Podcasts about Jafar Panahi

This Week for your Daily Ratings Movie News: Iranian director Jafar Panahi was sentenced to prison by the Iranian court. Kane Parsons has some ideas. Yorgos Lanthimos goes all in on photography and might just ditch movies. And He-Man actor Nicholas Galitzine is making some moves of himself. All this and more!   - Check out all our Movie Scores on the site! - Support the Daily Ratings and become a Producer now! - Here are all the new movies out now! - Shop our store for all the Daily Ratings gear!

Hoje, ‘No Pé do Ouvido, com Yasmim Restum, você escuta essas e outras notícias: Irã e Israel voltam a lançar mísseis um contra o outro, enquanto Donald Trump tenta salvar acordo com iranianos para reabrir estreito de Ormuz e reduzir impactos do conflito na economia. Lula decreta sigilo de 100 anos sobre processo de liberação de bets. Governos e ONGs preparam Pantanal para prevenção de incêndios durante El Niño. E Tribunal Revolucionário do Irã mantém sentença de prisão contra cineasta Jafar Panahi.See omnystudio.com/listener for privacy information.

Elle dessinait la résistance avec un trait de crayon et un éclat de rire. Marjane Satrapi, autrice du mythique Persepolis et voix incontournable de la dissidence iranienne en exil, nous a quittés. À travers son œuvre, elle aura su transformer la tragédie de tout un peuple en une bande dessinée universelle, récompensée à Cannes et traduite dans le monde entier.Mais Marjane Satrapi n'était pas seule. Derrière elle, une génération d'artistes iraniens, du réalisateur Jafar Panahi, emprisonné pour ses films, à la légendaire chanteuse Googoosh, réduite au silence, qui ont tous choisi la création comme acte de résistance.Aujourd'hui, cette flamme continue de brûler, portée par une jeunesse qui chante, filme et dessine au péril de sa liberté, sous le slogan de "Femme, Vie, Liberté".Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

No deja de ser una ironía que, Fue sólo un accidente, el filme más premiado y notorio del iraní Jafar Panahi en la década del 2020 sea precisamente el que rompe con el camino que el realizador había estado transitando durante quince años de su carrera: ante la prohibición de ejercer su profesión por parte del régimen teocrático de los ayatollahs, el cineasta dirigió su mirada sobre sí mismo, produciendo una serie de filmes en los que exploró su propia forma de observar la realidad (This is not a Film, Closed Curtain y Taxi), para luego cuestionarla sin reservas (3 Faces). Ese proceso de crítica se topó con una pared, con un no poder ir más allá en No Bears, uno de los grandes filmes de autor en lo que va del siglo, abierto homenaje de Panahi a su maestro Abbas Kiarostami, pero también una advertencia acerca de los límites que un artista decide o no cruzar. La respuesta a ese punto de quiebre es Fue sólo un accidente: tragedia y comedia, aderezada de absurdo y crueldad. Panahi vuelve a la ficción, pero pagando un costo. De eso y más se habla en este podcast.

SEASON 2 - EPISODE 195 Jafar Panahi - Director In this episode of the Team Deakins Podcast, we speak with director Jafar Panahi (IT WAS JUST AN ACCIDENT, NO BEARS, THE WHITE BALLOON). Growing up amidst poverty in Tehran, Jafar's love for cinema began in childhood and led him to enroll in the film program at university. Unsatisfied with his final student film, he destroyed it, but he reveals to us why and shares how his approach to directing every subsequent film changed for the better. Throughout the episode, we discuss how he actually makes his movies—both as a filmmaker and as a citizen contesting with censorship and an authoritarian government. We discuss the making of THE WHITE BALLOON and THE CIRCLE, and Jafar shares how he attempts to make the events in his films feel as if they really happened. We also learn how and why he brings in non-actors during the casting process, and he reveals how he and his crew try to avoid government raids. We also discuss the making of IT WAS JUST AN ACCIDENT, which features a return to a more traditional form of storytelling compared with Jafar's preceding films, and he reflects on his period of making films while being banned from filmmaking. Translation conducted by Sheida Dayani. This conversation was recorded on February 12, 2026. If you enjoyed this episode, we recommend listening to our conversation with director Mohammad Rasoulof (Season 2, Episode 121). - Recommended Viewing: THE WHITE BALLOON, THIS IS NOT A FILM, THE CIRCLE - This episode is sponsored by Aputure 

Alain Defremont chroniqueur cinématographique de l'UFAL vous présente les films :« Le cercle », « Taxi Téhéran », « Un simple accident »Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

"Sound of Falling" huet de Film d'Ouverture vum leschte Festival de Cannes geheescht - a keen hätt geduecht, dass den Titel eng gutt Ëmschreiwung kéint sinn vun deem, wat an de leschte Méint an der Lëtzebuerger Filmbranche gelaf ass. Virun engem Joer ass um 78. Festival de Cannes mam Jafar Panahi säin “It Was Just an Accident” eng Lëtzebuerger Koproduktioun mat der Palme d'Or ausgezeechent ginn. Ee Joer drop schéngt et der Filmindustrie zu Lëtzebuerg finanziell allerdéngs net besonnesch gutt ze goen: eng Produktiounsfirma huet Faillite gemaach an d'Studioen am Filmland maachen zou. D'Stëmmung um Lëtzebuerger Dag um Samschden op der Croisette war dowéinst och liicht méi bedréckt, wéi soss. De Jeff Schinker war fir eis op der Platz an huet sech mam Guy Daleiden, Direkter vum Film Fund, iwwert déi schwiereg Situatioun a méiglech Ausweeër ënnerhalen.

This week, we are continuing to watch the remaining Best International Film nominees from this years Oscars. This film was made illegally in Iran, and even with the extreme limitations that entails, this film manages a very tight thriller with well integrated political criticisms. It Was Just an Accident (2025), directed by Jafar Panahi.

