Podcasts about Literary Hub

Guest BioDimitry Elias Léger is an award-nominated novelist whose work blends global storytelling with deeply human themes of identity, resilience, and belonging. A finalist for the PEN Open Book Award, his writing has appeared in leading publications including The New York Times, Time, Fortune, Granta, The Miami Herald, Literary Hub, and The Millions.Before focusing on fiction, Léger built a career in international affairs, studying geopolitics at Harvard's Kennedy School of Government and spending a decade advising the United Nations. His work took him across regions facing political instability, humanitarian crises, and cultural transformation—experiences that now inform the emotional depth and global perspective of his novels.Drawing inspiration from his Haitian roots and a life lived across continents, Léger splits his time between Brooklyn, Geneva, and Martinique. His books, including God Loves Haiti and Death of the Soccer God, explore the intersection of personal stories and historical forces, often set against vivid international backdrops.Show SummaryIn this episode of the Big World Made Small Adventure Travel Podcast, host Jason Elkins speaks with Dimitry about his journey from global humanitarian work to becoming an internationally recognized novelist. Dimitry shares how his early experiences—growing up between cultures and later working with the United Nations—shaped his worldview and ultimately influenced the stories he felt compelled to tell.The conversation dives into the origins of his first novel, inspired by his time in Haiti following the devastating 2010 earthquake. Rather than focusing solely on tragedy, Dimitry chose to explore the unexpected presence of love, humor, and human connection in the aftermath of disaster. That same lens carries into his latest work, Death of the Soccer God, a story rooted in migration, identity, and the global journey of a Haitian athlete navigating life between countries and cultures.Along the way, Dimitry reflects on the creative process, the realities of life as a writer, and the personal sacrifices that often come with pursuing meaningful work. The episode also explores how travel, displacement, and distance from home can sharpen one's sense of identity—and why some of the most powerful stories emerge when we are far outside our comfort zones. Big World Made Small guest features are invitation-only and selected based on story, experience, and fit with the show. Some guests support the show through paid production features, cross-promotion, referrals, or other partnerships. This helps keep the show free of third-party ads and interruptions while keeping the focus on real, story-driven conversations.Learn more about the Big World Made Small Podcast and join our private community to get episode updates, special access to our guests, and exclusive adventure travel offers on our website.

This episode of Moonbeaming is proudly sponsored by Clear Channels, the Moon Studio's upcoming newsletter and channeling course. Use code POD10 for 10% off through May 10th at midnight. What happens to your creativity when life gets full? In this deeply honest and expansive conversation, Sarah is joined by writer, artist, and creativity coach Catherine LaSota to explore what it actually means to live a creative life… especially when time, energy, and capacity are limited. Together, they dive into creativity as a practice of trust, presence, and self-definition, and unpack the tension between who we think we “should” be as artists and who we actually are in our real lives. On this episode of Moon Beaming, you'll hear: Why creativity is not just output How to stay connected to your creative identity during intense life seasons The role of time, capacity, and emotional energy in creative practice Why “not creating” is sometimes part of the creative cycle How caregiving, parenting, and real life can expand your creativity The connection between creativity, trust, and surrender Why defining yourself as an artist is an internal practice This episode is an invitation to redefine what it means to be creative, to honor the season you're in, and to trust that your creativity is still alive… even when it looks different than you expected. ----- Meet Catharine:  Catherine LaSota is a creative advisor & inspirer who is here to help you build and sustain a creative practice that works for you, taking into account your resources, capacity, deep desires, and unique vision. She parents two young children in Queens, NYC, and in addition to her MFAs in Sculpture and Creative Nonfiction, she has professional training and experience as a coach, singer, French horn player, and advanced SCUBA diver. A former bartender and retail manager, Catherine is also the founder of the LIC Reading Series, the former Executive Director of the Center for the Study of Social Difference at Columbia, and the current Associate Director of Social Practice CUNY. Her writing can be found in Literary Hub, Vice, The Rumpus, Electric Literature, Catapult, and elsewhere. She offers 1-on-1 coaching for writers and anyone ready to prioritize their creativity; online workshops; in-person writing parties; and occasional retreats. Catherine loves being in conversation and listening deeply, and you can hear more from her on Feed the Art, her podcast about nourishing your creative practice. website: catherinelasota.com Instagram: @catherinelasota Feed the Art podcast on Apple free resource: Creative Containers interview series ---  Join The Moonbeaming Community: Join the Moon Studio Patreon: https://www.patreon.com/themoonstudio Buy the 2026 Many Moons Lunar Planner: https://moon-studio.co/products/many-moons-2026?srsltid=AfmBOopThx1yrmKl0tMjecc_EFeeN5DAiIafqPqvQ4Uke1WEi5droeam Subscribe to our newsletter: https://moon-studio.co/pages/newsletter Find Sarah on Instagram: https://www.instagram.com/gottesss/

In the 200th episode of Gays Reading, host Jason Blitman talks to Booker Prize-winning novelist, Douglas Stuart (Shuggie Bain, Young Mungo) about his latest book, John of John. Conversation highlights include:

Bestselling, Booker Prize-winning author, Anne Enright, spoke to me about eagles and moles, the interior engineering of a novel, her love of Irish poetry, and her latest THE WREN, THE WREN. Anne Enright won the Man Booker Prize and the Irish Fiction Award for her novel The Gathering. She has also been awarded the Andrew Carnegie Medal for Excellence, a Lifetime Achievement Award from the Irish Book Awards, and was the first Laureate for Irish Fiction (2015-2018). Her latest novel The Wren, the Wren, was named a Most Anticipated Book of the Year by TIME, The Millions, Literary Hub, and others, and is described as the story of “... three generations of … women who must contend with inheritances―of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home.” The New York Times called it, "... a powerful, thoughtful book by one of the great living writers on the subject of family," and Pulitzer Prize-winning author Jennifer Egan said of the book, “The Wren, the Wren is an electrifying romp through language itself―its dizzying possibilities and satisfactions―led by one the most gifted writers working in English today." Anne Enright has also published two books of short stories, her essays on literary themes have appeared in the London Review of Books and The New York Review of Books, and she writes for the books pages of The Irish Times and The Guardian. [Discover ⁠The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at ⁠writerfiles.fm⁠] [If you're a fan of The Writer Files, please ⁠click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Anne Enright and I discussed:  The moment of burnout that changed her career How she used to be a night owl scribe Why you shouldn't over-panic, or over-plan The fallacies of impostor syndrome and inspiration How to create a fictional poet out of thin air Taking a long look at James Joyce across the table And a lot more! Show Notes: ⁠Anne Enright - Wikipedia⁠ ⁠The Wren, the Wren: A Novel⁠ by Anne Enright (Amazon) ⁠Anne Enright Amazon Author Page⁠ ⁠Book Review: ‘The Wren, the Wren,' by Anne Enright⁠ - The New York Times Milena Gonzalez | Writer | Reader | Book Reviewer ⁠diary_of_a_book_babe on Instagram⁠ ⁠Kelton Reid Instagram⁠ ⁠Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Cuban American writer Tita Ramírez offers a landscape that intertwines the mother–daughter relationship, family secrets, love, and the stereotypes that shape our identities—all in dialogue with the telenovela Abismos de pasión. Tell It to Me Singing (Scribner, 2024) is the novel in which she tells the story of Mónica and her mother. The book began as a short story and grew into a novel that showcases the narrative talent of this writer based in the U.S. South. Her work has appeared in publications such as Literary Hub, The Normal School, and Black Warrior Review. We spoke with her in both English and Spanish as we prepared for our visit to North Carolina for a great panel at the Sheppard Library. 

