Podcasts about Satyajit Ray

Ep. 322: Inney Prakash on Cannes 2025: Miroirs No. 3, Alpha, Magellan, Days and Nights in the Forest, The Girls, Homebound Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This episode I sat down with Inney Prakash, a curator of film programs at Asia Society in New York and the founder and director of Prismatic Ground. We spoke about several films at the festival: Miroirs No. 3 (directed by Christian Petzold), Alpha (Julia Ducournau), Magellan (Lav Diaz), Homebound (Neeraj Ghaywan). Plus: two outstanding Cannes Classics selections—Satyajit Ray's Days and Nights in the Forest (introduced by Wes Anderson and attended by Sharmila Tagore), and Sumitra Peries' Gehenu Lamai (The Girls). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

As Indians celebrate the 140th birth anniversary of Satyajit Ray another story is coming to light. How a humble business man became his most ardent fan and producer.

On Episode 163 of Floating Through Film, we're starting a new series picked by Dany, Satyajit Ray! The guys give their thoughts on what they think of Ray, before Dany starts the series by talking about the Indian aesthetic concept of 'Rasa' and what it means in relation to Ray's approach in the Apu Trilogy. We then review all three movies of the trilogy, starting with 1955's Pather Panchali (25:03), moving to 1956's Aparajito (1:34:34), before concluding with 1959's Apur Sansar (2:20:33)Episode Next Week: The Big City + CharulataMusic:- Intro: Pather Panchali (https://www.youtube.com/watch?v=4XrYvWadSn8&list=PLI_x1mLm1TLqpWpS2kJ7DIOvsSKvJJ2FV&index=11&ab_channel=RaviShankar-Topic)- Break #1: Aparajito (https://www.youtube.com/watch?v=gJn-G1Jrov0&list=PLI_x1mLm1TLqpWpS2kJ7DIOvsSKvJJ2FV&index=7&ab_channel=RaviShankar-Topic)- Break #2 Apur Sansar (https://www.youtube.com/watch?v=idDEZYkYH4I&list=PLI_x1mLm1TLqpWpS2kJ7DIOvsSKvJJ2FV&index=2&ab_channel=RaviShankar-Topic)- Outro: Apur Sansar (https://www.youtube.com/watch?v=R0TZ1Ubxpq4&list=PLI_x1mLm1TLqpWpS2kJ7DIOvsSKvJJ2FV&index=3&ab_channel=RaviShankar-Topic)Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm)Podcast Links Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

durée : 00:44:02 - Les Nuits de France Culture - par : Albane Penaranda - "La Maison et le Monde" de Satyajit Ray est considéré par certains comme le testament spirituel du cinéaste bengali. Adapté d'un roman de Rabindranath Tagore, ce film réalisé en 1984, est au programme de l'émission "Le cinéma des cinéastes" le 21 avril 1985. - réalisation : Virginie Mourthé - invités : Claude-Jean Philippe Auteur, réalisateur et producteur de télévision et de radio; Pierre Donnadieu; Caroline Champetier Directrice de la photographie

Charulata (1964; Dir.: Satyajit Ray) Canon Fodder Episode 35 After the French fever dream of India Song, Daniel and Corys take their first real trip to the home country of Bengali maestro Satyajit Ray. But were your hosts stimulated enough by this deceptively simple story of an under-stimulated […] The post Charulata – Canon Fodder Episode 35 appeared first on Dare Daniel & Canon Fodder Podcasts.

Dibyendu Bhattacharya, a versatile Indian actor with deep Bengali roots, has carved a niche in theatre, film, and digital media through iconic roles and artistic integrity. Born in Kolkata, his journey began with a shift from cricket to storytelling, followed by formal training at the National School of Drama (NSD), where he honed his craft alongside peers like Irrfan Khan. His theatrical genesis includes 55+ plays and socially charged performances with Jana Natya Manch, establishing his unique stage presence. In cinema, Dibyendu gained recognition with Satya (1998), delivered breakthrough roles like Chunni in Dev.D (2009), and ad-libbed the iconic line “Keh ke loonga!” in Gangs of Wasseypur. His digital acclaim includes Criminal Justice (2019) and The Railway Men, earning awards for portraying Kamruddin, a heroic railway worker during the Bhopal Gas Tragedy. Noteworthy roles span morally complex characters like Sub-Inspector Imtiaz (Ab Tak Chhappan) and Yeda Yakub (Black Friday), alongside supporting figures like sports journalist Debashish Banerjee (Goal). Beyond acting, Dibyendu practices Vipassana meditation, draws inspiration from Buddhist philosophy, and mentors talents like Parineeti Chopra. A connoisseur of Bengali literature and Satyajit Ray’s films, he quietly supports NGOs for child education and rural theatre. His disciplined lifestyle, shaped by overcoming childhood asthma, and versatility across media—including voicing Gollum in Hindi—cement his legacy as a multifaceted artist bridging cultural heritage and contemporary narratives.See omnystudio.com/listener for privacy information.

How might a simple life constrain us more than we think?Following past discussions on the indifference of nature in the face of mankind's modern ambitions, this week's episode delves into the hidden realities of subsistence living by examining Satyajit Ray's Pather Panchali (1955).We also briefly discuss:Flow (2024) d. Gints ZilbalodisEdge of Tomorrow (2014) d. Doug LimanContact UsEmail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

Vous l'avez demandé, la voici, l'émission dédiée à l'actualité des sorties indiennes, de fin octobre 2024 à mi-février 2025. Avec Amandine, Anouck et Clem. 1'57 : La Maison et le Monde de Satyajit Ray  5'08 : Black Warrant saison 1 10'47 : Paatal Lok saison 2 19'34 : Bagheera de Dr. Suri 29'37 : I Want to Talk de Shoojit Sircar 47'41 : Pushpa 2: The Rule de Sukumar 1'03'29 : Marco de Haneef Adeni 1'15'08 : Viduthalai Part 2 de Vetrimaaran 1'32'12 : Barroz de Mohanlal 1'37'47 : Game Changer de S. Shankar 1'48'47 : Chhaava de Laxman Utekar

