Podcasts about Dead Poets Society

Thirty-five years ago, Steven Spielberg released his updated take on the classic children's story Peter Pan by J. M. Barrie. Arriving in theaters in 1991 with enormous expectations, the film was toplined by four actors at the height of their fame: Robin Williams stars as an aged-up Peter, fresh off Dead Poets Society and Awakenings - and just a year away from Aladdin and Mrs. Doubtfire; Dustin Hoffman, riding high after his Oscar win for Rain Man, as the titular Captain Hook; Julia Roberts, newly-minted as America's sweetheart after Pretty Woman, donning the wings as Tinkerbell; and Bob Hoskins as Mister Smee, following up his breakout blockbuster Who Framed Roger Rabbit. With a prime Christmas release date and a sweeping John Williams score, the film looked destined to become an instant Spielberg swashbuckling classic. Instead, a famously troubled production - marked by massive (and expensive) sets, shooting that ran 40 days over schedule, and a strained relationship between director Spielberg and ingénue Roberts - resulted in a film that critics were quick to call indulgent and uneven. Spielberg himself later admitted frustration with the project, and despite solid box‑office returns, the film was seen as a disappointment during a peak period of Spielberg's career. And yet the pixie dust of nostalgia has quietly rewritten the narrative: the film has become something of a cult favorite, embraced by fans who grew up with VHS rewatches. Now we're dropping anchor in Pirates Bay to see if Hook conjures up any happy thoughts, or if it is better off getting lost, boy!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

This week on Rewind, Rethink, we revisit Dead Poets Society, the film that made a whole generation want to stand on desks and be rebellious. In this episode, we unpack the pressure, the friendships, the performances, and the legacy of a film that's become completely iconic, with plenty of laughs (and a few strong opinions) along the way.O Captain, my Captain… let' talk shall we?

EPISODE 138 -  “NORMAN LLOYD: CLASSIC CINEMA STAR OF THE MONTH” - 5/4/2026  Few figures in Hollywood history have had careers as long—or as varied—as NORMAN LLOYD.  Spanning nearly a century, his work bridges the worlds of theater, radio, and film, with collaborations that include legends like CHARLIE CHAPLIN, ALFRED HITCHCOCK and ORSON WELLES. Whether appearing on stage, on screen or shaping stories behind the scenes, Lloyd's presence has always carried a quiet intensity and sharp intelligence. Join us as we take a closer look at the life and legacy of Norman Lloyd, our Star of the Month — a man who didn't just witness Hollywood history—he helped create it.   SHOW NOTES:  Stages: Norman Lloyd by Norman Lloyd and Francine Parker, The Scarecrow Press, Inc., 1990; Stages: Of Life in Theatre, Film and Television by Norman Lloyd, Limelight, August 1, 2004; Norman Lloyd Career Retrospective, Legacy Collection, Conversations at the SAG-AFTRA Foundation, May 4, 2004;  Noir City, Post-Screening Q&A with Norman Lloyd, Palm Springs, May 15, 2011; Shattered Applause: The Lives of Eva Le Gallienne by Robert A Schanke, Dec 9, 1992, Southern Illinois University Press; Broadway's Dreamers: The Legacy of the Group Theatre, PBS, June 26, 1989; Norman Lloyd, Associate of Welles, Hitchcock and Others, Dies at 106 by Eric Nagourney, May 11, 2011; The End of an Era: Norman Lloyd, 1914-2021 by Peter Sobczynski, May 12, 2021; Norman Lloyd, Star of ‘Saboteur' and ‘St. Elsewhere,' Dies at 106, by Mike Barnes, The Hollywood Reporter, MAY 11, 2021; TCM Remembers Norman Lloyd, TCM.com, May 13, 2021; Wikipedia.com; IBDB.com TCM.com; IMDBPro.com; Movies Mentioned: Saboteur (1942) Starring Robert Cummings and Priscilla Lane; Spellbound (1945) Starring Ingrid Bergman and Gregory Peck; The Southerner (1945) Starring Zachary Scott and Betty Field; A Walk in the Sun (1945) Starring Dana Andrews and Richard Conte; The Green Years (1946) Starring Charles Coburn and Tom Drake; A Letter for Evie (1946) Starring Marsha Hunt and John Carroll; The Beginning or the End (1947) Starring Brian Donlevy and Robert Walker; The Red Pony (1949) Starring Myrna Loy and Robert Mitchum; Scene of the Crime (1949) Starring Van Johnson and Arlene Dahl; The Flame and the Arrow (1950) Starring Burt Lancaster and Virginia Mayo; Buccaneer's Girl (1950) Starring Yvonne De Carlo and Philip Friend; The Light Touch (1951) Starring Stewart Granger and Pier Angeli; He Ran All the Way (1951) Starring John Garfield and Shelley Winters; Limelight (1952) Starring Charlie Chaplin and Claire Bloom; Audrey Rose (1977) Starring Marsha Mason and Anthony Hopkins; Dead Poets Society (1989) Starring Robin Williams and Robert Sean Leonard; The Age of Innocence (1993) Starring Daniel Day-Lewis and Michelle Pfeiffer; In Her Shoes (2005) Starring Cameron Diaz and Toni Collette; Trainwreck (2015) Starring Amy Schumer and Bill Hader --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bir filmi gerçekten “izlemeye değer” yapan şey ne? Hikâyesi mi? Yönetmenin kurduğu dünya mı? Yoksa aradan zaman geçse bile aklına düşen o birkaç sahne mi? Bu bölümde, New York Üniversitesi'nin (NYU) iki değerli ismi Prof. Dr. Selçuk Şirin ve Prof. Dr. Tülin Erdem ile sinema tarihinin farklı dönemlerinden ve coğrafyalarından süzülen 10 güçlü filmin izini sürüyoruz. Kimi zaman bir ailenin içindeki güç dengelerine bakıyoruz, kimi zaman bir aşkın kırılganlığına, kimi zaman da bir insanın kendiyle mücadelesine tanıklık ediyoruz. The Godfather ve The Godfather Part II ile iktidarın ve ailenin karanlık katmanlarına inerken, 1900 ile sınıflar arası çatışmanın epik bir anlatısına geçiyoruz. The Unbearable Lightness of Being varoluşun ağırlığıyla hafifliği arasında salınırken, The Deer Hunter savaşın insan ruhunda açtığı yaraları gözler önüne seriyor. Dead Poets Society ile hayatı dolu dolu yaşamanın çağrısını duyuyor, Doctor Zhivago ile tarihin ortasında sıkışmış bir aşkın izini sürüyoruz. Head-On ile kimlik ve aidiyet çatışmalarına sert bir bakış atarken, Sonbahar ile sessiz bir iç hesaplaşmaya tanıklık ediyoruz. The Tin Drum hafıza ve büyümenin tuhaf sınırlarında dolaşırken, Annie Hall ile aşkın karmaşık, kırılgan ve bir o kadar gerçek doğasına yaklaşıyoruz. Peki tüm bu hikâyeleri ortak bir noktada buluşturan ne?

Ellen E Jones and Mark Kermode head back to class to learn how teachers have been depicted on screen, from Goodbye, Mr Chips to Adolescence. What can film and television teach us, if anything, about what it takes to be a good teacher? Mark speaks to east London-based teacher and film critic Charlotte Harrison about the enduring appeal of inspirational mentor figures in cinema, from Sidney Poitier in To Sir, with Love to Robin Williams in Dead Poets Society, and how far these stories reflect - or distort - the realities of life in the classroom. She also highlights the films and TV series that come closest to capturing the day-to-day experience of teaching.Ellen talks to Guz Khan, star of Man Like Mobeen, who first honed his crowd-control skills in a Coventry classroom before turning to stand-up comedy and acting, about how screen depictions compare with his own experience as a teacher.She also speaks to British television legend Sir Philip Redmond about Grange Hill, the groundbreaking, long-running school drama he created in 1978, whose characters - from Mr Bronson to Mrs McClusky - became as familiar to generations of British pupils as their real-life teachers.Producer: Jane Long A Prospect Street production for BBC Radio 4.

