Podcasts about Emulsion

This week on Uncensored, Mel has fallen deep into an Instagram rabbit hole and the viral anonymous confession account @gabetrew she’s found makes Cringey Convo look positively wholesome, and naturally, Hannah is horrified and fascinated. Then, dermal clinician and TikTok skin educator Maddy O’Brien (@mads.skin) joins the pod to share the skincare products she genuinely believes deserve way more hype. From underrated barrier saviours to clever formulas nobody seems to be talking about, Maddy’s giving us the hidden gems she thinks should already be skincare-famous. Plus, Hannah has been putting The Ordinary through its paces after trialling a stack of the brand’s newest launches. Which products surprised her, what’s actually worth adding to cart, and which formulas might quietly become your new routine staples? Products mentioned: NIOD Fractionated Eye Contour Concentrate Medik8 Crystal Retinal The Ordinary Retinal 0.2% Emulsion asap Radiance Serum Alpha-H Firming Peptide Body Oil Alpha-H Retinol Reboot Exfoliating Body Treatment Avène Cicalfate+ Restorative Protective Cream CeraVe Oil Control Moisturising Gel Cream Dermalogica Stabilizing Repair Cream Skinceuticals Resveratrol B E Medik8 Liquid Peptides Advanced MP The Ordinary Azelaic Acid Suspension 10% The Ordinary Volufiline 92% + Pal-Isoleucine 1% The Ordinary PHA 5% Exfoliating Lip Serum The Ordinary Natural Moisturising Factors + Inulin Body Lotion Send us your tips, tricks, questions and feedback at @adorebeauty on IG.Join the conversation in our Beauty IQ Facebook Group to discuss this episode, swap beauty tips, and submit your questions for future shows. Credits: Hosts: Hannah Furst and Melissa Mason Producer: Melissa Mason For more beauty insights and exclusive offers, visit adorebeauty.com.auSee omnystudio.com/listener for privacy information.

Discover why professional organic growers swear by fish hydrolysate fertilizer. Learn how cold-processing preserves beneficial compounds, feeds soil microbes, and delivers measurable results. Plus, tips for selecting OMRI-certified products that build resilient, thriving gardens from the ground up. Learn more at https://gsplantfoods.com/collections/lawn-care/products/organic-liquid-fish GS Plant Foods City: Lake Mary Address: 4300 West Lake Mary Boulevard Website: https://gsplantfoods.com/

Whatever the last great horror movie was, I doubt it was so strange or compelling as City Wide Fever. Shot on video, seemingly whenever the talent had free time from whatever else they were doing, this is a film rejects the eye-deadening digital that defines so many genre movies that go for prestige only to end up at TUBI. It's also funny, with a sense of humor that is pranksterish, even juvenile without dipping into an edgelord attitude to which it could've so easily resorted. City Wide Fever is now on Blu-ray. But if you're in New York, then you have a special occasion to see it on Wednesday, April 15 at the Lower Manhattan Alamo Drafthouse, where filmmaker Josh Heaps is doing a Q&A. Josh, I feel compelled to note, started as a film publicist, and through his years there built enough connections to support this film, which he shot during his free hours with very little money. He's a friend, but also someone whose film I genuinely like very much, and hope this conversation reflects those distinctions and commonalities alike.

How often do you think about dolphins? That's a serious question. Because it's a topic worth turning over, which makes especially valuable… deep breath as I say the title… John Lilly and the Earth Coincidence Control Office, a documentary about the man whose work with dolphins blurred boundaries between science and counterculture. The filmmakers are Michael Almereyda and Courtney Stephens. While the former is better-known for his fiction features, including the recently restored Nadja, his portraits of artists—such as Sam Shepherd, William Eggleston, and Hampton Fancher—make him well-suited to the project. The latter, meantime, is shortly off Invention, which concerns sui generis experiments and the conspiracies they may or may not have engendered. With voiceover from Chloe Sevigny and a hypnotic soundtrack, John Lilly is a suitably dense exploration of a complicated mind. I spoke to Almereyda and Stephens as the film begins its theatrical run from Oscilloscope.

