Podcasts about Stranger Things

How do you capture something as enormous and personal as the feeling of “home” in a book? How can you navigate the chaotic discovery period in writing something new? With Roz Morris. In the intro, KU vs Wide [Written Word Media]; Podcasts Overtake Radio, book marketing implications [The New Publishing Standard]; Tips for podcast guests; The Vatican embraces AI for translation, but not for sermons [National Catholic Reporter]; NotebookLM; Self-Publishing in German; Bones of the Deep. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How being an indie author has evolved over 15 years, from ebooks-only to special editions, multi-voice audiobooks and tools to help with everything Why “home” is such a powerful emotional theme and how to turn personal experiences into universal memoir Practical craft tips on show-don't-tell, writing about real people, and finding the right book title The chaotic discovery writing phase — why some books take seven years and why that's okay Building a newsletter sustainably by finding your authentic voice (and the power of a good pet story) Low-key book marketing strategies for memoir, including Roz's community-driven “home” collage campaign You can find Roz at RozMorris.org. Transcript of the interview with Roz Morris JOANNA: Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. Welcome back to the show, Roz. ROZ: Hi, Jo. It's so lovely to be back. I love that we managed to catch up every now and again on what we're doing. We've been doing this for so long. JOANNA: In fact, if people don't know, the first time you came on this show was 2011, which is 15 years. ROZ: I know! JOANNA: It is so crazy. I guess we should say, we do know each other in person, in real life, but realistically we mainly catch up when you come on the podcast. ROZ: Yes, we do, and by following what we're doing around the web. So I read your newsletters, you read mine. JOANNA: Exactly. So good to return. You write all kinds of different things, but let's first take a look back. The first time you were on was 2011, 15 years ago. You've spanned traditional and indie, you've seen a lot. You know a lot of people in publishing as well. What are the key things you think have shifted over the years, and why do you still choose indie for your work? ROZ: Well, lots of things have shifted. Some things are more difficult now, some things are a lot easier. We were lucky to be in right at the start and we learned the ropes and managed to make a lot of contacts with people. Now it's much more difficult to get your work out there and noticed by readers. You have to be more knowledgeable about things like marketing and promotions. But that said, there are now much better tools for doing all this. Some really smart people have put their brains to work about how authors can get their work to the right readers, and there's also a lot more understanding of how that can be done in the modern world. Everything is now much more niche-driven, isn't it? People know exactly what kind of thriller they like or what kind of memoir they like. In the old days it was probably just, “Well, you like thrillers,” and that could be absolutely loads of things. Now we can find far better who might like our work. The tools we have are astonishing. To start with, in about 2011, we could only really produce ebooks and paperbacks. That was it. Anything else, you'd have to get a print run that would be quite expensive. Now we can get amazing, beautiful special editions made. We can do audiobooks, multi-voice audiobooks. We can do ebooks with all sorts of enhancements. We can even make apps if we want to. There's absolutely loads that creators can do now that they couldn't before, so it's still a very exciting world. JOANNA: When we first met, there was still a lot of negativity here in the UK around indie authors or self-publishing. That does feel like it's shifted. Do you think that stigma around self-publishing has changed? ROZ: I think it has really changed, yes. To start with, we were regarded as a bit of the Wild West. We were just tramping in and making our mark in places that we hadn't been invited into. Now it's changed entirely. I think we've managed to convince people that we have the same quality standards. Readers don't mind—I don't think the readers ever minded, actually, so long as the book looked right, felt right, read right. It's much easier now. It's much more of a level playing field. We can prove ourselves. In fact, we don't necessarily have to prove ourselves anymore. We just go and find readers. JOANNA: Yes, I feel like that. I have nothing to prove. I just get on with my work and writing our books and putting them out there. We've got our own audiences now. I guess I always think of it as perhaps not a shadow industry, but almost a parallel industry. You have spanned a lot of traditional publishing and you still do editing work. You know a lot of trad pub authors too. Do you still actively choose indie for a particular reason? ROZ: I do. I really like building my own body of work, and I'm now experienced enough to know what I do well, what I need advice with, and help with. I mean, we don't do all this completely by ourselves, do we? We bring in experts who will give us the right feedback if we're doing a new genre or a genre that's new to us. I choose indie because I like the control. Because I began in traditional publishing—I was making books for other people—I just learned all the trades and how to do everything to a professional standard. I love being able to apply that to my own work. I also love the way I can decide what I'm going to write next. If I was traditionally published, I would have to do something that fitted with whatever the publisher would want of me, and that isn't necessarily where my muse is taking me or what I've become interested in. I think creative humans evolve throughout their lives. They become interested in different things, different themes, different ways of expressing themselves. I began by thinking I would just write novels, and now I've found myself writing memoirs as well. That shift would have been difficult if someone else was having to make me fit into their marketing plans or what their imprint was known for. But because I've built my own audience, I can just bring them with me and say, “You might like this. It's still me. I'm just doing something different.” JOANNA: I like that phrase: “creative humans.” That's what we are. As you say, I never thought I would write a memoir, and then I wrote Pilgrimage, and I think there's probably another one on its way. We do these different things over time. Let's get into this new book, Turn Right at the Rainbow. It's about the idea of home. I've talked a lot about home on my Books And Travel Podcast, but not so much here. Why is home such an emotional topic, for both positive and negative reasons? Why did you want to explore it? ROZ: I think home is so emotional because it grows around you and it grows on you very slowly without you really realising it. As you are not looking, you suddenly realise, “Oh, it means such a lot.” I love to play this mind game with myself—if you compare what your street looks like to you now and how it looked the first time you set eyes on it, it's a world of difference. There are so many emotional layers that build up just because of the amount of time we spend in a place. It's like a relationship, a very slow-growing friendship. And as you say, sometimes it can be negative as well. I became really fascinated with this because we decided to move house and we'd lived in the same house for about 30 years, which is a lot of time. It had seen a lot of us—a lot of our lives, a lot of big decisions, a lot of good times, a lot of difficult times. I felt that was all somehow encapsulated in the place. I know that readers of certain horror or even spiritual fiction will have this feeling that a place contains emotions and pasts and all sorts of vibes that just stay in there. When we were going around looking at a house to buy, I was thinking, “How do we even know how we will feel about it?” We're moving out of somewhere that has immense amounts of feelings and associations, and we're trying to judge whether somewhere else will feel right. It just seemed like we were making a decision of cosmic proportions. It comes down so much to chance as well. You're not only just deciding, “Okay, I'd like to buy that one,” and pressing a button like on eBay and you've won it. It doesn't happen like that. There are lots of middle steps. The other person's got to agree to sell to you, not do the dirty on you and sell to someone else. You've got all sorts of machinations going on that you have no idea about. And you only have what's on offer—you only get an opportunity to buy a place because someone else has decided to let it go. All this seemed like immense amounts of chance, of dice rolling. I thought, yet we end up in these places and they mean so much to us. It just blew my mind. I thought, “I've got to write about this.” JOANNA: It's really interesting, isn't it? I really only started using the word “home” after the pandemic and living here in Bath. We had luckily just bought a house before then, and I'd never really considered anywhere to be a home. I've talked about this idea of third culture kids—people who grow up between cultures and don't feel like there's a home anywhere. I was really interested in your book because there's so much about the functional things that have to happen when you move house or look for a house, and often people aren't thinking about it as deeply as you are. So did you start working on the memoir as you went to see places, or was it something you thought about when you were leaving? Was it a “moving towards” kind of memoir or a “sad nostalgia” memoir? ROZ: Well, it could have been very sad and nostalgic because I do like to write really emotional things, and they're not necessarily for sharing with everybody, but I was very interested in the emotions of it. I started keeping diaries. Some of them were just diaries I'd write down, some of them were emails I'd send to friends who were saying, “How's it going?” And then I'd find I was just writing pieces rather than emails, and it built up really. JOANNA: It's interesting, you said you write emotional things. We mentioned nostalgia, and obviously there are memories in the home, but it's very easy to say a word like “nostalgia” and everyone thinks that means different things. One of the important things about writing is to be very specific rather than general. Can you give us some tips about how we can turn big emotions into specific written things that bring it alive for our readers? ROZ: It's really interesting that you mention nostalgia, because what we have to be careful of is not writing just for ourselves. It starts with us—our feelings about something, our responses, our curiosities—but we then have to let other people in. There's nothing more boring than reading something that's just a memoir manuscript that doesn't reach out to anyone in any way. It's like looking through their holiday snaps. What you have to do is somehow find something bigger in there that will allow everyone to connect and think, “Oh, this is about me too,” or “I've thought this too.” As I said, we start with things that feel powerful and important for us, and I think we don't necessarily need to go looking for them. They emerge the more deeply we think about what we're writing. We find they're building. Certainly for me, it's what pulls me back to an idea, thinking, “There's something in this idea that's really talking to me now. What is it?” Often I'll need to go for walks and things to let the logical mind turn off and ideas start coming in. But I'll find that something is building and it seems to become more and more something that will speak to others rather than just to me. That's one way of doing it—by listening to your intuition and delving more and more until you find something that seems worth saying to other people. But you could do it another way. If you decided you wanted to write a book about home, and you'd already got your big theme, you could then think, “Well, how will I make this into something manageable?” So you start with something big and build it into smaller-scale things that can be related to. You might look at ideas of homes—situations of people who have lost their home, like the kind of displacement we see at the moment. Or we might look at another aspect, such as people who sell homes and what they must feel like being these go-betweens between worlds, between people who are doing these immense changes in their lives. Or we might think of an ecological angle—the planet Earth and what we're doing to it, or our place in the cosmos. We might start with a thing we want to write about and then find, “How are we going to treat it?” That usually comes down to what appeals to us. It might be the ecological side. It might be the story of a few estate agents who are trying to sell homes for people. Or it might be like mine—just a personal story of trying to move house. From that, we can create something that will have a wider resonance as well as starting with something that's personally interesting to you. The big emotions will come out of that wider resonance. JOANNA: Trying to go deeper on that— It's the “show, don't tell” idea, isn't it? If you'd said, “I felt very sad about leaving my house” or “I felt very sad about the prospect of leaving my house,” that is not a whole book. ROZ: Yes. It's why you felt sad, how you felt sad, what it made you think of. That's a very good point about “show, don't tell,” which is a fundamental writing technique. It basically tells people exactly how you feel about a particular thing, which is not the same as the way anyone else would feel about it—but still, curiously, it can be universal and something that we can all tap into. Funnily enough, by being very specific, by saying, “I realised when we'd signed the contract to sell the house that it wasn't ours anymore, and it had been, and I felt like I was betraying it,” that starts to get really personal. People might think, “Yes, I felt like that too,” or “I hadn't thought you'd feel like that, but I can understand it.” Those specifics are what really let people into the journey that you're taking them on. JOANNA: And isn't this one of the challenges, that we're not even going to use a word like “sad,” basically. ROZ: Yes. It's like, who was it who said, “Don't tell me if they got wet—tell me how it felt to get wet in that particular situation.” Then the reader will think, “Oh yes, they got wet,” but they'll also have had an experience that took them somewhere interesting. JOANNA: Yes. Show me the raindrops on the umbrella and the splashing through the puddles. I think this is so important with big emotions. Also, when we say nostalgia—we've talked before about Stranger Things and Kate Bush and the way Stranger Things used songs and nostalgia. Oh, I was watching Derry Girls—have you seen Derry Girls? ROZ: No, I haven't yet. JOANNA: Oh, it's brilliant. It's so good. It's pretty old now, but it's a nineties soundtrack and I'm watching going, “Oh, they got this so right.” They just got it right with the songs. You feel nostalgic because you feel an emotion that is linked to that music. It makes you feel a certain way, but everyone feels these things in different ways. I think that is a challenge of fiction, and also memoir. Certainly with memoir and fiction, this is so important. ROZ: Yes, and I was just thinking with self-help books, it's even important there because self-help books have to show they understand how the reader is feeling. JOANNA: Yes, and sometimes you use anecdotes to do that. Another challenge with memoir—in this book, you're going round having a look at places, and they're real places and there are real people. This can be difficult. What are things that people need to be wary of if using real people in real places? Do you need permissions for things? ROZ: That book was particularly tricky because, as you said, I was going around real places and talking about real people. With most of them, they're not identifiable. Even though I was specific about particular aspects of particular houses, it would be very hard for anyone to know where those houses were. I think possibly the only way you would recognise it is if that happened to be your own house. The people, similarly—there's a lot about estate agents and other professionals. They were all real incidents and real things that happened, but no one is identifiable. A very important thing about writing a book like this is you're always going to have antagonists, because you have to have people who you're finding difficult, people who are making life a bit difficult for you. You have to present them in a way that understands what it's like to be them as well. If you're writing a book where your purpose is to expose wrongdoing or injustices, then you might be more forthright about just saying, “This is wrong, the way this person behaved was wrong.” You might identify villains if that's appropriate, although you'd have to be very careful legally. This kind of book is more nuanced. The antagonists were simply people who were trying to do the right thing for them. You have to understand what it's like to be them. Quite a lot of the time, I found that the real story was how ill-equipped I sometimes felt to deal with people who were maybe covering something up, or maybe not, but just not expressing themselves very clearly. Estate agents who had an agenda, and I was thinking, “Who are they acting for? Are they acting for me, or are they acting for someone else that we don't even know about?” There's a fair bit of conflict in the book, but it comes from people being people and doing what they have to do. I just wanted to find a good house in an area that was nice, a house I could trust and rely on, for a price that was right. The people who were selling to me just wanted to sell the house no matter what because that was what they needed to do. You always have to understand what the other person's point of view is. Often in this kind of memoir, even though you might be getting very frustrated, it's best to also see a bit of a ridiculous side to yourself—when you're getting grumpy, for instance. It's all just humans being humans in a situation where ultimately you're going to end up doing a life-changing and important thing. I found there's quite a lot of humour in that. We were shuffling things around and, as I said, we were eventually going to be making a cosmic change that would affect the place we called home. I found that quite amusing in a lot of ways. I think you've got to be very levelheaded about this, particularly about writing about other people. Sometimes you do have to ask for permission. I didn't have to do that very much in this book. There were people I wrote about who are actually friends, who would recognise themselves and their stories. I checked that they didn't mind me quoting particular things, and they were all fine with that. In my previous memoir, Not Quite Lost, I actually wrote about a group of people who were completely identifiable. They would definitely have known who they were, and other people would have known who they were. There was no hiding them. They were the people near Brighton who were cryonicists—preserving dead bodies, freezing them, in the hope that they could be revived at a much later date when science had solved the problem that killed them. I went to visit this group of cryonicists, and I'd written a diary about it at the time. Then I followed up when I was writing the book to find out what happened to them. I thought, I've simply got to contact them and tell them I'm going to write this. “I'll send it to you, you give me your comments,” and I did. They gave me some good comments and said, “Oh, please don't put that,” or “Let me clarify this.” Everything was fine. So there I did actually seek them out and check that what I was going to write was okay. JOANNA: Yes, in that situation, there can't be many cryonicists in that area. ROZ: They really were identifiable. JOANNA: There's probably only one group! But this is really interesting, because obviously memoir is a personal thing. You're curating who you are as well in the book, and your husband. I think it's interesting, because I had the problem of “Am I giving away too much about myself?” Do you feel