Podcast appearances and mentions of beth mauldin

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city's public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city's public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon's fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today. In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon's defeat at Waterloo. Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina's bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower. Her new cultural history, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire examines Napoleon's fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 & December 2018). Susan's articles, profiles, and reviews have appeared in such publications as Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail, and NY Review of Books. Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art & Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo. Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina’s bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower.  Her new cultural history, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire examines Napoleon’s fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 & December 2018). Susan’s articles, profiles, and reviews have appeared in such publications as Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail, and NY Review of Books. Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art & Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo. Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina’s bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower.  Her new cultural history, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire examines Napoleon’s fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 & December 2018). Susan’s articles, profiles, and reviews have appeared in such publications as Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail, and NY Review of Books. Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art & Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo. Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina’s bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower.  Her new cultural history, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire examines Napoleon’s fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 & December 2018). Susan’s articles, profiles, and reviews have appeared in such publications as Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail, and NY Review of Books. Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art & Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo. Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina’s bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower.  Her new cultural history, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire examines Napoleon’s fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 & December 2018). Susan’s articles, profiles, and reviews have appeared in such publications as Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail, and NY Review of Books. Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art & Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo. Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina’s bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower.  Her new cultural history, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire examines Napoleon’s fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 & December 2018). Susan’s articles, profiles, and reviews have appeared in such publications as Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail, and NY Review of Books. Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art & Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo. Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina’s bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower.  Her new cultural history, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire examines Napoleon’s fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 & December 2018). Susan’s articles, profiles, and reviews have appeared in such publications as Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail, and NY Review of Books. Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art & Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

May '68 marked a watershed moment in French society, culture, and political life. The feminist movement was no exception. Women took to the streets and meeting halls around the country, challenging outdated sexual standards, fighting for reproductive freedom, and articulating women's oppression in radically new ways. In Daughters of 1968: Redefining French Feminism and the Women's Liberation Movement (University of Nebraska Press, 2019), Dr. Lisa Greenwald offers a refreshingly new perspective on the history of French feminism, beginning with the liberation of France in 1944--when women were granted the right to vote--to 1981 and the election of a Socialist president who promised to transform women's status in French society. Greenwald examines the endless challenges of collective organizing, along with the fractious ideological divisions and strategic differences among the various feminist groups that emerged after the events of May. In this interview, she discusses influential figures in the movement such as Gisèle Halimi and Simone Veil and the fight to legalize abortion, Simone de Beauvoir and the influence of The Second Sex on feminists after May '68, and Antoinette Fouque and the tensions surrounding the Psych-et-Po group. She concludes the interview with an insightful analysis of current debates surrounding the #MeToo movement in France. Lisa Greenwald, Ph.D. spent almost a decade working in and researching the women's movement in France, supported by an Andrew W. Mellon Fellowship and grants from the French government. She has worked as a consultant and in-house historian for a variety of nonprofits and foundations in France, Chicago, and New York. She teaches history at Stuyvesant High School in New York City. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