Walter Kirn says the term “influencer” is “fundamentally creepy” as technocratic elites increasingly use mass nudging to psychologically manipulate the masses – and suppress the truth about UFO disclosure, pandemics, and the war in Iran. Amidst the strange disappearances of rocket scientists like Monica Jacinto Reza and Maj. Gen. William Neil McCasland, Kirn warns “something awful is happening” – and the truth may be darker than anything Hollywood could conjure. Walter Kirn (author of Up In The Air, adapted into a hit movie starring George Clooney) also discusses his new Hollywood project: writing the screenplay for a film about Dr. Jay Bhattacharya. As powerful forces reportedly try to stop the movie, Kirn breaks down the “creepy” reality of modern propaganda, censorship… and what he knows about the government's hidden UFO disclosure files. Chef Adalberto Diaz shares his journey of escaping poverty in Communist Cuba to build a successful business in America, and Dr. SueLyn Hall discusses how overcoming childhood trauma can dramatically improve the nervous system and increase longevity. Chef Adalberto Diaz is an award-winning pastry chef who escaped Communist Cuba and started his own small business in the United States. He is a James Beard semi-finalist for outstanding pastry chef 2025 and the founder and co-owner of Fillings & Emulsions in Salt Lake City. Learn more at http://www.adalbertodiaz.com Walter Kirn is a novelist, essayist, and Editor-at-Large at County Highway. He is the author of Blood Will Out, Mission To America, and several other books. His 2001 novel Up in the Air was adapted into the Oscar-nominated movie starring George Clooney and Anna Kendrick. Follow at https://x.com/walterkirn Dr. SueLyn Hall is a board-certified urologist, founder of Quantum Health and Wellness Center, and author of How To Get A-HEAD: Secrets to Male Sexual Pleasure from a Female Urologist. She specializes in functional and nutritional medicine, anti-aging, and regenerative medicine. Learn more at https://instagram.com/howtogetaheadbook 「 SUPPORT OUR SPONSORS 」 • STRONG CELL – If you want to feel more like your younger self, go to https://strongcell.com/ and use code DREW for 20% off. • AUGUSTA PRECIOUS METALS – Thousands of Americans are moving portions of their retirement into physical gold & silver. Learn more in this 3-minute report from our friends at Augusta Precious Metals: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/gold⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or text DREW to 35052 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• FATTY15 – The future of essential fatty acids is here! Strengthen your cells against age-related breakdown with Fatty15. Get 15% off a 90-day Starter Kit Subscription at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/fatty15⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • PALEOVALLEY - "Paleovalley has a wide variety of extraordinary products that are both healthful and delicious,” says Dr. Drew. "I am a huge fan of this brand and know you'll love it too!” Get 15% off your first order at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/paleovalley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • THE WELLNESS COMPANY - Counteract harmful spike proteins with TWC's Signature Series Spike Support Formula containing nattokinase and selenium. Learn more about TWC's supplements at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twc.health/drew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 「 ABOUT THE SHOW 」 This show is for entertainment and/or informational purposes only, and is not a substitute for medical advice, diagnosis, or treatment. Executive Producers • Kaleb Nation - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kalebnation.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • Susan Pinsky - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/firstladyoflove⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Content Producer • Emily Barsh - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/emilytvproducer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hosted By • Dr. Drew Pinsky - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/drdrew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Take one step into the world of festivals and you'll understand that making a movie isn't just "making a movie." Even if one has the fortune to get some money for the script they've slaved over, get some actors in front of a camera, and survive the labyrinthine editing process, a veritable mountain of tasks faces those hoping to actually get the thing up and running. I might not know anybody who's better-learned in these spaces than my friend Gabe Klinger, who has worked in festivals, programming, criticism, and filmmaking, with his third feature, Isabel, debuting at this year's Berlinale. Music courtesy of Lex Walton: “Love Theme from an Unreleased Film” from the album Giving It Up.

Last month brought suitable mourning for Robert Duvall and Frederick Wiseman, whose legacies are so enshrined that the lengthy obituaries published by major outlets could have—likely were—written years ago. But immediately after came a quieter announcement that hit me hardest: Tom Noonan, the actor best-known for his collaborations with Michael Mann and Charlie Kaufman, and a filmmaker who made formally elegant and emotionally lacerating features based on his own plays. (As discussed in my 2021 interview with him.) While his passing may, to various film institutions, not seem so notable as Duvall or Wiseman, I noticed that the online reaction was essentially as instant and admiring. It's perhaps impossible to experience a Noonan performance, with that tall frame and mellifluous voice, and come away feeling like you'd seen any other actor. My friend, the critic Keith Uhlich, had known Noonan closely, working with him in both theater and cinema. I considered here and now the proper time to reminisce on Noonan's work, and a unique opportunity to Keith tell intimate stories of him as both an artist and friend. Music courtesy of Lex Walton: “Love Theme from an Unreleased Film” from the album Giving It Up.

In this podcast, JPEN Editor-in-Chief Dr. Kenneth Christopher, interviews Dr. Katie Huff from the Division of Neonatology at Cincinnati Children's Hospital Medical Center. Dr. Katie Huff is a clinical researcher in Neonatal nutrition with a specific focus on intestinal failure and intestinal failure-associated liver disease. Dr. Katie Huff is first author of the research article “Developmental outcomes after soybean oil vs mixed‐oil intravenous lipid emulsions in neonates: A secondary analysis of a clinical trial”. Business Corporate by Alex Menco | alexmenco.net Music promoted by www.free-stock-music.com Creative Commons Attribution 3.0 Unported License creativecommons.org/licenses/by/3.0/deed.en_US February 2026

Welcome back. After a brief hiatus, I am so happy to bring you episode 19 of this podcast project. Few subjects make a better benchmark than Werner Herzog, who quite literally needs no introduction and to whom I will accordingly not grant such. He is presenting his new film, Ghost Elephants, a documentary concerning South African naturalist Steve Boyse and his quest for a near-mythical species of elephant. (Our own appreciative review, from the film's Venice premiere, can be found here.) Those who've seen Herzog's previous documentaries will be familiar with certain of its formal traits, but this is less a work about obsession, or pain, or even failure than many of those. As he brings up in our interview, it poses an interesting question: how does one live with success? On our call we were joined by his producer, Ariel Leon Isacovitch. There is a belief that to win friends and influence people, it can be useful to refer to people by their first name. I forgot to change my Zoom display name from Jordan Raup, this website's editor in chief, which is why Isacovitch—surely someone who has found success—kindly calls me such. Lest you be distracted amidst a conversation with one of cinema's truest legends.

