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4 episodes with seven moons
4 episodes with seven moons
4 episodes with seven moons
3 episodes with seven moons
2 episodes with seven moons
2 episodes with seven moons
2 episodes with seven moons
2 episodes with seven moons
2 episodes with seven moons
PT: Bem-vindos ao sétimo episódio de Beijos Poéticos! Hoje, cruzamos o mistério do número sete com a leveza e a liberdade das borboletas, celebrando a metamorfose que nos liberta.Neste episódio, trago a força magnética de Natália Correia com o poema "Sete Luas", recordo o primeiro volume publicado do meu livro "Animais Poéticos" com a participação muito especial da Sofia em 2020, e viajo até uma tarde quente de 2018 na Praia do Estoril para dar vida ao tema musical "Não há borboletas na praia".
Liv and I once again embark on our labor of love as we consider the novel The Seven Moons of Maali Almeida by Shehan Karunatilaka and the 2014 SquareEnix game Murdered: Soul Suspect. Death, deduction, ghosts, regret, discursive thinking, the limits of political art, and more! An action packed episode, with a live show coming next week to boot! Check that out at youtube.com/@aveyclub Learn more about your ad choices. Visit megaphone.fm/adchoices
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Lisa discusses The Seven Moons of Maali Almeida by Shehan Karunatilaka. This book was awarded the Booker Prize in 2022, which is one of the most prestigious literature awards internationally. Other books discussed: Lincoln in the Bardo by George Saunders
Actor Nina Sosanya and prize winning poet and writer Joelle Taylor talk favourite books with Harriett.Nina chooses Sally Jones and the False Rose by Jakob Wegelius, a children's novel with a mute gorilla engineer as its protagonist. The book appeals to Nina's love of engineering, and the city of Glasgow!Joelle nominates Booker Prize winning The Seven Moons of Maali Almeida by Sri Lankan writer Shehan Karunatilaka, about a man killed in the Sri Lankan civil war, seeking answers in the afterlife.Harriett's choice is Tasting Sunlight by Ewald Arenz, a novel set in the German countryside at the tail end of summer, featuring two women with mysterious back stories.Two of the choices are novels in translation, which prompts a chat about whether translated books are becoming more commonProduced for BBC Audio Bristol by Sally Heaven Follow us on instagram: agoodreadbbc
Actor Nina Sosanya and prize winning poet and writer Joelle Taylor talk favourite books with Harriett. Nina chooses Sally Jones and the False Rose by Jakob Wegelius, a children's novel with a mute gorilla engineer as its protagonist. The book appeals to Nina's love of engineering, and the city of Glasgow!Joelle nominates Booker Prize winning The Seven Moons of Maali Almeida by Sri Lankan writer Shehan Karunatilaka, about a man killed in the Sri Lankan civil war, seeking answers in the afterlife.Harriett's choice is Tasting Sunlight by Ewald Arenz, a novel set in the German countryside at the tail end of summer, featuring two women with mysterious back stories.Two of the choices are novels in translation, which prompts a chat about whether translated books are becoming more common.Produced for BBC Audio Bristol by Sally Heaven Follow us on instagram: agoodreadbbc
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life's big questions?MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people's perceptions and experiences, fostering understanding and connection.ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax's Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.JOHNJOE McFADDEN (Author of Life is Simple: How Occam's Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life's big questions?MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people's perceptions and experiences, fostering understanding and connection.ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax's Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.JOHNJOE McFADDEN (Author of Life is Simple: How Occam's Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life's big questions?MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people's perceptions and experiences, fostering understanding and connection.ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax's Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.JOHNJOE McFADDEN (Author of Life is Simple: How Occam's Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life's big questions?MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people's perceptions and experiences, fostering understanding and connection.ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax's Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.JOHNJOE McFADDEN (Author of Life is Simple: How Occam's Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life's big questions?MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people's perceptions and experiences, fostering understanding and connection.ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax's Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.JOHNJOE McFADDEN (Author of Life is Simple: How Occam's Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life's big questions?MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people's perceptions and experiences, fostering understanding and connection.ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax's Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.JOHNJOE McFADDEN (Author of Life is Simple: How Occam's Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life's big questions?MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people's perceptions and experiences, fostering understanding and connection.ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax's Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.JOHNJOE McFADDEN (Author of Life is Simple: How Occam's Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life's big questions?MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people's perceptions and experiences, fostering understanding and connection.ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax's Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.JOHNJOE McFADDEN (Author of Life is Simple: How Occam's Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life's big questions?MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people's perceptions and experiences, fostering understanding and connection.ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax's Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.JOHNJOE McFADDEN (Author of Life is Simple: How Occam's Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life's big questions?MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people's perceptions and experiences, fostering understanding and connection.ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax's Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.JOHNJOE McFADDEN (Author of Life is Simple: How Occam's Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books.Please consider supporting ARB's Patreon!Credits:Guest: Roseanna PendleburyHost: Jake Casella BrookinsMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughIn Memoriam:Alan Jeffrey & Cameron Estrich-WatsonReferences:Tor's The Most Iconic Speculative Fiction Books of the 21st CenturyJo Walton's commentary on putting together those listsAdam Roberts, Greg EganKatherine Addison's The Goblin EmperorJacqueline Carey's Kushiel's DartSeth Dickinson's The Traitor Baru CormorantC.J. Cherryh's RimrunnersMichael Ende's The Neverending StoryCarl Sagan's ContactWilliam Goldman's The Princess BrideMartin MacInnes' In AscensionSamantha Harvey's OrbitalWilliam Gibson's NeuromancerIndra Das's The Last Dragoners of BowbazarBruce Coville- Aliens Ate My Homework & Jeremy Thatcher, Dragon HatcherRobin Sloan- Mr. Penumbra's 24-Hour Bookstore, Sourdough, MoonboundNerds of a FeatherWorldconCentre for Fantasy and Fantastic at the University of GlasgowChristopher Priest & Nina AllanAdrian Tchaikovsky's City of Last Chances, House of Open Wounds, Days of Shattered FaithTerry Pratchett's DiscworldThe New WeirdReaderconEmily Tesh's acceptance speechWorld Fantasy ConventionAcademic Conference on Canadian Science Fiction and FantasyEasterconOctothorpeVajra Chandrasekera's The Saint of Bright DoorsScience Fiction Awards DatabaseMarisa Crane's I Keep My Exoskeletons to MyselfMartha Wells' Murderbot seriesPaul Lynch's Prophet SongShehan Karunatilaka's Seven Moons of Maali AlmeidaMolly Templeton's “The Joy of Reading Books You Don't Entirely Understand”Colson Whitehead, Marlon JamesEmily Tesh's Some Desperate GloryNana Kwame Adjei-Brenyah's Chain Gang All-StarsWole Talabi's Shigidi and the Brass Head of ObalufonCadwell Turnbull's No Gods No Monsters & We Are The CrisisS.L. Huang's The Water OutlawsMoniquill Blackgoose's To Shape a Dragon's BreathAlissa Hatman's SiftSarah Cypher's The Skin and Its GirlIsabel Waidner's Corey Fah Does Social MobilityAlaya Dawn Johnson's The Library of Broken WorldsRebecca Campbell's ArborealityVajra Chandrasekera's Rakesfallaugust clarke's Metal from HeavenJared Pechaček's The West PassageEmet North's In UniversesJohannes Anyuru's IxellesKaliane Bradley's The Ministry of TimeMadeline L'EnglePremee Mohamed- The Siege of Burning Grass, The Butcher of the Forest, & The Rider, the Ride, the Rich Man's WifeSeth Dickinson's ExordiaSofia Samatar's The Practice, the Horizon, and the ChainNeon HemlockAlex Jeffer's A Mourning CoatLuna PressLorraine Wilson's The Last to DrownGreg Egan's MorphotropicSolvej Balle's On the Calculation of VolumeAbigail Nussbaum's Track ChangesJordan S. Carroll's Speculative WhitenessCamestros Felapton's DebarklePositron 2020 ReportCleveland Review of Books, The Brooklyn Rail, TypebarIsaac Fellman's Notes from a RegicideEmily Tesh's The IncandescentAmal El-Mohtar's The River Has RootsKatherine Addison's The Tomb of DragonsR.F. Kuang's KatabasisNatalia Theodoridou's Sour CherryYoon Ha Lee's Code & CodexOliver K. Langmead & Aliya Whiteley's City of All SeasonsNew David Mitchell?Lincoln Michel's Metallic RealmsRay Nayler's Where the Axe Is BuriedTochi Onyebuchi's Harmattan SeasonLeena Krow's Sinkhole, and Other Inexplicable VoidsAmplitudes, edited by Lee MandeloScience Fiction Research AssociationPremee Mohamed, One Message RemainsStephen King writingRoseanna's “Small Press Dispatch” column at ARB
Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books.Please consider supporting ARB's Patreon!Credits:Guest: Roseanna PendleburyHost: Jake Casella BrookinsMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughIn Memoriam:Alan Jeffrey & Cameron Estrich-WatsonReferences:Tor's The Most Iconic Speculative Fiction Books of the 21st CenturyJo Walton's commentary on putting together those listsAdam Roberts, Greg EganKatherine Addison's The Goblin EmperorJacqueline Carey's Kushiel's DartSeth Dickinson's The Traitor Baru CormorantC.J. Cherryh's RimrunnersMichael Ende's The Neverending StoryCarl Sagan's ContactWilliam Goldman's The Princess BrideMartin MacInnes' In AscensionSamantha Harvey's OrbitalWilliam Gibson's NeuromancerIndra Das's The Last Dragoners of BowbazarBruce Coville- Aliens Ate My Homework & Jeremy Thatcher, Dragon HatcherRobin Sloan- Mr. Penumbra's 24-Hour Bookstore, Sourdough, MoonboundNerds of a FeatherWorldconCentre for Fantasy and Fantastic at the University of GlasgowChristopher Priest & Nina AllanAdrian Tchaikovsky's City of Last Chances, House of Open Wounds, Days of Shattered FaithTerry Pratchett's DiscworldThe New WeirdReaderconEmily Tesh's acceptance speechWorld Fantasy ConventionAcademic Conference on Canadian Science Fiction and FantasyEasterconOctothorpeVajra Chandrasekera's The Saint of Bright DoorsScience Fiction Awards DatabaseMarisa Crane's I Keep My Exoskeletons to MyselfMartha Wells' Murderbot seriesPaul Lynch's Prophet SongShehan Karunatilaka's Seven Moons of Maali AlmeidaMolly Templeton's “The Joy of Reading Books You Don't Entirely Understand”Colson Whitehead, Marlon JamesEmily Tesh's Some Desperate GloryNana Kwame Adjei-Brenyah's Chain Gang All-StarsWole Talabi's Shigidi and the Brass Head of ObalufonCadwell Turnbull's No Gods No Monsters & We Are The CrisisS.L. Huang's The Water OutlawsMoniquill Blackgoose's To Shape a Dragon's BreathAlissa Hatman's SiftSarah Cypher's The Skin and Its GirlIsabel Waidner's Corey Fah Does Social MobilityAlaya Dawn Johnson's The Library of Broken WorldsRebecca Campbell's ArborealityVajra Chandrasekera's Rakesfallaugust clarke's Metal from HeavenJared Pechaček's The West PassageEmet North's In UniversesJohannes Anyuru's IxellesKaliane Bradley's The Ministry of TimeMadeline L'EnglePremee Mohamed- The Siege of Burning Grass, The Butcher of the Forest, & The Rider, the Ride, the Rich Man's WifeSeth Dickinson's ExordiaSofia Samatar's The Practice, the Horizon, and the ChainNeon HemlockAlex Jeffer's A Mourning CoatLuna PressLorraine Wilson's The Last to DrownGreg Egan's MorphotropicSolvej Balle's On the Calculation of VolumeAbigail Nussbaum's Track ChangesJordan S. Carroll's Speculative WhitenessCamestros Felapton's DebarklePositron 2020 ReportCleveland Review of Books, The Brooklyn Rail, TypebarIsaac Fellman's Notes from a RegicideEmily Tesh's The IncandescentAmal El-Mohtar's The River Has RootsKatherine Addison's The Tomb of DragonsR.F. Kuang's KatabasisNatalia Theodoridou's Sour CherryYoon Ha Lee's Code & CodexOliver K. Langmead & Aliya Whiteley's City of All SeasonsNew David Mitchell?Lincoln Michel's Metallic RealmsRay Nayler's Where the Axe Is BuriedTochi Onyebuchi's Harmattan SeasonLeena Krow's Sinkhole, and Other Inexplicable VoidsAmplitudes, edited by Lee MandeloScience Fiction Research AssociationPremee Mohamed, One Message RemainsStephen King writingRoseanna's “Small Press Dispatch” column at ARB
