Podcasts about coum transmissions

Welcome to the latest episode of the midierror meets... interview series speaking to all kinds of people working in music and sound.    In this episode, we're speaking with COSEY FANNI TUTTI, co-founder of the boundry-pushing Throbbing Gristle and performance-art duo COUM Transmissions alongside Genesis-P-Orridge. Cosey is known for her expansive electronic explorations - encompassing abstract, industrial, ambient, and experimental music, which has often been deeply connected to her own performance art. She was said to be a "wrecker of civilisation" by a Conservative MP after an art exhibition called "Prostitution" in 1976, and she continues to shake up what is deemed to be mainstream.  She has released a succession of albums alongside Chris Carter, as Carter Tutti as well as Chris & Cosey, with the duo also collaborating with Nik Colk Void on CARTER TUTTI VOID material in subsequent years. In 2012, she soundtracked 'Delia Derbyshire: The Myths and Legendary Tapes' - a film about the influential composer using sounds collected from Delia's own attic tapes. Her book 'Art Sex Music' is a multi-award winning Book of the Year, and she has a new solo album out this Friday 13th June, entitled 2t2.   http://www.coseyfannitutti.com/ http://www.chrisandcosey.com/ https://cargorecordsdirect.co.uk/products/cosey-fanni-tutti-2t2   This is series 2, episode 1 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infected Mushroom, DJ Rap, John Grant and many more. Available on Soundcloud, Spotify, Apple Music and Bandcamp. 

Genesis Breyer P-Orridge (born Neil Andrew Megson; 22 February 1950 – 14 March 2020) was an English singer-songwriter, musician, poet, performance artist, visual artist, and occultist who rose to notoriety as the founder of the COUM Transmissions artistic collective and lead vocalist of seminal industrial band Throbbing Gristle. They were also a founding member of Thee Temple ov Psychick Youth occult group, and fronted the experimental pop rock band Psychic TV. Genesis was my mentor in magick and life for over seven intensive years. This conversation was the last I had with her, while she was in hospital with leukemia before her death. I released it on the podcast shortly after recording it, but since it was recorded on an iPhone with no external mic, the audio was very hard to hear in parts. This remastered version restores the conversation and give it the proper treatment it deserves. Please enjoy this very, very special episode. Show Links Thee Psychick Bible Magick.Me The Adept Initiative Magick.Me on YouTube!

In late 1976, the Institute of Contemporary Art or ICA gallery in London unveiled its recent exhibition ‘Prostitution', a retrospective group show by established art collective COUM-Transmissions. The collective, no stranger to confrontation, couldn't have predicted the reaction their work would receive, but upon opening, the show was was immediately met with vitriolic reviews in the press, mentioned in the Houses of Parliament and censorship restrictions were placed on some of the pornographic images. The Conservative MP Nicholas Fairbairn famously said “These people are the wreckers of civilisation" and rows ensued about public funding for the arts. The fallout was hard. Learn more about your ad choices. Visit podcastchoices.com/adchoices

MY guest @megkukull and I  talk Covid-era isolation, Genesis P-Orridge, Lady Jaye, Edley Odowd, COUM Transmissions, Psychic TV, Anton LaVey, tigers....and spitting is cancelled. Thanks for listening!Support the show (https://www.venmo.com/Clarita-Hinojosa)

MY guest @megkukull and I talk Covid-era isolation, Genesis P-Orridge, Lady Jaye, Edley Odowd, COUM Transmissions, Psychic TV, Anton LaVey, tigers....and spitting is cancelled. Thanks for listening!Sources:http://www.coum.co.uk/http://nardwuar.com/rad/?s=GENESIS&submit=Submithttps://www.theguardian.com/music/2020/mar/15/genesis-p-orridge-troubling-catalyst-who-loathed-rock-yet-changed-it-for-everhttp://read.tidal.com/article/edley-odowd-book-discipline-the-art-of-psychic-tvDiscipline: The Art Of Psychic Of Psychic TV 2003 – 2016 by Edley ODowdFollow DF on IG @designfreakspodcastTwitter @designfreakspodFacebook https://www.facebook.com/designfreakspodcasthttps://www.designfreakspodcast.com/Want to help support my podcast? Donate any amount here:) Thank you!Theme Music: "Jet in Jungle" by Damaged Bug, courtesy of John DwyerOther Audio: Anton LaVey - Satan Takes a Holiday - Chloe

