258134-6610437&pd_rd_wg=eYrla&pd_rd_r=fb694f30-5c5e-46f2-8ae4-45093a45334a&ref_=aufs_ap_sc_dsk Photo:  1945 Hiroshima No known restrictions on publication. @Batchelorshow