May ’68 marked a watershed moment in French society, culture, and political life. The feminist movement was no exception. Women took to the streets and meeting halls around the country, challenging outdated sexual standards, fighting for reproductive freedom, and articulating women’s oppression in radically new ways. In Daughters of 1968: Redefining French Feminism and the Women’s Liberation Movement (University of Nebraska Press, 2019), Dr. Lisa Greenwald offers a refreshingly new perspective on the history of French feminism, beginning with the liberation of France in 1944--when women were granted the right to vote--to 1981 and the election of a Socialist president who promised to transform women’s status in French society. Greenwald examines the endless challenges of collective organizing, along with the fractious ideological divisions and strategic differences among the various feminist groups that emerged after the events of May. In this interview, she discusses influential figures in the movement such as Gisèle Halimi and Simone Veil and the fight to legalize abortion, Simone de Beauvoir and the influence of The Second Sex on feminists after May ’68, and Antoinette Fouque and the tensions surrounding the Psych-et-Po group. She concludes the interview with an insightful analysis of current debates surrounding the #MeToo movement in France. Lisa Greenwald, Ph.D. spent almost a decade working in and researching the women’s movement in France, supported by an Andrew W. Mellon Fellowship and grants from the French government. She has worked as a consultant and in-house historian for a variety of nonprofits and foundations in France, Chicago, and New York. She teaches history at Stuyvesant High School in New York City. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

May ’68 marked a watershed moment in French society, culture, and political life. The feminist movement was no exception. Women took to the streets and meeting halls around the country, challenging outdated sexual standards, fighting for reproductive freedom, and articulating women’s oppression in radically new ways. In Daughters of 1968: Redefining French Feminism and the Women’s Liberation Movement (University of Nebraska Press, 2019), Dr. Lisa Greenwald offers a refreshingly new perspective on the history of French feminism, beginning with the liberation of France in 1944--when women were granted the right to vote--to 1981 and the election of a Socialist president who promised to transform women’s status in French society. Greenwald examines the endless challenges of collective organizing, along with the fractious ideological divisions and strategic differences among the various feminist groups that emerged after the events of May. In this interview, she discusses influential figures in the movement such as Gisèle Halimi and Simone Veil and the fight to legalize abortion, Simone de Beauvoir and the influence of The Second Sex on feminists after May ’68, and Antoinette Fouque and the tensions surrounding the Psych-et-Po group. She concludes the interview with an insightful analysis of current debates surrounding the #MeToo movement in France. Lisa Greenwald, Ph.D. spent almost a decade working in and researching the women’s movement in France, supported by an Andrew W. Mellon Fellowship and grants from the French government. She has worked as a consultant and in-house historian for a variety of nonprofits and foundations in France, Chicago, and New York. She teaches history at Stuyvesant High School in New York City. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

May ’68 marked a watershed moment in French society, culture, and political life. The feminist movement was no exception. Women took to the streets and meeting halls around the country, challenging outdated sexual standards, fighting for reproductive freedom, and articulating women’s oppression in radically new ways. In Daughters of 1968: Redefining French Feminism and the Women’s Liberation Movement (University of Nebraska Press, 2019), Dr. Lisa Greenwald offers a refreshingly new perspective on the history of French feminism, beginning with the liberation of France in 1944--when women were granted the right to vote--to 1981 and the election of a Socialist president who promised to transform women’s status in French society. Greenwald examines the endless challenges of collective organizing, along with the fractious ideological divisions and strategic differences among the various feminist groups that emerged after the events of May. In this interview, she discusses influential figures in the movement such as Gisèle Halimi and Simone Veil and the fight to legalize abortion, Simone de Beauvoir and the influence of The Second Sex on feminists after May ’68, and Antoinette Fouque and the tensions surrounding the Psych-et-Po group. She concludes the interview with an insightful analysis of current debates surrounding the #MeToo movement in France. Lisa Greenwald, Ph.D. spent almost a decade working in and researching the women’s movement in France, supported by an Andrew W. Mellon Fellowship and grants from the French government. She has worked as a consultant and in-house historian for a variety of nonprofits and foundations in France, Chicago, and New York. She teaches history at Stuyvesant High School in New York City. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

May ’68 marked a watershed moment in French society, culture, and political life. The feminist movement was no exception. Women took to the streets and meeting halls around the country, challenging outdated sexual standards, fighting for reproductive freedom, and articulating women’s oppression in radically new ways. In Daughters of 1968: Redefining French Feminism and the Women’s Liberation Movement (University of Nebraska Press, 2019), Dr. Lisa Greenwald offers a refreshingly new perspective on the history of French feminism, beginning with the liberation of France in 1944--when women were granted the right to vote--to 1981 and the election of a Socialist president who promised to transform women’s status in French society. Greenwald examines the endless challenges of collective organizing, along with the fractious ideological divisions and strategic differences among the various feminist groups that emerged after the events of May. In this interview, she discusses influential figures in the movement such as Gisèle Halimi and Simone Veil and the fight to legalize abortion, Simone de Beauvoir and the influence of The Second Sex on feminists after May ’68, and Antoinette Fouque and the tensions surrounding the Psych-et-Po group. She concludes the interview with an insightful analysis of current debates surrounding the #MeToo movement in France. Lisa Greenwald, Ph.D. spent almost a decade working in and researching the women’s movement in France, supported by an Andrew W. Mellon Fellowship and grants from the French government. She has worked as a consultant and in-house historian for a variety of nonprofits and foundations in France, Chicago, and New York. She teaches history at Stuyvesant High School in New York City. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