Pather PanchaliHosts: Clark Coffey & Cullen McFaterAn adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name, 1955's Pather Panchali marked Satyajit Ray's directorial debut and features a non-professional cast laid on the backdrop of the authentically filmed Indian countryside. Clark and Cullen discuss the film's wider importance and the trajectory of many of those involved's careers.Pather Panchali TrailerDirector: Satyajit RayStarring: Kanu Bannerjee, Karuna Bannerjee, Subir BanerjeeSocials:FacebookTwitterInstagram

Cette semaine je vous conseille trois films :Le salon de musique de Satyajit Ray (1958)Fanboys de Kyle Newman (2009)The Brutalist de Brady Corbet (2024) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

He's lived a rich life as a journalist, a human rights activist, an author, a columnist -- and now he's written a great book on Gujaratis. Salil Tripathi joins Amit Varma in episode 409 of The Seen and the Unseen to discuss his life, his learnings, these times we live in -- and the times that came before. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Salil Tripathi on Twitter, Instagram, Wikipedia, LinkedIn and Amazon. 2. The Gujaratis: A Portrait of a Community -- Salil Tripathi. 3. The Colonel Who Would Not Repent -- Salil Tripathi. 4. Offence – The Hindu Case -- Salil Tripathi. 5. Detours: Songs of the Open Road -- Salil Tripathi. 6. For, In Your Tongue, I Cannot Fit -- Edited by Shilpa Gupta and Salil Tripathi. 7. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 8. Gita Press and the Making of Hindu India — Akshaya Mukul. 9. Saraswatichandra (Gujarati) (English) -- Govardhanram Tripathi. 10. Gujarat Ni Asmita -- KM Munshi. 11. I Follow the Mahatma -- KM Munshi. 12. Devdutt Pattanaik and the Stories That Shape Us — Episode 404 of The Seen and the Unseen. 13. Ahimsa: 100 Reflections on the Harappan Civilization — Devdutt Pattanaik. 14. Until the Lions -- Karthika Nair. 15. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity — Manu Pillai. 16. The Forces That Shaped Hinduism -- Episode 405 of The Seen and the Unseen (w Manu Pillai). 17. Heroic Failure: Brexit and the Politics of Pain -- Fintan O'Toole. 18. Understanding Gandhi: Part 1: Mohandas — Episode 104 of The Seen and the Unseen (w Ram Guha). 19. Understanding Gandhi: Part 2: Mahatma — Episode 105 of The Seen and the Unseen (w Ram Guha). 20. Gandhi Before India -- Ramachandra Guha. 21. Objects From Our Past -- Episode 77 of Everything is Everything. 22. The Diary of Manu Gandhi (Part 1) (Part 2) -- Edited and Translated by Tridip Suhrud. 23. The Ferment of Our Founders — Episode 272 of The Seen and the Unseen (w Shruti Kapila). 24. Lessons from an Ankhon Dekhi Prime Minister — Amit Varma. 25. Akhil Katyal's poem on caste. 26. Midnight's Children -- Salman Rushdie. 27. Bare Feet – a Poem about MF Husain -- Salil Tripathi. 28. My Mother's Fault -- Salil Tripathi. 29. Jejuri -- Arun Kolatkar. 30. Yashwant Rao -- Arun Kolatkar. 31. The Patriot -- Nissim Ezekiel. 32. Goopy Gyne Bagha Byne -- Satyajit Ray. 33. You're Missing -- Bruce Springsteen. 34. Gabriel Garcia Marquez, Salman Rushdie, Milan Kundera, Ved Mehta and John McPhee on Amazon. 35. All We Imagine as Light -- Payal Kapadia. 36. Niranjan Rajadhyaksha Is the Impartial Spectator — Episode 388 of The Seen and the Unseen. 37. On Tyranny -- Timothy Snyder. 38. Lant Pritchett Is on Team Prosperity — Episode 379 of The Seen and the Unseen. 39. Saving Capitalism From The Capitalists -- Raghuram Rajan and Luigi Zingales. 40. Check out Johan Norberg's great work. 41. The Life and Times of the Indian Economy — Episode 387 of The Seen and the Unseen (w Rajeswari Sengupta). 42. India's Problem is Poverty, Not Inequality — Amit Varma. 43. Stay Away From Luxury Beliefs — Episode 46 of Everything is Everything. 44. On Inequality — Harry Frankfurt. 45. Economic growth is enough and only economic growth is enough — Lant Pritchett with Addison Lewis. 46. Sample SSR conspiracy theory: He's alive! 47. Amit Varma's 2022 piece on the mess-up at The Wire. 48. Television Price Controls — Episode 27 of The Seen and the Unseen (w Ashok Malik). 49. The Selfish Altruist -- Tony Vaux. 50. Sadanand Dhume's tweet on the hypocrisy around The Satanic Verses. 51. Bad Elements -- Ian Buruma. 52. Biju Rao Won't Bow to Conventional Wisdom — Episode 392 of The Seen and the Unseen. 53. Can Economics Become More Reflexive? — Vijayendra Rao. 54. The Life and Times of Teesta Setalvad — Episode 302 of The Seen and the Unseen. 55. Aakar Patel Is Full of Hope — Episode 270 of The Seen and the Unseen. 56. The Wal-Mart Effect -- Charles Fishman. 57. Modern South India -- Rajmohan Gandhi. 58. The Adda at the End of the Universe — Episode 309 of The Seen and the Unseen (w Vikram Sathaye and Roshan Abbas). 59. Whatever happened To Ehsan Jafri on February 28, 2002? — Harsh Mander. 60. Jai Jai Garvi Gujarat -- Narmad. 61. The Populist Playbook -- Episode 42 of Everything is Everything. 62. Where the Green Ants Dream -- Werner Herzog. 63. People's Linguistic Survey of India -- GN Devy and others. 64. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 65. Stage.in. 66. Reading Lolita in Tehran -- Azar Nafisi. 67. Two Concepts of Liberty — Isaiah Berlin. 68. Understanding the State -- Episode 25 of Everything is Everything. 69. The First Assault on Our Constitution — Episode 194 of The Seen and the Unseen (w Tripurdaman Singh). 70. Shruti Rajagopalan's talk on the many amendments in our constitution. 71. Caged Tiger: How Too Much Government Is Holding Indians Back — Subhashish Bhadra. 72. Subhashish Bhadra on Our Dysfunctional State — Episode 333 of The Seen and the Unseen. 73. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 74. Goodbye Solo — Ramin Bahrani. 75. The desire to help, and the desire not to be helped — Roger Ebert's review of Goodbye Solo. 76. Dalit Kitchens of Marathwada -- Shahu Patole. 77. Firaaq -- Nandita Das. 78. How the BJP Wins — Prashant Jha. 79. The BJP's Magic Formula — Episode 45 of The Seen and the Unseen (w Prashant Jha). 80. The Year of Living Dangerously -- Peter Weir. 81. Ingmar Bergman, Satyajit Ray, Francois Truffaut and Aparna Sen. 82. The New Yorker, Vanity Fair and London Review of Books. 83. Ravi Shankar, Zakir Hussain and Vilayat Khan on Spotify. 84. Nadine Gordiner, Fintan O'Toole, Ilya Kaminsky, Karthika Nair, Ruchir Joshi, Kiran Desai, Nilanjana Roy, Sunil Gavaskar and Mike Brearley. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Asmita' by Simahina.