durée : 00:30:09 - Les Nuits de France Culture - par : Philippe Garbit - Par Renée Elkaïm-Bollinger - Avec Hervé This (physico-chimiste, co-inventeur de la gastronomie moléculaire) - Réalisation Christine Berlamont - réalisation : Virginie Mourthé

This recording features audio versions of the February 2025 Journal of Vascular and Interventional Radiology (JVIR) abstracts:ArticlesTransarterial Embolization for Refractory Adhesive Capsulitis and Related Tendinopathies: A Systematic Review and Meta-Analysis (Read)Standardized Technique for Prostatic Artery Embolization: A Delphi Consensus Study on Optimized Methods and Emerging Concepts (Read)Neutrophil-to-Lymphocyte Ratio and Platelet-to-Lymphocyte Ratio Combined with Model for End-Stage Liver Disease 3.0 as a Prognostic Predictor for Patients with Liver Cirrhosis after Transjugular Intrahepatic Portosystemic Shunt Creation (Read)Safety and Feasibility of Intra-Arterial Treatment of Pancreatic Cancer Using an Emulsion of Ethiodized Oil plus Bumetanide in an Oncopig Model (Read)Lessons in IR: Coil Unraveling and Stretching during Retrieval of a Partially Deployed Embolization Coil (Read)JVIR and SIR thank all those who helped record this episode. To sign up to help with future episodes, please contact our outreach coordinator at millennie.chen.jvir@gmail.com.HostSonya Choe, University of California Riverside School of MedicineAudio EditorAndrew Sasser, University of Miami Miller School of Medicine Outreach CoordinatorMillennie Chen, University of California Riverside School of MedicineAbstract Readers:Ahmed Alzubaidi, Wayne State University School of MedicineShobhit Chamoli, Armed Forces Medical CollegeAgnes Manish, Loma Linda University School of MedicineEmily Jagenberg,  Oakland University. William Beaumont School of Medicine Tiffany Nakla, Touro University Nevada College of Osteopathic Medicine, NevadaSupport the show

On a special 2025 wrap-up podcast, The Film Stage co-founder and editor-in-chief Jordan Raup is joined by managing editor and Emulsion host Nick Newman and The B-Side co-host Conor O'Donnell to discuss our favorite films of the year. We also discuss our favorite first-viewings of the year, favorite documentaries, the most overrated and most overlooked films of 2025. Before signing off, we provide a look ahead at our most-anticipated films of 2026, plus a few films coming this year we've already seen to have on your radar. On the episode, we also discuss The Film Stage's Top 50 Films of 2025: https://thefilmstage.com/the-film-stages-top-50-films-of-2025/ The Film Stage's 100 Most-Anticipated Films of 2026: https://thefilmstage.com/the-100-most-anticipated-films-of-2026-part-one And more of our year-end features: https://thefilmstage.com/tag/best-of-2025/ Thanks for listening all year long, and stay tuned for more conversations!

Host: Charles Turck, PharmD, BCPS, BCCCP Guest: Sarah Cogle, PharmD, BCNSP, FASPEN Evolving evidence supports the shift from single-source to multi-source intravenous lipid emulsions in parenteral nutrition. These newer formulations may offer improved metabolic, inflammatory, and hepatic outcomes, particularly for vulnerable patient populations. Joining Dr. Charles Turck to discuss the clinical rationale and operational considerations for these formulations is Dr. Sarah Cogle, who's a Clinical Pharmacist Specialist at Vanderbilt University Medical Center in Nashville, Tennessee.

Es ist angerichtet: heute wird zu schmackhafter Bockwurst mit asiatischem Touch wieder feinste Emulsion aus Ei und Öl gereicht. Lasst es euch schmecken!

In this episode of F-Stop Collaborate and Listen, host Matt Payne talks with Justin Tedford, a combat veteran and photographer, about his unique approach to using photography as a healing tool to combat PTSD, depression, and anxiety. Justin shares his journey from small-town Iowa to working for the Department of Corrections, and describes how creative expression, specifically Polaroid emulsion lifts, became a therapeutic outlet during difficult times. The conversation delves into the tactile, imperfect process of transforming digital images into analog art, and how embracing imperfection mirrored Justin's personal healing journey. They discuss creative ruts, the value of personal projects, and reconnecting with the “why” behind making images, along with Justin's experience mentoring other veterans and photographers through mental health struggles and creative challenges. Watch on YouTube Resources and Links Justin Tedford Brenda Petrella's Podcast Professional Photographers of America (PPA) Professional Photographers of Iowa (PPI) Fstoppers Polaroid Print Lab Lensbaby Lenses Bryan Minear Support the show on Patreon 988 Suicide & Crisis Lifeline