How can you navigate uncertainty in a constantly changing market? Why is persistence the key to a sustainable creative career? Plus why distribution is so important, and the four ways to monetise your creative work. All this and more with Adam Leipzig. In the intro, my reflections on running an author-publisher business after a fantastic e-commerce workshop run by Blubolt, and why you will always pay for marketing with either your time or your money; AI-Assisted Artisan Author webinars; and last call for my Kickstarter Bones of the Deep – J.F. Penn. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why writing books still matters in a world saturated with visual media The Jeffrey Katzenberg “next” lesson and the power of fearless persistence How uncertainty and the “long middle” are essential parts of the creative process What film editing can teach writers about cutting, shaping, and refining their work The 10 Laws of Culturenomics, including why awareness is not desire and why distribution is everything How generative AI is changing filmmaking — and why creatives should be the architects, not the tools You can find Adam at AdamLeipzig.com. Transcript of Interview with Adam Leipzig Jo: Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. Welcome to the show, Adam. Adam: Thank you so much for having me, Jo. Jo: I'm excited to talk to you today. You have written several books, but you have worked on many more films. So I wondered, why do you think books still have a part to play in reaching people? What do you love about writing books that is different to your filmmaking work? Adam: You can put so much information in a book, and the beautiful thing about a book is that you can pick it up wherever you want, whenever you want, and leave it off and go back to it. It's just waiting for you and it's there. It really allows me, and other authors like me, to share information in a different way, with more details and more stories and more specificity. I love the ability to just share that information and have it always available. You don't need a device, you don't need to have a subscription. You can just go to it whenever you want. You asked me what I love about writing. Like a lot of writers, I'm not sure I love writing, but I do love having written. The thing about a book is that it's a very solitary exercise. A film is a highly collaborative exercise. No movie gets made by one person. It's made by hundreds or sometimes thousands of people. But this book is just me and a laptop and notes and a lot of thought. It's a very introverted, almost monkish existence while you're doing that, and then it has to go out into the world—and that's when it really starts to interact with people. So there's this huge difference between being alone and being always in a collaborative environment, which is what happens when I'm making a movie. Jo: Most listeners will be independent authors in some way, and a lot of us do this because we're control freaks. We like being the only people. So how is that different? You mentioned collaboration in the film industry, but is it almost freeing to do a book without having that? I mean obviously you have editors and publishers and stuff, but— Is it freeing in some creative way? Adam: It is really nice, because there is not another point of view in the room and I can just say what I feel and know that that's there. At the same time, you're right—I have had some amazing editor help and I've had some great early readers that have given me feedback on it and helped me make it so much better than it was when I finished the first draft. I knew that going in. I always test and share what I'm doing to make sure that it lands in the way that I wanted it to land, and it can be helpful for people. Jo: Getting into the book, you have a chapter on “what you do matters.” I feel like this is super hard. This is not a political show, so we're not doing politics, but there are a lot of big things going on in the world. It can be very hard as writers to think, is writing my book actually going to make a difference? So how can you encourage people? Adam: That's the hardest thing, Jo, because there is a lot going on in the world right now. Everything that's going on in the world right now exists because it's following a certain narrative. I don't believe that narratives are come up with because people look at things that are happening and say, “Oh, well let's just write what happened.” I think that we do things from micro experiences that we have with ourselves, our relationships, our families, to the macro experiences of politics and global situations. I believe that happens because there is a narrative that is being followed. So what I say to all creative people is that it's our job to craft and express the narratives that matter—and different narratives—so those narratives can be followed. One of the points that I make in the book is that poets are not overtly really dangerous people. Poets are generally lovely people, a lot of them don't talk too much. They're great to have dinner with, and they just work with words—and often not a lot of words, right? Because beautiful poetry is often concise and simple and spare. Yet there are places where poets are in jail. Because the narratives of those concise, spare, gorgeous idealistic words matter so much that those voices need to be silenced, which means those narratives are dangerous sometimes. Those narratives present an alternate world, an alternate view of reality. I think it's really our job as creative people, as entrepreneurs, as people who are essentially creating narratives out of the soul of our lives and our experience—we want to express those to the world. It's really important for us to express those to the world, especially now, especially because so much is going on. Those narratives are going to become pathways that others can look at and maybe follow. I think that's really important. It's the reason why we do our work. Jo: I absolutely agree with you around writing the narratives that we want in the world. “Be the change you want to see in the world” and all that. I also want to call out the fact that there are hundreds of thousands of books now published, and you come from the film industry, and many more people really watch films or play games than read books. I've wondered about this myself. I've written a few screenplays and sometimes it feels that wouldn't it be better to try and put our words into a visual medium? A lot of authors listening will do micro video like TikTok and all of this. So this is back to the question of— Why books? How can we change these narratives when we feel like we're drowned out by all the media? Adam: I think it's great for authors to express themselves in other media. I have a pretty active Instagram channel, and I love doing that, but it's a really different thing. I'm talking to people in two-minute bursts with very specific things. It's not the same and not the same detail as a book. If we let our understanding of the ocean of content that is always coming to us stop us from doing anything, we wouldn't do anything. That's also true about movies. There are probably 10,000 movies made every year. There are a few hundred that are released. So if every day I thought, “Oh, the movie that I'm working on is maybe not going to be released because there's only a small percent of movies that are made that are released.” Or worse than that, “Of all the movies that are made, there's 500 different shows on Netflix and Apple and Amazon and there's so many choices.” If I thought that everything I was going to do is going to be drowned out, I wouldn't do anything. I just don't believe that's true. I think it's our job to do things. Yes, there's an ocean of content out there, but what we do really matters, and it doesn't have to matter at gigantic scale. We don't know the scale that our work is going to achieve over time. One of the early films that I worked on is a film called Dead Poets Society, and that script was passed on by every studio at least three times. It's probably a film that I couldn't get made now for all kinds of reasons, because it's not a sequel and it doesn't have superheroes or visual effects. When we made that movie, we didn't know the impact it was going to have. It could have been drowned out by things, but it rose to a level that everywhere in the world I go, someone has seen that movie, including people who were not born when that movie was made. We don't know the long arc of our work and the people that it affects. Jo: I love that movie too. “Oh Captain, my Captain.” I can hear everyone saying that behind the screens. This brings us to the title, Fearless Persistence, because of course Dead Poets Society ended up being an incredible success, but not everything turns out so well. I wondered if you could talk about this persistence. How do you keep creating after something you perceived as a failure, or perhaps all the things that didn't get made? Why is persistence so important that you use it in the title? Adam: I've been super fortunate. I've worked with amazing people and on great projects. I've made 40 films at this point, and I'm making more. I've tried to make 400 films. I failed at getting them made 90% of the time, and that's okay. I just keep going. When I was working at Disney and I was an executive at Walt Disney Studios for seven years, there was one movie that we were opening and nobody had really high expectations for it. But it opened huge on a weekend and it beat the competition. We were in our Monday morning meeting and we were dancing on the tables and we were so excited. Jeffrey Katzenberg, who was running the studio at that time, came in, looked around the room, put his hands on his hips, and said, “Next.” We just had to move on. I really learned the meaning of the word “next” about four months later when we had a film that we all knew was going to be hugely successful and make a lot of money and give everyone their bonuses, and it completely bombed at the box office. It was like you gave a party and nobody showed up to eat the hors d'oeuvres. We were in the Monday morning meeting, very glum and not sure what was going to happen. Were we going to be fired? What was going to happen? And Jeffrey walked into the room and said, “Next.” Jo: Mm-hmm. Adam: And we just keep going. I think that is the great and defining quality of people who really have sustainable lives, either as creatives or business people or entrepreneurs. We're persistent. We're just like those little birds—you put their beak in water and they just keep bobbing up. We just keep going. It's not about the people who are the most talented, because I'm certainly not the most talented. I'm certainly not the smartest. I'm certainly not the most creative. There are people who are smarter and more talented and more creative than me all the time, and I get so much energy in being able to know them and work with them. But I am super persistent. I don't stop. If there's something that I really believe in, I'll just keep going. I started taking notes on this book 10 years ago. There are movies that took 12 years to get made. You just keep going. There are times, as a producer, where everybody's fallen away. There was a director attached, there was a star attached. They all left, they did other projects. The material is no longer under option. You don't even have legal rights to it anymore. You just keep blowing on the embers and then eventually maybe it gets made. That's what it's about. Jo: Do you think there's some kind of serendipity or something more that makes a book or a film? Is it timing? Is there just some chemistry? You talked earlier about testing and sharing things to see if they're going to work, but as you mentioned, some films you think are going to be amazing and they bomb. Other things are a slow burn. How do you know when to make a film if you just can't predict this stuff? Adam: You can never predict it, but I think you start with: do you really, really think about it all the time? Do you really care about it? It's not like you're in a meeting or you read a script or you hear an idea and you're super excited about it—but are you still excited about it tomorrow morning? The next day and the next? If you keep waking up every morning thinking, “Wow, that's great, I've got to get that forward,” then I think that is the first indication for me that it's going to have some staying power. I don't think I am that different from everybody else. So if it's something that consistently excites me, I feel like there's going to be at least some other people in the world that it's also going to excite. Jo: Do you think you have a voice, I guess, as a filmmaker as much as a writer? Are there things that excite you consistently that you're drawn to? Or do you think it's much wider as a filmmaker than a writer? Adam: I think it's a lot wider as a filmmaker. Part of it's also just my capacity right now as a writer. I really like the writing in Fearless Persistence and I also recorded the audiobook. I love listening to the audiobook experience. I think it's some of the best writing I've ever done. I have not yet found the capacity to write a novel or to write fiction in the way that other people can. So part of it's just my skill and capacity at this point in my writing career, where I think I'm pretty good at expressing ideas in a nonfiction setting, but I haven't developed the skill set for fiction. In movies, I make documentaries. I make fiction feature films. What attracts me is character. It's always the character, the people, the journey. Are the people really interesting? Do I want to spend two hours of my life in a cinema with them, or 10 hours of my life watching those episodes on a streaming channel? That's what always starts with me. If the character is interesting, then I'll keep going. Jo: I think the book, Fearless Persistence, has a lot of your character in it and your experience. It's not just a nonfiction book of prescriptive rules. You did bring a lot of voice into it, I think. Adam: Thank you. I try to make it be like we're sitting down and we're talking and we're having a conversation. Jo: Coming back to the book—a quote from the book: “Uncertainty isn't the enemy of creativity. It's its greatest ally.” You talk about these messy and unpredictable times. I'm what we call a discovery writer. Some people say “pantser.” It mostly is quite chaotic and unpredictable. Could you talk about this uncertainty and messy creativity? Adam: One of the things I really try to do in Fearless Persistence is give support to all of us in this messy, unpredictable—what I call “the long middle”—where stuff is happening, but you're not seeing obvious results out there. You're either in the world or in your project, and you're just in this mess. That mess is a beautiful place, and I'm trying to give support to the fact that that mess is gorgeous and it's part of the process. It's part of everybody's process. We shouldn't feel as though we are not doing our job when we're in that long, unpredictable, uncertain middle. Because out of that, we discover what we actually want. It gives us a way to refine our taste and refine our direction because we are so uncertain. Then there's this moment—and I don't know if you find this in your own writing, Jo—but there's this moment where that uncertainty changes into: there's no choices here at all. This is just what I have to do. I actually think that the greatest freedom is when there's no choices. Where the path is just there, but we've got to get through the thicket to get to that path. And there's always a thicket. Jo: There's a moment for me where the chaos becomes more certain and I'm like, okay, that's the story. I thought it might have been something else, but now that's what it is. I often have too much material as well. So I wanted to ask you about this too, because as an author with a book, editing is hard for us. Of course there are lots of words and we have to go through it all, but editing on a film—I can't even imagine how hard the editing process is. Could you talk about editing and how you cut and organise these massive projects? Adam: Yes, editing is really hard, but it's also so fun. I think being on a set is great. It's the most fun a kid could have. But being in an editing room is also the most fun a kid could have, because you have all of the pieces and there are so many ways to do it. This is where a film is actually made—in the editing room. Probably the way books are made also is in the editorial process between the writer and your own brain as the editor, or if you have someone who's helping you edit it. Editing is really interesting because it's the only craft that did not exist before filmmaking. Everything else existed, right? There were scripts, there were actors, there were costumes, there was art direction, there was production design, there was music. Editing was a craft that had to be invented for film. So it's a craft that's only about 120 years old. When we make a film, the first thing that the editor does is just put all of the scenes together in a first editor's cut, a rough assembly. It's basically every scene that was in the script as it was shot, and the editor just tries to choose the best angles. That generally comes out maybe a week or two after we wrap photography, and that first cut could be three or four hours long because it's got everything in it. Then the process is: let's take that out. Let's take that out. You don't need this. You can move this scene here and move it there before the other scene. We don't really need that shot. Or can we get to a closeup