This week we are so excited to invite Sri Ramesh of Brown Girl Bookshelf to chat with us! Last week, Neha and Shruti got into some of their critiques of The Seven Moons of Maali Almeida, and this week, Sri is here to tell us what she loved about. Will she change our minds?We also talk more broadly about Sri Lankan literature, the Booker prize, book endings, and our reading idiosyncrasies.LinksWhat Makes a Book a 'Classic'? [The Novel Tea Newsletter archive]BooksA Passage North by Anuk ArudpragasamStory of a Brief Marriage by Anuk ArudpragasamBrotherless Night by V. V. GaneshanathanThe Year of the Runaways by Sunjeev SahotaA Little Life by Hanya YanagiharaGoodbye Vitamin by Rachel KhongBird Milk & Mosquito Bones: A Memoir by Priyanka MattooA Fine Balance by Rohinton MistryThe Message by Ta-Nehisi CoatesThe Luminaries by Eleanor CattonThe Inheritance of Loss by Kiran DesaiThe God of Small Things by Arundhati RoyHomeland Elegies by Ayad AkhtarChai Time at Cinnamon Gardens by Shankari ChandranIf you would like to get additional behind-the-scenes content related to this and all of our episodes, subscribe to our free newsletter.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.
Neha and Shruti discuss The Seven Moons of Maali Almeida, a book that starts with the death of a photographer and follows him in the afterlife as he attempts to find his murderer and his missing photographs. We talk about the nature of death and the afterlife, and share historical context about the Sri Lankan Civil War. We also explore why people might be afraid to critize books, particularly works by marginalized communities.Books mentioned & Shelf DiscoveryHalf of a Yellow Sun by Chimamanda Ngozi AdichieThe Luminaries by Eleanor CattonThe Great Indian Novel by Shashi TharoorThe Sympathizer by Viet Thanh NguyenSlaughterhouse Five by Kurt VonnegutIf you would like to get additional behind-the-scenes content related to this and all of our episodes, subscribe to our free newsletter.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.
Get in the spirit for the City of Oak Creek's upcoming cultural festival with these great reading recommendations featuring books by authors from all over the world. Learn more about C.A.F.E. - A Celebration of Culture: https://www.oakcreekwi.gov/visitor/events/farmers-market/cafe-a-cultural-event Check out what we talked about: Books mentioned: "The Seven Moons of Maali Almeida" by Shehan Karunatilaka with readalike "Someone Else's Bucket List" by Amy T. Matthews. "A Wild Sheep Chase" by Haruki Murakami with readalike "The Elephant Vanishes" by the same author. "Prophet Song" by Paul Lynch with readalike "The Bee Sting" by Paul Murray. "The God of Small Things" by Arundhati Roy with readalike "The Ministry of Utmost Happiness" by the same author. "Between Shades of Grey" AKA "Ashes in the Snow" by Ruta Sepetys with readalike "Only the Beautiful" by Susan Meissner. "The Sound of Things Falling" by Juan Gabriel Vásquez with readalikes "Retrospective" and "The Shape of the Ruins" by the same author. To access complete transcripts for all episodes of Not Your Mother's Library, please visit: oakcreeklibrary.org/podcast Check out books, movies, and other materials through the Milwaukee County Federated Library System: countycat.mcfls.org hoopladigital.com wplc.overdrive.com oakcreeklibrary.org
In the second episode in a mini-series on international order, Darren is joined by Dr. Jenny Gordon to discuss the international economic order. Over the past 40 years Australia has arguably been the single greatest beneficiary of the post-war economic order, at least among the group of industrialised countries. But from the GFC to Brexit to paralysis in the WTO to the rise of weaponised interdependence, geoeconomics and industrial policy, the rules and institutions of that old economic order – and the international trade and investment that flourished within it – are all under threat. Dr Jenny Gordon is an Honorary Professor at POLIS: The Centre for Social Policy Research at the Australian National University and a non-resident fellow at the Lowy Institute. Jenny had a long career in government, most recently as Chief Economist at DFAT from 2019 to 2021. Prior to that she spent 10 years at the Productivity Commission as the Principal Advisor Research, worked in the private sector, and began her professional career at the Reserve Bank of Australia. She holds a PhD in economics from Harvard University. The conversation begins with the question: what was the old economic order, when did it begin and what did it do? As an economist, Jenny says the end of the Cold War is not a key turning point for the post-war economic order, one must go back to the 1970s and forward to 2000s find these turning points. She describes why the order worked well and how Australia did so well within it. The discussion moves to the problems and tensions that emerged that have led us to the current moment, and the two debate – and disagree slightly – on the actual state of the current economic order. Finally, they look to the future, and discuss industrial policy, climate change, alternative models of economic growth and, of course, geopolitics, as well as what the rules and institutions of the future might need to do to protect the benefits of economic openness while managing contemporary policy challenges like climate change. Australia in the World is written, hosted, and produced by Darren Lim, with research and editing this episode by Walter Colnaghi and theme music composed by Rory Stenning. Relevant links Jenny Gordon (bio): https://www.lowyinstitute.org/jenny-gordon The Seven Moons of Maali Almeida: https://en.wikipedia.org/wiki/The_Seven_Moons_of_Maali_Almeida Peter Bellwood, The Five-Million-Year Odyssey: The Human Journey from Ape to Agriculture: https://press.princeton.edu/books/hardcover/9780691197579/the-five-million-year-odyssey 99 Percent Invisible (podcast): https://99percentinvisible.org/ Lupin (Netflix): https://www.netflix.com/au/title/80994082 Huberman Lab Podcast, “Dr. Becky Kennedy: Protocols for Excellent Parenting & Improving Relationships of All Kinds”, 26 February 2024: https://www.hubermanlab.com/episode/dr-becky-kennedy-protocols-for-excellent-parenting-improving-relationships-of-all-kinds
