Podcasts about Lord mayor

***This show is brought to you by Quince. Go to http://quince.com/playonpod for free shipping on your order and 365-day returns.*** Richard hires the murderer Tyrell to finish off the Princes in the Tower. Richmond demands his Earldom but flees when Richard brushes him off. Ratcliffe brings news that the Bishop of Ely has joined Richmond. When Elizabeth and the Duchess confront him, Richard uses the opportunity to convince Elizabeth to give him her daughter in marriage in order to preserve her line. He celebrates his triumph until Stanley informs him that Richmond is on his way to England, sending him into a rage. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe” Learn more about your ad choices. Visit megaphone.fm/adchoices

In August 2024, we produced an all day event Middleton's Endgame: A Game at Chess LIVE! a pop up Middleton festival at The White Bear in Kennington, featuring a live performance of A Game at Chess, discussions of the play, a look at Middleton's last public work, the 1626 Lord Mayor's show, and other selections of writing from across his life. The whole event, as ever, was recorded, and we're releasing these over the next few months. This is episode 4, which covers what happened after the play closed, with readings of letters from the time, official records, and discussion with our expert panel. With panelists Professor Tracey Hill, Daniel Yabut, Dr Will Green and readings by Keith Hill and Gillian Horgan. The host was Robert Crighton This followed the first half, and second half of the play, and before that Setting up the Board, which delivered an overview of Thomas Middleton in the 1620's, and the theatrical context for the play. The event was produced and edited by Robert Crighton CW: Attempted sexual assault, dismissal of sexual assault victims, anti-catholic sentiments, ableist, racist, and fatphobic dialogue from the period. Discussion of violence, and of physical injuries. YouTube playlist of readings of the play. Podcast playlist on the play. Patreon box set of this show. The Legacy of Thomas Middleton discussing episode. Our patrons received a rough mix of this episode in September 2024 - over 11 months in advance. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. 

Toll prices are set to rise from January first next year with all vehicles travelling on the M50, except for those without a tag or registered account, rising by 10 cent.Joining Ciara Doherty to discuss this is Sean O' Neill, Director of Corporate Communications for Transport Infrastructure Ireland (TII), Neil Ring, former Lord Mayor of Dublin and City Councillor and Ger Hyland, from the Irish Road Hauliers Association.

A bonus pod today with Damien de Bohun, Golf Australia's General Manager - Clubs, Facilities, and Places to Play. Nick O'Hern and Mark Allen have two items on the agenda to discuss with Damien today:Firstly, the new Golf Australia handicap system and how the rollout is going. We've had mixed feedback from wolfpackers. Many love it and think the change is excellent, however some are critical of some of the bugs that have emerged, and importantly we've had a number of listeners who have suggested their scores are not being captured correctly - including wolfpacker Tom who wrote to us, so we want to ask Damien about those things and find out the latest. Mark is also keen to know why the change was necessary, what was wrong with keeping it the way it was?Secondly, there have been developments today on the Moore Park saga in Sydney where NSW Premier Chris Minns and Sydney Lord Mayor Clover Moore appear to be pushing ahead with their plan to cut one of Australia's busiest golf courses in half, moving it from 18 holes to 9 holes. Damien talks about the latest developments and the Golf Australia proposal which he says lays out clearly how they can achieve what the Premier and Lord Mayor are looking for, more parkland, and retain 18-holes at Moore Park. Damien says that given how important Moore Park is, Golf Australia are seeking a meeting with the Premier and Lord Mayor in the coming days and are confident that when the proposal is understood, it should be received favourably.We're live from Titleist and FootJoy HQ thanks to our great partners:BMW, luxury and comfort for the 19th hole;Titleist, the #1 ball in golf;FootJoy, the #1 shoe and glove in golf;PING will help you play your best;Golf Clearance Outlet, they beat everyone's prices;Betr, the fastest and easiest betting app in Australia;And watchMynumbers and Southern Golf Club. Hosted on Acast. See acast.com/privacy for more information.

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***This show is brought to you by Quince. Go to http://quince.com/playonpod for free shipping on your order and 365-day returns.*** In the parking garage outside The Tower, Richard coaches Buckingham on how to act distraught. The Mayor arrives with Catesby and recoils in horror when Ratcliffe delivers Hastings' head. In order to keep her own, she promises to tell the citizens that Hastings was a traitor who deserved to die. Once she leaves, Richard tells Buckingham to spread the word that King Edward was father to countless illegitimate children, including the two Princes. Later, Richard is planted as a guest on the Maximum Rock-n-Roll Radio Show to pose as a devout Christian and give the impression that he does not want to be King unless the people demand it. Buckingham stages a call into the show to plead with Richard to take the throne, saying that if he doesn't, there will be rebellion. Richard pretends to be reluctant but eventually gives in. Later, outside The Tower parking garage, the Duchess, Elizabeth, Anne and Dorset assemble to visit the Princes, but Brackenbury refuses to let them in. Dorset flees to France to join forces with Richmond. Anne agrees to be crowned in order to save the Princes. Elizabeth goes to Sanctuary to save herself and the Duchess goes to her death. Later, King Richard sits on the throne at The Temple Beautiful with Buckingham at his side, celebrating their rise to power. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

PJ discuss's Government plans for mobile supervised drug injection units and hear from former Lord Mayor of Cork, Cllr Colm Kelleher, on why he's long called for action. Hosted on Acast. See acast.com/privacy for more information.

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The young Prince Edward arrives at The Temple Beautiful and complains to Richard about his uncles imprisonment. Richard tells him his uncles Rivers and Dorset were dangerous. Edward protests but is interrupted by the arrival of the Mayor of London who greets him with flattery. Edward asks about the whereabouts of his mother and brother, the Duke of York. Hastings arrives and tells Edward his mother and brother are in sanctuary. Buckingham orders Hastings to bring York to them by force. The Cardinal protests but Buckingham convinces him there's no need for sanctuary under these circumstances. Alone with his uncle Richard, Edward asks where he and his brother will be staying before their coronation. Richard tells him they're to stay in the Tower. Edward protests but is interrupted by the arrival of his younger brother. Little York teases Richard until he learns they're going to the Tower. He starts to argue but Edward tells him not to fear. They're taken away. Richard and Buckingham call in Catesby to test Hastings' loyalty. Once alone, Richard promises Buckingham the Earldom of Hereford. Later that night, a messenger from Stanley arrives at Barrington Hall to warn Hastings that Richard is going to kill him. Hastings reassures him that Richard won't harm him. Catesby arrives and hears from Hastings that he won't support Richard taking the throne, even though he had his enemies (Rivers and Dorset) killed. Stanley rolls up and warns Hastings not to trust Richard. Buckingham saunters out to meet them and takes them to the Tower for the coronation. Elsewhere, in a warehouse basement in Pomfret, Rivers begs for his life as Ratcliffe drowns him. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dublin City Council is pleased to announce the BikeBunkers service to provide secure bicycle storage units for residents. The service is designed to make cycling more convenient and help address one of the biggest challenges for urban cyclists, the lack of secure and accessible bike storage close to home. This milestone follows the success of a pilot project, where 12 bike bunkers were installed in selected residential areas to test demand and gather feedback. The results were overwhelmingly positive; every unit was fully subscribed, and residents strongly supported expanding the programme. Building on this success, Dublin City Council has developed a comprehensive framework to deliver up to 300 BikeBunkers across the city. The framework will run for 10 years, with an initial 4-year service contract. Following a competitive procurement process, Bleeper has been appointed as the operator to commission, deliver, install, maintain, and service the BikeBunkers. This will be a budget-friendly, subsidised service supported by Dublin City Council, making secure bike parking more accessible to residents across the city. Visit BikeBunkers.ie to explore the service in detail and find out how to register. Lord Mayor of Dublin Councillor Ray McAdam said, "I'm delighted to see BikeBunkers rolling out across Dublin. This is a real win for communities, tackling one of the biggest barriers to cycling by giving people safe, secure bike storage close to home. BikeBunkers will make cycling easier and safer for Dubliners, giving people the confidence to use their bikes every day without worrying about theft or storage. Rolling out BikeBunkers across the city is a real boost for communities and a practical step in making Dublin a truly cycle-friendly capital" Jennifer McGrath, Head of Road Safety and Micromobility Unit, Dublin City Council, said. "This service is about giving people practical support to cycle more in their daily lives. By providing secure, affordable bike storage in residential areas, Dublin City Council is helping communities embrace cycling as a convenient, reliable, and sustainable way to get around." "Bleeper has been meeting the needs of Dublin's cycling community since our shared bikes launched in 2018, and we're delighted to bring that wealth of expertise to the BikeBunkers service", says Hugh Cooney, CEO of Bleeper. "We understand how important it is to have secure cycle parking, and we're excited to be working with Dublin City Council to bring BikeBunkers to neighbourhoods across the city." New BikeBunkers will begin to arrive in neighbourhoods across Dublin by the end of 2025, and residents can register their interest in using a Bike Bunker by completing a short form on the website BikeBunkers.ie. This project marks a significant step forward in creating a more sustainable and cycle-friendly Dublin.