there? And you get it down, down, down—just like in writing where you kill your darlings. I actually find editing the most fun I have. “Oh, I don't need that sentence.” Or, “I can take out three words here and the sentence is better.” We go through exactly the same process in film editing and squinch it all down to the most compelling and efficient way to tell the story. Jo: I'm glad you say it's fun because I also like editing. I find the editing much more creatively fulfilling because I actually can figure out the book that way. It's so funny, I think as writers, many people either love the editing or they love the first draft. It seems like you enjoy the whole process. Adam: I like the editing so much more than the first draft. I feel like I had to get through the first draft. That was my long middle, that was my uncertain period, that was my thicket. Then my editing was, “Oh, great. Let's cross this out. Let's change that word. Let's lose that paragraph.” That was fun. Jo: So let's say we now have a book or we have a film. In your book, law eight of culturenomics is that “without distribution, there is nothing.” So now we have to get this out there, and this is really difficult. Can you talk about how film distribution has changed? Can you also reflect on how it is for writers, because our distribution has changed a lot too? Adam: So, as you mentioned in the last section of the book, I've observed over the past 30 years that when a work is both aesthetically really excellent and also economically viable and sustainable for the creators, it always observes these ten principles. I call them the 10 Laws of Culturenomics. One of them is “without distribution, there is nothing,” by which I mean: unless your audience, your market, the people that you are seeking to share or serve with the work—unless they can get it, it doesn't really matter. It's like that tree falling in the forest and no one's around to hear it. I always think about my market and my distribution before I start making the movie. I was thinking about that as I was writing the book, because I really want it to be there to meet people where they are and I want them to be able to get it. Film distribution has changed a lot, especially during the pandemic. People stayed home and cinema admissions have fallen off 30% from pre-pandemic levels, so people are going out to cinemas less. That means fewer films are being distributed in cinemas for any viable period of time. Sometimes some movies will be out there for one or two days, literally, in cinemas, and then they go right to streaming. On the streaming side, there was a glut of streaming content. All the streaming channels overinvested in streaming. There were too many shows. I don't know about your Netflix queue or your Amazon queue, but it's unnavigable. There is so much stuff. Now they've cut back a lot—they're just doing a lot less. We're in a situation now where anything can get out there somehow. The question is, does your market, does your audience know about it? Do they want to invest the time to experience it? One of the other Laws of Culturenomics is that “awareness is not desire.” There's a lot of things that we're aware of that we don't want to spend our time with. Everybody was aware of Disney's new Snow White movie. Nobody wanted to go see it. Jo: I must say, I'm not the key demographic for that! Adam: But you knew about it? Jo: Was that a live action one? Adam: Yes. Jo: I don't understand those live action ones, to be honest. Maybe that's why— Adam: I think we are sequelled out. I look at the movie business and I just think what audiences really want is something new, please. Something we haven't seen before. We don't want the 95th iteration of something from the MCU. The studios, because the movies cost so much and they're so risk-averse, talk a lot about “pre-aware titles.” In other words, titles that you've heard of before, so you're going to go see the movie. It works to a certain extent, but I just think it's cinematically boring. In that world, you never could have predicted Oppenheimer. You never could have predicted Barbie. Movies that really don't have a precedent, but they did so well because they're different. I think audiences are craving something different right now. Jo: It's interesting though, isn't it? I agree on one level, but then I also watch Bridgerton and we watched the latest series as soon as it came out. I guess that is pre-aware to a point. I don't read historical romance, yet I really like the show. I think it's because of Shonda Rhimes. I watched Grey's Anatomy for about 20 years. Adam: She's great. Jo: She's amazing. So I feel like this is why it's hard, isn't it? It's hard to know. As fiction writers particularly listening, we have very specific genre audiences, and they often don't cross over into other genres. They love their genre fiction. So it is hard to balance original work that may not be easily sold and the other stuff. I guess that's why the studios do it, right, because they think they can make enough money with the next Marvel movie. Adam: Yes, but I'm curious to know what you think about this, because even within a genre, a really good genre movie or a really good genre book is not the same as all the other books or films in the genre. It's familiar in that it does what the genre says you have to do, but it's different. It's got those unique things that make us feel like super fans, that we really love it. It's familiar enough to fall within the genre—and yes, genres have rules that you've got to follow—but then there's something unique and different that's exciting. And that's why we say, “Hey Jo, you've got to read this book.” Jo: I agree with you. I love that you said “awareness is not desire.” This is another problem with our creative work, right? We have to do marketing. We can throw all this stuff out there, and yet it may or may not work. So let's talk about your book marketing. Obviously you are on this podcast, and I presume your publicists are pitching lots of podcasts, but— What are you doing to promote the book that might be different to a film release? Adam: Well, I don't have a hundred million dollars. Jo: Surprise! Adam: Right? I've got a few hundred dollars, so we're just doing it this way. As you know, once upon a time, legacy publishers actually did marketing. Legacy publishers barely do any marketing now. Every author has to do it themselves. So we have to do this ourselves. It's been the hardest thing. I think it's the hardest thing that we've all had to adopt, that we have to do this thing where there used to be a marketing department and you just hand it over to them and we could just be in our own little creative space. But no, we've got to do this also. So what am I doing? I've amped up my social media. I'm speaking. I am on podcasts like this. I'm sharing as much as I can. I'm asking circles of people who have been early readers of the book. I'm really grateful because I've had really enthusiastic response to it, both from creatives and also some business people, which was surprising to me, but really great. Someone said, “This is the best business book in the past 10 years,” which is really interesting, right? Because you read it, Jo, as an author, but she read it as someone who sits on the board of major companies. That was a pretty interesting response. I'm just asking them to be advocates and share it around. I'd just like to be those people who blow on the embers and let's see if we can make a fire. Jo: We talked about the fun bits earlier. I'm enjoying our conversation, but I know that marketing is not necessarily in the fun bucket. Are you finding bits of the marketing you enjoy? Adam: Yes, I love meeting the audience. I love meeting the people that I'm writing the book for and sharing it with. I've been fortunate enough to be asked to run a writer's workshop in Greece for the past few years. It's a retreat centre called Rosemary's House. It's on the east coast of Greece. A dozen writers. I work with writers all the time, but they're always writing a specific thing, like a screenplay or something. This was a dozen writers all writing different things, and I'd never done that before. I had an extraordinary time. The first year I went, I'd had all these notes for this book, Fearless Persistence, that I'd been compiling for some time. But there I was in the room and I was with the people that I was really intending to write the book for, and that kicked me in the butt and I wrote the book. Then the next year I was back and I finished it while we were there at the writer's retreat. So that was great, and I was with another group of writers. I'll be back there again later this year and the book will be out. So it's this fabulous continuation of really engaging with and meeting the people that I'm seeking to serve with this book. I really enjoy encouraging and mentoring and sharing the systems that are undergirding the creative process, and then the process of how do you build a sustainable life, including all these super practical things that they don't teach you in art school or writing school or film school or even business school. How do you actually build a sustainable life in this practice? I love that. I guess that's marketing, but it's also just being with the people that you're there to serve. Jo: I love that you use “serve.” I use the same word. I say, “Who do you serve?” And that can help people, because I feel like creative people are like, “We don't want to be marketers, we don't want to be salesy.” So if you reframe it as service—who are you trying to help, who are you trying to entertain—that actually helps. Coming to the business side, you mentioned systems. You are right, the book has a lot of business in it, which I love because we talk a lot about business on this show. In one section you say there are only four ways to monetise your creative work. So could you talk a bit about those different ways to monetise your creative work? Adam: Yes. This has been true for maybe 5,000 years because it's not about technology, it's just about how work is monetised. There are only four ways that any piece of work is monetised. For sale. You have a book, and you go to your favourite bookstore and you buy the book, and now you own the book. For rent. You could rent a book from your library, or in a movie context, what you're really renting is the seat for two hours to watch the movie. On subscription. People have subscriptions to Kindle Unlimited or other platforms, or people have subscriptions to a streaming service. Free. When it's ad-supported. That's like linear television where there's ads, or Amazon where there's ads and you don't pay for it. For sale, for rent, on subscription, or free—those are the only ways anything is ever transacted. When it's ad-supported, for example, some people have YouTube channels that are very successful. YouTube is free, and then YouTube is making money from the ads and the creators are getting a tiny little slice of the ad revenue. Jo: Like this podcast. I have sponsors who pay, and they're all related to the author industry. They're companies that I use and work with. I personally recommend them, and that means this podcast is free. Adam: Thank you, sponsors. Jo: Yes, thank you, sponsors! I also have patrons—people who subscribe to the show to support it as well. So I guess we don't have to be in one bucket or another. We can have our work in different buckets. Adam: Ideally, you can have your work in every single one of them. Not always, not necessarily always at exactly the same simultaneous moment, but at a certain point as the work gets out there into the world, as it's lived long enough, it probably will be in every bucket. That's great because we want our work to be as accessible to the people that we're serving in any way they want to get it. Jo: I totally agree. And your audiobook, as you mentioned, will be available in those different formats as well. Adam: Yes. Jo: I find that, especially with nonfiction audio, what I love is being able to listen to just a chapter, just a chapter in a specific part. Someone could actually listen to the 10 Laws of Culturenomics separately to some of the rest of the book. I love that. Adam: I'd never done that before. It was so powerful to record the audiobook because up until that moment, my relationship with this book was fingers typing keyboards, electrons on a screen. It was a completely silent experience. Then I was in this recording booth in Los Angeles and I started speaking the words, and I was visualising the people that I was writing it for as I was doing it. It was so powerful. Then I listened to it and I thought, wow, this is actually a really good experience. It was so powerful that I was recently in Paris because I'm working on some films that are in Europe, and I decided to create a special advanced listener edition of the audiobook, where I took the chapters and put them into individual or grouped listening units. In a recording studio in Paris, I recorded some prefaces and reflections on those listening units, which are now thematic. I'm really proud of that edition. It's not for everybody. The regular Audible audiobook is going to be out there, but this version, which is on my website, I think is a really wonderful version for someone who just wants me to walk with you as you go through the experience of the book. Jo: Are you selling that direct from your website? Adam: Yes, I'm selling it direct on the website. Jo: Brilliant, because we all do that too. You can actually make more money selling audio direct than you do from the streaming. Adam: Yes. Jo: I realise we don't have much time left, but I need to ask you this because the film industry and publishing are in this great time of change with the advent of generative AI. We've seen in the last week the actor Ben Affleck's company, InterPositive, has been acquired by Netflix. So it seems like technology is disrupting a lot. How do you think we can navigate this time? What are your feelings around this new wave of generative AI? Adam: It's a great tool. It's not a great writer. It's actually really a terrible writer. You can always tell when generative AI has written something because it has a certain very annoying style, but it's a great tool. I use it in my production. I teach at the business school at UC Berkeley. We train people on how to use it for various kinds of problems and solutions. But the important thing is that you are the architect of the machine. It's a machine. It is like a paintbrush, but it is not the hand that holds the paintbrush. So I am not concerned that AI is going to go make movies that we all care about, and I am not concerned that it's going to disrupt, in the largest sense, the employment picture. Certainly some jobs are being lost, but new jobs are being gained. It's really interesting. For example, you mentioned Ben Affleck's company, which Netflix just partnered with. It's not making new content. It's creating a better production workflow. It's taking what is shot or what is planned in the production workflow and just making it better and more efficient and implementing it and adding to it. That is a really good use of AI. All the creative power retains within the hands of the creative humans, but it's giving the humans more tools. Jo: I've been reflecting on the idea of the film director, in that people often know their names and they win awards, and yet they didn't necessarily write the script. Some do, obviously, but they didn't act in it, they didn't do all the editing, they didn't do all the different jobs, but it's their creative vision. So is that how you see us playing that part? Adam: I do. I think that's a really good analogy. And look, AI—it's good. It's going to keep getting better. It still has massive error rates, so we still have to be very careful about what we attribute to it and what powers we give it, and what facts we believe from it. Jo: So what are you excited about next? Obviously you are promoting this book, you are doing speaking things, but are you looking to your future continuing to work across film and books? What are you excited about in terms of your creative projects? Adam: The big arc of my creative life is creating ecosystems where creative people can do their best work. This book is part of that. With the movies that I make, as a producer, I try to create the ecosystems where people can do their best work. I envision, and I'm excited about, continuing to do that. Whether it is in a book or in a workshop or in a film that I'm making. I just want to keep doing that: creating these ecosystems where people can really do great work and express themselves creatively, entrepreneurially, and with a positive view of the world to come. Because that is a responsibility, coming back to the first question you asked me. Jo: Brilliant. So where can people find you and your book and everything you do online? Adam: You can find me at my website, which is AdamLeipzig.com, just like the city. Of course, the book is available wherever you buy your books, and the Kindle and the audiobook are exactly where you would expect to find them. You can also find me on Instagram at @AdamLeipzig, and you can find me on LinkedIn as Adam Leipzig. I love interacting with people, so come and find me. AdamLeipzig.com is the best place to find everything. Jo: Brilliant. Well, thanks so much for your time, Adam. That was great. Adam: Jo, thank you so much for having me. It was great talking with you.The post Navigating Uncertainty And Fearless Persistence In A Long Term Creative Career With Adam Leipzig first appeared on The Creative Penn.