May ’68 marked a watershed moment in French society, culture, and political life. The feminist movement was no exception. Women took to the streets and meeting halls around the country, challenging outdated sexual standards, fighting for reproductive freedom, and articulating women’s oppression in radically new ways. In Daughters of 1968: Redefining French Feminism and the Women’s Liberation Movement (University of Nebraska Press, 2019), Dr. Lisa Greenwald offers a refreshingly new perspective on the history of French feminism, beginning with the liberation of France in 1944--when women were granted the right to vote--to 1981 and the election of a Socialist president who promised to transform women’s status in French society. Greenwald examines the endless challenges of collective organizing, along with the fractious ideological divisions and strategic differences among the various feminist groups that emerged after the events of May. In this interview, she discusses influential figures in the movement such as Gisèle Halimi and Simone Veil and the fight to legalize abortion, Simone de Beauvoir and the influence of The Second Sex on feminists after May ’68, and Antoinette Fouque and the tensions surrounding the Psych-et-Po group. She concludes the interview with an insightful analysis of current debates surrounding the #MeToo movement in France. Lisa Greenwald, Ph.D. spent almost a decade working in and researching the women’s movement in France, supported by an Andrew W. Mellon Fellowship and grants from the French government. She has worked as a consultant and in-house historian for a variety of nonprofits and foundations in France, Chicago, and New York. She teaches history at Stuyvesant High School in New York City. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

May ’68 marked a watershed moment in French society, culture, and political life. The feminist movement was no exception. Women took to the streets and meeting halls around the country, challenging outdated sexual standards, fighting for reproductive freedom, and articulating women’s oppression in radically new ways. In Daughters of 1968: Redefining French Feminism and the Women’s Liberation Movement (University of Nebraska Press, 2019), Dr. Lisa Greenwald offers a refreshingly new perspective on the history of French feminism, beginning with the liberation of France in 1944--when women were granted the right to vote--to 1981 and the election of a Socialist president who promised to transform women’s status in French society. Greenwald examines the endless challenges of collective organizing, along with the fractious ideological divisions and strategic differences among the various feminist groups that emerged after the events of May. In this interview, she discusses influential figures in the movement such as Gisèle Halimi and Simone Veil and the fight to legalize abortion, Simone de Beauvoir and the influence of The Second Sex on feminists after May ’68, and Antoinette Fouque and the tensions surrounding the Psych-et-Po group. She concludes the interview with an insightful analysis of current debates surrounding the #MeToo movement in France. Lisa Greenwald, Ph.D. spent almost a decade working in and researching the women’s movement in France, supported by an Andrew W. Mellon Fellowship and grants from the French government. She has worked as a consultant and in-house historian for a variety of nonprofits and foundations in France, Chicago, and New York. She teaches history at Stuyvesant High School in New York City. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Making Space for the Dead: Catacombs, Cemeteries, and the Reimagining of Paris, 1780-1830 (Cornell University Press, 2019), Dr. Erin-Marie Legacey, Assistant Professor of History at Texas Tech University, explores the transformation of burial practices in the aftermath of the French Revolution. Public health concerns under the Old Regime prompted reforms in how the French buried their dead, with millions of bones carted away from church graveyards to the deserted mining tunnels underneath the city. After the Revolution, the Catacombs, as well as newly established cemeteries such as Père Lachaise, became more than simply places for the disposal of the deceased. Amidst the turmoil and upheaval wrought by the Revolution, these burial sites became public spaces for Parisians to, as Dr. Legacey writes, “assert and assess their radical break with the past, to reconsider a new set of moeurs in the wake of that break, to reconnect with their fellow Parisians, both alive and dead, and to reimagine their past and its relationship to the present.” Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Making Space for the Dead: Catacombs, Cemeteries, and the Reimagining of Paris, 1780-1830 (Cornell University Press, 2019), Dr. Erin-Marie Legacey, Assistant Professor of History at Texas Tech University, explores the transformation of burial practices in the aftermath of the French Revolution. Public health concerns under the Old Regime prompted reforms in how the French buried their dead, with millions of bones carted away from church graveyards to the deserted mining tunnels underneath the city. After the Revolution, the Catacombs, as well as newly established cemeteries such as Père Lachaise, became more than simply places for the disposal of the deceased. Amidst the turmoil and upheaval wrought by the Revolution, these burial sites became public spaces for Parisians to, as Dr. Legacey writes, “assert and assess their radical break with the past, to reconsider a new set of moeurs in the wake of that break, to reconnect with their fellow Parisians, both alive and dead, and to reimagine their past and its relationship to the present.” Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Making Space for the Dead: Catacombs, Cemeteries, and the Reimagining of Paris, 1780-1830 (Cornell University Press, 2019), Dr. Erin-Marie Legacey, Assistant Professor of History at Texas Tech University, explores the transformation of burial practices in the aftermath of the French Revolution. Public health concerns under the Old Regime prompted reforms in how the French buried their dead, with millions of bones carted away from church graveyards to the deserted mining tunnels underneath the city. After the Revolution, the Catacombs, as well as newly established cemeteries such as Père Lachaise, became more than simply places for the disposal of the deceased. Amidst the turmoil and upheaval wrought by the Revolution, these burial sites became public spaces for Parisians to, as Dr. Legacey writes, “assert and assess their radical break with the past, to reconsider a new set of moeurs in the wake of that break, to reconnect with their fellow Parisians, both alive and dead, and to reimagine their past and its relationship to the present.” Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Making Space for the Dead: Catacombs, Cemeteries, and the Reimagining of Paris, 1780-1830 (Cornell University Press, 2019), Dr. Erin-Marie Legacey, Assistant Professor of History at Texas Tech University, explores the transformation of burial practices in the aftermath of the French Revolution. Public health concerns under the Old Regime prompted reforms in how the French buried their dead, with millions of bones carted away from church graveyards to the deserted mining tunnels underneath the city. After the Revolution, the Catacombs, as well as newly established cemeteries such as Père Lachaise, became more than simply places for the disposal of the deceased. Amidst the turmoil and upheaval wrought by the Revolution, these burial sites became public spaces for Parisians to, as Dr. Legacey writes, “assert and assess their radical break with the past, to reconsider a new set of moeurs in the wake of that break, to reconnect with their fellow Parisians, both alive and dead, and to reimagine their past and its relationship to the present.” Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Making Space for the Dead: Catacombs, Cemeteries, and the Reimagining of Paris, 1780-1830 (Cornell University Press, 2019), Dr. Erin-Marie Legacey, Assistant Professor of History at Texas Tech University, explores the transformation of burial practices in the aftermath of the French Revolution. Public health concerns under the Old Regime prompted reforms in how the French buried their dead, with millions of bones carted away from church graveyards to the deserted mining tunnels underneath the city. After the Revolution, the Catacombs, as well as newly established cemeteries such as Père Lachaise, became more than simply places for the disposal of the deceased. Amidst the turmoil and upheaval wrought by the Revolution, these burial sites became public spaces for Parisians to, as Dr. Legacey writes, “assert and assess their radical break with the past, to reconsider a new set of moeurs in the wake of that break, to reconnect with their fellow Parisians, both alive and dead, and to reimagine their past and its relationship to the present.” Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the cassoulet that won a war to the crêpe that doomed Napoleon, from the rebellions sparked by bread and salt to the new cuisines forged by empire, the history of France is intimately entwined with its gastronomic pursuits. A witty exploration of the facts and legends surrounding some of the most popular French foods and wines by a French cheesemonger and an American academic, A Bite-Sized History of France: Gastronomic Tales of Revolution, War, and Enlightenment(The New Press, 2018) tells the compelling and often surprising story of France from the Roman era to modern times. Traversing the cuisines of France's most famous cities as well as its underexplored regions, this innovative social history explores the impact of war and imperialism, the age-old tension between tradition and innovation, and the enduring use of food to prop up social and political identities. The origins of the most legendary French foods and wines—from Roquefort and cognac to croissants and Calvados, from absinthe and oysters to Camembert and champagne—also reveal the social and political trends that propelled France's rise upon the world stage. They help explain France's dark history of war and conquest, as well as its most enlightened cultural achievements and the political and scientific innovations that transformed human history. These gastronomic tales will edify even the most seasoned lovers of food, history, and all things French. Stéphane Henaut grew up in Frankfurt and Nantes, before moving to London and embarking on a wide-ranging career in food, including working in the Harrods fromagerie and cooking for the Lord Mayor of London's banquets. He later returned to Nantes with his family, selling obscure vegetables in a French fruiterie,before joining one of Berlin's finest fromageries. Jeni Mitchell spent most of her adult life in Washington, DC, working as a researcher and editor in foreign affairs, before moving to London to begin graduate school. She met Stephane on her first day in London; four years later, they married. She has a PhD in war studies from King's College London, where she is a teaching fellow specializing in civil war, insurgency and rebellion. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the cassoulet that won a war to the crêpe that doomed Napoleon, from the rebellions sparked by bread and salt to the new cuisines forged by empire, the history of France is intimately entwined with its gastronomic pursuits. A witty exploration of the facts and legends surrounding some of the most popular French foods and wines by a French cheesemonger and an American academic, A Bite-Sized History of France: Gastronomic Tales of Revolution, War, and Enlightenment(The New Press, 2018) tells the compelling and often surprising story of France from the Roman era to modern times. Traversing the cuisines of France’s most famous cities as well as its underexplored regions, this innovative social history explores the impact of war and imperialism, the age-old tension between tradition and innovation, and the enduring use of food to prop up social and political identities. The origins of the most legendary French foods and wines—from Roquefort and cognac to croissants and Calvados, from absinthe and oysters to Camembert and champagne—also reveal the social and political trends that propelled France’s rise upon the world stage. They help explain France’s dark history of war and conquest, as well as its most enlightened cultural achievements and the political and scientific innovations that transformed human history. These gastronomic tales will edify even the most seasoned lovers of food, history, and all things French. Stéphane Henaut grew up in Frankfurt and Nantes, before moving to London and embarking on a wide-ranging career in food, including working in the Harrods fromagerie and cooking for the Lord Mayor of London's banquets. He later returned to Nantes with his family, selling obscure vegetables in a French fruiterie,before joining one of Berlin's finest fromageries. Jeni Mitchell spent most of her adult life in Washington, DC, working as a researcher and editor in foreign affairs, before moving to London to begin graduate school. She met Stephane on her first day in London; four years later, they married. She has a PhD in war studies from King's College London, where she is a teaching fellow specializing in civil war, insurgency and rebellion. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the cassoulet that won a war to the crêpe that doomed Napoleon, from the rebellions sparked by bread and salt to the new cuisines forged by empire, the history of France is intimately entwined with its gastronomic pursuits. A witty exploration of the facts and legends surrounding some of the most popular French foods and wines by a French cheesemonger and an American academic, A Bite-Sized History of France: Gastronomic Tales of Revolution, War, and Enlightenment(The New Press, 2018) tells the compelling and often surprising story of France from the Roman era to modern times. Traversing the cuisines of France’s most famous cities as well as its underexplored regions, this innovative social history explores the impact of war and imperialism, the age-old tension between tradition and innovation, and the enduring use of food to prop up social and political identities. The origins of the most legendary French foods and wines—from Roquefort and cognac to croissants and Calvados, from absinthe and oysters to Camembert and champagne—also reveal the social and political trends that propelled France’s rise upon the world stage. They help explain France’s dark history of war and conquest, as well as its most enlightened cultural achievements and the political and scientific innovations that transformed human history. These gastronomic tales will edify even the most seasoned lovers of food, history, and all things French. Stéphane Henaut grew up in Frankfurt and Nantes, before moving to London and embarking on a wide-ranging career in food, including working in the Harrods fromagerie and cooking for the Lord Mayor of London's banquets. He later returned to Nantes with his family, selling obscure vegetables in a French fruiterie,before joining one of Berlin's finest fromageries. Jeni Mitchell spent most of her adult life in Washington, DC, working as a researcher and editor in foreign affairs, before moving to London to begin graduate school. She met Stephane on her first day in London; four years later, they married. She has a PhD in war studies from King's College London, where she is a teaching fellow specializing in civil war, insurgency and rebellion. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the cassoulet that won a war to the crêpe that doomed Napoleon, from the rebellions sparked by bread and salt to the new cuisines forged by empire, the history of France is intimately entwined with its gastronomic pursuits. A witty exploration of the facts and legends surrounding some of the most popular French foods and wines by a French cheesemonger and an American academic, A Bite-Sized History of France: Gastronomic Tales of Revolution, War, and Enlightenment(The New Press, 2018) tells the compelling and often surprising story of France from the Roman era to modern times. Traversing the cuisines of France’s most famous cities as well as its underexplored regions, this innovative social history explores the impact of war and imperialism, the age-old tension between tradition and innovation, and the enduring use of food to prop up social and political identities. The origins of the most legendary French foods and wines—from Roquefort and cognac to croissants and Calvados, from absinthe and oysters to Camembert and champagne—also reveal the social and political trends that propelled France’s rise upon the world stage. They help explain France’s dark history of war and conquest, as well as its most enlightened cultural achievements and the political and scientific innovations that transformed human history. These gastronomic tales will edify even the most seasoned lovers of food, history, and all things French. Stéphane Henaut grew up in Frankfurt and Nantes, before moving to London and embarking on a wide-ranging career in food, including working in the Harrods fromagerie and cooking for the Lord Mayor of London's banquets. He later returned to Nantes with his family, selling obscure vegetables in a French fruiterie,before joining one of Berlin's finest fromageries. Jeni Mitchell spent most of her adult life in Washington, DC, working as a researcher and editor in foreign affairs, before moving to London to begin graduate school. She met Stephane on her first day in London; four years later, they married. She has a PhD in war studies from King's College London, where she is a teaching fellow specializing in civil war, insurgency and rebellion. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the cassoulet that won a war to the crêpe that doomed Napoleon, from the rebellions sparked by bread and salt to the new cuisines forged by empire, the history of France is intimately entwined with its gastronomic pursuits. A witty exploration of the facts and legends surrounding some of the most popular French foods and wines by a French cheesemonger and an American academic, A Bite-Sized History of France: Gastronomic Tales of Revolution, War, and Enlightenment(The New Press, 2018) tells the compelling and often surprising story of France from the Roman era to modern times. Traversing the cuisines of France’s most famous cities as well as its underexplored regions, this innovative social history explores the impact of war and imperialism, the age-old tension between tradition and innovation, and the enduring use of food to prop up social and political identities. The origins of the most legendary French foods and wines—from Roquefort and cognac to croissants and Calvados, from absinthe and oysters to Camembert and champagne—also reveal the social and political trends that propelled France’s rise upon the world stage. They help explain France’s dark history of war and conquest, as well as its most enlightened cultural achievements and the political and scientific innovations that transformed human history. These gastronomic tales will edify even the most seasoned lovers of food, history, and all things French. Stéphane Henaut grew up in Frankfurt and Nantes, before moving to London and embarking on a wide-ranging career in food, including working in the Harrods fromagerie and cooking for the Lord Mayor of London's banquets. He later returned to Nantes with his family, selling obscure vegetables in a French fruiterie,before joining one of Berlin's finest fromageries. Jeni Mitchell spent most of her adult life in Washington, DC, working as a researcher and editor in foreign affairs, before moving to London to begin graduate school. She met Stephane on her first day in London; four years later, they married. She has a PhD in war studies from King's College London, where she is a teaching fellow specializing in civil war, insurgency and rebellion. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the cassoulet that won a war to the crêpe that doomed Napoleon, from the rebellions sparked by bread and salt to the new cuisines forged by empire, the history of France is intimately entwined with its gastronomic pursuits. A witty exploration of the facts and legends surrounding some of the most popular French foods and wines by a French cheesemonger and an American academic, A Bite-Sized History of France: Gastronomic Tales of Revolution, War, and Enlightenment(The New Press, 2018) tells the compelling and often surprising story of France from the Roman era to modern times. Traversing the cuisines of France’s most famous cities as well as its underexplored regions, this innovative social history explores the impact of war and imperialism, the age-old tension between tradition and innovation, and the enduring use of food to prop up social and political identities. The origins of the most legendary French foods and wines—from Roquefort and cognac to croissants and Calvados, from absinthe and oysters to Camembert and champagne—also reveal the social and political trends that propelled France’s rise upon the world stage. They help explain France’s dark history of war and conquest, as well as its most enlightened cultural achievements and the political and scientific innovations that transformed human history. These gastronomic tales will edify even the most seasoned lovers of food, history, and all things French. Stéphane Henaut grew up in Frankfurt and Nantes, before moving to London and embarking on a wide-ranging career in food, including working in the Harrods fromagerie and cooking for the Lord Mayor of London's banquets. He later returned to Nantes with his family, selling obscure vegetables in a French fruiterie,before joining one of Berlin's finest fromageries. Jeni Mitchell spent most of her adult life in Washington, DC, working as a researcher and editor in foreign affairs, before moving to London to begin graduate school. She met Stephane on her first day in London; four years later, they married. She has a PhD in war studies from King's College London, where she is a teaching fellow specializing in civil war, insurgency and rebellion. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.”  Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders:  “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In Generation Stalin:  French Writers, the Fatherland, and the Cult of Personality, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s.  His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world. Andrew Sobanet, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction (U of Nebraska Press, 2008) and Generation Stalin: French Writers, the Fatherland, and the Cult of Personality (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal Contemporary French Civilization. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.”  Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders:  “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In Generation Stalin:  French Writers, the Fatherland, and the Cult of Personality, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s.  His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world. Andrew Sobanet, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction (U of Nebraska Press, 2008) and Generation Stalin: French Writers, the Fatherland, and the Cult of Personality (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal Contemporary French Civilization. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.”  Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders:  “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In Generation Stalin:  French Writers, the Fatherland, and the Cult of Personality, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s.  His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world. Andrew Sobanet, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction (U of Nebraska Press, 2008) and Generation Stalin: French Writers, the Fatherland, and the Cult of Personality (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal Contemporary French Civilization. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.”  Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders:  “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In Generation Stalin:  French Writers, the Fatherland, and the Cult of Personality, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s.  His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world. Andrew Sobanet, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction (U of Nebraska Press, 2008) and Generation Stalin: French Writers, the Fatherland, and the Cult of Personality (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal Contemporary French Civilization. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.”  Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders:  “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In Generation Stalin:  French Writers, the Fatherland, and the Cult of Personality, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s.  His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world. Andrew Sobanet, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction (U of Nebraska Press, 2008) and Generation Stalin: French Writers, the Fatherland, and the Cult of Personality (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal Contemporary French Civilization. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.”  Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders:  “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In Generation Stalin:  French Writers, the Fatherland, and the Cult of Personality, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s.  His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world. Andrew Sobanet, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction (U of Nebraska Press, 2008) and Generation Stalin: French Writers, the Fatherland, and the Cult of Personality (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal Contemporary French Civilization. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his speech delivered to the National Convention on 18 Floréal (May 7, 1794), Maximilien Robespierre shocked his listeners as he attacked the proponents of atheism and dechristianization in the government: “Who nominated you to tell the people that God does not exist anymore?  What do you hope to gain by persuading Man…that his soul is nothing but a puff of wind, blown away at the gates of the tomb?” He then proceeded to lay out his vision for a national moral code rooted in a belief in the Supreme Being and the immortality of the soul.  To introduce this civic religion to the people, Robespierre, with the help of Jacques-Louis David, created the Festival of the Supreme Being which would be celebrated across the whole of France. In his book, Robespierre and the Festival of the Supreme Being: The Search for a Republican Morality (Manchester University Press, 2016), Dr. Jonathan Smyth examines Robespierre's desire to establish a national morality as the foundation for his utopian Republic of Virtue.  