Lord mayor of Melbourne Nick Reece spoke to Ross and Russ on the shocking incident.See omnystudio.com/listener for privacy information.

Brisbane City Council Lord Mayor Adrian Schrinner joined Peter Fegan on 4BC Breakfast to answer questions and queries from the listeners.See omnystudio.com/listener for privacy information.

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Inside the Tower, Clarence begs for his life. Later, at the Gilman DIY Music Venue, King Edward secures a reluctant peace between his family's rival factions, but collapses in grief when Richard arrives with news of Clarence's death. In the ensuing chaos, Richard secures the alliance of Buckingham and Ratcliffe. That night, Elizabeth and the Duchess grieve the deaths of Edward and Clarence. Richard enters to offer his condolences and Buckingham suggests a quiet coronation for the young prince Edward in order to avoid civil unrest. Meanwhile, Dorset and Rivers rush to secure the safety of Prince Edward in Ludlow. At Rasputin Records, citizens fret over being ruled by a child King with Richard as his Protector. At home with her younger son, the Prince of York, Elizabeth gets a tattoo as she ruminates with the Duchess over their horrible state of affairs. A messenger arrives with the news that Dorset and Rivers have been imprisoned in Pomfret by Richard and Buckingham. Elizabeth grabs York and withdraws in despair to sanctuary, leaving the Duchess behind. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to this full audio adaptation of the 1624 Lord Mayor's Show - The Monuments of Honour by John Webster. This is a playful reconstruction of the show performed on the 29th October 1624. It was a massive civic event created by the city for it's new Lord Mayor. This reconstruction was SUPPOSED to have been recorded live on the 400th anniversary of the show - but, alas, the production fell through at the last minute. Instead we recorded this piecemeal over the last six months around other shows. Full coverage of the 400 year old event, fed into our studio via the latest scrying glass link up... It features Robert Crighton, as radio Host John doing the live commentary. With Liza Graham as Hostess Joan on the street. Karim Kronfli plays the author of the pageant, John Webster, and the speeches of the shows are performed by Keith Hill and Emma Kemp. Our advisor was Professor Tracey Hill, our city chronologer. More from the civic world of London will come as we can pull it together. Our patrons received this episode a month early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

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Queen Elizabeth replays a tape of her husband King Edward's band as she obsesses over his failing health. Her brother, Lord Rivers, tries to comfort her, as do her two sons from a previous marriage, Gray and Dorset. She tells them that the sons she conceived with Edward are still too young to rule, and that if her husband dies, the throne will go to Richard until the oldest son comes of age, putting her safety in jeopardy. Buckingham and Derby arrive to report that King Edward's health is improving and that he wants to make peace between Richard and Elizabeth's clans. Richard barges in with Hastings at his side, railing that he's being disrespected and that people are telling lies about him. Elizabeth does her best to defend herself against his accusation that she put Clarence in jail and that she is vying for the throne. As they argue, the old Queen Margaret arrives unseen and listens to them from outside the house, commenting bitterly to herself about how quickly power is lost. She finally confronts the group and berates Richard for the murders of her family before cursing everyone in the room, one by one. After she departs, Catesby enters to say that King Edward wants to talk to his family. Richard, left alone, celebrates his mischief, then hires two murderers to kill his brother Clarence in the Tower. There, Clarence tells Brackenbury (the jailer) about a nightmare he had in which he drowned trying to rescue Richard and was dragged down to hell. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Green Party councillor and former Lord Mayor of Dublin talks about her journey through breast cancer – from initial diagnosis to ongoing treatment, helped with the amazing support of her husband and daughter

In August 2024, we produced an all day event  Middleton's Endgame: A Game at Chess LIVE! a pop up Middleton festival at The White Bear in Kennington, featuring a live performance of A Game at Chess, discussions of the play, a look at Middleton's last public work, the 1626 Lord Mayor's show, and other selections of writing from across his life. The whole event, as ever, was recorded, and we're releasing these over the next few months. This is episode 3, which covers the second half of the live performance of A Game at Chess itself - from midway into Act 3. It followed the first half, and before that Setting up the Board, which delivered an overview of Thomas Middleton in the 1620's, and the theatrical context for the play. It is a relatively simple mix of the play, a fuller mix with extra bells and whistles will follow anon. In A Game at Chess by Thomas Middleton were… Alexandra Kataigida – Black Queen's Pawn Ailbhe Casey – White Queen's Pawn Roel Fox – A White Pawn / Black Bishop's Pawn Robert Crighton – Black Knight's Pawn Keith Hill – Black Knight Simon Nader – White Duke Liza Graham – Fat Bishop Daniel Yabut – Second Black Pawn / White King Gillian Horgan – White Queen Kit McGuire – Black Jesting Pawn / White Knight Sojourner Hazelwood-Connell – White Bishop's Pawn Connor Robert-Brown – Black King Valentina Vinci – Black Queen Text coaching by Liza Graham The music was specially composed and produced for the show by Roel Fox The event was produced and edited by Robert Crighton CW: Attempted sexual assault, dismissal of sexual assault victims, anti-catholic sentiments, ableist, racist, and fatphobic dialogue from the period. Discussion of violence, and of physical injuries. YouTube playlist of readings of the play. Podcast playlist on the play. Patreon box set of this show. The Legacy of Thomas Middleton discussing episode. Our patrons received a rough mix of this episode in September 2024 - over 11 months in advance. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Melbourne Lord Mayor Nick Reece joins Tony Jones. See omnystudio.com/listener for privacy information.

As his older brother, the newly crowned King Edward, weakens with illness, Richard, Duke of Gloucester, lays out his plans to take the throne. He frames his brother Clarence for conspiring to kill Edward, then convinces Lady Anne, the widow of the previous King Henry, to marry him, even though he killed her husband and their son. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLA. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

A man who has spent the past four decades tending to the graves of the only two unclaimed victims of the 1985 Air India disaster has been honoured by an Indian cultural group.Finbarr Archer, who is the official driver to the Lord Mayor of Cork, was working for an undertaker at the time of the terrorist attack.All 329 passengers and crew on board Air India flight 182 were killed in June of that year, when a bomb exploded on board the aircraft, approximately 190km off the south-west coast of Ireland on route from Montreal to Delhi…The flight, which was brought down off the coast of Cork, remains the worst aviation disaster in Irish and Canadian history.Finbarr Archer joins Seán to discuss.

