Podcasts about Vichy France

fWotD Episode 2923: William D. Leahy Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Tuesday, 6 May 2025, is William D. Leahy.William Daniel Leahy (; 6 May 1875 – 20 July 1959) was an American naval officer. The most senior United States military officer on active duty during World War II, he held several titles and exercised considerable influence over foreign and military policy. As a fleet admiral, he was the first flag officer ever to hold a five-star rank in the U. S. Armed Forces.An 1897 graduate of Annapolis, Leahy saw active service in the Spanish–American War, the Philippine Insurrection, the Boxer Rebellion in China, the Banana Wars in Central America, and World War I. He was the first member of his cadet class to reach flag rank, as the Chief of the Bureau of Ordnance from 1927 to 1931. He subsequently served as Chief of the Bureau of Navigation from 1933 to 1936, and commanded the Battle Fleet from 1936 to 1937. As Chief of Naval Operations from 1937 to 1939, he was the senior officer in the United States Navy, overseeing the expansion of the fleet and preparations for war.After retiring from the Navy, Leahy was appointed the governor of Puerto Rico in 1939 by President Franklin D. Roosevelt. In his most controversial role, he served as the Ambassador to France from 1940 to 1942. American policy was aimed at keeping the government of Vichy France free of German control, but Leahy had limited success. He came to believe that the United States should back Free France instead of Vichy France, and asked to be recalled after the Japanese attack on Pearl Harbor brought the United States into the war. Leahy was subsequently recalled to active duty as the Chief of Staff to the President in 1942 and served in that position for the rest of the Second World War. As the de facto first Chairman of the Joint Chiefs of Staff, he oversaw all of the American armed forces and was a major decision-maker during the war. He also presided over the American delegation to the Combined Chiefs of Staff. In December 1944, Leahy was promoted to five-star rank of fleet admiral.In the aftermath of World War II, Leahy served Roosevelt's successor Harry S. Truman, helping shape postwar foreign policy until he retired in 1949. Although he did not oppose the use of the nuclear weapons during the war, in the post-war period he rejected war plans that placed too much emphasis on the first use of nuclear weapons.This recording reflects the Wikipedia text as of 00:30 UTC on Tuesday, 6 May 2025.For the full current version of the article, see William D. Leahy on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kimberly.

This week we continue exploring the Second World War by revealing one of its most surprising, colourful and sometimes farcical stories - the two year undeclared war between Britain and Vichy France. Tim Bouverie is Phil's guest and he tales us through some of the terrific - and little known - stories in his new book Allies At War. Although London and Paris are firm allies when Nazi Germany invades France in May 1940, relationships soon fall apart and true disappears. Then, in July 1940, Winston Churchill - a lifelong francophile - takes the fateful decision to send the Royal Navy to attack the French fleet (to ensure it does not fall into Hitler's hands). 1,300 French sailors, who had been allies of the British just weeks before, die in this attack.There follows a series of military campaigns and diplomatic intrigues with the (often clashing) personalities of Charles de Gaulle and Winston Churchill at the heart of them all. You can buy Tim's book here...https://www.amazon.co.uk/Allies-War-Politics-Defeating-Hitler/dp/1847926231/ref=tmm_pap_swatch_0There's also information and extracts from Phil's new book here...https://sites.google.com/view/1945thereckoning/homeYou can pre-order the book now on Amazon UK - and it will be available all around the world as an e-book and an audio book...https://www.amazon.co.uk/1945-Reckoning-Empire-Struggle-World/dp/139971449X/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr=#For anyone in Australia, you can purchase the book here...https://www.amazon.com.au/1945-Reckoning-Empire-Struggle-World/dp/1399714503/ref=tmm_pap_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.Aj6KiOnX8mB9IxbXa3MSftEn8ltcHpwdCwI_Y1Z9x_6wh1ZDhht_FEQApFtINIK18K6LpvzplQqjfqGwtGCX75E5idzD4XzxO4v5_7lTzseE1lilWhbmDGqQQNh41MCEhUEj3m2d_NqvbpQTzmbwiIy0x7yEhwDJnEK40Qp1ShuiNkayBHilBGbMJ2uS42z_EYICj2G1ukW0iEL0xwjyXCclJ4VwBeo2JkpEpY-vrgUNjbiZJ2WGQHUJe618JbwEOamp0n7LAcY0-C9Jd2K2kMVhcn0qj38FrKQ9kyxmsqk.KcgY2jzaJzHaHZX53DPc4FD3ClSuNzEEmTH0X6-HiG0&qid=1744266867&sr=8-1***We now have a Thank You button (next to the 'three dots') for small donations that help support our work***Looking for the perfect gift for a special scandalous someone - or someone you'd like to get scandalous with? We're here to help...https://www.etsy.com/uk/shop/ScandalMongersThe Scandal Mongers...https://x.com/mongerspodcastPhil Craig...https://x.com/philmcraigTHE SCANDAL MONGERS PODCAST is also available to watch on YouTube...https://www.youtube.com/channel/UCpiDbLiwypTLqMaKnNfxcTAYou can get in touch with the show via...team@podcastworld.org(place 'Scandal Mongers' in the heading) Hosted on Acast. See acast.com/privacy for more information.

The Goldman Case (Le Procès Goldman) (2023), is a French courtroom drama based on the real-life 1976 trial of Pierre Goldman, a far-left Jewish militant who was accused of multiple armed robberies and four murders during a holdup of a pharmacy in Paris. The film, which was directed by Cedric Kahn from screenplay by Kahn and Nathalie Hertzberg, stars Arieh Worthalter as Goldman and Arthur Harari as his lead lawyer, Georges Kiejiman. The film is not only a gripping account of this celebrated trial, but also explores larger themes around individual and collective responsibility, the way courtrooms can become the battleground for contested narratives about the past, and the swirling forces of race, class, and religion in 1970s France. Joining me to talk about The Goldman Case is Fred Davis, an internationally acclaimed trial attorney, expert on French criminal law and procedure, and Lecturer at Columbia Law School, where he teaches about how to examine comparative criminal procedure through film. Timestamps:0:00     Introduction2:34      Background for the Pierre Goldman case5:15       Goldman's lawyers, Georges Kiejiman and Francis Chouraqui7:48      Breaking down a French courtroom9:21       The lawyer for the victims10:20    Procedural differences between French and American trials14:47     A window into 1970s France17:33     The backdrop of the treatment of Jews in Vichy France 23:05    How the Left rallied to Goldman's side27:10     Tensions around race and policing in France29:58    The role of the investigating magistrate in France   32:22    The verdict and aftermath 38:55    French courtroom dramas40:42    Evolving discussion about France's history during World War II43:40   Studying comparative criminal justice through filmFurther reading:Goldman, Pierre, Dim Memories of a Polish Jew Born in France (1977) Oltermann, Philip, “Tried for double murder and adored by the French left: the violent life and crimes of Pierre Goldman,” The Guardian (Sept. 16, 2024)Paxton, Robert O., Vichy France: Old Guard and New Order, 1940-1944 (1972)Marrus, Michael, R. & Paxton, Robert O., Vichy France and the Jews (1981)Reid, Donald, “From Souvenirs obscurs to Lieu de mémorie,” French Politics,Culture & Society, vol. 26, no. 2 (Summer 2008)Vincendeau, Ginette, “The Goldman Case: arresting courtroom drama holds its own outside a French context,” Sight and Sound (Sept. 20, 2024) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

Julia Carrie Wong joined the show to discuss her recent exploring comparisons between today's Democratic Party and Vichy France: a short-lived rump state that capitulated to the German Nazi party in WWII. You can read Julia's article here: Capitulating to Trump: why people are warning about ‘Vichy' America.In the wake of recent political events, the trio would also like to encourage those who are able to consider making a donation to The Trevor Project, which fights for the safety and dignity of LGBTQ+ youth. (Click here to donate) This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit postthroughit.substack.com

THIS WEEK! We take a look at France under the Vichy goverment of 1940-1944. We begin with a look at the Third Republic, and The Inter War Years, to the Vichy takeover by Marshal Philippe Petain. And what was life like in Vichy France? How did people resist Vichy? and did the Vichy really stand up against the Germans? Find out more this week on "Well That Aged Well", With "Erlend Hedegart". Support this show http://supporter.acast.com/well-that-aged-well. Hosted on Acast. See acast.com/privacy for more information.

As war breaks out across the continent, Denmark, the Netherlands, and Belgium fall in quick succession, while France—once confident—stumbles due to its military's outdated doctrine, strategic blunders, and insufficient materiel and communications equipment. The victorious left of the late 1930s disintegrates after the Soviet Union orders the French Communist Party (PCF) to oppose the war, following the Molotov-Ribbentrop Pact between Hitler and Stalin.As the war rages on, some on the right grow eager to surrender, realizing their beliefs were not so different from Hitler's. Meanwhile, Churchill, despite failing to sufficiently support the French war effort, urges the French to resort to urban warfare—a strategy that would likely reduce Paris to rubble. As the government flees Paris, moving southward to Orléans, then Tours, and eventually Bordeaux, the newly appointed right-wing Prime Minister, Marshal Philippe Pétain, announces to the French people that an agreement has been reached with Nazi Germany.This marks the beginning of what would become known as Vichy France—a collaborationist, authoritarian regime. In October 1940, Vichy France codifies anti-Semitism into law, under the so-called "Decree-law on the status of Jews". Stay tuned for our eventual series on Vichy France.We would like to thank Sam for joining us these past few episodes and encourage you to check out his Substack: Political Risk Dispatches (turnbaugh.substack.com).If you like the show, please share it with your friends and collegues!

Craig and Gaurav cover the Race to Tunisia and Battle of Kasserine Pass during the North Africa Campaign In November 1942, following the Darlan Deal, Hitler ordered the occupation of Vichy France and Corsica. Resistance was minimal, but in Toulon, the French scuttled their fleet, destroying 77 ships to prevent Axis capture. In Tunisia, Axis forces established beachheads, while Allies, led by British Lt. Gen. Kenneth Anderson, pushed to preempt Axis reinforcements. The Allies advanced through strategic ports and airfields, engaging in intense skirmishes but facing stiff Axis resistance and Luftwaffe attacks. The Allies eventually stalled in battles like Djedeida, suffering losses from Tiger tanks and counterattacks by German Panzers. By December, fresh reinforcements on both sides set the stage for further battles. With Field Marshal Rommel's forces now retreating from Tripoli, Axis troops launched offensives like Operation Eilbote I, aiming to safeguard supply lines and control strategic passes, while the Allies regrouped and reinforced. In February 1943, the Axis offensive culminated in the Battle of Kasserine Pass. Axis forces, bolstered by German and Italian units, launched devastating assaults, routing the Allies and inflicting heavy losses in men and equipment. U.S. forces, notably unprepared, struggled to contain the attack but managed a defensive line near Thala and Tébessa with British assistance. The Kasserine debacle underscored Allied command failures, leading Eisenhower to restructure leadership. Generals Alexander and Patton assumed control, initiating reforms that set the Allies on a path to eventual success in North Africa.

After the Nazi invasion of France in 1940, the French were forced to sign a lopsided armistice that gave control over most of the country to Germany.  However, about 40% of Frace was not occupied by the Germans. It was controlled by a French government that came to power after the invasion and collaborated with and sided with Germany.  The government ruled much of France for four years until the Allied invasion of France, and after liberation, the collaborators paid the price. Learn more about Vichy France and the governing of France during the Second World War on this episode of Everything Everywhere Daily. Sponsors Sign up at butcherbox.com/daily and use code daily to get chicken breast, salmon or ground beef FREE in every order for a year plus $20 off your first order! Subscribe to the podcast!  https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Charles Daniel Associate Producers: Ben Long & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

     This week- a pair of films starring the late French icon Alain Delon.     Tom Ripley has been sent to Italy to retrieve Phillippe Greenleaf, son of a wealth San Francisco family. Phillippe has no intention of returning home, especially if it means leaving behind his fiancée, Marge. He soon grows cruel and abusive to the always fawning Tom. But Tom Ripley has ideas and plans of his own. The first film adaption of the original book Patricia Highsmith's classic novel series, Purple Noon (original title: Plein soleil).     A Gentile art dealer in Vichy France is mistaken from a Jewish man with the same name. Robert Klein's wealthy and secure life is thrown into a paranoid mystery as he tries desperately to both satisfy the authorities on his identity and find who put him in this position to begin with. A Kafkaesque film about obsession and identity, Monsieur Klein.     All that and Kevin is summoned with digital necromancy, Dave sees the bright lights big city, and Tyler sharpens his tongue for next week. Join us, won't you?   Episode 375- Ice-Cold Angel

The dramatic quarrel between the leader of the Free French forces - Charles de Gaulle and Philippe Pétain - head of Vichy France, during the dark days of the 1940's, was in many ways a struggle for the very future of France. Joining Patrick to discuss what divided these two men, why they followed the paths they did, and also what they held in common, is leading historian on the subject Julian Jackson. If you have any thoughts or questions, you can send them to - podbattleground@gmail.com Producer: James Hodgson X (Twitter): @PodBattleground Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sam Harris and Anne Applebaum discuss the nature of modern autocracies and how democracies fail. They discuss the power of ideas, why autocracies seek to undermine democracies, cooperation among dictators, how Western financial experts and investors have enabled autocracies, how Putin came to power, the failure of engagement and investment to create political change, what's at stake in the war in Ukraine, Trump's charisma, the current symptoms of American democratic decline, the ideologues around Trump, the hollowing out of institutions, how things might unravel in America, anti-liberal tendencies in American politics, the role of social media, the different pathologies on the Left and Right, analogies to Vichy France, the weakness of the Democrats, the political effects of the assassination attempt on former President Trump, and other topics. If the Making Sense podcast logo in your player is BLACK, you can SUBSCRIBE to gain access to all full-length episodes at samharris.org/subscribe.