Drawing from his extensive research in departmental and local archives, Dr. Smyth offers a fascinating look at the festival from the planning stage to its execution in both Paris and the provinces. Dr. Jonathan Smyth is an Honorary Research Fellow at Birkbeck, University of London.  After retirement from his previous profession in 1998, he was awarded a First-Class Honours B.A. in Humanities from the Open University in 2003, and a Ph.D. under the supervision of Professor Pamela Pilbeam at Royal Holloway in 2010.  He has presented papers on various political, religious, and cultural aspects of the French Revolution, especially revolutionary festivals, at the George Rudé Conference,  Society for the Study of French History conferences, various symposia and colloquia in France, and the Society for French Historical Studies Conference in the United States. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his speech delivered to the National Convention on 18 Floréal (May 7, 1794), Maximilien Robespierre shocked his listeners as he attacked the proponents of atheism and dechristianization in the government: “Who nominated you to tell the people that God does not exist anymore?  What do you hope to gain by persuading Man…that his soul is nothing but a puff of wind, blown away at the gates of the tomb?” He then proceeded to lay out his vision for a national moral code rooted in a belief in the Supreme Being and the immortality of the soul.  To introduce this civic religion to the people, Robespierre, with the help of Jacques-Louis David, created the Festival of the Supreme Being which would be celebrated across the whole of France. In his book, Robespierre and the Festival of the Supreme Being: The Search for a Republican Morality (Manchester University Press, 2016), Dr. Jonathan Smyth examines Robespierre’s desire to establish a national morality as the foundation for his utopian Republic of Virtue.  Drawing from his extensive research in departmental and local archives, Dr. Smyth offers a fascinating look at the festival from the planning stage to its execution in both Paris and the provinces. Dr. Jonathan Smyth is an Honorary Research Fellow at Birkbeck, University of London.  After retirement from his previous profession in 1998, he was awarded a First-Class Honours B.A. in Humanities from the Open University in 2003, and a Ph.D. under the supervision of Professor Pamela Pilbeam at Royal Holloway in 2010.  He has presented papers on various political, religious, and cultural aspects of the French Revolution, especially revolutionary festivals, at the George Rudé Conference,  Society for the Study of French History conferences, various symposia and colloquia in France, and the Society for French Historical Studies Conference in the United States. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his speech delivered to the National Convention on 18 Floréal (May 7, 1794), Maximilien Robespierre shocked his listeners as he attacked the proponents of atheism and dechristianization in the government: “Who nominated you to tell the people that God does not exist anymore?  What do you hope to gain by persuading Man…that his soul is nothing but a puff of wind, blown away at the gates of the tomb?” He then proceeded to lay out his vision for a national moral code rooted in a belief in the Supreme Being and the immortality of the soul.  To introduce this civic religion to the people, Robespierre, with the help of Jacques-Louis David, created the Festival of the Supreme Being which would be celebrated across the whole of France. In his book, Robespierre and the Festival of the Supreme Being: The Search for a Republican Morality (Manchester University Press, 2016), Dr. Jonathan Smyth examines Robespierre’s desire to establish a national morality as the foundation for his utopian Republic of Virtue.  Drawing from his extensive research in departmental and local archives, Dr. Smyth offers a fascinating look at the festival from the planning stage to its execution in both Paris and the provinces. Dr. Jonathan Smyth is an Honorary Research Fellow at Birkbeck, University of London.  After retirement from his previous profession in 1998, he was awarded a First-Class Honours B.A. in Humanities from the Open University in 2003, and a Ph.D. under the supervision of Professor Pamela Pilbeam at Royal Holloway in 2010.  He has presented papers on various political, religious, and cultural aspects of the French Revolution, especially revolutionary festivals, at the George Rudé Conference,  Society for the Study of French History conferences, various symposia and colloquia in France, and the Society for French Historical Studies Conference in the United States. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his speech delivered to the National Convention on 18 Floréal (May 7, 1794), Maximilien Robespierre shocked his listeners as he attacked the proponents of atheism and dechristianization in the government: “Who nominated you to tell the people that God does not exist anymore?  What do you hope to gain by persuading Man…that his soul is nothing but a puff of wind, blown away at the gates of the tomb?” He then proceeded to lay out his vision for a national moral code rooted in a belief in the Supreme Being and the immortality of the soul.  To introduce this civic religion to the people, Robespierre, with the help of Jacques-Louis David, created the Festival of the Supreme Being which would be celebrated across the whole of France. In his book, Robespierre and the Festival of the Supreme Being: The Search for a Republican Morality (Manchester University Press, 2016), Dr. Jonathan Smyth examines Robespierre’s desire to establish a national morality as the foundation for his utopian Republic of Virtue.  Drawing from his extensive research in departmental and local archives, Dr. Smyth offers a fascinating look at the festival from the planning stage to its execution in both Paris and the provinces. Dr. Jonathan Smyth is an Honorary Research Fellow at Birkbeck, University of London.  After retirement from his previous profession in 1998, he was awarded a First-Class Honours B.A. in Humanities from the Open University in 2003, and a Ph.D. under the supervision of Professor Pamela Pilbeam at Royal Holloway in 2010.  He has presented papers on various political, religious, and cultural aspects of the French Revolution, especially revolutionary festivals, at the George Rudé Conference,  Society for the Study of French History conferences, various symposia and colloquia in France, and the Society for French Historical Studies Conference in the United States. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his speech delivered to the National Convention on 18 Floréal (May 7, 1794), Maximilien Robespierre shocked his listeners as he attacked the proponents of atheism and dechristianization in the government: “Who nominated you to tell the people that God does not exist anymore?  What do you hope to gain by persuading Man…that his soul is nothing but a puff of wind, blown away at the gates of the tomb?” He then proceeded to lay out his vision for a national moral code rooted in a belief in the Supreme Being and the immortality of the soul.  To introduce this civic religion to the people, Robespierre, with the help of Jacques-Louis David, created the Festival of the Supreme Being which would be celebrated across the whole of France. In his book, Robespierre and the Festival of the Supreme Being: The Search for a Republican Morality (Manchester University Press, 2016), Dr. Jonathan Smyth examines Robespierre’s desire to establish a national morality as the foundation for his utopian Republic of Virtue.  Drawing from his extensive research in departmental and local archives, Dr. Smyth offers a fascinating look at the festival from the planning stage to its execution in both Paris and the provinces. Dr. Jonathan Smyth is an Honorary Research Fellow at Birkbeck, University of London.  After retirement from his previous profession in 1998, he was awarded a First-Class Honours B.A. in Humanities from the Open University in 2003, and a Ph.D. under the supervision of Professor Pamela Pilbeam at Royal Holloway in 2010.  He has presented papers on various political, religious, and cultural aspects of the French Revolution, especially revolutionary festivals, at the George Rudé Conference,  Society for the Study of French History conferences, various symposia and colloquia in France, and the Society for French Historical Studies Conference in the United States. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his speech delivered to the National Convention on 18 Floréal (May 7, 1794), Maximilien Robespierre shocked his listeners as he attacked the proponents of atheism and dechristianization in the government: “Who nominated you to tell the people that God does not exist anymore?  What do you hope to gain by persuading Man…that his soul is nothing but a puff of wind, blown away at the gates of the tomb?” He then proceeded to lay out his vision for a national moral code rooted in a belief in the Supreme Being and the immortality of the soul.  To introduce this civic religion to the people, Robespierre, with the help of Jacques-Louis David, created the Festival of the Supreme Being which would be celebrated across the whole of France. In his book, Robespierre and the Festival of the Supreme Being: The Search for a Republican Morality (Manchester University Press, 2016), Dr. Jonathan Smyth examines Robespierre’s desire to establish a national morality as the foundation for his utopian Republic of Virtue.  Drawing from his extensive research in departmental and local archives, Dr. Smyth offers a fascinating look at the festival from the planning stage to its execution in both Paris and the provinces. Dr. Jonathan Smyth is an Honorary Research Fellow at Birkbeck, University of London.  After retirement from his previous profession in 1998, he was awarded a First-Class Honours B.A. in Humanities from the Open University in 2003, and a Ph.D. under the supervision of Professor Pamela Pilbeam at Royal Holloway in 2010.  He has presented papers on various political, religious, and cultural aspects of the French Revolution, especially revolutionary festivals, at the George Rudé Conference,  Society for the Study of French History conferences, various symposia and colloquia in France, and the Society for French Historical Studies Conference in the United States. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his speech delivered to the National Convention on 18 Floréal (May 7, 1794), Maximilien Robespierre shocked his listeners as he attacked the proponents of atheism and dechristianization in the government: “Who nominated you to tell the people that God does not exist anymore?  What do you hope to gain by persuading Man…that his soul is nothing but a puff of wind, blown away at the gates of the tomb?” He then proceeded to lay out his vision for a national moral code rooted in a belief in the Supreme Being and the immortality of the soul.  To introduce this civic religion to the people, Robespierre, with the help of Jacques-Louis David, created the Festival of the Supreme Being which would be celebrated across the whole of France. In his book, Robespierre and the Festival of the Supreme Being: The Search for a Republican Morality (Manchester University Press, 2016), Dr. Jonathan Smyth examines Robespierre’s desire to establish a national morality as the foundation for his utopian Republic of Virtue.  Drawing from his extensive research in departmental and local archives, Dr. Smyth offers a fascinating look at the festival from the planning stage to its execution in both Paris and the provinces. Dr. Jonathan Smyth is an Honorary Research Fellow at Birkbeck, University of London.  After retirement from his previous profession in 1998, he was awarded a First-Class Honours B.A. in Humanities from the Open University in 2003, and a Ph.D. under the supervision of Professor Pamela Pilbeam at Royal Holloway in 2010.  He has presented papers on various political, religious, and cultural aspects of the French Revolution, especially revolutionary festivals, at the George Rudé Conference,  Society for the Study of French History conferences, various symposia and colloquia in France, and the Society for French Historical Studies Conference in the United States. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III's plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France's revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space. Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019). Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space. Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019). Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space. Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019). Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space. Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019). Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space. Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019). Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space. Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019). Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space. Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019). Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices