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Dana Stevens, film critic at Slate.com and a co-host of the Slate Culture Gabfest podcast and the author of Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century (Atria Books, 2022), previews the summer movie season, including the blockbusters everyone will be talking about, and other films she recommends you check out.
Dana Stevens, film critic at Slate.com, co-host of the Slate Culture Gabfest podcast and the author of Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century (Atria Books, 2022), recaps the highs and lows of Sunday's Academy Awards presentation.
In Season One, we looked at the representation of arts educators on television with Christina Anthony (Episode 8, for those who want to give it a listen). This season, we are taking a look at a few arts educators from the big screen, and who better to speak with than Dana Stevens, Slate's film critic since 2006 and a co-host of the Slate Culture Gabfest (the magazine's weekly culture podcast). She has also written for the New York Times, the Washington Post, the Atlantic and Bookforum. Her first book, Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century, was named one of the best books of 2022 by The New Yorker, NPR, and Publishers Weekly. Your homework, should you choose to accept it, is a rewatch of DEAD POETS SOCIETY, CAMP, and WHIPLASH. Check out more from Dana: Her (amazing) Buster Keaton book on Amazon: https://bit.ly/danastevensbusterkeaton Slate Culture Gabfest: https://podcasts.apple.com/us/podcast/culture-gabfest/id1482212953 IG: @thehighsign Century Tree; composed by Victoria Williams; performed by Aisha Dehaas, Idina Menzel, John Eric Parker; ℗ 2003 Universal Classics Group, a Division of UMG Recordings Inc.
Website - www.perksofbeingabooklover.com. Instagram @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message, go to our website and click the Contact button. Books Mentioned in this Episode: 1- Paddling North by Audrey Sutherland (Rec by Ritu Mukerji) 2- Buddenbrooks by Thomas Mann (Rec by Anna Pitoniak) 3- The Creative Act by Rick Rubin (Rec by Anna Pitoniak) 4- Working by Robert Caro (Rec by Rachel M. Harper) 5- The Seven Moons of Maali Almeida by Shehan Karunatilaka (Rec by Mel Joulwan of Strong Sense of Place Podcast) 6- A Stranger in the Woods by Michael Finkel (Rec by David Humphries of Strong Sense of Place Podcast) 7- The Gilded Page by Mary Wellesley (Rec by Kristine Eckart of Gilmore Book Club) 8- Ink Blood Sister Scribe by Emma Torzs (Rec by Kristine Eckart of Gilmore Book Club) 9- Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett (Rec by Kika Hatzapoulou) 10- All the Sinners Bleed by SA Cosby (Rec by Katrina Kittle) 11- Happiness Falls by Angie Kim (Rec by Katrina Kittle) 12- Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the 20th Century by Dana Stephens (Rec by Mick Sullivan of The Past and The Curious Podcast) 13- River of Shadows: Eadweard Muybridge and the Technological Wild West by Rebecca Solnit (Rec by Mick Sullivan of The Past and the Curious Podcast) 14- If We Were Villains by ML Rio (Rec by Katrina Monroe) 15- The Wanderers by Meg Howrey (Rec by Lydia Welker of the Appalachian Prison Book Project) 16- Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin (Rec by Kelsey Madges, middle school librarian) Carrie's Favorite Books of the Year 1- The Book Eaters by Sunyi Dean 2- Atomic Family by Ciera Horton McElroy 3- Luckenbooth by Jenni Fagan 4- Bea Wolf by Zach Weinersmith 5- We All Wants Impossible Things by Catherine Newman Amy's Favorite Books of the Year 1- Killers of a Certain Age by Deanna Raybourn 2- Nettle & Bone by T. Kingfisher 3- Martin Marten by Brian Doyle 4- Landings: A Crooked Creek Farm Year by Arwen Donahue 5- The Keeper by Kelcey Ervick 6- Horse by Geraldine Brooks Other Recommendations: 1- American Murderer by Gail Jarrow 2- Walking with Sam: A Father, a Son, and 500 Miles Across Spain by Andrew McCarthy 3- These Silent Woods by Kimi Cunningham Grant 4- Strangers on a Train by Patricia Highsmith 5- Nora Goes Off Script by Annabel Monaghan 6- The Sweetness of Water by Nathan Harris 7- Blacktop Wasteland by SA Cosby 8- Wool by Hugh Howey (and the TV adaptation on Apple + called Silo) Escambia County Dictionary Ban - www.usatoday.com/story/news/natio…ban/72202686007/