A man who has spent the past four decades tending to the graves of the only two unclaimed victims of the 1985 Air India disaster has been honoured by an Indian cultural group.Finbarr Archer, who is the official driver to the Lord Mayor of Cork, was working for an undertaker at the time of the terrorist attack.All 329 passengers and crew on board Air India flight 182 were killed in June of that year, when a bomb exploded on board the aircraft, approximately 190km off the south-west coast of Ireland on route from Montreal to Delhi…The flight, which was brought down off the coast of Cork, remains the worst aviation disaster in Irish and Canadian history.Finbarr Archer joins Seán to discuss.

See omnystudio.com/listener for privacy information.

Ray McAdam, Lord Mayor of Dublin, discusses Barack Obama's Freedom of Dublin award, which he will receive today.

Former US President Barack Obama will be awarded the Freedom of Dublin today, with some Independent Dublin Councillors calling for a boycott.Dublin City Council voted in 2017 to grant him the honour, and he has decided to accept it in a ceremony in Dublin with Lord Mayor Ray McAdam and a number of councillors in attendance.Do you think it's good that this is happening?Joining Kieran to discuss is Independent Dublin City Councillor Cieran Perry, as well as Fine Gael TD for Dublin Bay South and former Lord Mayor of Dublin, James Geoghegan.

The vote had some controversies, PJ talks them through with the Lord Mayor. Hosted on Acast. See acast.com/privacy for more information.

Adam is joined by Guest Hypnotist Jasnon O'Callaghan, a psychologist who became a stage hypnotist for weddings and a hypnotherapists offering a full sensory experience. More Info on Jaoson here: https://jasonocallaghan.com/ Jason O'Callaghan is a trained psychologist. He holds a honours degree in Psychology and a Masters degree in Applied Psychology from Trinity College Dublin. Prior to this for over a decade he was a prominent journalist for The Sunday Independent newspaper.For his Masters research he was named in the 2012 Trinity College Roll of Honor after he developed a stress reduction program for cancer patients. He is the only known practicing hypnotherapist in Ireland to hold a Masters in Psychology from Trinity College.He is also one of only three known hypnotists in Ireland to have an Honors degree in Psychology accredited by the Psychological Society of Ireland. He is also one of only three hypnotherapists in Ireland trained in America as a Certified Instructor by the world famous National Guild of Hypnotists.He is also qualified in Cognitive Behavioural Therapy (CBT) receiving his training from The Institute of Integrative Counselling and Psychotherapy (IICP).He holds qualifications in Counselling from National University of Ireland in Maynooth and is a certified member of the National Guild of Hypnotists (NGH). He also holds a Higher National Diploma in Media and worked for ten years interviewing world leaders, celebrities and international businessmen as part of his role as a journalist for Ireland's biggest newspaper The Sunday Independent.Since 2002 he has performed at over 2,000 events, firstly as the producer and front man of the famed Irish Rat Pack show and since 2014 as a motivational, corporate and event psychologist, specializing in both clinic and stage hypnosis. He has written two books, produced two albums and three kids.He has performed at events from 10 to 1,000 guests and can tailor his performance to suit your needs.His clients range from engaged couples, the Lord Mayor of Dublin, Indeed.com, Netwatch, Supermacs, the Radison hotel Bahrain plus many more from Ireland to the UK, from the USA to the middle east.