This week we explore an ongoing geopolitical conflict with a movie dubbed, “a blast of pure anti-authoritarian rage.” It's a biting exercise in uncertainty. Perhaps it was intentional? Perhaps It Was Just an Accident.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

In dieser Folge geht es um aktuelle Kino- und Festivalfilme, Kultfilme, Mubi-Tipps, Netflix-Entdeckungen und ein sehr wildes spanisches Genre-Boxset.Hoffi startet mit Obsession, dem neuen Horrorfilm von Curry Barker, der beim Fantasy Filmfest ziemlich eingeschlagen hat. Jan bringt unter anderem The Drama mit Zendaya und Robert Pattinson sowie Ein einfacher Unfall von Jafar Panahi mit. Hermann spricht über Lammbock, Bube Dame König Gras und Exorcismo – Defying a Dictator and Raising Hell in Post-Franco Spain.Außerdem geht es um Athena, E.T., Project Hail Mary, Army of Shadows, The Eight Mountains und die Frage, welche Filme zuletzt wirklich hängen geblieben sind.Welche Filme habt ihr zuletzt gesehen, die wir unbedingt nachholen sollten? Schreibt es in die Kommentare.Patreon: https://www.patreon.com/jahierfilme _______________________________________(00:00) Cold Opener, Intro & Moin!(02:32) Obsession(14:59) E.T. (16:28) Project Hail Mary(22:52) Lammbock(36:23) Athena(46:30) The Drama(54:52) Bube, Dame, König, Gras(01:06:04) The Eight Mountains(01:15:19) Army of Shadows(01:28:18) Exorcismo: Spanisches Genrekino nach Franco(01:36:50) Ein einfacher Unfall

We watched Jafar Panahi's 2018 film (illegally made) 3 faces. Find out more at https://fivedegreesbetween.us

Ep. 389: Amy Taubin on The Christophers, Ken Jacobs Tributes, Kontinental 25, her New Directors pick, Elvira Notari, Crimson Gold, plus Fiume o Morte! Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It's Amy Taubin Time! I'm delighted to share another conversation with Amy Taubin, covering new releases and repertory selections. Among the new films included are The Christophers (directed by Steven Soderbergh, starring Ian McKellen and Michaela Coel), Kontinental 25 (Radu Jude), Fiume o Morte! (Ivan Bezinovic), and from New Directors New Films 2025, Chronovisor (Kevin Walker and Jack Auen). Taubin also discusses the city-wide tribute to the late Ken Jacobs, aka The Whole Shebang, screening across New York, as well as a documentary about pioneering filmmaker Elvira Notari. Plus, as some cultural counterprogramming to the news: we revisit a pivotal Jafar Panahi film from the 2000s, Crimson Gold. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Everything is a spoiler-heavy podcast. We talk about all aspects of whatever we are discussing and do not announce or avoid spoilers in any way.In this episode of Everything, Justin and Keith discuss the 2025 Jafar Panahi film “It Was Just An Accident” and the fourth episode of HBO's “DTF: St. Louis”.Music by Johnny Hawaii.

Josh is joined by Ben Luben to finish The Rewind's coverage of 2025 releases as they talk all about the Iranian Best International Feature Oscar Nominee, "It Was Just an Accident." They discuss how it compares to the rest of writer/director Jafar Panahi's body of work including how it approached shooting covertly, the film's message about living under a totalitarian regime, the surprisingly humorous moments the film creates despite dark subject matter, how it effectively utilized several characters without having the time to develop each in great detail and much more! Please note this was recorded before America's war with Iran had begun, so commentary on specific current events is largely limited.

¿Es la venganza la respuesta correcta? Hoy hablamos de IT WAS JUST AN ACCIDENT dirigida por Jafa Panahi. 00:00:00 Intro: Irán y Jafar Panahi, un relación compleja. 00:23:52 Hablamos de IT WAS JUST AN ACCIDENT 01:15:36 Recomendaciones de la semana