In this episode I sit down with Laura Blythe, a citizen of the Eastern Band Cherokee Indians, as she shares her transformative experience through mountain biking. We delve into the Seven Moons Mountain Biking program, where Laura intertwines her vibrant Cherokee heritage into every pedal stroke on the Fire Mountain Trails system. Discover how this program transcends fitness, serving as a bridge between past and present, while nurturing a community that rides together and grows together.Laura paints a vivid picture of the Seven Moons program, where participants pedal through rides rich with Cherokee language, myths, and history, fostering a deeper connection to their roots and promoting physical and mental well-being. Through her narrative, we uncover the program's broader ambitions for youth outreach and cultural preservation, aiming to cultivate a new generation of bikers who carry the torch for their heritage with pride.7 Moons MTBEastern Band Cherokee IndiansFire Mountain Trails Cherokee, NCMADE X MTNSOutdoor Equity FundMike AndressHost, Exploration Local828-551-9065mike@explorationlocal.comPodcast WebsiteFacebookInstagram: explorationlocal
Join us this week as we give our empathy muscles a workout and chat about six of the best contemporary memoirs we've read recently. Saph recommends This Is Not A Pity Memoir by Abbi Morgan, Taking Sides: A Memoir About Love, War, and Changing the World by Sherine Tadros, and The Best Minds: A Story of Friendship, Madness, and the Tragedy of Good Intentions by Jonathan Rosen. Joseph recommends Stay True by Hua Hsu, In The Dream House by Carmen Maria Machado, and Also A Poet: Frank O'Hara, My Father, and Me by Ada Calhoun. Also this week, Joseph read The Wrong End of the Telescope by Rabih Alameddine and Saph read The Lathe of Heaven by Ursula K. Le Guin This week's listener recommendation request comes from Sara who loved The Girl With The Louding Voice by Abi Daré and is looking for similar books. Joseph recommends Half A Yellow Sun by Chimamanda Ngozi Adichie, and Saph recommends The Seven Moons of Mali Almeida by Shehan Karunatilaka. Also mentioned in this episode:The Left Hand of Darkness by Ursula K. Le GuinWar Stories by Jeremy BowenBoy Friends by Michael PedersenFriendaholic by Elizabeth Day Platonic: How Understanding Your Attachment Style Can Help You Make and Keep Friends by Marisa G FrancoSee the Novel Thoughts bookshop page for all books mentioned in this episode. Hosted on Acast. See acast.com/privacy for more information.
Website - www.perksofbeingabooklover.com. Instagram @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message, go to our website and click the Contact button. Books Mentioned in this Episode: 1- Paddling North by Audrey Sutherland (Rec by Ritu Mukerji) 2- Buddenbrooks by Thomas Mann (Rec by Anna Pitoniak) 3- The Creative Act by Rick Rubin (Rec by Anna Pitoniak) 4- Working by Robert Caro (Rec by Rachel M. Harper) 5- The Seven Moons of Maali Almeida by Shehan Karunatilaka (Rec by Mel Joulwan of Strong Sense of Place Podcast) 6- A Stranger in the Woods by Michael Finkel (Rec by David Humphries of Strong Sense of Place Podcast) 7- The Gilded Page by Mary Wellesley (Rec by Kristine Eckart of Gilmore Book Club) 8- Ink Blood Sister Scribe by Emma Torzs (Rec by Kristine Eckart of Gilmore Book Club) 9- Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett (Rec by Kika Hatzapoulou) 10- All the Sinners Bleed by SA Cosby (Rec by Katrina Kittle) 11- Happiness Falls by Angie Kim (Rec by Katrina Kittle) 12- Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the 20th Century by Dana Stephens (Rec by Mick Sullivan of The Past and The Curious Podcast) 13- River of Shadows: Eadweard Muybridge and the Technological Wild West by Rebecca Solnit (Rec by Mick Sullivan of The Past and the Curious Podcast) 14- If We Were Villains by ML Rio (Rec by Katrina Monroe) 15- The Wanderers by Meg Howrey (Rec by Lydia Welker of the Appalachian Prison Book Project) 16- Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin (Rec by Kelsey Madges, middle school librarian) Carrie's Favorite Books of the Year 1- The Book Eaters by Sunyi Dean 2- Atomic Family by Ciera Horton McElroy 3- Luckenbooth by Jenni Fagan 4- Bea Wolf by Zach Weinersmith 5- We All Wants Impossible Things by Catherine Newman Amy's Favorite Books of the Year 1- Killers of a Certain Age by Deanna Raybourn 2- Nettle & Bone by T. Kingfisher 3- Martin Marten by Brian Doyle 4- Landings: A Crooked Creek Farm Year by Arwen Donahue 5- The Keeper by Kelcey Ervick 6- Horse by Geraldine Brooks Other Recommendations: 1- American Murderer by Gail Jarrow 2- Walking with Sam: A Father, a Son, and 500 Miles Across Spain by Andrew McCarthy 3- These Silent Woods by Kimi Cunningham Grant 4- Strangers on a Train by Patricia Highsmith 5- Nora Goes Off Script by Annabel Monaghan 6- The Sweetness of Water by Nathan Harris 7- Blacktop Wasteland by SA Cosby 8- Wool by Hugh Howey (and the TV adaptation on Apple + called Silo) Escambia County Dictionary Ban - www.usatoday.com/story/news/natio…ban/72202686007/
Website - www.perksofbeingabooklover.com. Instagram @perksofbeingabookloverpod Facebook - Perks of Being a BookLover. To send us a message, go to our website and click the Contact button. Books Mentioned in this Episode: 1- Paddling North by Audrey Sutherland (Rec by Ritu Mukerji) 2- Buddenbrooks by Thomas Mann (Rec by Anna Pitoniak) 3- The Creative Act by Rick Rubin (Rec by Anna Pitoniak) 4- Working by Robert Caro (Rec by Rachel M. Harper) 5- The Seven Moons by Maali Almeida by Shehan Karunatilaka (Rec by Mel Joulwan of Strong Sense of Place Podcast) 6- A Stranger in the Woods by Michael Finkel (Rec by David Humphries of Strong Sense of Place Podcast) 7- The Gilded Page by Mary Wellesley (Rec by Kristine Eckart of Gilmore Book Club) 8- Ink Blood Sister Scribe by Emma Torzs (Rec by Kristine Eckart of Gilmore Book Club) 9- Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett (Rec by Kika Hatzapoulou) 10- All the Sinners Bleed by SA Cosby (Rec by Katrina Kittle) 11- Happiness Falls by Angie Kim (Rec by Katrina Kittle) 12- Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the 20th Century by Dana Stephens (Rec by Mick Sullivan of The Past and The Curious Podcast) 13- River of Shadows: Eadweard Muybridge and the Technological Wild West by Rebecca Solnit (Rec by Mick Sullivan of The Past and the Curious Podcast) 14- If We Were Villains by ML Rio (Rec by Katrina Monroe) 15- The Wanderers