Roasted carrots with mint emulsion and spiced chickpeas Cook time: 45 minutes Prep time: 20 minutes Serves: 12 20 carrots cut in half 2 tbsp sunflower oil Flaky sea salt Miso emulsion 2 soft boiled eggs 1 tbsp miso paste 4 tbsp orange juice Juice of 1 lemon 1 cup coriander leaves and stalks 10 mint leaves 1 tbsp brown sugar 1 clove garlic 1 tbsp ginger, peeled 300ml sunflower oil Spiced chickpeas 1/4 cup sunflower seeds, roasted 1/4 cup pumpkin seeds, roasted 3 cups drained chickpeas 1 tsp paprika 1 tsp ground cumin 1 tsp ground coriander 1/2 tsp crushed farm chilli 2 tbsp sunflower oil Pre-heat the oven to 180*c. Cut the carrots in half and drizzle with oil and sprinkle with some flaky salt. Place into the oven and roast until tender. Combine all the ingredients for the spiced chickpeas in a bowl and toss, lay out onto a roasting tray and place in the oven along with the carrots. Cooked for 30 minutes stirring every 10 until crispy. Allow to cool . Make up the mint emulsion Bring a pot of water to the boil and carefully drop in your eggs. Time them for 5 minutes before removing and placing into iced water till cold. Carefully roll the eggs breaking the shell before peeling, (good luck!) Place all the ingredients apart from the oil into the blender and turning on slowly before turning up and slowly drizzle in the oil. Season with salt and pepper if required. Spoon a couple tbsp of mint emo onto a platter and stack the roasted carrots on top and finish with the spiced chickpeas. LISTEN ABOVESee omnystudio.com/listener for privacy information.

A world-cinema fixture who's earned the support of Martin Scorsese, M. Night Shyamalan, Olivier Assayas, Apichatpong Weerasethakul, Béla Tarr, Claire Denis, Christian Petzold, Tilda Swinton, and Ryusuke Hamaguchi––among many others––Carlo Chatrian reshaped the festival landscape with his work as artistic director of the Locarno Film Festival and Berlinale, his influence such that an abdication of his position at the latter in 2023 caused an honest-to-God outcry. He is now serving as director of the National Cinema Museum in Turin and, for the last couple weeks, also acted as head of the international competition jury at the Tokyo International Film Festival. While we were both there, I sought the opportunity to ask him about these responsibilities, and found myself engaged in a rigorous serious conversation about where he sees cinema culture at the moment, where it might be headed, and––amidst all this––reasons to be hopeful.

Given her work in and around cinema, it's no surprise that Stephanie LaCava would write a novel that is, no small feat, cinematic. Said novel is Nymph, a slim and elliptical and fully satisfying character piece about a young woman, Bathory––called “Bat” for short––whose parents' strange lifestyle, either involving spy craft or assassinations or just being out-and-out weirdos, brings her down dark corners. Having known Stephanie for a little bit, I already knew she was worth talking to. (An important quality for any podcast guest.) But when she sent me the book last month, I read it with enough speed and relish that it was no question we should talk about Nymph, the Chantal Akerman and Abel Ferrara films that inspired it, and the complex personal feelings these things can raise. While I hope you like our conversation, I mostly hope it drives one to reading Stephanie's novel. Order Nymph here: https://www.versobooks.com/products/3384-nymph?srsltid=AfmBOorlFqrsPmUBBXZkib0EKTKrXwvCfSY0sCRZ1mooAPre-6aOgVfw

Do you have to stab olives to make olive oil? Or bash them with a hammer? Maybe squeeze them between disks and cones? How are olives actually crushed?

Ed Wood died the better part of a half-century ago, and to this day his reputation as the world's worst filmmaker persists. Even in this era when seemingly everything can be reclaimed, few have made the effort for Plan 9 from Outer Space, Glen or Glenda, or Night of the Ghouls, making all the more compelling a new book that does so without necessarily making the case for Wood as a strictly speaking good filmmaker. The author is Will Sloan and the book Ed Wood: Made in Hollywood USA, which studies Wood's filmography as a genuinely dream-like and ideologically... if not driven, then at least somewhat occupied with major questions of identity. The work shows in Sloan's book, which contains key biographical information, rundowns of Wood's novelistic career, and a larger consideration of what constitutes a bad movie. I was extremely pleased to speak with him about these and sundry other subjects.

If you live in New York and care about movies, the beginning of the New York Film Festival—this year, specifically, on Friday, September 26—is perhaps the most exciting moment of any year. Though he served on the committee for a number of years, since 2020, Dennis Lim has shepherded the festival, his dispensation as a journalist and critic carrying naturally to his inclinations as a programmer. On the eve of the New York Film Festival's kick-off, I spoke to Dennis about his role as a programmer, how seemingly disparate films make nice pairings, what it feels like watching eight-to-ten-hours of films a day, and the role of a festival in a consensus-heavy moment.

With exposure to Brazilian cinema being so pitiful, I thought it would be past due to host both an episode and screening that put a bit of spotlight on their rich cinematic history. One of my favorite films I've seen in recent years is Carlos Reichenbach's Movie Dementia, which is both the cinema-induced madness its title suggests and a gritty view of national disaffection circa the 1980s––think Godard's Pierrot Le Fou peppered with more gritty realism and a greater dose fantasy. I'll be showing it at the Brooklyn Center for Theater Research on Wednesday, August 27th, for which tickets are now on-sale: https://www.eventbrite.com/e/amnesiascope-filme-demencia-tickets-1579316059849?aff=oddtdtcreator There is quite literally nobody I'd rather discuss that film, Reichenbach's corpus, and Brazilian cinema than Filipe Furtado, whose work as a critic has been a north star for myself and countless cinephiles. I was glad to have this discussion with Filipe, who called in from São Paulo. I hope you enjoy it and can make the screening on the 27th.