【聊了什么The What】 电影颁奖季随着奥斯卡2026的完结落下帷幕，本期疲惫娇娃一年一度又来带着大家来例行盘点奥斯卡。先从争议开始，我们讨论了《K-pop猎魔女团》获奖感言被粗暴掐断引发的亚裔“噤声”事件和流媒体如何让学院派感到“被蚕食”的恐惧。几个娃也重点解析了年度大热《一战再战》与《罪人 Sinners》：艺术家电影人PTA是如何交出一份让大众满意的答卷？Ryan Coogler又是如何用恐怖片外壳包裹美国南方的移民血泪？我们对比了最佳男主提名的甜茶和获奖的Michael B. Jordan的表演（如果好奇我们对于甜茶的看法，请移步隔壁百花newsletter仔细阅读），也讨论了我们喜欢的导演赵婷和贾法·帕纳西。全球秩序分崩离析的当下，好莱坞的美式中心主义叙事在还站得住脚吗？敬请收听本期节目一探究竟。 Welcome to the annual Oscars recap by your neighborhood film and pop culture critics: CyberPink. We start off with controversies: discussing the "silencing" of Asian voices after the acceptance speech for K-Pop Demon Hunters was abruptly cut short, and exploring the ongoing battle between rise of streaming giants and the traditional film industry the Academy represents. We then jump into the heavy hitters: “One Battle After Another” and “Sinners” – how did auteur Paul Thomas Anderson deliver a film that (finally) satisfied the masses? And how did Ryan Coogler use the framework of a horror film to envelop the blood, sweat, and tears of the American South's immigrant experience? We compare the performances of Best Actor nominee Timothée Chalamet and winner Michael B. Jordan (if you're curious about our hot takes on Timmy “Sweet Tea”, please head over to our Baihua Newsletter for the full debrief). We also share our love for directors Chloé Zhao and Jafar Panahi. In an era where the global world order is fracturing, is there still space for an America-centric narrative in Hollywood? Tune in to this episode to find out. 【时间轴 The When】 01:39：从杨紫琼到《K-pop猎魔女团》：亚裔在奥斯卡的“闭麦”困境 08:48：《罪人Sinners》深度解析：原创剧本、吸血鬼隐喻与真实的华裔移民史 21:24：最佳男主讨论：怎样才是最佳表演，我们为什么喜欢日漫宅男Michael B. Jordan 26:54：PTA 的《一战再战》：一代大师如何拍出“合群”的佳作 37:13：电影工业焦虑：竖屏电影、影院发短信与看不进长片的下一代 38:32：国际影片《情感价值》：细腻如“北欧杨德昌”的家庭剖析 46:41：赵婷的“修仙”片场 52:56：颁奖礼遗珠：伊朗导演贾法·帕纳西的《一场意外》 54:20：好莱坞的美国中心主义：这到底是“奥运会”还是“超级碗”？ 57:34：电影行业新气象：选角奖首设与女性摄影师的历史性突破 01:39: From Michelle Yeoh to “KPop Demon Hunters”: Silencing Asians at the Oscars 08:48: Deep dive into “Sinners”: original screenplay in an era of sequels, vampire metaphors, and Chinese immigration history in the south 21:24: Best actor discussion: what defines a "best performance"? And why do we adore Michael B. Jordan 26:54: PTA's “One Battle After Another“ -- how a master auteur crafted a "crowd-pleasing" masterpiece (finally) 37:13: Film industry's ever-growing anxiety: vertical screens, texting in theaters, and a whole generation losing the ability to watch feature-length films 38:32: International feature “Sentimental Value”: a delicate and intimate look at a family's anatomy 46:41: On the set of Chloe Zhao: her "transcendental" filmmaking style 52:56: Awards season snub: Jafar Panahi's “It Was Just An Accident” 54:20: Hollywood's America-centrism: is the Oscars the "Olympics" or the "Super Bowl"? 57:34: New frontiers in film: the inaugural casting award and historical breakthroughs for female cinematographers 【拓展链接 The Links】 所有我们单独做过节目的episode： 哈姆内特 戛纳 一战再战 猎魔女团 其他拓展链接 Dolly Li 美国南方的中国移民 纽约时报最佳导演提名者采访 Jafar Panahi 专访 讲述在美国的中国矿工的恐怖片 【疲惫红书 CyberRed】 除了播客以外，疲惫娇娃的几个女的在小红书上开了官方账号，我们会不定期发布【疲惫在读】、【疲惫在看】、【疲惫旅行】、【疲惫Vlog】等等更加轻盈、好玩、实验性质的内容。如果你想知道除了播客以外我们在关注什么，快来小红书评论区和我们互动。 Apart from the podcast, we have set up an official account on Xiaohongshu. We will periodically post content such as “CyberPink Reading,” “CyberPink Watching,” “CyberPink Traveling,” “CyberPink Vlog,” and more. Those are lighter, more fun and more experimental stuff about our lives. Leave us some comments on Xiaohongshu! 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

On this episode, Barry and Mike bask in the glow of the brilliance that is Jafar Panahi's fantastic film, It Was Just an Accident - nominated for Best International Feature Film at this year's Academy Awards. Topics discussed include the film's simplicity, Panahi's artistry, and the benefits of creation through limitation. Then stay tuned for a brief rundown of the Oscars and the guys give their Oscar picks. 

Overnight, the Pentagon said it “eliminated” 16 Iranian mine-laying ships, raising further jitters about the global impact of the war in Iran. Fifteen years after a tsunami caused the Fukushima nuclear disaster, Japan is restarting reactors. And our correspondent meets Jafar Panahi, the Iranian director whose film is nominated for two Oscars this weekend.Guests and host:Rachana Shanbhogue, business and finance editorNoah Sneider, East Asia bureau chiefAndrew Miller, “Back Story” columnistRosie Blau, host of “The Intelligence”Topics covered: Iran, oil prices, Donald Trump, Strait of Hormuz, Brent crude, International Energy Agency, RussiaJapan, nuclear, Fukushima, tepcoOscars, “It Was Just An Accident”, Jafar PanahiListen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

Overnight, the Pentagon said it “eliminated” 16 Iranian mine-laying ships, raising further jitters about the global impact of the war in Iran. Fifteen years after a tsunami caused the Fukushima nuclear disaster, Japan is restarting reactors. And our correspondent meets Jafar Panahi, the Iranian director whose film is nominated for two Oscars this weekend.Guests and host:Rachana Shanbhogue, business and finance editorNoah Sneider, East Asia bureau chiefAndrew Miller, “Back Story” columnistRosie Blau, host of “The Intelligence”Topics covered: Iran, oil prices, Donald Trump, Strait of Hormuz, Brent crude, International Energy Agency, RussiaJapan, nuclear, Fukushima, tepcoOscars, “It Was Just An Accident”, Jafar PanahiListen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

"Sinners" set the record for most Oscar nominations with 16. "One Battle After Another" isn't far behind with 13. "One Battle" was considered the early favorite for many awards, but "Sinners" has been coming on strong during awards season. Which film will win the night? Will Paul Thomas Anderson finally win an Oscar? Can Timothée Chalamet top Leonardo DiCaprio and Michael B. Jordan? We'll know soon enough with the 98th Academy Awards airing Sunday night (ABC and Hulu, 7 p.m. EDT). On this week's episode of Streamed & Screened, co-hosts Bruce Miller and Terry Lipshetz discuss the two films and the favorites to win the major categories.  Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Es uno de los únicos cuatro directores de la historia en ganar en los tres principales festivales de cine del mundo (Cannes, Venecia y Berlín). Ha sido encarcelado dos veces en su propio país, Irán. Aprendió de su compatriota y maestro Abbas Kiarostami. Y ahora puede ganar su primer Óscar por su última película, 'Un simple accidente'. ¿Qué hace especial el cine de Jafar Panahi? ¿Qué ha aprendido en prisión? ¿Y qué importancia tiene el sonido, en concreto, en 'Un simple accidente'? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, apadrinamos la nueva novela de Sergio del Molino, 'La hija', que abunda en la misteriosa figura de la pintora 'goyesca' Rosario Weiss.