like with everything you've written, you've already given away everything about yourself by now? Are you just completely relaxed about being personal, for yourself and for your husband? ROZ: I think I have become more relaxed about it. My first memoir wasn't nearly as personal as yours was. You were going to some quite difficult places. With Turn Right at the Rainbow, I was approaching some darker places, actually, and I had to consider how much to reveal and how much not to. But I found once I started writing, the honesty just took over. I thought, “This is fine. I have read plenty of books that have done this, and I've loved them. I've loved getting to know someone on that deeper level.” It was just something I took my example from—other writers I'd enjoyed. JOANNA: Yes. I think that's definitely the way memoir has to happen, because it can be very hard to know how to structure it. Let's come to the title. Turn Right at the Rainbow. Really great title, and obviously a subtitle which is important as well for theme. Talk about where the title came from and also the challenges of titling books of any genre. You've had some other great titles for your novels—at least titles I've thought, “Oh yes, that's perfect.” Titling can be really hard. ROZ: Oh, thank you for that. Yes, it is hard. Ever Rest, which was the title of my last novel, just came to me early on. I was very lucky with that. It fitted the themes and it fitted what was going on, but it was just a bolt from the blue. I found that also with Turn Right at the Rainbow, it was an accident. It slipped out. I was going to call it something else, and then this incident happened. “Turn Right at the Rainbow” is actually one of the stories in the book. I call it the title track, as if it's an album. We were going somewhere in the car and the sat nav said, “Turn right at the rainbow.” And Dave and I just fell about, “What did it just say?!” It also seemed to really sum up the journey we were on. We were looking for rainbows and pots of gold and completely at the mercy of chance. It just stayed with me. It seemed the right thing. I wrote the piece first and then I kept thinking, “Well, this sounds like a good title.” Dave said it sounded like a good title. And then a friend of mine who does a lot of beta reading for me said, “Oh, that is the title, isn't it?” When several people tell you that's the title, you've got to take notice. But how we find these things is more difficult, as you said. You just work and work at it, beating your head against the wall. I find they always come to me when I'm not looking. It really helps to do something like exercise, which will put you in a bit of a different mind state. Do you find this as well? JOANNA: Yes, I often like a title earlier on that then changes as the book goes. I mean, we're both discovery writers really, although you do reverse outlines and other things. You have a chaotic discovery phase. I feel like when I'm in that phase, it might be called something, and then I often find that's not what it ends up being, because the book has actually changed in the process. ROZ: Yes, very much. That's part of how we realise what we should be writing. I do have working titles and then something might come along and say, “This seems actually like what you should call it and what you've been working towards, what you've been discovering about it.” I think a good title has a real sense of emotional frisson as well. With memoir, it's easier because we can add a subtitle to explain what we mean. With fiction, it's more difficult. We've got to really hope that it all comes through those few words, and that's a bit harder. JOANNA: Let's talk about your next book. On your website it says it might be a novel, it might be narrative nonfiction, and you have a working title of Four. I wondered if you'd talk a bit more about this chaotic discovery writing phase when we just don't know what's coming. I feel like you and I have been doing this long enough—you longer than me—so maybe we're okay with it. But newer writers might find this stage really difficult. Where's the fun in it? Why is it so difficult? And how can people deal with it? ROZ: You've summed that up really well. It's fun and it's difficult, and I still find it difficult even after all these years. I have to remind myself, looking back at where Ever Rest started, because that was a particularly difficult one. It took me seven years to work out what to do with it, and I wrote three other books in the meantime. It just comes together in the end. What I find is that something takes root in my mind and it collects things. The title you just picked out there—the book with working title of Four—it's now two books. One possibly another memoir and one possibly fiction. It's evolving all the time. I'm just collecting what seems to go with it for now and thinking, “That belongs with it somehow. I don't yet know how, but my intuition is that the two work well together.” There's a harmony there that I see. In the very early stages, that's what I find something is. Then I might get a more concrete idea, say a piece of story or a character, and I'll have the feeling that they really fit together. Once I've got something concrete like that, I can start doing more active research to pursue the idea. But in the beginning, they're all just little twinkles in the eye and you just have to let them develop. If you want to get started on something because you feel you want to get started and you don't feel happy if you're not working on something, you could do a far more active kind of discovery. Writing lists. Lists are great for this. I find lists of what you don't want it to be are just as helpful as what you do want it to be because that certainly narrows down a lot and helps you make good choices. You've got a lot of choices to make at the beginning of a book. You've got to decide: What's it going to be about? What isn't it going to be about? What kind of characters am I interested in? What kind of situations am I interested in? What doesn't interest me about this situation? Very important—saves you a lot of time. What does interest me? If you can start by doing that kind of thing, you will find that you start gathering stuff that gets attracted to it. It's almost like the world starts giving it to you. This is discovery writing, but it's also chivvying it along a bit and getting going. It does work. Joanna: I like the idea of listing what you don't want it to be. I think that's very useful because often writers, especially in the early stages—or even not, I still struggle with this—it's knowing what genre it might actually be. With Bones of the Deep, which is my next thriller, it was originally going to be horror and I was writing it, and then I realised one of the big differences between horror and thriller is the ending and how character arcs are resolved and the way things are written. I was just like, “Do you know what? I actually feel like this is more thriller than horror,” and that really shaped the direction. Even though so much of it was the same, it shaped a lot about the book. It's always hard talking about this stuff without giving spoilers, but I think deciding, “Okay, this is not a horror,” actually helped me find my way back to thriller. ROZ: Yes, I do know what you mean. That makes perfect sense to me, with no spoilers either. It's so interesting how a very broad-strokes picture like that can still be very helpful. Just trying to make something a bit different from the way you've been envisaging it can lead to massive breakthroughs. “Oh no, it's not a thriller—I don't have to be aiming for that kind of effect.” Or try changing the tone a little bit and see if that just makes you happier with what you're making, more comfortable with it. JOANNA: You mentioned the seven years that Ever Rest took. We should say the title is in two words—”Ever” and “Rest”—but it is also about Everest the mountain in many ways. That's why it's such a perfect title. If that took seven years and you were doing all this other stuff and writing other books along the way, how do you keep your research under control? How do you do that? I still use Scrivener projects as my main research place. How do you do your research and organisation? ROZ: A lot of scraps of paper. My desk is massive. It used to be a dining table with leaves in it. It's spread out to its fullest length, and it's got heaps of little pieces of paper. I know what's on them all, and there are different areas, different zones. I'm very much a paper writer because I like the tangibility of it. I also like the creativity of taking a piece of paper and tearing it into an odd shape and writing a note on that. It seems as sort of profound and lucky as the idea. I really like that. I do make text files and keep notes that way. Once something is starting to get to a phase where it's becoming serious, it will then be a folder with various files that discuss different aspects of it. I do a lot of discussing with myself while writing, and I don't necessarily look at it all again. The writing of it clarifies something or allows me to put something aside and say, “No, that doesn't quite belong.” Gradually I start to look at things, look at what I've gathered, and think, “How does this fit with this?” And it helps to look away as well. As I said with finding titles, sometimes the right thing is in your subconscious and it's waiting to just sail in if you look at it in a different way. There's a lot to be said for working on several ideas, not looking at some of them for a while, then going back and thinking, “Oh, I know what to do with this now.” JOANNA: Yes. My Writing the Shadow, I was talking about that when we met, and that definitely took about a decade. ROZ: Yes. JOANNA: I kept having to come back to that, and sometimes we're just not ready. Even as experienced writers, we're not ready for a particular book. With Bones of the Deep, I did the trip that it's based on in 1999. Since I became a writer, I've thought I have to use that trip in some way, and I never found the right way to use it. I came at it a couple of times and it just never sat right with me. Then something on this master's course I'm doing around human remains and indigenous cultures just suddenly all clicked. You can't really rush that, can you? ROZ: You absolutely can't. It's something you develop a sense for, the more you do—whether something's ready or whether you should just let it think about itself for a while whilst you work on something else. It really helps to have something else to work on because I panic a bit if I don't have something creative to do. I just have to create, I have to make things, particularly in writing. But I also like doing various little arty things as well. I need to always have something to be writing about or exploring in words. Sometimes a book isn't ready for that intense pressure of being properly written. So it helps to have several things that I can play with and then pick one and go, “Okay, now I'm going to really perform this on the page.” JOANNA: Do you find that nonfiction—because you have some craft books as well—do you find the nonfiction side is quite different? Can you almost just go and write a nonfiction book or work on someone else's project? Does that use a different kind of creativity? ROZ: Yes, it does. Creativity where you're trying to explain something to creative people is totally different from creativity where you're trying to involve them in emotions and a journey and nuances of meaning. They're very different, but they're still fun. So, yes, I am an editor as well, and that feeds my creativity in various unexpected ways. I'll see what someone has done and think, “Oh, that's very interesting that they did that.” It can make me think in different ways—different shapes for stories, different kinds of characters to have. It really opens your eyes, working with other creative people. JOANNA: I wanted to return to what you said at the beginning, that it is more difficult these days to get our work noticed. There's certainly a challenge in writing a travel memoir about home. What are you doing to market this book? What have you learned about book marketing for memoir in particular that might help other people? ROZ: Partly I realised it was quite a natural progression for me because in my newsletter I always write a couple of little pieces. I think they're called “life writing.” Just little things that have happened to me. That's sort of like memoir, creative nonfiction, personal essays. I was quite naturally writing that sort of thing to my newsletter readers, and I realised that was already good preparation for the kind of way that I would write in a memoir. As for the actual campaign, I actually came up with an idea which quite surprised me because I didn't think I was good at that. I'm making a collage of the word “home” written in lots of different handwriting, on lots of different things, in lots of different languages. I'm getting people to contribute these and send them to me, and I'm building them into a series of collages that's just got the word “home” everywhere. People have been contributing them by sending them by email or on Facebook Messenger, and I've been putting them up on my social platforms. They look stunning. It's amazing. People are writing the word “home” on a post-it or sticking it to a picture of their radiator. Someone wrote it in snow on her car when we had snow. Someone wrote it on a pottery shard she found in her drive when she bought the house. She thought it was mysterious. There are all these lovely stories that people are telling me as well. I'm making them into little artworks and putting them up every day as the book comes to launch. It's so much fun, and it also has a deeper purpose because it shows how home is different for all of us and how it builds as uniquely as our handwriting. Our handwriting has a story. I should do a book about that! JOANNA: That's a weird one. Handwriting always gets me, although it'd be interesting these days because so many people don't handwrite things anymore. You can probably tell the age of someone by how well-developed their handwriting is. ROZ: Except mine has just withered. I can barely write for more than a few minutes. JOANNA: Oh, I know what you mean. Your hand gets really tired. ROZ: We used to write three-hour exams. How did we do that? JOANNA: I really don't know. JOANNA: Just coming back on that. You mentioned mainly you're doing your newsletter and connecting with your own community. You've done podcasts with me and with other people. But I feel like in the indie community, the whole “you must build your newsletter” thing is described as something quite frantic. How have you built a newsletter in a sustainable manner? ROZ: I've built it by finding what suited me. To start with I thought, “What will I put in it? News, obviously.” But I wasn't doing that much that was newsworthy. Then I began to examine what news could actually be. The turning point really happened when I wrote the first memoir, Not Quite Lost: Travels Without a Sense of Direction. I thought, “I have to explain to people why I'm writing a memoir,” because it seemed like a very audacious thing to do—”Read about me!” I thought I had to explain myself. So I told the story of how I came to think about writing such an audacious book. I just found a natural way to tell stories about what I was doing creatively. I thought, “I like this. I like writing a newsletter like this.” And it's not all me, me, me. It's “I'm discovering this and it makes me think this,” and it just seems to be generally about life, about little questions that we might all face. From then, I found I really enjoyed writing a newsletter because I felt I had something to say. I couldn't put lists of where I was speaking, what I was teaching, what special offers I had, because that wasn't really how my creative life worked. Once I found something I could sustainably write about every month, it really helped. Oh, it also helps to have a pet, by the way. JOANNA: Yes, you have a horse! ROZ: I've got a horse. People absolutely love hearing the stories about my ongoing relationship with this horse. Even if they're not horsey, they write to me and say, “We just love your horse.” It helps to have a human interest thing going on like that. So that works for me. Everyone's got different things that will work for them. But for me, it builds just a sense of connection, human connection. I'm human, making things. JOANNA: In terms of actually getting people signed up—has it literally just been over time? People have read your book, signed up from the link at the back? Have you ever done any specific growth marketing around your newsletter? ROZ: I tried a little bit of growth marketing. I have a freebie version of one of my Nail Your Novel books and I put that on a promotion site. I got lots of newsletter signups, but they sort of dwindled away. When I get unsubscribes, it's usually from that list, because it wasn't really what they came for. They just came for a free book of writing tips. While I do writing tips on my blog—I'm still doing those—it wasn't really what my newsletter was about. What I found was that that wasn't going to get people who were going to be interested long-term in what I was writing about in my newsletter. Whatever you do, I found, has got to be true to what you are actually giving them. JOANNA: Yes, I think that's really key. I make sure I email once every couple of weeks. And you welcome the unsubscribes. You have to welcome them because those people are not right for you and they're not interested in what you're doing. At the end of the day, we're still trying to sell books. As much as you're enjoying the connection with your audience, you are still trying to sell Turn Right at the Rainbow and your other books, right? ROZ: Absolutely, yes. And as you say, someone who decides, “No, not for me anymore,” and that's good. There are still people who you are right for. JOANNA: Mm-hmm. ROZ: I do market my newsletter in a very low-key way. I make a graphic every month for the newsletter, it's like a magazine cover. “What's in it?” And I put that around all my social media. I change my Facebook page header so it's got that on it, my Bluesky header. People can see what it's like, what the vibe is, and they know where to find it if they're interested. I find that kind of low-key approach works quite well for what I'm offering. It's got to be true to what you offer. JOANNA: Yes, and true for a long-term career, I think. When I first met you and your husband Dave, it was like, “Oh, here are some people who are in this writing business, have already been in it for a while.” And both of you are still here. I just feel like— You have to do it in a sustainable way, whether it's writing or marketing or any of this. The only way to do it is to, as you said, live as a creative human and not make it all frantic and “must be now.” ROZ: Yes. I mean, I do have to-do lists that are quite long for every week, but I've learned to pace myself. I've learned how often I can write a good blog post. I could churn out blog posts that were far more frequent, but they wouldn't be as good. They wouldn't be as properly thought through. In the old days with blogs, you had an advantage if you were blogging very frequently, I think you got more noticed by Google because you were constantly putting up fresh content. But if that's not sustainable for you, it's not going to do you any good. Now there's so much content around that it's probably fine to post once a month if that is what you're going to do and how you're going to present the best of yourself. I see a lot on Substack—I've recently started Substack as well—I see people writing every other day. I think they're good, that's interesting, but I don't have time to read it. I would love to have the time, but I don't. So there's actually no sin in only posting once a month—one newsletter a month, one blog post a month, one Substack a month. That's plenty. People will still find that enough if they get you. JOANNA: Fantastic. So where can people find you and your books and everything you do online? ROZ: My website is probably the easiest place, RozMorris.org. JOANNA: Brilliant. Well, thank you so much for your time, Roz. As ever, that was great. ROZ: Thank you, Jo.The post Writing Emotion, Discovery Writing, And Slow Sustainable Book Marketing With Roz Morris first appeared on The Creative Penn.