James Ivory formed the filmmaking company Merchant Ivory with producer Ismail Merchant and the writer Ruth Prawer Jhabvala in 1961. The company went on to produce over 40 films and became synonymous with a particular sumptuous movie genre in the 80s and 90s, often adapted from literary classics. Merchant Ivory won awards and acclaim for A Room With A View, Howard's End, The Remains Of The Day and many more. In 2018, at the age of 89, James Ivory became the oldest ever winner of an Academy Award. Having been nominated three times previously for best director, he won the best adapted screenplay Oscar for the coming-of-age drama Call Me By Your Name. Now 96 years old, James Ivory recalls his upbringing in Oregon, the son of a timber merchant. He says that seeing Gone With the Wind soon after the film had first been released in 1939 was a formative moment in his love of cinema. Having initially studied architecture, he enrolled at the University of California to study cinema and began making short films. It was during a trip to India that he first became fascinated with the country and was introduced to the great Indian filmmaker Satyajit Ray, who was a hugely influential figure. James Ivory also talks about the unique relationship he had with Ismail Merchant and Ruth Jhabvala whom he describes as his "life's partners".Producer: Edwina Pitman

This is the first episode in a new series about films we associate with particular colors. Black may be the most complicated color, evoking traits from elegance and edge to sadness, anger, mourning, and destructiveness. For a color that can be so striking, it often screams "don't look too closely." Neither of us could resist choosing a black and white film, but that's where the similarities end: Satyajit Ray's Nayak (Bengali, 1966), where black is cool, distant, and protective, and Bramayuagam (Malayalam, 2024), where black is unstable and unknowable. Subscribe to Filmi Ladies on Spotify https://open.spotify.com/show/7Ib9C1X5ObvN18u9WR0TK9 or Apple Podcasts https://podcasts.apple.com/us/podcast/filmi-ladies/id1642425062 @filmiladies on Instagram Pitu is @pitusultan on Instagram Beth is @bethlovesbollywood on Bluesky Email us at filmiladies at gmail See our letterboxd for everything discussed on this podcast. https://boxd.it/qSpfy Our logo was designed by London-based artist Paula Ganoo @velcrothoughts on Instagram https://www.art2arts.co.uk/paula-vaughan