Boys and girls, please open your textbooks. Rip out the pages. Carpe Diem. We're seizing the day and talking about 1989's Dead Poets Society with filmmaker Nia DaCosta in this episode, but don't get too wild and change your name to Nuwanda or anything! This week, we discuss House MD, prep schools, the fact that David Sims played Puck in a high school production, and Robin Williams' Oscar legacy. O Podcast, my podcast! Read about Franny's weirder cut Check out Jack Black's YouTube Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

He's one of the modern greats! This month we welcome filmmaker and festival programmer Austin King to the show to discuss Texas native and renaissance man Ethan Hawke! We discuss the life and film career of the multihyphenate actor/director/author from his start in Explorers to Dead Poets Society to Blue Moon, we cover it all!  If you have any questions/comments/suggestions for the show, follow us on twitter @TheMixedReviews, like us on Facebook, e-mail us at reviewsmixed@gmail.com, visit our Instagram or TikTok for extra content, become a patron on our Patreon, or stop by our shop and pick up some podcast merchandise! Don't forget to subscribe to us on iTunes, Spotify, Podchaser, Audible, or wherever you get podcasts! All clips are used under Fair Use and belong to their respective copyright owners.

Struggling to stay creative, focused, or consistent? In this episode, Lori Harris interviews Hollywood producer Adam Leipzig to break down the real systems behind creativity, productivity, and long-term success. Forget the myth of waiting for inspiration — Adam reveals why creativity is built through action, not emotion. You'll learn how to eliminate overwhelm, stop overthinking, and build momentum using a simple but powerful framework called "fearless persistence." Adam also explains why multitasking is destroying your productivity and how switching to monotasking can help you produce higher-quality work faster. If you've ever felt stuck, distracted, or unsure how to move forward creatively, this episode gives you practical tools you can apply immediately. If you would like some help with figuring out how to transform your life! I can help you create a vision for a life that you absolutely love living. Click here to arrange a session with me. If you're enjoying the podcast, please share the show with a friend or, even better, leave a review to ensure others can benefit from it too! GET TO KNOW ADAM LEIPZIG Adams Bio As a senior executive at Walt Disney Studios and later as President of National Geographic Films, Adam helped bring to life more than forty acclaimed movies, including March of the Penguins, Dead Poets Society, Honey, I Shrunk the Kids, Titus, The Way Back, and A Plastic Ocean. His projects have earned over $2 billion worldwide and received honors from the Oscars, BAFTAs, Emmys, Golden Globes, and Sundance. Earlier in his journey, Adam made history as the first American theater dramaturg outside New York City, producing hundreds of performances before stepping from stage to screen. Across four decades, he has collaborated with more than 10,000 creative artists in film, television, theater, music, and design & building bridges between business discipline and artistic vision. Today, Adam continues to produce films and media internationally while teaching at UC Berkeley's Haas School of Business, where he mentors MBA and executive leaders on creativity, storytelling, and communication. Adam is the writer of Fearless Persistence, his new book about how creators and leaders cultivate courage, stay true to their purpose, and keep going when the path gets hard. Adam's- Website Adam's Projects & Products Upcoming New Book: Fearless Persistence Releasing on April 21, 2026 Pre-order Link: Amazon Free Chapter Download: Free Chapter Adam's Social Media Links Instagram: https://www.instagram.com/adamleipzig/ LinkedIn: https://www.linkedin.com/in/adamleipzig/ YouTube: https://www.youtube.com/@AdamLeipzig Facebook: https://www.facebook.com/AdamLeipzigPublic TikTok: https://www.tiktok.com/@adam_leipzig Threads: https://www.threads.com/@adamleipzig FREE GIFT FROM LORI  Free Audio Life Assessment: What Do You Really Crave? If today's episode still hit a nerve, this was made for you. I created this free 13-minute audio experience to give you the space to finally hear yourself across the five areas of your life that matter most. No scores. No grades. No performance required. Just you and your honest answers to questions that lead you back to what you actually want. Get instant access now at thelifeassessment.com FEATURED ON THE SHOW: If you're enjoying the podcast, I'd love to hear from you! Please share the show with a friend or even better, leave a review to ensure others can benefit from the podcast.

fWotD Episode 3244: Ethan Hawke Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Monday, 23 March 2026, is Ethan Hawke.Ethan Green Hawke (born November 6, 1970) is an American actor, author, and filmmaker whose career on both stage and screen has spanned four decades. Known for his versatility across a wide range of roles and acclaimed collaborations with director Richard Linklater, he is prolific in both independent films and blockbusters. His accolades include a Daytime Emmy Award, in addition to nominations for five Academy Awards, three Golden Globe Awards, two British Academy Film Awards, and a Tony Award.Hawke made his film debut at age fourteen in Explorers (1985) and gained recognition for starring in Dead Poets Society (1989). He established himself as a leading man with the films Reality Bites (1994), Gattaca (1997), and Great Expectations (1998). He received nominations for the Academy Award for Best Supporting Actor for his roles in the crime thriller Training Day (2001) and Linklater's coming-of-age drama Boyhood (2014); the latter garnered him BAFTA and Golden Globe nominations in the same category. Hawke was Oscar-nominated twice for screenwriting two films from Linklater's Before trilogy (1995–2013), in which he also starred. He earned Best Actor nominations at the Oscars, BAFTAs, and Golden Globes for portraying lyricist Lorenz Hart in the biopic Blue Moon (2025).Hawke garnered commercial success with Sinister (2012), The Purge (2013), The Magnificent Seven (2016), and the Black Phone films (2021–2025), and was praised for Maudie (2016) and First Reformed (2017). He directed the films Chelsea Walls (2001), The Hottest State (2006), Blaze (2018), and Wildcat (2023), as well as the documentaries Seymour: An Introduction (2014), The Last Movie Stars (2022), and Highway 99: A Double Album (2025). He portrayed abolitionist John Brown in the miniseries The Good Lord Bird (2020), for which he received a Golden Globe nomination, and appeared as Arthur Harrow in the Marvel miniseries Moon Knight (2022).Hawke has appeared in many theater productions. He made his Broadway debut in 1992 in Anton Chekhov's The Seagull and was nominated for a Tony Award for Best Featured Actor in a Play in 2007 for his performance in Tom Stoppard's The Coast of Utopia. In 2010, he was nominated for the Drama Desk Award for Outstanding Director of a Play for directing Sam Shepard's A Lie of the Mind. Divorced from actress Uma Thurman, he has been married to Ryan Shawhughes since 2008; he has two children from each marriage, including actors Maya and Levon Hawke.This recording reflects the Wikipedia text as of 01:05 UTC on Monday, 23 March 2026.For the full current version of the article, see Ethan Hawke on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Amy.