This week we welcome director/writer Ben Hall on the show to talk about how they have made their films, their process for getting them funded and how they do it all while working as crew on some of the biggest budget movies and shows like Stranger Things, Free Guy and Lion King. After that we play another round of THE GAME, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952 Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Analizamos sin spoilers Rooster, la nueva comedia de HBO creada por Bill Lawrence (Ted Lasso, Scrubs, Shrinking) y protagonizada por Steve Carell. En este episodio de Razones para Ver Express repasamos los primeros episodios de una serie ambientada en un campus universitario que combina humor incómodo, drama emocional y relaciones familiares complejas. La historia sigue a Greg Russo, un escritor de éxito que llega a una universidad para dar una charla y acaba involucrándose mucho más de lo esperado en la vida académica del campus. Lo que comienza como una visita breve se convierte en una estancia más prolongada mientras intenta apoyar a su hija Katie, profesora en la misma universidad, que atraviesa un momento complicado tras la ruptura de su matrimonio. En el programa comentamos qué propone realmente Rooster, cómo funciona el tono de la serie y de qué manera Bill Lawrence vuelve a explorar ese equilibrio tan característico entre comedia y emoción. También hablamos del regreso de Steve Carell a un papel protagonista en televisión y de cómo su interpretación se aleja del tipo de comedia más exagerada para apostar por un personaje más vulnerable y lleno de matices. Además, analizamos el papel del reparto secundario, el uso del campus como escenario para explorar conflictos generacionales y cómo la serie utiliza el humor incómodo para construir muchas de sus situaciones cómicas. ¿Estamos ante una nueva gran comedia televisiva o simplemente ante una serie agradable que se disfruta por sus personajes? En este Razones para Ver Express os contamos qué nos han parecido los primeros episodios de Rooster y por qué puede ser una serie interesante que añadir a vuestra lista. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Title: Navigating the Latest in Sci-Fi: Insights from Episode 503 of the Podcast4Sci-Fi In the latest episode of the Podcast4Sci-Fi, hosts Moose and Gamegod dive into a range of exciting topics, from the latest developments in streaming to the intriguing world of comic book adaptations. This episode is packed with insights and entertaining banter that sci-fi fans won’t want to miss. IntroductionAs the landscape of entertainment continues to evolve, the Podcast4Sci-Fi keeps listeners updated with the latest news and opinions in the world of science fiction and fantasy. In episode 503, Moose and Gamegod tackle everything from corporate maneuvers in streaming to the unique takes on iconic characters like Spider-Man. If you’re a lover of all things sci-fi, this episode is sure to resonate with your interests. Corporate Drama in StreamingOne of the major topics discussed is Paramount’s aggressive strategy in acquiring Warner Bros. properties. Gamegod shares insights about the staggering $108.4 billion cash deal, along with additional fees that have raised eyebrows across the industry. “They’re paying everything. There’s something here. Paramount might be onto something,” he remarks, highlighting the urgency and scale of this acquisition. Moose agrees, emphasizing that Netflix’s reluctance to accept such a deal is puzzling. The conversation reveals not only the financial stakes involved but also the competitive nature of the streaming wars. The hosts dissect what this could mean for future content and subscriber engagement, providing a vivid picture of the current state of the industry. Nicholas Cage’s Unique Take on Spider-Man NoirThe episode takes a fascinating turn as the hosts discuss Nicholas Cage’s upcoming role in the live-action adaptation of Spider-Man Noir. Cage describes his character as a blend of “70% Bogart and 30% Bugs Bunny,” which raises eyebrows from both Moose and Gamegod. Moose questions the effectiveness of such a unique combination, stating, “I mean, if that’s how he sees it and that’s how he’s portraying it, okay. But do you see Spider-Man Noir as like that?” Gamegod expresses skepticism, wondering if this direction will resonate with fans who are more accustomed to traditional superhero narratives. The hosts collectively contemplate the challenges of translating animated styles into live-action formats, making this discussion not only relevant but also thought-provoking for listeners who are keen on superhero films. Steam Machine TroublesShifting gears, the duo discusses the challenges faced by Valve’s Steam Machine, a new gaming console that aims to bridge the gap between PC gaming and console accessibility. Gamegod shares his enthusiasm for the Steam Deck, while Moose admits his device has become more of a bookshelf accessory than a gaming console. Their light-hearted banter about their experiences with the Steam Deck adds a relatable touch to the conversation, reminding listeners that not all tech innovations fulfill their promises. Conclusion and Key TakeawaysIn episode 503 of the Podcast for Sci-Fi, Moose and Gamegod provide an engaging blend of industry analysis, character exploration, and personal anecdotes. Key takeaways from this episode include: The intense competition in the streaming industry, as exemplified by Paramount’s aggressive financial strategies. The potential challenges faced by adaptations of beloved characters and how creative interpretations can sometimes lead to skepticism. The ongoing evolution of gaming technology and its reception by consumers. Listeners are left with plenty to ponder, making this episode a must-listen for sci-fi enthusiasts who want to stay informed about the latest trends and discussions in their favorite genre. SEO Tags: Podcast for Sci-Fi, Streaming News, Nicholas Cage, Spider-Man Noir, Steam Machine, Sci-Fi Podcast, Entertainment Industry Insights, Paramount, Warner Bros, Gaming Technology. The post Episode 503 – More Stranger Things, Mando and Grogu, Steam Machine, Spiderman Noir appeared first on Podcast4Scifi.

Desde que Mundoplus cumple 25 años, en internet, California… C.J. Navas, Jorge y Don Carlos repasan la actualidad seriéfila de los diferentes canales, cadenas y plataformas, los estrenos de los próximos días, las ficciones más vistas por su audiencia, contestan a las preguntas de los oyentes y dan sus recomendaciones habituales de cada semana. Recomendaciones de la Semana: Don Carlos: Patience / Alex Hugo / Barrio Sésamo Jorge: Star Trek: Starfleet Academy / Sherlock Holmes C.J.: Quinta temporada de “Esto ya se ha hecho”, el podcast oficial de ALMA / Scarpetta ¡Esperamos tus audiocomentarios!: Mándanos tus mensajes por WhatsApp al +34 604 41 64 49 o a ⁠⁠⁠⁠⁠https://fueradeseries.com/mensajes⁠⁠⁠⁠⁠ Vota en los Power Rankings: Participa en la elaboración de nuestros Power Rankings votando a tus series favoritas de la semana en: ⁠⁠⁠⁠⁠https://fdseri.es/33u15eb Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Cult of Conspiracy edition we sit down with Dr. Tim Mounce, creator and co-host (along side the amazing CJ) of the All Things Unexplained podcast, a researcher known for exploring the thin line between science, belief systems, and the mysteries that refuse to stay neatly explained. In this fascinating conversation we discuss how to approach the study of the unexplained with curiosity, critical thinking, and a willingness to question everything. From the challenges of researching controversial topics - Bigfoot, aliens, and of course 'Stranger Things', to the deeper questions that drive people to seek answers, this interview opens the door to a world where evidence, experience, and the unknown collide.〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰

Analizamos sin spoilers Resident Evil Requiem, la nueva entrega de la legendaria saga de Capcom. Un juego que intenta reunir las dos grandes identidades que han definido a la franquicia durante décadas: el survival horror más tenso y vulnerable y la acción espectacular que popularizó la serie en algunas de sus entregas más icónicas. A través de dos protagonistas muy distintos —la analista del FBI Grace Ashcroft y el veterano Leon S. Kennedy— el juego alterna constantemente entre momentos de terror puro, donde la escasez de recursos y la sensación de peligro son constantes, y secciones mucho más orientadas a la acción, donde el combate y la experiencia del personaje cambian por completo el ritmo. En este análisis repasamos cómo funciona esa dualidad jugable, qué aporta cada personaje a la experiencia, cómo maneja el juego la tensión y el ritmo, y hasta qué punto consigue equilibrar el terror con el espectáculo. También comentamos su ambientación, el diseño de enemigos, el uso de la nostalgia dentro de la saga y si realmente consigue sentirse como un punto de encuentro entre las distintas etapas de Resident Evil. Un episodio para descubrir si Resident Evil Requiem es solo otra entrega más de la franquicia… o si realmente se convierte en una de las experiencias más interesantes que ha ofrecido la saga en los últimos años. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Does this movie that made zero impact hold up after all these years? Why wasn't this pushed harder with the success of Stranger Things? Who is Ben Chapman?LIWstudios.com

Michal Pudelka je uznávaný módny a umelecký fotograf. Narodil sa v Bratislave, študoval v Paríži, roky žil v Londýne. Fotí pre svetové módne časopisy, svetové módne značky a pre titulku časospisu Time fotil napríklad moderátorku Oprah Winfrey, herečku Reese Witherspoon aj hercov zo seriálu Stranger Things. Svoje fotky si pred fotením kreslí, používa analóg a nemá rád AI.

