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7 episodes with twentieth century learned
7 episodes with twentieth century learned
2 episodes with twentieth century learned
2 episodes with twentieth century learned
On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, it's an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet's two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It's a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it's that time of year again: Dana leads the panel through Slate's Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.) In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist. Email us at culturefest@slate.com. Endorsements: Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman. Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!) Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica. Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, it's an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet's two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It's a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it's that time of year again: Dana leads the panel through Slate's Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.) In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist. Email us at culturefest@slate.com. Endorsements: Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman. Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!) Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica. Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, it's an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet's two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It's a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it's that time of year again: Dana leads the panel through Slate's Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.) In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist. Email us at culturefest@slate.com. Endorsements: Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman. Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!) Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica. Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Isaac Butler (Supreme Friend of the Show and author of The Method: How the Twentieth Century Learned to Act) sits in for Dana. First, the panel is quite verbose about Say Nothing, a limited series that takes place over four generations and is set during The Troubles in Northern Ireland. By dramatizing the real-life events recounted in Patrick Radden Keefe's 2018 bestseller, the adapted limited series achieves something quite rare: enriching the original text and imbuing it with new meaning. Then, they unpack Emilia Pérez, an utterly captivating musical by writer-director Jacques Audiard that's about gender transition, drug cartels, and becoming yourself. Finally, the trio discusses Carson the Magnificent, a new biography of the mysterious late-night pioneer that Isaac recently reviewed for The New Yorker. In the exclusive Slate Plus segment, the panel answers a listener question from James: “Are there cultural works that you fully intend to see or experience, but are waiting for an optimal way to do it?” Email us at culturefest@slate.com. Endorsements: Isaac: Blood Test by Charles Baxter. Julia: Zoe Saldaña in Center Stage. Steve: Alice Neel's appearance on Johnny Carson's Tonight Show in 1984. Podcast production by Jared Downing. Production assistance by Kat Hong. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Isaac Butler (Supreme Friend of the Show and author of The Method: How the Twentieth Century Learned to Act) sits in for Dana. First, the panel is quite verbose about Say Nothing, a limited series that takes place over four generations and is set during The Troubles in Northern Ireland. By dramatizing the real-life events recounted in Patrick Radden Keefe's 2018 bestseller, the adapted limited series achieves something quite rare: enriching the original text and imbuing it with new meaning. Then, they unpack Emilia Pérez, an utterly captivating musical by writer-director Jacques Audiard that's about gender transition, drug cartels, and becoming yourself. Finally, the trio discusses Carson the Magnificent, a new biography of the mysterious late-night pioneer that Isaac recently reviewed for The New Yorker. In the exclusive Slate Plus segment, the panel answers a listener question from James: “Are there cultural works that you fully intend to see or experience, but are waiting for an optimal way to do it?” Email us at culturefest@slate.com. Endorsements: Isaac: Blood Test by Charles Baxter. Julia: Zoe Saldaña in Center Stage. Steve: Alice Neel's appearance on Johnny Carson's Tonight Show in 1984. Podcast production by Jared Downing. Production assistance by Kat Hong. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Dana and Stephen are joined by Supreme Friend of the Podcast (SFOP) Isaac Butler, author of The Method: How the Twentieth Century Learned to Act. The trio first explores The Wild Robot, DreamWork Animation's handcrafted, lovingly made film that's the surprise of the year. Lupita Nyong'o voices ROZ, an old-fashioned robot powered by supremely advanced A.I. who must learn about and adapt to her new wild surroundings. Then, they dissect Nobody Wants This, a new Netflix series starring Kristen Bell (who plays a sex podcaster) and Adam Brody as a hot rabbi. Although there are obvious charms, the show's “will they, won't they” rom-com beats can often feel, at best, gratingly familiar, and at worst, bizarre and unthoughtful, particularly in its portrayal of Jewish women. Finally, the Criterion Collection, is “a catalog so synonymous with cinematic achievement that it has come to function as a kind of film Hall of Fame,” writes Joshua Hunt for The