Notes and Links to Daniel Tam-Claiborne's Work     Daniel Tam-Claiborne is a multiracial essayist and author of the short story collection What Never Leaves. His writing has appeared in Literary Hub, the Rumpus, SupChina, the Huffington Post, the Shanghai Literary Review, and elsewhere. He has received fellowships and awards from the U.S. Fulbright Program, the New York State Summer Writers Institute, Kundiman, the Jack Straw Writers Program, and the Yiddish Book Center. Tam-Claiborne serves as program director of partnerships and events at Hugo House in Seattle. He holds degrees from Oberlin College, Yale University, and the Program for Writers at Warren Wilson College, and is the author of Transplants, a finalist for the PEN/Bellwether Prize for Socially Engaged Fiction and longlisted for the 2026 VCU Cabell First Novelist Award. Buy Transplants   Daniel Tam Claiborne's Website   Review and Informative Article for Transplants in the Seattle Times     At about 2:30, Daniel provides background on his reading and language life, including formative works and formative teachers  At about 6:40, Daniel talks about inspiring contemporary writers At about 10:50, Daniel responds to Pete asking about seeds for Transplants; Daniel expands on how he “processes the world through [his] work” and explores ideas of identity and perception At about 16:35, Pete cites the book's epigraphs and ideas of transference and ideas of changing places At about 17:20, the book's exposition is discussed, and Daniel reflects on ideas of the collective vs. individual, especially with regard to Lin At about 20:30, Daniel talks about Liz's frustrations in connecting with others and mindset in moving to her ancestral home of China for teaching At about 24:50, Daniel talks about Lin and how she deals with her burgeoning relationship with Travis and later ideas of shame and agency At about 28:00, Liz and her “existential crisis” are discussed and her altruistic and otherwise actions are examined by Daniel  At about 31:20, The two discuss the real-life parallels involving a scene in the book that shows the back-and-forth between North Korea and China At about 37:00, Pete talks about cultural misunderstandings in the book, and Daniel talks about the dissonance in the Chinese diaspora regarding new waves of Chinese immigrants and assimilation-he emphasizes Liz's brother, Phil, and his views At about 39:45, The two reflect on Liz's budding relationship and growing pains in the beginning days of Covid in Shanghai At about 41:20, Daniel replies to Pete asking about what Lin finds in Gua, her partner in the westward road trip At about 45:10, The two reflect on ideas of “foreigners” and a caring nurse and her significance in the book At about 49:00, Pete talks about feminism and Lin being “in control of her narrative” and ideas of moral clarity At about 49:50, Daniel expands on Stephen, Liz's boyfriend, and earlier iterations  At about 51:40, Daniel responds to Pete wondering about the real-life background for the housing complex and organization for which Lin delivered groceries to elderly and isolated people, many of them former internees from the Japanese/Japanese-American internment camps At about 55:20, The two muse about Liz and her motivations-subconscious or not-in traveling to China At about 56:40, Daniel talks about the book's ending and portions of the book as “surprising” to him At about 59:00, Pete and Daniel reflect on Daniel's writing the book only a few years after the beginning of the Covid pandemic and the balance between urgency and perspective        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 338 with Adam H. Johnson, a media analyst and co-host of the Citations Needed podcast. His book is an incredibly important accounting of the malfeasance, whitewashing, and misdirection of so much of the media that has enabled the tragedies of Gaza.    The episode airs on April 21, Pub Day for How to Sell a Genocide: The Media's Complicity in the Destruction of Gaza.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Rachel Khong's Work     Rachel Khong is a writer living in Los Angeles. Her debut novel, Goodbye, Vitamin, won the 2017 California Book Award for First Fiction, and was a Los Angeles Times Book Prize Finalist for First Fiction. From 2011 to 2016, she was the managing editor then executive editor of Lucky Peach magazine. With Lucky Peach, she also edited a cookbook about eggs, called All About Eggs. In 2018, she founded The Ruby, a work and event space for women and nonbinary writers and artists in San Francisco's Mission district; she retired at the end of 2021. Her second novel, Real Americans, was published by Knopf in April 2024, and was an instant New York Times bestseller. Her story collection, My Dear You, is out now from Knopf. She writes the monthly newsletter, Short Story Short. Along with her friends Meng Jin, Susanna Kwan, and Shruti Swamy, she teaches writing workshops and retreats. Find them at The Dream Side.com Buy My Dear You   Rachel Khong's Website   Rachel Khong's Wikipedia Page     At about 2:10, Rachel talks about her writing experience and philosophy involving eggs At about 4:30, Rachel responds to Pete's questions about her early language and literature background  At about 7:25, Pete and Rachel geek out about The Best American Short Stories anthologies At about 10:30, Rachel highlights wonderful writing mentors and passionate readers  At about 12:00, Rachel describes her college “independent study” that exposed her to so much great writing, and Pete and Rachel cite Aimee Bender's greatness At about 15:45, Pete recounts his experience reading The Real Americans At about 16:40, Pete lays out the story collection's first resonant line and asks Rachel about the inspiration for the first story At about 20:00, Rachel responds to Pete asking about the balance between the general and the specific, especially with regard to pathos At about 22:50, Rachel reflects on a real-life parallel to a story in the collection, and an abstract/concrete connection to others in the world At about 24:05, Cats and taking care of (literally!) their owners  At about 25:20, Pete and Rachel discuss racial dynamics and diversity with regard to the story “The Freshening” At about 27:25, Rachel reflects on the ways that Asians and Asian-Americans have reacted to racism in the past  At about 30:10, Rachel discusses ideas of a “color-blind” society  At about 31:20, Pete cites resonant and outsized lines in the collection At about 32:05, Rachel reacts to Pete's musing about her as the writer sitting in judgment or not of her characters, especially Greg from “The Family O” At about 38:45, the two discuss lost loves, missed connections, and senses of comfortability and routines At about 41:00, Rachel talks about how the beginning of the pandemic connects to looking for meanings of suffering and pain and led to some of her story collections At about 43:00, The two discuss themes of connection and alienation and loneliness in various stories At about 46:20, Pete reflects on the traumas carried in the collection, and Rachel's deft touch with her writing about miscarriage and other heavy topics  At about 48:10, Pete and Rachel discuss a story dealing with cultural change in Malaysia and shout out connections to the “beautiful book”-Rachel Heng's The Great Reclamation At about 51:20, Aihwa Ong's article on possession by ghosts and worker protests are cited as seeds for Rachel's work At about 52:20,  At about 53:20, The two discuss the “beautiful absurdity” of Rachel's work and Pete cites the profundity of friendship At about 54:30, Rachel gives out tour info and book purchasing info      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.       Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl        Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!        This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.        Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. You can also buy single episodes for $3.         This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.       The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.        Please tune in for Episode 337 with Daniel Tam-Claiborne, a multiracial writer, multimedia producer, and nonprofit director. His debut novel, Transplants (Simon & Schuster, 2025), was a finalist for the PEN/Bellwether Prize for Socially Engaged Fiction and longlisted for the 2026 VCU Cabell First Novelist Award.       He is the author of the short story collection What Never Leaves, and his writing has appeared in Michigan Quarterly Review, HuffPost, Catapult, Literary Hub, Off Assignment, The Rumpus, and elsewhere. Daniel is an award-winning producer for two public media initiatives at WNET, America's flagship PBS station, including the digital documentary series be/longing: Asian Americans Now, Between Black & White: Asian Americans Speak Out, Voices Rising: What's Next for Asian Americans in the Arts, and Climate Artists.         Daniel is an outspoken advocate for Asian American issues and increased global understanding through education, cultural exchange, storytelling, and effective philanthropy. He serves as Deputy Director at The Serica Initiative, a nonprofit organization that amplifies the impact of the Asian diaspora in America.       The episode airs on April 14.       Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.       You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

My guest today on the Online for Authors podcast is Tim Weed, author of the book The Afterlife Project. Tim Weed is the author of four books of fiction. His recent novel, The Afterlife Project, was named a best book of 2025 by Library Journal and the Toronto Star. He's won multiple Writer's Digest Annual Fiction Awards and his work has been shortlisted for the Eric Hoffer Book Award, the Tobias Wolff Award for Fiction, the Prism Prize for Climate Literature, the Fish International Short Story Award, the William Faulkner-William Wisdom Award for a Novel-in-Progress, the New Rivers Many Voices Project, and many others. His essays and articles have appeared in Writers Digest, Literary Hub, The Revelator, The Millions, The Writer's Chronicle, Talking Points Memo, The Good Men Project, and elsewhere.   Tim serves on the core faculty of the Newport MFA in Creative Writing and is the co-founder of the Cuba Writers Program. A former featured expert for National Geographic Expeditions, he spent the first part of his career directing international educational programs throughout Latin America and in Spain, Portugal, Australia, Iceland, and other locations around the globe.   He holds a BA in Spanish from Middlebury College, a master's in international affairs from the University of California, and an MFA in Creative Writing from Warren Wilson College. He occasionally leads international travel programs and appears often at writing conferences and other events in the U.S. and abroad.   In my book review, I stated The Afterlife Project is a dystopian science fiction by Tim Weed. I can honestly say I am shocked by how much I enjoyed this book. I tend not to like science fiction or dystopian literature. However, this one had me from moment one. Why? The characters! We get into the head of Nick, a microbiologist, who is now 10,000 years into the future due to the cataclysmic climate issues caused by humans. We also follow the last remaining members of the Centauri crew in 2068 - tasked with trying to save the species through a journal kept by Alejandra. We skip back and forth between the two time periods, always wondering if the human race survives.   Tim did an amazing job describing a world 10,000 years after it's destruction by humans - as well as what it would be like to live in a climate crisis - all without being preachy. He manages this by letting us see the world through the imperfect eyes of the characters. They make mistakes. They trust the wrong people. They believe in miracles that aren't likely to happen. They do the wrong thing for the right reasons. Just like you and just like me.   I couldn't put this book down and have already recommended it to several friends. It's a must-read!   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   You can follow Author Tim Weed Website: https://timweed.net/ IG: @timweedwriter FB: @timweedauthor LinkedIn: @Tim Weed   Purchase The Afterlife Project on Amazon: Paperback: https://amzn.to/3OehfPL Ebook: https://amzn.to/49POn91   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #timweed #theafterlifeproject #sciencefiction #dystopian #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

Want more exclusive content from Dinky? Join the Patreon! Today we are chatting with Nicole Louie, a writer and translator originally from Brazil and now based in Ireland. She is the author of Others Like Me: The Lives of Women Without Children. Others Like Me chronicles her own journey towards embracing a life without children while weaving in stories from women around the world she found in her search for community and guidance. Nicole's essays have appeared in Oh Reader Magazine, The Walrus, The Guardian, and Literary Hub. More info about the giveaway can be found on our Instagram!Book SynopsisOthers Like Me: The Lives of Women Without Children by Nicole Louie (published by House of Anansi in North America)In a world that expects all women to become mothers, what happens to those who circumvent motherhood?Now and throughout history, women without children have been misunderstood and even vilified for not conforming to the prescriptive path of daughter, wife, mother, whether by choice, circumstance, or ambivalence. But with an increasing number of people choosing to forego children, Nicole Louie knew she was not alone. As she recounts her own journey toward embracing a life without children, Louie weaves in stories from the women around the world she found in her search for community and guidance, from their pasts to their presents to their hopes for the future.TRIPS:Christmas Markets 2026!!! Lavender Dreams & Riviera Nights With ErikaGET MORE FROM DINKY:Treat yourself to new merch! Wanna get your finances in order?Use our link to sign up for a FREE 34 day trial of YNAB (You Need A Budget) and support the show. Wanna connect with us on social media? You can find us on Substack, Instagram, TikTok, and Threads at @dinkypod. Follow us on YouTube.If you have a question or comment, email us at dinky@dinkypod.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/dinky--5953015/support.