by Meg Howrey (Rec by Lydia Welker of the Appalachian Prison Book Project) 16- Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin (Rec by Kelsey Madges, middle school librarian) Carrie's Favorite Books of the Year 1- The Book Eaters by Sunyi Dean 2- Atomic Family by Ciera Horton McElroy 3- Luckenbooth by Jenni Fagan 4- Bea Wolf by Zach Weinersmith 5- We All Wants Impossible Things by Catherine Newman Amy's Favorite Books of the Year 1- Killers of a Certain Age by Deanna Raybourn 2- Nettle & Bone by T. Kingfisher 3- Martin Marten by Brian Doyle 4- Landings: A Crooked Creek Farm Year by Arwen Donahue 5- The Keeper by Kelcey Ervick 6- Horse by Geraldine Brooks Other Recommendations: 1- American Murderer by Gail Jarrow 2- Walking with Sam: A Father, a Son, and 500 Miles Across Spain by Andrew McCarthy 3- These Silent Woods by Kimi Cunningham Grant 4- Strangers on a Train by Patricia Highsmith 5- Nora Goes Off Script by Annabel Monaghan 6- The Sweetness of Water by Nathan Harris 7- Blacktop Wasteland by SA Cosby 8- Wool by Hugh Howey (and the TV adaptation on Apple + called Silo) Escambia County Dictionary Ban - https://www.usatoday.com/story/news/nation/2024/01/12/escambia-county-florida-dictionary-ban/72202686007/
Harriett Gilbert and readers around the globe talk to acclaimed Sri Lankan writer Shehan Karunatilaka about his Booker Prize-winning novel The Seven Moons of Maali Almeida.Almeida, a gay war photographer, recently deceased, with secrets aplenty, awakes to find himself sitting in line in an ethereal visa office, determined to find out who has murdered him. In a Sri Lanka beset by civil war, death squads and terrorist bombs, the list of suspects is long. He has 'seven moons', a week, to make contact with and steer his two closest friends to the evidence stash that could uncover the culprit and change the course of his country's destiny. Navigating the afterlife with a mix of sardonic wit and streetwise sensibility Maali roams wartorn Columbo confronting the ghosts and murderers who haunt Sri Lanka, in a country where the past is never really dead.(Image: Shehan Karunatilaka. Photo credit: Dominic Sansoni.)
We're only three days away from finding out who will take home the Booker Prize 2023 so who better to speak to than last year's winner? Sri Lankan writer Shehan Karunatilaka won the prize for his searing satire The Seven Moons of Maali Almeida in 2022, and the 13 months since his win has been a whirlwind of activity. This week, Shehan joins us on the podcast to tell us all about the past year and what the 2023 winner can expect on the night of the award ceremony and beyond. In this episode Jo and James speak to Shehan about: What it's like to be at the Booker Prize award ceremony – and how it felt to be announced as the 2022 winner The strangeness of winning the Booker Prize amidst economic crisis and civil unrest in Sri Lanka The impossibility of making an acceptance speech in one minute Why he paints his fingernails black How he spent his prize money The whirlwind that has been the 13 months since he won the Booker Prize His daily writing and reading routine Books and authors mentioned: The Seven Moons of Maali Almeida by Shehan Karunatilaka Agatha Christie Salman Rushdie Raymond Chandler John le Carré Armistead Maupin A full transcript of the episode is available at our website. Follow The Booker Prize Podcast so you never miss an episode. Visit http://thebookerprizes.com/podcast to find out more about us, and follow us on Twitter, Instagram, Facebook and Tiktok @thebookerprizes. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, I chat with Natania Jansz co-owner of Sort of Books about what led her to start a publishing company with her partner, Mark Ellingham in 1999, book cover designers, distribution for indie publishers, and author Shehan Karunatilaka's novel The Seven Moons of Maali Almeida winning the 2022 Booker Prize.Sort of Books is an independent publisher of both original and classic fiction and non-fiction titles. Mark Ellingham and Natania Jansz, creators of the Rough Guide travel series, founded Sort of Books in 1999 mainly to help their friend Chris Stewart launch his debut book Driving Over Lemons which became a surprise UK bestseller, eventually selling more than a million copies. Fired by its success, they have hand-picked three or four titles each year since.In 2022, Sort of Books published Shehan Karunatilaka's novel The Seven Moons of Maali Almeida, which went on to win the 2022 Booker Prize. In short, Sort of Books publish the sort of books they feel proud of. Books you'll want to discover and re-discover.Sort of BooksThe Seven Moons Of Maali Almeida, Shehan KarunatilakaMaria EdgeworthTove JanssonOn Writing And Failure, Stephen MarcheLadie's Lunch: And Other Stories, Lore SegalSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links
"I was very inspired to know that humans are not the be-all and end-all. We're just one state. But you could be in this state of consciousness, this kind of godly state, even a demonic state, but also the fact that all living creatures had souls and were affected by karma. And this is something we tend to forget, especially because animals are so tasty and therefore we have to justify slaughtering them on such a mass scale. So we want to believe that they don't count. Or they are somehow lesser souls than us. The cat doesn't believe that it's a pet. The cat believes they are the center of the universe. I'm sure the cockroach believes that they are the center of the universe, just as we do. And back to the thing you said: how our bodies inform our view. I think every living creature suffers and experiences joy. And therefore it's convenient for us to say that certain things don't have souls...whatever the soul is."What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