Website - www.perksofbeingabooklover.com. Instagram @perksofbeingabookloverpod Facebook - Perks of Being a BookLover. To send us a message, go to our website and click the Contact button. Books Mentioned in this Episode: 1- Paddling North by Audrey Sutherland (Rec by Ritu Mukerji) 2- Buddenbrooks by Thomas Mann (Rec by Anna Pitoniak) 3- The Creative Act by Rick Rubin (Rec by Anna Pitoniak) 4- Working by Robert Caro (Rec by Rachel M. Harper) 5- The Seven Moons by Maali Almeida by Shehan Karunatilaka (Rec by Mel Joulwan of Strong Sense of Place Podcast) 6- A Stranger in the Woods by Michael Finkel (Rec by David Humphries of Strong Sense of Place Podcast) 7- The Gilded Page by Mary Wellesley (Rec by Kristine Eckart of Gilmore Book Club) 8- Ink Blood Sister Scribe by Emma Torzs (Rec by Kristine Eckart of Gilmore Book Club) 9- Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett (Rec by Kika Hatzapoulou) 10- All the Sinners Bleed by SA Cosby (Rec by Katrina Kittle) 11- Happiness Falls by Angie Kim (Rec by Katrina Kittle) 12- Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the 20th Century by Dana Stephens (Rec by Mick Sullivan of The Past and The Curious Podcast) 13- River of Shadows: Eadweard Muybridge and the Technological Wild West by Rebecca Solnit (Rec by Mick Sullivan of The Past and the Curious Podcast) 14- If We Were Villains by ML Rio (Rec by Katrina Monroe) 15- The Wanderers by Meg Howrey (Rec by Lydia Welker of the Appalachian Prison Book Project) 16- Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin (Rec by Kelsey Madges, middle school librarian) Carrie's Favorite Books of the Year 1- The Book Eaters by Sunyi Dean 2- Atomic Family by Ciera Horton McElroy 3- Luckenbooth by Jenni Fagan 4- Bea Wolf by Zach Weinersmith 5- We All Wants Impossible Things by Catherine Newman Amy's Favorite Books of the Year 1- Killers of a Certain Age by Deanna Raybourn 2- Nettle & Bone by T. Kingfisher 3- Martin Marten by Brian Doyle 4- Landings: A Crooked Creek Farm Year by Arwen Donahue 5- The Keeper by Kelcey Ervick 6- Horse by Geraldine Brooks Other Recommendations: 1- American Murderer by Gail Jarrow 2- Walking with Sam: A Father, a Son, and 500 Miles Across Spain by Andrew McCarthy 3- These Silent Woods by Kimi Cunningham Grant 4- Strangers on a Train by Patricia Highsmith 5- Nora Goes Off Script by Annabel Monaghan 6- The Sweetness of Water by Nathan Harris 7- Blacktop Wasteland by SA Cosby 8- Wool by Hugh Howey (and the TV adaptation on Apple + called Silo) Escambia County Dictionary Ban - https://www.usatoday.com/story/news/nation/2024/01/12/escambia-county-florida-dictionary-ban/72202686007/
Dana Stevens is a film critic for Slate and the author of Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century, a genre-defying work of cultural history based around the creative genius of the Great Stone Face. In this interview, we discuss the work of Buster Keaton, how the industry has changed for film critics, the letter she received from Roger Ebert at an early age, why you need to see as many movies as you can and some industry secrets for finding your voice today as a film critic. This is a special interview associated with my first documentary, Daredevil Society, a series about the history of stunt performers, including everyone from Buster Keaton to Jackie Chan to Zoe Bell to Keanu Reeves. Learn more or become an investor here: www.daredevilsociety.com/docuseries Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!
On tonight's edition of the Other Side of Midnight: Frank Morano kicks back and relaxes. Dana Stevens, film critic at Slate, co-host of two Slate podcasts and the author of the new book, “Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century,” joins the Other Side to talk about the life and times of Buster Keaton and his legacy. Later, Gov. Jim McGreevey, former Governor of New Jersey, Seminarian and Chairman of the Reentry Corporation, discusses helping prisoners adjust to life after being released. We get into this week's mail and go through some commendations (a day late and a dollar short), debate the ethics of anonymous sperm donations, and check in on the status of Frank's liver after his trip to Hawaii. It's always a good day when the captain is back at the helm on TOSOM! Learn more about your ad choices. Visit megaphone.fm/adchoices
Film critic Dana Stevens discusses her new book "Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century." Recorded May 26, 2022 LINKS: Dana's book, "Camera Man"https://www.amazon.com/Camera-Man-Invention-Twentieth-Century/dp/1501134191 Follow @thehighsignFollow @AryehCW See acast.com/privacy for privacy and opt-out information.
An interview with Dana Stevens, author of Camera Man: Buster Keaton, The Dawn of Cinema and the Invention of the Twentieth Century. In the book, Stevens places acclaimed filmmaker Buster Keaton's unique creative genius in the context of his time.