Few people have contributed more to cinema and cinephilia in the last 50 years than Dave Kehr. He'd have some claim to this title solely as a major critical voice, his work remaining currency decades hence––just look at the popular Not Dave Kehr Letterboxd account for a symbol of his enduring prominence. As a film curator at the Museum of Modern Art, however, Kehr has emboldened one of the world's foremost cinema cultures with year-round programming that combines classic titles with far-flung finds. With the third edition of Silent Movie Week beginning at MoMA on July 30, I had the pleasure of speaking with Dave about their lineup, the major advancements made in digital restoration, a discussion of how exactly one puts together a series like this, and (lest you think this is all about my ego) why a presumption of mine was, in fact, incorrect. Plus: his pick––surprising to some, not to me––for the best film to premiere in recent years.

You'd have to be very bad at interviews, or really just conversations, to not get something from Abel Ferrara, who's the perfect combination of endearing and pugnacious, amenable to ideas while unable to entertain even a hint of bullshit. He's especially verbose discussing Turn in the Wound, his most recent documentary, which premiered at last year's Berlinale and is now streaming on the Criterion Channel and parallels the effect of Russia's war on the citizens of Ukraine with, in a slightly opaque but ultimately wise manner, concerts conducted by Patti Smith. Like many of Ferrara's documentaries––Mulberry St., Chelsea on the Rocks, or Piazza Vittorio––it wrings pathos from a concern for people and the places they live. I was only too happy to talk with him about this film and its endless concerns. I also want to note that myself and Instagram sensation Rohmer Fits will be screening Éric Rohmer's A Summer's Tale on Tuesday, Thursday, and Friday of this week's posting. Tickets are here and we hope to see you there: https://www.eventbrite.com/e/amnesiascope-a-tale-of-summer-tickets-1488838077769?aff=oddtdtcreator

Raise the subject of documentaries about filmmaking and you'll probably first go to Hearts of Darkness: A Filmmaker's Apocalypse. Or the film you're thinking about instead was directed by somebody was thinking about Hearts of Darkness. Or, assuming the film came out earlier, it was perhaps directed by someone who later saw Hearts of Darkness and wishes they made a film as good. Which is no disrespect to any other film that fits into its genre––just to say that no other such documentary seems to mirror and match the subject. Though long available, the film has––very much contra Apocalypse Now––only just been restored by American Zoetrope and is now rolling out in theaters. The effort was overseen by James Mockoski, who has served as a guiding hand for the recent spate of Coppola restorations and recuts. I was accordingly pleased to speak with him and Hearts' co-director, Fax Bahr, about the film's legacy, its restoration, and what Francis Ford Coppola has planned after Megalopolis.

As cannabis-infused beverages gain traction in both licensed and hemp-derived markets, brewers are uniquely positioned to lead the next wave of infused product innovation. But while curiosity is high, confusion around cannabis emulsification technologies often holds teams back from action.This educational session will demystify the world of cannabis emulsions—breaking down the science, technology, and real-world application of how cannabinoids like THC and CBD are transformed into water-compatible ingredients. We'll explore the most common infusion systems on the market today, including nanoemulsions, liposomes, and micelle-based carriers, comparing them on critical factors such as onset speed, taste, clarity, equipment needs, and shelf stability.Whether you're in an adult-use state considering THC drinks or looking to experiment with federally compliant hemp-derived formulations, this session will provide a framework to help brewers navigate ingredient selection, infusion strategy, and formulation with confidence. You'll walk away with a clear understanding of how these technologies work, what they cost, and how to evaluate them for your production goals.Perfect for innovation managers, brewmasters, and business owners ready to explore the cannabis beverage space without the hype—just practical, production-ready insight.Jason Stark is the founder of The Entourage Effect, a cannabis business management consultancy specializing in operational optimization, extraction strategies, and infused product development. With over a decade of experience in the legal cannabis industry, Jason began his journey in Colorado during its pivotal transition from medical to recreational use. He has worked hands-on in cultivation, extraction, and retail operations, giving him a comprehensive, ground-level understanding of the industry. Jason holds a Master's in Business Management from the University of Florida and has led numerous cannabis companies through successful product launches, process improvements, and multi-state expansions. Known for bridging the gap between executive strategy and day-to-day operations, Jason brings a unique blend of technical knowledge, financial insight, and regulatory fluency to every engagement. His mission is to empower businesses to operate more efficiently, remain compliant, and grow sustainably in a complex and evolving marketplace.Stay up to date with CBP: http://update.craftbeerprofessionals.org