Esta semana, dedicaremos una nueva edición de Rebelión Sónica, a la figura y obra del/la artista británico Genesis P-Orridge, quien falleció el pasado 14 de marzo a los 70 años producto de una leucemia que lo/a aquejaba desde 2017. Artista visual, experimentador/a musical, poeta, activista transgénero, agitador/a-deconstructor/a cultural y ocultista, quien fue parte de COUM Transmissions y fundador de Throbbing Gristle y Psychic TV, P-Orridge deja tras de sí una huella indeleble para el pensamiento contemporáneo y el mundo de la música y el arte en general. Por este motivo, en el capítulo 3 de la temporada 2020 de Rebelión Sónica, lo homenajeamos escuchándolo en Throbbing Gristle, con material de los discos “D.o.A: The Third and Final Report of Throbbing Gristle” de 1978 y “20 Jazz Funk Greats” de 1979 y de los singles de 1980, “Adrenalin/Distant Dreams (Part Two)” y “Subhuman/Something Came Over Me”. Además, lo escuchamos en su banda post Throbbing Gristle, Psychic TV, específicamente con música del álbum “Pagan Day” de 1984 y con una muestra de su colaboración discográfica con el artista noise japonés Merzbow, titulado “A perfect Pain” (1999).

Esta semana, dedicaremos una nueva edición de Rebelión Sónica, a la figura y obra del/la artista británico Genesis P-Orridge, quien falleció el pasado 14 de marzo a los 70 años producto de una leucemia que lo/a aquejaba desde 2017. Artista visual, experimentador/a musical, poeta, activista transgénero, agitador/a-deconstructor/a cultural y ocultista, quien fue parte de COUM Transmissions y fundador de Throbbing Gristle y Psychic TV, P-Orridge deja tras de sí una huella indeleble para el pensamiento contemporáneo y el mundo de la música y el arte en general. Por este motivo, en el capítulo 3 de la temporada 2020 de Rebelión Sónica, lo homenajeamos escuchándolo en Throbbing Gristle, con material de los discos “D.o.A: The Third and Final Report of Throbbing Gristle” de 1978 y “20 Jazz Funk Greats” de 1979 y de los singles de 1980, “Adrenalin/Distant Dreams (Part Two)” y “Subhuman/Something Came Over Me”. Además, lo escuchamos en su banda post Throbbing Gristle, Psychic TV, específicamente con música del álbum “Pagan Day” de 1984 y con una muestra de su colaboración discográfica con el artista noise japonés Merzbow, titulado “A perfect Pain” (1999).

ONLINE SHOP NOW OPEN:  Stickers, t-shirts, hoodies and more! Do you want to be a wizard but live in a giant bucket? Have you desired to conjure the denizens of Hell but are unwilling to fashion a loincloth? Do you like scrapbooking but are too hardcore for that sh*t? If you have answered "YES" to any ov these questions: CHAOS MAGICK MIGHT BE FOR YOU! On our initial overview of Chaos Magick we discuss the following: The CHAOSPHERE EXPERIENCE!https://www.youtube.com/watch?v=6-tAF5kHRQc-did Crowley accidently create Chaos Magick through Thelema? -Peter Carroll's Liber Null as a beginner text. -Genesis P.Orridge as a figurehead of the movement. -Thee Psychick Bible-The Wheel of Desire -Basic Techniques -Frater Faust's impact on Andrew as a wizard-Austin Osmond Spare's criticism of traditional magick-The Ice Wars-and MORE! We realize this is not an exhaustive look at everything Chaos Magick, but a mere scratching of the surface. There will be more episodes about Chaos Magick. There is just too much to talk about in one show. If you would like to support the show please subscribe to our Patreon for just $5 a month. Members get episodes before anyone else, a members-only show each month and of course, a shout-out at the end. https://www.patreon.com/thewholerabbit Youtube:https://www.youtube.com/channel/UCcmocfH13BzwsAb62xmp-LAiTunes:https://itunes.apple.com/us/podcast/the-whole-rabbit/id1457163771Spotify:https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVGooglePlay:https://play.google.com/music/podcasts/portal/u/0#p:id=playpodcast/series&a=1274929319Stiwtcher:https://www.stitcher.com/podcast/buzzsprout-158/the-whole-rabbit?refid=stprInstagram:https://www.instagram.com/the_whole_rabbit_/Twitter:https://twitter.com/h4ckrabbitSupport the show (https://www.patreon.com/thewholerabbit)