On Beauty by Zadie Smith follows two feuding families—the liberal Belseys and the conservative Kippses—whose lives collide in a New England university town, exploring themes of race, family, politics, and love through sharp satire and witty dialogue.Kirkus Reviews calls Marriage and Other Monuments, Virginia Pye's recently published book, “A fascinating and audacious novel of family, marriage and a society in flux.” It is a #1 Amazon bestseller in New Southern FictionVirginia's essays have appeared in The New York Times, Literary Hub, Publisher's Weekly, Writer's Digest, The Rumpus, and elsewhere. She has taught writing at New York University and the University of Pennsylvania, and, most recently, at GrubStreet in Boston. Virginia is Fiction Editor of the literary journal Pangyrus and serves on the board of the Women's National Book Association, Boston Chapter. Drink this week: The Zadie Smith - obvi! This recipe is from the book: Free the Tipple: Kickass Cocktails Inspired by Iconic Women - Check it out!In this EpisodeMarriage and Other Monuments by Virginia PyeStyle Weekly Best of Richmond 2026Free the Tipple: Kickass Cocktails Inspired by Iconic WomenTickets to Live Show with Meg Medina April 18th

Much like guest Sarah Aziza's beautiful memoir, The Hollow Half, this week's show covers a lot of territory and shines light on multiple topics of interest to memoirists. We explore memoir as art—what that means and whether memoirists should strive for their work to be art per se. Aziza's book is experimental and ambitious, and as such gives this week's episode delves into craft choices and process and more. Aziza shares her family history and how her grandmother started to show up in her dreams—and how this memoir took root and ultimately became the gift it is—timely, urgent, and beautiful. Sarah Aziza is a Palestinian American writer, translator, and artist with roots in ‘Ibdis and Deir al-Balah, Gaza. She is the author of the genre-bending memoir The Hollow Half, winner of the Palestine Book Award and named a Most Anticipated and Best Book of the Year by Vulture, Vanity Fair, Literary Hub, Elle, Electric Literature, and Mizna, among others. Sarah's award-winning journalism, poetry, essays, and experimental nonfiction have appeared in The New Yorker, The Paris Review, and Best American Essays, among other publications. She is the recipient of fellowships and support from Fulbright, MacDowell, USA Artists, the Asian American Writers Workshop, and others. Sarah has lived and worked in Saudi Arabia, Jordan, South Africa, and Palestine, and now resides in the U.S. on occupied Munsee Lenape and Canarsie land. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this edition of Madison BookBeat, host Sara Batkie chats with author Melissa Faliveno about her debut novel, Hemlock, now available from Little, Brown. Sam, finally sober and stable with a cat and a long-term boyfriend in Brooklyn, returns alone to Hemlock, her family's deteriorating cabin deep in the Wisconsin Northwoods, where her mother disappeared years before and never returned. But a quick, practical trip takes a turn for the worse when the rot and creak of the forest starts to creep in around the edges of Sam's mind. It starts, as it always does, with a beer. As Sam dips back into the murky waters of dependency, the inexplicable begins to arrive at her door in the forms of a neighbor who leaves no trace, a talking doe who sounds just like Sam's missing mother, and a series of mysterious gifts that might be a welcome or a warning. And as Sam's stay extends—as the town's grip on her tightens and her body takes on a strange new shape—the borders of reality begin to blur, and she senses she is battling something sinister—whether nested in the woods or within herself. Melissa Faliveno is the author of the essay collection Tomboyland, named a Best Book of 2020 by NPR, New York Public Library, Oprah Magazine, Electric Literature, and Debutiful, and recipient of a 2021 Award for Outstanding Literary Achievement from the Wisconsin Library Association. Her essays, interviews, and reviews have appeared in Esquire, Paris Review, Kenyon Review, and Literary Hub, among many others. A first-generation college graduate, Melissa received a BA from the University of Wisconsin–Madison and an MFA from Sarah Lawrence College. She is currently the Margaret R. Shuping Fellow and assistant professor of creative writing at the University of North Carolina at Chapel Hill. 

“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today our guest is Dr. Sarah Rose Cavanagh, psychologist, educator, and author specializing in the science of emotion, motivation, and learning. As Senior Associate Director for Teaching and Learning at Simmons University in Boston, she blends empirical research with practical strategies to help teachers, leaders, and teams navigate the emotional dynamics of classrooms and workplaces. Her writing spans several widely praised books—including Mind Over Monsters, Hivemind, and The Spark of Learning, and essays for Psychology Today, The Chronicle of Higher Education, and Literary Hub. A sought-after speaker, she delivers keynote addresses and workshops internationally on topics ranging from emotional engagement to compassionate approaches for supporting mental health and effective learning. Sara's work challenges conventional pedagogy by foregrounding emotion as a driver of motivation and retention, urging educators to cultivate environments that balance compassion with challenge. And we are delighted to have Dr. Cavanagh on the show to discuss mental health days, the role of so-called negative emotion in learning, and we need joy in our teaching. https://www.sarahrosecav.com/ From the host: Authority, Passion, and Subject-Centered Teaching

Join us as Ocean House owner and award-winning author Deborah Goodrich Royce moderates a conversation with New York Times Bestselling Author Sarah McCoy. About the Author: SARAH McCOY is the New York Times, USA Today, and international bestselling author of the novels Whatever Happened to Lori Lovely?, Mustique Island, Marilla of Green Gables, The Mapmaker's Children, The Baker's Daughter, a 2012 Goodreads Choice Award Best Historical Fiction nominee, the novella “The Branch of Hazel” in Grand Central, The Time It Snowed in Puerto Rico, and Le souffle des feuilles et des promesses (Pride and Providence). Her work has been featured in Newsweek, Real Simple, The Millions, Literary Hub, Writer's Digest, Huffington Post, Read It Forward, Writer Unboxed, and other publications. She hosted the NPR WSNC Radio monthly program “Bookmarked with Sarah McCoy” and served as a Board Member for the literary nonprofit Bookmarks. Sarah taught English writing at Old Dominion University and at the University of Texas at El Paso. She lives with her husband, Dr. Brian Waterman, their dog Gilbert, and cat Tularosa in Winston-Salem, North Carolina. About The Book: In 1969, twenty-three-year-old starlet Lori Lovely, the apple of Hollywood's eye, shocks the world by ditching a promising film career to take vows of poverty, chastity, and obedience as a Benedictine nun. Gossip columnists and scandal sheets can't get enough of the story. Why would such a beautiful girl take the veil? Was she hiding from someone? Did it have anything to do with her costar, heartthrob singer Lucas Wesley? In 1990, Lu Tibbott is under the gun to complete her senior thesis in modern American history. Instead of spending weeks in dusty archives, Lu decides to dig into a true twentieth-century mystery and write about her aunt Lori, now the Mother Abbess at a cloistered convent in rural New England. Biographers, journalists, and media types have long speculated about her aunt Lori's sudden departure from Hollywood. Mother Lori, however, has refused all requests for interviews—until Lu arrives at the abbey with a tape recorder in hand. To her delight, Mother Lori announces she's finally ready to talk…but only if Lu is truly ready to listen. Lu is shocked to discover that the story of Lori Lovely's rise in Hollywood was far more tumultuous than she'd ever expected, a fairy tale twisting with ambition, unforeseen alliances, forbidden love, and secrets. What began as a history thesis now threatens to upend all their lives with its unexpected truths, especially as the media gets wind of Lu's project and begins to ask… Whatever happened to Lori Lovely? Please find out more about Sarah McCoy and her book at sarahmccoy.com. For details on Deborah Goodrich Royce and the Ocean House Author Series, visit deborahgoodrichroyce.com  