Visual Anthropology of Indian Films: Religious Communities and Cultural Traditions in Bollywood and Beyond (Routledge, 2024) provides a unique insider's look at the world's largest film industry, now globally known as ‘Bollywood' and challenges existing notions about Indian films. Indian films have been a worldwide phenomenon for decades. Chapters in this edited volume take a fresh view of various hidden gems by maestros such as Raj Kapoor, Bimal Roy, V. Shantaram, Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Shakti Samant, Rishikesh Mukherjee, and others. Other chapters provide a pioneering review and analysis of the portrayal of Indian religious communities such as Hindus, Muslims, Christians, and Parsis. The themes covered include unique Indian feminism and male chauvinism, environment and climate issues, international locations and diaspora tourism, religious harmony and conflict, the India-Pakistan relationship, asceticism, and renunciation in Hinduism, Jainism, and Buddhism. Unlike many recent studies of Indian films, these chapters do not distinguish between popular and serious cinema. Many chapters focus on Hindi films, but others bring insights from films made in other parts of India and its neighbouring countries. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Visual Anthropology of Indian Films: Religious Communities and Cultural Traditions in Bollywood and Beyond (Routledge, 2024) provides a unique insider's look at the world's largest film industry, now globally known as ‘Bollywood' and challenges existing notions about Indian films. Indian films have been a worldwide phenomenon for decades. Chapters in this edited volume take a fresh view of various hidden gems by maestros such as Raj Kapoor, Bimal Roy, V. Shantaram, Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Shakti Samant, Rishikesh Mukherjee, and others. Other chapters provide a pioneering review and analysis of the portrayal of Indian religious communities such as Hindus, Muslims, Christians, and Parsis. The themes covered include unique Indian feminism and male chauvinism, environment and climate issues, international locations and diaspora tourism, religious harmony and conflict, the India-Pakistan relationship, asceticism, and renunciation in Hinduism, Jainism, and Buddhism. Unlike many recent studies of Indian films, these chapters do not distinguish between popular and serious cinema. Many chapters focus on Hindi films, but others bring insights from films made in other parts of India and its neighbouring countries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Visual Anthropology of Indian Films: Religious Communities and Cultural Traditions in Bollywood and Beyond (Routledge, 2024) provides a unique insider's look at the world's largest film industry, now globally known as ‘Bollywood' and challenges existing notions about Indian films. Indian films have been a worldwide phenomenon for decades. Chapters in this edited volume take a fresh view of various hidden gems by maestros such as Raj Kapoor, Bimal Roy, V. Shantaram, Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Shakti Samant, Rishikesh Mukherjee, and others. Other chapters provide a pioneering review and analysis of the portrayal of Indian religious communities such as Hindus, Muslims, Christians, and Parsis. The themes covered include unique Indian feminism and male chauvinism, environment and climate issues, international locations and diaspora tourism, religious harmony and conflict, the India-Pakistan relationship, asceticism, and renunciation in Hinduism, Jainism, and Buddhism. Unlike many recent studies of Indian films, these chapters do not distinguish between popular and serious cinema. Many chapters focus on Hindi films, but others bring insights from films made in other parts of India and its neighbouring countries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Visual Anthropology of Indian Films: Religious Communities and Cultural Traditions in Bollywood and Beyond (Routledge, 2024) provides a unique insider's look at the world's largest film industry, now globally known as ‘Bollywood' and challenges existing notions about Indian films. Indian films have been a worldwide phenomenon for decades. Chapters in this edited volume take a fresh view of various hidden gems by maestros such as Raj Kapoor, Bimal Roy, V. Shantaram, Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Shakti Samant, Rishikesh Mukherjee, and others. Other chapters provide a pioneering review and analysis of the portrayal of Indian religious communities such as Hindus, Muslims, Christians, and Parsis. The themes covered include unique Indian feminism and male chauvinism, environment and climate issues, international locations and diaspora tourism, religious harmony and conflict, the India-Pakistan relationship, asceticism, and renunciation in Hinduism, Jainism, and Buddhism. Unlike many recent studies of Indian films, these chapters do not distinguish between popular and serious cinema. Many chapters focus on Hindi films, but others bring insights from films made in other parts of India and its neighbouring countries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Mita was feeling holier than thou when she had to pick a movie that starts with "D". So, she went with Satyajit Ray's "Devi" for the next movie review. Nadeem has a new "Rocky Aur Rani". 

Welcome back to A Century Of Stories: India presented by IDFC FIRST Bank! In this video, Kunal explores the groundbreaking influence of Pather Panchali, the debut film by legendary Indian director Satyajit Ray. Released in 1955, this cinematic masterpiece not only introduced the world to Ray's poignant storytelling and neorealist style but also reshaped global perceptions of Indian cinema. We'll delve into how its lyrical portrayal of rural life, emotional depth, and focus on humanism broke away from Bollywood conventions, inspiring filmmakers worldwide. Discover why Pather Panchali is still hailed as a monumental work that paved the way for India's presence on the global film stage. Subscribe for more such captivating stories! New episodes out every Monday! #PatherPanchali #Satyajit Ray #Cinema #ACenturyOfStories Open IDFC FIRST Bank savings account :  https://www.idfcfirstbank.com/personal-banking/accounts/savings-account?utm_source=ig&utm_medium=content&utm_campaign=June&utm_content=COS Know more about Zero Fee Banking : https://www.idfcfirstbank.com/getmorefromyourbank?utm_source=youtube&utm_medium=centuryofstories&utm_campaign=cosepi1&utm_term=Aug23 Follow ‘A Century of Stories' official Instagram handle at @acenturyofstories Subscribe to A Century of Stories YT channel Listen to A Century of Stories across Audio Platforms Apple Podcasts | Spotify | Google Podcasts | Gaana | Amazon Music | Jio Saavn Follow our host Kunal on Instagram at @kunalvijayakar And don't forget to rate us!See omnystudio.com/listener for privacy information.

The three get together to talk about how things have been and some news stuff, sexy jaishankar and the other ministers, Aditya's cousins book collection and Raj's cinema watching comes into discussion which also gets them into talking a comparative discussion of the slow death of Hindi cinema via Stree 2, Singham via Mithun da in 90's along with a monkey among other random things.