When it comes to uncompromising musicians and artists, Cosey Fanni Tutti is in a league of her own. As part of Throbbing Gristle in the 1970s, she helped pioneer industrial music and her solo shows, modelling work and ‘actions', as she calls them – including those that were part of the cultish collective and commune COUM Transmissions – blurred the lines between performance art, sex and subversion. Once considered shocking, her gallery shows shut down, now her vision is celebrated. After TG, Cosey and her partner Chris Carter formed the musical duo Chris and Cosey and moved to the Norfolk countryside, where Cosey takes great pride in her blooming garden. It's quite a contrast with the machine-led music that comes out of their home studio, which is where Cosey made TUTTI, her first solo album since 1982, released in 2019.   Cosey's autobiography, Art Sex Music, depicts a truly alternative thinker for whom acceptance is the last thing on her mind. An audience with Cosey is a real insight into a life dedicated to the decidedly unsubtle art of not giving a fuck and here she takes us into her beloved garden one sunny afternoon to explain just how she does it. ​ Presenter: Kate Hutchinson Producer: Ali Gardiner Photos: Laura Kelly www.thelastbohemians.co.uk @thelastbohemianspod  

In John's own words, "Cosey's work has continually innovated, challenged and outraged since the start of the 1970s, Whether as a member of the transgressive art collective Coum Transmissions or the boundary destroying industrial group Throbbing Gristle, or as an electronic musical with her partner Chris Carter. Since the 70's, her work has brought her into direct conflict with the police, the tabloid press, the British government, the music industry and the art establishment, and despite this, she remains to this day a uniquely progressive artist." See acast.com/privacy for privacy and opt-out information.

Gibby Miller and Ryan Martin In Conversation with Jenny NONO Tune in for a special broadcast celebrating the 10th anniversary of one of dublab’s favorite record labels, Dais Records. Founders, Gibby Miller and Ryan Martin joined Jenny NONO to discuss the beginnings of Dais, the artists they work with, and future plans. Dais Records, a label started in 2007 by Gibby Miller and Ryan Martin, operating out of both Los Angeles and Brooklyn, has spent the past decade releasing over one hundred releases, including introductory records by respected acts such as Cold Cave, Iceage, King Dude, Youth Code, Drew McDowall and Drab Majesty. To compliment its roster of genre-bending new artists, Dais Records has also curated reissues of previously unreleased and hard-to find rarities by 70’s performance art group COUM Transmissions, ambient minimalist Ragnar Grippe, French avant-garde vocalist Ghedalia Tazartes and industrial legends Hunting Lodge and Maurizio Bianchi. In Conversation is produced by dublab. Sound editing and theme music are by Matteah Baim. Due to rights reasons music from the original broadcast has been shortened. To hear more, please visit dublab.com.

Starting her career in the late 1960s, Cosey Fanni Tutti went on to become a seismic force in experimental music. Whether delivering confrontational performance art as part of COUM Transmissions, pioneering industrial music with Throbbing Gristle, or constructing a prototype for acid house in Carter Tutti, her work has frequently been years ahead of its time. In her fascinating lecture at the 2010 Red Bull Music Academy in London, she delved into emotion, meaning and provocation in art.

A supplement to the COUM Transmissions and Throbbing Gristle episode. Kindred Spirit was a Hull-based fanzine in the 1980s. This episode discusses a 1984 piece on Chris and Cosey. Kindred Spirit: http://kindredspiritfanzine.blogspot.com Twitter: twitter.com/jillwebb2005

A look at the performance art group COUM Transmissions and Throbbing Gristle, the band that arose from the group. Contains NSFW descriptions. City of Hull COUM Transmissions exhibit: https://www.hull2017.co.uk/discover/article/who-are-coum-transmissions/