Share this episode: https://www.samharris.org/podcasts/making-sense-episodes/376-how-democracies-fail Sam Harris and Anne Applebaum discuss the nature of modern autocracies and how democracies fail. They discuss the power of ideas, why autocracies seek to undermine democracies, cooperation among dictators, how Western financial experts and investors have enabled autocracies, how Putin came to power, the failure of engagement and investment to create political change, what’s at stake in the war in Ukraine, Trump’s charisma, the current symptoms of American democratic decline, the ideologues around Trump, the hollowing out of institutions, how things might unravel in America, anti-liberal tendencies in American politics, the role of social media, the different pathologies on the Left and Right, analogies to Vichy France, the weakness of the Democrats, the political effects of the assassination attempt on former President Trump, and other topics. Anne Applebaum is a historian, journalist, and staff writer at The Atlantic. She was a columnist for The Washington Post for 17 years. She is the author of five critically acclaimed books: Twilight of Democracy, Red Famine, Iron Curtain, Between East and West, and Gulag, for which she won the Pulitzer Prize. She divides her time between Poland, where her husband is foreign minister, and Washington D.C. Her newest book is Autocracy, Inc.: The Dictators Who Want to Run the World. Website: anneapplebaum.com Twitter: @anneapplebaum

Karine Varley's book Vichy's Double Bind: French Collaboration between Hitler and Mussolini during the Second World War (Cambridge UP, 2023) advances a significant new interpretation of French collaboration during the Second World War. Arguing that the path to collaboration involved not merely Nazi Germany but Fascist Italy, it suggests that the Vichy French government was caught in a double bind. On the one hand, many of the threats to France's territory, colonial empire and power came from Rome as well as Berlin. On the other, Vichy was caught between the irreconcilable yet inescapable positions of the two Axis governments. Unable to resolve the conflict, Vichy sought to play the two Axis powers against each other.  By exploring French dealings with Italy at diplomatic, military and local levels in France and its colonial empire, Double Bind reveals the multi-dimensional and multi-directional nature of Vichy's policy. It therefore challenges many enduring conceptions of collaboration with reference to Franco-German relations and offers a fresh perspective on debates about Vichy France and collaboration with Nazi Germany and Fascist Italy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Karine Varley's book Vichy's Double Bind: French Collaboration between Hitler and Mussolini during the Second World War (Cambridge UP, 2023) advances a significant new interpretation of French collaboration during the Second World War. Arguing that the path to collaboration involved not merely Nazi Germany but Fascist Italy, it suggests that the Vichy French government was caught in a double bind. On the one hand, many of the threats to France's territory, colonial empire and power came from Rome as well as Berlin. On the other, Vichy was caught between the irreconcilable yet inescapable positions of the two Axis governments. Unable to resolve the conflict, Vichy sought to play the two Axis powers against each other.  By exploring French dealings with Italy at diplomatic, military and local levels in France and its colonial empire, Double Bind reveals the multi-dimensional and multi-directional nature of Vichy's policy. It therefore challenges many enduring conceptions of collaboration with reference to Franco-German relations and offers a fresh perspective on debates about Vichy France and collaboration with Nazi Germany and Fascist Italy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Karine Varley's book Vichy's Double Bind: French Collaboration between Hitler and Mussolini during the Second World War (Cambridge UP, 2023) advances a significant new interpretation of French collaboration during the Second World War. Arguing that the path to collaboration involved not merely Nazi Germany but Fascist Italy, it suggests that the Vichy French government was caught in a double bind. On the one hand, many of the threats to France's territory, colonial empire and power came from Rome as well as Berlin. On the other, Vichy was caught between the irreconcilable yet inescapable positions of the two Axis governments. Unable to resolve the conflict, Vichy sought to play the two Axis powers against each other.  By exploring French dealings with Italy at diplomatic, military and local levels in France and its colonial empire, Double Bind reveals the multi-dimensional and multi-directional nature of Vichy's policy. It therefore challenges many enduring conceptions of collaboration with reference to Franco-German relations and offers a fresh perspective on debates about Vichy France and collaboration with Nazi Germany and Fascist Italy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Karine Varley's book Vichy's Double Bind: French Collaboration between Hitler and Mussolini during the Second World War (Cambridge UP, 2023) advances a significant new interpretation of French collaboration during the Second World War. Arguing that the path to collaboration involved not merely Nazi Germany but Fascist Italy, it suggests that the Vichy French government was caught in a double bind. On the one hand, many of the threats to France's territory, colonial empire and power came from Rome as well as Berlin. On the other, Vichy was caught between the irreconcilable yet inescapable positions of the two Axis governments. Unable to resolve the conflict, Vichy sought to play the two Axis powers against each other.  By exploring French dealings with Italy at diplomatic, military and local levels in France and its colonial empire, Double Bind reveals the multi-dimensional and multi-directional nature of Vichy's policy. It therefore challenges many enduring conceptions of collaboration with reference to Franco-German relations and offers a fresh perspective on debates about Vichy France and collaboration with Nazi Germany and Fascist Italy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Karine Varley's book Vichy's Double Bind: French Collaboration between Hitler and Mussolini during the Second World War (Cambridge UP, 2023) advances a significant new interpretation of French collaboration during the Second World War. Arguing that the path to collaboration involved not merely Nazi Germany but Fascist Italy, it suggests that the Vichy French government was caught in a double bind. On the one hand, many of the threats to France's territory, colonial empire and power came from Rome as well as Berlin. On the other, Vichy was caught between the irreconcilable yet inescapable positions of the two Axis governments. Unable to resolve the conflict, Vichy sought to play the two Axis powers against each other.  By exploring French dealings with Italy at diplomatic, military and local levels in France and its colonial empire, Double Bind reveals the multi-dimensional and multi-directional nature of Vichy's policy. It therefore challenges many enduring conceptions of collaboration with reference to Franco-German relations and offers a fresh perspective on debates about Vichy France and collaboration with Nazi Germany and Fascist Italy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Karine Varley's book Vichy's Double Bind: French Collaboration between Hitler and Mussolini during the Second World War (Cambridge UP, 2023) advances a significant new interpretation of French collaboration during the Second World War. Arguing that the path to collaboration involved not merely Nazi Germany but Fascist Italy, it suggests that the Vichy French government was caught in a double bind. On the one hand, many of the threats to France's territory, colonial empire and power came from Rome as well as Berlin. On the other, Vichy was caught between the irreconcilable yet inescapable positions of the two Axis governments. Unable to resolve the conflict, Vichy sought to play the two Axis powers against each other.  By exploring French dealings with Italy at diplomatic, military and local levels in France and its colonial empire, Double Bind reveals the multi-dimensional and multi-directional nature of Vichy's policy. It therefore challenges many enduring conceptions of collaboration with reference to Franco-German relations and offers a fresh perspective on debates about Vichy France and collaboration with Nazi Germany and Fascist Italy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Karine Varley's book Vichy's Double Bind: French Collaboration between Hitler and Mussolini during the Second World War (Cambridge UP, 2023) advances a significant new interpretation of French collaboration during the Second World War. Arguing that the path to collaboration involved not merely Nazi Germany but Fascist Italy, it suggests that the Vichy French government was caught in a double bind. On the one hand, many of the threats to France's territory, colonial empire and power came from Rome as well as Berlin. On the other, Vichy was caught between the irreconcilable yet inescapable positions of the two Axis governments. Unable to resolve the conflict, Vichy sought to play the two Axis powers against each other.  By exploring French dealings with Italy at diplomatic, military and local levels in France and its colonial empire, Double Bind reveals the multi-dimensional and multi-directional nature of Vichy's policy. It therefore challenges many enduring conceptions of collaboration with reference to Franco-German relations and offers a fresh perspective on debates about Vichy France and collaboration with Nazi Germany and Fascist Italy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Karine Varley's book Vichy's Double Bind: French Collaboration between Hitler and Mussolini during the Second World War (Cambridge UP, 2023) advances a significant new interpretation of French collaboration during the Second World War. Arguing that the path to collaboration involved not merely Nazi Germany but Fascist Italy, it suggests that the Vichy French government was caught in a double bind. On the one hand, many of the threats to France's territory, colonial empire and power came from Rome as well as Berlin. On the other, Vichy was caught between the irreconcilable yet inescapable positions of the two Axis governments. Unable to resolve the conflict, Vichy sought to play the two Axis powers against each other.  By exploring French dealings with Italy at diplomatic, military and local levels in France and its colonial empire, Double Bind reveals the multi-dimensional and multi-directional nature of Vichy's policy. It therefore challenges many enduring conceptions of collaboration with reference to Franco-German relations and offers a fresh perspective on debates about Vichy France and collaboration with Nazi Germany and Fascist Italy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the PoliticsJOE Podcast.Oli, Ed, and Ava analyse the pledges made in the Green Party manifesto - as well as questioning if Vichy France was an afters and the viability of nuclear deterrence theory. Presenters: Oli Dugmore, Ava Santina, and Ed CampbellProducer: Laura BeveridgeSting design: Chris WhiteProduction: Seán Hickey and Shawnee Linstead Hosted on Acast. See acast.com/privacy for more information.

On this day in 1942, French General Henri Giraud made a daring escape from a Nazi stronghold in Saxony, Germany. See omnystudio.com/listener for privacy information.

In this episode hosts Colin and J delve deep into the pivotal events leading to the fall of the French Third Republic, offering a comprehensive analysis that connects historical dots to the present-day challenges. Through their engaging dialogue, they explore themes of appeasement, internal political strife, and the impact of liberalization, drawing parallels between the past and current global political landscapes. This episode not only serves as a critical examination of a significant historical period but also underscores the importance of understanding history to navigate today's complex political environment. Key discussions include the strategic missteps before World War II, the rise of Vichy France, and the broader implications for democracy and national identity, making it a must-listen for history buffs, educators, and anyone keen to improve their understanding of historical literacy and its relevance to contemporary issues. --- Support this podcast: https://podcasters.spotify.com/pod/show/theloinsofhistory/support

We head back to good old Hollywood, USA: Golden Era for a look at one of the most beloved American films of all time, 1942's Casablanca.  You hear this all the time about old, black-and-white movies, but this thing feels incredibly modern, and with much to say about the world of 2024. We discuss our personal histories with it, Matt's story of getting into classiv movies after watching it for the first time as a teenager, what audiences would have understood watching the movie in the 1940s that we might not understand now, and, of course, that beautiful friendship between that scoundrel Rick Blaine and that scamp Louis Renault.  Next week: It's a Listener's Choice selection of Robin Hood: Prince of Thieves (1991)!  Watch full-video episodes of Load Bearing Beams on our YouTube channel.   Time stamps: 00:11:35 — Our personal histories with Casablanca 00:28:01 — History segment: The Second World War, Vichy France, and American neutrality in the early 1940s; the development and production of Casablanca  00:43:33 — In-depth movie discussion 01:33:41 — Final thoughts and star ratings   Source: Inside Warner Bros. (1935-1951) by Rudy Behlmer   Artwork by Laci Roth.  Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).    Songs by Rural Route Nine in this episode:  “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ

Episode 171 looks at "Hey Jude", the White Album, and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on "I Love You" by People!. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata Not really an error, but at one point I refer to Ornette Coleman as a saxophonist. While he was, he plays trumpet on the track that is excerpted after that. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. This time I also used Steve Turner's The Beatles: The Stories Behind the Songs 1967-1970. I referred to Philip Norman's biographies of John Lennon, George Harrison, and Paul McCartney, to Graeme Thomson's biography of George Harrison, Take a Sad Song by James Campion, Yoko Ono: An Artful Life by Donald Brackett, Those Were the Days 2.0 by Stephan Granados, and Sound Pictures by Kenneth Womack. Sadly the only way to get the single mix of “Hey Jude” is on this ludicrously-expensive out-of-print box set, but a remixed stereo mix is easily available on the new reissue of the 1967-70 compilation. The original mixes of the White Album are also, shockingly, out of print, but this 2018 remix is available for the moment. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a quick note -- this episode deals, among other topics, with child abandonment, spousal neglect, suicide attempts, miscarriage, rape accusations, and heroin addiction. If any of those topics are likely to upset you, you might want to check the transcript rather than listening to this episode. It also, for once, contains a short excerpt of an expletive, but given that that expletive in that context has been regularly played on daytime radio without complaint for over fifty years, I suspect it can be excused. The use of mantra meditation is something that exists across religions, and which appears to have been independently invented multiple times, in multiple cultures. In the Western culture to which most of my listeners belong, it is now best known as an aspect of what is known as "mindfulness", a secularised version of Buddhism which aims to provide adherents with the benefits of the teachings of the Buddha but without the cosmology to which they are attached. But it turns up in almost every religious tradition I know of in one form or another. The idea of mantra meditation is a very simple one, and one that even has some basis in science. There is a mathematical principle in neurology and information science called the free energy principle which says our brains are wired to try to minimise how surprised we are --  our brain is constantly making predictions about the world, and then looking at the results from our senses to see if they match. If they do, that's great, and the brain will happily move on to its next prediction. If they don't, the brain has to update its model of the world to match the new information, make new predictions, and see if those new predictions are a better match. Every person has a different mental model of the world, and none of them match reality, but every brain tries to get as close as possible. This updating of the model to match the new information is called "thinking", and it uses up energy, and our bodies and brains have evolved to conserve energy as much as possible. This means that for many people, most of the time, thinking is unpleasant, and indeed much of the time that people have spent thinking, they've been thinking about how to stop themselves having to do it at all, and when they have managed to stop thinking, however briefly, they've experienced great bliss. Many more or less effective technologies have been created to bring about a more minimal-energy state, including alcohol, heroin, and barbituates, but many of these have unwanted side-effects, such as death, which people also tend to want to avoid, and so people have often turned to another technology. It turns out that for many people, they can avoid thinking by simply thinking about something that is utterly predictable. If they minimise the amount of sensory input, and concentrate on something that they can predict exactly, eventually they can turn off their mind, relax, and float downstream, without dying. One easy way to do this is to close your eyes, so you can't see anything, make your breath as regular as possible, and then concentrate on a sound that repeats over and over.  If you repeat a single phrase or word a few hundred times, that regular repetition eventually causes your mind to stop having to keep track of the world, and experience a peace that is, by all accounts, unlike any other experience. What word or phrase that is can depend very much on the tradition. In Transcendental Meditation, each person has their own individual phrase. In the Catholicism in which George Harrison and Paul McCartney were raised, popular phrases for this are "Lord Jesus Christ, Son of God, have mercy on me, a sinner" or "Hail, Mary, full of grace, the Lord is with you; blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." In some branches of Buddhism, a popular mantra is "_NAMU MYŌHŌ RENGE KYŌ_". In the Hinduism to which George Harrison later converted, you can use "Hare Krishna Hare Krishna, Krishna Krishna Hare Hare, Hare Rama Hare Rama, Rama Rama Hare Hare", "Om Namo Bhagavate Vāsudevāya" or "Om Gam Ganapataye Namaha". Those last two start with the syllable "Om", and indeed some people prefer to just use that syllable, repeating a single syllable over and over again until they reach a state of transcendence. [Excerpt: The Beatles, "Hey Jude" ("na na na na na na na")] We don't know much about how the Beatles first discovered Maharishi Mahesh Yogi, except that it was thanks to Pattie Boyd, George Harrison's then-wife. Unfortunately, her memory of how she first became involved in the Maharishi's Spiritual Regeneration Movement, as described in her autobiography, doesn't fully line up with other known facts. She talks about reading about the Maharishi in the paper with her friend Marie-Lise while George was away on tour, but she also places the date that this happened in February 1967, several months after the Beatles had stopped touring forever. We'll be seeing a lot more of these timing discrepancies as this story progresses, and people's memories increasingly don't match the events that happened to them. Either way, it's clear that Pattie became involved in the Spiritual Regeneration Movement a good length of time before her husband did. She got him to go along with her to one of the Maharishi's lectures, after she had already been converted to the practice of Transcendental Meditation, and they brought along John, Paul, and their partners (Ringo's wife Maureen had just given birth, so they didn't come). As we heard back in episode one hundred and fifty, that lecture was impressive enough that the group, plus their wives and girlfriends (with the exception of Maureen Starkey) and Mick Jagger and Marianne Faithfull, all went on a meditation retreat with the Maharishi at a holiday camp in Bangor, and it was there that they learned that Brian Epstein had been found dead. The death of the man who had guided the group's career could not have come at a worse time for the band's stability.  The group had only recorded one song in the preceding two months -- Paul's "Your Mother Should Know" -- and had basically been running on fumes since completing recording of Sgt Pepper many months earlier. John's drug intake had increased to the point that he was barely functional -- although with the enthusiasm of the newly converted he had decided to swear off LSD at the Maharishi's urging -- and his marriage was falling apart. Similarly, Paul McCartney's relationship with Jane Asher was in a bad state, though both men were trying to repair their damaged relationships, while both George and Ringo were having doubts about the band that had made them famous. In George's case, he was feeling marginalised by John and Paul, his songs ignored or paid cursory attention, and there was less for him to do on the records as the group moved away from making guitar-based rock and roll music into the stranger areas of psychedelia. And Ringo, whose main memory of the recording of Sgt Pepper was of learning to play chess while the others went through the extensive overdubs that characterised that album, was starting to feel like his playing was deteriorating, and that as the only non-writer in the band he was on the outside to an extent. On top of that, the group were in the middle of a major plan to restructure their business. As part of their contract renegotiations with EMI at the beginning of 1967, it had been agreed that they would receive two million pounds -- roughly fifteen million pounds in today's money -- in unpaid royalties as a lump sum. If that had been paid to them as individuals, or through the company they owned, the Beatles Ltd, they would have had to pay the full top rate of tax on it, which as George had complained the previous year was over ninety-five percent. (In fact, he'd been slightly exaggerating the generosity of the UK tax system to the rich, as at that point the top rate of income tax was somewhere around ninety-seven and a half percent). But happily for them, a couple of years earlier the UK had restructured its tax laws and introduced a corporation tax, which meant that the profits of corporations were no longer taxed at the same high rate as income. So a new company had been set up, The Beatles & Co, and all the group's non-songwriting income was paid into the company. Each Beatle owned five percent of the company, and the other eighty percent was owned by a new partnership, a corporation that was soon renamed Apple Corps -- a name inspired by a painting that McCartney had liked by the artist Rene Magritte. In the early stages of Apple, it was very entangled with Nems, the company that was owned by Brian and Clive Epstein, and which was in the process of being sold to Robert Stigwood, though that sale fell through after Brian's death. The first part of Apple, Apple Publishing, had been set up in the summer of 1967, and was run by Terry Doran, a friend of Epstein's who ran a motor dealership -- most of the Apple divisions would be run by friends of the group rather than by people with experience in the industries in question. As Apple was set up during the point that Stigwood was getting involved with NEMS, Apple Publishing's initial offices were in the same building with, and shared staff with, two publishing companies that Stigwood owned, Dratleaf Music, who published Cream's songs, and Abigail Music, the Bee Gees' publishers. And indeed the first two songs published by Apple were copyrights that were gifted to the company by Stigwood -- "Listen to the Sky", a B-side by an obscure band called Sands: [Excerpt: Sands, "Listen to the Sky"] And "Outside Woman Blues", an arrangement by Eric Clapton of an old blues song by Blind Joe Reynolds, which Cream had copyrighted separately and released on Disraeli Gears: [Excerpt: Cream, "Outside Woman Blues"] But Apple soon started signing outside songwriters -- once Mike Berry, a member of Apple Publishing's staff, had sat McCartney down and explained to him what music publishing actually was, something he had never actually understood even though he'd been a songwriter for five years. Those songwriters, given that this was 1967, were often also performers, and as Apple Records had not yet been set up, Apple would try to arrange recording contracts for them with other labels. They started with a group called Focal Point, who got signed by badgering Paul McCartney to listen to their songs until he gave them Doran's phone number to shut them up: [Excerpt: Focal Point, "Sycamore Sid"] But the big early hope for Apple Publishing was a songwriter called George Alexander. Alexander's birth name had been Alexander Young, and he was the brother of George Young, who was a member of the Australian beat group The Easybeats, who'd had a hit with "Friday on My Mind": [Excerpt: The Easybeats, "Friday on My Mind"] His younger brothers Malcolm and Angus would go on to have a few hits themselves, but AC/DC wouldn't be formed for another five years. Terry Doran thought that Alexander should be a member of a band, because bands were more popular than solo artists at the time, and so he was placed with three former members of Tony Rivers and the Castaways, a Beach Boys soundalike group that had had some minor success. John Lennon suggested that the group be named Grapefruit, after a book he was reading by a conceptual artist of his acquaintance named Yoko Ono, and as Doran was making arrangements with Terry Melcher for a reciprocal publishing deal by which Melcher's American company would publish Apple songs in the US while Apple published songs from Melcher's company in the UK, it made sense for Melcher to also produce Grapefruit's first single, "Dear Delilah": [Excerpt: Grapefruit, "Dear Delilah"] That made number twenty-one in the UK when it came out in early 1968, on the back of publicity about Grapefruit's connection with the Beatles, but future singles by the band were much less successful, and like several other acts involved with Apple, they found that they were more hampered by the Beatles connection than helped. A few other people were signed to Apple Publishing early on, of whom the most notable was Jackie Lomax. Lomax had been a member of a minor Merseybeat group, the Undertakers, and after they had split up, he'd been signed by Brian Epstein with a new group, the Lomax Alliance, who had released one single, "Try as You May": [Excerpt: The Lomax Alliance, "Try As You May"] After Epstein's death, Lomax had plans to join another band, being formed by another Merseybeat musician, Chris Curtis, the former drummer of the Searchers. But after going to the Beatles to talk with them about them helping the new group financially, Lomax was persuaded by John Lennon to go solo instead. He may later have regretted that decision, as by early 1968 the people that Curtis had recruited for his new band had ditched him and were making a name for themselves as Deep Purple. Lomax recorded one solo single with funding from Stigwood, a cover version of a song by an obscure singer-songwriter, Jake Holmes, "Genuine Imitation Life": [Excerpt: Jackie Lomax, "Genuine Imitation Life"] But he was also signed to Apple Publishing as a songwriter. The Beatles had only just started laying out plans for Apple when Epstein died, and other than the publishing company one of the few things they'd agreed on was that they were going to have a film company, which was to be run by Denis O'Dell, who had been an associate producer on A Hard Day's Night and on How I Won The War, the Richard Lester film Lennon had recently starred in. A few days after Epstein's death, they had a meeting, in which they agreed that the band needed to move forward quickly if they were going to recover from Epstein's death. They had originally been planning on going to India with the Maharishi to study meditation, but they decided to put that off until the new year, and to press forward with a film project Paul had been talking about, to be titled Magical Mystery Tour. And so, on the fifth of September 1967, they went back into the recording studio and started work on a song of John's that was earmarked for the film, "I am the Walrus": [Excerpt: The Beatles, "I am the Walrus"] Magical Mystery Tour, the film, has a mixed reputation which we will talk about shortly, but one defence that Paul McCartney has always made of it is that it's the only place where you can see the Beatles performing "I am the Walrus". While the song was eventually relegated to a B-side, it's possibly the finest B-side of the Beatles' career, and one of the best tracks the group ever made. As with many of Lennon's songs from this period, the song was a collage of many different elements pulled from his environment and surroundings, and turned into something that was rather more than the sum of its parts. For its musical inspiration, Lennon pulled from, of all things, a police siren going past his house. (For those who are unfamiliar with what old British police sirens sounded like, as opposed to the ones in use for most of my lifetime or in other countries, here's a recording of one): [Excerpt: British police siren ca 1968] That inspired Lennon to write a snatch of lyric to go with the sound of the siren, starting "Mister city policeman sitting pretty". He had two other song fragments, one about sitting in the garden, and one about sitting on a cornflake, and he told Hunter Davies, who was doing interviews for his authorised biography of the group, “I don't know how it will all end up. Perhaps they'll turn out to be different parts of the same song.” But the final element that made these three disparate sections into a song was a letter that came from Stephen Bayley, a pupil at Lennon's old school Quarry Bank, who told him that the teachers at the school -- who Lennon always thought of as having suppressed his creativity -- were now analysing Beatles lyrics in their lessons. Lennon decided to come up with some nonsense that they couldn't analyse -- though as nonsensical as the finished song is, there's an underlying anger to a lot of it that possibly comes from Lennon thinking of his school experiences. And so Lennon asked his old schoolfriend Pete Shotton to remind him of a disgusting playground chant that kids used to sing in schools in the North West of England (and which they still sang with very minor variations at my own school decades later -- childhood folklore has a remarkably long life). That rhyme went: Yellow matter custard, green snot pie All mixed up with a dead dog's eye Slap it on a butty, nice and thick, And drink it down with a cup of cold sick Lennon combined some parts of this with half-remembered fragments of Lewis Carrol's The Walrus and the Carpenter, and with some punning references to things that were going on in his own life and those of his friends -- though it's difficult to know exactly which of the stories attached to some of the more incomprehensible bits of the lyrics are accurate. The story that the line "I am the eggman" is about a sexual proclivity of Eric Burdon of the Animals seems plausible, while the contention by some that the phrase "semolina pilchard" is a reference to Sgt Pilcher, the corrupt policeman who had arrested three of the Rolling Stones, and would later arrest Lennon, on drugs charges, seems less likely. The track is a masterpiece of production, but the release of the basic take on Anthology 2 in 1996 showed that the underlying performance, before George Martin worked his magic with the overdubs, is still a remarkable piece of work: [Excerpt: The Beatles, "I am the Walrus (Anthology 2 version)"] But Martin's arrangement and production turned the track from a merely very good track into a masterpiece. The string arrangement, very much in the same mould as that for "Strawberry Fields Forever" but giving a very different effect with its harsh cello glissandi, is the kind of thing one expects from Martin, but there's also the chanting of the Mike Sammes Singers, who were more normally booked for sessions like Englebert Humperdinck's "The Last Waltz": [Excerpt: Engelbert Humperdinck, "The Last Waltz"] But here were instead asked to imitate the sound of the strings, make grunting noises, and generally go very far out of their normal comfort zone: [Excerpt: The Beatles, "I am the Walrus"] But the most fascinating piece of production in the entire track is an idea that seems to have been inspired by people like John Cage -- a live feed of a radio being tuned was played into the mono mix from about the halfway point, and whatever was on the radio at the time was captured: [Excerpt: The Beatles, "I am the Walrus"] This is also why for many decades it was impossible to have a true stereo mix of the track -- the radio part was mixed directly into the mono mix, and it wasn't until the 1990s that someone thought to track down a copy of the original radio broadcasts and recreate the process. In one of those bits of synchronicity that happen more often than you would think when you're creating aleatory art, and which are why that kind of process can be so appealing, one bit of dialogue from the broadcast of King Lear that was on the radio as the mixing was happening was *perfectly* timed: [Excerpt: The Beatles, "I am the Walrus"] After completing work on the basic track for "I am the Walrus", the group worked on two more songs for the film, George's "Blue Jay Way" and a group-composed twelve-bar blues instrumental called "Flying", before starting production. Magical Mystery Tour, as an idea, was inspired in equal parts by Ken Kesey's Merry Pranksters, the collective of people we talked about in the episode on the Grateful Dead who travelled across the US extolling the virtues of psychedelic drugs, and by mystery tours, a British working-class tradition that has rather fallen out of fashion in the intervening decades. A mystery tour would generally be put on by a coach-hire company, and would be a day trip to an unannounced location -- though the location would in fact be very predictable, and would be a seaside town within a couple of hours' drive of its starting point. In the case of the ones the Beatles remembered from their own childhoods, this would be to a coastal town in Lancashire or Wales, like Blackpool, Rhyl, or Prestatyn. A coachload of people would pay to be driven to this random location, get very drunk and have a singsong on the bus, and spend a day wherever they were taken. McCartney's plan was simple -- they would gather a group of passengers and replicate this experience over the course of several days, and film whatever went on, but intersperse that with more planned out sketches and musical numbers. For this reason, along with the Beatles and their associates, the cast included some actors found through Spotlight and some of the group's favourite performers, like the comedian Nat Jackley (whose comedy sequence directed by John was cut from the final film) and the surrealist poet/singer/comedian Ivor Cutler: [Excerpt: Ivor Cutler, "I'm Going in a Field"] The film also featured an appearance by a new band who would go on to have great success over the next year, the Bonzo Dog Doo-Dah Band. They had recorded their first single in Abbey Road at the same time as the Beatles were recording Revolver, but rather than being progressive psychedelic rock, it had been a remake of a 1920s novelty song: [Excerpt: The Bonzo Dog Doo-Dah Band, "My Brother Makes the Noises For the Talkies"] Their performance in Magical Mystery Tour was very different though -- they played a fifties rock pastiche written by band leaders Vivian Stanshall and Neil Innes while a stripper took off her clothes. While several other musical sequences were recorded for the film, including one by the band Traffic and one by Cutler, other than the Beatles tracks only the Bonzos' song made it into the finished film: [Excerpt: The Bonzo Dog Doo-Dah Band, "Death Cab for Cutie"] That song, thirty years later, would give its name to a prominent American alternative rock band. Incidentally the same night that Magical Mystery Tour was first broadcast was also the night that the Bonzo Dog Doo-Dah Band first appeared on a TV show, Do Not Adjust Your Set, which featured three future members of the Monty Python troupe -- Eric Idle, Michael Palin, and Terry Jones. Over the years the careers of the Bonzos, the Pythons, and the Beatles would become increasingly intertwined, with George Harrison in particular striking up strong friendships and working relationships with Bonzos Neil Innes and "Legs" Larry Smith. The filming of Magical Mystery Tour went about as well as one might expect from a film made by four directors, none of whom had any previous filmmaking experience, and none of whom had any business knowledge. The Beatles were used to just turning up and having things magically done for them by other people, and had no real idea of the infrastructure challenges that making a film, even a low-budget one, actually presents, and ended up causing a great deal of stress to almost everyone involved. The completed film was shown on TV on Boxing Day 1967 to general confusion and bemusement. It didn't help that it was originally broadcast in black and white, and so for example the scene showing shifting landscapes (outtake footage from Stanley Kubrick's Dr. Strangelove, tinted various psychedelic colours) over the "Flying" music, just looked like grey fuzz. But also, it just wasn't what people were expecting from a Beatles film. This was a ramshackle, plotless, thing more inspired by Andy Warhol's underground films than by the kind of thing the group had previously appeared in, and it was being presented as Christmas entertainment for all the family. And to be honest, it's not even a particularly good example of underground filmmaking -- though it looks like a masterpiece when placed next to something like the Bee Gees' similar effort, Cucumber Castle. But there are enough interesting sequences in there for the project not to be a complete failure -- and the deleted scenes on the DVD release, including the performances by Cutler and Traffic, and the fact that the film was edited down from ten hours to fifty-two minutes, makes one wonder if there's a better film that could be constructed from the original footage. Either way, the reaction to the film was so bad that McCartney actually appeared on David Frost's TV show the next day to defend it and, essentially, apologise. While they were editing the film, the group were also continuing to work in the studio, including on two new McCartney songs, "The Fool on the Hill", which was included in Magical Mystery Tour, and "Hello Goodbye", which wasn't included on the film's soundtrack but was released as the next single, with "I Am the Walrus" as the B-side: [Excerpt: The Beatles, "Hello Goodbye"] Incidentally, in the UK the soundtrack to Magical Mystery Tour was released as a double-EP rather than as an album (in the US, the group's recent singles and B-sides were added to turn it into a full-length album, which is how it's now generally available). "I Am the Walrus" was on the double-EP as well as being on the single's B-side, and the double-EP got to number two on the singles charts, meaning "I am the Walrus" was on the records at number one and number two at the same time. Before it became obvious that the film, if not the soundtrack, was a disaster, the group held a launch party on the twenty-first of December, 1967. The band members went along in fancy dress, as did many of the cast and crew -- the Bonzo Dog Doo-Dah Band performed at the party. Mike Love and Bruce Johnston of the Beach Boys also turned up at the party, and apparently at one point jammed with the Bonzos, and according to some, but not all, reports, a couple of the Beatles joined in as well. Love and Johnston had both just met the Maharishi for the first time a couple of days earlier, and Love had been as impressed as the Beatles were, and it may have been at this party that the group mentioned to Love that they would soon be going on a retreat in India with the guru -- a retreat that was normally meant for training TM instructors, but this time seemed to be more about getting celebrities involved. Love would also end up going with them. That party was also the first time that Cynthia Lennon had an inkling that John might not be as faithful to her as she previously supposed. John had always "joked" about being attracted to George Harrison's wife, Patti, but this time he got a little more blatant about his attraction than he ever had previously, to the point that he made Cynthia cry, and Cynthia's friend, the pop star Lulu, decided to give Lennon a very public dressing-down for his cruelty to his wife, a dressing-down that must have been a sight to behold, as Lennon was dressed as a Teddy boy while Lulu was in a Shirley Temple costume. It's a sign of how bad the Lennons' marriage was at this point that this was the second time in a two-month period where Cynthia had ended up crying because of John at a film launch party and been comforted by a female pop star. In October, Cilla Black had held a party to celebrate the belated release of John's film How I Won the War, and during the party Georgie Fame had come up to Black and said, confused, "Cynthia Lennon is hiding in your wardrobe". Black went and had a look, and Cynthia explained to her “I'm waiting to see how long it is before John misses me and comes looking for me.” Black's response had been “You'd better face it, kid—he's never gonna come.” Also at the Magical Mystery Tour party was Lennon's father, now known as Freddie Lennon, and his new nineteen-year-old fiancee. While Hunter Davis had been researching the Beatles' biography, he'd come across some evidence that the version of Freddie's attitude towards John that his mother's side of the family had always told him -- that Freddie had been a cruel and uncaring husband who had not actually wanted to be around his son -- might not be the whole of the truth, and that the mother who he had thought of as saintly might also have had some part to play in their marriage breaking down and Freddie not seeing his son for twenty years. The two had made some tentative attempts at reconciliation, and indeed Freddie would even come and live with John for a while, though within a couple of years the younger Lennon's heart would fully harden against his father again. Of course, the things that John always resented his father for were pretty much exactly the kind of things that Lennon himself was about to do. It was around this time as well that Derek Taylor gave the Beatles copies of the debut album by a young singer/songwriter named Harry Nilsson. Nilsson will be getting his own episode down the line, but not for a couple of years at my current rates, so it's worth bringing that up here, because that album became a favourite of all the Beatles, and would have a huge influence on their songwriting for the next couple of years, and because one song on the album, "1941", must have resonated particularly deeply with Lennon right at this moment -- an autobiographical song by Nilsson about how his father had left him and his mother when he was a small boy, and about his own fear that, as his first marriage broke down, he was repeating the pattern with his stepson Scott: [Excerpt: Nilsson, "1941"] The other major event of December 1967, rather overshadowed by the Magical Mystery Tour disaster the next day, was that on Christmas Day Paul McCartney and Jane Asher announced their engagement. A few days later, George Harrison flew to India. After John and Paul had had their outside film projects -- John starring in How I Won The War and Paul doing the soundtrack for The Family Way -- the other two Beatles more or less simultaneously did their own side project films, and again one acted while the other did a soundtrack. Both of these projects were in the rather odd subgenre of psychedelic shambolic comedy film that sprang up in the mid sixties, a subgenre that produced a lot of fascinating films, though rather fewer good ones. Indeed, both of them were in the subsubgenre of shambolic psychedelic *sex* comedies. In Ringo's case, he had a small