Welcome to the 8th episode of our Trilogies series. We hope you enjoyed our last episode where we looked at The Apu Trilogy directed by Satyajit Ray. This episode we are looking at comic book movie cinema. The main subject of this trilogy just had their 85th birthday. Batman himself created by Bob Kane and Bill Finger. This episode we discuss and review The Dark Knight Trilogy: Batman Begins (2005), The Dark Knight (2008) and The Dark Knight Rises (2012). Each starring Christian Bale as Bruce Wayne/Batman and directed by Christopher Nolan. After Batman & Robin bombed critically and earned a modest intake at the box office, the Batman franchise lay dormant for a while. Films like a fifth Batman film set to have George Clooney return as Batman was cancelled, along with a Batman: Year One adaptation. Christopher Nolan fresh off the indie success of Following, Memento and also Insomnia, his first big studio film, was tasked to bring the character back to life. His take on the Batman mythos was a lot more grounded in realism and more character based and less of the Toyetic films Joel Schumacher were directing last time. Nolan's three Batman films are some of the best and influential superhero films of all time and he really shows you how its done. He tells a great and moving cinematic tale over three films and finishes the trilogy (mostly) in a satisfying way. You can find The Dark Knight trilogy to stream on Max and you can also find it on DVD/Blu-Ray.We hope you continue to enjoy this new Trilogies Series we're doing and we also hope you enjoy this episode.Stay Tuned for more!During the podcast we talk about this man: comic creator and writer Bill Finger. Bill Finger for a long time was not credited for co-creating Batman while Bob Kane received sole credit. He was a key figure in creating that character and actually had a lot of substantial input into bringing Batman to life. You can learn more about his story in the documentary Batman & Bill. You can see the trailer here. Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US & the UK on Amazon and Apple TV. You can read a review about the film on Collider. Follow us on our Instagram page. We're vacating our Twitter page due and the site in general.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome to the 7th episode of our Trilogies series. We hope you enjoyed our last episode where we looked at the Back To The Future Trilogy. We are changing things up on these Trilogy episodes just slightly and we are going to be talking about our first non-American/Hollywood trilogy. This episode we will be taking you to the Bengal region of India to discuss and review the classic and influential trilogy: The Apu Trilogy directed by Satyajit Ray. One of the most influential filmmakers of all time. The films include Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu) and they are based on two books written by Bibhutibhusan Banerjee. The films were shot over the course of five years with the same crew members. Pather Panchali was Ray's directorial debut. On this episode, we do go into detail on these classic pieces of cinema from India, films very much inspired by Italian Neo-Realism and majority of the films have non-classically trained actors. We recommend you watch the films first before listening to this episode, if you haven't watched them already. We do go into spoilers. They are available on Blu-Ray and also on The Criterion Channel. We hope you continue to enjoy this new Trilogies Series we're doing and we also hope you enjoy this episode.Stay Tuned for more!We will be returning back to our usual programming after taking it a bit easy this summer. So stay tuned for more episodes, like Liam & Noel Gallagher: we're back!Follow us on our Instagram page. We're vacating our Twitter page due and the site in general.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

durée : 00:49:59 - Les Nuits de France Culture - Le cinéma des cinéastes - La trilogie d'Apu, de Satyajit Ray (1ère diffusion : 17/07/1983) - invités : Satyajit Ray Réalisateur, écrivain et compositeur indien bengali; Pierre Donnadieu

A photographer's success hinges on access. This is an underlying thread in the tapestry woven in this week's show. Our discussion covers multiple facets and cultural attributes of Indian society, as seen through the eyes of a photographer with a knack for being in the right place at the right time. In this month's episode of the series, Picturing World Cultures, we speak with Indian photographer Pablo Bartholomew about his long career as a documentarian and photojournalist. From his early intimate views of 60s-era hippies launching a counterculture invasion from the West to his photojournalistic coverage of historic events, Bartholomew shares insights about dynamics at work behind the scenes. We also discuss changes to the marketplace for pictures over time, and whether an iconic picture is still able to affect a change in the world. As an antidote to a life chasing the news, Bartholomew embarked on a ten-year documentation of India's remote Naga tribes. In the show's second half, he walks us through his background research and the permissions process involved in photographing tribespeople and their customs with professional lighting gear.  There's also a personal motivation behind Bartholomew's Naga Project. As a child, he had heard many stories about goodwill the Naga showed his father's family during their flight from Burma to India during World War II.  “Principally, what I couldn't wrap my head around was that headhunters, they're supposed to be these ferocious people. Why would they let fair game pass through their backyard, to the degree where they would provide food and shelter?” he says. “So, there was in this savage something very kind. And I wanted to find out what the contradiction was.” Tune in today for more on the Naga tribes and other stories from India! If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here.    Guest: Pablo Bartholomew Episode Timeline: 2:16: Pablo describes how the caste system functions as a defining aspect of Indian culture. 7:18: The influx of the Western hippy counterculture in India as recorded in Pablo's earliest pictures. 12:27: Capturing life on the streets of Delhi, Bombay, and Calcutta, a photo essay on Calcutta's Chinatown, and Pablo's work with the renowned Indian film director Satyajit Ray. 17:05: The rise of Pablo's photojournalism career, the dynamics of a photographer's access, and his iconic images of the tragic gas leak at Bhopal. 29:09: Pablo discusses how the work of a photojournalist has changed in the past 40 years. 32:53: Go-to camera gear, the various cameras Pablo's used over the years, and his transition from analog to digital. 36:37: Tips for mitigating the heat and humidity of India, plus equipment for image storage and film scanning. 40:10: Episode Break 41:23: Pablo's long-term project documenting the Naga tribes in Northeast India, his preliminary ethnographic research on the tribes, and gaining permission to photograph with full lighting gear.  51:43: Animist practices within the Naga tribes, and distinctions between tribes within the Naga identity. 1:00:05: Naga rituals it may be too late to photograph, and a memorable festival held by the Konyak tribe. 1:04:09: Pablo's cross-cultural project documenting economic emigres from India who have resettled in the US, France, England, Madagascar, and Portugal. 1:14:38: Pablo Bartholomew answers our PWC Visual Questionnaire.   Guest Bio: Pablo Bartholomew, a self-taught photographer born in New Delhi in 1955. His father Richard was a noted art critic as well as a photographer, allowing Pablo to learn photography at home at a very young age. In his subsequent career of nearly fifty years, Pablo has documented societies in conflict and transition, while also recording intimate details of his own generation maturing amid a changing India. From 1983 to 2004, his photojournalistic work was featured in every major international publication, from National Geographic to Paris Match and beyond. Pablo's photographs have been recognized by World Press Photo on three different occasions, including a 1985 ‘Picture of the Year' award for his riveting image from the Bhopal gas tragedy. In 2013, he was awarded the Padma Shri by the Government of India for his contributions to photography, and in 2014, he was honored with the status of Chevalier de L'Ordre des Arts et des Lettres by the French government. For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-pablo-bartholemew-india Stay Connected: Pablo Bartholomew Instagram: https://www.instagram.com/pablobartholomew/ Pablo Bartholomew Facebook page: https://www.facebook.com/parabart Pablo Bartholomew Bhopal photo from World Press Photo 1985: https://www.worldpressphoto.org/collection/photocontest/1985 Pablo Bartholomew Wikipedia page: https://en.wikipedia.org/wiki/Pablo_Bartholomew Pablo Bartholomew Nagaland Project: https://ninefish.in/viewing-room/the-nagas/ TEDxIIMRanchi: Pablo Bartholomew - A Life in Photography https://www.youtube.com/watch?v=zBldVr4YIBE Kishor Parekh: https://en.wikipedia.org/wiki/Kishor_Parekh  