Alderman Charles Bowman , Representative of the Lord Mayor of the City of London

In August 2024, we produced an all day event  Middleton's Endgame: A Game at Chess LIVE! a pop up Middleton festival at The White Bear in Kennington, featuring a live performance of A Game at Chess, discussions of the play, a look at Middleton's last public work, the 1626 Lord Mayor's show, and other selections of writing from across his life. The whole event, as ever, was recorded, and we're releasing these over the next few months. This is episode 2, which covers the first half of the live performance of A Game at Chess itself. It followed Setting up the Board, which delivered an overview of Thomas Middleton in the 1620's, and the theatrical context for the play. It is a relatively simple mix of the play, a fuller mix with extra bells and whistles will follow anon. In A Game at Chess by Thomas Middleton were… Alexandra Kataigida – Black Queen's Pawn Ailbhe Casey – White Queen's Pawn Roel Fox – Black Bishop's Pawn Robert Crighton – Black Knight's Pawn Keith Hill – Ignatius Loyola / Black Knight Susan Kyd – Error / White King's Pawn Simon Nader – Black Bishop / White Duke Liza Graham – Fat Bishop Daniel Yabut – White King Gillian Horgan – Prologue / White Queen / Fat Bishop's Pawn Kit McGuire – White Knight Sojourner Hazelwood-Connell – White Bishop's Pawn Connor Robert-Brown – Black King Valentina Vinci – Black Queen Text coaching by Liza Graham The music was specially composed and produced for the show by Roel Fox The event was produced and edited by Robert Crighton CW: Attempted sexual assault, dismissal of sexual assault victims, anti-catholic sentiments, ableist, racist, and fatphobic dialogue from the period. Discussion of violence, and of physical injuries.   YouTube playlist of readings of the play. Podcast playlist on the play. Patreon box set of this show. The Legacy of Thomas Middleton discussing episode. Our patrons received a rough mix of this episode in September 2024 - over 11 months in advance. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Join us at Bradgate Park in Leicester with Jules Acton, author, former podcast guest and Trust ambassador, while our regular host Adam enjoys a summer holiday. We meet senior park ranger Matt who gives us a tour as he explains his role in caring for the site and its amazing trees. We've come to the park to see one in particular: a magnificent 830-year-old oak. It's in the running for Tree of the Year 2025. This year's contest celebrates our cultural connections with trees, shining a light on those that are local landmarks, sources of passion, inspiration and creativity. Find out what makes Bradgate Park's oldest oak special and vote for your favourite by 19 September.   Don't forget to rate us and subscribe! Learn more about the Woodland Trust at woodlandtrust.org.uk Transcript You are listening to Woodland Walks, a podcast for the Woodland Trust. We protect and plant trees for people to enjoy, to fight climate change and to help wildlife thrive.  Jules: Good morning. I'm Jules Acton. I'm an ambassador for the Woodland Trust. I've been in this job for 10 years this month and it's been a fantastic 10 years. I've loved every day because I get to meet some amazing trees and woods and even more than that, I also get to meet lots of amazing people who love trees and woods and who are inspired by them. So Woodland Trust members, other supporters, staff and volunteers. And I think one of the reasons people love trees so much is not just for the fact they provide all the wonderful services they they store our carbon, they provide fresh air, they can help filter pollution. But they're also absolutely entwined in our culture. And that's been taking place over hundreds and thousands of years. So our, particularly our native tree species tree species are absolutely embedded in our culture, and every old tree has a story to tell. Now, the reason we're here today is that we're going to talk about Tree of the Year and the theme of the Tree of the Year is culture and the way trees are embedded in culture. Ten magnificent trees have been chosen by a panel of experts. Each has a wonderful story to tell, and members of the public can go and vote for their favourite tree on the Woodland Trust website.  We are here in Bradgate Park car park. It is a golden morning and we're surrounded by trees. I can see oak trees, hawthorns, birches, hazels. It's absolutely gorgeous with the dappled sunlight falling down on us through the leaves. We're here to meet a particularly special tree. It's Bradgate Park's oldest oak tree, and it's about 20 minutes walk from the car park. So I see my colleague Natasha. She's over there waiting at the edge of the car park, waiting for Matt. Hello Natasha.  Natasha: Hello. Ohh hi!  Jules: Can you tell us a bit about your role, Natasha and what you do at the Woodland Trust?  Natasha: Yeah, I'm a social media officer, so I just help create and schedule all social media content, jump on whenever there's an opportunity like today.  Jules: And today you're going to be helping with the recording.  Natasha: Yeah, getting a few clips behind the scenes of how we record the podcast so we can share that and a few bits for our website as well and YouTube.  Jules: Thanks Natasha. Now I think we have just seen somebody drive up who might well be Matt. He's he's appeared in a very groovy looking buggy. And here we go. I believe this is Matt. Hello.   Matt: Good morning, Jules.   Jules: Hello, Matt, hi, lovely to meet you.  Matt: Nice to meet you. Welcome to Bradgate Park.  Jules: Thank you. Can you tell us a little bit about your role, Matt?  Matt: So yeah so I've I've worked at Bradgate Park for just over 20 years now and main sort of roles on on the site are woodland management and caring for the ancient trees that we've got that that are of European importance. And I also get quite involved with the drystone walls and repairing them. I lead a a group of volunteers on a Thursday and as we go across the site, I'm sure I can show you some of the work that we've been doing.  Jules: Oh brilliant, and you're going to particularly show us a very special tree, I believe.  Matt: Yes, I believe we might be able to find that. Yeah, the tree is approximately 830 years old. It predates the Magna Carta and I'd certainly like to take you to the tree and tell you a bit more about it.  Jules: All right. We're just getting ready to go and all around us are people enjoying the park, there are some people walking up hills. There are lots of dogs. There's one very cute little brown dog that's having a little dip in, in a little stream, a little brook, really at the edge of the park and it's already quite a warm day, so I think it's having a nice little cool down.  We're back en route towards the special tree with the beautiful drystone wall to our right and across to the left are, well there's a tree, there's a plantation, and then there's also a sort of a bit of a wood pasture environment would you call it Matt, with some native trees dotted around in the landscape?  Matt: Yeah, very much so. So this is Hallgates Valley. We're looking across to Dale Spinney. The park itself is 830 acres, of which spinneys represent about 10% of the parkland area, so it's quite a large proportion. All the spinneys were planted on the, on the hilltops across the park, that's that's not just by chance. And they were created around about 1830s-40s by the 6th early of Stamford and and now we see the spinneys that we've got here today so you've got quite a mature, mature standard trees. Quite a lot are softwood, but then we've got a mixture of hardwoods in there. We certainly replant hardwoods in the spinneys.  Jules: How would you define a spinney as opposed to, you know, other kinds of woods?  Matt: Nice easy question *laughs*. I would I would say you've obviously got different names of woodlands and you know we're, we're, we're in Charnwood Forest, but a a forest isn't just trees, it's clearings. And I would say a copse is a small woodland. I would say the spinney is is probably like slightly larger than that and then you go up towards a wood. I could be totally wrong! *both laugh*  Jules: I like it though. So Matt you say, you've you've been here 20 years.   Matt: Yeah, 22.  Jules: 22. So you obviously love it. And what is it that keeps you here?  Matt: I was born in Leicester and came here as a young child playing and you know to end up working here as a job, it's certainly a nice place to be coming to and huge, beautiful surroundings, fresh air and and then I've I've just got a real passion for particularly the a lot of the heritage crafts that we keep alive on the estate. So yes, we go down and we manage the woodlands, but we're actually carrying out coppicing operations and that, they go back to the Stone Age and and then other work on the site for instance drystone walling, which we're approaching a gap now that we've been repairing and is obviously another heritage craft, and for me, I I just think it's really important that we're passing on these skills, heritage crafts on to the next sort of generation.  Jules: That that's brilliant. And do you do you train sort of volunteers or or is it staff members in in this kind of thing?  Matt: I've trained up to Level 2 in walling. That's something I I went up to Derbyshire to do. We've actually got another chap on site now, Leon. He's, he was in the armed forces and and and Leon is doing his levels in walling as well. I believe he's already got Level 1 and 2. He's working towards his 3, we might be able to pop and see him in a bit, but I guess the focus should be trees today *laughs*.  Jules: Yeah, well if we have time, that'd be great. See how we go.  Matt: This is certainly a large gap of wall that we've been doing on the estate. We've got 17 miles of drystone wall to maintain. The deer park itself goes back to 1241, but it's, the boundaries changed slightly over over the years and the largest extent of the deer park was probably around about 1550 and that would have, certain parts of the boundary are drystone wall and and that's obviously what what we're left with today and we need to maintain that. Not only does it keep the deer inside the park, which is obviously beneficial for a deer park, it's fantastic habitat for various, you know, sort of reptiles to live in and adders, grass snakes, things like that.  Jules: Fantastic, so we're looking at at one of the drystone walls and it's I'd say about shoulder height, would you say and it's a grey sort of almost sort of slaty looking stone actually, do you, can you tell us what kind of the stone it is?  Matt: Yeah so on on this side of the park, it's it's it's it's a little bit more slaty towards Newtown Linford, that's that's more of a granite, the walling that we do on the, that we we do on the park is is called random coursed walling. So yes, as we build the wall up, you start with the larger stones at the bottom and as the as the wall tapers up, it angles in, that's called the batter of the wall, you can see the frame we've got and that that we're working to, we've got the building lines in. So this one is 80 centimetres at the bottom, tapering up to 40 centimetres at the top. Originally this was actually a lime mortar wall and a lot of walls on the park are lime mortar, but it is possible to rebuild dry, but we do a mix a mixture of both on the estate.  Jules: That's great and it's just lovely to see these heritage practices being kept alive and you mentioned the coppicing as well, which is absolutely very much part of woodland culture going back centuries. I believe it goes back to the Vikings, maybe even earlier, I don't know if you know anything about the history of it, Matt?  