role in the film Candy, which was based on the novel we mentioned in the last episode, co-written by Terry Southern, which was in itself a loose modern rewriting of Voltaire's Candide. Unfortunately, like such other classics of this subgenre as Anthony Newley's Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Candy has dated *extremely* badly, and unless you find repeated scenes of sexual assault and rape, ethnic stereotypes, and jokes about deformity and disfigurement to be an absolute laugh riot, it's not a film that's worth seeking out, and Starr's part in it is not a major one. Harrison's film was of the same basic genre -- a film called Wonderwall about a mad scientist who discovers a way to see through the walls of his apartment, and gets to see a photographer taking sexy photographs of a young woman named Penny Lane, played by Jane Birkin: [Excerpt: Some Wonderwall film dialogue ripped from the Blu-Ray] Wonderwall would, of course, later inspire the title of a song by Oasis, and that's what the film is now best known for, but it's a less-unwatchable film than Candy, and while still problematic it's less so. Which is something. Harrison had been the Beatle with least involvement in Magical Mystery Tour -- McCartney had been the de facto director, Starr had been the lead character and the only one with much in the way of any acting to do, and Lennon had written the film's standout scene and its best song, and had done a little voiceover narration. Harrison, by contrast, barely has anything to do in the film apart from the one song he contributed, "Blue Jay Way", and he said of the project “I had no idea what was happening and maybe I didn't pay enough attention because my problem, basically, was that I was in another world, I didn't really belong; I was just an appendage.” He'd expressed his discomfort to his friend Joe Massot, who was about to make his first feature film. Massot had got to know Harrison during the making of his previous film, Reflections on Love, a mostly-silent short which had starred Harrison's sister-in-law Jenny Boyd, and which had been photographed by Robert Freeman, who had been the photographer for the Beatles' album covers from With the Beatles through Rubber Soul, and who had taken most of the photos that Klaus Voorman incorporated into the cover of Revolver (and whose professional association with the Beatles seemed to come to an end around the same time he discovered that Lennon had been having an affair with his wife). Massot asked Harrison to write the music for the film, and told Harrison he would have complete free rein to make whatever music he wanted, so long as it fit the timing of the film, and so Harrison decided to create a mixture of Western rock music and the Indian music he loved. Harrison started recording the music at the tail end of 1967, with sessions with several London-based Indian musicians and John Barham, an orchestrator who had worked with Ravi Shankar on Shankar's collaborations with Western musicians, including the Alice in Wonderland soundtrack we talked about in the "All You Need is Love" episode. For the Western music, he used the Remo Four, a Merseybeat group who had been on the scene even before the Beatles, and which contained a couple of classmates of Paul McCartney, but who had mostly acted as backing musicians for other artists. They'd backed Johnny Sandon, the former singer with the Searchers, on a couple of singles, before becoming the backing band for Tommy Quickly, a NEMS artist who was unsuccessful despite starting his career with a Lennon/McCartney song, "Tip of My Tongue": [Excerpt: Tommy Quickly, "Tip of My Tongue"] The Remo Four would later, after a lineup change, become Ashton, Gardner and Dyke, who would become one-hit wonders in the seventies, and during the Wonderwall sessions they recorded a song that went unreleased at the time, and which would later go on to be rerecorded by Ashton, Gardner, and Dyke. "In the First Place" also features Harrison on backing vocals and possibly guitar, and was not submitted for the film because Harrison didn't believe that Massot wanted any vocal tracks, but the recording was later discovered and used in a revised director's cut of the film in the nineties: [Excerpt: The Remo Four, "In the First Place"] But for the most part the Remo Four were performing instrumentals written by Harrison. They weren't the only Western musicians performing on the sessions though -- Peter Tork of the Monkees dropped by these sessions and recorded several short banjo solos, which were used in the film soundtrack but not in the soundtrack album (presumably because Tork was contracted to another label): [Excerpt: Peter Tork, "Wonderwall banjo solo"] Another musician who was under contract to another label was Eric Clapton, who at the time was playing with The Cream, and who vaguely knew Harrison and so joined in for the track "Ski-ing", playing lead guitar under the cunning, impenetrable, pseudonym "Eddie Clayton", with Harrison on sitar, Starr on drums, and session guitarist Big Jim Sullivan on bass: [Excerpt: George Harrison, "Ski-ing"] But the bulk of the album was recorded in EMI's studios in the city that is now known as Mumbai but at the time was called Bombay. The studio facilities in India had up to that point only had a mono tape recorder, and Bhaskar Menon, one of the top executives at EMI's Indian division and later the head of EMI music worldwide, personally brought the first stereo tape recorder to the studio to aid in Harrison's recording. The music was all composed by Harrison and performed by the Indian musicians, and while Harrison was composing in an Indian mode, the musicians were apparently fascinated by how Western it sounded to them: [Excerpt: George Harrison, "Microbes"] While he was there, Harrison also got the instrumentalists to record another instrumental track, which wasn't to be used for the film: [Excerpt: George Harrison, "The Inner Light (instrumental)"] That track would, instead, become part of what was to be Harrison's first composition to make a side of a Beatles single. After John and George had appeared on the David Frost show talking about the Maharishi, in September 1967, George had met a lecturer in Sanskrit named Juan Mascaró, who wrote to Harrison enclosing a book he'd compiled of translations of religious texts, telling him he'd admired "Within You Without You" and thought it would be interesting if Harrison set something from the Tao Te Ching to music. He suggested a text that, in his translation, read: "Without going out of my door I can know all things on Earth Without looking out of my window I can know the ways of heaven For the farther one travels, the less one knows The sage, therefore Arrives without travelling Sees all without looking Does all without doing" Harrison took that text almost verbatim, though he created a second verse by repeating the first few lines with "you" replacing "I" -- concerned that listeners might think he was just talking about himself, and wouldn't realise it was a more general statement -- and he removed the "the sage, therefore" and turned the last few lines into imperative commands rather than declarative statements: [Excerpt: The Beatles, "The Inner Light"] The song has come in for some criticism over the years as being a little Orientalist, because in critics' eyes it combines Chinese philosophy with Indian music, as if all these things are equally "Eastern" and so all the same really. On the other hand there's a good argument that an English songwriter taking a piece of writing written in Chinese and translated into English by a Spanish man and setting it to music inspired by Indian musical modes is a wonderful example of cultural cross-pollination. As someone who's neither Chinese nor Indian I wouldn't want to take a stance on it, but clearly the other Beatles were impressed by it -- they put it out as the B-side to their next single, even though the only Beatles on it are Harrison and McCartney, with the latter adding a small amount of harmony vocal: [Excerpt: The Beatles, "The Inner Light"] And it wasn't because the group were out of material. They were planning on going to Rishikesh to study with the Maharishi, and wanted to get a single out for release while they were away, and so in one week they completed the vocal overdubs on "The Inner Light" and recorded three other songs, two by John and one by Paul. All three of the group's songwriters brought in songs that were among their best. John's first contribution was a song whose lyrics he later described as possibly the best he ever wrote, "Across the Universe". He said the lyrics were “purely inspirational and were given to me as boom! I don't own it, you know; it came through like that … Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship, it wrote itself. It drove me out of bed. I didn't want to write it … It's like being possessed, like a psychic or a medium.” But while Lennon liked the song, he was never happy with the recording of it. They tried all sorts of things to get the sound he heard in his head, including bringing in some fans who were hanging around outside to sing backing vocals. He said of the track "I was singing out of tune and instead of getting a decent choir, we got fans from outside, Apple Scruffs or whatever you call them. They came in and were singing all off-key. Nobody was interested in doing the tune originally.” [Excerpt: The Beatles, "Across the Universe"] The "jai guru deva" chorus there is the first reference to the teachings of the Maharishi in one of the Beatles' records -- Guru Dev was the Maharishi's teacher, and the phrase "Jai guru dev" is a Sanskrit one which I've seen variously translated as "victory to the great teacher", and "hail to the greatness within you". Lennon would say shortly before his death “The Beatles didn't make a good record out of it. I think subconsciously sometimes we – I say ‘we' though I think Paul did it more than the rest of us – Paul would sort of subconsciously try and destroy a great song … Usually we'd spend hours doing little detailed cleaning-ups of Paul's songs, when it came to mine, especially if it was a great song like ‘Strawberry Fields' or ‘Across The Universe', somehow this atmosphere of looseness and casualness and experimentation would creep in … It was a _lousy_ track of a great song and I was so disappointed by it …The guitars are out of tune and I'm singing out of tune because I'm psychologically destroyed and nobody's supporting me or helping me with it, and the song was never done properly.” Of course, this is only Lennon's perception, and it's one that the other participants would disagree with. George Martin, in particular, was always rather hurt by the implication that Lennon's songs had less attention paid to them, and he would always say that the problem was that Lennon in the studio would always say "yes, that's great", and only later complain that it hadn't been what he wanted. No doubt McCartney did put in more effort on his own songs than on Lennon's -- everyone has a bias towards their own work, and McCartney's only human -- but personally I suspect that a lot of the problem comes down to the two men having very different personalities. McCartney had very strong ideas about his own work and would drive the others insane with his nitpicky attention to detail. Lennon had similarly strong ideas, but didn't have the attention span to put the time and effort in to force his vision on others, and didn't have the technical knowledge to express his ideas in words they'd understand. He expected Martin and the other Beatles to work miracles, and they did -- but not the miracles he would have worked. That track was, rather than being chosen for the next single, given to Spike Milligan, who happened to be visiting the studio and was putting together an album for the environmental charity the World Wildlife Fund. The album was titled "No One's Gonna Change Our World": [Excerpt: The Beatles, "Across the Universe"] That track is historic in another way -- it would be the last time that George Harrison would play sitar on a Beatles record, and it effectively marks the end of the period of psychedelia and Indian influence that had started with "Norwegian Wood" three years earlier, and which many fans consider their most creative period. Indeed, shortly after the recording, Harrison would give up the sitar altogether and stop playing it. He loved sitar music as much as he ever had, and he still thought that Indian classical music spoke to him in ways he couldn't express, and he continued to be friends with Ravi Shankar for the rest of his life, and would only become more interested in Indian religious thought. But as he spent time with Shankar he realised he would never be as good on the sitar as he hoped. He said later "I thought, 'Well, maybe I'm better off being a pop singer-guitar-player-songwriter – whatever-I'm-supposed-to-be' because I've seen a thousand sitar-players in India who are twice as better as I'll ever be. And only one of them Ravi thought was going to be a good player." We don't have a precise date for when it happened -- I suspect it was in June 1968, so a few months after the "Across the Universe" recording -- but Shankar told Harrison that rather than try to become a master of a music that he hadn't encountered until his twenties, perhaps he should be making the music that was his own background. And as Harrison put it "I realised that was riding my bike down a street in Liverpool and hearing 'Heartbreak Hotel' coming out of someone's house.": [Excerpt: Elvis Presley, "Heartbreak Hotel"] In early 1968 a lot of people seemed to be thinking along the same lines, as if Christmas 1967 had been the flick of a switch and instead of whimsy and ornamentation, the thing to do was to make music that was influenced by early rock and roll. In the US the Band and Bob Dylan were making music that was consciously shorn of all studio experimentation, while in the UK there was a revival of fifties rock and roll. In April 1968 both "Peggy Sue" and "Rock Around the Clock" reentered the top forty in the UK, and the Who were regularly including "Summertime Blues" in their sets. Fifties nostalgia, which would make occasional comebacks for at least the next forty years, was in its first height, and so it's not surprising that Paul McCartney's song, "Lady Madonna", which became the A-side of the next single, has more than a little of the fifties about it. Of course, the track isn't *completely* fifties in its origins -- one of the inspirations for the track seems to have been the Rolling Stones' then-recent hit "Let's Spend The Night Together": [Excerpt: The Rolling Stones, "Let's Spend the Night Together"] But the main source for the song's music -- and for the sound of the finished record -- seems to have been Johnny Parker's piano part on Humphrey Lyttleton's "Bad Penny Blues", a hit single engineered by Joe Meek in the fifties: [Excerpt: Humphrey Lyttleton, "Bad Penny Blues"] That song seems to have been on the group's mind for a while, as a working title for "With a Little Help From My Friends" had at one point been "Bad Finger Blues" -- a title that would later give the name to a band on Apple. McCartney took Parker's piano part as his inspiration, and as he later put it “‘Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the  juxtaposition of a line going down meeting a line going up." [Excerpt: The Beatles, "Lady Madonna"] That idea, incidentally, is an interesting reversal of what McCartney had done on "Hello, Goodbye", where the bass line goes down while the guitar moves up -- the two lines moving away from each other: [Excerpt: The Beatles, "Hello Goodbye"] Though that isn't to say there's no descending bass in "Lady Madonna" -- the bridge has a wonderful sequence where the bass just *keeps* *descending*: [Excerpt: The Beatles, "Lady Madonna"] Lyrically, McCartney was inspired by a photo in National Geographic of a woman in Malaysia, captioned “Mountain Madonna: with one child at her breast and another laughing into her face, sees her quality of life threatened.” But as he put it “The people I was brought up amongst were often Catholic; there are lots of Catholics in Liverpool because of the Irish connection and they are often religious. When they have a baby I think they see a big connection between themselves and the Virgin Mary with her baby. So the original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women.” Musically though, the song was more a tribute to the fifties -- while the inspiration had been a skiffle hit by Humphrey Lyttleton, as soon as McCartney started playing it he'd thought of Fats Domino, and the lyric reflects that to an extent -- just as Domino's "Blue Monday" details the days of the week for a weary working man who only gets to enjoy himself on Saturday night, "Lady Madonna"'s lyrics similarly look at the work a mother has to do every day -- though as McCartney later noted  "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday ... So I figured it must have been a real night out." The vocal was very much McCartney doing a Domino impression -- something that wasn't lost on Fats, who cut his own version of the track later that year: [Excerpt: Fats Domino, "Lady Madonna"] The group were so productive at this point, right before the journey to India, that they actually cut another song *while they were making a video for "Lady Madonna"*. They were booked into Abbey Road to film themselves performing the song so it could be played on Top of the Pops while they were away, but instead they decided to use the time to cut a new song -- John had a partially-written song, "Hey Bullfrog", which was roughly the same tempo as "Lady Madonna", so they could finish that up and then re-edit the footage to match the record. The song was quickly finished and became "Hey Bulldog": [Excerpt: The Beatles, "Hey Bulldog"] One of Lennon's best songs from this period, "Hey Bulldog" was oddly chosen only to go on the soundtrack of Yellow Submarine. Either the band didn't think much of it because it had come so easily, or it was just assigned to the film because they were planning on being away for several months and didn't have any other projects they were working on. The extent of the group's contribution to the film was minimal – they were not very hands-on, and the film, which was mostly done as an attempt to provide a third feature film for their United Artists contract without them having to do any work, was made by the team that had done the Beatles cartoon on American TV. There's some evidence that they had a small amount of input in the early story stages, but in general they saw the cartoon as an irrelevance to them -- the only things they contributed were the four songs "All Together Now", "It's All Too Much", "Hey Bulldog" and "Only a Northern Song", and a brief filmed appearance for the very end of the film, recorded in January: [Excerpt: Yellow Submarine film end] McCartney also took part in yet another session in early February 1968, one produced by Peter Asher, his fiancee's brother, and former singer with Peter and Gordon. Asher had given up on being a pop star and was trying to get into the business side of music, and he was starting out as a producer, producing a single by Paul Jones, the former lead singer of Manfred Mann. The A-side of the single, "And the Sun Will Shine", was written by the Bee Gees, the band that Robert Stigwood was managing: [Excerpt: Paul Jones, "And the Sun Will Shine"] While the B-side was an original by Jones, "The Dog Presides": [Excerpt: Paul Jones, "The Dog Presides"] Those tracks featured two former members of the Yardbirds, Jeff Beck and Paul Samwell-Smith, on guitar and bass, and Nicky Hopkins on piano. Asher asked McCartney to play drums on both sides of the single, saying later "I always thought he was a great, underrated drummer." McCartney was impressed by Asher's production, and asked him to get involved with the new Apple Records label that would be set up when the group returned from India. Asher eventually became head of A&R for the label. And even before "Lady Madonna" was mixed, the Beatles were off to India. Mal Evans, their roadie, went ahead with all their luggage on the fourteenth of February, so he could sort out transport for them on the other end, and then John and George followed on the fifteenth, with their wives Pattie and Cynthia and Pattie's sister Jenny (John and Cynthia's son Julian had been left with his grandmother while they went -- normally Cynthia wouldn't abandon Julian for an extended period of time, but she saw the trip as a way to repair their strained marriage). Paul and Ringo followed four days later, with Ringo's wife Maureen and Paul's fiancee Jane Asher. The retreat in Rishikesh was to become something of a celebrity affair. Along with the Beatles came their friend the singer-songwriter Donovan, and Donovan's friend and songwriting partner, whose name I'm not going to say here because it's a slur for Romani people, but will be known to any Donovan fans. Donovan at this point was also going through changes. Like the Beatles, he was largely turning away from drug use and towards meditation, and had recently written his hit single "There is a Mountain" based around a saying from Zen Buddhism: [Excerpt: Donovan, "There is a Mountain"] That was from his double-album A Gift From a Flower to a Garden, which had come out in December 1967. But also like John and Paul he was in the middle of the breakdown of a long-term relationship, and while he would remain with his then-partner until 1970, and even have another child with her, he was secretly in love with another woman. In fact he was secretly in love with two other women. One of them, Brian Jones' ex-girlfriend Linda, had moved to LA, become the partner of the singer Gram Parsons, and had appeared in the documentary You Are What You Eat with the Band and Tiny Tim. She had fallen out of touch with Donovan, though she would later become his wife. Incidentally, she had a son to Brian Jones who had been abandoned by his rock-star father -- the son's name is Julian. The other woman with whom Donovan was in love was Jenny Boyd, the sister of George Harrison's wife Pattie.  Jenny at the time was in a relationship with Alexis Mardas, a TV repairman and huckster who presented himself as an electronics genius to the Beatles, who nicknamed him Magic Alex, and so she was unavailable, but Donovan had written a song about her, released as a single just before they all went to Rishikesh: [Excerpt: Donovan, "Jennifer Juniper"] Donovan considered himself and George Harrison to be on similar spiritual paths and called Harrison his "spirit-brother", though Donovan was more interested in Buddhism, which Harrison considered a corruption of the more ancient Hinduism, and Harrison encouraged Donovan to read Autobiography of a Yogi. It's perhaps worth noting that Donovan's father had a different take on the subject though, saying "You're not going to study meditation in India, son, you're following that wee lassie Jenny" Donovan and his friend weren't the only other celebrities to come to Rishikesh. The actor Mia Farrow, who had just been through a painful divorce from Frank Sinatra, and had just made Rosemary's Baby, a horror film directed by Roman Polanski with exteriors shot at the Dakota building in New York, arrived with her sister Prudence. Also on the trip was Paul Horn, a jazz saxophonist who had played with many of the greats of jazz, not least of them Duke Ellington, whose Sweet Thursday Horn had played alto sax on: [Excerpt: Duke Ellington, "Zweet Zursday"] Horn was another musician who had been inspired to investigate Indian spirituality and music simultaneously, and the previous year he had recorded an album, "In India," of adaptations of ragas, with Ravi Shankar and Alauddin Khan: [Excerpt: Paul Horn, "Raga Vibhas"] Horn would go on to become one of the pioneers of what would later be termed "New Age" music, combining jazz with music from various non-Western traditions. Horn had also worked as a session musician, and one of the tracks he'd played on was "I Know There's an Answer" from the Beach Boys' Pet Sounds album: [Excerpt: The Beach Boys, "I Know There's an Answer"] Mike Love, who co-wrote that track and is one of the lead singers on it, was also in Rishikesh. While as we'll see not all of the celebrities on the trip would remain practitioners of Transcendental Meditation, Love would be profoundly affected by the trip, and remains a vocal proponent of TM to this day. Indeed, his whole band at the time were heavily into TM. While Love was in India, the other Beach Boys were working on the Friends album without him -- Love only appears on four tracks on that album -- and one of the tracks they recorded in his absence was titled "Transcendental Meditation": [Excerpt: The Beach Boys, "Transcendental Meditation"] But the trip would affect Love's songwriting, as it would affect all of the musicians there. One of the few songs on the Friends album on which Love appears is "Anna Lee, the Healer", a song which is lyrically inspired by the trip in the most literal sense, as it's about a masseuse Love met in Rishikesh: [Excerpt: The Beach Boys, "Anna Lee, the Healer"] The musicians in the group all influenced and inspired each other as is likely to happen in such circumstances. Sometimes, it would be a matter of trivial joking, as when the Beatles decided to perform an off-the-cuff song about Guru Dev, and did it in the Beach Boys style: [Excerpt: The Beatles, "Spiritual Regeneration"] And that turned partway through into a celebration of Love for his birthday: [Excerpt: The Beatles, "Spiritual Regeneration"] Decades later, Love would return the favour, writing a song about Harrison and their time together in Rishikesh. Like Donovan, Love seems to have considered Harrison his "spiritual brother", and he titled the song "Pisces Brothers": [Excerpt: Mike Love, "Pisces Brothers"] The musicians on the trip were also often making suggestions to each other about songs that would become famous for them. The musicians had all brought acoustic guitars, apart obviously from Ringo, who got a set of tabla drums when George ordered some Indian instruments to be delivered. George got a sitar, as at this point he hadn't quite given up on the instrument, and he gave Donovan a tamboura. Donovan started playing a melody on the tamboura, which is normally a drone instrument, inspired by the Scottish folk music he had grown up with, and that became his "Hurdy-Gurdy Man": [Excerpt: Donovan, "Hurdy Gurdy Man"] Harrison actually helped him with the song, writing a final verse inspired by the Maharishi's teachings, but in the studio Donovan's producer Mickie Most told him to cut the verse because the song was overlong, which apparently annoyed Harrison. Donovan includes that verse in his live performances of the song though -- usually while doing a fairly terrible impersonation of Harrison: [Excerpt: Donovan, "Hurdy Gurdy Man (live)"] And similarly, while McCartney was working on a song pastiching Chuck Berry and the Beach Boys, but singing about the USSR rather than the USA, Love suggested to him that for a middle-eight he might want to sing about the girls in the various Soviet regions: [Excerpt: The Beatles, "Back in the USSR"] As all the guitarists on the retreat only had acoustic instruments, they were very keen to improve their acoustic playing, and they turned to Donovan, who unlike the rest of them was primarily an acoustic player, and one from a folk background. Donovan taught them the rudiments of Travis picking, the guitar style we talked about way back in the episodes on the Everly Brothers, as well as some of the tunings that had been introduced to British folk music by Davey Graham, giving them a basic grounding in the principles of English folk-baroque guitar, a style that had developed over the previous few years. Donovan has said in his autobiography that Lennon picked the technique up quickly (and that Harrison had already learned Travis picking from Chet Atkins records) but that McCartney didn't have the application to learn the style, though he picked up bits. That seems very unlike anything else I've read anywhere about Lennon and McCartney -- no-one has ever accused Lennon of having a surfeit of application -- and reading Donovan's book he seems to dislike McCartney and like Lennon and Harrison, so possibly that enters into it. But also, it may just be that Lennon was more receptive to Donovan's style at the time. According to McCartney, even before going to Rishikesh Lennon had been in a vaguely folk-music and country mode, and the small number of tapes he'd brought with him to Rishikesh included Buddy Holly, Dylan, and the progressive folk band The Incredible String Band, whose music would be a big influence on both Lennon and McCartney for the next year: [Excerpt: The Incredible String Band, "First Girl I Loved"] According to McCartney Lennon also brought "a tape the singer Jake Thackray had done for him... He was one of the people we bumped into at Abbey Road. John liked his stuff, which he'd heard on television. Lots of wordplay and very suggestive, so very much up John's alley. I was fascinated by his unusual guitar style. John did ‘Happiness Is A Warm Gun' as a Jake Thackray thing at one point, as I recall.” Thackray was a British chansonnier, who sang sweetly poignant but also often filthy songs about Yorkshire life, and his humour in particular will have appealed to Lennon. There's a story of Lennon meeting Thackray in Abbey Road and singing the whole of Thackray's song "The Statues", about two drunk men fighting a male statue to defend the honour of a female statue, to him: [Excerpt: Jake Thackray, "The Statues"] Given this was the music that Lennon was listening to, it's unsurprising that he was more receptive to Donovan's lessons, and the new guitar style he learned allowed him to expand his songwriting, at precisely the same time he was largely clean of drugs for the first time in several years, and he started writing some of the best songs he would ever write, often using these new styles: [Excerpt: The Beatles, "Julia"] That song is about Lennon's dead mother -- the first time he ever addressed her directly in a song, though  it would be far from the last -- but it's also about someone else. That phrase "Ocean child" is a direct translation of the Japanese name "Yoko". We've talked about Yoko Ono a bit in recent episodes, and even briefly in a previous Beatles episode, but it's here that she really enters the story of the Beatles. Unfortunately, exactly *how* her relationship with John Lennon, which was to become one of the great legendary love stories in rock and roll history, actually started is the subject of some debate. Both of them were married when they first got together, and there have also been suggestions that Ono was more interested in McCartney than in Lennon at first -- suggestions which everyone involved has denied, and those denials have the ring of truth about them, but if that was the case it would also explain some of Lennon's more perplexing behaviour over the next year. By all accounts there was a certain amount of finessing of the story th