It's Austin's turn in the Academy Award Nominated category for best picture! Dead Poets Society (1989) Directed by Peter Weir

PRE-ORDER MY NEW BOOK (OUT MAY 5, 2026)!!! — ⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/43BquPd⁠⁠⁠⁠⁠⁠⁠⁠ Teacher besties… I turned 39. Which means, naturally, I decided to spiral publicly and create “52 Weeks Until 40” as content instead of processing my feelings privately like a normal person. This episode has everything. Gerry trying to convince me to buy Crocs as a personality pivot. A listener question about burnout that feels way too real this time of year. My best life achievement (which unfortunately involves a cafeteria and questionable liquid). A very honest conversation about doing less in your classroom and surviving licensure requirements without losing your mind. And… a confession from Gerry that I genuinely did not see coming. We talk about burnout while trying to become a teacher, why you do not have to Dead Poets Society every single lesson, and what student behaviors absolutely would not survive in corporate America. Somewhere in the middle of all of that, we discover that sometimes the worst day of your life is just the worst day so far. Takeaways: The 52-week challenge I may regret starting. The burnout advice I give my graduate students when they're drowning. Why you absolutely do not need to grade everything. The classroom behavior that would end most adult careers instantly. A confession from Gerry that changes how you'll hear the rest of this episode. -- Teachers' night out? Yes, please! Come see comedian Educator Andrea…Get your tickets at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠teachersloungelive.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Educatorandrea.com/tickets⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for laugh out loud Education! — Don't Be Shy Come Say Hi: www.podcasterandrea.com Watch on YouTube: @educatorandrea A Human Content Production Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Title: It's Never as Bad as You Think: Suicide, Fraud, and the Stories I've Never ToldContent Warning: This episode discusses suicide. If you or someone you know is struggling, please call or text 988 (Suicide & Crisis Lifeline).Episode Description: The death of 25-year-old Vikings wide receiver Rondale Moore this weekend brought back memories Mark has never shared publicly. In 33 years at NCUA — including 8 years as Executive Director — Mark encountered two individuals who took their own lives after embezzling from their credit unions. In this solo episode with no intro music, Mark tells those stories for the first time and delivers three messages to anyone in the credit union industry who may be carrying a secret they think will destroy their life.In This Episode:How the Rondale Moore story and Hollywood Brown's tweet triggered this episodeMark's first encounter with suicide at age 19A Midwest credit union CEO whose "hunting accident" wasn't accidentalThe connection between Dead Poets Society and an examination Mark will never forgetAn East Coast treasurer who jumped from a high-rise rather than face conservatorshipThree core messages: it's never as bad as you think, there's always a way back, and you will get caughtWhat credit union leaders can do to pay attention to the people, not just the numbersResources:988 Suicide & Crisis Lifeline — call or text 988American Foundation for Suicide Prevention — afsp.orgHat tip: Matthew Coller and The Purple Insider podcast for the Rondale Moore episode that pushed Mark to finally record this.

The queens read for filth another toxic masculinist article before we play a saucy game based on a gay novel. Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books. Show Notes:Heather Christle's post sparked this episode's discussion and can be found here. Christle's most recent book of poetry is Paper Crown (Wesleyan UP, August 2025)While there isn't an out gay character in Dead Poets Society, there is some gay-coded stuff going on. Read Kaeya Merchant's fabulous essay on the topic: "Dead Poets Society is Queer; Here's Why" The Garth Greenwell essay on Andrew Holleran's Dancer from the Dance which Aaron references was also published in the Yale Review. Check out Garth's website at https://www.garthgreenwell.comAt the end of the show, we quote the line "What did you think, that joy was some slight thing?" which is from Mark Doty's "Visitation"Other poems or poets we reference are:Garret Hongo's "What For"e.e. cummings, "somewhere I have never travelled, gladly beyond"David Bottoms, "Sign for My Father, Who Stressed the Bunt"A.E. Stallings, "Sea Girls"Jorie Graham, "At Luca Signorelli's Resurrection of the Body"Emily Dickinson, Poem 591

Moderator Annette Insdorf will interview Ethan Hawke after a screening of his new film, Blue Moon. The prolific actor, writer, director and musician offers a tour-de-force performance as the acerbic lyricist Lorenz Hart, whose songs include "My Funny Valentine," "The Lady Is a Tramp," and "Blue Moon." In addition to Hawke's Oscar-nominated performance opposite Denzel Washington in Training Day (2001), he is perhaps best known for indie collaborations with Richard Linklater on Boyhood (2014), Waking Life (2001), and the BEFORE trilogy (1995, 2004, 2013) – which he scripted with the director and co-star Julie Delpy. Among his other memorable films are First Reformed (2017), Born to Be Blue (2015), Good Kill (2014), Before the Devil Knows You're Dead (2007), Hamlet (2000), Gattaca (1997), and Dead Poets Society (1989). He has also directed both fiction and documentary, such as Wildcat (2023), The Last Movie Stars (2022), Blaze (2018), and Seymour: An Introduction (2006). From a brilliant screenplay by Robert Kaplow, Linklater elicits Hawke's greatest performance yet — incarnating the self-destructive Hart on the very night that his collaborator Richard Rodgers (Andrew Scott) has just opened Oklahoma! on Broadway with new partner Oscar Hammerstein II. Co-starring Bobby Cannavale and Margaret Qualley, Blue Moon is a revelation of Hawke's maturation as an artist.

Two quick questions:   1.      Do you value independent thinking—from yourself and your team? 2.      How do you create space for it on your team?   Most construction leaders say they value open dialogue, critical thinking, and intelligent, amicable debate . . . yet many unwittingly shut it down.   In this episode, host Bradley Hartmann uncovers the hidden habits that silence your team, the myth of "making people feel safe," and how to rethink your leadership to drive better decisions on the jobsite and in the boardroom.   In this episode you'll:   ·       Learn why independent thinking isn't about being contrarian—and why your team might be holding back. ·       Discover the subtle ways leaders kill creativity (even when trying to be supportive). ·       Examine the new talent on your team and question the risk of potential "organ rejection" ·       Walk away with simple changes to your next meeting that will encourage better input, challenge assumptions, and improve outcomes.   Listen now to discover how to lead with clarity, create space for real thinking, and build a team that speaks up when it matters most.   At Bradley Hartmann & Company, we help construction teams improve sales, leadership,  and communication by reducing miscommunication, strengthening teamwork, and bridging language gaps between English and Spanish speakers. To learn more about our product offerings, visit bradleyhartmannandco.com.   The Construction Leadership Podcast dives into essential leadership topics in construction, including strategy, emotional intelligence, communication skills, confidence, innovation, and effective decision-making. You'll also gain insights into delegation, cultural intelligence, goal setting, team building, employee engagement, and how to overcome common culture problems—whether you're leading a crew or managing an entire organization.   Have topic ideas or guest recommendations? Contact us at  info@bradleyhartmannandco.com.   New podcasts are dropped every Tuesday and Thursday.     This episode is brought to you by The Construction Spanish Toolbox —the most practical way for construction teams to learn jobsite-ready Spanish in just minutes a day over 6 months.      

O Captain! My Captain! We dive into the 1989 film, Dead Poets Society, to learn the true meaning of Carpe Diem. Music from https://filmmusic.io "Glitter Blast" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/) Artwork by Viga: https://www.patreon.com/Viga All our social media links:  https://linktr.ee/rewatchingthemagic Immigrant Legal Resource Center: http://www.ilrc.org Trans Life: http:/www.translife.org Reproductive rights are human rights. LGBTQ+ rights are human rights.

In this extended interview, actor Ethan Hawke talks with Tracy Smith about his first experiences with Broadway. He also discusses his films "Explorers," "Dead Poets Society," "Reality Bites," "Training Day," and his latest, "Blue Moon," Leonardo DiCaprio's success, and his obsession with Jack Nicholson's performance in "One Flew Over the Cuckoo's Nest." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Steve Smith and James Lloyd from The Alcohol-Free Revolution podcast return to Flixwatcher to review Steve's choice Dead Poets Society. Dead Poets Society (1989) is a semi autobiographical American drama film based on a script by Tom Schulman and his experience at the Montgomery Bell Academy in Nashville, Tennessee and his inspirational teacher, Samuel Pickering and directed by Peter (The Truman Show) Weir. A new English teacher, John Keating (Robin Williams), is introduced to an all-boys preparatory school that is known for its ancient traditions and high standards. He uses unorthodox methods to reach out to his students, who face enormous pressures from their parents and the school. With Keating's help, students Neil Perry (Robert Sean Leonard), Todd Anderson (Ethan Hawke) and others learn to break out of their shells, pursue their dreams and seize the day. Recommendability scores for Dead Poets Society were mixed, first time watchers Steve (4) and James (1) had very different scores and repeat viewers Flixwatcher were more in the middle. However low repeat viewing scores give an overall rating of 3.21. [supsystic-tables id=420] Thanks to the Episode # 405 crew of Steve Smith and James Lloyd from The Alcohol-Free Revolution podcast  You can find their website here And at Please make sure you give them some love For more info on Dead Poets Society can visit Dead Poets Society ⁠page here Dead Poets Society Rotten Tomatoes⁠⁠ page here. If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Episode #401 Crew Links More about Knives Out Final Plug! Subscribe, Share and Review us on iTunes   More about Dead Poets SocietyFinal Plug! Subscribe, Share and Review us on iTunes Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textKatie and Bridget read poems in a cave as they re-watch the movie: Dead Poets Society! We all remember how inspirational Robin Williams is as the teacher from this movie. In fact it was so iconic that its been replicated and spoofed plenty of times (looking at you Derry Girls)! But did you remember that its also very SAD!? And DEPRESSING!? Because TEEN SUICIDE IS REAL AND SCARY AND WE NEED TO TAKE MENTAL HEALTH MORE SERIOUSLY!!! .... Ahem, also conformity is evil. Yay! Come long as we meet the friends living at the boarding school who all have their lives changed by Mr. Keating - a man who supports standing on desks. There's Neil, a thespian who we also should say RIP to; Todd, who's real shy until public poetry gives him confidence; Charlie, the only typical teenager in this gaggle; Knox, a guy that his crush probably should have called the police on; and Richard, a red-headed bitch who ruins lives! Together they learn about poetry, secret societies, and how not to walk in tandem with one another. Released in 1989, it stars Robin Williams, Robert Sean Leonard, Ethan Hawke, Josh Charles, Gale Hansen, and Dylan Kussman.