Matt: Yeah, well, certainly the Stone Age coppicing going back, going back to the Stone Age, it's the process of cutting the tree down to ground level. Not all trees will coppice, certainly oak will. That's where Copt Oak gets the name from, coppiced oak. Hazel is the primary tree species that we are coppicing, certainly in Swithland Woods and we've got a management plan in place. We've we've just come to the end of a 10-year management plan that was supported by, there's a lady called Liz Sharkey who comes up with a great plan for us. We're just starting in, in November will be the next 10-year plan and the intention of that is to create the most diverse habitat that Swithland Woods is and it will create a mosaic of habitats, different age stands within the structure of the woodland and and part of that will be coppicing rotation and that will open up and the the the floor of the woodland, let light in and that will benefit bluebells and wood anemone and all the related bird species and invertebrates.  Jules: This is all music to our Woodland Trust ears. Thank you, Matt. Shall we continue on our little tour?  Matt: Yeah, yeah, yeah, I will turn this very loud... *banging*  Jules: *laughs* I'm not actually sure how to get out the car, but ohh, OK, yeah, yeah. Natasha's on it. Thanks Natasha. OK, so we are walking up to not the tree we're here to see, but we couldn't resist this one because it's really special and it's a gnarly oak tree, kind of growing out of what looks like a big craggy load of rocks. Yeah, Matt, could you tell us a bit more about this tree?  Matt: Yes, I can. So it's English oak and some of the, it's growing out of granite and some of the rocks on the park are actually some of the oldest rocks, certainly in Britain and and the world, 560-million-year-old rocks that we've got on the park and it's all part part of the designation, actually, of the park, it's a SSSI, geological interest in the park and also the veteran trees are also part of that designation and we have just become a National Nature Reserve as well, Bradgate Park.  Jules: Well, congratulations! Could you just explain the SSSI to us just so people understand what the abbreviation means?  Matt: It's a Site of Special Scientific Interest, so there's many layers to Bradgate Park, people might just want to come have a nice walk, enjoy the views, and people that might be more interested in the geology of the park, so we get a lot of people that are coming out and looking at the rocks and looking for fossils and they're able to from that age, the rocks on the park and then other designations that we've got are related to the ancient trees and and that all forms a a bigger picture that makes the park so important that it has to be protected.  Jules: Fantastic. And one of the things that I've just noticed on both this very old oak tree and also on the rocks are, there's a lot of lichens. They're gorgeous. So they're sort of just splattered with them, some of them just look like, like, little sort of paint splats, don't they? They are different colours, we've got white ones, green ones on the rocks, I'm looking at, sort of greyish ones. Some are crusty, some are very flat, which is I think the nature of lichens. Do you know much about the lichens?  Matt: I certainly know that we need to keep the lichens exposed to the sunlight, so we have to clear bracken so they're not getting shaded out. They take a long time to form and I certainly know that they need good clean air. So that is a good sign, if you're seeing lichens, you're in a good place as a human being.  Jules: Yeah, absolutely. And and one of the things about oak trees as well is because they, they're long-lived trees, they provide particularly important habitat for lichens, cause some, many lichens are really, really slow growing, so they need a very slow, you know, stable habitat, so whether it be the rocks or or the very old tree and you'll get different species associated with the different environments as well.  Matt: Yeah, exactly right. And and you can see as well as the being lichens on the rock, you look up into the oak tree and in to the, up the, into the crown of the tree and we are seeing lichens on on the oak tree.  Jules: Yeah. Aed one of the other things about lichens is that they are also embedded in our culture as well, so we use them to to make dyes, some people cook with them, so again, a bit like bit like the oak trees and and other native trees, they're really entwined in our cultural history. This isn't the tree we're here to see, but it's absolutely marvellous! So I, gosh, I hope this becomes, goes on the Tree of the Year shortlist at some point because it deserves it!  Matt: Well, it's nice to have more than one entry.   Jules: Yeah, that would be good, wouldn't it?  Matt: I guess it would in in increase the chances of winning, but seeing as it's the first time you've come to the park, Jules, I thought you may as well see this.  Jules: Yeah, yeah. Yeah, I love it. It looks quite elephantine from this, elephantine I should say, from this angle with this sort of like this great, long limb sticking out, it's almost like a trunk isn't it and up into the into the blue.  Matt: It certainly is, and I think that's certainly going to be the word of the day. I'm not, I'm not certainly going to try and trump that!   Jules: OK, yeah, let's, let's, let's try and use it again, in the next stop! *both laugh* OK. We're going back to the car now the the buggy, the T, TVA. No, the, what is it?  Matt: The ATV *both laugh* As we go back towards the ATV, we can see a absolutely stunning tower on a hill. It's gorgeous. It's kind of like, well it looks like it's in a fairytale to me. Could you tell us a bit about that?  Matt: So Old John Tower was, they started building it 1784 and and it is a folly and it was somewhere that the Greys, the owners, the Earls of Stamford could entertain guests and around the base of the tower, the rear is the remnants of an old racetrack, at the side of the tower, there's an old stable block and the Greys were certainly great horse fanciers and they entered racehorses into various events and along the the the old racetrack there's still remnants of old furlong markers and they were able to entertain the guests, stand up on the the roof of the of the tower and get an idea of of how good the how well the horses were performing.  Jules: Brilliant. And and the the Greys being the family of Lady Jane Grey, is that right?   Matt: Yes, that's right yeah.  Jules: OK. So it's it's absolutely stunning. It looks like the sort of, yeah, if you're drawing a scene in a fairytale, you'd be drawing a little turrety round tower on top of a hill, wouldn't you? And there'd be probably Rapunzel at the top, letting down her hair. On this occasion we've got a, on this occasion we've got a a very fit looking person who's just run a ring around the bottom of the tower and is now running towards us, obviously making use of this wonderful environment to to keep up their fantastic fitness. Right. OK. Now we are going back to the vehicle. And I think is next stop the the tree, our destination?  Matt: Yes it certainly is.  Jules: OK, OK, brilliant. I think I've actually worked out how to get in this time, which is ohh no, Matt's letting me in, thank you, what a gent, thank you. Right, we are now out of the vehicle and we are walking towards the special tree. And how long, how much of a walk is it from here?  Matt: So I can see it already and I'd say we're only about 200 yards away from it.  Jules: *laughs* Ohh, I still haven't seen it!  Matt: I'm I'm I'm deliberately walking in a way that it's going to appear.  Jules: Oh he's hiding it from us.   Matt: Yeah. There we go, fallow deer.  Jules: Ohh, there's ohh my goodness two fallow deer. The beautiful spotty backs, sort of trotting away. And then they've stopped and have given, they're looking at us. They're not too shy, actually are they?  Matt: No, no, they're not.  Jules: They look just like double Bambi. They're very beautiful.  Matt: You'll you'll you'll notice on all the trees, and there's about a dozen smaller oak trees that we planted, and these are about 30 years old now. Again, you can see how we've we've literally topped the smaller trees and and that's because we don't want to leave these trees just to get huge a. and maidens and straight and tall. So we want these to be stunted and more open grown. And so we've cut the tops off and and thinned them slightly. And then, again, we're hoping that that will make them longer lived.  Jules: Yeah, yeah. And of course, the oak trees love a lot of light, don't they? And these have got quite a lot of light and space around them.   Matt: Yes.   Jules: Ohh, I can see it now. Oh my goodness. What a beast. How fantastic. So it does, so it's the Bradgate Park's oldest oak, isn't it, so does it have a name, another name beyond that?  Matt: I think people people give it various names but it's just ‘the oldest tree in the park' *laughs*  Jules: Yeah, yeah.  Matt: Trying, I suppose for many years we've tried to keep it a bit bit sort of secret. That's probably for the benefit of the tree and certainly, the fact that it's within a spinney, people aren't walking up to it, and that's helped the tree. I feel that it's in a, it's obviously found some good growing conditions and despite the general habitat of the park being poor, upland soil, shallow, it's found some incredible growing conditions here it's been sheltered so that it's not being exposed to too much, too much wind force. And also it's it's nice and open so as the, as you know sort of from midday to right through into the evening, it's gonna get plenty of light as well. So there's I think there's been a number of factors that have certainly helped to prolong the life of the tree.  Jules: Yes, absolutely. Wow, it is a stunner. So just to try and describe this tree, it it's immensely tall. It's probably about the size of a, what about the height of a house would you say?   Matt: Yeah it's a good, good 45 feet.  Jules: Yeah. And it's got a very gnarly bole. I call it a bole rather than a trunk because it's really big, broad, and it's kind of split into two, kind of more than two. And it's got some dead branches coming out the middle. It's got one gorgeous, great, long, twisted limb reaching out. And it's that that's they're they're propped up, but it's kind of snaking, isn't it, ooh, it's elephantine that's what it is! Yeah, let's use our favourite word of the day.  Matt: I'd I'd say it's definitely elephantine *both laugh*  Jules: Yeah. And you can see kind of, it looks like there's faces everywhere, aren't there? It's like in that they've dead bit of branch there, you can see like a sort of twisted sort of face and a great long nose. And ohh it's, what a beautiful beast. So Matt, could you tell us a bit about its cultural connection to human beings?  Matt: Well, it certainly, it it was aged back in 2014 by a tree consultancy called Bosky and we we obtained a grant funding to tag and map many, many trees across the estate of this, being one of them, and it was it was aged at 818 back then, which puts us at around about the 830 mark now. In terms of relations to humans, it predates the Magna Carta and one of the most notable former residents of Bradgate Park obviously being Lady Jane, when she was a child living on the park, the tree would have already been quite a mighty oak of about 300 years.  Jules: Gosh, so, so Lady Jane Grey would have known this tree.   Matt: Yes, yeah.  Jules: She would probably sat underneath it.  Matt: Which is somewhat remarkable.  Jules: Yeah. Maybe had a little picnic under here. *Matt laughs* That's what I would have done. Fantastic. And it's wonderful that you're protecting it and actually, despite this sort of really craggy bole, it's it's looking in pretty good health, isn't it, it's got loads of leaves all around. Are you feeling sort of confident about its its future given given how it is?  