Perhaps no line of dialogue better encapsulates lived experience than this bon mot offered by John Huston's Noah Cross: “Of course I'm respectable. I'm old! Politicians, ugly buildings and whores all get respectable if they last long enough.” I thought about this line––granted, a line I think about at least once a week––while watching Alex Ross Perry's Videoheaven, which is perhaps the closet a movie can come to putting us back in the four walls of a video store, a concept so old that some people reading this will have never directly experienced that once-commonplace, even disreputable home of cinephilia. Building off Daniel Herbert's book Videoland: Movie Culture at the American Video Store, Perry spins a history through film, television, and documentary clips overlaid with a soothing narration from Maya Hawke, who happens to play a video store clerk on Stranger Things and whose father is featured in Videoheaven's very first sequence. This is a movie of both choice and coincidence, assembled carefully but perhaps with a certain kind of kismet tying it all together. With Videoheaven beginning a limited run––you'll hear more about its exact New York venue herein––I spoke to Perry and Clyde Folley, his editor on the film and an editorial voice at Criterion.

When people call music cinematic, I think they just mean it sounds like it could be in a movie. About which, fair: being in a movie would do so. But the term is a little frivolous and unevocative. So take me at my word when I say U.S. Girls, the band fronted by American ex-pat Meg Remy, evokes such in its grand, powerful, barreling, vivid sound. I've loved her music for years––a super-aggressive start in ambient, atonal sounds that segued almost seamlessly into a kind of furious disco pop that's bred the likes of 2018's In a Poem Unlimited, maybe my favorite album of the 2010s––and with her new album, Scratch It, out now via 4AD, I saw the opportunity to talk with her about a parallel life in cinema. I should note that Remy is a touring musician, which means we talked with imperfect airport wi-fi and incidental chatter floating in the background, ergo a guy directly behind her on a phone call became an unwitting participant for a short period of this episode. All that notwithstanding, it was a pleasure talking to her and, I hope, a window into the artistic interests of one of our great musicians.

I've spent my offline hours producing The Jag, a new play that runs from June 21 to July 6 at the Brooklyn Center for Theatre Research. Even without some of my fingerprints, this makes a curiously cinema-centered creative team: directed by Paul Felten (Slow Machine) and written by Robin Schavoir (The Plagiarists), it combines the lo-fi grittiness and observant humor that have defined either's output. (To say nothing of a certain beloved actress lending her voice, uncredited.) If you're listening to this show, odds say what you know about theater could comfortably fit on a cocktail napkin. Thus I'm here to tell you The Jag is an ideal reintroduction to the medium, and––as a sign of confidence––offer up a 30% discount with the code FILMSTAGE upon your ticket purchase. Get tickets here: https://www.eventbrite.com/e/the-jag-tickets-1403829946159?aff=ebdsoporgprofile For this episode I spoke with Felten about the play's germination, evolution, and the feelings that come with being just hours from debuting a new production. Then, a conversation with Familiar Touch writer-director Sarah Friedland on her excellent debut feature, an awards-acceptance speech that earned significant attention, and her intimate experiences on an iconic HBO series.

Get ready for Part One of a special two-part episode of A SkinDepth Convo!Part one dives into one of the most essential yet overlooked aspects of skincare science: Emulsions. Then, in part two, we'll explore the chemistry behind sunscreen and SPFs.Joining Metaxia and Francine is a true expert in cosmetic science, Dr. Gabriella Baki. She's an associate professor at the University of Toledo's College of Pharmacy and Pharmaceutical Sciences and the Program Director of its groundbreaking Cosmetic Science and Formulation Design major. Dr. Baki teaches both undergraduate and online master's students while leading research in topical ingredient delivery, sun protection, and the sensory experience of skincare products.Don't miss this deep-dive into the science behind the products we use every day!

The release of a new Tom Cruise film is less about the film than it is about Tom Cruise. Ceaseless junket and red-carpet interviews with supposed journalists who were perhaps invented on the spot to ask him questions, clips of these interviews that quickly go viral, endless rankings of the movies, and between all of it the… acknowledgement, perhaps, that Cruise is connected to (or currently participates in) the horrific doings of Scientology. It doesn't take much to discern that our collective fascination is fueled by the wonder at who exactly this man is, and if that man is, for lack of a better word, evil. Thus I asked a cadre of luminaries in the film world to answer two questions. First: Is Tom Cruise evil? Second: In what film does Tom Cruise most play himself?  Listen for answers from our own B-Side and Jordan Raup, Extended Clip, Jokermen, Hesse Deni, Shawn Glinis, Fran Hoepfner, Tommy Prieto, Will Sloan, and Ethan Vestby.

durée : 00:30:09 - Les Nuits de France Culture - par : Philippe Garbit - Par Renée Elkaïm-Bollinger - Avec Hervé This (physico-chimiste, co-inventeur de la gastronomie moléculaire) - Réalisation Christine Berlamont - réalisation : Virginie Mourthé

Send us a textThis week, Wes and Todd sit down with photographer, Tania Kaaz. Tania discusses film photography, film soups, how she got started souping film, developing color film, the magic of film photography, how she got back into photography after a long hiatus, different effects with different substances & films, her cameras, how she chooses what substances to soup her film in, travel size bottles, double exposures, sharing knowledge, Alter Analog, favorite subject matter, polaroid, her exhibition “Beauty Out Of Mayhem”, Heads of Hydra, inspiration, trauma & the healing of art, favorite photographers, bartering, and the importance of community.Join us for a fantastic conversation with Tania Kaaz!Check out Tania's website at www.taniakaaz.comFollow Tania on social media:Instagram - www.instagram.com/tania_nofilter/@tania_nofilterFollow us on Instagram: @tenetpodcast - www.instagram.com/tenetpodcast/ @wesbrn - www.instagram.com/wesbrn/ @toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook: www.facebook.com/TenetPodcast/ Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform. Thanks for listening!