Can a corvid detective solve a murder? Why does the weather department need a singer? And how does a cloud herder take care of his flock? Find out the truth behind all these stories in Gigi Ganguly's new book “Biopeculiar”. This is the first-ever book of Westland's new speculative imprint ‘IF'. In this episode, Gigi and Michelle discuss their love for weird stories, the animals that inspired Gigi to write, and why a spec fic imprint is important for Indian literature.Tune in to hear what books inspired their writing, how Gigi came up with the characters in her story and why Satyajit Ray is a gem of the Indian spec fic genre.Movies Mentioned in this episode:Goopy Gyne Bagha Byne by Satyajit Ray, based on the story by Upendrakishore Ray ChowdhuryInterstellarAranyer Din Ratri by Satyajit RayBooks Mentioned in this episode:The Monk and Robot Series by Becky ChambersGullivers TravelsYour Utopia by Bora ChungThe Mill House Murders by Ho-Ling Wong Under the Skin by Michael FaberCoraline by Neil GaimanStory of Your Life Ted ChiangSeveneves by Neal StephensonStation Eleven by Emily St. John MandelThe Matchbox by Ashapurna DeviHitchhiker's Guide to the GalaxyThe Mountain in the Sea by Ray Nayler‘Books and Beyond with Bound' is the podcast where Tara Khandelwal and Michelle D'costa uncover how their books reflect the realities of our lives and society today. Find out what drives India's finest authors: from personal experiences to jugaad research methods, insecurities to publishing journeys. Created by Bound, a storytelling company that helps you grow through stories. Follow us @boundindia on all social media platforms.

Jackie and Greg discuss Satyajit Ray's PATHER PANCHALI from 1955. Topics of discussion include Ray's mastery of the medium, Ravi Shankar's glistening score, whether the film romanticizes poverty or not, and why it's one of the best films ever made.#41 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#35 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSend us a Text Message.Support the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

She gave up a corporate career to live a slow life: to travel, to immerse, to write, to learn to see. Arati Kumar-Rao joins Amit Varma in episode 383 of The Seen and the Unseen to talk about her writing, her photography and the lessons she has learnt by standing still and looking. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Arati Kumar-Rao on Instagram, Twitter, LinkedIn and her own website. 2. Marginlands: Indian Landscapes on the Brink -- Arati Kumar-Rao. 3. The Peepli Project. 4. The Prem Panicker Files — Episode 217 of The Seen and the Unseen. 5. Killers of the Flower Moon -- David Grann. 6. Sowmya Dhanaraj Is Making a Difference — Episode 380 of The Seen and the Unseen. 7. Rahul Matthan Seeks the Protocol — Episode 360 of The Seen and the Unseen. 8. Masanobu Fukuoka and Wendell Berry. 9. India's Water Crisis — Episode 60 of The Seen and the Unseen (w Vishwanath S aka Zenrainman). 10. The American Geographies -- Barry Lopez. 11. The Invisible Gorilla. 12. Letters to a Young Poet -- Rainer Maria Rilke. 13. Slow Violence and the Environmentalism of the Poor -- Rob Nixon. 14. The Fatal Conceit -- Friedrich Hayek. 15. The Gokhale Bridge fiasco. 16. Pritika Hingorani Wants to Fix Our Cities — Episode 361 of The Seen and the Unseen. 17. Toba Tek Singh -- Sadat Hasan Manto. 18. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 19. Episodes of The Seen and the Unseen with Ramachandra Guha: 1, 2, 3, 4, 5, 6. 20. Modern South India: A History from the 17th Century to our Times -- Rajmohan Gandhi. 21. Blindness --  José Saramago. 22. The Wreck -- Rabindranath Tagore. 23. Rabindranath Tagore, Satyajit Ray and Gulzar. 24. Rachel Carson, Barry Lopez, Nan Shepherd and Robert Macfarlane on Amazon. 25. The Living Mountain -- Nan Shepherd. 26. The Peregrine -- JA Baker. 27. Paul Salopek on Twitter and the Out of Eden Walk. 28. Pradip Krishen on Wikipedia, Amazon and IMDb. 29. Pather Panchali -- Satyajit Ray, 30. The Grapes of Wrath -- John Steinbeck. 31. Working Days: The Journals of The Grapes of Wrath -- John Steinbeck. 32. Call Me American -- Abdi Nor Iftin. 33. Hisham Matar and Kamila Shamsie on Amazon. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit's newsletter is explosively active again. Subscribe right away to The India Uncut Newsletter! It's free! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. Episode art: ‘River' by Simahina.