Following its liberation in 1944, France began a reckoning with its years of defeat, occupation and collaboration with Nazi Germany. On trial was Marshal Philippe Pétain, the decorated World War I hero and onetime head of the collaborationist regime known as Vichy France. Speaking to Danny Bird, Julian Jackson discusses the role the trial played in the nation's attempt to reconcile itself with this controversial chapter in its history. (Ad) Julian Jackson is the author of France on Trial: The Case of Marshal Pétain (Allen Lane, 2023). Buy it now from Amazon: https://www.amazon.co.uk/France-Trial-Case-Marshal-P%C3%A9tain/dp/024145025X/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Young and glamorous, wealthy socialite Mary Jayne Gold bucked first impressions to help thousands of refugees escape Vichy France.

In the ashes of World War II, it was becoming quite clear that Jews needed a homeland where they would be relatively safe. Even after the destruction of Nazi Germany, Vichy France and fascist Italy, hatred for Jews remained quite strong, certainly in Europe. The new United Nations decided to create a plan, known as Resolution 181 (III), that would partition the former British Mandate of Palestine into two new nations, Israel, and an independent Arab State. There was much debate and modification to the plan before the UN finally voted on November 29, 1947, to approve the plan. While there were objections, most Jews around the world welcomed the plan. So why did the plan never go into action? --- Send in a voice message: https://podcasters.spotify.com/pod/show/plausibly-live/message

Listen to this episode ad-free. Go to IntoHistory.com/shipwreckspod and subscribe.In 1940, after Nazi Germany's Western Europe invasion, France capitulated and became a puppet state, while Britain stood alone against Germany. Concerned about the French Naval fleet surrendering to Germany, Britain proposed an ultimatum to Vichy France, leading to a breakdown in their alliance. The events led to intense battles at Mers-El-Kebir and Dakar involving leading military figures of the period.Shipwrecks and Sea Dogs is written, edited, and produced by Rich Napolitano. Follow Shipwreck and Sea Dogs on social media @shipwreckspod.Official Shipwrecks and Sea Dogs Merchandise: https://www.bonfire.com/store/shipwreckspod/Original theme music is by Sean Sigfried. For images and sources releated to this episode please visit https://shipwrecksandseadogs.com/blog/2023/11/24/the-world-war-2-royal-navy-assault-on-the-french-navy/.