Matt: Well, certainly, yeah you you've you've pointed out the props and these props have been in place supporting certainly this this limb. If we walk around the other side of the tree, you can you can get a bit more of an impression as to what the props are actually achieving for the tree and in due course, and I believe we'll we'll probably upgrade these props, which are basically telegraph posts with Land Rover tyres that have been cut, which is certainly an effective way of doing things, but we have evolved the propping techniques that are now, you can see the tree in the distance over there by the compound that's called the Pheasant Garden. And there's a there's an oak tree there that supported by a prop and that is manufactured using metal, sort of steel work and then there's a cup section that's manufactured and then that that's a more sympathetic way of actually supporting that bough.  Jules: Yeah, yes.  Matt: Regarding, you know the actual cover of the foliage, like you say, totally agree that it's it's still got reasonable foliage cover, certainly certain things that we do have to watch out for is shade. And that is partly why we've cut the tops off the trees around it. But also you can see where we've got a bit of interference here with this Scots pine at the back.  Jules: Oh yes, it's actually actually touching I think, almost touching.  Matt: So that is something that we would look to keep keep in check. So this Scots pine, as as lovely as it is, that Scots pine is more like 70 years old, and we wouldn't want that to be shading out so that's something we'll we'll probably climb up there and just cut that, cut the limb off off the Scots pine and stop that, because you can see if we just leave that doing what it's doing, it's going to start shading out and it's really important that we keep the living mass of this tree, so there's a balance there between the living mass and the dead mass of the tree, the static mass. And it's that balance as a ratio for the tree, you know, if you, if you look at a younger tree there, you can say that almost almost 100% of of the of the crown of that tree is alive. Whereas you look at this tree and you start thinking maybe 50%. So the closer that ratio between the living mass and the dead mass is, the closer that gets more like to a one to one, then the the tree will will then gradually just just just be going into decline. So you know, the tree will not live forever but I'm pretty confident it's going to outlive us guys *laughs*  Jules: Yes. It's an amazing thought, isn't it? And it's obviously very loved and and and I think the importance is is not just about the tree itself, is it? So really ancient oaks like this, they support enormous numbers of species, some of which only live on ancient oaks. So that's why we need to protect this tree as much as we possibly can and also bring on those veteran oaks of the future that you you, you're, you're that you're you're doing just that, aren't you, here in the park. Absolutely vital.   Matt: Yeah, very much so, very much so. As we've driven across the park, we've seen various planting that's been supported by the Tree Council. And like you say, that has, that certainly has been planting more oak trees, but then also other nectar bearing species, rowan, blackthorn, hawthorn, gorse. And these are all important, like you say for the deadwood insects that, that, that live within the ancient oak tree and and then as the tree gets older it then develops more veteran features and those crags, holes are very important roosting habitats for, certainly for owls and bats.  Jules: Yeah. And so oak trees in the UK collectively support more than 2,300 species, some of which are completely reliant on oak trees. They couldn't survive without oak trees, and one of the things we were talking about earlier as we drove up was the fact that there are, you know, some, some beetles, for example, some longhorn beetles, for example, they spend their lives as larvae living in deadwood. But then the adults, they need nectar when they grow up, so again, it's really important to have those nectar sources nearby isn't it?  Matt: Yeah. So very, very much is. Yeah. And that's what we're looking to do on the park we are we are planting those, those supporting plants.  Jules: Fantastic. Wonderful. This incredible tree that we're standing in front of is one of the ten contenders in this year's Tree of the Year competition and the theme of this year's competition is culture and the the the the history and culture associated with trees in our world. Ancient oaks are absolutely threaded in our culture. I'm particularly interested in them, I wrote a book about about oak trees called Oaklore, and one of the things that I talked about was the way that the oak tree intertwines with our lives with with lots of different species, but also with human lives and with our culture. There were so many stories associated with the oak tree. One of my favourites is the story of Charles II and the Boscobel Oak. So before Charles II was, became king he was fighting the parliamentarians and he took a terrible drubbing at a battle. And he needed to escape. And he escaped to Boscobel House. And he was with this soldier called Colonel Careless, and this soldier suggested that they hide in the oak tree overnight rather than the house. And they did. And even though the parliamentarian troops were were wandering nearby, they didn't find the king and his soldiers, and they escaped. And eventually they returned and that led to the restoration of the monarchy. The thing I like about this story is the cultural links then go on and on. Because at that point, a day of national celebration was declared throughout the land, and that was 29 May and that became Oak Apple Day and everybody would party and if the best people at the party, the coolest people at the party, they waved oak branches and wore oak leaves and and if you were super cool, you had lots of oak apples on your, so little galls on your oak branches. And if you didn't have little symbols of oaks, then others were apparently within their rights to take a bunch of nettles and and and attacked you with nettles, which wasn't so nice. So it was also called Nettle Day. It was also known as Pinch Bum Day and Maids Ruin Day. The story goes on, but the other sort of fun cultural connection to that is it also came, it also brought about lots of pubs called the Royal Oak, and the last time I looked there were about 400 oak trees, 400 sorry pubs called the Royal Oak throughout the land, so the cultural tales just go on and on. And that's just the oak tree. But all of our native trees have some fantastic stories associated with them in. In fact every old tree has a story to tell. It's like us, like every older person, we've all got a story, a history to tell. Yeah. OK.  Matt: So yeah, we're just walking back from the oldest tree now, and we're just sort of musing over just that connection that human, humans have got to trees. I think it's the fact that an oak tree can sort of live centuries and really, that puts our lifetimes somewhat in perspective. And the fact that an oak tree can just go from the tiniest of acorns to a huge mass of of timber and that is just really fantastic, how you could you could cut open a tree and see all those different tree rings, those years of growth and then just sort of put that in context, what was happening was, was it Dick Whittington that was the Lord Mayor of London for the last time, was it was it the Battle of Agincourt, was it the Magna Carta? And and it's for people like you that actually write books about it, Jules, that can say it a lot better than me *both laugh*  Jules: No that was brilliant and we're not gonna cut this one in half though are we, Matt?   Matt: No, we're certainly not. And the fact that it's hollow, we just can't see those rings anymore.  Jules: No. Thank you. Brilliant. Right. This is our final leg on our walk and we're now in a polytunnel and it's really warm because the sun's beating down outside and it smells gorgeous and and we are surrounded by lots of little trees. Matt, can you tell us a little bit about these?  Matt: So the polytunnel was funded by the Tree Council and it's just very important that we're growing on oaks for the future from acorns that have been collected on site. So they've got the genetic continuity of the long-lived oak trees and hopefully they'll grow and carry on into long into the future.  Jules: And are they, is it a a mix of acorns from all different trees in in here or is it, or is, are you, are you taking them from specific trees?  Matt: It's yeah, it's a bit of a mix. Sometimes, you know, where where we can and where they're viable, if we if we get to the acorns from a veteran tree before the deer, then that's certainly something that we we're looking to grow on. So generally that's what we're that's that's where we'll try and harvest them from that, we've put a frame down before with a bit of a grill, so we can collect the acorns, but then they don't get eaten and that's certainly quite a good technique. And and then we we we grow on from the old trees where we can, yes.  Jules: They're really lovely. So we've got really tiny little trees with, some of them have got like, you know, about 5 or 6 leaves. And then they go up to sort of above our just above our heads. And I think what always strikes me is the, the the diversity in in leaf shape and colour that you that you see all around you. So even the same place within within oak trees, it's incredible, the different shapes and sizes you get, isn't it?  Matt: Yeah, it really is. And you know, look, looking some of the some of the oaks have been collected from Swithland Woods as well. And and where you've got a stalked leaf, that is a sessile oak.   Jules: Ah yes.  Matt: And and where you've got a a leaf that's coming off that isn't stalked, that is an English oak, but but that will have a stalked acorn.  Jules: Yes. So that's the the key way to tell the difference isn't. Yeah, brilliant. Thank you. I love it. The Bradgate Park oak is one of ten iconic trees across the UK in the running for the Tree of the Year competition. Other examples include the Tree of Peace and Unity in County Antrim. That's an iconic lime tree, I say a lime tree, it's actually two lime trees which are fused together so that the trunk has become bound as one and it's, they've become inseparable and as such they've become a symbol of harmony and hope. So newly married couples sit beneath that tree for a blessing and it became a particular symbol of peace and reconciliation when Tony Blair, David Trimble and John Hume met here in 1998 at the signing of the Good Friday Agreement. Another example is the Argyle Street Ash in Glasgow. This tree is growing right next to some historic flats and it's seen as a symbol of local resilience. It has survived all kinds of things, including Victorian industry, the Clydeside Blitz, recent development and so far, ash dieback. One of its cultural connections is that it was featured in a 1935 book by James Cowan. The book was called From Glasgow's Treasure Chest and in it he describes the tree as ‘quite the most graceful ash I have seen'. Well, that's enough of me. Meanwhile, thank you so much to Matt and Natasha. It's been great fun talking trees with you.  Thank you for listening to the Woodland Trust Woodland Walks. Don't forget to subscribe to the series on iTunes or wherever you're listening to us and do give us a review and a rating. And why not send us a recording of your favourite woodland walk to be included in a future podcast? Keep it to a maximum of five minutes and please tell us what makes your woodland walk special or send us an e-mail with details of your favourite walk and what makes it special to you. Send any audio files to podcast@woodlandtrust.org.uk. We look forward to hearing from you. 