Es uno de los únicos cuatro directores de la historia en ganar en los tres principales festivales de cine del mundo (Cannes, Venecia y Berlín). Ha sido encarcelado dos veces en su propio país, Irán. Aprendió de su compatriota y maestro Abbas Kiarostami. Y ahora puede ganar su primer Óscar por su última película, 'Un simple accidente'. ¿Qué hace especial el cine de Jafar Panahi? ¿Qué ha aprendido en prisión? ¿Y qué importancia tiene el sonido, en concreto, en 'Un simple accidente'? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, apadrinamos la nueva novela de Sergio del Molino, 'La hija', que abunda en la misteriosa figura de la pintora 'goyesca' Rosario Weiss.

TWS News 1: House Hushing – 00:26 Something Only You Can Say About Your Weekend – 3:20 Monday School: Gideon’s Got It – 9:33 TWS News 2: Jafar Panahi – 14:15 The Blessing Through the Battle – 17:52 TWS News 3: Household Chores – 23:29 Amateur First Responder: Ski Lift – 27:13 Random Acts of Audio: Matthew West’s Rap – 30:46 Getting to Know You – 32:42 Prayer Wall – 35:19 Rock Report: Kelly Osbourne’s Weight Loss – 37:15 5 Word Career Advice – 40:30 You can join our Wally Show Poddies Facebook group at www.facebook.com/groups/WallyShowPoddies This podcast is crowd funded - that means that you help make it possible. If you like it and want to support it, give here.

Mina Kavani ? C'est une actrice iranienne qui ne peut plus ni jouer ni retourner à Téhéran. C'est depuis Paname en France, à partir d'un plateau de théâtre qu'elle y retourne, et plutôt deux fois qu'une. Bien sûr, les cinéphiles que vous êtes l'ont peut-être appréciée dans « Aucun Ours » de Jafar Panahi ou « Lire Lolita à Téhéran » avec Golshifteh Farahani, mais son ADN se situe réellement entre cour et jardin.   Les femmes étant réduites à un voile noir dans l'esprit des Mollahs, la présence d'une femme, la parole poétique d'une femme, la libre circulation d'une femme sur une scène de théâtre peut s'apparenter un acte politique. Apres Iam deranged, Mina Kavani s'installe au Théâtre des Bouffes du Nord à Paris avec Ma maison est noire, un deuxième seule en scène où elle fait se croiser les mots de la poétesse Forough Farrokhzad à son récit personnel. Spectacle hypnotique, enfermé entre 4 murs, où la Kavani semble jouer pour ne pas mourir, jouer jusqu'à en mourir, jouer pour les milliers de morts en Iran. Ma maison est noire, d'après les textes de Forough Farrokhzad, interprété et mis en scène par Mina Kavani au Théâtre des Bouffes du Nord à Paris jusqu'au 1er mars 2026.  Tournée : - 5 mars 2026 au Cabaret de Curiosités - Le Manège, scène nationale de Maubeuge - 12 mars 2026 à L'Arc - Scène nationale Le Creusot.    Programmation de l'invitée : • Roody Mahi • David Bowie I am deranged  • Viguen & Delkaash Bordi az yadam. 

Ep. 383: Oliver Laxe on Sirat Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. In Sirat, director Oliver Laxe tells the story of a father searching for his daughter with his young son's help. But the milieu isn't what one might expect: a desert rave scene in an unidentified country in a world plunged into disarray and war. Premiered in Cannes last year and still in U.S. cinemas, Sirat's visceral, spiritual journey joins together the father (Sergi Lopez) with a motley crew of ravers rumbling into the desert and running into a tragedy that tends to catch audiences off guard. I spoke with Laxe recently about the film, which is nominated for the Academy Award for Best International Feature alongside It Was Just an Accident (directed by Jafar Panahi), The Secret Agent (Kleber Mendonca Filho), Sentimental Value (Joachim Trier), and The Voice of Hind Rajab (Kaouther Ben Hania). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

It is International Film Day on "Is This Cinema?" so after an extensive discussion on 'Sentimental Value' last month, we listen in as Jibbz & Ayisha discuss the rest of their favourite international films of 2026 in the lead up to the Oscars. They talk about the motif of corruption in 'The Secret Agent' (15:27) and then touch on why Jibbz picked 'It Was Just An Accident' as his movie of the year (27:13), the real life implications of Park Chan Wook's 'No Other Choice' (52:24) AND SO MUCH MOREYou can support us hereHosts: Ayisha & JibbzProduction by: Ebuka