Welcome to Cyrus Says!In this episode of 'Cyrus Says', Cyrus is joined by the legendary author Ruskin Bond, discussing his journey in literature, his recent book 'How to be Happy', and his insights into the changing landscape of reading and writing. Bond reflects on his career, the inspiration behind his shift to writing 'how-to' books, and shares personal anecdotes, touching upon his lifestyle, his views on happiness, and the evolving nature of storytelling and publishing. The conversation also explores Bond's cameo in a film adaptation of one of his stories, his interaction with Satyajit Ray, and his thoughts on spontaneity in writing. The episode celebrates Bond's incredible legacy as an author while delving into his literary philosophy and what keeps him writing at the age of 90. Follow Ruskin bond on Instagram @ruskinbondofficial [https://www.instagram.com/ruskinbondofficial] Subscribe to the Cyrus Says YouTube Channel for video episodes!Listen to Cyrus Says across Audio PlatformsIVM Podcasts | Apple Podcasts | Spotify | Google Podcasts | Gaana | Amazon Music | Jio SaavnEmail your AMA questions to us at whatcyrussays@gmail.comDon't forget to follow Cyrus Says' official Instagram handle at @whatcyrussaysConnect with Cyrus on socials:Instagram | TwitterAnd don't forget to rate us!-x-x-xDisclaimer: The views, opinions, and statements expressed in the episodes of the shows hosted on the IVM Podcasts network are solely those of the individual participants, hosts, and guests, and do not necessarily reflect the official policy or position of IVM Podcasts or its management. IVM Podcasts does not endorse or assume responsibility for any content, claims, or representations made by the participants during the shows. This includes, but is not limited to, the accuracy, completeness, or reliability of any information provided. Any reliance you place on such information is strictly at your own risk. IVM Podcasts is not liable for any direct, indirect, consequential, or incidental damages arising out of or in connection with the use or dissemination of the content featured in the shows. Listener discretion is advised.See omnystudio.com/listener for privacy information.

Today's episode is on a great intro to a filmmaker who was a major blindspot for us. We get into the decaying castle of Satyajit Ray's The Music Room, stylistic comparisons to the west, and the “music is my life”mindset. Then, on MiTM, we get into Poolman, Oreo, and Unfrosted. Finally, an email segment where we are taken to task for our Anglophobia. 00:00 - The Music Room 41:05 - Malcolm in the Middle 1:04:20 - email sign up for the patreon and get an extra episode every week -- https://www.patreon.com/Extended_Clip tickets to the live show in Brooklyn on 6/21 --https://www.eventbrite.com/e/extended-clip-presents-a-bucket-of-blood-live-podcast-tickets-890438745257

Ep. 238: Time director Garrett Bradley on instincts, Devotion, America, and Satyajit Ray's Devi Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Garrett Bradley is the director of Time, the Oscar-nominated 2020 documentary about Sibil Fox Richardson and her efforts to get her husband released from prison. Bradley has directed several incredible short films, including Alone (2017, about a friend planning to marry her imprisoned boyfriend) and America (2019, an amazing visual historical pageant that includes shots from the 1914 film Lime Kiln Club Field Day starring Bert Williams). Bradley has described her work as being about Black life, and also as a series of love stories, and she's just published a new book of dialogues, essays, and images, called Devotion. The book will be celebrated with a program at Metrograph screening some of her shorts, Time, and a film of her choosing: Satyajit Ray's 1960 film Devi, about a young woman believed to be a goddess. We spoke about the instincts that guide her filmmaking, the importance of editing and immediacy in her practice, her thoughts on her film America, and what she's working on now (which may include an adaptation of Octavia Butler's The Parable of the Sower...). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Discover some of the finest works of Indian detective fiction, all in one place!In this episode, Michelle and Aishwarya speak with Tarun Saint, curator of 'The Hachette Book of Indian Detective Fiction', Volumes 1 and 2! The first of its kind, the anthology compiles everything from intriguing whodunits, supernatural mysteries, and serial murders, spread across two volumes.Join us as Tarun talks about going from reading Sherlock Holmes and Agatha Christie, to curating some of India's best detective fiction from authors like Satyajit Ray to Vikram Chandra in this long-awaited anthology. He also discusses his previous work in speculative fiction, the increasing number of women writers in detective fiction, and what the detective fiction scene in India could look like going forward! Tune in! Books and authors mentioned in this episode:The Sherlock Holmes series - Arthur Conan DoyleThe Famous Five series - Enid BlytonThe Nancy Drew series - Carolyn KeeneThe Hardy Boys series - Franklin W.  DixonThe Lottery - Shirley JacksonLamb to the Slaughter - Roald DahlThe Murder of Roger Ackroyd - Agatha Christie‘Books and Beyond with Bound' is the podcast where Tara Khandelwal and Michelle D'costa uncover how their books reflect the realities of our lives and society today. Find out what drives India's finest authors: from personal experiences to jugaad research methods, insecurities to publishing journeys. Created by Bound, a storytelling company that helps you grow through stories. Follow us @boundindia on all social media platforms.

On this episode of What a Picture, Bryan and Hannah dance in a monsoon before discussing Pather Panchali, the 1955 movie directed by Satyajit Ray that ranks #35 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Our guest on today's episode is Ankita Rathour, a scholar of postcolonial film. Ankita's website: https://sites.gatech.edu/ankitarathour/ What a Picture website: https://www.whatapicturepod.com/ Bryan's Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/bryanwhatapic.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/bryan_whatapic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/bryan_whatapic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

On the winter premiere of OSL, we're looking over the weekend box office numbers to see how the January drought is doing this year, reviewing Statham in The Beekeeper, along with the new sci-fi paranoid thriller, I.S.S., chatting about the first two episodes of the all-new True Detective: Night Country, and whole-heartedly recommending picking up the 4K blu-ray set of the Criterion Collection's release of Satyajit Ray's Apu Trilogy! Be sure to stay up to date on new tour dates being announced. Head to our tour page now and catch up on info about our next worldwide digital experience on THE FLASH, along with upcoming dates in ATL, HOU & ATX! Want more WHM? Join our Patreon fam today and instantly unlock hours and hours of exclusive bonus content, including Ad-Free WHM Prime at the $8 level and up! Make the WHM Merch Store your one-stop shop for all your We Hate Movies needs! Including new Polish Decoy, ‘Jack Kirby', and Forrest the Universal Soldier designs!