New York Times. The panel dives into the wonderful world of ‘Closet Picks,' a viral video format in which celebrities and movie buffs head into the Criterion Collection stockroom and pluck high-quality DVDs and Blu-rays off its shelves while explaining their personal significance. Also mentioned in this episode: “The Wild Robot Has an Intelligence That's Anything But Artificial” by Dana Stevens for Slate. “‘Nobody Wants This' Pits Jewish Women Against ‘Shiksas.' Nobody Wins.” By Jessica Grose for The New York Times. In the exclusive Slate Plus segment, the panel extols the joys of being on the ground. Inspired by Chris Black's column for GQ, “How I Learned to Love a Layover,” the trio discusses how they spend their time in airports. Email us at culturefest@slate.com. Endorsements: Dana: “Abbas Kiarostami's Childhood Films,” a collection of 17 films by the renowned Iranian filmmaker made about or for children. Isaac: The Tale of The Princess Kaguya, directed by Isao Takahata. Stephen: “The Song That Connects Jackson Browne, Nico and Margot Tenenbaum” by Bob Mehr for The New York Times. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Dana and Stephen are joined by Supreme Friend of the Podcast (SFOP) Isaac Butler, author of The Method: How the Twentieth Century Learned to Act. The trio first explores The Wild Robot, DreamWork Animation's handcrafted, lovingly made film that's the surprise of the year. Lupita Nyong'o voices ROZ, an old-fashioned robot powered by supremely advanced A.I. who must learn about and adapt to her new wild surroundings. Then, they dissect Nobody Wants This, a new Netflix series starring Kristen Bell (who plays a sex podcaster) and Adam Brody as a hot rabbi. Although there are obvious charms, the show's “will they, won't they” rom-com beats can often feel, at best, gratingly familiar, and at worst, bizarre and unthoughtful, particularly in its portrayal of Jewish women. Finally, the Criterion Collection, is “a catalog so synonymous with cinematic achievement that it has come to function as a kind of film Hall of Fame,” writes Joshua Hunt for The New York Times. The panel dives into the wonderful world of ‘Closet Picks,' a viral video format in which celebrities and movie buffs head into the Criterion Collection stockroom and pluck high-quality DVDs and Blu-rays off its shelves while explaining their personal significance. Also mentioned in this episode: “The Wild Robot Has an Intelligence That's Anything But Artificial” by Dana Stevens for Slate. “‘Nobody Wants This' Pits Jewish Women Against ‘Shiksas.' Nobody Wins.” By Jessica Grose for The New York Times. In the exclusive Slate Plus segment, the panel extols the joys of being on the ground. Inspired by Chris Black's column for GQ, “How I Learned to Love a Layover,” the trio discusses how they spend their time in airports. Email us at culturefest@slate.com. Endorsements: Dana: “Abbas Kiarostami's Childhood Films,” a collection of 17 films by the renowned Iranian filmmaker made about or for children. Isaac: The Tale of The Princess Kaguya, directed by Isao Takahata. Stephen: “The Song That Connects Jackson Browne, Nico and Margot Tenenbaum” by Bob Mehr for The New York Times. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Isaac Butler (co-host of Slate's Working podcast and the author of The Method: How the Twentieth Century Learned to Act) sits in for Julia Turner. The panel first turns their attention to Ren Faire, HBO's three-part documentary chronicling the surreal power struggle at the heart of America's largest renaissance festival. Director Lance Oppenheim (Spermworld, Some Kind of Heaven) presents an extraordinary window into the fantastical world, capturing a very specific moment in late-stage capitalism in which society returns to feudalism. Then, the three inspect Janet Planet, Pulitzer Prize-winning American playwright Annie Baker's film debut. Like Baker's theater work, Janet Planet–a loosely autobiographical tale revolving around an 11-year-old girl named Lacy (played by Zoe Ziegler) and her mother, Janet (played by Julianne Nicholson)–pushes naturalism to the extreme, an approach that some critics love and others, some even on this very panel, abhor. Finally, the great Canadian actor Donald Sutherland died this past week at the age of 88. His career spanned over six decades, but his immense talents weren't always immediately obvious. To honor Sutherland and his body of work, each host re-watched a favorite film of theirs: Don't Look Now, Invasion of the Body Snatchers, and Six Degrees of Separation. In the exclusive Slate Plus segment, the panel reflects on their relationship to giving and receiving criticism, inspired by Arthur C. Brooks's article for The Atlantic, “How to Take–And Give–Criticism Well.” Email us at culturefest@slate.com. It's the last week to submit songs for Summer Strut! The final deadline is July 1st. Send your struttiest songs to culturefest@slate.com. Endorsements: Stephen: I, Claudius and Claudius the God by Robert Graves. Isaac: Any Person Is the Only Self: Essays by Elisa Gabbert. Dana: Inspired by Janet Planet: The Roche's 1979 self-titled album and specifically, “Hammond Song.” Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Isaac Butler, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Isaac Butler (co-host of Slate's Working podcast and the author of The Method: How the Twentieth Century Learned to Act) sits in for Julia Turner. The panel first turns their attention to Ren Faire, HBO's three-part documentary chronicling the surreal power struggle at the heart of America's largest renaissance festival. Director Lance Oppenheim (Spermworld, Some Kind of Heaven) presents an extraordinary window into the fantastical world, capturing a very specific moment in late-stage capitalism in which society returns to feudalism. Then, the three inspect Janet Planet, Pulitzer Prize-winning American playwright Annie Baker's film debut. Like Baker's theater work, Janet Planet–a loosely autobiographical tale revolving around an 11-year-old girl named Lacy (played by Zoe Ziegler) and her mother, Janet (played by Julianne Nicholson)–pushes naturalism to the extreme, an approach that some critics love and others, some even on this very panel, abhor. Finally, the great Canadian actor Donald Sutherland died this past week at the age of 88. His career spanned over six decades, but his immense talents weren't always immediately obvious. To honor Sutherland and his body of work, each host re-watched a favorite film of theirs: Don't Look Now, Invasion of the Body Snatchers, and Six Degrees of Separation. In the exclusive Slate Plus segment, the panel reflects on their relationship to giving and receiving criticism, inspired by Arthur C. Brooks's article for The Atlantic, “How to Take–And Give–Criticism Well.” Email us at culturefest@slate.com. It's the last week to submit songs for Summer Strut! The final deadline is July 1st. Send your struttiest songs to culturefest@slate.com. Endorsements: Stephen: I, Claudius and Claudius the God by Robert Graves. Isaac: Any Person Is the Only Self: Essays by Elisa Gabbert. Dana: Inspired by Janet Planet: The Roche's 1979 self-titled album and specifically, “Hammond Song.” Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Isaac Butler, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Dana and Stephen are joined by Supreme Friend of the Pod, Isaac Butler, who co-hosts Slate's Working podcast and is the author of The Method: How the Twentieth Century Learned to Act (which is now available in paperback!). The panel begins by pondering Dream Scenario, a provocative new film from Norwegian writer-director Kristoffer Borgli. The nightmarish social satire stars Nicolas Cage as Paul Matthews, a hapless middle-aged biology professor who begins appearing randomly in people's dreams in a tale about anonymity and the cycle of virality. Then, the three speak with the brilliant author and classicist Emily Wilson about her recent translation of Homer's the Iliad, and her unique approach to metered verse and how she came to access the interior lives of Hector, Patroclus, Achilles, and more. Finally, the trio discusses Coyote vs. Acme, a completed film based on Ian Frazier's 1990 comic in The New Yorker, that was shelved last week by Warner Bros. (reportedly in favor of a $30 million tax write-off) then un-shelved when the studio received backlash for being “anti-art.” In the exclusive Slate Plus segment, the panel descends into a different kind of nightmare: The Beatles' music video for “Now and Then.” Has director Peter Jackson created a touching CGI tribute to the legendary band? Or has he engineered something truly evil? Email us at culturefest@slate.com. Endorsements: Dana: The Public Domain Review, an online journal and not-for-profit project dedicated to “the exploration of curious and compelling works from the history of art, literature, and ideas.” She's only just begun to scratch the site's surface, but recommends starting with “W.E.B. Du Bois' Hand-Drawn Infographics of African-American Life.” Isaac: Deadloch, an Australian feminist noir comedy set in a fictional working class fishing village that's been, as he describes, “gentrified by the most granola crunchy lesbians on earth.” Stephen: The song “New Romantic” by British folk singer-songwriter Laura Marling, specifically her extraordinary 2006 live performance of it when she was quite young at a now-closed music venue in West London. Outro music: “Any Other Way” by Particle House Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Dana and Stephen are joined by Supreme Friend of the Pod, Isaac Butler, who co-hosts Slate's Working podcast and is the author of The Method: How the Twentieth Century Learned to Act (which is now available in paperback!). The panel begins by pondering Dream Scenario, a provocative new film from Norwegian writer-director Kristoffer Borgli. The nightmarish social satire stars Nicolas Cage as Paul Matthews, a hapless middle-aged biology professor who begins appearing randomly in people's dreams in a tale about anonymity and the cycle of virality. Then, the three speak with the brilliant author and classicist Emily Wilson about her recent translation of Homer's the Iliad, and her unique approach to metered verse and how she came to access the interior lives of Hector, Patroclus, Achilles, and more. Finally, the trio discusses Coyote vs. Acme, a completed film based on Ian Frazier's 1990 comic in The New Yorker, that was shelved last week by Warner Bros. (reportedly in favor of a $30 million tax write-off) then un-shelved when the studio received backlash for being “anti-art.” In the exclusive Slate Plus segment, the panel descends into a different kind of nightmare: The Beatles' music video for “Now and Then.” Has director Peter Jackson created a touching CGI tribute to the legendary band? Or has he engineered something truly evil? Email us at culturefest@slate.com. Endorsements: Dana: The Public Domain Review, an online journal and not-for-profit project dedicated to “the exploration of curious and compelling works from the history of art, literature, and ideas.” She's only just begun to scratch the site's surface, but recommends starting with “W.E.B. Du Bois' Hand-Drawn Infographics of African-American Life.” Isaac: Deadloch, an Australian feminist noir comedy set in a fictional working class fishing village that's been, as he describes, “gentrified by the most granola crunchy lesbians on earth.” Stephen: The song “New Romantic” by British folk singer-songwriter Laura