I watched an interview with a Soviet defector.   He said journalists: -1) Fear the enemy so lie for him.  a la Vichy France.  2) If journalists tell the truth about figures they cover, typically they will be fired.  So all the remainers are loyal and therefore are disqualified from real journalism.  This is not true when a journalist's employer hates the target, of course.

In this first of two conversations, Pulitzer Prize winner Rick Atkinson dives into the first two volumes of his monumental Liberation Trilogy, looking at North Africa during WWII and the harrowing campaigns that took place in Sicily and Italy. A pivotal point in history, this period of the war saw American and British armies clash with Vichy France forces in Morocco and Algeria, and then take on the Axis powers in Tunisia. Meanwhile, the fight to drive the German army up the Italian peninsula led to lethal battles at Salerno, Anzio, and Monte Cassino. Recorded on August 21, 2023  

SEASON 2 EPISODE 71: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: We are so goddamned afraid of OFFENDING somebody by DEFENDING democracy. The Minnesota State Supreme Court, whose Chief Justice is a pioneer and the daughter of a pioneer (the first African-American football coach at a predominantly white college in modern times) managed to find a way to NOT rule for OR against the bid to disqualify Trump from the ballot there via the 14th Amendment. The 14th Amendment IS self-executing. You ARE presumed guilty until you are proven innocent. It was designed by Americans who had survived the Civil War and didn't want us to have to go through that. If there are extenuating circumstances, there's an override mechanism: Congress can vote by 2/3 to waive application of the clause. Otherwise - you're out. Yet the Minnesota court has chosen the escape route, the way to shirk responsibility for fear of blowback or appeal or who knows what. Everybody placed in the position in which they can risk a little to defend freedom and the constitution rather than waiting until freedom and the constitution are DEAD and millions have to risk everything to restore them, seems to want to get out of it. Kristen Welker got out of it last night. That buffoon Vivek Ramaswamy, so loathsome that even Nikki Haley called him "scum" during the debate, pointed at Welker and demanded that she explain NBC's coverage of the Trump-Russia conspiracy. "Was that real or was that Hilary Clinton made-up misinformation." And instead of realizing he had just gifted her the chance to DO something for democracy - to speak to an audience consuming its first "mainstream media" in a decade and tell them the truth, whether they accepted it or not - she just smiled moronically at him.  There's an extraordinary French film, La Regle du Jeu, The Rules Of The Game. It premiered on July 7th, 1939…354 days before France fell to the Nazis. It was written and directed by Jean Renoir and in it he plays the hero's buddy Octave and at one point Octave says something about the corruption and lack of morals and just plain lack of effort to stand up for what's right, and it's a quote that has come to symbolize the France that folded like a card table to the Hitler onslaught and the Vichy France full of more collaborators than the Germans believed possible. “You see, in this world, there is one awful thing,” Octave says, seemingly fighting back, and then gives up with a shrug, “and that is… that everyone has his REASONS.” We may be the 21st Century version of Pre-Hitler France. We all have our reasons to just shrug, or smile idiotically at hallucinating psychopaths who seem to believe more in (and are willing to fight more for) their delusions than we do about our reality. B-Block (24:42) THE WORST PERSONS IN THE WORLD: Lauren Boebert discovers that being in Congress means if it's a spending bill you have to talk about spending in the bill, courtesy Professor Steny Hoyer. I'm sure she'll eventually get a grip on it. For a day, Twitter's "NY Times Pitchbot" predicted it and finally Nate Cohn did it: the story explaining why Tuesday's Democratic ass-kicking of MAGA was bad news for Joe Biden. And remember Cygnal? The right wing pollster I praised here yesterday for reporting, though it defied their side's narrative, that Biden's "image" had jumped five points in just one month and voters ranking inflation as the key issue had dropped six points in just two months? They've responded by attacking me. For...quoting their press release hyping their own poll. When you are strangled by slavery to your own ideology... C-Block (34:00) THINGS I PROMISED NOT TO TELL: Amazon billionaire Jeff Bezos is moving to Florida to be closer to his partner Lauren Sanchez. And as I've mentioned before, I used to work with her and she has now achieved her life goal. Just as I used to work with the guy who would eventually try to blackmail David Letterman and yeah, I think that might've been HIS life goal too.  See omnystudio.com/listener for privacy information.

Julian Jackson is an Emeritus Professor of Modern French History at Queen Mary at the University of London. Julian is one of the preeminent scholars focused on Vichy France. He has written extensively about France and the second world war and has published an important biography of Charles de Gaulle. Get full access to What Happens Next in 6 Minutes with Larry Bernstein at www.whathappensnextin6minutes.com/subscribe

Buy the book herehttps://www.amazon.fr/Dancing-Skies-Falling-Calvin-Shields/dp/1800160798Instagram: calvinshields01I was useless at English at school I trained to be an airline pilot at 18 years old and had to retire at 65 due age. I only ever flew long haul very large jets. Moved to South of France in 2000During my career I experienced 1. The golden age of flying. Less controlled, more romantic and more dangerous 2. War in Nigeria, war in Uganda, civil war in the Lebanon etc constant threat of hijack 3. I was arrested by a dictator in Uganda (Idi Amin) 4. I saw kids dying in the streets from famine in Calcutta 5. I visited AIDS wards in orphanages in Malawi and East Africa the 1980's 6. First hand experience of the transition of apartheid in South Africa 7. Hurricanes, typhoons and enormous thunderstorm's 8. Amazing views of our planet and the heavens 9. I sneaked into Afghanistan when it was at war with Russia to find my Grandfathers grave 10. I had to clean a man out of my engine after he committed suicide by jumping into it in Trinidad 11. Experienced numerous engine failures and mechanical problems.After retirement I missed the adrenaline and excitement so I walked across Greenland with a French guide and three other skiers half my age. It was 600 Km, took 4 weeks and we pulled 85 kg sledges over the ice cap, sleeping in tents at -40 deg centigrade Once again missing the challenges and adrenaline I attempted to cross Corsica at 68 years old on skis but unfortunately I has a stroke 100 m from the top of Monte Renoso. I am extremely lucky I have no after effects at all but while in hospital I was made aware of my mortality and I decided to write my story. I self published and it has also been published in UK by Pegasus. I have sold a few thousand copies The names are all changed for obvious reasons and I have intended it to be humorous but the story is 90 % true.I now teach French students 20-30years old) to fly at Cannes Airport My book is called “Dancing the skies and falling with style”. (There is a reason for the title) Dancing the skies and falling with style https://amzn.eu/d/cAgtSTW I am currently writing an historical novel based on the last few months of the Second World War in the Alpes Maritimes. There is an interesting dynamic between the various resistance groups who didn't see eye to eye, Vichy France, Germany and the Allies As far as inspirations are concerned I believe that anybody can do anything they want so long as they have confidence and drive, research well and have the right tools Age, for example, is just a number. You can do anything you want Writing: attend writing courses, read a lot and put that dream on paper Everyone has a story to tell.Support the show

When we think of areas of operations during the Second World War, we often do not think of the Middle East. But in the summer of 1941, there was indeed some significant combat in Syria and Lebanon. Unfortunately, it was between Britain and her Dominions and Vichy France. Visit my website here. Support me through Patreon.

Decades have passed since World War II, but the memories are being kept alive. The stories of the atrocities of the Holocaust and what people endured still emerge. The actual accounts, and the novels that are based on facts. Baila Sebrow, producer and host of The Definitive Rap interviewed author Tara Ison who wrote At the Hour Between Dog and Wolf.  At The Hour Between Dog and Wolf is the story of a twelve-year-old Parisian Jewish girl in World War II France, living “in hiding” as a Catholic orphan with a family in a small village. When Danielle Marton's father is killed during the early days of the German Occupation, her mother sends her to live in a quiet farming town near Limoges in Vichy France. Now called Marie-Jean Chantier, Danielle struggles to balance the truth of what's happened to her family and her country with the lies she must tell to keep herself safe. At first, she's bitter about being left behind by her mother, and horrified at having to milk the cow and memorize Catholic prayers for church. But as the years pass and the Occupation worsens, Danielle finds it easier to suppress her former life entirely, and Marie-Jean becomes less and less of an act. By the time she's fifteen and there is talk amongst the now divided town of an Allied invasion, not only has Danielle lost the memories of her father's face and the smell of her mother's perfume, but her very self, transforming into a devout Catholic—and an anti-semitic, fervent disciple of fascism. During the interview Tara talked about her personal life and how she came up with the idea for this story, why the story is set in WWII France, as opposed to another occupied country.  Tara described the interesting research she did to write this book, and about the characters, particularly how Marie-Jeanne turns into an antisemitic fascist.  

In May 1940, over three million German soldiers crossed Germany's western border and quickly conquered the Netherlands, Belgium, and France. Germany implemented direct rule over part of France, while setting up the puppet regime of Vichy France to govern the rest. In the meantime, hundreds of British naval and civilian vessels evacuated over 300,000 trapped Allied soldiers to Britain, to fight another day. Britain was now the only nation left in the struggle against Germany. Join Sean and James as they narrate the fall of the Low Countries and France.