The actor and writer Maxine Peake meets the musician and performance artist Cosey Fanni Tutti. Maxine Peake was born just outside Bolton. Her television credits include leading roles in the series Dinnerladies, Shameless and Silk. In 2014 she played Hamlet at the Royal Exchange Theatre, Manchester. She has written for radio and the stage, and her play about Lillian Bilocca - who campaigned for better safety in the fishing industry - was part of Hull's City of Culture celebrations. Cosey Fanni Tutti was born in Hull, and began her artistic career there in 1969, when she joined a subversive art collective called COUM Transmissions. Founded by Genesis P-Orridge, the group staged surreal events or interventions around Hull and beyond. Cosey worked for two years as a model for sex magazines and films to create a show about pornography and the sex industry called Prostitution. When it opened at the Institute of Contemporary Art in 1976, it prompted walkouts, made headlines, and provoked questions in Parliament. Cosey co-founded the industrial music band Throbbbing Gristle with Genesis P-Orridge, Peter Christopherson and Chris Carter. Chris and Cosey later created their own band and now perform under the name Carter Tutti. Producer Clare Walker.

Genesis Breyer P-Orridge has been one of my dearest and most human friends for the past few decades. Gen’s a musician, icon, cut-and-paste artist, occultist, and pandrogyne with whom I’ve worked and played in many ways over the years. Gen founded The Coum Transmissions, Throbbing Gristle, and Psychic TV, with whom I played keyboards in the early 2000’s. Gen also embarked on a very personal cut-and-paste experiment with partner Jackie, where they both sought to unite through psychic and physical remixing. Gen is currently challenged with a case of leukemia and has to stay close to the oxygen machine. But it seemed like a good excuse to bring out the portable recorder (generously funded by our Patreon subscribers!) and have a conversation. Visit the GoFundMe Campaign for Genesis Breyer P-Orridge https://www.gofundme.com/genesis-breyer-porridgeStephen decided to leave this mostly unedited, to give y’all a taste for what it’s like to sit in Gen’s apartment and just have a real conversation. Don’t worry, though - a conversation with Gen is a conversation about the fate of our species and reality itself. Please accept it as our holiday gift. -DouglasAll the music on today's show comes from Genesis' extensive catalog:Just Like Arcadia from Allegory and Self (PTV 1988)Caresse Song from Allegory and Self (PTV 1988)Distant Dreams-Part Two from Mission of Dead Souls (Throbbing Gristle)Thank You Part II from Thank You (PTV/PTV3 2011)Walkabout from 20 Jazz Funk Greats (Throbbing Gristle 1979 )Hot On The Heels of Love from 20 Jazz Funk Greats (Throbbing Gristle 1979)Lies and Then from Hell is Invisible, Heaven is Her/E (PTV3 - 2007 feat. Douglas Rushkoff!)Dead On Arrival (Throbbing Gristle 1978)Exotic Functions (Throbbing Gristle 1983)Being Lost from Allegory and Self (PTV 1988)United (Throbbing Gristle 1978)Thee Dweller from Allegory and Self (PTV 1988)Zyklon B Zombie from Second Annual Report (1977)Thank You - Part One from PTV/PTV3 2011) See acast.com/privacy for privacy and opt-out information.

Interview with Ryan and Gibby of Dais Records followed by a playlist. Tracklist: 2:45 Ragnar Grippe - Sand Part 1 30:02 Tor Lundvall - Hiding 32:56 Coil - 7-Methoxy-β-Carboline: (Telepathine) 55:49  GENESIS BREYER P-ORRIDGE & Thee Early Worm - Rather Hard to Libel 57:22 Choir Boy - Sunday Light 1:01:29 YOU - Feral 1:05:26 Psychic TV - Papal Breakdance 1:11:37 Annabelle's Garden - If 1:16:37 Youth Code - What Is The Answer 1:19:37 Drab Majesty - 39 By Design 1:24:30 Death of Lovers - The Absolute 1:29:35 Deviation Social - Machines Convulse 1:32:58 Sissy Spacek - Always Eating 1:33:16 Aaron Dilloway - Ghost 1:38:05 Iceage - Remember 1:40:17 Coum Transmissions - 73 Vibrant 1:43:07 Them Are Us Too - Marilyn 1:46:41 Twin Stumps - Siberia 1:50:58 Tor Lundvall - July Evening 1:52:30 Cold Showers - New Dawn 1:57:00 Martial Canterel - And I Thought 2:00:49 Drew McDowall - This Is What It's Like