Marling, specifically her extraordinary 2006 live performance of it when she was quite young at a now-closed music venue in West London. Outro music: “Any Other Way” by Particle House Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel is joined first by Isaac Butler, co-host of Slate's Working podcast and author of The Method: How the Twentieth Century Learned to Act, to debate the merits of David Fincher's The Killer and whether the director's latest “thriller” (which stars Michael Fassbender) is a masterful example of craft or simply a logic-free time-suck. Then, Dana, Julia, and Stephen explore the world of Letterboxd, the self-proclaimed “Goodreads of movies” that may be the only positive social media platform left. Finally, the trio is joined by Extreme Friend of the Pod Chris Molanphy to discuss his wonderful new book, Old Town Road, which considers Lil Nas X's debut single as pop artifact, chart phenomenon, and cultural watershed. In the exclusive Slate Plus segment, the panel asks: what's the deal with long movies? Are today's films getting longer or is it just a figment of our imagination? Email us at culturefest@slate.com. Endorsements: Dana: A hometown endorsement of Slate's excellent coverage of the Sam Bankman-Fried trial, specifically a piece by Nitish Pahwa entitled “The Days the Chips Fell,” which chronicles what Pahwa witnessed in the courtroom the day Bankman-Fried was found guilty. Julia: The Last Waltz, Martin Scorsese's iconic 1978 concert documentary that captures the Band's legendary farewell performance in San Francisco. It depicts a very specific image of the male rockstar era, highlighting both the vanity and vulnerability of its stars. Dana also wrote about The Last Waltz for Slate in 2012! Stephen: Taken by the retro-feel of The Holdovers' trailer, Stephen endorses the song featured in it, “Silver Joy” by Damien Jurado. Outro music: “Go Slow” by Daniel Fridell Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel is joined first by Isaac Butler, co-host of Slate's Working podcast and author of The Method: How the Twentieth Century Learned to Act, to debate the merits of David Fincher's The Killer and whether the director's latest “thriller” (which stars Michael Fassbender) is a masterful example of craft or simply a logic-free time-suck. Then, Dana, Julia, and Stephen explore the world of Letterboxd, the self-proclaimed “Goodreads of movies” that may be the only positive social media platform left. Finally, the trio is joined by Extreme Friend of the Pod Chris Molanphy to discuss his wonderful new book, Old Town Road, which considers Lil Nas X's debut single as pop artifact, chart phenomenon, and cultural watershed. In the exclusive Slate Plus segment, the panel asks: what's the deal with long movies? Are today's films getting longer or is it just a figment of our imagination? Email us at culturefest@slate.com. Endorsements: Dana: A hometown endorsement of Slate's excellent coverage of the Sam Bankman-Fried trial, specifically a piece by Nitish Pahwa entitled “The Days the Chips Fell,” which chronicles what Pahwa witnessed in the courtroom the day Bankman-Fried was found guilty. Julia: The Last Waltz, Martin Scorsese's iconic 1978 concert documentary that captures the Band's legendary farewell performance in San Francisco. It depicts a very specific image of the male rockstar era, highlighting both the vanity and vulnerability of its stars. Dana also wrote about The Last Waltz for Slate in 2012! Stephen: Taken by the retro-feel of The Holdovers' trailer, Stephen endorses the song featured in it, “Silver Joy” by Damien Jurado. Outro music: “Go Slow” by Daniel Fridell Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we bring back #YayHamlet! Cristina Lundy and Fergie L. Philippe talk about the similarities between Hamilton (the musical) and the works of Shakespeare, and why actors need to honor those pieces in the same way. Hint: no need to overact it; all the words are right there on the page. And they're not saying it's easy! Fergie used to think he had to do Shakespeare in a British accent because FANCY. We also talk about an unrealistic need for all works of art to be perfect and right and accurate when in reality, so much of it is about writers being inspired by, as Cristina says, "the influences that pollinate them as artists." Plus! Dream casting! Cristina and Fergie cast Hamilton actors in a slew of Shakespeare plays, they cast a Ted Lasso Much Ado About Nothing, and then we cast Ted Lasso characters in Hamilton. A Tribe Called Quest ft. Busta Rhymes - Scenario (LP Mix) The Method: How the Twentieth Century Learned to Act /// New York Shakespeare Exchange Fergie's Website Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps
Today Pip talks to Jesse about Animal Joy: A book of laughter and resuscitation by Nuar Alsadir, Unscripted: The Battle for a Media Empire and the Redstone Family Legacy by James B Stewart and Rachel Abrams and The Method: How the Twentieth Century Learned to Act by Isaac Butler.