Last time we spoke about the successful execution of operation KE and the battle of Wau. Operation KE was a success and the Japanese had managed to evacuate 10652 men. Simultaneously while Operation KE was going on, the Japanese had refocused on New Guinea and sought to secure their important bases at Lae and Salamaua. In order to secure them the Japanese commenced a new offensive, this time aimed at Wau which held a significant airfield that could be used to threaten Lae and Salamaua. The Japanese managed to land significant forces to hit Wau, but the Australians tenaciously held them back long enough to get reinforcements to Wau to push the Japanese back. The Japanese offensive turned into a catastrophic failure, yet despite being pushed back the Japanese would regroup and plan another offensive to take Wau. But for today we are diving back into the CBI theater. This episode is the First Chindits Expedition: Operation Longcloth  Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.    The story of Operation Longcloth and the actions that will take place in Burma require us to talk about some notable figures, one who is to put it frankly, a very bizarre but fascinating man. Orde Wingate was born into a military family in February of 1903, his father was a religious fundamentalist who became a member of the Plymouth Brethren. Wingate and his 6 siblings experienced a very repressed childhood and were kept away from other children for fear of spiritual contamination and would endure a regime of religious mania spending entire days reading and memorizing the Old Testament. For Orde, the religious indoctrination was accompanied by a spirit-shrinking spartan regime, something like a secular boot camp. When his family moved to Godalming, in 1916, Orde was sent to a Charterhouse school. He was very much an outsider there and did not mix with the other children nor participated in any sports. Then in 1921 he was accepted into the Royal Military academy at Woolwich, training as an officer in the Royal Artillery. At this point he suffered a salient trauma, Wingate began breaking all the rules and underwent a ritual known as “running”. The other military students summoned Wingate from his room, stripped him naked and had him run between lines of senior students who whacked him with knotted towels before he was tossed into a tank of icy water, it was the good old running the gauntlet. Wingate would stare the other boys right in the eyes and define them to do their worst to him. Many were intimidated by this and ceased hitting him as a result. Then Wingate would toss himself into the icy water tank. Wingate had thus shown himself to be a student of note at an early age.  By 1923 Wingate received his commission as a gunnery officer and a post at Salisbury Plain where he soon gained a reputation for being a skilled horseman and particularly good at the fox hunt.  But many who knew of him described him to have a dark side, yet again he always broke the rules and conventions. This became more of an issue by 1926 when he took a post at the military school of Equitation where he became very alienated by his peers and superiors by his arrogant insubordination. But Wingate enjoyed a powerful patronage for at this point in his life his fathers first cousin, “Cousin Rex”, Sir Reginald Wingate, the former Governor-General of Sudan and High commissioner in Egypt took him under his wing. Wingate took leave and began studying Arabic at the London School of Oriental and African Studies and then served in Sudan and Ethiopia. He also carried on a 5 year affair with a woman named Enid Peggy Jelley, to whom he got secretly engaged. But after 6 years after boarding the liner Cathay at Port Said, returning for his marriage to Peggy, he fell in love with a 16 year old girl named Lorna Paterson who was traveling home from Australia. As soon as he got home to Peggy he notified her he was in love with another.    Wingate married Lorna in 1935, a woman 13 years younger. In 1936 Wingate became an intelligence officer with the British Mandate in Palestine and almost immediately became an ardent Zionist, though he was not himself Jewish. Palestine at this time had an enormous Jewish population since the end of the first world war and a large influx of those fleeing Nazi Germany in the 1930s. The Arab population saw them as a future threat and guerilla groups sprang up. Archibald Wavell the newly arrived commander in chief in Palestine had Wingate form the Special Night Squads (SNS) to combat Arab terrorism. Wingate was an early proponent of using paramilitary actions at night to induce a unique and singular terror in his enemies. He got the SNS to use slavering dogs, a very calculated piece of cruelty since the animals were regarded as unclean by Muslims. The SNS were basically legitimizing Zionist counterterrorism, using Jewish thugs to strike back at Arab thugs.  Wingate performed war crimes and horrible atrocities while leading the SNS and was recalled. This should have been the end to his career, but Wavell and Sir Edmund Ironside kept making up excuses to cover for criticisms against him. These two men managed to get Wingate back into the game by 1941 where he was brought over to Ethiopia to help fight against the Italians. Backed by Wavell, he attempted another go at the SNS, this time named the Gideon Force, a band of irregulars made up of British, Sudanese, Ethiopians and some ex SNS. Wingates force proved spectacularly successful and this time with no controversy. But still because of his tactlessness and insubordination, Wingate ended up getting whisked out of Ethiopia at the end of hostilities.  Wingate found himself in Cairo in a major depression, he tried to kill himself with a Ethiopian knife but was saved by a man who drove him to the hospital. There is considerable evidence to suggest Wingate was bipolar and had experienced an acute episode of downswing for his manic-depression. Wingates enemies and critiques were delighted at the news of his downfall and hoped he would be court-martialed and tossed into an asylum, but Wingates backers prompted him up yet again. His suicide attempt was attributed to delirium induced by malaria, but as Churchill's personal physician Lord Moran would write in his diary about Wingate ‘Wingate seemed to be hardly sane . . . in medical jargon a borderline case.'  Wingate was certainly a bizarre person, he was also an exhibitionist and extremely eccentric as many sources put it. He was careless in dress, always unkempt, had zero respect for military convention and hierarchy and expected his superiors to satisfy his every whim. When General Auchinlack succeeded Wavell as commander in chief in the middle east he met Wingate who came to his office in shorts, with a dirty solar topi and a greasy blue jacket. Wingate loved to go around camps naked, often appearing out of a shower nude to bark orders at other men. He liked to wear an alarm clock around his wrist that would go off on odd occasions for no particular reason that anyone could figure out. He was rarely seen with his trademark Wolseley helmet and fly whisk. He carried on a string around his neck a raw onion which he occasional snacked upon, cant make that one up people. He had a lot of food fads which he imposed upon his subordinates, such as vegetarianism. He rarely changed his clothes and thought doing laundry was unnecessary.  Wingate went through a limbo period until 1942 where Wavell asked for his services to help in South-East Asia. Originally Wingate was told he would be training Chiang kai-sheks forces guerrilla warfare and he was quite unenthusiastic for 2 reasons. 1) such an endeavor he deemed to be like teaching one's grandmother to suck eggs. 2) he wondered what the point was of sending a Middle East expert to the CBI theater? Yet as of February the 27th Wingate found himself departing to be the liberator of Delhi with the rank of major. It would take 3 weeks for him to get over to Wavell and by that time Rangoon had fallen. Wavell told him that his job had thus changed, now he would be in charge of all guerilla operations against the Japanese within Burma.Wingate was sent to Maymyo east of Mandalay to take over the Bush Warfare School being run by another colorful character named Michael Mad Mike Calvert. Calvert was coming back to Maymyo, returning from a failed operation and found Wingate sitting at his desk. Calvert glared at him and asked who he was and calmly Wingate simply stated his name. And would you know it, they got on perfectly fine and even became friends. The two men both decided their first task should be to go down to see Slim at Prome. Slim had met Wingate back in East Africa in 1940, both men serving under Wavell against the Italians. Upon discussing the matters of organized guerilla groups, Slim agreed to some of Wingates ideas but doubted his Ethiopian experience would be relevant for the task. As Slim was becoming very aware, jungle warfare in Burma was a special type of beast. Wingate was very impressed by Slim and said of the man ‘There is only one soldier worthy of the name East of Suez. He is a bad-tempered little terrier by the name of Slim.' When Chiang Kai-shek was departing back to China after a visit in March, Wingate managed to take a seat on the plan alongside him, hoping to learn about warfare in Burma from the generalissimo. However their aircraft was chased by Japanese fighters, ruining times for conversation. Wingate was informed at Chongqing that he would not be receiving Chinese fighters for his programs as they were now going to Stillwell as a result of the catastrophe in Burma. When he returned to Burma he was informed by Calvert they had sent 100 Bush warfare people into the Irrawaddy and only 11 survived, things were chaotic to say the least. Wingate then took Calvert for a week long car tour of the Burmese frontier making careful notes of animals, insects, reptiles, and terrain details. In Delhi on april 24th, Wingate announced he no longer had any interest on training a guerrilla group, but instead wanted to create a more proactive long-range penetration (LRP0 group. He had 3 major motifs for this, 1) the Japanese troops behind the lines had to be inferior to those as the front, thus the British should get behind. 2) They needed to use communications based on radio and supplied by air. 3) They had to cut the Japanese supply lines and destroy their arms dumps, thus typing up disproportionate numbers of the enemy. He continuously made his case to his superiors and many thought him nuts to think he could train men for jungle warfare in just 8 weeks time. But Wingate kept pushing for it, insisting also that all the men must be volunteers and that he needed at minimum 3000 men.  The finer points of his idea brought up the need to supply special units with airdrops, not a particularly new idea, but certainly a gung-ho one. His superiors wanted to outright reject his ideas, but Wavell yet again was championing his cause. Wingate won out the day and it was agreed to allocate men to his project. The 77th Indian brigade was formed and it was certainly a motley collection. The main British component was the 13th battalion of the King's liverpool regiment raised in Glasgow, Manchester and Liverpool in 1941. These were older, married men with no dreams of martial glory, typically employed in the coastal defense of Britain then suddenly shipped to India after the Japanese went supernova in the east. They displayed a lack of enthusiasm for Wingates ideas, many of them were also too old for jungle combat. Wingate rejected 250 of them off the bat and Wavell gave permission to fill the gaps with other units. The rest would come from two oriental units,the first being the 2nd battalion Burma rifles. These were mainly warriors from anti-Japanese hill tribes, the Kachins, Chins, Karens and such, those personally affected by Japans aggression and eager for payback. They were eager and better yet, they taught Wingate a lot about jungle warfare. The other were Gurkhas whom always held high regard amongst the British, though Wingate thought them arrogant, ill-disciplined and overrated. I find that truly bizarre, because all literature i have ever read about Gurkha's troops has been nothing, but praise and something out of a Rambo film. One historian of the Gurkhas said of Wingate ‘Wingate was the only officer in 130 years of service ever to criticise the performance of Gurkha soldiers, characterising them as mentally unsuited for their role as Chindits. Of course the same might be said of Wingate.' Likewise the Gurkhas found Wingate arrogant, overly domineering and someone who paid little heed to them who had vastly more experience fighting in Burma. They also really did not like him because of his rude and autocratic treatment of them.  Wingate divided his force into 8 columns each commanded by a major and each given 15 horses and 100 mules. The columns would be sustained by airdrops, thus an RAF signaling section was attached to each. They trained in the central provinces of India and in the Saugur jungle due south of Gwalior. Within the jungle training the idea was to hit the men with every possible scenario they might face, to push them to the absolute limit. They endured hell. Encounters with giant snakes, mosquitoes, leeches, days filled with half rations deliberately to simulate living off airdrops. Men collapsed from heat, marching with full packs through vegetation. When the monsoons hit, they were marching through mud, rivers and torrential rain. Many days began at 6am with half an hours bayonet drill, followed by unarmed combat. After breakfast they learnt woodcraft, map reading, compass reading, how to forage and distinguish poisonous plants. They learnt how to blow up bridges, lay ambushes, how to storm airfields, how to properly clear paths in jungles, it was grueling.  From the beginning of the training programme there were sickness levels allegedly as high as 70%. Wingate was ruthless, in the case of those saying they were suffering from dysentery, he ordered his officers into the bathrooms to inspect the mens stools to prove if they were lying. Amongst many of his enemies, the Medical Corps would be a large one. Wingate continued to alienate himself and made more and more enemies. At one point Wingate misunderstood the Burmese word for Lion “chinthe” as Chindit and declared it to be the name of his LRP group henceforth, thus they became known as the Chindits. His Burmese aide, Sao Man Hpa told him the word made no sense in Burmese, to which Wingate told the man Chinthe made no sense in English.  Wingate defeated the 70 percent rate of illness, bringing down to a 3 percent, via brutal methodology, most genuinely ill men simply carried on too afraid to be punished. Wingates eccentric qualities spread amongst the men, like his necessity to wear shorts in the rain, to eat raw onions, and to keep a bunch of buffalo to milk because he believed their milk had salubrious qualities. Wingate should have been sacked at countless times, but the rubicon had been crossed and he was expected to lead his men by 1943. By December of 1942, the Chindits and Wingate were ready for action. They had been trained to carry 70 pounds on a march, were equipped with tropical uniform: army bots, mosquito nets, mess tins, sterilizing kits, each man had a rifle or Bren gun plus 50 rounds of .303 ammunition and 6 days worth of rations. The rations were 12 wholemeal biscuits, 2 ounces of nuts and raisins, 2 ounces of cheese, 4 ounces of dates, 2 ounces of chocolate, 20 cigarettes (which greatly annoyed Wingate as he deemed smoking a major hinderance), tea, sugar, powdered milk, salt and vitamin C tablets. The mules of his forces carried 3 inch mortars, ammunition, wireless radio sets and batteries. His force of 8000 were divided into 8 columns of around 400 men each: consisting of 3 rifle platoons, a support platoon with 2-3 inch mortars, 2 Vickers medium machine guns, a mule transport platoon and an RAF air liaison detachment. In addition he had 10 platoons for reconnaissance, scouting and sabotage operations. Now originally Wingates force was supposed to be part of a 3 pronged offensive, utilizing conventional British forces attacking Akyab and the ARakan while the Ledo and Yunnan forces led by Stilwell would secure northern Burma and reopen the land route to China. As we all know during this series, Burma was a colossal mess. Originally 4 Corps would assault Sitang and Kalewa while 15 Corps attacked Akyab and Arakan, but shortages in labour, transport and lack of skilled hands led to the cancellation of the major project. Even worse, Chiang Kai-Shek, greatly pissed off by the decisions made during the Casablanca conference, refused to sanction a Chinese expedition from Yunnan. With all hopes for the great 1943 offensive dashed, Wavell had to consider whether the Chindits were even relevant anymore. Wavell arrived to Wingates HQ on February 7th after countlessly telling the man things were simply postponed. In a 2 hour meeting Wingate fought bitterly to send his men into the fray, but Wavell stated he could not be party to the pointless waste of lives. Wingate made multiple arguments for sending his boys in, 1) cancellation would boost defeatism in the Indian army: 2) it was essential for the British to overcome their current ignorance of Japanese jungle fighting: 3) Fort Hertz, the remaining British outpost in Burma was in desperate need of relief: 4) without a Chindit crossing, the Japanese would dominate the jungle on either side of the Chindwin river: 5) the 77th brigade was not pitch perfect and any delay would be catastrophic to morale: 6) An attack by the 77th brigade would impair and set back Japanese preparations for an offensive. Wavell apparently impressed by Wingates enthusiasm agreed to let the Chindits have their day. The Chindits were not directed south-east to help with the Arakan operation, instead their assignments were to be to cut two railways, one between Myitkyina and Mandalay in northern Burma and the other, the Mandalay-Lashio line. The codename of the operation was Longcloth, which annoyed Wingate because it held no grandiloquence he sought.  In early february the 7 Chindit columns marched south east from Imphal to Moreh on the Assam/Burma border. Once across the border they split into 2 groups, the southern group consisting of columns 1 and 2, around 1000 men and 250 mules which was a feint to throw off the Japanese and the Northern group consisting of columns 3,4,5,7 and 8, around 2000 men and 850 mules who would destroy the railways. Small patrols were sent across the Chindwin marching some 30 miles into enemy territory and coming back without any incident, however doing that with 3000 men was another matter entirely. On February 13th, an advance party of the Northern group crossed at Tonhe around 50 miles north to act as a a doubled bluff to cover for the southern groups feint. Meanwhile a disinformation party with the southern group marched south and ordered a huge quantity of supplies from a village known to be aiding the Japanese, providing a great ruse. The second wave of 2000 men from the Northern group crossed the Chindwin unopposed on the 14th.  Crossing the Chindwin was not easy, while elephants and bullocks swam across with ease, the pack mules proved very skittish, most likely fearing crocodiles. Getting them to the far bank was a nightmare. The southern group also had its problems with their mule. They had the first task of ambushing a 250 strong Japanese garrison at Maingnyaung on the 18th, but ran into a skirmish with a Japanese patrol before they made it there. The enemy was thus alerted and bombarded them with mortars, this spooked the mules and the caused a stampede. Many mules were lost in the jungle, the element of surprise with it and the fiasco cost the southern group a delay of 3 days. The southern group slowly pulled away from the hill country east of the Chindwin, making for the Mandalay-Myitkyina railway. By the night of the 3rd of March they were ambushed in the Mu valley. It was a utter disaster. Radios, ciphers and most of their equipment were lost. Column 2 was almost annihilated, column 1 limped on to the banks of the Irrawady awaiting final orders from Wingate, who instead kept blaming their commander, Major Burnett. As for column 2 he said “the disaster to No. 2 Column, was easily avoidable and would never have taken place had the commander concerned understood the doctrines of penetration”.  Meanwhile Wingate and the Northern group rendezvoused 5 miles inland from the Chindwin and received their parachute drops. Wingate then pondered his options, he could make for Tonmakeng where intelligence reported no enemy presence and wait for the next supply drop and attack the 200 strong Japanese garrison at Sinlamaung or they could bypass it and head into the Mu valley. He kept the men marching and some of his scouts reported a Japanese garrison was at a gold mining village called Metkalet 15 miles east of the Chindwin near Tonmakeng. He ordered columns 3 and 5 under Calvert and Fergusson to attack at once. Then another disaster struck. Fergusson's column got stuck in a swamp and scouts returned again with a new report that no Japanese garrison was in Matkalet after all. So Wingate and Calvert directed the columns to Tonmakeng. Wingates thinking was it was better to strike at an enemy strength he knew, rather than the Mu valley which was an unknown. They reached Tonmakeng without further incident by february 22nd and learnt a Japanese garrison was at Sinlamaung, 10 miles away so WIngate dispatched 3 columns to attack it while the rest of the men waiting for a supply drop expected 3 days away. Disaster struck. The 3 columns were unable to locate Sinlamaung after 3 days and when they finally found it on the 25th, the Japanese garrison had just pulled out. Wingate met with his officers and they decided to march to Zibyutaungdan with Calverts column 3 in the lead. On March 1st they made it to Zibyutaungdan and then proceeded to descend into the Mu Valley. Wingate then ordered the Northern group to disperse into its columns and rendezvous later at the Irrawaddy or beyond. He also dispatched an advance party across the Irrawaddy to the Kachin highlands northeast of Mandalay to try and raise a guerrilla force among the pro-british people there.  By the night of March 3rd disaster struck. At the very same time the southern group was being ambushed, column 4 walked into an ambush, 2 miles west of Pinbon. Major R.B Bromhead, a descendant of the Bromhead famous for fighting the Zulu at Rorke's drift in 1879, did his best to get his panicked mules with their Gurkha handlers to disperse and regroup at a rendezvous point hoping to get help from columns 7 and 8, but while trying to do so, the men were attacked again and by the time they reached the rallying point columns 7 and 8 had moved on. With no food or radios and just a handful of mules left, the column had no choice but to retreat back to India. Within a days time, columns 2 and 4 were broken and on their way back to India. Wingate was livid, his credibility was at stake, but fortunately for him and his men the Japanese assumed when they whipped out Column 2 they had destroyed the entire invasion effort. By March 6th, Calvert and Fergussons columns were within striking distance of the Wuntho-Indaw railway. Calvert and Fergusson hatched a bold and daring plan to assault what was a 800 strong garrison at Pinlebu. They spoke with Major Walter Scott leading Column 8 and told him to attack Punlebu while they supervised a massive supply drop north-east of the town. The idea was that the attackers and supply collectors would support another. Doing so they would set up roadblocks to the north and east of Pinlebu and call upon the RAF to bombard the town, making the Japanese believe they were facing a huge force. The attack turned into an amazing success. The Japanese were quickly confused as Calvert and Fergusson had the railway line demolished. It was a bloody fight, but the line was blown up in several places. The Japanese counterattacked in force trying to stop the demolition. Calverts men also mined 2 railway bridges, one of them a 3-span 120 footer. In the bloody mayhem, Calvert and Fergussons men killed about a third of the Pinlebu defenders and cut railway lines in 70 separate places. During the evening Fergussons column no 5 blew up the 40 foot rail bridge at Bongyaung gorge, leading also to hundreds of rock and rubble going over railway lines around the gorge. Now 10 mites north of Wuntho, Wingate established his HQ in the Babwe Taung hills. He had a tough decision to make, should he retreat back to India or press further and cross the Irrawaddy? Wingate even considered turning his HQ into a new fort like Fort Hertz, to try and push the Japanese to give up the Irrawaddy towns. Wingate as you probably have guessed went with option number 2, despite how unbelievably dangerous it was. The Japanese were hard on their tail as the Chindits made their way trying to cross the Irrawady river. This is where I have to leave our story of the Chindits, but they will come back throughout the war.  We need to make a small detour to speak about the Casablanca conference that took place from January 14 to the 24th. Chiang Kai-Shek had been begging the Americans and British for more aid. FDR told Chiang Kai-shek he would champion his demands to Churchill at the Casablanca Conference, but Churchill brushed this all aside. The conference ended with two large decisions, the first being the controversial doctrine of unconditional surrender. The allies were now confident after the success of operation Torch, the victories at Alamein and at Stalingrad that the Germans were on the run. But over in southeast asia, the Japanese looked impregnable. Thus the 2nd decision made was basically to keep the Europe First course steaming ahead, the Pacific was simply second banana. But for America, the situation in the Pacific had distinctly changed, they had won the initiative and now sought to consolidate their conquests in the east. Admiral King applied considerable pressure to the matter, in private he began urging that if the Pacific did not get 30% of allied resource quote “it would necessitate the US regretfully withdrawing from the commitments in the European theater”. Admiral King wanted to continue the momentum in the Pacific by seizing the Solomones, the eastern New Guinea-Rabaul area, capture back Kiska and the Attu islands in the Aleutians begin operations in the Gilberts, Marshalls, Carolines, take Truk and extend the occupation of New Guinea to the Dutch borders. The British opposed this as they continued to argue the best course was to defeat Germany first then devote all resources against Japan. Now as for the CBI theater, plans were continuing for Operation Anakim and the Burma offensive, but the British were not looking to extend their commitments in the theater very much. They argued that the depleted condition of the eastern fleet prevented them from carrying on a naval supremacy campaign in the Bay of Bengal, and this led Chiang Kai-shek to refuse to support an offensive through northern burma, because of the lack of British naval forces at hand. Thus operation Anakim looked like it was only going to get off in late 1943. For all the failures of the conference, FDR did try to remedy the situation as best as he could with their Chinese allies. FDR made it known he wanted to treat China as a great power that the allies would help build up for the current war and postwar. He also acknowledged the dramatic need to keep supply routes to China open. Stilwell advised 5000 tons of supplies be sent over the Hump per month as a goal to hit by February of 1943, this would require 140 aircraft during good weather and 300 aircraft during monsoon seasons. But Washington at this time could only spare 75 aircraft, another disappointment to Chiang Kai-shek. Another important side aspect to the Casablanca conference was brought forward by Generals Charles de Gaulle and Henri Giraud who were vying to become recognized partners to the allies with their Free French Forces. Until this point, the Japanese had a pretty awkward relationship with their technical ally, Vichy France. This awkward situation led them to simply ignore the Free French forces and by proxy they decided to not touch the French concession of Guangzhouwan which had declared itself part of Free France. French Indochina of course was fully invaded prior to 1941 and remained under nominal Vichy French control, but Guangzhouwan was beginning to stick out like a sore thumb. Chiang Kai-shek recognized Free France's authority over Guangzhouwan and many Chinese forces of the 4th Area Army led by General Zhang Fukui fled into the concession to escape the Japanese. This drew Tokyo's attention and they finally decided to put an end to the Free French presence in China. The 23rd army of General Sakai lent 2 battalions of the 23rd independent mixed brigade from Hong Kong to go over to the Luichow Peninsula. They landed at the village of Peichatsun on February 17th and began skirmishing with some Chinese defenders. They soon overwhelmed the defenders and seized the towns of Hsinlaitsun and Haikang, forcing the Chinese to withdraw towards Suichi. From there the Japanese continued north, seizing Suichi and Chihkan. After these seizures, the Japanese had fully encircled the French concession of Guangzhouwan. The Japanese and representatives of Guangzhouwan soon fell into negotiations and the Free French were forced to declare the concession an open city, allowing the Japanese to occupy it without a fight.   I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. The eccentric or better said madman Wingate got his wish to send the Chindits into the fray, despite just about no one other than Wavell wanting him to do so. With Onions wrapped around their necks they made their first strike against a Japanese railway and it was a surprising mixed success. 