Hi Friends!Today is a deep dive into the topic of tension as it relates to the creative process and orientation. Tension seeks resolution, and in fact, tension is the fuel of creation. Wow! Join me as we clarify this vital understanding of tension, with great assistance from the work of William Whitecloud.Musical selections: We Are Here Now by August Wilhelmsson and Emulsion by Gavin LukeDonations: http://paypal.com/paypalme/LoriGreenPodcast

In a city where the rents are too high, the subways are too slow, and morale barely hovers above cope, repertory options might make such troubles worthwhile. So one thinks while looking over Mikio Naruse: The World Betrays Us, a career-spanning, 35mm-rich, two-cinema retrospective that began last weekend at Japan Society and will continue at Metrograph. It was my pleasure to sit down with those theaters' respective programmers, Alexander Fee and Edo Choi, for a discussion of Naruse's necessity in both theatrical and celluloid contexts, titles of particularly special note, and––most importantly––the best places to eat in each institution's neighborhood. Japan Society: https://japansociety.org/film/mikio-naruse-the-world-betrays-us/ Metrograph: https://metrograph.com/category/mikio-naruse/ On the subject of film programming, I'll also note that my screening of Cymbeline (with filmmaker Michael Almereyda present for a Q&A) is this Friday––tickets may be purchased here: https://www.eventbrite.com/e/amnesiascope-cymbeline-with-michael-almereyda-qa-tickets-1352522103019?aff=ebdsoporgprofile

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  It's a day to celebrate! We discuss the legend Maggie Cheung! Our B-Sides include Lost Romance (a.k.a. Story of Rose), Full Moon in New York, Green Snake, and Sausalito. Our esteemed guest for this episode is Nick Newman, host of the Emulsion podcast for The Film Stage. We talk about the Hong Kong New Wave, Maggie's aborted performance in Inglourious Basterds, the true B-Sidey-Ness of Sausalito, and Maggie Cheung's brief, lovely, recent Sight and Sound interview. There's also Nick's Sight and Sound List, that GQ piece, Julia Ormond's tackling a famous Audrey Hepburn role, and Nick's great interview with filmmaker Olivier Assayas back in 2022. By 2004, at the young age of forty, Cheung retired from acting. Her legacy has only cemented further in the decades since her final films, something we discuss in this episode as well.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. It's a day to celebrate! We discuss the legend Maggie Cheung! Our B-Sides include Lost Romance (a.k.a. Story of Rose), Full Moon in New York, Green Snake, and Sausalito. Our esteemed guest for this episode is Nick Newman, host of the Emulsion podcast for The Film Stage. We talk about the Hong Kong New Wave, Maggie's aborted performance in Inglourious Basterds, the true B-Sidey-Ness of Sausalito, and Maggie Cheung's brief, lovely, recent Sight and Sound interview. There's also Nick's Sight and Sound List, that GQ piece, Julia Ormond's tackling a famous Audrey Hepburn role, and Nick's great interview with filmmaker Olivier Assayas back in 2022. By 2004, at the young age of forty, Cheung retired from acting. Her legacy has only cemented further in the decades since her final films, something we discuss in this episode as well. Be sure to subscribe at thefilmstage.com/pod and give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

Amalia Ulman has followed El Planeta, one of this decade's most auspicious debuts, with the equal-parts caustic and sincere Magic Farm. With its limited release beginning today, Nick Newman had the fortune of speaking with her and Chloë Sevigny in an interview that highlights the particular relationship between a writer-director-actor and her co-star.

Alexander Horwath's Henry Fonda for President stands among the most notable releases of a still-young year, is certainly the most lauded essay film in recent memory, and was assuredly of personal interest when my friend Zach Lewis offered his approval. As adventurous and open-minded a cinephile as any I know, Zach has equal-parts interest in both the films of Henry Fonda and essayistic, landscape-centered cinema––some Thom Anderson or Harun Farocki come to mind with the former, James Benning the latter––in which Horwath is trading here. I couldn't have been happier to connect with him to discuss the film, and hope our chat is fruitful for you in turn.

The restoration and release of Shinji Somai's Love Hotel is no small occasion, and dovetails nicely with this show's ambition to speak with people outside the well-known confines of film culture. Thus this new episode is an interview with Edward McCarry, whose work at Cinema Guild has made the Japanese master, by leagues and bounds, more accessible than was ever thought possible. In our conversation, McCarry shares his passion for Somai, the thrill of sharing his films with larger audiences, some particulars of successfully marketing work with so little commercial imprint, and a preview of the next filmmakers Cinema Guild hopes to give a greater platform.