"So this was the decision to write in the second person. A lot of people ask me: why? There are not many examples of this technique. The reason I opted for that is I was trying to figure out interviewing a ghost. And one of the challenges was: what does a disembodied voice sound like? The narrator's body has been chopped up and chucked in a lake.So, I figured that if anything survives the death of your body, it's perhaps the voice in your head. The voice in my head is in the second person. I don't know about your head or anyone else's head, but in mine, it's the second person. It's almost like someone else telling me: Yeah, you should have worn a better shirt for this interview. You should have read a better chapter. And it's almost like someone is talking to me. And I tried this technique, and I think Maali Almeida also questions. Who is the you that's telling the story? And this is addressed. We've all had experiences where we've done something or said something and we've thought: what was I thinking? Why did I do that? And what made me do that? And so Maali also ponders: Is the voice telling the story, is that me, or is it someone else? Is there a spirit? Because he observes that spirits, because they're so bored - because I have to also figure out what ghosts do all day? Because we know in horror movies, ghosts turn up and be scary. And I don't know if there are resolutions in the book, but there is the idea that maybe are your thoughts your own? Or is someone else whispering them to you?"What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"So this was the decision to write in the second person. A lot of people ask me: why? There are not many examples of this technique. The reason I opted for that is I was trying to figure out interviewing a ghost. And one of the challenges was: what does a disembodied voice sound like? The narrator's body has been chopped up and chucked in a lake.So, I figured that if anything survives the death of your body, it's perhaps the voice in your head. The voice in my head is in the second person. I don't know about your head or anyone else's head, but in mine, it's the second person. It's almost like someone else telling me: Yeah, you should have worn a better shirt for this interview. You should have read a better chapter. And it's almost like someone is talking to me. And I tried this technique, and I think Maali Almeida also questions. Who is the you that's telling the story? And this is addressed. We've all had experiences where we've done something or said something and we've thought: what was I thinking? Why did I do that? And what made me do that? And so Maali also ponders: Is the voice telling the story, is that me, or is it someone else? Is there a spirit? Because he observes that spirits, because they're so bored - because I have to also figure out what ghosts do all day? Because we know in horror movies, ghosts turn up and be scary. And I don't know if there are resolutions in the book, but there is the idea that maybe are your thoughts your own? Or is someone else whispering them to you?"What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore."So this was the decision to write in the second person. A lot of people ask me: why? There are not many examples of this technique. The reason I opted for that is I was trying to figure out interviewing a ghost. And one of the challenges was: what does a disembodied voice sound like? The narrator's body has been chopped up and chucked in a lake.So, I figured that if anything survives the death of your body, it's perhaps the voice in your head. The voice in my head is in the second person. I don't know about your head or anyone else's head, but in mine, it's the second person. It's almost like someone else telling me: Yeah, you should have worn a better shirt for this interview. You should have read a better chapter. And it's almost like someone is talking to me. And I tried this technique, and I think Maali Almeida also questions. Who is the you that's telling the story? And this is addressed. We've all had experiences where we've done something or said something and we've thought: what was I thinking? Why did I do that? And what made me do that? And so Maali also ponders: Is the voice telling the story, is that me, or is it someone else? Is there a spirit? Because he observes that spirits, because they're so bored - because I have to also figure out what ghosts do all day? Because we know in horror movies, ghosts turn up and be scary. And I don't know if there are resolutions in the book, but there is the idea that maybe are your thoughts your own? Or is someone else whispering them to you?"www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto credit: David Parry/Booker Prize Foundation
"I was very inspired to know that humans are not the be-all and end-all. We're just one state. But you could be in this state of consciousness, this kind of godly state, even a demonic state, but also the fact that all living creatures had souls and were affected by karma. And this is something we tend to forget, especially because animals are so tasty and therefore we have to justify slaughtering them on such a mass scale. So we want to believe that they don't count. Or they are somehow lesser souls than us. The cat doesn't believe that it's a pet. The cat believes they are the center of the universe. I'm sure the cockroach believes that they are the center of the universe, just as we do. And back to the thing you said: how our bodies inform our view. I think every living creature suffers and experiences joy. And therefore it's convenient for us to say that certain things don't have souls...whatever the soul is."What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore."I was very inspired to know that humans are not the be-all and end-all. We're just one state. But you could be in this state of consciousness, this kind of godly state, even a demonic state, but also the fact that all living creatures had souls and were affected by karma. And this is something we tend to forget, especially because animals are so tasty and therefore we have to justify slaughtering them on such a mass scale. So we want to believe that they don't count. Or they are somehow lesser souls than us. The cat doesn't believe that it's a pet. The cat believes they are the center of the universe. I'm sure the cockroach believes that they are the center of the universe, just as we do. And back to the thing you said: how our bodies inform our view. I think every living creature suffers and experiences joy. And therefore it's convenient for us to say that certain things don't have souls...whatever the soul is."www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto credit: David Parry/Booker Prize Foundation
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore."I was very inspired to know that humans are not the be-all and end-all. We're just one state. But you could be in this state of consciousness, this kind of godly state, even a demonic state, but also the fact that all living creatures had souls and were affected by karma. And this is something we tend to forget, especially because animals are so tasty and therefore we have to justify slaughtering them on such a mass scale. So we want to believe that they don't count. Or they are somehow lesser souls than us. The cat doesn't believe that it's a pet. The cat believes they are the center of the universe. I'm sure the cockroach believes that they are the center of the universe, just as we do. And back to the thing you said: how our bodies inform our view. I think every living creature suffers and experiences joy. And therefore it's convenient for us to say that certain things don't have souls...whatever the soul is."www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto credit: David Parry/Booker Prize Foundation
"I think when the novel went through many revisions and reiterations, a lot of Richard de Zoysa's biography got shared, and Maali Almeida emerged as a character. But that one detail stayed, the fact that he was a closeted gay man. Again, you write by instinct, and also I had to explain why was this privileged Colombo kid, going to these very dangerous places and hanging out with very dodgy characters. So one reason was perhaps ego. He found something he was very good at, and he thought he was bearing witness and doing this great service.I think another reason - and also this idealism that he thought his photographs could change the world - but also I think as a closeted gay man, he could express himself sexually in the war zone. Normal rules didn't apply. And also I think this informed his world. He just believed in being a hedonist and enjoying his sexuality. And the only way he could do that was to go to these dangerous places where no one he knew would be watching.I don't know if I could revise it now and make him heterosexual and have the story work quite as well. So that was the reason. Since then I've been questioned because now that debate is alive and well: the cultural appropriation debate. Are we allowed to write novels from the perspective of characters of different sexualities, genders, and ethnicities?I think we are. I think that's the whole point of being a novelist or being a storyteller is that you are allowed to inhabit other consciousnesses and see the world through other points of view. Of course, you have to do it well. You have to do it with respect. You have to do the empathy. And you have to do it responsibly. I don't think we should be placing boundaries because otherwise, I have to write from a Sinhalese Buddhist, Sri Lankan, middle-aged dude...which is quite boring.I'd like to explore different characters if I'm allowed to write more. So that was really the thinking. It wasn't a political decision. It just felt right for the character, and in the end, it was true to who the character was. And in the end, I think with the plot as well, it gives the novel another dimension."What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore."I think when the novel went through many revisions and reiterations, a lot of Richard de Zoysa's biography got shared, and Maali Almeida emerged as a character. But that one detail stayed, the fact that he was a closeted gay man. Again, you write by instinct, and also I had to explain why was this privileged Colombo kid, going to these very dangerous places and hanging out with very dodgy characters. So one reason was perhaps ego. He found something he was very good at, and he thought he was bearing witness and doing this great service.I think another reason - and also this idealism that he thought his photographs could change the world - but also I think as a closeted gay man, he could express himself sexually in the war zone. Normal rules didn't apply. And also I think this informed his world. He just believed in being a hedonist and enjoying his sexuality. And the only way he could do that was to go to these dangerous places where no one he knew would be watching.I don't know if I could revise it now and make him heterosexual and have the story work quite as well. So that was the reason. Since then I've been questioned because now that debate is alive and well: the cultural appropriation debate. Are we allowed to write novels from the perspective of characters of different sexualities, genders, and ethnicities?I think we are. I think that's the whole point of being a novelist or being a storyteller is that you are allowed to inhabit other consciousnesses and see the world through other points of view. Of course, you have to do it well. You have to do it with respect. You have to do the empathy. And you have to do it responsibly. I don't think we should be placing boundaries because otherwise, I have to write from a Sinhalese Buddhist, Sri Lankan, middle-aged dude...which is quite boring.I'd like to explore different characters if I'm allowed to write more. So that was really the thinking. It wasn't a political decision. It just felt right for the character, and in the end, it was true to who the character was. And in the end, I think with the plot as well, it gives the novel another dimension."www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto credit: David Parry/Booker Prize Foundation
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto credit: David Parry/Booker Prize Foundation
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore."But I always think new ideas are what have led us forward. And new ideas, they come out of the humanities. They come out of understanding the classics, psychology, philosophy, and sociology, and being able to think.I think I'm okay for a couple more books before the robots start writing Booker Prize-winning novels. At the moment I think we're okay because I've tried this technology, and I think it's at the level of a junior copywriter who works hard. The first draft and all of that. But who knows where it's going to go? And we're all reminded this technology is in its infancy. So it's conceivable that these things are going to be writing novels and writing pretty good novels. Perhaps AI can write a formulaic detective thriller? But I don't think it's going to produce a Margaret Atwood or a Salman Rushdie. I think the real challenge is to write stuff that hasn't been written before. And that's what we are all trying to do. So the technology can replicate what's been done before, but the real novels that are going to move us, the stories that are going to move us, are the stuff that hasn't been done before. And that's where I think writers come in. And that's where an understanding of the humanities and being able to come up with new ideas rather than just replicate or rehash new ideas...I think we're still going to need human brains. And there's still room for originality because we think everything's been done, but I think it's just a fraction. There are lots of ideas out there, so I'm hopeful. I'm not too worried. And if this ChatGPT will help me. Instead of spending seven years on a novel, if I can knock out a novel in seven weeks, I'll be happier. The more writing I can do."www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto credit: David Parry/Booker Prize Foundation