This week we're chuffed to welcome Cosey Fanni Tutti down from rural Norfolk to our exhaust-basted urban HQ for the latest special edition of The Quietus Hour. Luke Turner recently worked with Cosey curating live events around the COUM Transmissions exhibition at Hull City Of Culture, and today he picks up the threads to talk about both that and the reception to her recently-published memoir 'Art Sex Music'. Nine songs chosen by Cosey (taking in The Small Faces, Nico and the Velvet Underground to Leonard Cohen and Imogen Heap to Gazelle Twin) chart her life through hazy days in 1960s Hull via Throbbing Gristle and Chris and Cosey to the present as we chat about, well, art, sex and music.

Cosey Fanni Tutti is a founding member of the avant-garde band Throbbing Gristle, who pre-empted the industrial musical movement. Alea Balzer talked to her about her recently-released autobiography Art Sex Music.

Last month, The Quietus travelled to Hull for the final weekend of events that we programmed with Cosey Fanni Tutti and Cabinet Gallery to run alongside the COUM Transmissions retrospective at the Humber Street Gallery. Anthony Child AKA Tony Surgeon played a vivid soundtrack to a recontextualised and edited version of Paul Verhoeven's Showgirls and Carter Tutti Void closed things beautifully with one of their most intense and perfect sets. Earlier in the day we set up a temporary Quietus Hour Studio in the gallery café to produce a special edition of our wireless programme and podcast devoted to COUM and its legacy. Tune into the show to hear to Luke and John speak to Cosey, Hull City Of Culture's Sam Hunt and Sophie Coletta about the exhibition, as well as some passable chat on JDo's former Hull home, including Dead Bod the infamous graffiti seagull. As Todd the dog barks in the background we play music from the COUM diaspora, including Throbbing Gristle, Chris & Cosey, Coil, Carter Tutti Void and Psychic TV. Thanks to our producer Seb White and all at Hull City Of Culture 2017. Subscribe to The Quietus Hour Podcast on iTunes here.

This week: Philip von Zweck (Bad mofo, artist, and storied, long running host of Something Else on WLUW) and Simon Anderson (Associate Professor Department of Art History, Theory + Criticismm SAIC) interview a living legend, Genesis Breyer P-Orridge. Breyer P-Orridge was in town for an exhibition S/he is having at Western Exhibitions.   Genesis P-Orridge and performance artist Lady Jaye Breyer began a collaborative effort begun in 1993  that focused on a single, central concern: deconstructing the fiction of self.  Frustrated by what they felt to be culturally enforced limits on identity but emboldened by the radical power of love, P-Orridge and Lady Jaye applied collage and cut-up techniques to their own bodies in an effort to merge their respective selves.  Through plastic surgery, hormone therapy, cross-dressing and altered behavior, they fashioned a single, pandrogynous being, Breyer P-Orridge.  The work is an experiment in identity, a test of how fully two people can integrate their lives, and, ultimately, a symbolic gesture of evolution and the alchemical union of the male and female halves of the human.  Although Lady Jaye passed away in 2007, Genesis has continued Breyer P-Orridge, putting into question not only the limits between self and other but also life and death.   Genesis Breyer P-Orridge was born in Manchester, England in 1950. S/he was a member of the Kinetic action group Exploding Galaxy/Transmedia Exploration from 1969-1970. S/he conceived of and founded the seminal British performance art group Coum Transmissions in 1969 and was the co-founder of Throbbing Gristle, Psychic TV, and the spoken word/ambient music performance group Thee Majesty. Throughout Genesis' long career, s/he has worked and collaborated with William S. Burroughs, Brion Gysin, Derek Jarman and Dr. Timothy Leary, among others. H/er art has been exhibited internationally, including recent exhibitions at Deitch Projects, Mass MOCA, Centre Pompidou, Contemporary Art Museum St. Louis, Barbican Museum, the Swiss Institute and White Columns, amongst others. Upcoming exhibitions will include a solo exhibition at Rupert Goldsworthy in Berlin, a keynote address at the Erotic Screens Conference, Centre for Public Culture and Ideas at Griffith University, Brisbane, Australia and a lecture at the Museum of Modern Art, New York in March. H/er archive was recently acquired for the permanent collection of the Tate Britain Museum.