Movies covered in this episode include,Jagged Edge / Poohniverse movies,Jurassic World Rebirth,The Mastermind,Dungeons And Dragons (2002), Halloween (1978),Assault On Precinct 13, The Thing,Bugonia,Urchin,Starman,Tremors,Evolution,Tremors,Frankenhooker,Catch Me If You Can,Good Will Hunting,Dead Poets Society,Frankenstein (2025),If I Had Legs I'd Kick You,Black Christmas,Trick r Treat,Re-Animator,Fantastic Beasts / Harry Potter movies.

With Spooky Season done, Mita wanted to watch a "...critically acclaimed, fall, feel-good movies". So, Chat GPT delivered the 1989 classic, "Dead Poets Society" for the next movie review. Not to be confused with "The Tortured Poets Department". Tough times for poets. 

This week, Ben and Rob stand on their desks (metaphorically) to take on Dead Poets Society (1989), Peter Weir's quietly devastating classic starring Robin Williams, Ethan Hawke, Robert Sean Leonard, and Josh Charles. It's the story of young men learning to think for themselves and one teacher's battle to keep their dreams alive in a world built to crush them.But as always, the lads don't quite see eye to eye. Is Dead Poets Society a masterpiece of inspiration or a manipulative tragedy wrapped in nostalgia? Why did the first attempt this movie go up in very literal flames? Why is Peter Weir, one of Hollywood's least famous great directors, not a household name? And, of course… what does it all mean?PLUS! We have a Patreon with EXCLUSIVE content just for you starting at just ONE POUND a month - click the link below!Find us on your socials of choice at www.linktr.ee/everymovieeverpodcast

Welcome fellow adventurers! The discussion on the larger story 2 continues right here on the Masculine Journey After Hours Podcast. The clips are from "Saving Private Ryan," "Dead Poets Society," and "Gladiator." There's no advertising or commercials, just men of God, talking and getting to the truth of the matter. The conversation and Journey continues. Be sure to check out our other podcasts, Masculine Journey and Masculine Journey Joyride for more great content!

Jeff and Stuart celebrate the decade of hit after hit during this superior time in Robin Williams' career from Dead Poets Society all the way to Good Will Hunting (with a couple of stinkers in between). After having won an Oscar, Robin has fully summited the mountain of Hollywood fame. But you know what they say after you summit a mountain, there's nowhere else to go... but down...

Paul and Amy reopen the pages of Dead Poets Society, chatting about Robin Williams' shocking shift to dramatic acting, characters cut from the film, and the film's lasting legacy in the years since its release. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ethan Hawke joins Backstage's In the Envelope: The Actor's Podcast to offer industry insights and performance tips that any aspiring actor will want to hear. Hawke also discusses "Blue Moon," his ninth collaboration with Richard Linklater, and looks back on past projects like "Dead Poets Society," "Training Day," and the "Before" trilogy. ... Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. Full of both know-how and inspiration, In the Envelope airs bi-weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made and personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ ... Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Andy Turnbull - Additional support: Kasey Howe, Suzy Woltmann, Jenn Zilioli

Send us a textJupiter  slides into Cancer, his place of exaltation, and the cosmic professor swaps chalkboards for casseroles—nurturing, expansive, and fierce all at once. In this episode, Justine and Scarlett trace Jupiter's 12-year return cycles, from Obama-era optimism to Greta Thunberg's chart, from Montessori's child-led wisdom to AI ethics think tanks.They break down Jupiter's nakshatras—Punarvasu (endless arrows), Vishakha (fire and thresholds), and Purvabhadrapada (Kundalini lightning)—all feline fierce, all Durga-coded. Fashion goes saffron bathrobes and octopus-alien costumes, music runs from Aretha Franklin's gospel to Quincy Jones' orchestral genius, and film picks span Dead Poets Society to Free Willy.Myth-wise, Indra learns the hard way what happens when you snub your teacher, as Bṛhaspati walks out and the devas lose their divine shield. It's a story of humility, wisdom, and the radiant power of exalted Jupiter—our collective reminder to bow to what truly nourishes.Support the show

Rich reacts to Justin Herbert leading the Chargers to an unbeaten start with three-straight wins over their AFC West rivals to kick off the season, says why the Las Vegas Raiders need to uncork rookie RB Ashton Jeanty sooner rather than later, and weighs in on the Kansas City Chiefs avoiding an 0-3 start with a Sunday Night Football win over the New York Giants. Actor Ethan Hawke joins Rich in-studio to discuss his new ‘The Lowdown' show on FX, and reveals why he rooted for the Dallas Cowboys growing up, and shares some great stories about making ‘Dead Poets Society,' ‘Training Day,' ‘Reality Bites' and getting mistaken for Kevin Bacon and Sugar Ray lead singer Mark McGrath in a round of ‘Celebrity True or False.' Rich reacts to the breaking news that 49ers DE Nick Bosa will miss the rest of the season with a torn ACL. Learn more about your ad choices. Visit podcastchoices.com/adchoices

From Malibu's Most Wanted to Most Hung?The banter begins with Jamie Kennedy's legendary TV and film career—but quickly shifts to the elephant on the internet. Yes, THAT photo. Is it real? We get the truth straight from Jamie himself. (Spoiler: blurry or not, it's all him.)From Scream to The Jamie Kennedy ExperimentThe boys celebrate Jamie's cultural moments and roast the younger generation for confusing him with James Kennedy from Vanderpump Rules. According to one producer, Jamie had even “died in a hot tub.” Jamie takes it in stride: “I'm alive, bitches.” Playboy Mansion Secrets & Trunk Sneak-InsJamie shares wild-but-wholesome nights at the Playboy Mansion—rubbing shoulders with Carmen Electra and Anna Nicole Smith, and partying with Too Short on the mic. Meanwhile, Pol' confesses to sneaking in via a car trunk. They may have even crossed paths at one of those parties… destiny? The coffee thinks so. Coffee Reading Gets Real: “Who's Whispering in Your Ear?”Pol' delivers a powerful coffee cup reading that stops Jamie in his tracks, diving into:· Emotional stagnancy· Life-changing decisions· The blurred line between Jamie the person and the persona· And if he should finally put a ring on girlfriend Elyssa's fingerIt's insightful, eerie, and so accurate it gives Jamie chills. “You're 100% right,” he admits. “I have to be all of me. Always.” Hollywood Then & NowJamie opens up about the early days—from being an extra in Dead Poets Society, to Romeo + Juliet with Leonardo DiCaprio, to the breakout success of Scream. He recalls working with Steve Martin and Ellen DeGeneres and reflects on how much the industry has changed. Verdict? Social media fame ≠ movie star. He's rooting for passion over followers. Red Carpet Scams & Designer TeaPol' drops a bombshell: a major actress demanded six figures just to wear one of his gowns to the Oscars—even though his designs have graced winners like Karen Tolliver (Hair Love). Jamie's jaw drops. “She made $20 million and wants you to pay her?!” As always, Pol' and Patrik bring fashion realness with a side of shade. Hot Topics & Flirty Chaos· Zoe Kravitz & Harry Styles: Cute or confusing? Pol' says let them live.· Jamie's 20-year age gap with Elyssa: He defends it with honesty and humor. (Also, she's not in 12th grade. Relax.)· OnlyFans culture: Jamie calls out society's weird double standards—and if he'd ever post a pickle shot. Snow BooBoo Is Coming…Pol' & Patrik tease their adorable new doll line: Snow BooBoo from Snow White 90210. Jamie's sold. Pre-orders are open, and this booboo's ready to slay. Final ThoughtsBetween the jokes, raunch, and Hollywood chaos, this episode shows a man at a crossroads—balancing fame, love, legacy, and authenticity. Whether you're a longtime Jamie Kennedy fan or just meeting him, Undressed reminds you that real connection always beats public perception. Don't miss Part 2—coming soon! More revelations, more glam, and more Jamie Kennedy. Subscribe: linktr.ee/undressedpodFollow Pol Atteu: IG/TikTok/Twitter @polatteu — polatteu.com Follow Patrik Simpson: IG/TikTok @patriksimpsonbh — patriksimpson.com Follow SnowWhite90210: IG @snowwhite90210 — snowwhite90210.com Watch Gown and Out in Beverly Hills on Prime Video — gownandoutinbeverlyhills.com #UndressedPodcast — Armenian Coffee Reading: polatteu.com/armenian-coffee-cup-read Learn more about your ad choices. Visit megaphone.fm/adchoices

It's audience choice time! Our Patrons voted on our "Back-To-School" episode and so this week we're talking about DEAD POETS SOCIETY. We're defending stuck-up school administrators who weren't actually that strict, talk about how standing on a desk isn't actually teaching poetry and digging into kids whose idea of "seizing the day" is to exactly copy what their teacher did 20 years ago.  Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Andrew Ivimey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ as part of The From Superheroes Network. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.FromSuperheroes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