Intro - Metz and Phil discuss the evolution of Stranger Things as a work of fiction. Content (21:02) - Discussion of part 2 of Chapter 11 of Return to the Whorl, by Gene Wolfe. Current Read-Along - Seven Surrenders, by Ada Palmer Check out more at alzabosoup.com.

That's right, Cinematic Savants are back in the building! After a long hiatas for studio upgrades, we are here again for your weekly entertainment. With so much to cover over the last 2 months, from the Super Bowl halftime show, the Stranger Things series finale, and countless reviews, we get to it. Scream 7, the first big release of the year gets our attention this week. Does the return of Neve Campbell help the franchise or does Scream turn into a yawn for the fans? Scary Movie 6 releases the much-anticipated trailer this past week, but how does everyone feel about the return of the Wayans to the franchise?

Analizamos sin spoilers la octava y última temporada de Outlander, la serie que durante más de una década ha acompañado a millones de espectadores a través de viajes en el tiempo, guerras, romances imposibles y decisiones que cambian el curso de la historia. En estos minutos repasamos cómo arranca esta temporada final, el regreso a Fraser's Ridge, la evolución de Jamie y Claire en un momento clave de sus vidas y el equilibrio entre drama histórico, emoción familiar y los elementos más fantásticos que siempre han definido la serie. También reflexionamos sobre el tono de despedida, el ritmo contenido de los primeros episodios y las incógnitas que deja abiertas este inicio. Una mirada personal, cercana y sin destripes al principio del fin de una de las historias más queridas de la televisión reciente. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth takes a closer look at Republicans in Congress who said Trump would end foreign wars having a new strategy for defending the Iran war: claiming it's not actually a war, even though Trump himself calls it a war.Then, David Harbour talks about tackling middle age with a prosthetic belly in his new show DTF St. Louis and reveals he really wanted to be friends with co-star Jason Bateman.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mike looks at the strange new conspiracy theory that there is a secret new episode of Stranger Things which is landing Netflix any day now. Any day now...Sign up for the Skeptics with a K Patreon at https://patreon.com/skepticswithak, or to support Merseyside Skeptics as well as the podcast, donate at https://patreon.com/merseyskeptics.You can also chat with us on the Skeptics in the Pub Discord server.Mixed and edited by Morgan Clarke.

Whitney, Doug, and Collin tie a ribbon on Season 5 of Stranger Things by picking their favorite episodes and their Superlatives for the season... and having a lengthy discussion about what went wrong (and plenty of things that went right). From the superfluous opening flashback to the glorious trap at the Turnbows, we tackle it all. Grab your 45 of ‘Purple Rain' and join us! Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of **Remy's Roundtable: The Florida Theme Park Podcast**, Remy welcomes a very special guest to the show—someone he's proud to call a friend. Joining the Roundtable is local comedian and rising actor **Adam Murray**, whose career has taken him from performing stand-up comedy clubs to appearing in major film and television productions.Adam sits down with Remy to talk about his journey in entertainment, beginning with stand-up comedy and eventually landing roles in major projects like the Netflix hit **Stranger Things**, the Marvel series **She-Hulk: Attorney at Law**, and the family film **Lyle, Lyle, Crocodile**. Adam shares stories from behind the scenes, what it's like working on big productions, and how a comedian navigates the world of television and film acting.But Remy didn't just stop at the interview. During the episode, Remy challenges Adam to a fun game called **“Guess This Comedian.”** In this segment, Adam must listen to a series of clues about famous comedians and try to figure out who they are before the final hint is revealed. Will Adam prove he knows his comedy legends, or will Remy stump him with some tricky clues?It's a fun and laid-back conversation filled with comedy, entertainment stories, and a few surprises along the way. So pull up a chair and join the Roundtable as Remy interviews a talented performer and friend of the show.Please welcome to the podcast, Mr. Adam Murray!

Au programme de ce 108ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:02:30 : Actus du secteur SVOD français et mondial. Netflix a finalement décidé de ne pas surenchérir pour acheter Warner Bros, laissant Paramount Skydance seul en lice pour le rachat du studio hollywoodien. 00:22:40 : Nos recommandations de décembre : L'équipe et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : Even if this love disappears tonight mais aussi 100 Mètres, Lucy Letby au cœur de l'enquête, Danse sur glace : L'éclat de l'or, Top Model USA : Le revers du rêve, Ne t'enfuis plus (mini-série), La Chronique des Bridgerton S4p2, Les Lionnes, Love is Blind US S10 (3ep), On aurait du aller en Grèce, Wonder Man (fini), Sinners, Amélie et la Métaphysique des tubes, L'attachement, La Quête d'Ewilan, Stranger Things, Fallout, Knight of the Seven Kingdom, Heated Rivalry, People We Meet on Vacation, Urgences et les recos du Discord. 01:26:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix de mars 2026.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Nivrae est le film "War Machine" dispo le 6 mars. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-de-2026-sur-netflix-france Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"Unchosen", bientôt dispo / "Even if this love disappears tonight" déjà dispo / "Something very bad is going to happen" dispo le 26 mars. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously: https://www.serieously.com Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mercredi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

Brandon Sanderson, Dan Wells, and Donald Mustard III plan how to break the Youtube algorithm. And also do a Q&A answering questions from past videos, like whose the Tolkien of action movies and their opinions of Stranger Things. Back our campaign now! — https://www.backerkit.com/c/projects/dragonsteel/hoids-storybook-collectionWant to send me something to open?Dragonsteel EntertainmentATTN: AdamP.O Box 698American Fork, UT 84003Get your Wheel of Time updates here with the Bound and Woven newsletter: https://mailchi.mp/brandonsanderson/eye-of-the-world-campaignStay up to date by following my newsletter: https://brandonsanderson.us10.list-manage.com/subscribe?u=7d056bb7596a3e617f82004b2&id=fa68f14db0Interested in signed books and swag? Check here: https://www.dragonsteelbooks.com/You can also follow me on:Tiktok: https://www.tiktok.com/@authorbrandonsandersonFacebook: https://www.facebook.com/BrandSandersonTwitter: https://twitter.com/BrandSandersonInstagram: https://www.instagram.com/brandsanderson/?hl=enTwitch: https://www.twitch.tv/mistbornbrandonFrequently asked questions: https://faq.brandonsanderson.com

Welcome to the place where we get to let our geek flags fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This level of the podcast is a Bonusode. I promised it before the next episode so I dropped them out of order. Expect the next one in a few days. This is basically everything I've watched since Halloween of last year. A bunch of good stuff and some stuff. Here's the shows and movies you can listen about:Landman S2 Ep 5-10 / Mayor of Kingstown S4 Ep 8-10 / IT: Welcome to Derry Ep 7-8 / Percy Jackson and the Olympians S2 Ep 1-8 / Fallout S2 Ep 1-8 / Pluribus Ep 7-9 / Wake Up Dead Man: A Knives Out Mystery / Avatar: Fire & Ash / The Mighty Nein Ep 7-8 / Stranger Things 5 Ep 5-8 / The Witcher S4 Ep 1-8 / Watson S2 Ep 8-10 / The Crown S2 Ep 7-10 S3 Ep 1-10 S4 Ep 1-10 S5 Ep 1 / Harry Potter: Wizards of Baking S2 Ep 1-6 / Wicked One Wonderful Night / High Potential S2 Ep 8-12 / Dredd (2012) / Starfleet Academy Ep 1-7 / The Running Man / A Knight of the Seven Kingdoms S1 Ep 1-6 / Mel Brooks The 99-Year-Old Man Part 1 & 2 / F1 / Shrinking S3 Ep 1-4 / Wonder Man Ep 1-8 / Tron: Ares / Bridgerton S4 Ep 1-4 / The Muppet Show / Cross S2 Ep 1-4 / The Long Walk / One Battle After Another / Predator: Badlands / Sinners / Weapons / The Simpsons S37 Ep 1-15Congrats on completing Level 483! Feel free to contact me on social media (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com. All other links are easily findable on linktr.ee/laughitupfuzzball for merch, the Facebook group, etc. I'd love to hear from you. Subscribe to the feed on Spotify, Apple podcasts, Google podcasts, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There's a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes! TTFN… Wookiee out!

AFTH #381 - Stranger Things 5.1, "Chapter One: The Crawl" In this episode, we are BACK in the Upside Down! So much so, that this PODCAST is Upside Down!!!!. Tune in as we talk through our return to Hawkins, Indiana. Vecna is still on the loose, and our group is still steadfast in trying to defeat him and get their lives back to normal. Will they finally succeed? Download today! CONTACT US! You can email us at aimfortheheadpodcast@gmail.com, send us a message via X/Twitter to @AFTHPodcast , reach out to our NEW social media location at Bluesky via @aimforthehead.bsky.social, or you can send us pics and videos on Instagram via aimfortheheadpodcast, But the best way to stay in touch with us is to "Like" us on Facebook!  And don't forget to always Aim For The Head – Because Body Shots Just Don't Work.  They really don't!

Analizamos sin spoilers Young Sherlock, la nueva serie de Prime Video que reimagina los orígenes del detective más famoso de la literatura. Dirigida por Guy Ritchie y creada por Matthew Parkhill, la serie nos presenta a un Sherlock Holmes de 19 años, todavía en formación, impulsivo, brillante y mucho más humano de lo que estamos acostumbrados a ver. Lejos de ser una adaptación clásica, Young Sherlock apuesta por explorar la juventud del personaje y su relación temprana con James Moriarty, construyendo una dinámica que se convierte en el eje emocional de la temporada. ¿Funciona esta nueva versión? ¿Aporta algo realmente diferente al mito creado por Arthur Conan Doyle? ¿Está a la altura de otras adaptaciones modernas del personaje? En este programa comentamos el tono de la serie, el estilo contenido pero reconocible de Guy Ritchie, el desarrollo del misterio central, el reparto encabezado por Hero Fiennes Tiffin y Dónal Finn, y si esta reinterpretación logra encontrar su propia identidad dentro de un personaje tan revisitado. Si sois fans de Sherlock Holmes, de los thrillers juveniles con conspiraciones y giros, o simplemente tenéis curiosidad por ver una versión distinta del detective, aquí os contamos por qué puede merecer la pena darle una oportunidad. Todo ello, como siempre, sin spoilers. ESTRENO: 04 de Marzo en Prime Video Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

We have an epic episode for you this week about an epic film from last year (#2025stillalive). Ryan Coogler has been a striking creative visionary in cinema for years now. With SINNERS, he unleashed a tour de force of creative storytelling, groundbreaking behind-the-scenes negotiations, and a powerhouse commentary on culture, art, and history. Sinners has now been nominated for a record-breaking 16 Academy Award nominations, including Best Picture, and continues to find and captivate new audiences daily.We invited a panel of friends and FoGgers to discuss this film with us, including returning friends of the show Chris Clark and Natashia Deon (attorney, professor, and author of The Perishing) and new-to-the-FoG guest Shaherah White (entrepreneur and host of the Love Manifested podcast). Together we dive deep into the themes and the cultural touchstones of Coogler's impressive film, including what it has to say about freedom, power, temptation, and art. It's one of our heartiest and most compelling discussions of this entire series.Also featuring returning guest Charlie Baber to discuss STRANGER THINGS, Season 5, Episode 7 on a Patron-only segment, this is a hearty and full conversation that we really hope you enjoy.4:39 - Two Questions with Shaherah WhitePatron Only Segment: STRANGER THINGS, Season 5, Episode 710:55 - SINNERSSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Analizamos sin spoilers DTF St. Louis, la nueva miniserie de HBO protagonizada por Jason Bateman, David Harbour y Linda Cardellini. Una mezcla muy particular de comedia negra, thriller suburbano y drama incómodo que juega constantemente con nuestras expectativas. Hablamos de su tono entre el humor y el misterio, de las interpretaciones (ojo con David Harbour

Two awesome interviews on this episode. First up, Tamsen interviews Alison Jaye. She plays 'Joyce Maldonado' in the prequel to the hit Netflix show. Then, Charlie Cooper explores the Marriott Marquis Theatre with Gabrielle Nevaeh, who stars as 'Patty Newby' in Stranger Things: The First Shadow.

We start off this episode with a discussion/review of the 1st part of Season 5 of Stranger Things (It's Awesome) and then we discuss Sherrone Moore's insanely bad judgement.The Treehouse Show is a Dallas based comedy podcast. Leave your worries outside and join Dan O'Malley, Trey Trenholm, Raj Sharma, and their guests for laughs about funny news, viral stories, and hilarious commentary.The Treehouse WebsiteGet MORE from the Treehouse Show on PatreonTreehouse YouTube ChannelGet a FREE roof inspection from the best company in DFW:Cook DFW Roofing & Restoration CLICK HERE TO DONATE:The RMS Treehouse Listeners Foundation

Analizamos sin spoilers Marshals, el spin-off de Yellowstone centrado en Kayce Dutton.¿Funciona el salto del universo Dutton a un formato procedural en CBS? ¿Mejora el personaje de Kayce al salir de la sombra de su padre? ¿Reescribe el legado de la familia o simplemente lo estira un poco más?Comentamos los cambios de tono respecto a Yellowstone, el tratamiento de Mónica Dutton, el nuevo equipo de U.S. Marshals, el salto a televisión en abierto y si esta nueva etapa tiene identidad propia o vive demasiado del apellido Dutton.Si eres fan de Yellowstone o estás pensando en empezar con Marshals, aquí te contamos qué puedes esperar.

Do not fiddle around, no need for violins, we won't string you around, best bow-lieve we got another great guest. Michelle Winters is one of Atlanta's most versatile and unforgettable musicians playing rock, classic, or Celtic music on her violin. We chat about her musical journey, unique encounters playing at the airport, and being in the finale of Stranger Things. Check her out with "Celtic Woman" tribute band, Cailini this St Patrick's week along with our interview.  We dive into the USA hockey drama, Burlew thinks he's god yet again, and Mike and his dead meet a sea lion. Check it out!

This week on the Common Knowledge Podcast with Marcus L-Spade Johnson, guest Daniel Brandon joins the conversation to unpack the BAFTA controversy, accountability, public reactions, and the larger discussion around intent vs impact.We break down:• What actually happened at BAFTA• The response from the public and media• Accountability vs apology• Cultural perspectives and public perception• Why this conversation has people so dividedIn this documentary-style segment of The Common Knowledge Podcast, Marcus L-Spade Johnson and guest Daniel Brandon break down the growing battle over intellectual property in Hollywood — and why Stranger Things 5 may be at the center of a bigger industry shift.From streaming wars to studio power plays, we explore how major franchises are becoming the new currency in entertainment, what a Warner Bros. IP bidding war really means, and how nostalgia-driven brands are reshaping the future of film and TV.Is this the next evolution of Hollywood… or the beginning of creative burnout?

Desde el terremoto financiero en Hollywood, en la compra de Warner por Paramount, California… C.J. Navas, Jorge y Don Carlos repasan la actualidad seriéfila de los diferentes canales, cadenas y plataformas, los estrenos de los próximos días, las ficciones más vistas por su audiencia, contestan a las preguntas de los oyentes y dan sus recomendaciones habituales de cada semana. Recomendaciones de la Semana: Don Carlos: Boston Blue / El joven Sherlock / Dinosaurios Jorge: Paradise / Star Trek: Starfleet Academy C.J.: Paradise / DTF Saint Louis ¡Esperamos tus audiocomentarios!: Mándanos tus mensajes por WhatsApp al +34 604 41 64 49 o a ⁠⁠⁠⁠https://fueradeseries.com/mensajes⁠⁠⁠⁠ Vota en los Power Rankings: Participa en la elaboración de nuestros Power Rankings votando a tus series favoritas de la semana en: ⁠⁠⁠⁠https://fdseri.es/33u15eb Learn more about your ad choices. Visit megaphone.fm/adchoices

Strange Ride is back and it's a Stranger Ride. Savannah reveals the conspiracy theory spawned by people who hated the ending to Stranger Things. Check out the Strange Ride channel for more deep dives on popular culture.

This week: The crew kicks off with some genuinely great news: Gary Chalk (the voice of Optimus Primal!) has beaten stage four Hodgkin's lymphoma and is in full remission. From there it's all Transformers chaos — the Generation Selects Monstrucker reveal has everyone hyped (Slog's alt mode is literally just a triceratops standing up, and somehow that's perfect), while 2026 product listings bring a BotCon-referencing Megazarak redeco, an Earthrise Autobot 3-pack with finally-opaque Datsun plastics, and a Walmart Energon capsule that the crew suspects will be drowning in clear plastic. In-hand photos of the Stranger Things crossover Frequency impress even the hosts who've never watched the show. All that and more on this week's Radio Free Cybertron!

This week: The crew kicks off with some genuinely great news: Gary Chalk (the voice of Optimus Primal!) has beaten stage four Hodgkin's lymphoma and is in full remission. From there it's all Transformers chaos — the Generation Selects Monstrucker reveal has everyone hyped (Slog's alt mode is literally just a triceratops standing up, and somehow that's perfect), while 2026 product listings bring a BotCon-referencing Megazarak redeco, an Earthrise Autobot 3-pack with finally-opaque Datsun plastics, and a Walmart Energon capsule that the crew suspects will be drowning in clear plastic. In-hand photos of the Stranger Things crossover Frequency impress even the hosts who've never watched the show. All that and more on this week's Radio Free Cybertron!

Bienvenidos a Fieras en Juego, el podcast donde hablamos de videojuegos, tecnología y cultura pop sin filtro… y con ganas de debatirlo todo. Esta semana nos despedimos de Phil Spencer en Xbox y analizamos qué puede significar su salida para el futuro de la marca. Comentamos el problema global de la memoria RAM y su subida de precio, traemos nuestro análisis de Mario Tennis Fever, repasamos las novedades de Lego y Logitech —con los auriculares G325 y el anuncio del ratón PRO X2 SUPERSTRIKE— y además analizamos el libro Proyecto Hail Mary, una de esas lecturas que dan para charla larga. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Endalok verða rauður þráður í Heimskviðum í dag. Það eru vægast sagt umdeild endalok þáttaraðarinnar Stranger things, en óhætt að segja að það séu margir ósáttir við þau. Svo eru það möguleg endalok almannaþjónustumiðla í Bandaríkjunum. Það er stefna bandaríkjastjórnar að draga úr umfangi þessara miðla sem reka staðbundnar útvarps- og sjónvarpsstöðvar um öll Bandaríkin. Núna séu komnir fjöldi sjálfstæðra miðla og það sé ekki aðeins úrelt fyrirkomulag að ríkið fjármagni miðlana heldur spilli það fyrir sjálfstæðri blaðamennsku. Við tölum við Ingibjörgu Þórðardóttur sem er fyrrverandi fréttastjóri BBC og CNN í Bandaríkjunum. Hún segir umræðuna um að ríkismiðlar hafi of mikil áhrif á fjölmiðlamarkaðinn góða og gilda en hún eigi ekki við Bandaríkjunum. Almannaþjónustumiðlarnir, NPR og PBS, eigi ekki roð í stærstu einkamiðlana og hvarf þeirra hefði lítil eða engin áhrif á þá. En það myndi hins vegar gera fjölmiðlalandslandslagið bæði einhæfara og fátæklegra. Svo er það eitt helsta flaggskip Netflix-streymisveitunnar - Stranger Things. Aðdáendur þáttanna eru margir hverjir vægast sagt ósáttir við hvernig þættirnir enduðu. Sprottið hafa upp ýmsar samsæriskenningar meðal annars um hvort endalokin séu raunveruleg. Duffer-bræður, skaparar þáttanna, eru sagðir hafa misst boltann í blálokin - eða er þetta kannski bara snilldar markaðssetning? Það hlýtur alla vega að vera ákveðin snilld að fá fólk til þess að vera enn að tala um þættina og jafnvel að horfa á þá aftur og aftur, til að finna vísbendingar og lesa milli línanna.

In this episode, we cover the latest updates from the world of Peloton and the broader fitness industry. We break down new app features, instructor news, and legal updates impacting the platform. Here is what we discuss in this week's lineup:Peloton introduces a new "Chat" feature within the app to enhance social connectivity.Club Peloton adds a new exclusive live class to its roster (plus, we discuss the new display for Legend status).Booking limits for in-person Peloton studio classes have been expanded for members.The Peloton Run Club officially kicks off Race Week festivities in Melbourne.Peloton secures another legal victory regarding the Bike+ trademark lawsuit.The company is actively hiring for a new AI Engineer role to support future tech developments.Instructor Cody Rigsby takes his talents to the big screen with a new movie role.Nico Sarani is finally making her return to the United States.Jon Hosking is scheduled for an appearance at PSNY in 2026.Becs Gentry is featured in People Magazine discussing motherhood and ultra-marathon training.Robin Arzón launches her "Project Swagger" podcast, featuring an "old school" radio vibe with a call-in hotline for listener questions.Kristen McGee releases a new book focused on prioritizing self-care without guilt.We provide an overview of the upcoming Artist Series slated for March.Reality star Snooki reveals a cervical cancer diagnosis.SoulCycle announces a new partnership with Loop Earplugs.TCO Top 5: We share this week's listener-recommended fitness classes.This Week at Peloton: A recap of the week's biggest highlights and scenic meditation updates.TCO Radar: Our curated list of classes you should be paying attention to right now.The Stranger Things content is leaving the platform soon—take it while you can.Peloton launches a new Pilates Challenge for members.A new "Road To Recovery: ACL" program is now available for rehabilitation support.Alex K and Ash Pryor team up for a special 2-for-1 row.Assal Arian and Mayla Wedekind host a 2-for-1 session for Women's History Month.We take a closer look at the new collection of Progression Rides.Thanks for listening! If you enjoyed this update, please subscribe and leave a review.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This was a completely last minute episode without any planning whatsoever and we had so much fun! We nerded out on the usual variety: cultural trash talk, why can't we just have fun and “make fun of each other” in a respectful and loving way, The Flash's camel has no humps, Greenland and Greenland 2: Migration reviews, Sheriff County, The Smashing Machine review, Now You See Me 3, Now You Don't Review, Police Squad, Paradise Season 2 so far, Fallout Season 2, Sisu 2 Review, Deathstalker and 80s cheese, A Knight of the Seven Kingdoms, The Pendragon Cycle:The Rise of The Merlin, Stranger Things, and new music! Grab ye favourite drink and rock it with us!! Welcome to The Real Brian Show! Thanks for joining me! I am SO glad you're here! This is THE show for the multipassionate. We get to nerd out on all of the best things life has to offer! Buy Me a Coffee: https://www.buymeacoffee.com/iamtherealbrian Patreon: https://patreon.com/realbrianshow Music Spotify Playlists: TRBS 2026 Playlist on Spotify (https://open.spotify.com/playlist/0EprZvxDDnvRiExPyc0mEF?si=701914d867114060) TRB's GLORIOUSNESS (New Music) Playlist on Spotify (https://open.spotify.com/user/geechao/playlist/6qr3H7qrrlyMYROQhj3cGo?si=yQV1BJgqT8CZ5gFdvJwsOA) The Captain Influence Playlist on Spotify (https://open.spotify.com/playlist/49ppCbP5CFvEHE7shtNgSc?si=628An5g9R-uhwmYuSg0Utg) Subscribe to The Real Brian Show Apple: https://podcasts.apple.com/us/podcast/the-real-brian-show/id1160475222 Spotify: https://open.spotify.com/show/3UsRunmoQzHkrWbwmAjmLM?si=e76f534378ec4b8f YouTube: https://youtube.com/therealbrian Support The Real Brian Show Buy Me a Coffee: https://www.buymeacoffee.com/iamtherealbrian Patreon: https://patreon.com/realbrianshow AMAZON LINK: Any time you purchase something off of Amazon, please consider using the TRBS affiliate link: https://amzn.to/3OVl49o Affiliate links mean I earn a commission from qualifying purchases. This helps support the channel at no additional cost to you! Connect With TRB and The Show! Website: https://realbrianshow.com Facebook: https://www.facebook.com/iamtherealbrian/ TRBS Facebook Group: https://www.facebook.com/groups/realbrianshow/ Twitter/X: https://twitter.com/iamtherealbrian

Sam and Jeff are heading to Seattle and they're buzzing with anticipation. They've been researching Pike Market, debating whether to try clams and oysters, and considering a true crime tour. (Though they joke they'll probably be asleep by 10 PM anyway.)The conversation weaves through Nancy Grace's return to cover a missing person case and America's Most Wanted, before landing on their bigger plan: a trip to Pigeon Forge, Tennessee. Sam's planning to visit Dollywood, a True Crime Museum with six floors covering everything from medieval crime to serial killers, plus a Titanic Museum and Noah's Ark Museum.Between weekend stories about disappointing beer festivals and awkward comedy fundraisers, they share their struggle through an intense hot yoga class that left them repeatedly retreating to child's pose. One of them discovered they get faint when consuming cannabis while meal prepping, which led to ordering Alibaba Kebabs instead of cooking.Sam's been watching Love is Blind and questioning why contestants with ideal partners keep pursuing others, critiquing Stranger Things for making magical abilities contingent on coming-out storylines, and expressing outrage over Tyra Banks's handling of serious incidents on America's Next Top Model.Ready for some honest takes on travel plans, reality TV drama, and weekend adventures?

In this Hot Topic episode of The Neurodivergent Experience, Jordan James and Simon Scott react to major BAFTA wins for I Swear — including Robert Aramayo taking home Best Actor and the EE Rising Star Award.After previously calling it a “travesty” that Aramayo wasn't Oscar-nominated, Jordan reflects on why this win feels so significant — not just for the actor, but for neurodivergent representation in film.They unpack why I Swear works: it doesn't reduce Tourette's to a stereotype, it tells the story of one human being. The film focuses on John Davidson's life, not just his diagnosis — showing difference without pity, and representation without forcing a message.The conversation expands into a wider discussion about authentic storytelling vs performative diversity, why some representation feels natural while others feel manufactured, and how shows like Malcolm in the Middle, The Simpsons, Stranger Things, Bob's Burgers, and Rick and Morty have portrayed neurodivergent-coded characters for decades without making diagnosis the sole narrative.Note: This episode was recorded before wider discussion emerged regarding a moment during the BAFTA ceremony involving an involuntary vocal tic from John Davidson. We recognise the complexity and sensitivity of the situation. Our discussion here focuses specifically on the significance of authentic neurodivergent representation in film.This episode discusses:Robert Aramayo's BAFTA winWhy I Swear resonates so deeplyAuthentic vs forced representationTourette's, autism, ADHD and coded charactersThe legacy of Rain Man and stereotypesWhy storytelling should centre the person, not the conditionHow powerful representation builds confidenceNeurodivergent “goggles” and seeing ND traits everywhereWhy natural inclusion works better than box-tickingA passionate, funny, and thoughtful reaction episode about film, advocacy, and why authentic representation matters more than ever.Our Sponsors:

Analizamos sin spoilers la segunda temporada de Monarch: Legacy of Monsters, la serie del MonsterVerse en Apple TV+ que continúa expandiendo el universo de Godzilla y Kong desde una perspectiva más humana y televisiva. En esta nueva entrega, la ficción redobla su apuesta por el espectáculo, introduce a un nuevo y enigmático Titán y refuerza su conexión con las películas del MonsterVerse, todo mientras profundiza en los conflictos familiares y en el legado de Monarch. ¿Funciona mejor cuando se centra en los monstruos o cuando apuesta por el drama humano? ¿Ha aprendido la serie de los errores de su primera temporada? Analizamos qué mejora, qué se resiente y por qué, pese a sus altibajos, sigue siendo una pieza interesante dentro del universo compartido. Sin spoilers y con la mirada puesta en lo que puede venir después. ESTRENO: 27 de Febrero Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to your favorite daily comedy show, where the financial advice is questionable, the celebrity gossip is unhinged, and the emotional family mediation somehow happens between Metallica announcements and Eddie Murphy deep cuts.Today's chaos kicks off with a simple hypothetical: take $10 million right now… but you lose the last 10 years of your life. Easy money? Or are you giving up prime bingo years, fabric store friendships, and threatening-your-kids-with-the-will energy? Lern says “cut the check.” The rest of us spiral.We roll through “Back in the Day,” celebrating everything from the 15th Amendment to Bruce Springsteen's first Grammy win, while somehow detouring into Stranger Things soundtrack confusion and Tina Turner impressions that should probably stay off Broadway.Then it's full-blown Crap On Celebrities:Metallica officially heads to the Sphere in Vegas.The Rock & Roll Hall of Fame fan vote is already getting spicy.The Breaking Bad house in Albuquerque sells for HOW MUCH?!Christina Applegate shares an emotional health update.Bill Gates says “my bad” in the most billionaire way possible.Amanda Seyfried reveals she wore a prosthetic… yes… that… in a new film.AMC is gatekeeping the good movie seats like it's VIP bottle service.Oh—and we deep dive into actors who tried music careers. Bradley Cooper. Ryan Gosling. Jennifer Lawrence. And of course, the undisputed king of Spotify Wrapped heartbreak, Patrick Swayze. “She's Like the Wind” makes its monthly appearance and honestly? We're not mad about it.We wrap things up with a real-life family dilemma involving jealousy, step-parenting, prison dads, and co-signing car loans. It's heartfelt. It's messy. It's exactly what happens when a daily comedy show accidentally stumbles into group therapy.If you came for weird news, hilarious fails, entertainment gossip, and sarcastic St. Louis humor… congratulations. You found your people.This episode of The Rizzuto Show is your reminder that life is fragile, Metallica tickets will bankrupt you, and sometimes the biggest argument of the morning is about whether anyone truly needed to see an 18th-century prosthetic B-hole.Welcome to the daily comedy show that makes your commute significantly weirder.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

https://youtu.be/Q8DVDIMq9gEIn a world shrouded in secrecy, one government program dares to defy the boundaries of reality. Project Looking Glass, where the United States government ventured into the unknown: through time and space, into the minds of our enemies, and the heart of their military bases. Through Project Looking Glass, we witnessed the birth of a new era with Project Often, The Montauk Project, and Project Stargate. These clandestine operations have inspired countless movies, TV shows, and books. Now, join us as we unravel unclassified documents, delve into news reports, and connect the dots of conspiracy. Prepare for an epic journey into the depths of the unknown, where the truth is stranger than fiction. Uncover the secrets of Project Looking Glass.https://www.thesoultrap.com/Podcast: https://thesoultrap.buzzsprout.com/ @sbcpalmetto  @NowTheEndBeginsMinistries  @DonaldJTrumpforPresident  @TuckerCarlson  @ShawnRyanShow  @JoeBiden  @finalfightbibleradio9827  @TedCruzChannel  @MUFONHQ  @finalfightbibleradio ​Support the show

Welcome to episode 243, our 8th annual end-of-the-year awards show! The Bros join forces to rank their top movies, TV shows, and more from 2025. This was recorded live on Twitch on February 20th, 2025. Thank YOU, Infinity Bros Universe, for continuing to listen and support us. We love you 3000! Join us for a fantastic, fun-filled conversation!   Check out the Infinity Bros Patreon for EXCLUSIVE content, including unedited episodes, exclusive podcasts, and more!   Get 15% off your GG Tees order by using code: INFINITYBROSPOD in your checkout!   Get 15% off your HyperX order by using the code: INFINITYBROS in your checkout!   Infinity Bro Robbie has gone SOLO with his MTG career! Check out his new profile here: Robert Red Beard MTG   Want to connect with the Infinity Bros Universe? Click this link --> https://linktr.ee/infinitybros   Listen to our review of Wonder Man on episode 242 of the Infinity Bros Podcast HERE!   Hear our thoughts on Fallout S2 E1-6 on episode 241 of the Infinity Bros Podcast HERE!   Check out our review of the Stranger Things finale and season recap on episode 240 of the Infinity Bros Podcast HERE!   Check out our review of the Pluribus premiere on episode 237 of the Infinity Bros Podcast HERE!   Check out our review of Superman on episode 230 of the Infinity Bros Podcast HERE!   Get some delicious coffee or tea from Many Worlds Tavern here, and get 10% off by using code THEINFINITYBROS!   Order your favorite character's Funko Pop at Entertainment Earth here, and get 10% off by using code INFINITY!   Check out all of RIPT Apparel's awesome t-shirt designs here!   Cover Art Artist: Jack Baumert (@Jack_baumertart on Instagram)

Is it possible to stumble into the Upside Down and come back with a handful of transcendent truths? Join Mandy, Christina, and Matt at the pub table as they discuss the themes and characters of the series Stranger Things—beauty in weakness, strength in fragility, the power of story, and more. Please note: if you have not watched the series, this episode is spoiler-filled!

Analizamos sin spoilers The Bluff, la nueva película de acción y aventuras ambientada en el mundo de la piratería y protagonizada por Priyanka Chopra Jonas y Karl Urban. En este Razones Para Ver Express analizamos qué funciona —y qué no tanto— en esta propuesta que recupera el espíritu clásico del cine de espadas y pólvora, pero con un enfoque más crudo y contemporáneo. Hablamos de su mezcla entre cine de piratas tradicional y acción moderna al estilo John Wick, del carisma de sus protagonistas, del tratamiento de la violencia, del ritmo narrativo y de las influencias que arrastra. Una producción pensada para el gran público del streaming que apuesta por el espectáculo directo sin renunciar del todo a un trasfondo emocional. Si te apetece una aventura intensa, con duelos, persecuciones y cuentas pendientes del pasado, aquí te contamos por qué puede merecer la pena darle una oportunidad. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

The final chapter of Stranger Things has closed, and the Hawkins crew is gone but not forgotten. After years of covering every twist, monster, and Upside Down revelation, we're gathering with listeners who've been on this journey from the beginning to dissect what worked, what didn't, and what it all meant. From the emotional gut punches to the unresolved mysteries, we're leaving no stone unturned as we not only examine the series finale and final season that everyone's been debating since it dropped, but all the seasons and moments that led us there. Our roundtable dives deep into character arcs that soared and ones that stumbled, the mythology that captivated us, and whether the Duffer Brothers stuck the landing. We discuss standout moments that defined the series, compare seasons, and debate the show's ultimate legacy in the television landscape. Whether you loved the ending or wished for something different, this conversation celebrates everything Stranger Things gave us while honestly examining its final bow. Join us for laughs, hot takes, and a proper farewell to Hawkins, Indiana. Connect with The Stranger Things Podcast: Facebook community Twitter Instagram Contribute Listener Feedback

Jurandir Filho, Thiago Siqueira, Rogério Montanare e Gnu batem um papo nostálgico sobre o ano de 1995 nos cinemas!! Esse podcast é mais uma edição da série We Have to Go Back, onde voltamos no tempo e revisitamos os grandes filmes de um ano específico. Além disso, é um programa nostálgico, pois relembramos os acontecimentos desse ano, as músicas, as evoluções tecnológicas, as curiosidades, os costumes e muito mais!!Falamos sobre "Capitão América: Guerra Civil", "La La Land - Cantando Estações", "Batman vs Superman: A Origem da Justiça", "Deadpool", "Zootopia", "Your Name", "Moana", "Rogue One: Uma História Star Wars", "Capitão Fantástico", "Procurando Dory" e mais. Além disso, chegaram aos streamings "Stranger Things", "The Crown", "This is Us", "Westworld" e muitas temporadas novas de séries clássicas.|| ASSINE O SALA VIP!- Um podcast EXCLUSIVO do RapaduraCast toda semana! http://patreon.com/rapaduracast

We continue our look back at some of the most noteworthy and interesting horror films of 2025 (#2025stillalive) with an examination of Steven Soderbergh's unconventional haunted family drama, PRESENCE. Shown entirely from the perspective of a mysterious entity moving among them, Presence displays the escalating tensions of a family as they settle into a new home. As tensions escalate between the nuclear family members, and pressures begin to boil from both internal and external conflicts, the titular presence watches them all. Who, or what, is this presence? Why is it here? What does it want or need? And in what ways, if any, will it be able to affect the fate of this family?We're joined by FoGger friends both new and old -- Nicole Amato, Will Frank, and (making his debut) Mike Runyon -- to discuss the film's fascinating thematic interests about time, connection, regret, grief, fear, outrage, and (possibly) redemption. It's a fascinating film and an even more fascinating conversation. Also featuring a Patron-only segment where Nathan is joined by Nicole Amato and (also making his debut) Josh Heake to discuss STRANGER THINGS, Season 5, Episode 6, this is a hearty and lively conversation that we really hope you enjoy.4:26 - Two Questions with Mike Runyon12:04 - Whatcha Playin'?Patron Only Segment: STRANGER THINGS, Season 5, Episode 628:31 - PRESENCESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.