This week Izzy and Murtada welcome Isaac Butler, author of "The Method: How the Twentieth Century Learned to Act.” The trio discusses the scourge of biopics, how the standards of what is considered “good” or “bad” have changed over time, and how the Method redefined masculinity and what's considered “fuckable” on screen but still gets such a bad wrap. Some of the actors discussed (though not all are Method) include Marlon Brando, Kim Stanley, Joan Crawford, John Garfield, Sally Field, Daniel Day Lewis, Nicholas Cage, Joanne Woodward, Al Pacino, Jennifer Garner and Robert De Niro. Butler brings his vast knowledge of the history of acting and, needless to say, Izzy and Murtada wish the conversation could have gone on forever. Follow the show on Twitter and Instagram: @IMPictureShow.To hear more from Izzy and Murtada check them out on social media: Izzy (Twitter: @bkrewind, IG: @bk_rewind); Murtada (Twitter: @ME_Says, IG: murtada_e).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Tonight I talking about creativity and wonder what actors and writers have in common. The springboard for much of what I say is Simon Callow's article in the New York Review of Books, which itself is a review of Isaac Butler's “history” of Method acting, The Method: How the Twentieth Century Learned to Act. Please consider supporting Human Voices Wake us by clicking here. You can also support this podcast by going to wordandsilence.com and checking out any of my books. Any comments, or suggestions for readings I should make in later episodes, can be emailed to humanvoiceswakeus1@gmail.com. I assume that the small amount of work presented in each episode constitutes fair use. Publishers, authors, or other copyright holders who would prefer to not have their work presented here can also email me at humanvoiceswakeus1@gmail.com, and I will remove the episode immediately. --- Send in a voice message: https://anchor.fm/humanvoiceswakeus/message Support this podcast: https://anchor.fm/humanvoiceswakeus/support
We all talk about actors who use the Method, but do we really understand what that means? And how exactly has the Method changed the way we take in drama? In this episode, Jacke talks to theater expert Isaac Butler about his book The Method: How the Twentieth Century Learned to Act. And in a special bonus, Isaac also tells Jacke about the Shakespeare variant known as "Bad Hamlet." Additional listening suggestions: 338 Finding Yourself in Hollywood (with Meg Tilly) 288 The Triumph of Broadway (with Michael Riedel) 374 Ancient Plays and Contemporary Theater - A New Version of Sophocles' Oedipus Trilogy (with Bryan Doerries) The Best of the Bard: Top 10 Greatest Lines in Shakespeare Help support the show at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
00:20 Trump's Supporters and Detractors Are Mirror Images, https://www.wsj.com/articles/trumps-supporters-detractors-are-mirror-images-mar-a-lago-search-fbi-investigations-law-personality-cult-candidates-complicity-11660919395?mod=opinion_lead_pos11 02:00 Tucker Carlson mourns the retirement on Tony Fauci 13:00 Lab leak conspiracy thinking, https://www.respectfulinsolence.com/author/respectfulinsolence_ip5frq/ 16:50 Fundamental Attribution Error 19:00 Five Days At Memorial, https://en.wikipedia.org/wiki/Five_Days_at_Memorial_(miniseries) 31:00 This Is Chance!: The Shaking of an All-American City, A Voice That Held It Together, https://lukeford.net/blog/?p=144680 45:40 Jon Mooallem with Nellie Bowles 1:01:00 COVID-19 vaccines don't weaken the immune system; Lancet study misrepresented in Virology Journal comment, https://healthfeedback.org/claimreview/covid-19-vaccines-dont-weaken-immune-system-lancet-study-misrepresented-tucker-carlson-hodgetwins/ 1:14:00 Some people who quit their jobs during the “Great Resignation” now face financial challenges, https://www.nytimes.com/2022/08/22/style/quitting-personal-finances.html 1:14:50 Andrew Tate banned on social media, and same as with Alex Jones, https://www.nbcnews.com/pop-culture/viral/internet-cant-stop-talking-andrew-tate-tiktok-rcna42744 1:24:45 A popular, award-winning TV news anchor is fired. Was it the hair? https://www.washingtonpost.com/world/2022/08/19/lisa-laflamme-canada-ctv-debate-sexism-ageism/ 1:30:00 Google doesn't owe you anything, https://www.nytimes.com/2022/08/21/technology/google-surveillance-toddler-photo.html 1:42:30 The Method: How the Twentieth Century Learned to Act, https://lukeford.net/blog/?p=144648 1:45:00 Why Did John Lurie Disappear?, https://lukeford.net/blog/?p=144653 https://www.nytimes.com/2022/08/22/us/mass-shootings-mental-illness.html https://www.nytimes.com/2022/08/22/style/quitting-personal-finances.html https://www.nbcnews.com/pop-culture/viral/internet-cant-stop-talking-andrew-tate-tiktok-rcna42744 https://www.nytimes.com/2022/08/21/technology/google-surveillance-toddler-photo.html https://www.washingtonpost.com/national-security/interactive/2022/ukraine-road-to-war/?itid=hp_temp3-ukraine https://www.wsj.com/articles/a-bumbling-biden-fails-the-monkeypox-test-covid-trump-vaccines-jynneos-stockpile-rct-doses-smallpox-medicine-public-health-treatment-11661108794?mod=opinion_lead_pos5 https://www.washingtonpost.com/national-security/interactive/2022/ukraine-road-to-war/?itid=hp_temp3-ukraine https://www.wsj.com/articles/trumps-supporters-detractors-are-mirror-images-mar-a-lago-search-fbi-investigations-law-personality-cult-candidates-complicity-11660919395?mod=opinion_lead_pos11 https://www.respectfulinsolence.com/2022/08/08/is-the-lab-leak-conspiracy-theory-dead/ https://www.latimes.com/california/story/2022-08-22/coming-to-la-without-a-car https://www.washingtonpost.com/world/2022/08/19/lisa-laflamme-canada-ctv-debate-sexism-ageism/ Join this channel to get access to perks: https://www.youtube.com/channel/UCSFVD7Xfhn7sJY8LAIQmH8Q/join https://odysee.com/@LukeFordLive, https://lbry.tv/@LukeFord, https://rumble.com/lukeford https://dlive.tv/lukefordlivestreams Listener Call In #: 1-310-997-4596 Superchat: https://entropystream.live/app/lukefordlive Bitchute: https://www.bitchute.com/channel/lukeford/ Soundcloud MP3s: https://soundcloud.com/luke-ford-666431593 Code of Conduct: https://lukeford.net/blog/?p=125692 https://www.patreon.com/lukeford http://lukeford.net Email me: lukeisback@gmail.com or DM me on Twitter.com/lukeford Support the show | https://www.streamlabs.com/lukeford, https://patreon.com/lukeford, https://PayPal.Me/lukeisback Facebook: http://facebook.com/lukecford Feel free to clip my videos. It's nice when you link back to the original.