...κι αν πεινάσεις, πιάστηνε. Ο Δημήτρης και η Μαριλένα μιλάνε για το εκπαιδευτικό σύστημα στην Ελλάδα, και τι σημαίνει πραγματικά η λέξη «τέχνη». Σημειώσεις εκπομπής Μία λέξη, μία περιπλάνηση τέχνη (https://el.wiktionary.org/wiki/%CF%84%CE%AD%CF%87%CE%BD%CE%B7) Ελληνικό εκπαιδευτικό σύστημα (https://eurydice.eacea.ec.europa.eu/el/eurypedia/greece/organosi-toy-ekpaideytikoy-systimatos-kai-tis-domis-toy) Επεισόδιο για πανελλαδικές (https://www.easygreek.fm/30) Κύκλος των χαμένων ποιητών - Dead Poets Society (1989) (https://el.wikipedia.org/wiki/%CE%9F_%CE%BA%CF%8D%CE%BA%CE%BB%CE%BF%CF%82_%CF%84%CF%89%CE%BD_%CF%87%CE%B1%CE%BC%CE%AD%CE%BD%CF%89%CE%BD_%CF%80%CE%BF%CE%B9%CE%B7%CF%84%CF%8E%CE%BD) Ασυμβίβαστη γενιά - Dangerous Minds (1995) (https://el.wikipedia.org/wiki/%CE%91%CF%83%CF%85%CE%BC%CE%B2%CE%AF%CE%B2%CE%B1%CF%83%CF%84%CE%B7_%CE%93%CE%B5%CE%BD%CE%B9%CE%AC) Απομαγνητοφώνηση Δημήτρης: [0:16] Γεια σας και καλώς ήρθατε στο Easy Greek Podcast, το podcast που σας μαθαίνει ελληνικά με καθημερινούς αυθεντικούς διαλόγους. Είμαι ο Δημήτρης και βρίσκομαι σε μια κλήση Zoom με τη... Μαριλένα: [0:30] Μαριλένα! Γεια και από εμένα! Δημήτρης: [0:32] Δεν μπορείς να πεις... συνεχίζω να είμαι πρωτότυπος ή περίπου. Μαριλένα: [0:36] Ναι, κάθε φορά έχεις αυτή την αγωνία. Τι θα πω τώρα για να την προλογίσω; Μία φορά θα κάνουμε το αντίθετο. Δημήτρης: [0:43] Α... Μαριλένα: [0:43] Δεν πρέπει; Δημήτρης: [0:44] Ναι, γιατί συνήθως όταν μιλάς εσύ, λες: «Και με ακούτε, γιατί... ο λόγος που με ακούτε είναι που είμαι μόνη μου!». Μαριλένα: [0:50] Ναι, ναι, ναι. Δημήτρης: [0:51] Γιατί αλλιώς θα ακούγατε τον Δημήτρη. Μαριλένα: [0:53] Ισχύει. Δημήτρης: [0:53] Αλλά άμα σε ακούσουν και είμαι και εγώ εκεί, θα είναι μια πραγματική έκπληξη. Μαριλένα: [0:59] Και σε όλους αρέσουν οι εκπλήξεις πέρα από εσένα που δεν τις συμπαθείς. Δημήτρης: [1:04] Εγώ; Γιατί δεν τις συμπαθώ; Μαριλένα: [1:06] Έτσι μου 'χεις πει ότι δεν είσαι ο άνθρωπος που θα τρελαθεί με ένα πάρτυ έκπληξη, ας πούμε ή... Δημήτρης: [1:11] Κάνεις λάθος! (Αλήθεια;) Θυμάσαι το αντίθετο! Για ολόκληρη την απομαγνητοφώνηση, γίνετε μέλη μας! (https://bit.ly/EaGrPodcast)

Netflix's Unknown: The High School Catfish will leave your jaw on the floor. Plus, Hamilton returns to theaters, and The Conjuring franchise smashes records.In this week's episode of So Many Sequels, Josh, Garrett, and David unpack a wild week in film and streaming. From the disturbing twists of Unknown: The High School Catfish to the cozy mystery vibes of The Thursday Murder Club, there's plenty to talk about. We also dive into the Hamilton 10th anniversary re-release, tease next week's Dead Poets Society review, and break down an explosive box office weekend.Timestamps:00:00 – Intro & What We're Watching01:00 – Unknown: The High School Catfish (Netflix)10:40 – The Thursday Murder Club Review13:00 – Hamilton's Theatrical Re-Release (and wigs in the theater!)18:30 – “Back 2 School” Theme + Dead Poets Society Tease21:40 – Box Office Recap (Conjuring: Last Rites, Toy Story 30th, more)25:30 – Closing & Where to Find Us

This week, the Shat The Movies boys dust off their prep school blazers and follow Robin Williams into Welton Academy for 1989's Dead Poets Society. Commissioned by listener Rob F., this Oscar-winning coming-of-age drama gave the world “Carpe Diem,” a standing-on-desks finale, and enough inspiration to launch a thousand “cool teacher” clichés. But does it still move us 35 years later, or has it become too earnest for its own good? Gene and Big D wrestle with their own school baggage while debating whether John Keating is a saintly mentor or a reckless enabler who lit fires in his students without offering any guardrails. We revisit Ethan Hawke's breakout role, the betrayal of Cameron (still unforgivable), and whether Neil's tragedy hits harder as adults who now understand the crushing weight of parental expectation. Along the way, Big D confesses he usually hates “inspirational teacher” movies, Gene compares Keating's lessons to Krav Maga, and both hosts admit Robin Williams nails his most delicate performance without veering into schmaltz. Is Dead Poets Society timeless poetry, or just a prep school fantasy that collapses under its own sentimentality? Seize the day and find out. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Welcome to the first meeting of the Dead Podcast Society.In this episode, we crack open Dead Poets Society (1989) as the finale to our Back to School theme. From cave hangouts to barbaric yawps, we relive the iconic moments and laugh about the endless parodies this film inspired.We also talk Neil's devastating storyline, Todd's growth, and how the film handles the highs and lows of teenage rebellion.And to finish our Back to School theme, we rank all of our picks— School of Rock, The Breakfast Club, Legally Blonde, and Dead Poets Society.Join our bookclub for movies and let us know what you think about Dead Poets Society. Like, subscribe, leave us a review, and find more at SoManySequels.com.

After an update from Derek, Dean Karayanis of the New York Sun and Rush Limbaugh Show updates you on the weekend's news. A case of mistaken identity for Phillies Karen reminds us of a lesson in “The Dead Poets Society.” The Democrats' religions test as Senator Tim Kaine declares thinking inalienable rights come from God is an “extremely troubling” idea. The shadowy Professor Mifsud, a key player in the Russia probe who disappeared seven years ago. JB Pritzker says he has moles inside the White House and Chris Christie savages RFK Jr. Senator Rand Paul takes on J.D. Vance in defense of the Venezuelan drug runners blown up by the U.S. Navy. Finally, a word on “The Savant,” the hilarious “Karen power fantasy” from Apple TV that's launched a thousand memes before it even airs.

O BROS, MY BROS! Happy first of September! We're kicking off the school year with a back-to-school CLASSIC, all about seizing the day, playing bongos in caves, and adoring Robin Williams with every fibre of one's soul: Dead Poets Society! Along the way we discuss the behind the scenes drama between Williams and a potential director, the existential dread that 80's synth can cause, and, of course, the abject deliciousness of words! If you need help with mental health and do not know where to start, head to NAMI -- the largest grassroots mental health organization, which can help you find resources, understand conditions better, and connect you with fellow human beings who can genuinely help and support. And if you are looking to start therapy (woo!), head to Psychology Today for a comprehensive, user-friendly search to find the right practitioner for YOU. None of this is sponsored. We just genuinely love you and want to make sure everyone has access to help if it is ever, ever needed

Episode #273Jack Underkofler, lead vocalist for Dead Poet Society returns to The Mistress Carrie Podcast while on tour opening for Chevelle. Jack checked in on an off day from the tour, to talk touring, LA, cemetaries, traveling, sitting down during a concert, Hellfest, Ozzy, getting sick on the road, the bands new album, and so much more!Check out the custom playlist for Episode #273 here!Hear Jack Underkofler on Episode #50 of The Mistress Carrie PodcastHear Jack Collins on Episode #193 of The Mistress Carrie PodcastFind  Jack Underkofler Online:InstagramFacebookTwitterFind Dead Poet Society Online:FacebookInstagramTwitterWebsiteYoutubeFind Mistress Carrie Online:Official WebsiteThe Mistress Carrie Backstage Pass on PatreonTwitterFacebookInstagramBlueskyThreadsYouTubeTikTokCameoPantheon Podcast NetworkFind The Mistress Carrie Podcast online:InstagramThreads Learn more about your ad choices. Visit megaphone.fm/adchoices

Robin Williams is the definition of a powerhouse. An all-star comedian, stand-up, and actor, Robin hits it big with his breakout role on TV's “Mork & Mindy.” After that, he becomes one of Hollywood's most successful - and most beloved - stars. With performances in movies like “Good Morning Vietnam,” “Dead Poets Society,” and his Oscar-winning turn in “Good Will Hunting,” there was nothing Robin couldn't do. A master of both drama and comedy, he could alternately break your heart or make you die laughing. But behind closed doors, trouble was brewing. Old demons of addiction haunt the “Mrs. Doubtfire” star, and provide a dark hole that Robin struggles to pull himself out of. Even though Robin's now gone, he is definitely not forgotten. And the legacy he leaves behind is one filled that's filled with light, love, and above all else - laughter.You can follow Brooke and Aricia on socials at @brookesiffrinn and @ariciaskidmorewilliamss. And check out the brand new Even the Rich merch store at www.eventherich.com.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Even The Rich on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial today by visiting wondery.com/links/even-the-rich/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode, we discuss Dead Poets Society with special guest Michael Rodriguez.  Our conversation covers: pillars vs passion, the need for hope, perseverance, and MUCH more! You can always join us as a fellow Cross-cutter and post your thoughts in our Facebook group.   Be sure to subscribe/rate/review us and leave a comment!  If you know someone who likes this film, share the episode with them.