Listen to a replay of 2025's most popular episode! New York Times bestselling author, journalist, and entrepreneur Emma Knight spoke to me about finding the courage to write fiction, the Loch Ness Monster of motherhood, and her breakout debut novel The Life Cycle of the Common Octopus. Emma Knight is an author, journalist, Co-Founder and Head of Brand at Greenhouse, an award-winning organic beverage company, and co-author of The Greenhouse Cookbook (2017), a national bestseller. Her debut novel and instant New York Times bestseller, The Life Cycle of the Common Octopus, is described as a “coming-of-age story, part family drama, and part campus novel.” #1 New York Times bestselling author Carley Fortune called the book “A spellbinding debut about friendship, motherhood, first love, and the choices that bind us . . . I couldn't put it down.” Emma Knight also has an MA in Journalism, and her work has appeared in The New York Times, The Walrus, The Globe and Mail, Literary Hub, and more. [Discover⁠ ⁠⁠The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at⁠ ⁠⁠writerfiles.fm⁠] [If you're a fan of The Writer Files, please⁠ ⁠⁠click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Emma Knight and I discussed: The contrast of her whirlwind world tour after five years of writing Why you can only write one sentence at a time The process of removing your ego from the work Taking the same advice she shared with her daughters Why it's so much better to make things up for a living And a lot more! Show Notes: ⁠The Life Cycle of the Common Octopus⁠ by Emma Knight (Amazon) ⁠Emma Knight talks how debut novel is a metaphor for motherhood⁠ - Today ⁠Emma Knight on Instagram⁠ Kelton Reid Instagram⁠ ⁠Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Jennifer Acker, founder and editor in chief of The Common, speaks to Emily Everett about her essay “On 15 Years of The Common,” which appears in The Common's recent fall issue. The piece is a reflection on the hard work and stick-to-itiveness it takes to train a horse—and keep a literary magazine running. Jennifer talks about how The Common has grown and expanded since its early days—when it was only her and a few student interns and section editors—including some highlights like favorite portfolios and a new film adaptation of a story from Issue 16. Jennifer also discusses her forthcoming novel, Surrender, out in April 2026 from Delphinium. The book explores smalltown life, following a woman who returns to her family's farm to raise goats, and encounters life challenges that extend far beyond farmwork. Jennifer Acker is author of the debut novel The Limits of the World, a fiction honoree for the Massachusetts Book Award. Her memoir “Fatigue” is an Amazon bestseller, and her short stories, essays, translations, and reviews have appeared in the Wall Street Journal, Oprah Daily, the Washington Post, Literary Hub, n+1, and The Yale Review, among other places. She has an MFA from the Bennington Writing Seminars and is founder and editor in chief of The Common. At Amherst College, she directs the Literary Publishing Internship and LitFest. Her second novel, Surrender, will be released in April 2026. ­­Read Jennifer's new essay in The Common here Check out more of her translations and essays here. Learn more about Jennifer here, and follow her on Instagram @jen_acker. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese's Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jennifer Acker, founder and editor in chief of The Common, speaks to Emily Everett about her essay “On 15 Years of The Common,” which appears in The Common's recent fall issue. The piece is a reflection on the hard work and stick-to-itiveness it takes to train a horse—and keep a literary magazine running. Jennifer talks about how The Common has grown and expanded since its early days—when it was only her and a few student interns and section editors—including some highlights like favorite portfolios and a new film adaptation of a story from Issue 16. Jennifer also discusses her forthcoming novel, Surrender, out in April 2026 from Delphinium. The book explores smalltown life, following a woman who returns to her family's farm to raise goats, and encounters life challenges that extend far beyond farmwork. Jennifer Acker is author of the debut novel The Limits of the World, a fiction honoree for the Massachusetts Book Award. Her memoir “Fatigue” is an Amazon bestseller, and her short stories, essays, translations, and reviews have appeared in the Wall Street Journal, Oprah Daily, the Washington Post, Literary Hub, n+1, and The Yale Review, among other places. She has an MFA from the Bennington Writing Seminars and is founder and editor in chief of The Common. At Amherst College, she directs the Literary Publishing Internship and LitFest. Her second novel, Surrender, will be released in April 2026. ­­Read Jennifer's new essay in The Common here Check out more of her translations and essays here. Learn more about Jennifer here, and follow her on Instagram @jen_acker. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese's Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're traveling back to the 19th century with Guillermo del Toro's Frankenstein! Join us as we learn about syphilis, big-ass blunderbusses, the Evelyn Tables, Arctic expeditions, and more! Sources: An account of divers schemes of arteries and veins, dissected from adult human bodies, and given to the repository of the Royal Society by John Evelyn, Esq; F. R. S. To which are subjoyn'd a description of the extremities of those vessels, and the manner the blood is seen, by the microscope, to pass from the arteries to the veins in quadrupeds when living: with some chirurgical observations, and figures after the life, by William Cowper, F. R. S. Richard K Aspin, "John Evelyn's Tables of Veins and Arteries: An Undiscovered Letter," Medical History 39 (1995) Photos: Hunterian Museum, Evelyn Tables: https://hunterianmuseum.org/whats-on/hunterian-museum-displays/surgery-and-anatomy-from-ancient-times-to-the-1700s-room-1 Erling Kagge, "Arctic Rush: Inside the 19th-Century Craze to Reach the North Pole," Literary Hub (2025), https://lithub.com/arctic-rush-inside-the-19th-century-craze-to-reach-the-north-pole/  https://guides.loc.gov/polar-exploration/timeline Javier Cacho, "Arctic Obsession Drove Explorers to Seek the North Pole," National Geographic (2020), https://www.nationalgeographic.com/history/history-magazine/article/expedition-to-the-north-pole  Roald Amundsen, "Expedition to the North Magnetic Pole," (1902), http://www.jstor.org/stable/1775167  Myths of the Blunderbuss https://americanrevolutioninstitute.pastperfectonline.com/webobject/46F42011-5A24-4754-86A9-630691208800   https://americanhistory.si.edu/collections/object/nmah_469432  Wiki: https://en.wikipedia.org/wiki/Frankenstein_(2025_film)  Pop Culture Happy Hour, 'Frankenstein' https://www.npr.org/transcripts/nx-s1-5600702  https://youtu.be/qIXsN-Z3UBE?si=bTQ3GigvOIWAO3_u Film School, "How Guillermo del Toro Made Frankenstein," https://youtu.be/tThIpKCXfJI?si=vKel6PTL08Z1Y_lI The History of Syphilis, Part II: Treatment, Cures, and Legislation. Science Museum. Available at https://www.sciencemuseum.org.uk/objects-and-stories/history-syphilis-part-two-treatments-cures-and-legislation' Szu Shen Wong, "Syphilis and the Use of Mercury," Pharmaceutical Journal, available at https://pharmaceutical-journal.com/article/opinion/syphilis-and-the-use-of-mercury Jeffrey Weeks, Sex, Politics, and Society: The Regulation of Sexuality Since 1800, Third Edition