Tom Elliott has called out numerous "ridiculous" political junkets that've recently been announced, with key figures including lord mayor Nicholas Reece and Premier Jacinta Allan heading overseas at taxpayers' expense.See omnystudio.com/listener for privacy information.

On 1st September 1599, Dorcas Martin — translator, bookseller, Puritan, and wife of Sir Richard Martin, twice Lord Mayor of London — was laid to rest at All Hallows, Tottenham. Though she lived much of her life in her husband's shadow, Dorcas carved out a place of her own in Elizabethan London. She acted as a bookseller during the fierce “pulpit wars” between Puritan preacher Thomas Cartwright and John Whitgift, and her translations of prayers and psalms appeared in "The Monument of Matrones" (1582) — the very first anthology of women's writing published in England. In this podcast, I explore the life of Dorcas Martin: - Her family and marriage to Sir Richard Martin, Master of the Mint and Lord Mayor. - Her bold role in circulating controversial Puritan texts. - Her translations and inclusion among the first printed voices of English women. - Her enduring legacy, remembered in epitaphs and dedications. Dorcas may not have been a queen or martyr, but her voice shaped Elizabethan religious culture. It's time to remember her. If you enjoy stories of overlooked Tudor women, don't forget to subscribe and hit the so you don't miss future episodes. And thank you to my channel members for supporting my work — you make podcasts like this possible! #TudorHistory #Elizabethan #WomensHistory #Puritans #OnThisDay

PJ chats to Lord Mayor Fergal Dennehy about the Culture Night events happening in Cork City in just 3 weeks time. See also here Hosted on Acast. See acast.com/privacy for more information.

Chas. and Mouch revisit our frustrating opening day draw with Palace and look for the positives therein, as well as running the rule over our next opponents, the 'appy 'Ammers. chelseapodcast.net⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠@chelseapodcast⁠⁠⁠⁠⁠⁠⁠  Produced by Paul Myers and Mike Leigh  A Playback Media Production  ⁠⁠⁠⁠⁠⁠⁠playbackmedia.co.uk⁠⁠⁠⁠⁠⁠⁠  Copyright 2025 Playback Media Ltd - ⁠⁠⁠⁠⁠⁠⁠playbackmedia.co.uk/copyright Learn more about your ad choices. Visit podcastchoices.com/adchoices

FULL SHOW : Mick Molloy takes on the Melbourne Lord Mayor over a few local issues; We have a few WTFs; and there is a Hembrow-Smith update. Tomorrow: Max Gawn and Glenn Robbins Catch Mick in the Morning LIVE from 6-9am weekdays on 105.1 Triple M. To watch your favourite new Breakfast Radio crew in action, follow @molloy and @triplemmelb on InstagramSee omnystudio.com/listener for privacy information.

Listen to the full interview with Nick Reece.See omnystudio.com/listener for privacy information.

fWotD Episode 3020: Berners Street hoax Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Monday, 11 August 2025, is Berners Street hoax.The Berners Street hoax was perpetrated by the writer Theodore Hook in London in 1810. After several weeks of preparation he made an apparently spontaneous bet with a friend that he could transform any property into the most talked-about address in London. Hook spent six weeks sending between a thousand and four thousand letters to tradespeople and businesses ordering deliveries of their goods and services to 54 Berners Street, London, at various times on 27 November 1810. Several well-known people were also invited to call on the address, including the chairmen of the Bank of England and the East India Company, the Duke of Gloucester and the Lord Mayor of London.Hook and his friends rented rooms in the house opposite number 54 to view proceedings. Chimney sweeps began arriving at the address at 5:00 am on the day, followed by hundreds of representatives of several trades and businesses, including auctioneers, undertakers, grocers, butchers, bakers, pastry chefs and dancing masters; goods deliveries included organs, furniture, coal, wedding cakes, food, drink and a coffin. The police were called to try and manage the crowd but they were not able to clear the street until after the final influx of visitors at 5:00 pm: domestic servants who thought they were to be interviewed for a job.Hook was unidentified at the time, but admitted his involvement in a semi-autobiographical novel published twenty-five years after the event. The hoax was repeated across Britain and Paris, and was retold on stage, in song and by cartoonists.This recording reflects the Wikipedia text as of 00:55 UTC on Monday, 11 August 2025.For the full current version of the article, see Berners Street hoax on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Danielle.

Hannah Tyrrell, two time All-Ireland winning Dublin footballer and Ray McAdam, Lord Mayor of Dublin look ahead to tonight's homecoming for the seven-time champions.