Personal brand development is now a mainstay of college career preparation. Young social media influencers are well-versed on the language of personal branding. It seems cultivating your personal brand is a prerequisite for navigating the 21st-century economy. Public image has a long history, of course. But how has our relationship with ourselves changed since we started to put so much effort into emphasizing the most marketable parts of our identities? This episode tackles the history of personal branding, the labor of self-branding, and why so much value is being created in the “social factory.”Footnotes: “Sentimental ‘Greenbacks' of Civilization”: Cartes de Visite and the Pre-History of Self-Branding by Alison Hearn (The Routledge Companion to Advertising and Promotional Culture) “Cartes de Visite,” Art Gallery of New South Wales (YouTube) The Method: How the Twentieth Century Learned to Act by Isaac Butler “Meat, Mask, Burden: Probing the Contours of the Branded Self” by Alison Hearn (Journal of Consumer Culture) The Anti-Capitalist Chronicles by David Harvey EP.385: Who do you work for? on What Works Connect with Tyler McCall on Twitter “On the internet, we're always famous” by Chris Hayes (The New Yorker) “The Problem with Personal Brands and the Labor of Authenticity” by Tara McMullin Essay versions of each episode are available every Thursday at explorewhatworks.com. To get them delivered straight to your inbox, sign up free at explorewhatworks.com/weekly★ Support this podcast ★
In this episode, Xavier Bonilla has a dialogue with Isaac Butler about the history of method acting in the 20th century. They discuss who was Stanislavski and how he started his theater studio and system. They discuss the impact of Tolstoy and Chekhov on Stanislavksi. They explain the expansion of the method globally and how Lee Strasberg and Stella Adler became involved with the method. They talk about the differences between the system and the method and what is composed of the Method. They discuss how Marlon Brando was a genius and legend, origins of the actors legend, and some of the current modern actors that use the actors studio. They talk about current-day method acting and many more topics. Isaac Butler is a cultural critic, historian, theater director, and podcaster. He is the co-author of The World Only Spins Forward (with Dan Kois) and of his most recent book, The Method: How the Twentieth Century Learned to Act. He is the host of the Slate's podcast, Working. Twitter: @parabasis
Richard Wagner's epic fantasy opera Lohengrin is a fairy-tale romance, but a disconcerting German nationalism lurks beneath its surface. French director Olivier Py confronts the opera's complexities head on in his upcoming production for Opera Australia. Also, we trace the influence of theatre practitioner Konstantin Stanislavski and his impact on modern acting and theatrical storytelling with Isaac Butler, author of The Method: How the Twentieth Century Learned to Act (Bloomsbury).
Richard Wagner's epic fantasy opera Lohengrin is a fairy-tale romance, but a disconcerting German nationalism lurks beneath its surface. French director Olivier Py confronts the opera's complexities head on in his upcoming production for Opera Australia.Also, we trace the influence of theatre practitioner Konstantin Stanislavski and his impact on modern acting and theatrical storytelling with Isaac Butler, author of The Method: How the Twentieth Century Learned to Act (Bloomsbury).
Richard Wagner's epic fantasy opera Lohengrin is a fairy-tale romance, but a disconcerting German nationalism lurks beneath its surface. French director Olivier Py confronts the opera's complexities head on in his upcoming production for Opera Australia. Also, we trace the influence of theatre practitioner Konstantin Stanislavski and his impact on modern acting and theatrical storytelling with Isaac Butler, author of The Method: How the Twentieth Century Learned to Act (Bloomsbury).
This week, I was so pleased to welcome to the podcast a fellow writer and a tennis fan - yes, I had to get that in there - Isaac Butler. Co-author of "The World Only Spins Forward: The Ascent of Angels in America," which NPR.Org named one of the best books of 2018, Isaac Butler's writing has appeared in "New York Magazine," "Slate," "The Guardian," "American Theatre," and other publications. For "Slate," he created and hosted "Lend Me Your Ears," a podcast about Shakespeare and politics and he currently co-hosts "Working," a pod dedicated to the creative process. Additionally, a director whose work has been seen on stages across the country, he is the co-creator of "Real Enemies," a multimedia exploration of conspiracy theories in the American psyche, which was not only named one of the best live events of 2015 by "The New York Times" but has also been adapted into a feature-length film. An MFA graduate in creative nonfiction from the University of Minnesota who teaches theater history and performance at the New School and elsewhere, most recently, he became the author of the richly detailed, utterly fascinating book "The Method: How the Twentieth Century Learned to Act," which is what we're here to talk about today. Joining me to share stories involving the history of The Method as well as its many practitioners, we discuss some of the eye-opening and enlightening discoveries that Isaac made as he wrote his terrific new book. Following that, we take a deeper look at the Method performances of everyone from John Garfield to Jessica Lange that are on display in the films "Four Daughters," "Wild River," "Paris Blues," and "Frances" (1982).Originally Posted on Patreon (4/18/22) here: https://www.patreon.com/posts/65296760Logo: Kate Gabrielle (KateGabrielle.com)Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive
This week, I was so pleased to welcome to the podcast a fellow writer and a tennis fan - yes, I had to get that in there - Isaac Butler. Co-author of "The World Only Spins Forward: The Ascent of Angels in America," which NPR.Org named one of the best books of 2018, Isaac Butler's writing has appeared in "New York Magazine," "Slate," "The Guardian," "American Theatre," and other publications. For "Slate," he created and hosted "Lend Me Your Ears," a podcast about Shakespeare and politics and he currently co-hosts "Working," a pod dedicated to the creative process. Additionally, a director whose work has been seen on stages across the country, he is the co-creator of "Real Enemies," a multimedia exploration of conspiracy theories in the American psyche, which was not only named one of the best live events of 2015 by "The New York Times" but has also been adapted into a feature-length film. An MFA graduate in creative nonfiction from the University of Minnesota who teaches theater history and performance at the New School and elsewhere, most recently, he became the author of the richly detailed, utterly fascinating book "The Method: How the Twentieth Century Learned to Act," which is what we're here to talk about today. Joining me to share stories involving the history of The Method as well as its many practitioners, we discuss some of the eye-opening and enlightening discoveries that Isaac made as he wrote his terrific new book. Following that, we take a deeper look at the Method performances of everyone from John Garfield to Jessica Lange that are on display in the films "Four Daughters," "Wild River," "Paris Blues," and "Frances" (1982).Originally Posted on Patreon (4/18/22) here: https://www.patreon.com/posts/65296760Logo: Kate Gabrielle (KateGabrielle.com)Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive
Our books today give the reader a peek into showbiz. Sarah Polley was a child actor but that led to her being put into many dangerous situations, which she details in her new memoir, Run Toward The Danger. She told NPR's Sacha Pfeiffer that she's not sure kids should be acting in a professional environment at all. Next, Isaac Butler deep dives into method acting in his new book The Method: How the Twentieth Century Learned to Act. Butler told NPR's Scott Simon that method acting can create some beautiful performances but it's not an excuse to be terrible.
Vox's Alissa Wilkinson talks with cultural critic and author Isaac Butler about his new book, The Method. They discuss the transformation that the craft of acting underwent, tracing its origins from Konstantin Stanislavski in post-revolution Russia, through Hollywood in the mid-twentieth century, up to today. They talk about some of the lesser-known influences and practices associated with The Method, evaluate some touchstone performances in the history of cinema, and speculate about what might happen at this year's Academy Awards. Host: Alissa Wilkinson (@alissamarie), film critic and senior culture reporter, Vox Guests: Isaac Butler (@parabasis), cultural critic, theater director, author References: The Method: How the Twentieth Century Learned to Act by Isaac Butler (Bloomsbury; 2022) "Why the Oscars are so weird about real people roles" by Alissa Wilkinson (Vox; Feb. 22) "Remembering Hollywood's Hays Code, 40 Years On" by Bob Mondello (NPR; Aug. 8, 2008) United States v. Paramount Pictures, Inc. (334 U.S. 131; 1948) Enjoyed this episode? Rate Vox Conversations ⭐⭐⭐⭐⭐ and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of Vox Conversations by subscribing in your favorite podcast app. Support Vox Conversations by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by: Producer: Erikk Geannikis Editor: Amy Drozdowska Deputy Editorial Director, Vox Talk: Amber Hall Learn more about your ad choices. Visit podcastchoices.com/adchoices
How did "Method" acting come to be? Isaac Butler joins us to talk about the history of this acting style and his book The Method: How the Twentieth Century Learned to Act.
Writer Isaac Butler joins co-hosts Kate Wolf and Eric Newman to speak about his new book, The Method: How the Twentieth Century Learned to Act which was published this month by Bloomsbury. The Method traces the dissemination of a style and way of thinking about acting that's so prevalent, it's hard to imagine the performing arts without it today. Originally envisioned by the great actor and textile heir Konstantin Stanislavski, in Moscow, in the late 1800s, the Method, originally known as the System, stressed the importance of emotional realism, research, a character's motivation, and the actor's organic experience. Stanislavski believed actors were meant to be truth tellers and to this end, he developed empathic and imaginative exercises to enhance the authenticity of their performances such as “affective memory” and the “Magic If.” When the Moscow Arts Theater, which Stanislavski co-created, toured its productions in Europe and the US in the early 1920s, it inspired a whole new generation of actors and teachers, including Lee Strasberg and Stella Adler, who would go on to teach the Method to much the acclaim and controversy in the United States. Also, Lewis R. Gordon, author of Fear of Black Consciousness, returns to recommend three books: Sister Outsider by Audre Lorde; Living While Black: The Essential Guide to Overcoming Racial Trauma by Guilaine Kinouani; and Mary Shelley's Frankenstein; or, The Modern Prometheus.
Writer Isaac Butler joins co-hosts Kate Wolf and Eric Newman to speak about his new book, The Method: How the Twentieth Century Learned to Act which was published this month by Bloomsbury. The Method traces the dissemination of a style and way of thinking about acting that's so prevalent, it's hard to imagine the performing arts without it today. Originally envisioned by the great actor and textile heir Konstantin Stanislavski, in Moscow, in the late 1800s, the Method, originally known as the System, stressed the importance of emotional realism, research, a character's motivation, and the actor's organic experience. Stanislavski believed actors were meant to be truth tellers and to this end, he developed empathic and imaginative exercises to enhance the authenticity of their performances such as “affective memory” and the “Magic If.” When the Moscow Arts Theater, which Stanislavski co-created, toured its productions in Europe and the US in the early 1920s, it inspired a whole new generation of actors and teachers, including Lee Strasberg and Stella Adler, who would go on to teach the Method to much the acclaim and controversy in the United States. Also, Lewis R. Gordon, author of Fear of Black Consciousness, returns to recommend three books: Sister Outsider by Audre Lorde; Living While Black: The Essential Guide to Overcoming Racial Trauma by Guilaine Kinouani; and Mary Shelley's Frankenstein; or, The Modern Prometheus.