Notes and Links to Jackie Domenus' Work   Jackie Domenus (she/they) is a queer writer from South Jersey and the author of NO OFFENSE: A MEMOIR IN ESSAYS (2025), published with ELJ Editions. A 2021 Tin House Winter Workshop graduate, Jackie's essays have appeared in The HuffPost, The Offing Mag, The Normal School, Variant Lit, Entropy, Watershed Review, Wig-Wag, Philadelphia Stories, and HerStry, among other publications Their poetry has appeared in Hooligan Mag and Giving Room Mag. Her short story “Mirror Image” published in So To Speak, as well as her essay “Two Truths and a Lie” published in Identity Theory, were both nominated for a Pushcart Prize.    Jackie has formerly served as a publishing assistant at Guernica Magazine, an associate editor for Glassworks Magazine, and a contest coordinator for Philadelphia Stories. They work as the Program Director for Fellowships at Mid Atlantic Arts. Buy No Offense: A Memoir in Essays   Jackie's Website   Review of No Offense in The Rumpus: “Misperceptions, Assumptions, and Slurs: Jackie Domenus's No Offense” At about 3:45, Jackie talks about ideas of representation and reading as a kid-they highlight The Perks of Being a Wallflower At about 6:50, shout out to Shel Silverstein's feet (and writing)! At about 7:15, Jackie responds to Pete's questions about their early writing journey At about 9:45, Jackie reflects on writing as “cathartic” and "therapeutic," in certain conditions, and in some conditions, not so At about 12:20, Zoe Bossier, Kiese Laymon, Melissa Febos, and K.B. Brookins are shouted out as writers who thrill and challenge Jackie At about 14:05, Pete asks Jackie about their book's Foreword and the process in ultimately deciding to include early writing that had them in different and perhaps more privileged places At about 18:10, Pete and Jackie  At about 20:40, Jackie talks about interesting and fun feedback from readers At about 24:30, Jackie responds to Pete asking about early on in the book defining “microaggression” At about 26:15, Pete lays out the book's exposition in discussing the first essay of the book, and Jackie expands upon the essay's themes and connecting POVs At about 30:20, Jackie emphasizes their belief that any memoir, particularly queer and trans memoir, does not need to be linear At about 31:15, the two discuss the book's essay meditations on the uses of terms for men and women connected to dogs At about 33:15, Jackie responds to Pete's question about the anecdote in the essay where their dad broke down over the loss of the family dog At about 35:35, Jackie and Pete discuss Mary Poppins and heroes and queer people and their representations in media in Jackie's formative years   At about 39:00, The two discuss ignorance and ideas of “othering” as reflected in a resonant anecdote in the book about a trip to the OB/GYN At about 42:45, Pete uses an example from a Simpsons' episode in asking Jackie about the balance between educating and becoming a crutch for people looking for validation At about 46:50, Jackie expands upon the line from the book that their “coming out was not really a ‘coming out' ” At about 49:10, Jackie reflects on the material from the book's essay dealing with interpretations of queerness in Jennifer's Body, Girl, Interrupted, and Black Swan At about 53:15, Jackie discusses an essay that identifies three “first loves” and traces their outward sexuality At about 56:20, Pete compliments Jackie's use of second person, highlighting a beautiful imagined scene on Page 84, and Jackie talks about their mindset and aim for the essay At about 1:00:35, “Burden of Proof” and a student of Jackie's, Isaac's, moving experiences are discussed At about 1:04:50, Fear and the Trump era are discussed as rendered in the book, as well as Jackie's continuing "realization"    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 314 with Mariah Rigg. She is a Samoan-Haole who was born and raised on the island of O‘ahu. She is the author of the short story collection EXTINCTION CAPITAL OF THE WORLD (Ecco/HarperCollins, 2025), which was listed a best book of 2025 by Esquire, Electric Lit, and Debutiful, and received praise from Vulture, Oprah Daily, Chicago Review of Books, Literary Hub, Autostraddle, Ms. Magazine, and more.    The episode airs on December 16.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Waarin we met een live publiek door de antieke Griekse wereld reizen of zoek naar de oorsprong én de overblijfselen van de zeven wereldwonderen. WIJ ZIJN: Jonas Goossenaerts (inhoud en vertelstem), Filip Vekemans (montage), Benjamin Goyvaerts (inhoud) en Laurent Poschet (inhoud). MET BIJDRAGEN VAN: Laurens Luyten, Warre Borgmans, Fatma Taspinar, Jelle Cleymans, Elisabeth Lucie Baeten, Bart Cannaerts, Leah Thys en Marie Vinck. WIL JE ONS EEN FOOI GEVEN? Fooienpod - Al schenkt u tien cent of tien euro, het duurt tien seconden met een handige QR-code. WIL JE ADVERTEREN IN DEZE PODCAST? Neem dan contact op met adverteren@dagennacht.nl MEER WETEN? Onze geraadpleegde en geciteerde bronnen:Boeken:Hughes, B. (2024). The Seven Wonders of the Ancient World. Weidenfeld & Nicolson. Londen.Newton, T. & Pullan, R.P. (2011). A History of Discoveries at Halicarnassus, Cnidus and Branchidae. Vol. 2. Cambridge University Press. Cambridge.Romer, J. (1995). The Seven Wonders of the World. A History of Imagination. Henry Holt & Co. New York.Websites (geraadpleegd op 6/12/2025):The 7 Wonders of the World: Ancient and Modern. Scala Archives. https://scalarchives.com/the-7-wonders-of-the-world-ancient-and-modern/What Makes a Wonder? On the Human Need to Map Out Monumental Greatness. Literary Hub. https://lithub.com/what-makes-a-wonder-on-the-human-need-to-map-out-monumental-greatness/ What Were the 7 Wonders of the Ancient World? (List & Video Reconstructions). The Collector. https://www.thecollector.com/7-wonders-ancient-world/7 wonders of the Ancient World. Live Science. https://www.livescience.com/seven-wonders-of-the-ancient-worldWereldwonder: het mausoleum van Halicarnassus. Geschiedenis Magazine. https://geschiedenismagazine.nl/mausoleum-van-halicarnassusPhilo of Byzantium, On the Seven Wonders of the World: an English translation and some notes. Blog Roger Pearce. https://www.roger-pearse.com/weblog/2019/08/23/philo-of-byzantium-on-the-seven-wonders-of-the-world-an-english-translation-and-some-notes/?utm_source=Pharos: The Lighthouse at Alexandria. Penelope UChicago. https://penelope.uchicago.edu/encyclopaedia_romana/greece/paganism/pharos.html#:~:text=According%20to%20the%20Suda%2C%20a,Life%20of%20Pyrrhus%2C%20VII).What Happened to the Lighthouse of Alexandria? Theories & History. The Collector. https://www.thecollector.com/lighthouse-of-alexandria-pharos/Het mausoleum van Halikarnassos. Blog Jona Lendering - Mainzer Beobachter. https://mainzerbeobachter.com/2023/06/02/het-mausoleum-van-halikarnassos/De kolossos van Rhodos. Blog Jona Lendering - Mainzer Beobachter. https://mainzerbeobachter.com/2023/12/07/de-kolossos-van-rhodos/Documentaire:Hughes, B. (2025). The Seven Wonders of the Ancient World. Channel 5.ERRATUM: De zon schijnt alle dagen, onafhankelijk van de plek waar de zon al dan niet geobserveerd wordt.See omnystudio.com/listener for privacy information.

On this week's show, Julia, Dana, Steve are off to the dystopian races with Edgar Wright's adaptation of The Running Man. Based on a novel by Stephen King and starring movie-star-to-be Glenn Powell, the film is chockfull of adrenaline and stylish wit but does it overcome its own authoritarian bleakness? They discuss with Slate's own Sam Adams. Next, they take a look at the oft-forgotten presidency and assassination of James A. Garfield in the Netflix limited series Death By Lightning, starring Michael Shannon, Matthew Macfadyen, and a whole lot of period accurate beards. Finally, they look to the heavens with the loftily ambitious, operatic, and polyglottal new album LUX by Rosalía.  In an exclusive bonus episode for Slate Plus subscribers, they continue their recap series and get into the twists and turns of the fourth episode of Pluribus. If you've got a cultural question or topic you'd like our hosts to tackle, now is your chance because we're preparing for our annual call-in show! Call and leave us a message with your cultural query at:  347-201-2397 Endorsements Dana: The 17th century nun and poet (a very Rosalía-like divine feminine) Sor Juana Inés de la Cruz and particularly the poem "The Ripcord of Love" as translated by Ada Límon. Steve: Joyce Carol Oates's iconic, lacerating subtweet for the ages—illustrated beautifully on Literary Hub—as well as the prolific author's essay about the novel We Have Always Lived In the Castle in The New York Review of Books. (Steve welcomes listener recommendations for their favorite Oates's novel.) Julia: The Alpine Men's Snow Boot from Xero, for when the Los Angeles Almanac predicts rain. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've got a cultural question or topic you'd like our hosts to tackle, now is your chance because we're preparing for our annual call-in show! Call and leave us a message with your cultural query at:  347-201-2397 On this week's show, Julia, Dana, Steve are off to the dystopian races with Edgar Wright's adaptation of The Running Man. Based on a novel by Stephen King and starring movie-star-to-be Glenn Powell, the film is chockfull of adrenaline and stylish wit but does it overcome its own authoritarian bleakness? They discuss with Slate's own Sam Adams. Next, they take a look at the oft-forgotten presidency and assassination of James A. Garfield in the Netflix limited series Death By Lightning, starring Michael Shannon, Matthew Macfadyen, and a whole lot of period accurate beards. Finally, they look to the heavens with the loftily ambitious, operatic, and polyglottal new album LUX by Rosalía.  In an exclusive bonus episode for Slate Plus subscribers, they continue their recap series and get into the twists and turns of the fourth episode of Pluribus. Endorsements Dana: The 17th century nun and poet (a very Rosalía-like divine feminine) Sor Juana Inés de la Cruz and particularly the poem "The Ripcord of Love" as translated by Ada Límon. Steve: Joyce Carol Oates's iconic, lacerating subtweet for the ages—illustrated beautifully on Literary Hub—as well as the prolific author's essay about the novel We Have Always Lived In the Castle in The New York Review of Books. (Steve welcomes listener recommendations for their favorite Oates's novel.) Julia: The Alpine Men's Snow Boot from Xero, for when the Los Angeles Almanac predicts rain. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've got a cultural question or topic you'd like our hosts to tackle, now is your chance because we're preparing for our annual call-in show! Call and leave us a message with your cultural query at:  347-201-2397 On this week's show, Julia, Dana, Steve are off to the dystopian races with Edgar Wright's adaptation of The Running Man. Based on a novel by Stephen King and starring movie-star-to-be Glenn Powell, the film is chockfull of adrenaline and stylish wit but does it overcome its own authoritarian bleakness? They discuss with Slate's own Sam Adams. Next, they take a look at the oft-forgotten presidency and assassination of James A. Garfield in the Netflix limited series Death By Lightning, starring Michael Shannon, Matthew Macfadyen, and a whole lot of period accurate beards. Finally, they look to the heavens with the loftily ambitious, operatic, and polyglottal new album LUX by Rosalía.  In an exclusive bonus episode for Slate Plus subscribers, they continue their recap series and get into the twists and turns of the fourth episode of Pluribus. Endorsements Dana: The 17th century nun and poet (a very Rosalía-like divine feminine) Sor Juana Inés de la Cruz and particularly the poem "The Ripcord of Love" as translated by Ada Límon. Steve: Joyce Carol Oates's iconic, lacerating subtweet for the ages—illustrated beautifully on Literary Hub—as well as the prolific author's essay about the novel We Have Always Lived In the Castle in The New York Review of Books. (Steve welcomes listener recommendations for their favorite Oates's novel.) Julia: The Alpine Men's Snow Boot from Xero, for when the Los Angeles Almanac predicts rain. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2022, Anne made the bold and audacious decision to leave her job as a tenured English professor, sell all her earthly possessions and embark on a European adventure. In this episode, I am going to talk to Anne about her decision to reset her life and find a new way of being in the world.  She is the author of the viral Substack newsletter Audacious Women, Creative Lives, where she writes about her transition from an academic in the US to a creative life in the UK. She has just completed a Master's in Creative Writing at the University of Manchester. She is now working towards her life-long dream of publishing a novel, while coaching writers and hosting retreats. She is also the author/editor of seven books from her 23-year career as a literature professor. She wrote two critically acclaimed books published by W. W. Norton: Constance Fenimore Woolson: Portrait of a Lady Novelist (2016)  reviewed on the cover of NY Times Book Review  and Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters (2018). This was voted best books of the year by Library Journal.  Anne received four National Endowment for the Humanities awards, two for public scholarship. She also has appeared on NPR, BBC Radio, and CBS Sunday Morning, and has bylines in many paces, including the Washington Post and Literary Hub.   Chart Your Career Instagram: @chartyourcareerpodcast Ellen Fondiler, Career & Business Strategist: ellenfondiler.com, IG: @elfondiler  