This week we are comparing Dead Poets Society (1989) and Mona Lisa Smile (2003) - two films about inspiring teachers touching the lives of their students.-----The Movies:Dead Poets Society (1989)Directed by Peter WeirWritten by Tom SchulmaniMDb Rating: 8.1Mona Lisa Smile (2003)Directed by Mike NewellWritten by Lawrence Konner & Mark RosenthaliMDB Rating: 6.6-----Find us on:Discord - https://discord.gg/dxgmcfj552Tumblr - @ItTakesTwoPodInstagram - @ItTakesTwo_podFacebook - @ItTakesTwoPodYoutube - @ittakestwonzBluesky - @ittakestwoOur website - ItTakesTwo.co.nz-----Content Warning:Discussions of suicide, death, societal pressures, abusive family situations, pornography, consent.

The school vibe continues with a comedy classic for the entire family - Dead Poets Society starring the late great Robin Williams. Will Seanán hate this as much as he hated the Club?!

Anna Vocino Returns!Take a walk with me down Fascination Street, as I get to know even more about Anna Vocino. Anna's first appearance on the show was released on 6.13.22. I recomend going back and checking that one out, as it was A BLAST! This time around, we discuss some different stuff. We kick the show off talking about her first experience on a film set. Anna was in the classic film Dead Poets Society, where she got to hang out with the late, great Robin Williams. We then transition into her work on another Robin Williams project, this time for television. The Crazy Ones was one of Robin's last projects, so naturally I ask her about working on that with him. Anna and I then talk about a series she worked on called Free Radio, and she tells some great stories from that set as well. Then we move onto the subject of her health. Anna has some fairly unique immune related issues that she deals with on a daily basis. She is fine, but does navigate some challenges, and she is very open about dealing with those. Of course, we discuss her working with the wonderful Vinnie Tortorich and theie podcast Fitness Confidential, before we dive into her Eat Happy empire! Anna has released 3 cookbooks (a fourth to be released in October of 2026), and an ever growing product line! Eat Happy Kitchen currently offers: 4 pasta sauces (marinara, arrabbiata, puttanesca, pink crema), and 1 seasonal pasta sauce (pumpkin marinara), as well as 4 spice mixes (BBQ Dust, Taco Seasoning, Dill Ranch Seasoning, Salt / Onion Dust), and now offering 3 flavors of Crispy Crunchy Cheese Bites (Cheddar & BBQ, White Cheddar & Onion, Monterey Jack & Onion). We talk about all of these products, and where to find them. They are all available at EatHappyKitchen.com, as well as myriad grocery stores nation wide. Anna shares some behind the scenes stories about what it takes to get a product on the shelf at your local grocery store. As always, no matter what we are talking about; Anna brings the funny! Oh, and pay special attention because we decide to offer a special deal to all of the listeners! 

This week:A political endorsement, a second The Bear theory, order and chaos, re-litigating Dead Poets Society, the Home College Movement

Ben reflects on the sobering truth of James 4:14. Our lives are like a mist, here one moment and gone the next. Drawing from personal stories, scripture, and the haunting wisdom of the 1989 film Dead Poets Society, he shares a practical framework for living intentionally: having a clear aim, building a real plan, and committing to weekly reflection. If you don't want to waste your life, this episode is for you.----------------------Interested in the Steiger Missions School? Click HERE to apply for the SMS.Do you ever struggle to share your faith with those who won't walk into a church?----------------------Ben has completely revised and updated his powerful book, Jesus in the Secular World: Reaching a Culture in Crisis—a must-read guide for anyone longing to reach those who may never step foot in a church. Packed with real-world insights and practical strategies, this book could be the breakthrough you've been searching for.Don't wait—get your copy today!Click HERE to check it out on Amazon.For more information, go to: jesusinthesecularworld.com------------------------Questions, comments, or feedback? We'd love to hear what you think! Send them to provokeandinspire@steiger.org, or send us a message on Instagram.Click HERE to receive news, thought-provoking articles, and stories directly in your inbox from Ben, David, Luke, and Chad!Click below to follow the regulars on Instagram!Ben PierceDavid PierceChad JohnsonLuke GreenwoodSend us a text

Desperate times in the classroom call for genius teacher hacks—and we've got ‘em all. And remember! Catch the Bored Teachers Comedy Tour coming to a city near you THIS FALL!  Tickets going fast: https://bit.ly/TODBTCT    We're coming to Australia, New Zealand and Canada! We'll be heading your way this fall, and tickets are already selling fast! Grab yours NOW: https://bit.ly/TODBTCT    Book your hosts for a speaking event at your school: https://teacherspeakers.com/    Check out our MERCH! https://shop.boredteachers.com Subscribe to our newsletter: https://www.beacons.ai/teachersoffdutypod   Send us a voice message: https://bit.ly/3UPAT5a    Listen to the podcast anywhere you stream your favorite shows:  Spotify: https://open.spotify.com/show/3hHNybdOJb7BOwe0eNE7z6?si=840ced6459274f98  Apple: https://podcasts.apple.com/us/podcast/teachers-off-duty/id1602160612    _________________________________    Teachers get your perks!! This episode is brought to you by:    Betterhelp | Go to https://betterhelp.com/TOD to get 10% off today   Mint Mobile | Go to https://mintmobile.com/tod to redeem your offer   Raycon | Go to https://buyracon.com/tod to get 15% off using CODE: TOD   _________________________________ In this laugh-out-loud episode of Teachers Off Duty, Bri, Anna, and Jay reunite for a chaotic and hilariously honest conversation about classroom management, teaching burnout, and surviving the school year with a little creativity (and a lot of humor). From Jay's “girl dad” life to Anna's desk-climbing Dead Poets Society moment, the trio shares the genius hacks and hilarious fails that keep their classrooms (and sanity) intact. Whether it's using UNO cards to track participation or rage-screaming with students as a brain break, this episode is packed with real-life strategies that actually work—plus a few that didn't.   They dive into how AI tools like ChatGPT are changing the game for both teachers and students, and how they're learning to work smarter not harder by embracing technology without losing the heart of teaching. You'll hear them swap stories about student manipulation, mystery shopper behavior systems, the power of handwritten work in a tech-heavy world, and what happens when a student can't read their own handwriting. It's the real teacher talk you didn't know you needed. Listen now & don't forget to subscribe!  Follow your hosts:  Briana Richardson @HonestTeacherVibes  Anna Kowal @ReadAwayWithMissK  Jay Yoder @JayYoderComedy  Follow us on all platforms @TeachersOffDutyPodcast _________________________________ Teachers Off Duty - A Bored Teachers©️ Podcast

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ In this episode of A Lost Plot, hosts Maverick and Jared Stonefield delve into the classic film 'The Dead Poets Society.' They explore the film's themes of individuality, societal expectations, and the impact of a passionate teacher, John Keating, on his students. The conversation covers character dynamics, the emotional arcs of key characters like Neil Perry and Todd Anderson, and the significance of the film's ending. The hosts reflect on the film's powerful messages about seizing the day and living life to the fullest, making it a must-watch for everyone, especially young men.----------Highlights:0:00 'Dead Poets Society' Introduction3:47 Opening Scene5:58 Character Dynamics and Protagonists11:42 Backstory and Motive for the Boys16:08 John Keating as the Mentor Figure20:32 Welton Boys School25:03 The Aspiring Leader: Neil Perry37:46 The Unsure One: Todd Anderson43:11 The Loverboy: Knox Overstreet47:19 Meeks, Cameron, and Pitts51:03 The Scofflaw: Charlie Dalton55:55 Revisiting Keating1:01:49 Conclusion of the Film#deadpoetsociety #keating #neilperry #alostplot #knoxoverstreet #charliedalton #podcast #filmreview #films #review #classic #poetry #carpediem #johnkeating #robbinwilliams 

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ In this episode of A Lost Plot, hosts Maverick and Jared Stonefield delve into the classic film 'The Dead Poets Society.' They explore the film's themes of individuality, societal expectations, and the impact of a passionate teacher, John Keating, on his students. The conversation covers character dynamics, the emotional arcs of key characters like Neil Perry and Todd Anderson, and the significance of the film's ending. The hosts reflect on the film's powerful messages about seizing the day and living life to the fullest, making it a must-watch for everyone, especially young men.----------Highlights:0:00 'Dead Poets Society' Introduction3:47 Opening Scene5:58 Character Dynamics and Protagonists11:42 Backstory and Motive for the Boys16:08 John Keating as the Mentor Figure20:32 Welton Boys School25:03 The Aspiring Leader: Neil Perry37:46 The Unsure One: Todd Anderson43:11 The Loverboy: Knox Overstreet47:19 Meeks, Cameron, and Pitts51:03 The Scofflaw: Charlie Dalton55:55 Revisiting Keating1:01:49 Conclusion of the Film#deadpoetsociety #keating #neilperry #alostplot #knoxoverstreet #charliedalton #podcast #filmreview #films #review #classic #poetry #carpediem #johnkeating #robbinwilliams 

This week we're discussing the inspiring coming of age movie DEAD POETS SOCIETY! We stand on tables (not really) to proclaim our love for this cast, wonder why Keating decided to teach at this school, and seriously question some (many) of his methods.   Produced by Andrew Ivimey as part of The From Superheroes Network   Visit www.FromSuperheroes.com for more podcasts, articles, video series, web comics, and more.

For this episode of Us & Them, host Trey Kay celebrates the tenth anniversary of the podcast with the young members of Marshall University's Dead Podcasters Society, a club that is dedicated to artistic expression and following one's passions, much like the fictional group in the 1989 film Dead Poets Society.  The event becomes a master class on podcasts, the intimate form of audio storytelling that has hooked hundreds of millions of listeners around the world. Kay talks with students about how he encourages people to tell him their stories and about a lifetime spent forming connections with people who hold views that are very different from his own. He also gets inducted into the Dead Podcasters Society in a ceremony that involves a sword and a vow to “seize the sound.”