This week, host Karen Han talks to Isaac Butler about the writing of his new book The Method: How the Twentieth Century Learned to Act. They discuss how Isaac's background as a child professional actor informed his understanding of his subject, how he researched a wide-ranging topic that spanned geography and generations, and how he conceived of the book's structure and managed its narrative tension. After the interview, Karen and co-host June Thomas talk about learning from the questions that arise during a book's research phase, coming to terms with having to make cuts to a manuscript, and how to find trusted outside readers. In the exclusive Slate Plus segment, Karen asks Isaac to recommend some great Method performances. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, host Karen Han talks to Isaac Butler about the writing of his new book The Method: How the Twentieth Century Learned to Act. They discuss how Isaac's background as a child professional actor informed his understanding of his subject, how he researched a wide-ranging topic that spanned geography and generations, and how he conceived of the book's structure and managed its narrative tension. After the interview, Karen and co-host June Thomas talk about learning from the questions that arise during a book's research phase, coming to terms with having to make cuts to a manuscript, and how to find trusted outside readers. In the exclusive Slate Plus segment, Karen asks Isaac to recommend some great Method performances. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, host Karen Han talks to Isaac Butler about the writing of his new book The Method: How the Twentieth Century Learned to Act. They discuss how Isaac's background as a child professional actor informed his understanding of his subject, how he researched a wide-ranging topic that spanned geography and generations, and how he conceived of the book's structure and managed its narrative tension. After the interview, Karen and co-host June Thomas talk about learning from the questions that arise during a book's research phase, coming to terms with having to make cuts to a manuscript, and how to find trusted outside readers. In the exclusive Slate Plus segment, Karen asks Isaac to recommend some great Method performances. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Culture Gabfest is coming to you live from The Strand Bookstore in NYC for a special event! In this live taping, Steve interviews Dana about her new book (Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century) and Isaac Butler about his new book (The Method: How the Twentieth Century Learned to Act). In Slate Plus, Dana and Isaac answer some questions from the audience. Email us at culturefest@slate.com. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Thanks to Jason Stack for this great photo! Outro music is "Spinning the Wheels" by Dusty Decks. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Culture Gabfest is coming to you live from The Strand Bookstore in NYC for a special event! In this live taping, Steve interviews Dana about her new book (Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century) and Isaac Butler about his new book (The Method: How the Twentieth Century Learned to Act). In Slate Plus, Dana and Isaac answer some questions from the audience. Email us at culturefest@slate.com. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Thanks to Jason Stack for this great photo! Outro music is "Spinning the Wheels" by Dusty Decks. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Culture Gabfest is coming to you live from The Strand Bookstore in NYC for a special event! In this live taping, Steve interviews Dana about her new book (Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century) and Isaac Butler about his new book (The Method: How the Twentieth Century Learned to Act). In Slate Plus, Dana and Isaac answer some questions from the audience. Email us at culturefest@slate.com. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Thanks to Jason Stack for this great photo! Outro music is "Spinning the Wheels" by Dusty Decks. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
This week we're joined by Isaac Butler (author, most recently, of The Method: How the Twentieth Century Learned to Act) to discuss a play by Annie Baker, The Aliens. Butler has worked as a theater director, as well as an author and podcaster and cultural critic, so we thought he'd be a perfect guest to help us wrap our heads around the world of contemporary theater. We talk about adapting plays for the screen, the Robert Altman version of Tony Kushner's Angels in America that almost existed, and how to figure out the right focus for a work of research-driven nonfiction like Butler's most recent book. If you like the show, please consider subscribing to our Patreon. For just $5, you get two bonus episodes every month, including our ongoing Hunt for the Worst Book of All Time: https://www.patreon.com/BookFight
Dominoes fall in the Succession season finale, and "All the Bells Say": too late. Isaac Butler returns to the RoyCast for a spirited debate about the third season's flaws and virtues, as well as to weigh in with some expert commentary on the recent Jeremy Strong discourse. Topics from the finale discussion include: Ken's confession, the Roy children teaming up, parallels between Matsson and Logan, billionaire elitism, the decision to sell Waystar and its implications for the future, Godfather references, Kieran Culkin as the season's MVP, Sympathy for Shiv, Tom as the show's true protagonist, Greg's place in the narrative, costume design, and the long-deferred dream of Connor Season. ~~~ RoyCast is a passion project and we incur minor ongoing expenses related to producing and hosting the podcast. However, we have no intention of paywalling the show. For those who would like to support you can do so here: roycast.square.site/ ~~~ Isaac Butler (Twitter: @parabasis) is a cultural critic and author of The Method: How the Twentieth Century Learned to Act, available 2/1 from Bloomsbury. He is also the co-host of Slate's Working podcast. https://www.bloomsbury.com/us/method-9781635574784/
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