Kelsey Miller is a culture writer based in Brooklyn, New York. She is the author of international bestseller, I'll Be There For You (2018), a pop-culture history of Friends, and the memoir Big Girl (2016). Her work has been featured in New York Magazine, Glamour, Medium, Women's Health, Vulture, Entertainment Weekly, Literary Hub, Refinery29, A Cup of Jo, and more. OLD MONEY is her first novel.Learn more at kelseymiller.com Special thanks to Net Galley for an advance review copy. Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices

Entérate de lo que está cambiando el podcasting y el marketing digital:-Nuevos datos revelan los mayores retos del podcasting en 2025.-TikTok se une a iHeartMedia para expandir su contenido de audio.-CoHost lanza métrica para medir el crecimiento real de los pódcast.-Literary Hub cuestiona la definición y el rumbo del pódcast narrativo.Patrocinios¿Estás pensando en anunciar tu negocio, producto o pódcast en México? En RSS.com y RSS.media tenemos la solución. Contamos con un amplio catálogo de pódcast para conectar tu mensaje con millones de oyentes en México y LATAM. Escríbenos a ventas@rss.com y haz crecer tu idea con nosotros. No es país para enfermos, el pódcast sobre el declive de la mejor sanidad del mundo. A través de historias personales y del análisis de los expertos, esta serie documental investiga por qué el sistema de salud español está al borde del colapso. Y, sobre todo, responde a una pregunta que nos incumbe a todos: ¿qué podemos hacer para salvar la sanidad pública? Escúchalo en iVoox y el resto de plataformas.Entérate, en solo cinco minutos, sobre las noticias, herramientas, tips y recursos que te ayudarán a crear un pódcast genial y exitoso. Subscríbete a la “newsletter“ de Via Podcast.

This week Howie is joined by Artem Chapeye, a Ukrainian socialist, soldier, and author of Ordinary People Don't Carry Machine Guns, will talk about the war in Ukraine and international solidarity.Resources Shared on the Stream:Artem Chapeye, Ordinary People Don't Carry Machine Guns: Thoughts on War (Seven Stories Press, 2025)Artem Chapeye "A Ukrainian translator of Noam Chomsky responds to his recent comments on the Russian invasion," Literary Hub, March 3, 2022, https://lithub.com/a-ukrainian-translator-of-noam-chomsky-responds-to-his-recent-comments-on-the-russian-invasion/Luke Johnson, "The Ukrainian Anarchist Pacifist Writer Putin Drove to Take Up Arms,” The New Republic, October 17, 2025, https://newrepublic.com/article/201807/artem-chapeye-ukrainian-poet-putinKate Tsurkan, "Ukrainian author-turned-soldier takes aim at Westerners' ‘abstract pacifism',” Kyiv Independent, July 29, 2025, https://kyivindependent.com/ukrainian-author-turned-soldier-takes-aim-at-westerners-abstract-pacifism/Streamed on 11/1/25Watch the video at: https://youtube.com/live/4SgRSdfNHkgGreen Socialist Notes is a weekly livestream/podcast hosted by 2020 Green Party/Socialist Party presidential nominee, Howie Hawkins.  Started as a weekly campaign livestream in the spring of 2020, the streams have continued post elections and are now under the umbrella of the Green Socialist Organizing Project, which grew out of the 2020 presidential campaign.  Green Socialist Notes seeks to provide both an independent Green Socialist perspective, as well as link listeners up with opportunities to get involved in building a real people-powered movement in their communities.Green Socialist Notes PodcastEvery Saturday at 3:00 PM EDT on Facebook, YouTube, and Twitch.Every Monday at 7:00 AM EDT on most major podcast outlets.Music by Gumbo le FunqueIntro: She Taught UsOutro: #PowerLoveFreedom

Weekly shoutout: A new essay on HowlRound by theatermaker and friend of the show, Anne Mason! -- Hi there, Today I am delighted to be arts calling author Monica Macansantos! (monicamacansantos.com) About our guest: Monica Macansantos is a Filipino writer from Baguio, and is currently a Marguerite and Lamar Smith Fellow with the Carson McCullers Center in Columbus, Georgia. She is the author of the essay collection, Returning to My Father's Kitchen (Curbstone/Northwestern University Press, 2025), and the story collection, Love and Other Rituals (Grattan Street Press), 2022. She was a 2024-25 Shearing Fellow with the Black Mountain Institute at UNLV, and her work has appeared in Colorado Review, The Hopkins Review, Bennington Review, River Styx, Electric Literature, Literary Hub, and Katherine Mansfield and Children (Edinburgh University Press), among other places. She earned her MFA from the Michener Center for Writers at the University of Texas at Austin, and her PhD in Creative Writing from the Victoria University of Wellington in New Zealand. Her work has been recognized as Notable in Best American Essays 2016 and 2021-2023. RETURNING TO MY FATHER'S KITCHEN, now available from Northwestern University Press/Curbstone Books: Purchase from Northwestern University Press: https://nupress.northwestern.edu/9780810148390/returning-to-my-fathers-kitchen/ From Bookshop.org: https://bookshop.org/p/books/returning-to-my-father-s-kitchen-essays-monica-macansantos/ Purchase from Book People in Austin, which sells signed copies of the book! https://bookpeople.com/book/9780810148390 Also from Monica, LOVE & OTHER RITUALS, a collection of stories: https://www.monicamacansantos.com/loveandotherritualsselectedstories.html Thanks for this amazing conversation, Monica! All the best! Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE! Much love, j artscalling.com

Dear Article Clubbers,We had a great discussion last Sunday. Thank you to everyone who made it so!It's September, which means two things:* The real school year has begun* I get to announce our article of the monthI cannot adequately express how honored I am to share with you September's article of the month. We are going to be reading and discussing “What Happened When I Tried to Replace Myself with ChatGPT in My English Classroom,” by Piers Gelly.If you've been following my article selections over the past year, you know that I'm fascinated with how artificial intelligence has transformed education — mostly for the worse — and how educators don't know what to do about this sudden shift.(Besides complain a lot, and wishing we could go back in time, to the golden age of bluebooks, which is what many educators are doing.) These woe-is-me pieces by educators have gotten so ubiquitous, I've begun to skip them. I've been looking for something fresh. That's why I was immediately hooked when I came upon Prof. Gelly's piece.In his essay, published in July in Literary Hub, Prof. Gelly does not lament the rise of technology. Rather, in his English class, he engages his University of Virginia students in an authentic exploration of artificial intelligence and its effects. He's curious. He is unafraid to experiment with his students. He remains vulnerable to the possibility that his role as professor may be in danger. Most importantly, Prof. Gelly takes us into his classroom, introduces us to his students, and tells us a story filled with humanity.My hope is that you will consider reading Prof. Gelly's essay. I also hope that you will make space to reflect on his words. If you are moved — as I predict many of you will be — I encourage you to join our discussion so that we can all connect and have a conversation in community.➡️ Inside today's issue, you'll find:* My conversation with Article Club co-host Melinda, in which we share our first impressions of the article (alongside our banter)* A quick blurb about the article, plus my handwritten annotations* A short biography of the author* More information about our discussion on September 28, plus an inviteOne more thing: My gut says, if you're a high school or college educator, your students would appreciate reading this piece.What Happened When I Tried to Replace Myself with ChatGPT in My English ClassroomThe more I read this essay, the more I appreciate it. Part of the reason is that I am an educator, too, grappling with the same issues surrounding artificial intelligence that so many of us are — whether we are teachers or parents or students or generally concerned citizens who don't want humanity to be vanquished.But most of the reason I love this piece is that Piers Gelly is an outstanding teacher. He begins his article with students, and his students are at the center throughout. You'll meet Cam and Max and other students who take on Prof. Gelly's writing assignments and in-class activities. You'll read how they make meaning of artificial intelligence and its impact on education, how their views shift over the course of the semester. Is ChatGPT a “calculator for words,” as Sam Altman suggests? What's the point of the painful process of writing when a computer can make things easier?You'll gain insights on these and other important questions. But what delights me most about this piece is that we get to peer inside Prof. Gelly's classroom. He doesn't talk in generalities. He tells us exactly what he did and how his students reacted. Teaching, after all, is about what we do, day after day, with the people in the classroom. It's about the relationships that are built, the learning community that emerges, and the collective understanding that develops over time.In this essay about artificial intelligence, Prof. Gelly reminds us of the humanity that is at the core of the endeavor of education.By Piers Gelly • Literary Hub • 23 min • Gift Link➕ Bonus: Here's the essay with my handwritten highlights and annotations.About the authorPiers Gelly lives in Charlottesville, Virginia, where he teaches at the University of Virginia. His writing has been featured by such publications as n+1, The Dublin Review, The Point, and 99% Invisible.About the discussionMy hope is that you'll read “What Happened When I Tried to Replace Myself with ChatGPT in My English Classroom” and want to talk about it.We'll be meeting up on Zoom on Sunday, September 28, 2:00 - 3:30 pm PT. We'll spend the first few minutes saying hi and doing short introductions. Then after I frame the piece and share our community agreements, we'll break out into small, facilitated discussion groups. The small groups usually include 5-8 people, so there's plenty of time to share your perspectives and listen to others. That's where we'll spend the bulk of our time. Toward the end, we'll return to the full group, sharing our reflections and appreciations of fellow participants.If this sounds interesting to you, sign up by clicking on the button below.If you're unsure, I get it. If you don't know me, it might feel strange to sign up for an online discussion with total strangers. But I am confident that you'll find yourself at home with other kind people who like to read deeply and explore ideas in community. We've done this 60 times, and by now, it's not a surprise that we're able to create an intimate space, almost like we're in the same physical room together.I hope that you read the piece. If it resonates with you, I encourage you to take the plunge and join us on September 28!Thank you for reading and listening to this week's issue. Hope you liked it.