Folge 1/4: Nivea ist eine der bekanntesten und ältesten Hautcremes der Welt. Doch hinter der berühmten blauen Dose steckt mehr als Pflege und Nostalgie. 1911 bringt Beiersdorf die erste moderne Hautcreme auf den Markt, basierend auf einer neuartigen Emulsion. Aber der Durchbruch bleibt aus. Erst ein radikales Rebranding verleiht der Marke echten Star-Appeal. Die Farbe Blau wird zum Archetyp der Kosmetikbranche – und Nivea zum Standard in Badezimmern auf der ganzen Welt.Folge „Kampf der Unternehmen“ jetzt in deiner Podcast-App, um keine Folge zu verpassen.Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

This week consecrates a major turn in the 50-year career of Alan Rudolph, which began as an assistant to and screenwriter for Robert Altman before transitioning into decades writing and directing original, romantic, occasionally unnerving American cinema at a time parallel to (if never quite reaching the fame or acclaim of) Martin Scorsese, Steven Spielberg, Brian De Palma, Francis Ford Coppola, Terrence Malick, and David Lynch. The turn is not a new film, but Criterion anointing 1984's Choose Me, perhaps the best entry point into his corpus, with a 4K release that marks an astonishing restoration of both the film itself and its long-neglected reputation. For this release Nick Newman had the fortune of speaking with Rudolph in an hour-long conversation that detailed Choose Me's creation, how his films both before and after are now defined by it, and honest perspectives on a career just slightly outside the celebrity-auteur spotlight.

Presenting Nick Newman's Emulsion, a new podcast from The Film Stage. “WHY on EARTH is there another film podcast?” Is the question you, the reasonable listener, are asking while nevertheless hitting play on this pilot-of-sorts for yet another entry in perhaps the seventh art's most undignified progeny. Stop me if you've heard this one before: here is a show that strives to stand outside its peers. This is not a show informing you that the week's big new release is pretty good, actually or a group of guys talking about '80s movies so bad they're riduclawesome or me digging up the ruddiest MKV file I can find and having a friend from the Internet talk about it with me for 46 minutes––but there will be some of that, because it's better than talking about most other things. Rather, I've envisioned this as a multi-headed object: conversations among filmmakers, film programmers, and cinephiles mixed with monologues, reviews, streaming and repertory highlights––a podcast that takes you from the miked-up, pop-filtered confines of a professional-sounding show to the sturm und drang of chats among friends in a packed bar, which is where some of my most fruitful film discussions have been held and which often yields more valuable observations than, speaking hypothetically, someone stressing over saying just the right thing because they have a microphone in front of them and are emphatically aware that they're on a film podcast. On this debut episode I talk with Carson Lund, the co-writer, director, and editor of Eephus, now in limited release; then Hesse Deni of Movie Mindset joins me to discuss Errol Morris' CHAOS: The Manson Murders, which is now on Netflix. Music courtesy of Alex Walton: "Love Theme From an Unreleased Film" from the album Giving It Up.

Full show notes available athttps://www.lucylumen.com/podcast/hollismonkthayerThis week I sat down with friend of the pod and co-host of Emulsions, Hollis Monk Thayer.Hollis is a writer and photographer capturing streets portraits in NYC on film. His eye for style and interesting people is undeniable and this is something we chat about!

In today's episode Light Lens Lab to create new film emulsions, Sony to have nearly 250 cameras at Super Bowl 59 and drones are being used to scare grizzly bears away from people. You can find the show notes here. https://liamphotographypodcast.com/episodes/episode-439-film-emulsions-250-sonys-at-super-bowl-59-more

Host: Charles Turck, PharmD, BCPS, BCCCP Guest: Phil Ayers, PharmD, BCNSP, FMSHP, FASHP Though 100% soybean oil was once the standard for lipid emulsions in parenteral nutrition, mixed lipid emulsions have become more popular over the last decade. But there are a variety of patient-specific factors to consider before determining which type of lipid emulsion is appropriate. Dr. Charles Turck sits down with Dr. Phil Ayers to compare the available options and recommend strategies for selecting and monitoring patients. Dr. Ayers is a Clinical Associate Professor at the University of Mississippi School of Pharmacy and the Chief of Clinical Pharmacy Services in the Department of Pharmacy at Baptist Medical Center in Jackson.

In today's VETgirl online veterinary CE podcast, Dr. Justine Lee, DACVECC, DABT talks about the use of intravenous lipid emulsion (ILE) therapy for the management of toxicities in dogs and cats. Whether you're a veterinarian in a general, specialty, or emergency practice, you're bound to see poisoning cases. Thankfully, with aggressive supportive care and appropriate use of decontamination, the prognosis for most toxicants is fair to good.

In today's VETgirl online veterinary CE podcast, Dr. Justine Lee, DACVECC, DABT talks about the use of intravenous lipid emulsion (ILE) therapy for the management of toxicities in dogs and cats. Whether you're a veterinarian in a general, specialty, or emergency practice, you're bound to see poisoning cases. Thankfully, with aggressive supportive care and appropriate use of decontamination, the prognosis for most toxicants is fair to good.

This simple classic of American steakhouses has a contested history -- but it definitely begins in Mexico. Anney and Lauren toss around the history and culture of the caesar salad.See omnystudio.com/listener for privacy information.