How much do you know about the relationship between the Royal Navy and pirates during the Second World War?Vichy France, Hawker Typhoons, and a Jamaican epic are the topics on today's podcast - plus there's also a sneak preview of James' latest book on Italy during the War...A Goalhanger Films ProductionProduced by Vasco AndradeExec Producer: Tony PastorTwitter: #WeHaveWays @WeHaveWaysPodWebsite: wehavewayspod.com Email: wehavewayspod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Why do celebrity advertisements work? Why do wars happen? What makes the story of Cain and Abel so compelling? What if I told you the answer to all of those questions was…the same? Enter Rene Girard, an atheist-turned-Catholic philosophical anthropologist who was also deeply influential on some of the people who have most shaped our world today—from the biggest tech founders, entrepreneurs and investors. In this episode, Ari unpacked Girard's thought with Jonathan Bi, master teacher and creator of the popular and accessible YouTube series on Girard's thought, “Interpreting Girard: Exegete of the Apocalypse”. Together they discussed misery in higher education; whether learning for its own sake is possible; the Reign of Terror and Vichy France; Emmanuel Levinas; William James and SoulCycle; Girard's belief in the imminent arrival of the apocalypse; the Jewish concept of an “eruv”; Hebraic politics; Ari's pushback on Girard's account of Judaism; and much more! Don't miss this exciting episode! And check out Jonathan Bi's magnificent YouTube series: “Interpreting Girard: Exegete of the Apocalypse” Good Faith Effort is a production of Bnai Zion and SoulShop.

In this episode of the podcast, we shine a light on the naval conflict in the Mediterranean and the Middle East.  This proved to be a prolonged conflict, waged at differing times against the combined forces of Italy, Germany and Vichy France over a wide area stretching from the coastal waters of Southern Europe in the north to Madagascar in the south and Africa's Atlantic coast in the west to the Persian Gulf in the east.  Utilizing a variety of weapons, including surface warships, submarines, and aircraft along with sizable merchant fleets, the British and their subsequent American partners would maintain vital seaborne lines of communication, conducting numerous amphibious landings, interdicting Axis supply activities, eventually eliminating all semblances of Axis maritime power within the theatre. I'm joined once more by Brian Walter. If you recall, Brian joined me in episode 127 to discuss the battle of the Atlantic. Brian has a new book Blue Water War: The Maritime Struggle in the Mediterranean. Patreonpatreon.com/ww2podcast

Michael S. Neiberg, Chair of War Studies in the Department of National Security and Strategy at the U.S. Army War College, joins the show to talk American policy towards Vichy France. ▪️ Times  • 01:21 Introduction • 02:15 Vichy France - An Overview • 06:38 A Phony War • 09:16 American Assumptions Pre-war • 13:09 Isolationism No Longer Works • 24:30 Roosevelt's Policy  • 28:45 Stress In The Anglo-American Alliance • 33:03 American Vision Of A Post-War World • 36:00 Vichy Unveiled  • 39:01 Chaos In North Africa     • 43:19 Vichy's Shame • 51:57 de Gaulle

Who was more honorable? The men of the French Resistance or the men of Vichy France? Was America a victim of Japanese savagery at Pearl Harbor?

Author Dermot Turing discusses his book XYZ: The Real Story of How Enigma Was Broken. December, 1932: In the bathroom of a Belgian hotel, a French spymaster photographs secret documents – operating instructions of the cipher machine, Enigma. A few weeks later a mathematician in Warsaw begins to decipher the coded communications of the Third Reich and lay the foundations for the code-breaking operation at Bletchley Park. The co-operation between France, Britain and Poland is given the cover name ‘X, Y & Z'. December, 1942: It is the middle of World War II. The Polish code-breakers are in France on the run from the Gestapo. People who know the Enigma secret are not supposed to be in the combat zone for fear of capture so MI6 devises a plan to exfiltrate them. If it goes wrong, if they are caught, they could give away the greatest secret of the war. X, Y & Z describes how French, British and Polish secret services came together to unravel the Enigma machine. It tells of how, under the very noses of the Germans, Enigma code-breaking continued in Vichy France. And how code-breakers from Poland continued their work for Her Majesty's Secret Service, watching the USSR's first steps of the Cold War. The people of X, Y, and Z were eccentric, colorful, and caught up in world events that they could watch not control. This is their story… www.dermotturing.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Directed by Gillian Armstrong and starring Cate Blanchett in the titular role, this is the fictionalized story of a British SOE (Special Operations Executive) operating in Nazi-occupied France in 1942. The character is a composite of several real women who worked as spies for the Allies during this time period. She is sent on missions to deliver packages to the resistance and help blow up a train, all the while searching for her lover who was shot down behind enemy lines. A mix of spy film, biopic, and WWII thriller, this movie tries to do a lot; and between Blanchett and a supporting cast that includes Billy Crudup and Michael Gambon, it is certainly not lacking talent. But can they pull off these three different genres in one? And how well does the film work overall? Join the Danger Close team and find out as we explore our first film featuring the French Resistance in Vichy France! Next Episode: Tumbledown (1988) Feel free to contact us with any questions or comments! Our website: www.dangerclosepod.com Join our Facebook group at: Danger Close - Podcast Discussion Group (https://www.facebook.com/groups/1442264899493646/) If you like the show, please leave us a review on Apple Podcasts or Spotify! If you would like to support the show and get extra episodes where we discuss sci-fi, fantasy, and comedy war movies, join our Patreon for only $4 a month at: www.dangerclosepod.com/support warmovies #warfilms #war #film #films #movies #history #cinema #documentary #WWII #worldwartwo

Imani Jade Powers narrates the bulk of this tale set in 1940s Vichy France, inspired by the true story. Host Jo Reed and AudioFile contributor Sandi Henschel discuss Meg Waite Clayton's captivating story of Nanné Gold, gutsy American heiress, who serves as a French Resistance postmistress, delivering messages to artists and writers hiding from Nazis. In contrast, Graham Halstead adopts a gritty, sorrowful voice for surrealist Jewish photographer Edouard Moss who, having escaped a Nazi work camp, dreams of reunion with his young daughter and escape from France. Read the full review of the audiobook on AudioFile's website. Published by Harper Audio. Find more audiobook recommendations at audiofilemagazine.com Our Audiobook Break podcast is in its 3rd season, and this time listeners are journeying to Pemberley with narrator Alison Larkin as our guide. Enjoy Jane Austen's PRIDE AND PREJUDICE with new chapters each week, free on the Audiobook Break podcast. This episode of Behind the Mic is sponsored by the audiobook editions of Sherryl Woods's Sweet Magnolias series. With the new season available to watch now on Netflix, now is the time to listen to the entire Sweet Magnolias audiobook series, all brought to you by Dreamscape Media. For more information about Sweet Magnolias, please visit www.Dreamscapepublishing.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Melanie Dobson, who I call the queen of split-time fiction has come out with a fabulous book, The Winter Rose, that takes place in WWII France as well as contemporary times (of course) and features a little-known group of war volunteers.  I'd never heard of the Quakers who stayed during the war and helped with refugees, but Melanie Dobson takes care of that ignorance in her new release, The Winter Rose.   Note: links may be affiliate links that provide me with a small commission at no extra expense to you. Did You Know That Quakers Helped with WWII? How Cool Is That? I've always had a slight fascination with the Quakers, so when I learned that Melanie Dobson had written a book where Quakers actually helped smuggle refugee children out of occupied France (or hid them there), well... WHOA!  I wanted to know more. Melanie talks about how she wrote The Winter Rose during travel bans so she had to rely on research to get things right... and she even made friends with one of the refugee children helped by the Quakers!  I mean, come on! How cool is THAT?  (Wait, I already said that... well seriously?  How cool?) From the first clue that split-time would be her author jam to the book that solidified her ideas (and how she got around writing contemporary for her first novel), Melanie shares her story about her stories in this wonderful episode. I had such a blast chatting with her and talking to someone whose enthusiasm for writing tells me she "gets" me. Not to mention her graciousness when I was having so much fun I must not have clicked record and we had to do it all over again.  OOPS! Melanie also talked about a fun promotion they did in January! Near the end of January, Melanie Dobson, Sarah Sundin, and Liz Tolsma got together for a WWII fiction promotion they called "Winter in France." While the promotion itself is over, there are still fun live chats on Liz's Facebook page, blog posts on all their websites, and more for you to check out, so I really recommend you do that! One thing I think we definitely agreed on was that every author brings something unique to the table when they write about something, so while the general gist of a story might feel similar if you break it down to its simplest form, when you add that author's specifics, beautiful things happen and it takes on a life as if it was brand new and fresh. The Winter Rose by Melanie Dobson In this gripping WWII time-slip novel from the author whose books have been called “propulsive” and a “must-read” (Publishers Weekly), Grace Tonquin is an American Quaker who works tirelessly in Vichy France to rescue Jewish children from the Nazis. After crossing the treacherous Pyrénées, Grace returns home to Oregon with a brother and sister whose parents were lost during the war. Though Grace and her husband love Élias and Marguerite as their own, echoes of Grace's past and trauma from the Holocaust tear the Tonquin family apart. More than fifty years after they disappear, Addie Hoult arrives at Tonquin Lake, hoping to find the Tonquin family. For Addie, the mystery is a matter of life and death for her beloved mentor Charlie, who is battling a genetic disease. Though Charlie refuses to discuss his ties to the elusive Tonquins, finding them is the only way to save his life and mend the wounds from his broken past. You can learn more about Melanie on her WEBSITE. Like to listen on the go? You can find Because Fiction Podcast at: Apple  Castbox  Google Play Libsyn  RSS Spotify Stitcher Amazon and more!

For most of his life, Philippe Pétain was a soldier with no war to fight. Then, World War I sent Europe into chaos and the aging Pétain became the Hero of Verdun. But he wasted his newfound celebrity by aligning himself with Hitler. And when France was divided into two after the Nazis invaded, Pétain became the ruler of Vichy France... and actively participated in the Holocaust. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On Episode 13, I'm joined by Dr. Cameron Zinsou (@cgzinsou on Twitter) where we talk about the Vichy regime. In this episode, we talk about Armistice forces, the political ideology of the Vichy regime, the difference between collaboration and accommodation, how important Operation: Dragoon was to the liberation of France, and how the legacy of the Vichy regime is to modern day France. It's an amazing episode, so please enjoy!

Do Investors Care About Odious Debts? The Tsarist Russian government used borrowed funds to repress domestic political movements. Vichy France borrowed while collaborating with the Nazis. King Leopold used borrowed funds to engage in horrific exploitation and repression in the Congo Free State, and these debts were later assumed by Belgium. There are nearly endless examples of truly odious sovereign debts. Do investors care about any of this? And if so, why? Our guest Kim Oosterlinck (Universite Libre de Bruxelles; Solvay Brussels School of Econ. & Mgmt.) is perhaps the foremost expert on such questions. We talk with Kim about odious debt, with a sidebar on efforts to recover looted art. Producer: Leanna Doty