This week, the boys grabbed some beers and kept it positive while they fired off some mini-reviews before featuring a conversation about “Eternal Sunshine of the Spotless Mind”. As part of the random year generator series, 2004 was a great year for movies, with over 50 $100m movies and many likable ones. While “Eternal Sunshine” didn't gross in the top 70, it may be the year's greatest film. Props to Michel Gondry and Charlie Kaufman for giving Jim Carrey and Kate Winslet some juicy roles and incredibly shifty worlds! As for the mini-reviews, the boys can't speak highly enough of Gore Verbinski's “Good Luck, Have Fun, Don't Die”, starring Sam Rockwell, and the intense and captivating “If I Had Legs I'd Kick You”, and the Academy Award-nominated “It Was Just An Accident”. Grab some beers and join us!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 04:19 “If I Had Legs I'd Kick You” mini-review; 12:10 “Good Luck, Have Fun, Don't Die” mini-review; 18:24 “It Was Just An Accident” mini-review; 22:20 2004 Year in Review; 39:01 Films of 2004: “Eternal Sunshine of the Spotless Mind”; 1:16:10 What You Been Watching?; 1:23:05 Next Week's Episode Teaser Additional Cast/Crew: Michel Gondry, Charlie Kaufman, Pierre Busmuth, David Cross, Elijah Wood, Mark Ruffalo, Kirsten Dunst, Tom Wilkinson, Sam Rockwell, Gore Verbinski, Michael Pena, Zazie Beetz, Haley Lu Richardson, Juno Temple, Jafar Panahi, Rose Byrne, Conan O'Brien, A$AP Rocky. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Fallout, Star Trek: Starfleet Academy, They Live, Paradise, John Carpenter, The Muppet Series, Bedknobs and Broomsticks, The Pitt, Blue Moon, A Knight of the Seven Kingdoms.  Additional Tags: Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

The writer-director Jafar Panahi's new film, It Was Just an Accident, is the second Iranian film ever nominated for multiple Oscars. Panahi is in the United States for the awards season, but soon after, he plans to return to Iran, where he may well be arrested.  His co-writer on the film was recently jailed after signing a letter objecting to the deadly crackdown on protests in Iran. Panahi, who also signed the letter, has been sentenced to one year in prison in absentia. His lawyer has said they plan to appeal the sentence. But Panahi doesn't seem afraid. (He made It Was Just an Accident in secret, as he has in the past with other films.) Even with the crackdown in Iran and violence against protesters here in the U.S., he says he still has reason to hope: “I see a greater future. I see from above.” --- Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at TheAtlantic.com/Listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Federal authorities announce end to Minnesota immigration enforcement crackdown (0:30) Iranian filmmaker Jafar Panahi on his film 'It Was Just an Accident' (17:26) When international terrorism took the world stage (39:00) Triple Play: Angels and Dodgers begin spring training (52:00) PaleyFest television convention returns for 2026 (1:08:03) TV Talk: ‘The Burbs,’ ‘Love Story,’ ‘Soul Power,’ and many more! (1:23:42) Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency

Bronwyn makes an effort to win the Girlfriend of the Year Award; journalist explains his essay on bravery in politics for The Australian Institute; Simone Ubaldi has watched It Was Just An Accident by Jafar Panahi for this week's Film Review; Bronwyn is investigating a missing lamp; game enthusiast Jack Knight shares his thoughts on Cult of the Lamb: Woolhaven and comedian Nina Oyama takes her Love Letters Live with her new show. With presenters Daniel Burt, Jas Moore & Bronwyn Kuss.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Instagram : https://www.instagram.com/breakfasters/

Iranian filmmaker Jafar Panahi tackles taboo topics in his work. The 2025 Palm D'Or winner and Academy award nominated IT WAS JUST AN ACCIDENT fits right in with his filmography as it depicts a mechanic who is reminded of his time in an Iranian prison when he encounters a man he suspects of being his sadistic jailor. Our hosts share their thoughts on the film & then run down all the movie trailers shown during the cultural event that was the 2026 Super Bowl. Recommendation - Come See Me In The Good Light Footcandle Film Society 

This week, Steve, Dana and guest host Sam Adams talk anti-authoritarian art in its many forms. First, they take up It Was Just an Accident, the Cannes Palme d'Or-winning film by Iranian filmmaker Jafar Panahi. Inspired in part by Panahi's own experience being imprisoned for critiquing the Iranian government, his new film—made in secret from the regime— holds back little in its sharp political critique, rage, and… a surprising amount of comedy.Not surprising in its amount of comedy— but maybe in its frequently anti-authoritarian politics—is Mel Brooks: The 99 Year Old Man! The documentary series about the showbiz legend, produced by Judd Apatow and Michael Bonfiglio, is a loving portrait of the long, unmatched, and revolutionary in its own way, career of Brooks.Inspired by the recent release “Streets of Minneapolis” by Bruce Springsteen, the panel dedicates its final segment to the state of protest music in 2026. Joined by music critic Carl Wilson, of the Slate and Crritic!, they discuss the long tradition and still potent power of singer/songwriters with acoustic guitars—and the many political artists who defy that stereotype. To hear some of the music they talked about, plus several more current protest songs, check out our 2026 Protest Playlist.In our bonus episode for Plus subscribers, the gang eulogizes the divine comic genius of Catherine O'Hara. Hosted on Acast. See acast.com/privacy for more information.

This week, Steve, Dana and guest host Sam Adams talk anti-authoritarian art in its many forms. First, they take up It Was Just an Accident, the Cannes Palme d'Or-winning film by Iranian filmmaker Jafar Panahi. Inspired in part by Panahi's own experience being imprisoned for critiquing the Iranian government, his new film—made in secret from the regime— holds back little in its sharp political critique, rage, and… a surprising amount of comedy.Not surprising in its amount of comedy— but maybe in its frequently anti-authoritarian politics—is Mel Brooks: The 99 Year Old Man! The documentary series about the showbiz legend, produced by Judd Apatow and Michael Bonfiglio, is a loving portrait of the long, unmatched, and revolutionary in its own way, career of Brooks.Inspired by the recent release “Streets of Minneapolis” by Bruce Springsteen, the panel dedicates its final segment to the state of protest music in 2026. Joined by music critic Carl Wilson, of the Slate and Crritic!, they discuss the long tradition and still potent power of singer/songwriters with acoustic guitars—and the many political artists who defy that stereotype. To hear some of the music they talked about, plus several more current protest songs, check out our 2026 Protest Playlist.In our bonus episode for Plus subscribers, the gang eulogizes the divine comic genius of Catherine O'Hara. Hosted on Acast. See acast.com/privacy for more information.

This week we cover Jafar Panahi's Palme d'Or winning film, "It was Just an Accident." We cover the clandestine process of making this film in the repressive Iranian regime. After covering the background, we get into the film itself, and describe everything we loved about this masterpiece. Finally, we end the episode with a pair of double bills for your viewing pleasure.Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Last year, Iranian director Jafar Panahi won the Palme d'Or at Cannes for his extraordinary film It Was Just an Accident, which he shot secretly in Tehran under great risk of serious harm. Jafar has been in prison twice on charges of “anti-government propaganda” and for protesting the imprisonment of other filmmakers. At the Toronto International Film Festival back in September, he joined Tom Power to tell us how It Was Just an Accident was shaped by his two experiences in Tehran's Evin Prison.

It's no accident that we're discussing Jafar Panahi's "It Was Just An Accident" with Thomas Flight. This astounding act of political defiance both in front of and behind the camera has just been nominated for Best International Feature, so do whatever you got to do to see it now!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. We update that last week's main movie, "Holding Liat," is now playing in 20 locations throughout North America. Then we hear a "Jangle" about unabashed Zionist Michael Rapaport, who was just in the news for his participation in "The Traitors." The first "Schmoovie" of the week is "It Was Just an Accident" by Iranian filmmaker Jafar Panahi. Nominated for two Academy Awards, it is playing internationally at major arthouse theaters. The premise is roughly based on Panahi's stints in Iranian prisons for his films exposing the oppressive regime. It includes a ragtag group trying to assess if a kidnapped man is indeed their interrogator/torturer. Though the set-up sounds grim, there is plenty of Panahi's trademark wit to keep you thinking -- and chuckling. The second film discussed is 2015's "Taxi," which was produced during a period in which Panahi was barred from creating films. Smuggled out and screened at the Cannes film festival, the movie takes place in a borrowed taxi and includes an uncredited cast of everyday Iranians -- or are they? Check out the two "not bad" films (our highest mark) in this week's The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts. IMAGE: Director Jafar Panahi poses for a portrait photograph for the film 'It Was Just an Accident' at the 78th international film festival, Cannes, southern France, May 21, 2025. (Scott A Garfitt/Invision/AP)See omnystudio.com/listener for privacy information.

If there's one recurring theme each year, it's to expect the unexpected. "Sinners" earned a record 16 nominations for the 98th Academy Awards. And then there was the blockbuster "Wicked: For Good," which was shut out. It was a day of extremes and surprises when the Oscar nominations came out on Thursday. In this week's episode, co-hosts Bruce Miller and Terry Lipshetz talk about the biggest snubs and which films could dominate when statuettes are handed out on Sunday, March 15. And we wrap the show with the new "Game of Thrones" spinoff series on HBA, "A Knight of the Seven Kingdoms." Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Iranian director Jafar Panahi has been making social cinema since the 1990s. His work follows everyday Iranians and their struggles against societal forces. In 2010 the director received a ban on filmmaking from the Iranian government, and in 2022 he was imprisoned after he inquired into a fellow filmmaker's arrest. Despite being jailed and censored, Panahi has continued to work. His films such as "The Circle,” “Taxi” and “No Bears” have won awards from the top film festivals in the world. Now his latest film, “It Was Just an Accident,” has been nominated for two Oscars for best international feature film and best original screenplay. The film follows a group of former Iranian political prisoners who kidnap a man they suspect was their torturer, but they aren't totally sure it's him. Panahi shot the film in secret in Iran because he didn't have official government permission to make it. While it is receiving critical acclaim around the world, it's being repressed in Iran, where the government recently handed Panahi a new prison sentence. Today on “Post Reports” Elahe Izadi speaks with Jafar Panahi about how he made “It Was Just an Accident” and why he is planning to return to Iran once his awards campaign is over. The two spoke this month, before this week's Oscar nominations and the most recent escalation of anti-government demonstrations and crackdowns in Iran. Today's show was produced by Lucas Trevor, Joshua Carroll and Sam Bair, who also mixed it. It was edited by Elana Gordon and Peter Bresnan, with help from Reena Flores.Thanks to Neon for movie clips and photos.Subscribe to The Washington Post here. And watch us on YouTube here.

"It Was Just an Accident" from Iranian filmmaker Jafar Panahi is nominated for the Best Foreign Film and Best Original Screenplay Oscars. Senior arts correspondent Jeffrey Brown met with Panahi to talk about his film, his country in distress, and the work of a social filmmaker. It's for our series Art in Action, exploring the intersection of art and democracy as part of our CANVAS coverage. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

The Iranian film It Was Just an Accident enters Oscars season with the wind at its back. It won the top prize at Cannes, a raft of other awards and has landed on a lot of top ten lists. The movie bears out those accolades. Directed by Jafar Panahi, it's a tense, volatile, often darkly funny movie about what happens when a former political prisoner runs into a man he's almost convinced is the one who tortured him and other prisoners. Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sonny Bunch joins to discuss “It Was Just an Accident” a film from dissident Iranian director Jafar Panahi. It raises profound questions about guilt, judgment, and revenge. Also, amazing that it was made at all.Get 15% off OneSkin with the code MONACHAREN at https://www.oneskin.co/MONACHAREN#oneskinpod #adFilms & References Mentioned:It Was Just an Accident (dir. Jafar Panahi)The film discussed throughout the episode — a clandestinely made Iranian dissident film that won the Palme d'Or at Cannes.https://www.imdb.com/title/tt30841958/The Seed of the Sacred Fig (dir. Mohammad Rasoulof)Recommended by Sonny as further viewing; set during post–Mahsa Amini unrest in Iran.https://www.imdb.com/title/tt29362290/The Lives of Others (dir. Florian Henckel von Donnersmarck)Cited as a thematic comparison for life under a surveillance state.https://www.imdb.com/title/tt0405094/A Hero (dir. Asghar Farhadi)Mentioned as another standout contemporary Iranian film about truth, lies, and social pressure.https://www.imdb.com/title/tt11777738/

durée : 00:09:04 - L'invité de 7h50 - par : Benjamin Duhamel - Avec Jafar Panahi, cinéaste iranien alors que la révolte se poursuit en Iran contre le régime de la République islamique. La répression des manifestations a fait plus de 600 morts depuis le début de la contestation selon l'ONG Iran Human Rights (IHR). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode of Need Some Introduction, host Victor Anand reviews his top films of 2025, highlighting around 20 notable movies. He also provides insights into recent viewings and shares upcoming podcast plans. Special attention is given to a detailed analysis of the film 'Bugonia,' featuring standout performances by Jesse Plemons and Emma Stone. Join Victor and Darren as they discuss the intriguing elements and thematic depth of 'Bugonia,' explore other recent movies, and look forward to the next season of the podcast. mailto:needssomeintroduction@gmail.com 00:00 Introduction and Podcast Overview 00:19 Favorite Films of 2025 and Holiday Season Catch-Up 01:14 Upcoming TV Show Coverage 03:05 Listener Recommendations 06:44 The State of the Box Office and Nostalgia Trends 14:01 Top 20 Films of 2025: Sentimental Value and If I Had Legs I'd Kick You 20:38 Top 20 Films of 2025: Weapons and Blue Moon 26:13 Top 20 Films of 2025: One of Them Days and Bugonia 31:39 Top 20 Films of 2025: Black Bag and Sinners 38:23 Top 20 Films of 2025: Bring Her Back and The Phoenician Scheme 42:34 Magnetic Performances and Stellar Cast 43:43 Exploring the Japanese Film 'Cloud' 45:57 Top 10 Movies and Special Mentions 48:49 Mike Leigh's 'Hard Truths' and Other Highlights 52:49 Diving into the Top 10: 'Train Dreams' and More 53:56 Unexpected Gems: 'Twin Less' 58:45 Jafar Panahi's 'It Was Just an Accident' 01:01:54 Marty Supreme: A Wild Ride 01:05:07 Companion: A Genre-Bending Experience 01:07:11 Top 5 Movies of the Year 01:29:13 Ice Cube's Latest Movie: So Bad It's Good? 01:33:44 Jack Black: The Unexpected Box Office Titan 01:35:59 Sydney Sweeney's Breakout Role in 'The Housemaid' 01:48:07 Yorgos Lanthimos' 'Bugonia': A Masterpiece? 01:58:32 Initial Impressions and Concerns 01:59:43 Breaking Down the Story 02:02:00 Conspiracy Theories and Character Motivations 02:06:44 Comparing to the Original Film 02:11:00 Spoiler Section: Discussing the Ending 02:16:41 Final Thoughts and Reflections 02:30:31 Conclusion and Upcoming Topics

Our LIVE reactions to the YouTube Oscars Move comes in the final moments of this episode. Otherwise, we enjoy a full film study and Oscars Profile Review of Jafar Panahi's It Was Just An Accident, winner of the Palme D'or at Cannes, 3 Gotham awards and 4 Golden Globe nominations. NON-SPOILER REVIEW OF IT WAS JUST AN ACCIDENT: Reception & Awards Profile - 3:25 Jafar Panahi's History of Heroism - 9:54 General Composition Thoughts - 14:48 Review of the Performances & Political Risk To All Involved - 20:49 Review of the Production Values - 27:49 Oscar Lens - 31:39 Spoiler Warning - 33:50 SPOILER FILLED REVIEW That Ending - 34:49 Themes - 40:19 Plot Highs & Lows - 42:52 Final Grades & Final Thoughts - 52:44 The Oscars move to YouTube: we react LIVE! during our recording - 56:54 OUTRO: If you're enjoying our show, please like & subscribe, rate & review, and tell people about our show. As always, thank you all for listening and for this support. Stay tuned for upcoming episodes of our News & Awards Season analysis show - Oscar Race Checkpoint - available on the same feed, and we otherwise look forward to several year end specials featuring some returning guests. https://linktr.ee/mikemikeandoscar