In August 2024, we produced an all day event  Middleton's Endgame: A Game at Chess LIVE! a pop up Middleton festival at The White Bear in Kennington, featuring a live performance of A Game at Chess, discussions of the play, a look at Middleton's last public work, the 1626 Lord Mayor's show, and other selections of writing from across his life. The whole event, as ever, was recorded, and we're releasing these over the next few months. This is episode 1, beginning at the top of the show. The show started with Setting up the Board, which delivered an overview of Thomas Middleton in the 1620's, and the theatrical context for the play. With readings of some of the sources, letters, and gossip behind the political theatre of the time. The hosts were Robert Crighton and Liza Graham Also featuring the voices of Keith Hill, Simon Nader, Daniel Yabut, Gillian Horgan, Kit McGuire, Sojourner Hazelwood-Connell, Connor Robert-Brown, Valentina Vinci. YouTube playlist of readings of the play. Podcast playlist on the play. Patreon box set of this show. The Legacy of Thomas Middleton discussing episode. Our patrons received a rough mix of this episode in September 2024 - over 11 months in advance. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Has the demise of London's leading financial services been "greatly exaggerated", and does the underlying evidence tell a very different story? In this interview, held at Mansion House in the historic City of London financial district, the Right Honourable Alastair King (696th Lord Mayor of the City of London) explains his view that the UK enjoys an unrivalled position, untouched by other European capitals.   He explains London and the wider UK “moat”, and why it exhibits persistency and resilience. Perhaps the most unexpected statistic is the significant growth in employment numbers in the City since Brexit. He discusses the importance of the Mansion House Reforms and the £75bn of investment by 2030, headed into private assets. He discusses why we must recognise that we need to take more risk, judiciously but emphatically (and this is directed at both public and private markets).  Lord Alastair then touches on the lessons we can learn from Canada and Australia and his current priorities. Finally, he explains why we need to get on planes/trains in order to trumpet the UK and drive new business opportunities.  The Money Maze Podcast is kindly sponsored by Schroders, IFM Investors, World Gold Council and LSEG.   Sign up to our Newsletter | Follow us on LinkedIn | Watch on YouTube  

Enforcement will be an issue Mick Finn, former Lord Mayor of Cork and now Youth Services Manager Cork Education and Training Board tells Paul Byrne Hosted on Acast. See acast.com/privacy for more information.

Dublin City Council is calling on Dubliners to 'Be Sound This Summer' with a public awareness campaign, renewing its call for everyone to be respectful and to prioritise safety when walking, cycling, or driving on the city's streets during the busy summer months. As part of the launch, activations are taking place around the city this morning. Pedestrians and cyclists are being rewarded by "Soundness Detectors" for positive behaviour, thanking those who look out for others and prioritise safety. Commuters will be rewarded for their "sound" behaviour with an 'I'm Sound' badge that they can wear proudly! Following on from the successful original 'Be Sound' campaign launched in January, this summer campaign features a series of short, snappy social media videos featuring the Lane Hog, the Dangerous Dasher and the Light Breaker. These will be rolled out across Dublin City Council's social media channels, highlighting everyday ways to be sound. Lord Mayor of Dublin, Councillor Ray McAdam, speaking about the campaign, said, "As a city, we're working to make travel safer, cleaner, and more connected - not just through infrastructure, but through how we treat one another. 'Be Sound This Summer' is about recognising and celebrating those small, everyday actions that make our streets safer and more respectful for everyone. By adding a bit of fun and positivity to the message, we're encouraging all road users to look out for each other. Whatever way you travel, being sound goes a long way." Recent findings from Dublin City Council's 'Your Dublin Your Voice' survey show that active travel plays a central role in how people get around the city. On average, people split their weekly transport time almost evenly between walking or wheeling (41%) and driving (40%), with a further 19% spent cycling. Dublin City Council continues to roll out dedicated infrastructure across the city, with three vital active travel schemes being completed within the next four weeks: the Ranelagh Village interim scheme, Beatty's Avenue to Herbert Park (part of the Dodder Greenway) scheme, and the Royal Canal Phase 3 scheme. With the summer months bringing more people out walking, cycling and driving, particularly around holidays and city events, Dublin City Council is reminding everyone to be alert and considerate on the streets so people can feel safer opting for more sustainable modes of transport. Active travel doesn't just support safer roads; it also delivers wide-reaching health and economic benefits. According to the most recent 'Walking and Cycling Index', walking and cycling in Dublin removes up to 530,000 cars from the roads each day and generates an annual benefit of €2.39 billion for individuals and the wider city. It also prevents 3,655 serious long-term health conditions each year and saves the health service approximately €64.5?million, equivalent to over 1.17?million GP appointments. Christopher K Manzira, (Acting) Director for the Active Travel Programme Office, Dublin City Council, at the launch said, "With more people choosing to travel actively across the city, we all have a shared responsibility to look out for one another. 'Be Sound' is a reminder that safety and respect are essential on our streets. Whether you're walking to the shop, wheeling to work, or driving through town, a little soundness can make a big difference. The data shows that active travel benefits us all, from reducing emissions to easing congestion as well as the additional health benefits. We want everyone to feel confident and safe doing so." The 'Be Sound this Summer' campaign will be visible across social media, digital channels, and on-street activity. The first video, which looks at the 'Lane Hog', can be accessed here: For more information about Dublin City Council's Active Travel Network, visit dublincity.ie or follow @DubCityCouncil on Instagram, Facebook and X. More about Irish Tech News Irish Tech News are Ireland's No. 1 Online Tech Publication and often Irel...

Mark Levy has condemned Sydney Lord Mayor Clover Moore for backing a pro-Palestine march across the Harbour Bridge, particularly her claim it would be a "powerful symbol".See omnystudio.com/listener for privacy information.

Lord Mayor of Dublin Ray McAdam has invited former US President Barack Obama to formally accept the Freedom of Dublin during their visit to the city in September. However, the Irish Anti War Movement is now considering a protest against the honour. Jim Roche PRO of the Irish Anti-War Movement and Scott Lucas Professor of US and International Politics at the Clinton Institute, University College Dublin joined us on Newstalk Breakfast to discuss.

Former US President Barack Obama and former First Lady Michelle have been invited to accept the Freedom of the City of Dublin when they visit the capital in September.The Lord Mayor of Dublin, Ray McAdam, said the couple had received the city's highest civic honor in February 2017 by Dublin City Council, however they have not yet had the opportunity to formally accept it.Is now the right time to receive this award? And should they get it at all?Joining guest host Mandy Johnston to discuss this and more is Eddie Punch from the Irish Cattle and Sheep Farmers Association and Law Lecturer from the University of Galway & Columnist with The Journal, Larry Donnelly.

Who was William Beckford, and why does his name still spark debate today? Born in Jamaica in 1709, Beckford became one of the wealthiest men in Britain through sugar plantations powered by enslaved labour. Twice elected Lord Mayor of London, he was a towering political figure in Georgian society—renowned for his opulent lifestyle and his bold speech to King George III in 1770.In this episode of the London History Podcast, we uncover the life and legacy of William Beckford, exploring his rise to power, his deep ties to the transatlantic slave economy, and the impact of colonial wealth on the City of London. We ask: how did Beckford shape London's political and cultural life, and why does his story matter today?Join us as we examine the complicated history behind one of the most influential—and controversial—figures of 18th-century London.

Dublin's outgoing Lord Mayor has revived the tradition of honouring those who have reached the age of 100. Our reporter Gavin O'Callaghan has been speaking to some of them. .

PREVIEW: Colleague Gregory Copley reports that the magic of kingship starts to transform the Lord Mayor of London. More. 1840