Welcome to Season 5, Episode 31! Our guest today is Daniel Tam-Claiborne, a writer, multimedia producer, and nonprofit director. His latest work is the novel Transplants released by Simon & Schuster. It's a coming of age story following two young women—Lin, who is Chinese and Liz, who is Chinese American. They're both navigating the journey to find their truest selves in a world that doesn't know where either of them belong. The novel is an exploration of race, love, power, and freedom that reveals how—in spite of our divided times—even our fiercest differences may bring us closer than we can imagine. Tam-Claiborne is also the author of the short story collection What Never Leaves, and his writing has appeared in a variety of publications and outlets including Michigan Quarterly Review, Catapult, Literary Hub, Off Assignment, The Rumpus, HuffPost, and elsewhere. Outside of writing, Daniel serves on the Board of Directors of Seattle City of Literature and on the Advisory Board of Off Assignment. He's a frequent speaker, moderator, and host. In our conversation, we discuss the process of writing a novel, inspiration for Transplants, feelings of belonging, the importance of COVID and lockdown as an element of Transplants, the diversity in the Asian American community, and so much more. Transplants is a well-written, moving book that we think shares several common themes that resonate with so many audiences. Tam-Claiborne doesn't shy away from deep issues that Asian Americans, Asians, and expats face as he explores belonging, identity, and more. You can see more of Daniel's work on his website Travel Breeds Content or his Instagram account @datclaiborne. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

In this episode Deepa Bhasthi spoke about her literary journey and about translating the short story collection which won the International booker prize this year - 'Heart Lamp'. Deepa is a writer and an award-winning literary translator working in Kannada and English. Her cultural criticism, essays, columns and journalism have been published extensively in India and internationally, including in The Paris Review, Himal Southasian, ArtReview, MOMUS, The Guardian, MOLD, Hyperallergic, The Caravan, The Hindu and Literary Hub.Her published translations from Kannada include works by Kota Shivarama Karanth and Kodagina Gouramma. She is the recipient of an EnglishPEN Award for her translation of Banu Mushtaq's short stories. The collection titled ‘Heart Lamp' . Harshaneeyam would like to thank the international Booker for making this conversation possible.* For your Valuable feedback on this Episode - Please click the link below.https://tinyurl.com/4zbdhrwrHarshaneeyam on Spotify App –https://harshaneeyam.captivate.fm/onspotHarshaneeyam on Apple App – https://harshaneeyam.captivate.fm/onapple*Contact us - harshaneeyam@gmail.com ***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Episode 566 - Dheepa R. Maturi - An Eco-Thriller That Unveils the Power of the Past to Save the FutureDheepa R. Maturi is an Indian-American writer who explores ecology, culture, identity, and how they intersect. Her essays, poetry, and fiction have appeared in a variety of literary journals and anthologies, including Literary Hub, PANK, The Fourth River, Sequestrum, Tiferet, and How to Write a Form Poem. Her work has been nominated twice for the Pushcart Prize, and she is the author of 108: an Eco-Thriller, to be published by GFB in June of 2025. In the past, Dheepa has worked as a lawyer, consultant, and education grant director. She is a graduate of the University of Michigan and the University of Chicago and now lives with her family in Indianapolis. To read some of her work, visit DheepaRMaturi.com.Book - 108: an Eco-ThrillerNow available!An Eco-Thriller That Unveils the Power of the Past to Save the FutureWhen journalist Bayla Jeevan experiences a mysterious vision deep in an Indian forest, she's thrust into a battle against ZedChem, a powerful agrochemical corporation with a dangerous secret. As she unravels the truth, Bayla discovers her family's hidden ties to an ancient force—one that may be the key to stopping a global catastrophe. 108 is a pulse-pounding eco-thriller that blends science, mysticism, and the urgency of environmental justice in an unforgettable race to save humanity.https://www.dheeparmaturi.com/Big Magic: Creative Living Beyond FearElizabeth Gilberthttps://a.co/d/exCk8y0Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

In an effort to reinvigorate interest in the Space program, NASA launched the "Teacher in Space" program, in 1984. The beautiful, brilliant and charismatic high school social studies teacher, Christa McAuliffe, was selected out of 11,000 applicants and the country fell in love with the teacher and the space program once again. Tragically, a well-documented problem with the O-rings on the shuttle's solid rocket booster was compromised during the low temperature launch and one of NASA's biggest tragedies occurred, resulting in the deaths of all seven astronauts on board. In today's episode we discuss little known facts about the disaster and ask the question, what is the cost of advancement?  Sources: How legendary physicist Richard Feynman helped crack the case on the Challenger disaster. (2021, June 9). Literary  Hub. https://lithub.com/how-legendary-physicist-richard-feynman-helped-crack-the-case-on-the-challenger-disaster/ Pruitt, S. (2025, May 28). 5 things you may not know about the Space Shuttle Challenger disaster | HISTORY. HISTORY. https://www.history.com/articles/5-things-you-might-not-know-about-the-challenger-shuttle-disaster The Editors of Encyclopaedia Britannica. (2009, January 14). Challenger disaster | Summary, Date, Cause, & Facts. Encyclopedia Britannica. https://www.britannica.com/event/Challenger-disaster The Challenger: The Final Flight. (2018). https://www.imdb.com/title/tt12930534/fullcredits/   Join The Dark Oak Discussion: Patreon The Dark Oak Podcast Website Facebook Instagram Twitter TikTok Youtube This episode of The Dark Oak was created, researched, written, recorded, hosted, edited, published, and marketed by Cynthia and Stefanie of Just Us Gals Productions with artwork by Justyse Himes and Music by Ryan Creep

Emma Knight tells us how to bring character's to life by inhabiting their bodies to make them more real, as well as how the written word can have shocking, real-world consequences! Emma Knight is an author, journalist, and entrepreneur. Her writing about books, maternal health, and more has appeared in Literary Hub, British Vogue, The Globe and Mail, and The Walrus. Emma lives in Toronto with her family, and The Life Cycle of the Common Octopus is her first novel.➡️ BEYOND AFFIRMATIONS Workshop! Click HERE for the details!⭐️ 90 Day Classes NOW OPEN! ⭐️