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore."The notion that the idea is out there, but you just need to be in a state to receive it, that's a very comforting thought because it takes the onus off of you. You don't have to be a genius. You don't have to be this big creator. You just have to read and keep healthy and keep yourself open and the idea will arrive. And the funny thing is, usually it arrives to you and then you're typing."www.shehanwriter.comhttps://wwnorton.com/books/9781324064824www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto credit: David Parry/Booker Prize Foundation
On this week's episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: a mom win via a bookish fail, and fielding reader retreat questions Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: we both got a bit of education this week learning about publishers versus imprints and discussing our favorites The Fountain: we visit our perfect fountain to make wishes about our reading lives As per usual, time-stamped show notes are below with references to every book and resource we mentioned in this episode. If you'd like to listen first and not spoil the surprise, don't scroll down! We are now including transcripts of the episode (this link only works on the main site). The goal here is to increase accessibility for our fans! *Please note that all book titles linked below are Bookshop affiliate links. Your cost is the same, but a small portion of your purchase will come back to us to help offset the costs of the show. If you'd prefer to shop on Amazon, you can still do so here through our main storefront. Anything you buy there (even your laundry detergent, if you recently got obsessed with switching up your laundry game) kicks a small amount back to us. Thanks for your support!* . . . . 1:36 - Bookish Moment of the Week 6:16 - Current Reads 6:20 - The Sunbearer Trials by Aiden Thomas (Kaytee) 6:25 - The Cemetery Boys by Aiden Thomas 8:28 - The Hunger Games by Suzanne Collins 8:55 - Jaysen Headley aka EzeeKat on Instagram 10:12 - The Senator's Wife by Liv Constantine (Meredith) 12:00 - The Last Mrs. Parrish by Liv Constantine 14:13 - Dele Weds Destiny by Tomi Obaro (Kaytee) 17:27 - The Twist of A Knife by Anthony Horowitz (Meredith) 18:33 - The Sentence is Death by Anthony Horowitz 19:24 - Magpie Murders by Anthony Horowitz 21:38 - The Seven Moons of Maali Almeida by Shehan Karunatilaka (Kaytee) 22:55 - Garcia Street Books 23:15 - The Booker Prize 23:32 - Lincoln in the Bardo by George Saunders 24:51 - The Original by Branden Sanderson and Mary Robinette Kowal (Meredith, audible link) 25:32 - Scribd 29:22 - Publishing Houses and Imprints 30:17 - Flatiron Books 30:18 - Riverhead Books 30:19 - Tor Books 30:20 - Atria Books 30:22 - Balzer + Bray on Instagram 30:44 - Penguin Random House 30:45 - MacMillan 30:46 - Hachette Book Group 32:29 - Sarah's Bookshelves Live 32:25 - Minotaur Books 35:03 - Blackstone Publishing 35:36 - The Guncle by Steven Rowley 36:16 - Simon & Schuster 36:19 - HarperCollins 37:21 - St. Martin's Press 37:22 - Berkley Books 37:24 - Harlequin Books 39:18 - Legend and Lattes by Travis Baldree 40:16 - Psalm for the Wild Built by Becky Chambers 42:27 - Meet Us At The Fountain 42:35 - I wish for everyone to follow Jaysen Headley @ezeekat on socials and reach out to him about coming on the podcast! (Kaytee) 42:37 - Jaysen Headley aka EzeeKat on Instagram 44:10 - I wish everyone would read Bird Box, a great summer read by Josh Malerman (Meredith) 44:10 - Bird Box by Josh Malerman 45:23 - Daphne by Josh Malerman Connect With Us: Meredith is @meredith.reads on Instagram Kaytee is @notesonbookmarks on Instagram Mary is @maryreadsandsips on Instagram Roxanna is @roxannatheplanner on Instagram currentlyreadingpodcast.com @currentlyreadingpodcast on Instagram currentlyreadingpodcast@gmail.com Support us at patreon.com/currentlyreadingpodcast and www.zazzle.com/store/currentlyreading
My guest in this week's Book Club podcast is Shehan Karunatilaka, author of last year's Booker Prize winner The Seven Moons of Maali Almeida. Shehan tells me about writing a novel whose protagonist is dead on page one, about putting the chaos of Sri Lanka's long civil war on the page, and about the importance of Shakin' Stevens to a teenager in 1980s Colombo.
This week, Liberty and Danika discuss White Horse, The Banned Bookshop of Maggie Banks, The Seven Moons of Maali Almeida, and more great books. Follow All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. And sign up for the weekly New Books! newsletter for even more new book news. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. For a complete list of books discussed in this episode, visit our website. BOOKS DISCUSSED ON THE SHOW: White Horse by Erika T. Wurth The Banned Bookshop of Maggie Banks by Shauna Robinson The Best American Essays 2022 edited by Alexander Chee, Robert Atwan The Best American Food Writing 2022 by Sohla El-Waylly, Silvia Killingsworth The Best American Mystery and Suspense 2022 by Jess Walter, Steph Cha The Best American Science And Nature Writing 2022 by Ayana Elizabeth Johnson, Jaime Green The Best American Science Fiction And Fantasy 2022 by Rebecca Roanhorse, John Joseph Adams The Best American Short Stories 2022 by Andrew Sean Greer, Heidi Pitlor DPS Only! by Velinxi The Seven Moons of Maali Almeida by Shehan Karunatilaka Kiss Her Once for Me by Alison Cochrun How to Excavate a Heart by Jake Maia Arlow Case Study by Graeme Macrae Burnet Small Game by Blair Braverman Learn more about your ad choices. Visit megaphone.fm/adchoices
Just 44 days into the job, Liz Truss announced today that she is stepping down as the UK's leader. Her resignation follows weeks of chaos in the UK markets. A new prime minister is expected to be elected into office within a week. And, Ukraine's President Volodymyr Zelenskiy has said that 30% of Ukraine's power stations have been hit by Russian airstrikes. Ukraine is now restricting its electricity supplies as the country prepares for a long winter. Also, the US Inflation Reduction Act is raising alarms in the European Union. German and French officials warned on Wednesday that US policies offering subsidies to benefit the American electric vehicle industry would lead the two economic powerhouses into direct competition. Plus, the acclaimed novel, “The Seven Moons of Maali Almeida,” by Sri Lankan writer Shehan Karunatilaka, has clinched the 2022 Booker Prize.
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