“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate's resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor's passing in 1966 – began at a cinematheque in Alsace. But Stevens' book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate's resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor's passing in 1966 – began at a cinematheque in Alsace. But Stevens' book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate's resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor's passing in 1966 – began at a cinematheque in Alsace. But Stevens' book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate's resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor's passing in 1966 – began at a cinematheque in Alsace. But Stevens' book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate's resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor's passing in 1966 – began at a cinematheque in Alsace. But Stevens' book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate's resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor's passing in 1966 – began at a cinematheque in Alsace. But Stevens' book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate's resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor's passing in 1966 – began at a cinematheque in Alsace. But Stevens' book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate's resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor's passing in 1966 – began at a cinematheque in Alsace. But Stevens' book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate's resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor's passing in 1966 – began at a cinematheque in Alsace. But Stevens' book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon & Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography. In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking. Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Dana Stevens stops into the Damn Library to talk about her new book, Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century, and it allows for lots of subject hopping, from the birth of movie reviews to Buster Keaton's model trains to the trick of describing movies dynamically. Plus, she brings along Fernando Pessoa's The Book of Disquiet, a fascinating posthumous tome from a prolific contemporary of Keaton who Dana Stevens is also obsessed with. contribute! https://patreon.com/smdb for drink recipes, book lists, and more, visit: somanydamnbooks.com music: CDH, Disaster Magic (https://soundcloud.com/disaster-magic) Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's guest, the great Dana Stevens has been Slate's chief film critic since 2006 as well as a veteran podcaster in her own right, serving as a co-host of the magazine's long-running weekly culture pod, "The Slate Culture Gabfest," which you should definitely seek out. An accomplished journalist whose work has also appeared in such esteemed publications as The New York Times, The Washington Post, The Atlantic, and Bookforum, Dana's latest opus is the passionately written and phenomenally well-researched new book Camera Man: Buster Keaton, The Dawn of Cinema, and The Invention of the 20th Century. Not just an outstanding title, her book really is about all of those things cited within it, which is what makes it so endlessly fascinating from start to finish.In this fast-paced conversation, the knowledgeable and witty author joins me to discuss her exciting new book, the surprises she's made along the way, as well as the shorts Fatty & Mabel Adrift (featuring Keaton's contemporaries Roscoe Arbuckle and Mabel Normand), Good Night, Nurse! (with Arbuckle and Keaton), and the certified classic Keaton feature Sherlock, Jr. The kind of episode you'll want to listen to with a pen and a sheet of paper so you can make a note of all of the terrific titles Dana references and recommends from its earliest moments, silent film buffs, in particular, are sure to appreciate this one.Originally Posted on Patreon (2/16/22) here: https://www.patreon.com/posts/62644819Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveLogo: Kate Gabrielle (KateGabrielle.com)
This week, Culture Gabfest is coming to you live from The Strand Bookstore in NYC for a special event! In this live taping, Steve interviews Dana about her new book (Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century) and Isaac Butler about his new book (The Method: How the Twentieth Century Learned to Act). In Slate Plus, Dana and Isaac answer some questions from the audience. Email us at culturefest@slate.com. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Thanks to Jason Stack for this great photo! Outro music is "Spinning the Wheels" by Dusty Decks. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Culture Gabfest is coming to you live from The Strand Bookstore in NYC for a special event! In this live taping, Steve interviews Dana about her new book (Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century) and Isaac Butler about his new book (The Method: How the Twentieth Century Learned to Act). In Slate Plus, Dana and Isaac answer some questions from the audience. Email us at culturefest@slate.com. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Thanks to Jason Stack for this great photo! Outro music is "Spinning the Wheels" by Dusty Decks. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Culture Gabfest is coming to you live from The Strand Bookstore in NYC for a special event! In this live taping, Steve interviews Dana about her new book (Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century) and Isaac Butler about his new book (The Method: How the Twentieth Century Learned to Act). In Slate Plus, Dana and Isaac answer some questions from the audience. Email us at culturefest@slate.com. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Thanks to Jason Stack for this great photo! Outro music is "Spinning the Wheels" by Dusty Decks. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on the Film at Lincoln Center podcast, we're featuring a talk from Camera Man: Dana Stevens on Buster Keaton, a recent FLC event celebrating the new book from author and Slate film critic Dana Stevens, moderated by writer Imogen Sara Smith and FLC Programming Assistant Maddie Whittle. The conversation ranged from the two authors' love of Buster Keaton, the evolution of the filmmaker's filmography, the perception of masculinity in Charles Reisner's Steamboat Bill, Jr., and the legacy of Keaton in Hollywood and beyond. Dana Stevens's new book Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century and Imogen Sara Smith's Buster Keaton: The Persistence of Comedy are both available for purchase.
Film Photography Podcast Episode 283 - February 1, 2022 Baltimore correspondant Paige Kay Davis reviews the book - Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the 20th Century by Dana Stevens. https://www.barnesandnoble.com/w/camera-man-dana-stevens/1136890035
Dana Stevens, author of Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century • Farran Smith Nehme on 30s Dames at MoMA • Glenn Andreiev on Lost and Found Emulsion (88:11)
We explore the subtle genius of a man often remembered for pratfalls and sight gags. Buster Keaton was a silent film star in the 1920s, but he was far more than an actor and stuntman. He conceived and directed his films, cited by some of America's leading filmmakers as inspirations. We speak with Slate film critic Dana Stevens, whose new book examines Keaton's work and influence, and chronicles his colorful life. Her book is Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the 20th Century.
We explore the subtle genius of a man often remembered for pratfalls and sight gags. Buster Keaton was a silent film star in the 1920s, but he was far more than an actor and stuntman. He conceived and directed his films, cited by some of America's leading filmmakers as inspirations. We speak with Slate film critic Dana Stevens, whose new book examines Keaton's work and influence, and chronicles his colorful life. Her book is Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the 20th Century.
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