Satyajit ray's Phatik Chaand on Rahasya Romancha

Satyajit ray's Phatik Chaand on Rahasya Romancha Support the show

Satyajit ray's Phatik Chaand on Rahasya Romancha Support the show

Satyajit ray's Phatik Chaand on Rahasya Romancha Support the show

Satyajit ray's Phatik Chaand on Rahasya Romancha

The first Blu-ray show of 2024 with Peter Sobczynski and Erik Childress has got a little of everything. From Bob Hope to Brigitte Bardot and Chuck Norris to Charles Bronson. The directorial debuts of Andrew Davis and the Coen Bros. gets an upgrade as do the trilogies of Satyajit Ray and Park Chan-Wook (at least the second part of his.) Plus does Eddie Murphy's stand-up hold up and how much is there to remember about Varsity Blues? 0:00 - Intro 2:34 - Criterion (Blood Simple 4K, Apu Trilogy 4K) 12:19 - Decal (Oldboy 4K) 16:49 - Paramount (Varsity Blues 4K, Raw) 36:32 - MGM (Romantic Comedy) 44:27 - Freestyle (Stony Island) 52:47 - Shout Factory (Forced Vengeance, St. Ives, Telefon) 1:09:28 - Kino (Road to Hong Kong, Split Image, Please Not Now) 1:25:08 - RLJE (Suitable Flesh) 1:26:40 - Universal (The Holdovers) 1:29:04 – New Blu-ray Announcements 1:31:59 - Outro

Welcome back to the GGtMC!!! This week Will and Sammy discuss The Big City (1963) directed by Satyajit Ray!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/ggtmc/message

Satyajit Ray's SUjon Horbola on Rahasya Romancha Support the show

The nerds continue with the Apu Trilogy by reviewing Satyajit Ray's Aparajito. Thank You ALL for Helping Support Us! Visit Our Website

durée : 00:58:57 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny - L'œuvre de Satyajit Ray, figure éminente du cinéma mondial, explore la réalité sociale indienne. Comment les films du réalisateur mêlent-ils esthétisme et préoccupations sociales ? - invités : Charlotte Thomas Politiste, spécialiste de la minorité musulmane en Inde et chercheuse au sein du réseau Noria, directrice du pôle Asie du Sud-Est; Eva Markovits Programmatrice et membre du comité de rédaction des Cahiers du Cinéma, spécialiste du cinéma de Satyajit Ray

Mike and Nick complete The Apu Trilogy with Apur Sansar from 1959. The two hosts have become enamoured with Satyajit Ray's breathtaking human drama and await to find out the conclusion of our beloved Apu. How does the evolution of characters progress and how do the changes in settings affect their journeys? How does Ray deploy his expressionism and symbology to produce palpable scenes?

Sutapa Biswas talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Biswas was born in Santinekethan, India, in 1962, and her work in painting, drawing, photography and video explores race and gender within the context of colonialism and its legacies. Made over five decades since the early 1980s, her art is both rigorously consistent in its themes and thrillingly diverse in mood and mode—by turns poetic, activist and even satirical. She discusses her studies in art and art history with Griselda Pollock, among others, at the University of Leeds in the 1980s, where she challenged the Eurocentric framing of the course, and made crucial early pieces including the painting Housewives with Steak-knives (1983-85). She reflects on her family history, and the traumatic journey to the UK from India, and how this haunts her work today. She discusses the influence of artists including Leonor Fini, Johannes Vermeer and Mary Kelly, film-makers like Satyajit Ray and Jean Cocteau, and writers including Marcel Proust. And she answers our usual questions, including the ultimate: what is art for?Women in Revolt! Art and Activism in the UK 1970-1990, Tate Britain, London, until 7 April 2024; The Time of Our Lives, Drawing Room, London, 25 January-21 April 2024; Photographing 80s Britain: A Critical Decade, Tate Britain, London, 21 November 2024-5 May 2025. Hosted on Acast. See acast.com/privacy for more information.

In the spirit of Diwali we play songs influenced by the ‘Festival Of Light'. Lots of sitar, Bollywood, Disco and other songs that are into the everyday pop culture canon. Featuring Ravi Shankar, Cornershop, Alice Coltrane, Mandhira Punnagai, Rupa, Vijaya Anand, Swati Natekar, Satyajit Ray, Talvin Singh and loads more. Tune into new broadcasts of Worldy with Matt and Dom, LIVE, Monday from 10 AM - 12 Noon EST / 3- 5 PM GMT.For more info visit: https://thefaceradio.com/worldy///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Satyajit Ray's Professor Shonku in Don Christobaldi-r Bhobishyotbani on Rahasya Romancha Hosted on Acast. See acast.com/privacy for more information. Support the show

When you love cinema, it's fascinating how some of your favorite moviemakers are beloved by a small passionate group of "in the know" fans and other of your favorite moviemakers appeal to the entire world including your grandparents who know nothing about the film world. What defines the "art house" versus the "blockbuster" sensibility? If you're a moviemaker, where does your sensibility ultimately land? Does it help to be know? Is it even productive to think in these terms? Secret Movie Club founder.programmer Craig Hammill takes a look at a number of filmmaker sensibilities including those of Peter Greenaway, James Cameron, Satyajit Ray, Kelly Reichhardt, and Francis Ford Coppola. All have achieved success and longevity to wildly different audiences. 

Mike and Nick check in on Apu in the second entry of Satyajit Ray's The Apu Trilogy, Aparajito (1956). We move from the naturalistic world of a Bengal village to the city. Apu's wonder and curiosity grows and leads him down new paths and toward new adventures. How does the second entry of The Apu Trilogy compare to the second? How does Ray present the new world to a growing boy?

In the eighteenth episode of Season 9 (Keep It Musical!) Kyle is joined by screenwriter August Gummere and filmmaker Jordan Berry to discuss Satyajit Ray's Shakespearean level tragedy of pride and vanity set in transitory feudal India where music, culture, and identity fuse together for a commentary on economic transition, music democratization, and the inevitable tides of social change in the exquisite masterwork The Music Room (1958).