Do we get the nonfiction we deserve? LATimes book critic Bethanne Patrick wrestles with this question through five new books that both mirror and address our fractured psyche. From Melissa Fibos' choice of celibacy over toxic sexual romance to a lone wolf crossing impossible borders, all these works expose a world grappling with isolation, AI empires, and the collapse of meaningful discourse. Whether it's Thomas Chatterton Williams's critique of wokeness, Damon Young's biting anthology of new black comedy, or Karen Hao's disturbing portrait of OpenAI as our new imperial reality ( Tomorrow's show features a full interview with Hao), each book reflects our deeper crisis: the inability to connect authentically in our age of social isolation and anxiety. The Dry Season: A Memoir of Pleasure in a Year Without Sex - Melissa Fibos. Melissa Fibos, a writer with a history of intense romantic fixations, realizes she's addicted to the chase rather than genuine connection. She embarks on a year-long celibacy experiment, allowing masturbation and fantasies but avoiding all dating and partnered sex. It's a transformative journey of empowerment as Fibos discovers authentic pleasure in solitude, food, and simple experiences, ultimately meeting her future wife before completing the full year.Summer of Our Discontent: The Age of Certainty and The Demise of Discourse - Thomas Chatterton Williams. This multiracial critic argues that America's obsession with racial categories perpetuates the very divisions we claim to fight, insisting that race is purely a social construct with no biological basis. Writing from his perspective as an American expat in France, Williams contends that woke discourse and "correct" language distract from addressing real structural problems. His book challenges readers to move beyond tired black-versus-white frameworks toward more nuanced conversations about power and identity.That's How They Get You: An Unruly Anthology of Black American Humor - Edited by Damon Young This collection features sharp satirical pieces from top Black American writers who skewer everything from Karen culture to Disney's racial blindness to tech company exploitation. Contributors include Mateo Askaripour (who wrote the acclaimed "Black Buck") offering biting commentary on workplace racism and cultural appropriation. The anthology demonstrates how humor serves as both weapon and shield, allowing writers to expose systemic absurdities while maintaining their sanity in an often hostile world.Lone Wolf: Walking the Line Between Civilization and Wildness - Adam Weymouth In 2011, a wolf named Slavc traveled over 1,000 miles from Slovenia to the Italian Alps, becoming the first wolf in that region for decades and eventually establishing a pack of over 100. Weymouth follows this remarkable journey to explore how artificial barriers—from the Iron Curtain to Trump's border wall—prevent both wildlife and human refugees from reaching safety. The book uses the wolf's migration as a lens to examine what happens when the wild refuses to respect human boundaries and how life persistently seeks ways to thrive despite our attempts to control it.Empire of AI: Dreams and Nightmares in Sam Altman's OpenAI - Karen Hao. Based on 90 interviews with current and former OpenAI executives plus dozens more from competing tech companies. Hao argues that without proper regulation and transparency, AI could evolve into a modern version of the British East India Company—a technological monopoly that serves elite interests while reshaping global power structures. Tomorrow's show features a full interview with Hao. Bethanne Patrick maintains a storied place in the publishing industry as a critic and as @TheBookMaven on Twitter, where she created the popular #FridayReads and regularly comments on books and literary ideas to over 200,000 followers. Her work appears frequently in the Los Angeles Times as well as in The Washington Post, NPR Books, and Literary Hub. She sits on the board of the PEN/Faulkner Foundation and has served on the board of the National Book Critics Circle. She is the host of the Missing Pages podcast.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Do we get the serial killers & heroes we deserve? The always generous literary critic Bethanne Patrick uses five new non-fiction books to respond to this rather absurd question. From French women resisting Nazis at Ravensbrück concentration camp to the CIA's Cold War book smuggling operation, these new books examine human behavior under the most extreme circumstances. Caroline Fraser's Murderland investigates whether environmental toxins in the Pacific Northwest bred serial killers like Ted Bundy, and Maria Blake's They Poison the World explores forever chemicals' deadly impact on the environment. While Kevin Sack's Mother Emanuel offers Charleston's story of African-American forgiveness for the 300-year injustice of slavery and Jim Crow. Together, these books suggest our environment shapes us—sometimes tragically, sometimes triumphantly. a takeaway from each book * The Sisterhood of Ravensbrück - French women's resistance efforts were systematically ignored in post-war recognition, with only 6 women receiving medals compared to 1,100 men, highlighting how women's contributions to liberation movements have been marginalized. Vive La France!* Murderland - Environmental toxicity from lead and arsenic smelting in the Pacific Northwest may have contributed to the region's concentration of serial killers in the 1950s-70s, with cases declining as environmental protections increased.* They Poisoned the World - The highly toxic PFAS "forever chemicals" were originally developed by the U.S. government for uranium processing, later causing widespread contamination linked to cancers, stillbirths, and weakened immune systems.* The CIA Book Club - The CIA successfully smuggled literature behind the Iron Curtain, with people craving not just political texts but also Agatha Christie mysteries and Shakespeare—proving culture, not just politics, sustained resistance.* Mother Emanuel - For Charleston's African-American congregation of Mother Emanuel church, forgiveness after the 2015 massacre wasn't about excusing the killer but about self-preservation—choosing to move forward rather than be consumed by hatred.Bethanne Patrick maintains a storied place in the publishing industry as a critic and as @TheBookMaven on Twitter, where she created the popular #FridayReads and regularly comments on books and literary ideas to over 200,000 followers. Her work appears frequently in the Los Angeles Times as well as in The Washington Post, NPR Books, and Literary Hub. She sits on the board of the PEN/Faulkner Foundation and has served on the board of the National Book Critics Circle. She is the host of the Missing Pages podcast. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Dane Huckelbridge discusses the settings in his novels and his research--from Africa for No Beast So Fierce to the plains of Oklahoma for his latest, Queen of All Mayhem--the tale of the most dangerous woman of the American west, Belle Starr. Dane was born and raised in the American Middle West. He holds a degree from Princeton University, and his fiction and essays have appeared in a variety of journals, including Tin House, Literary Hub, The Wall Street Journal, Time Magazine, and The New Republic. His debut novel CASTLE OF WATER was published by St. Martin's Press in 2017, and his book NO BEAST SO FIERCE was published by HarperCollins in 2019. He currently lives in Paris, France, although he goes back to New York whenever he can. Learn more at Danehuckelbridge.comSpecial thanks to NetGalley for advancing early copies of novels to the Writing Table. Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table:On Twitter/X: @writingtablepcEverywhere else: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

Charlotte Wood is the author of seven novels and three books of non-fiction. Her novel Stone Yard Devotional was shortlisted for the 2024 Booker Prize. It was described by the UK Guardian as ‘a quiet novel of immense power' and has been praised by authors Anne Enright, Tim Winton, Karen Joy Fowler, Hannah Kent and Paula Hawkins among others. Her previous books include The Luminous Solution, a book of essays on the creative process; the international bestseller, The Weekend; and The Natural Way of Things which won a number of prizes including The Stella Prize and the Prime Minister's Literary Award. Her features and essays have appeared in The New York Times, The Guardian, Literary Hub, The Sydney Morning Herald andThe Saturday Paper among other publications. In 2023 Belvoir Theatre Company staged an adaptation of her novel The Weekend, and her novel The Natural Way of Thingsfeatured in ABC Television's 2021 series The Books That Made Us. Charlotte joins Barbara DeMarco-Barrett to talk about pacing a quiet novel, her main character who is never named, why she set the novel at the start of the pandemic, plagues, slowing down your writing and paying attention to small details, her relationship with plot, revision, and voice, and much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds of past interviews on our website. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners! (Recorded on April 23, 2025) Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

New York Times bestselling author, journalist, and entrepreneur Emma Knight spoke to me about finding the courage to write fiction, the Loch Ness Monster of motherhood, and her breakout debut novel The Life Cycle of the Common Octopus. Emma Knight is an author, journalist, Co-Founder and Head of Brand at Greenhouse, an award-winning organic beverage company, and co-author of The Greenhouse Cookbook (2017), a national bestseller. Her debut novel and instant New York Times bestseller, The Life Cycle of the Common Octopus, is described as a “coming-of-age story, part family drama, and part campus novel.” #1 New York Times bestselling author Carley Fortune called the book “A spellbinding debut about friendship, motherhood, first love, and the choices that bind us . . . I couldn't put it down.” Emma Knight also has an MA in Journalism, and her work has appeared in The New York Times, The Walrus, The Globe and Mail, Literary Hub, and more. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Emma Knight and I discussed: The contrast of her whirlwind world tour after five years of writing Why you can only write one sentence at a time The process of removing your ego from the work Taking the same advice she shared with her daughters Why it's so much better to make things up for a living And a lot more! Show Notes: The Life Cycle of the Common Octopus by Emma Knight (Amazon) Emma Knight talks how debut novel is a metaphor for motherhood - Today Emma Knight on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jason Blitman talks to Jinwoo Chong (I Leave It Up To You) about the inspiration behind his new novel, what it means to start over, and the most accurate way to eat sushi. Jason is then joined by actress, comedian, content creator Dylan Mulvaney who talks about what she's been reading, her new book Paper Doll, and her endless upcoming projects. Jinwoo Chong is the author of the novel Flux, a finalist for the PEN/Hemingway and VCU Cabell First Novel awards, a New York Times Book Review Editors' Choice, and named a best book of the year by Esquire, GQ, and Cosmopolitan. His short stories and other work have appeared in The Southern Review, Guernica, The Rumpus, Literary Hub, Chicago Quarterly Review, and Electric Literature. He lives in New York City.Dylan Mulvaney is an actress, comedian and content creator known for her viral series Days of Girlhood which has over 1 billion views across all social media platforms. Dylan was recently named Forbes' 30 under 30, Out 100 and Attitude Magazine's Woman of the Year for 2023. To celebrate her first year of transition, Dylan produced a live show - Day 365 - at The Rainbow Room to support The Trevor Project and raised nearly two hundred thousand for queer youth. Dylan is a graduate of the Cincinnati Conservatory of Music and has performed in the Broadway musical Book of Mormon in the US, Canada and Mexico. Her greatest hope is to bring trans stories and queer joy to mainstream media.BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.comWATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

  Navigating Grief as Venus descends into the Underworld, and we with her, to bring back skookum leadership to the 2 leggeds…. Caroline welcomes part 2 Eiren Caffall, and “All the Water in the World,” a novel that makes its way into our dreams, navigating the grief of a collapsing world…. resonant – pertinent to us all now…. “All the Water in the World,' “The World As it Was” “The World As It Is” And the World that is coming for all of us…. EirenCaffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Writer's Digest, Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, and other publications. https://www.eirencaffall.com/the-weight-of-all-the-water-in-the-world/     *Woof*Woof*Wanna*Play?!?* · www.CoyoteNetworkNews.com · The Visionary Activist Show on Patreon The post The Visionary Activist Show – Navigating Grief Part II appeared first on KPFA.

Charlotte Wood is the author of seven novels and three books of non-fiction. Her novel Stone Yard Devotional was shortlisted for the 2024 Booker Prize. Her previous books include The Luminous Solution, a book of essays on the creative process; the international bestseller, The Weekend; and The Natural Way of Things which won a number of prizes including The Stella Prize and the Prime Minister's Literary Award. Her features and essays have appeared in The New York Times, The Guardian, Literary Hub, The Sydney Morning Herald and The Saturday Paper among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

  Navigating Grief May collapse make us all kinder and kinned…. Caroline welcomes the return of Eiren Caffall, author of “the Mourner's Bestiary,” And now, her novel, “All the Water in the World,' “The World As it Was” “The World As It Is” And the World that is coming for all of us…. Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Writer's Digest, Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and the anthology Elementals: Volume IV. Fire, (The Center for Humans and Nature, 2024). She received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and residencies at the Banff Centre, Millay Colony, Hedgebrook, and Ragdale. Her books include her memoir The Mourner's Bestiary (Row House Publishing, 2024) and her novel All the Water in the World (St. Martin's Press, 2025).       *Woof*Woof*Wanna*Play?!?* · www.CoyoteNetworkNews.com · The Visionary Activist Show on Patreon The post The Visionary Activist Show – Navigating Grief appeared first on KPFA.