We are fortunate to have the legendary Iranian filmmaker Jafar Panahi on the podcast to discuss Palme d'Or winning film. Panahi explains how he shot the movie in secret, and how his personal experience with torture lead him to make a film confronting the nature of revenge. To hear the conversation with Jafar Panahi's full answers in Persian, skip to 22:32. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Quakers Today, co-hosts Sweet Miche (they/them) and Peterson Toscano (he/him) tackle a question that seems simple but is actually quite complex: What do Quakers believe? We explore the wide theological spectrum of the Religious Society of Friends from those who view the Bible as the inerrant word of God to those who may not believe in God at all. A Smorgasbord of Beliefs We hear from Adam Segal-Isaacson, a Friend from Brooklyn Meeting who was raised both Jewish and Quaker. Adam shares how he navigates his dual identity and offers a powerful metaphor about harmony versus monotony in worship. Watch the full QuakerSpeak video: Do All Quakers Hold the Same Beliefs? An Evangelical Friend Among Liberals Peterson sits down with Jasson Arevalo, an Evangelical Quaker from El Salvador and a student at the Earlham School of Religion. Jasson describes the "Programmed" tradition of his upbringing—complete with pastors and music—and his view of Biblical inerrancy. He shares his experience of studying alongside Liberal, Unprogrammed Friends and how curiosity and respect bridge the theological divide. Read Jasson's article, "You Will Be Told What You Must Do," in the December 2025 issue of Friends Journal or at FriendsJournal.org. Convincement and Belonging What makes someone a Quaker? Is it a membership card or an internal shift? We review the new Pendle Hill pamphlet, Awakening the Witness: Convincement and Belonging in Quaker Community by Matt Rosen. The pamphlet explores the distinction between "convincement", the spiritual experience of becoming a Friend, and formal membership. Learn more at PendleHill.org. Recommendation Peterson recommends the Iranian film It Was Just an Accident, directed by Jafar Panahi. It is a darkly comic and morally complicated story about the long-term effects of trauma and the refusal to become like one's oppressors. Listener Responses We asked you: What do you believe now that you didn't believe before becoming a Friend? Jeremy shares how Quaker history helped him understand the "Great Apostasy" as the moment the church merged with political power. Zoe discusses moving from "religion as harm" to religion as a positive force for community. Creative Decorating reflects on the mind-blowing concept of "that of God in everyone." Resources Mentioned: QuakerSpeak Video: Do All Quakers Hold the Same Beliefs? (Featuring Adam Segal-Isaacson): quakerspeak.com/video/do-all-quakers-hold-the-same-beliefs Read Jasson's Article: "You Will Be Told What You Must Do" in Friends Journal: friendsjournal.org/you-will-be-told-what-you-must-do Pendle Hill Pamphlet: Awakening the Witness by Matt Rosen: pendlehill.org/product/awakening-the-witness-convincement-and-belonging-in-quaker-community Next Month's Question We want to hear from you! What is something you learned in school about Native Americans or Indigenous peoples that you've since learned is not true? Leave us a voice memo with your name and town at 317-QUAKERS (317-782-5377). (+1 if outside the U.S.) You can also reply by email at podcast@FriendsJournal.org or on our social media channels. Sponsors Quakers Today is the companion podcast to Friends Journal and other Friends Publishing Corporation content. Season Five of Quakers Today is sponsored by Friends Fiduciary and the American Friends Service Committee (AFSC). Friends Fiduciary provides professional investment management for Quaker organizations, uniting financial goals with Quaker values. Learn more at FriendsFiduciary.org. AFSC works to challenge injustice and build peace. Their "North Star Vision" calls for transformative alternatives to prisons and policing. Learn more at afsc.org/NorthStar. For a full transcript, visit QuakersToday.org.

Sean and Amanda have an action-packed show today, and they start with the biggest piece of news: Netflix's $82.7 billion acquisition of Warner Bros. Discovery. They talk through their initial gut reactions to the news; cover the additional information that came through over the weekend, including Paramount's hostile bid; and hypothesize whether or not the sale will go through (1:57). Then, they react to the Golden Globe nominations and try to make sense of what they mean for the Academy Awards (1:00:11). Finally, they briefly discuss Jafar Panahi's ‘It Was Just an Accident' (1:20:29) before Sean is joined by Panahi himself to discuss how he casts his actors, why he prioritized balancing a humorous tone and serious drama, and why he feels that his next film has to be about war (1:26:51). Hosts: Sean Fennessey and Amanda Dobbins Guests: Jafar Panahi and Sheida Dayani Producer: Jack Sanders Shopping. Streaming. Celebrating. It's on Prime. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For their fourth film together, Yorgos Lanthimos and Emma Stone get weird and go bald in BUGONIA with Jesse Plemons as Stone's conspiracy-obsessed kidnapper. Adam and Josh discuss, along with reviews of Lynne Ramsay's DIE MY LOVE starring Jennifer Lawrence, Kelly Reichardt's THE MASTERMIND with Josh O'Connor, and film-of-the-year candidate IT WAS JUST AN ACCIDENT, the latest from Jafar Panahi.  This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:02:36) Bugonia (00:02:37-00:30:40) Die My Love (00:30:41-00:48:44) Filmspotting Family (00:48:45-00:51:48) The Mastermind (00:51:49-01:14:08) Mastermind Prize (01:14:09-01:17:49) It Was Just an Accident (01:17:50-01:34:18) Next Week / Notes (01:34:19-01:45:55) Polls (01:45:56-01:56:08) Credits / New Releases (01:56:09-02:00:04) Links: -Poll: Actor/Director Duos Since 2000 https://poll.fm/16260111 -Siskel & Ebert at 50: Lone Star with Adam and Michael https://luma.com/pwlqid75 -Fear Not! (50% Off + Free Shipping; code CONFSHIP, select Media Mail) https://wipfandstock.com/9781666738520/fear-not/ -London Meetup w/Josh on Dec. 11 https://forms.gle/rUcgUKicTddzwFBs5 RSVP:  Feedback: -Email us at ⁠⁠⁠feedback@filmspotting.net⁠⁠⁠. -⁠⁠⁠Ask Us Anything⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠http://filmspottingfamily.com⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠https://www.filmspotting.net/shop⁠⁠ Follow: ⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠  https://www.instagram.com/larsenonfilm  ⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's second podcast review, Josh Parham, Megan Lachinski, Dan Bayer, and Giovanni Lago join me to review and discuss the latest film from master Iranian filmmaker Jafar Panahi, "It Was Just An Accident," starring Vahid Mobasseri, Mariam Afshari, Ebrahim Azizi, Hadis Pakbaten, Majid Panahi, Mohamad Ali Elyasmehr, Delnaz Najafi, Afssaneh Najmabadi, and Georges Hashemzadeh. The film had its world premiere at the 2025 Cannes Film Festival, where it won the coveted Palme d'Or and received rave reviews for its writing, direction, and performances. It has been selected as the French entry for Best International Feature Film at the 98th Academy Awards. What did we think of this thrilling drama (with a touch of comedy) from Panahi? Please tune in as we discuss Panahi's screenplay and direction, the performances from the ensemble, the haunting, memorable ending, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices