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现实和虚拟的边界在哪？我还能否相信被赋予的认同感，和被消费的爱？一篇发表在《自然-通讯》上的研究表明：人每天会产生超过6000个”想法“（https://www.nature.com/articles/s41467-020-17255-9）。你有没有想过，这些想法有多少是你自己产生的，又有多少是你所接收到信息赋予你的？你有没有听过高水平的辩论赛，辩手的一席话似乎就足以让观众的想法180度转向。那么什么是真实？为什么宗教的世界观对于信徒来说切实存在，而对于无神论者又难以共情？对于一个人来说是真实的东西，另一个人看来却仿佛可笑？你有没有喜欢上过一个电影、动漫、游戏中的人物，觉得他们就在自己身边？或者对一个品牌产生好感甚至忠诚，觉得这是自己向往的生活方式？这又和信徒有什么区别？现实与虚构的边界似乎没有我们想象的那么清晰。而这些思辨似乎都会指向一个问题，”相信“是什么？本期节目，我们有幸邀请到了弗吉尼亚理工大学宗教与文化系副教授，倪湛舸老师对谈，来和她一起从人文学者的角度聊聊现实和虚构的边界在哪里？我们又是如何“相信”的？本期你会听到倪湛舸弗吉尼亚理工大学宗教与文化系副教授芝加哥大学宗教与文学博士、前哈佛大学神学院客座研究员著有学术专著*The Pagan Writes Back*，并创作出版过多部诗集、随笔集，以及历史小说《莫须有》近期研究关注中国宗教与网络小说李天宇大白媒介研究者（主要兴趣：科技史、动画与电子游戏）李天域Jack主业有三家公司，主要在服装行业，目前年营收超过千万在这段对话中，我们从事实信念、虚构想象、宗教信仰这三种经常叠加在一起的”相信“是什么开始聊起，聊到了：宗教和科学控制人们认识世界的方式？商业、品牌、文化作品等如何通过“相信”来控制你的钱包、劳动、认知和爱？资本主义的新精神是什么？为什么情绪变成了商业追逐的新目标？我们在购买的到底是商品，还是某种想象？节目的最后，倪教授探讨了修真小说所反映的中国人对于”升级“的痴迷可能是导致内卷的原因之一，以及虚构背后人们渴望善恶有报的愿景所具有的真实的力量。本期节目对我们来说完全可以用醍醐灌顶来形容，相信你也一定能有所收获。那就请你和我们一起加入这场关于真实、虚构，以及”相信“的游戏吧！结语天宇：倪老师一直是我非常敬仰的学者，她总是能用精准的语言把复杂的理论和概念解释清楚，相信这一点你也一定感同身受。就像我们在节目里说的，尽管我们的业余时间、我们的理想和爱或许都已经成为了被资本剥削的对象，但我们仍然有无法被剥夺的情动，这是无比珍贵的。我正在制作（录制和书写中）的，和你正在消费的，都是一档经过封装的节目。它固然需要在数字内容的海洋中与无数节目争夺流量，但也正因为此，我们聊天时许多快乐与思考的瞬间才能够超越当时的时空和我们自身的存在，能有一些和你产生共鸣的可能。因为这真实存在的力量来源于我们在虚拟空间的交互，所以我们仍然可以选择相信。本期节目制作王一山（制片人）在洋（节目剪辑）Alan（节目运营）TIANYU2FM的理念：每期对谈有价值的声音我们是天宇和天域，是挚友，也是一起求知的伙伴。这是一档为了开拓眼界，走出自我局限而设立的播客，我们通过与人的对谈来与未知的领域及知识互动。主持人简介天域|杰激（声音偏高）：服装电商公司创始人、UnDeR20合伙人（小红书：[李天域Jack](https://www.xiaohongshu.com/user/profile/595aebbe82ec396233ef3a72)）天宇|大白（声音偏低）：从事中日流行文化与媒介研究（文章见于澎湃新闻私家历史、网易新闻历史频道等）扩展阅读（由倪湛舸教授提供）关于模仿、宗教信仰、玄学Kendall Walton, Mimesis as Make-Believe: On the Foundations of the Representational ArtsNeil Van Leeuwen, Religion as Make-Believe: A Theory of Belief, Imagination, and Group IdentityTheodor Adorno, The Stars Down to EarthJohn and Jean Comaroff, “Ocuult Economies, Revisited”Christopher Patridge, “Occulture and Everyday Enchantment”关于创意资本主义Brian Moeran and Timothy de Waal Malefyt ed., Magical Capitalism: Enchantment, Spells, and Occult Practices in Contemporary EconomiesGuiseppe Cocco and Barbara Szaniecki ed., Creative Capitalism, Multitudinous Creativity: Radicalities and Alterities 关于小说、虚构性、历史小说Gallagher, Catherine. "The Rise of Fictionality". *The Novel, Volume 1: History, Geography, and Culture*, edited by Franco Moretti, Princeton: Princeton University Press, 2006, pp. 336-363. Zeitlin, Judith T.. "Xiaoshuo". *The Novel, Volume 1: History, Geography, and Culture*, edited by Franco Moretti, Princeton: Princeton University Press, 2006, pp. 249-261.Saba Mahmood, “*Azazeel* and the Politics of Historical Fiction in Egypt,”Comparative Literature (2013) 65 (3): 265–284.关于修真小说Ni, Zhange. 2020. "*Xiuzhen* (Immortality Cultivation) Fantasy: Science, Religion, and the Novels of Magic/Superstition in Contemporary China" *Religions* 11, no. 1: 25.Ni, Zhange. 2020. ““REIMAGINING DAOIST ALCHEMY, DECOLONIZING TRANSHUMANISM: THE FANTASY OF IMMORTALITY CULTIVATION IN TWENTY‐FIRST CENTURY CHINA”, *Zygon: Journal of Religion and Science* 55(3), 748–771Feher, Michel. "Self-appreciation; or, the aspirations of human capital." *Public Culture* 21.1 (2009): 21-41.
We spend our 50th episode (the last of this season) with communication theorist Amit Pinchevski. Amit's recent book Echo (MIT Press) explores its topic through mythology, etymology, history, technology, and philosophy. The book challenges the notion that echo is mere repetition. Instead, Pinchevski argues, echo is a generative medium that creatively expresses our relations to others and the world around us. Just as a baby first learns to speak by repeating the sounds of others, a philosophy of echoes reminds us that our own agency and creativity reside in repetitions that respond to the past. For our Patreon members we the full two-hour conversation with Amit's “What's Good” segment. Join at patreon.com/phantompower. Amit Pinchevski is Associate Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem. His research interests are in theory and philosophy of communication and media, focusing specifically on the ethical aspects of the limits of communication; media witnessing, memory and trauma; and pathologies of communication and their construction. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne UP, 2005), Transmitted Wounds: Media and the Mediation of Trauma (Oxford UP, 2019), and Echo (MIT Press, 2022). He is co-editor of Media Witnessing: Testimony in the Age of Mass Communication (with P. Frosh; Palgrave, 2009) and Ethics of Media (with N. Couldry and M. Madianou; Palgrave, 2013). His work has appeared in academic journals such as Critical Inquiry, Philosophy and Rhetoric, Cultural Critique, Cultural Studies, Public Culture, New Media & Society, and Theory, Culture & Society. Today's show was written and edited by Mack Hagood. Original music by Graeme Gibson Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
Authors and creators will discuss the role of TV in society historically and today, including connections to politics, queer spectatorship, and representations of race, class, and gender. David Craig is a Clinical Professor of Communication and director of the Global Media and Communication program at USC. An expert in Hollywood, Chinese, and social media industries; a television historian; an Emmy-nominated producer and television executive; and a pioneer in the field of Creator Studies at USC Annenberg School for Communication and Journalism, his most recent books is Apocalypse Television How The Day After Helped End the Cold War. Anthony Sparks is showrunner, head writer, and executive producer of the TV drama, Queen Sugar, created by Ava DuVernay and executive produced by Oprah Winfrey and writer/producer for the Iron Mike series on Hulu. A former cast member of Broadway hit STOMP, he holds three degrees from USC (BFA, MA, and Ph.D.), where he studied Theatre, Film, Anthropology, and American History. Karen Tongson is the author of Normporn: Queer Viewers and the TV That Soothes Us, Why Karen Carpenter Matters (one of Pitchfork's best music books of 2019), and Relocations: Queer Suburban Imaginaries. In 2019, she was awarded Lambda Literary's Jeanne Cordova Prize for Lesbian/Queer Nonfiction. She directs the Mellon-funded Consortium for Gender, Sexuality, Race, and Public Culture at USC, where she is also Chair and professor of Gender and Sexuality Studies and professor of English and American Studies and Ethnicity. Moderator: Tara McPherson is the HMH Foundation Endowed Professor at the USC School of Cinematic Arts and director of the Sidney Harman Academy for Polymathic Study. She is author of Feminist in a Software Lab and Reconstructing Dixie, co-editor of Hop on Pop and Transmedia Frictions, and editor of Digital Youth, Innovation and the Unexpected. She was founding editor of the pioneering multimedia journal Vectors and the lead PI of the online platform Scalar. She has received funding from the Mellon, Ford, Annenberg, and MacArthur foundations, as well as from the NEH.
Today, on Speaking Out of Place, we are honored to talk with Munira Khayyat, a Lebanese anthropologist whose book, A Landscape of War: Ecologies of Resistance and Survival in South Lebanon examines what she calls “resistant ecologies in a world of perennial warfare.” Drawing on long-term fieldwork in frontline villages along Lebanon's southern border with Israel, she examines war not only as a place of death and destruction, but also necessarily, as an environment of living.We appreciate greatly that she was able to join us now, during the massive and deadly new war Israel is waging on Lebanon. Munira shows how this devastation is a continuation of wars Israel has waged against Lebanon for decades, but also how both the Lebanese people and the Lebanese landscape are resisting death and persisting in life. This episode is especially useful to those wanting to know more about Lebanon, as Professor Khayyat gives us an informative account of the intertwined histories of Lebanon, Palestine, and the State of Israel.Munira Khayyat is an anthropologist whose research revolves around life in war, intimate genealogies of empire, and theory from the South. Her first book, A Landscape of War: Ecologies of Resistance and Survival in South Lebanon (University of California Press 2022) examines resistant ecologies in a world of perennial warfare. Drawing on long-term fieldwork in frontline villages along Lebanon's southern border with Israel, she examines war not only as a place of death and destruction, but also necessarily, as an environment of living.Khayyat is currently working on a second book that fleshes out the complex heart of empire in Saudi Arabia. Heart of Black Gold draws on a personal archive meticulously created by her maternal grandfather, who was among the first Arabian employees of ARAMCO, the Arab American Oil Company. How has oil — its extractive, shiny infrastructures, camps, big men, politics and corporations, its global ecologies — shaped lived environments? Insisting on a feminist and multidisciplinary rearranging of the archive, the book inhabits history-in-the-making as it unfolds in domestic scenes, lived quarters, the affective terrains of oil.Khayyat's research has been supported by the Wenner-Gren Foundation, the Arab Council for the Social Sciences, the Rachel Carson Center. Her writing has appeared in American Ethnologist, Public Culture, JMEWS, Cultural Anthropology, Anthropology News, HAU, and a number of edited volumes. Khayyat was a Member of the School of Social Science at the Institute for Advanced Study in Princeton (2018-2019). Before joining NYUAD, she taught at the American University in Cairo (2013-2023) and the American University of Beirut (2011-2013). She holds a PhD in Cultural Anthropology from Columbia University (2013), an MPhil in Social Anthropology from Cambridge University (1998) and a BA in history (1997) from the American University of Beirut.
"People speak about the Anthropocene. I don't quite like this term, but the idea that humans have been transforming nature and have been altering it, adulterating it, something to put into perspective regarding this nostalgia for pristine nature. And utopianism actually goes hand in hand with nostalgia. I mentioned the myth of the Golden Age. This was something that used to exist, the Golden Age or paradise, an idea of pure nature in harmony with human beings. These nostalgic imaginaries that feed into and can reactivate utopian thinking in our day. We should by no means let go of an idea of pristine nature. And I also don't think, just to return to this idea of species extinction. I don't think that the de-extinction efforts are particularly utopian, even though they may seem this way. How do we compensate for the material loss of biodiversity? I think no amount of technological ingenuity will actually fulfill this desire for a return to the pristine nature that we have lost.”S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France."People speak about the Anthropocene. I don't quite like this term, but the idea that humans have been transforming nature and have been altering it, adulterating it, something to put into perspective regarding this nostalgia for pristine nature. And utopianism actually goes hand in hand with nostalgia. I mentioned the myth of the Golden Age. This was something that used to exist, the Golden Age or paradise, an idea of pure nature in harmony with human beings. These nostalgic imaginaries that feed into and can reactivate utopian thinking in our day. We should by no means let go of an idea of pristine nature. And I also don't think, just to return to this idea of species extinction. I don't think that the de-extinction efforts are particularly utopian, even though they may seem this way. How do we compensate for the material loss of biodiversity? I think no amount of technological ingenuity will actually fulfill this desire for a return to the pristine nature that we have lost.”https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.”S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“I think that we should not be under any illusion that we can return to some pristine Earth. We have to do the best we can with the Earth that we have inherited for our generation and for those of our children, but we should not, therefore, say, well, it's all lost. Species are becoming extinct as never before. We should not become pessimists because there is no other alternative, because we've been robbed of this idea of pristine nature.I think nature has not been pristine. People speak about the Anthropocene. I don't quite like this term, but the idea that humans have been transforming nature and have been altering it, adulterating it, something to put into perspective regarding this nostalgia for pristine nature. And utopianism actually goes hand in hand with nostalgia. I mentioned the myth of the Golden Age. This was something that used to exist, the Golden Age or paradise, an idea of pure nature in harmony with human beings. These nostalgic imaginaries that feed into and can reactivate utopian thinking in our day. We should by no means let go of an idea of pristine nature. And I also don't think, just to return to this idea of species extinction. I don't think that the de-extinction efforts are particularly utopian, even though they may seem this way. How do we compensate for the material loss of biodiversity? I think no amount of technological ingenuity will actually fulfill this desire for a return to the pristine nature that we have lost.”S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“What is imaginary tends to become real -- that's a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It's this free floating, desirous model of the body utopia, which is unfinished and imperfect. It's always in transformation. These dreams and daydreams that we have are guiding our actions, influencing our day-to-day behavior if we let them. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. I've just co-curated a major exhibition of Surrealism, reflecting on the 100 years since the Manifesto of Surrealism, so I'm very much in this moment where I'm trying to explain to the public the value of this movement.S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImage credit:Guy Girard, La canicule des sirènes, 1997, oil on canvas, 92 x 73 cm
“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. What is imaginary tends to become real -- that's a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It's this free floating, desirous model of the body utopia, which is unfinished and imperfect. It's always in transformation. These dreams and daydreams that we have are guiding our actions, influencing our day-to-day behavior if we let them. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. I've just co-curated a major exhibition of Surrealism, reflecting on the 100 years since the Manifesto of Surrealism, so I'm very much in this moment where I'm trying to explain to the public the value of this movement.”S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“I'd like young people not to limit their world to content they can find on the internet. I think that's a real danger. Many of my students say, “well, I haven't thought about this,” “I haven't read this because I didn't find it online for free.” I want them to remember that not all knowledge is digitized, that much remains elusive to the nets of the internet even in its effort to make knowledge accessible on one platform, to create this kind of enormous encyclopedia. And in this quest, we also reduce the past to the present. The past is more virtually present in our lives than for any other generation, because it's available online in the form of textual and audiovisual archives. This proximity actually affects the past's pastness. The appearance of distance is lost in the digital reproduction, whether it's paintings, or archival documents, or photographs. I think it's erroneous to think that everything that is extant from the past is at our fingertips and that we don't have to go out and look for it. So what I would like to pass on is curiosity; curiosity about the past shouldn't stop at the digital. It's tempting to think that all the answers are already there online because it's so vast, this web we are spinning, but that's not the case.”S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.”https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.”S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.”S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“There's the existing AI and the dream of artificial general intelligence that is aligned with our values and will make our lives better. Certainly, the techno-utopian dream is that it will lead us towards utopia. It is the means of organizing human collectivities, human societies, in a way that would reconcile all the variables, all the things that we can't reconcile because we don't have enough of a fine-grained understanding of how people interact, the different motivations of their psychologies and of societies, of groups, of people. Of course, that's another kind of psychology that we're talking about. So I think the dream of AI is a utopian dream that stands correcting, but it is itself being corrected by those who are the curators of that technology. Now you asked me about the changing role of artists in this landscape. I would say, first of all, that I'm for virtuosity. And this makes me think of AI and a higher level AI, it would be virtuous before it becomes super intelligence.”S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.“There's the existing AI and the dream of artificial general intelligence that is aligned with our values and will make our lives better. Certainly, the techno-utopian dream is that it will lead us towards utopia. It is the means of organizing human collectivities, human societies, in a way that would reconcile all the variables, all the things that we can't reconcile because we don't have enough of a fine-grained understanding of how people interact, the different motivations of their psychologies and of societies, of groups, of people. Of course, that's another kind of psychology that we're talking about. So I think the dream of AI is a utopian dream that stands correcting, but it is itself being corrected by those who are the curators of that technology. Now you asked me about the changing role of artists in this landscape. I would say, first of all, that I'm for virtuosity. And this makes me think of AI and a higher level AI, it would be virtuous before it becomes super intelligence.”https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.”https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.”S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.”https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.“I think that we should not be under any illusion that we can return to some pristine Earth. We have to do the best we can with the Earth that we have inherited for our generation and for those of our children, but we should not, therefore, say, well, it's all lost. Species are becoming extinct as never before. We should not become pessimists because there is no other alternative, because we've been robbed of this idea of pristine nature.I think nature has not been pristine. People speak about the Anthropocene. I don't quite like this term, but the idea that humans have been transforming nature and have been altering it, adulterating it, something to put into perspective regarding this nostalgia for pristine nature. And utopianism actually goes hand in hand with nostalgia. I mentioned the myth of the Golden Age. This was something that used to exist, the Golden Age or paradise, an idea of pure nature in harmony with human beings. These nostalgic imaginaries that feed into and can reactivate utopian thinking in our day. We should by no means let go of an idea of pristine nature. And I also don't think, just to return to this idea of species extinction. I don't think that the de-extinction efforts are particularly utopian, even though they may seem this way. How do we compensate for the material loss of biodiversity? I think no amount of technological ingenuity will actually fulfill this desire for a return to the pristine nature that we have lost.”https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.“What is imaginary tends to become real -- that's a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It's this free floating, desirous model of the body utopia, which is unfinished and imperfect. It's always in transformation. These dreams and daydreams that we have are guiding our actions, influencing our day-to-day behavior if we let them. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. I've just co-curated a major exhibition of Surrealism, reflecting on the 100 years since the Manifesto of Surrealism, so I'm very much in this moment where I'm trying to explain to the public the value of this movement.”https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. What is imaginary tends to become real -- that's a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It's this free floating, desirous model of the body utopia, which is unfinished and imperfect. It's always in transformation. These dreams and daydreams that we have are guiding our actions, influencing our day-to-day behavior if we let them. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. I've just co-curated a major exhibition of Surrealism, reflecting on the 100 years since the Manifesto of Surrealism, so I'm very much in this moment where I'm trying to explain to the public the value of this movement.”https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.“I'd like young people not to limit their world to content they can find on the internet. I think that's a real danger. Many of my students say, “well, I haven't thought about this,” “I haven't read this because I didn't find it online for free.” I want them to remember that not all knowledge is digitized, that much remains elusive to the nets of the internet even in its effort to make knowledge accessible on one platform, to create this kind of enormous encyclopedia. And in this quest, we also reduce the past to the present. The past is more virtually present in our lives than for any other generation, because it's available online in the form of textual and audiovisual archives. This proximity actually affects the past's pastness. The appearance of distance is lost in the digital reproduction, whether it's paintings, or archival documents, or photographs. I think it's erroneous to think that everything that is extant from the past is at our fingertips and that we don't have to go out and look for it. So what I would like to pass on is curiosity; curiosity about the past shouldn't stop at the digital. It's tempting to think that all the answers are already there online because it's so vast, this web we are spinning, but that's not the case.”https://profiles.laps.yorku.ca/profiles/sylwiac/www.sup.org/books/title/?id=33445https://chbooks.com/Books/T/The-Eyelidhttps://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Dr. Chad Pecknold, a Professor of Historical & Systematic Theology in the School of Theology at The Catholic University of America in Washington, D.C., and the Resident Theologian of the Basilica's Institute for Faith and Public Culture, shares part two of his two-part series on "Whither the Catholic Mission to America?" It was recorded on Tuesday, April 16, 2024, in our Lyceum Auditorium, 313 Duke Street. In His Great Commission, Our Lord called His apostles “to make disciples of all nations.” The history of the Faith can be told as just that — the conversion of whole nations and cultures. So how should we understand the Catholic mission to America? What has been the dominant missiological strategy? Has it succeeded? Dr. Pecknold examines some historical problems with the Catholic mission to America and asks how our strategy might change to be more faithful to the Great Commission today.
Dr. Chad Pecknold, a Professor of Historical & Systematic Theology in the School of Theology at The Catholic University of America in Washington, D.C., and the Resident Theologian of the Basilica's Institute for Faith and Public Culture, shares part one of his lecture on "Whither the Catholic Mission to America?" It was recorded on Tuesday, April 9, 2024, in our Lyceum Auditorium, 313 Duke Street. Please come to part two of his talk on Tuesday, April 16, 2024. In His Great Commission, Our Lord called His apostles “to make disciples of all nations.” The history of the Faith can be told as just that — the conversion of whole nations and cultures. So how should we understand the Catholic mission to America? What has been the dominant missiological strategy? Has it succeeded? Dr. Pecknold examines some historical problems with the Catholic mission to America and asks how our strategy might change to be more faithful to the Great Commission today.
Dr. Chad Pecknold, a Professor of Historical & Systematic Theology in the School of Theology at The Catholic University of America in Washington, D.C., and the Resident Theologian of the Basilica's Institute for Faith and Public Culture, shares about his upcoming lectures on "Whither the Catholic Mission to America?" The talks will occur in two parts: on Tuesday, April 9, 2024, and Tuesday, April 16, at 7 p.m. in the Lyceum Auditorium, 313 Duke Street. All are invited. In His Great Commission, Our Lord called His apostles “to make disciples of all nations.” The history of the Faith can be told as just that — the conversion of whole nations and cultures. So how should we understand the Catholic mission to America? What has been the dominant missiological strategy? Has it succeeded? Dr. Pecknold examines some historical problems with the Catholic mission to America and asks how our strategy might change to be more faithful to the Great Commission today. To learn more about the Institute, click here.
Modi is not the first Indian Prime Minister who is invested in the idea of political time. Jawaharlal Nehru played a significant role in offering a powerful interpretation.
In this week's episode, Tim and Jeremy are joined by writer and scholar Mark Anthony Neal. Mark's 1999 book ‘What the Music Said: Black Popular Music and Black Public Culture' is a crucial text for us here at Love is the Message, so it was fantastic to have him join the show to discuss his life and work in music. We discuss how the Black popular music of the past 60 years provides an insight into black socio-political life, via Gospel, Soul, Hip Hop and more. Mark explores how his upbringing in the South Bronx, from spending Sunday mornings with his parents to heading to the Apollo to see the Jackson 5 and Aretha, shaped his view of the Black public sphere. The interview provides Jem and Tim with the opportunity to trace their interest in the progressive potential of the 1970s back to the slave experience, the development of spirituals that became a channel for acts of resistance, the African American church's reversioning of Christianity as a space of Black communion and expression, the importance of the jook and the rent party for expressions of Black pleasure. These spaces contributed to the shaping of an increasingly radical Black politics, from the burgeoning civil rights movement to Black Power, with rhythm and blues, soul and funk. We discuss the late-80s turn toward commodity culture within Hip Hop and consider what happened politically to black musicians into the 90s. For patrons, Mark, Tim and Jeremy also discuss early disco, Black dance music and Saturday Night Fever; consider the aspirational, entrepreneurial mindset of many of the 70s pioneers; and the role of sampling as an act of Black archival work undertaken by caretakers of Black musical lineage, bringing us right up to the listening practices of today. Mark Anthony Neal is the Professor of Black Popular Culture in the Department of African and African-American Studies at Duke University host of the weekly webcast ‘Left of Black' in collaboration with the John Hope Franklin Center at Duke University. He is the author of ‘What the Music Said: Black Popular Music and Black Public Culture', ‘Soul Babies: Black Popular Culture and the Post-Soul Aesthetic', ‘Songs in the Keys of Black Life: A Rhythm and Blues Nation', ‘New Black Man: Rethinking Black Masculinity' and ‘Looking for Leroy: (Il)Legible Black Masculinities'. Produced by Matt Huxley. Become a patron to hear an extended version of this conversation by visiting patreon.com/LoveMessagePod. Check out the back catalog, reading lists, playlists and more at our website: https://www.loveisthemessagepod.co.uk/ And listen along our Spotify playlist featuring music from the series at: https://open.spotify.com/playlist/1ZylmJYk5SxyyTI2OQp0iy Tracklist: The Sugarhill Gang - Rapper's Delight The Jackson 5 - Dancing Machine Eugene McDaniels - Headless Heroes Eric B. And Rakim - Paid in Full Ray Charles - (Night time Is) The Right Time The Isley Brothers - Fight the Power Marvin Gaye - What's Going On Sly & The Family Stone - Stand! Bessie Smith- Back Water Blues LL Cool J - The Boomin' System
This episode Souvik Naha gives a paper on the relationship between cricket, nationalism and postcolonial identities in 20th century India. What cricket tells us about the making of a postcolonial city Indian cricket mobilized a large and diverse popular following in the twentieth century. What was so special about cricket and why was it so important to a large number of people? Why do postcolonial Indians identify with the colonial game the way they do? Is the engagement with English culture a mechanism for empowering and modernising themselves? What does cricket tell us about the making of a public culture? This presentation, based on my book Cricket, Public Culture, and the Making of Postcolonial Calcutta, will discuss the moulding of the Indian public as cricket followers and cricket's role in the emergence of a postcolonial society. Through thematic explorations of cricket's significance for the people of Calcutta, it will explore the making of public culture in a postcolonial city. The followers and critics of cricket in Calcutta are the protagonists in this history. A study of their entanglement offers two important insights into the making of postcolonial society. First, it enables us to understand how people attach symbolic values to cultural forms to reimagine and reinvent themselves. Second, it enhances the analytical value of cricket as a cultural tool that empowered, modernised, and gave new meanings to its community. Souvik Naha's doctoral research at ETH Zurich, funded by a Swiss Government Excellence Scholarship, examined how journalists and broadcasters popularised cricket as an ideal everyday leisure activity in twentieth-century Calcutta. In doing so, it shed light on the dynamics of cultural transfer and the afterlife of colonialism in a decolonising society, integrating the histories of everyday life, popular culture, regional politics, and the transnational circulation of ideas in a postcolonial context. This research led to a monograph that explored how cricket gave the Bengalis of postcolonial Calcutta a tool to understand and form themselves as a cultural community, creating new social relationships. Prior to joining the University of Glasgow Souvik taught History at the West Bengal State University and the Indian Institute of Management Rohtak. He also held a Marie Skłodowska-Curie Actions Individual Fellowship at Durham University. This project extended his work on decolonisation by examining cricket's significance as a tool of reshaping Indo-British relationship after India's independence, focussing on issues of race, mobility, migration, diplomacy, and environment. This research has laid the foundation for his second monograph, which will examine the role of sport in recasting the British World and the Commonwealth in the 1940s-60s.
Thieves (Fence Books, 2023) is an autofictional account of a gallery girl named Valerie – an art worker in the big city, a product of an American childhood in a small place where she learned to value objects and their promise. The magic of being, thinking, speaking, and writing is all bound up for Valerie, a self-conscious creature, in the ways she can acquire and be acquired. She lives and works in a storm of things, many of which are commodities, including herself. In whip-smart, sharply humorous prose, the consumption and reflectivity of a white American young-womanhood lived in a phenomenological endzone comes delicately to life out of the sharp particulars thefted and loved in this urbane, semi-psychedelic bildungsroman. Valerie Werder is an art writer, a fiction author, and a doctoral candidate in film and visual studies at Harvard University. Her critical, creative, and scholarly work has been published in Public Culture, BOMB, Flash Art, and various exhibition catalogues, and has been performed at Participant Inc in New York City, and Artspace in New Haven. Werder is a 2023-23 PEN America Prison and Justice Writing Program Mentor, and was previously a 2021 Art & Law Fellow. Her debut novel, Thieves (2023), was winner of the Fence Modern Prize in Prose. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Liz Bradtke is a writer, editor, and communications specialist who works for the Australian Library and Information Association. Liz has studied and taught in the English departments of the University of Melbourne and New York University. Her poetry has been featured in The Age, Voiceworks magazine and Gutcult. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Thieves (Fence Books, 2023) is an autofictional account of a gallery girl named Valerie – an art worker in the big city, a product of an American childhood in a small place where she learned to value objects and their promise. The magic of being, thinking, speaking, and writing is all bound up for Valerie, a self-conscious creature, in the ways she can acquire and be acquired. She lives and works in a storm of things, many of which are commodities, including herself. In whip-smart, sharply humorous prose, the consumption and reflectivity of a white American young-womanhood lived in a phenomenological endzone comes delicately to life out of the sharp particulars thefted and loved in this urbane, semi-psychedelic bildungsroman. Valerie Werder is an art writer, a fiction author, and a doctoral candidate in film and visual studies at Harvard University. Her critical, creative, and scholarly work has been published in Public Culture, BOMB, Flash Art, and various exhibition catalogues, and has been performed at Participant Inc in New York City, and Artspace in New Haven. Werder is a 2023-23 PEN America Prison and Justice Writing Program Mentor, and was previously a 2021 Art & Law Fellow. Her debut novel, Thieves (2023), was winner of the Fence Modern Prize in Prose. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Liz Bradtke is a writer, editor, and communications specialist who works for the Australian Library and Information Association. Liz has studied and taught in the English departments of the University of Melbourne and New York University. Her poetry has been featured in The Age, Voiceworks magazine and Gutcult. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Thieves (Fence Books, 2023) is an autofictional account of a gallery girl named Valerie – an art worker in the big city, a product of an American childhood in a small place where she learned to value objects and their promise. The magic of being, thinking, speaking, and writing is all bound up for Valerie, a self-conscious creature, in the ways she can acquire and be acquired. She lives and works in a storm of things, many of which are commodities, including herself. In whip-smart, sharply humorous prose, the consumption and reflectivity of a white American young-womanhood lived in a phenomenological endzone comes delicately to life out of the sharp particulars thefted and loved in this urbane, semi-psychedelic bildungsroman. Valerie Werder is an art writer, a fiction author, and a doctoral candidate in film and visual studies at Harvard University. Her critical, creative, and scholarly work has been published in Public Culture, BOMB, Flash Art, and various exhibition catalogues, and has been performed at Participant Inc in New York City, and Artspace in New Haven. Werder is a 2023-23 PEN America Prison and Justice Writing Program Mentor, and was previously a 2021 Art & Law Fellow. Her debut novel, Thieves (2023), was winner of the Fence Modern Prize in Prose. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Liz Bradtke is a writer, editor, and communications specialist who works for the Australian Library and Information Association. Liz has studied and taught in the English departments of the University of Melbourne and New York University. Her poetry has been featured in The Age, Voiceworks magazine and Gutcult. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Academics, artists, and authors will have a wide-ranging conversation exploring gender, sexuality, queerness, and the body in art, culture, fashion, and society. Topics will include, but not be limited to, an inside look at being a professional dominatrix, queer performance art and theory, and fabulousness as resistance. Chris Belcher is a writer, professor, book coach, and assistant professor of Gender and Sexuality Studies and Writing at USC. Under her working name, Natalie West, she edited the acclaimed anthology We Too: Essays on Sex Work and Survival. Her debut memoir, Pretty Baby, is a searing, darkly funny account of being a lesbian and professional dominatrix with male clients that upends ideas about desire, class, and power. Amelia Jones is Robert A. Day Professor and Vice Dean of Faculty and Research at the USC Roski School of Art & Design and curator and scholar of contemporary art, performance, and feminist/sexuality studies. Jones's most recent book, Between Subjects: A Critical Genealogy of Queer Performance, explores the history of performance art and queer theory since the 1950s from a queer feminist point of view. madison moore is an artist-scholar, DJ, and assistant professor of Critical Studies at the USC Roski School of Art & Design who is broadly invested in the aesthetic, sonic, and spatial strategies queer and trans people of color use to survive and thrive. madison's first book, Fabulous: The Rise of the Beautiful Eccentric, offers a cultural analysis of fabulousness as a practice of resistance. madison has performed internationally at a range of nightclubs, parties, and art institutions. Moderator: Karen Tongson is Chair and professor of Gender and Sexuality Studies, as well as professor of English and American Studies and Ethnicity at USC, where she also directs the Mellon-funded Consortium for Gender, Sexuality, Race and Public Culture. Her books include Why Karen Carpenter Matters and Relocations: Queer Suburban Imaginaries.
Sumit Chakrabarti's book Local Selfhood, Global Turns: Akshay Kumar Dutta and Public Culture in Nineteenth-Century Bengal (Cambridge UP, 2023) examines the works of Akshay Kumar Dutta (1820-1886), who can be seen as ideologically inhabiting the cusp between religion and rationalism - the two most crucial avenues of debate and discussion in the public sphere in nineteenth-century Bengal. While nineteenth-century Bengal has been an important discourse within South Asian history, major figures of reform such as Rammohun Roy, Debendranath Tagore, Iswarchandra Vidyasagar, or Keshub Chunder Sen have generally been the focus. The book attempts to rescue Dutta from the clutches of academic amnesia, and to locate him as one of the foundational figures of intellectual refashioning among the common albeit educated public in nineteenth-century Bengal. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Sumit Chakrabarti's book Local Selfhood, Global Turns: Akshay Kumar Dutta and Public Culture in Nineteenth-Century Bengal (Cambridge UP, 2023) examines the works of Akshay Kumar Dutta (1820-1886), who can be seen as ideologically inhabiting the cusp between religion and rationalism - the two most crucial avenues of debate and discussion in the public sphere in nineteenth-century Bengal. While nineteenth-century Bengal has been an important discourse within South Asian history, major figures of reform such as Rammohun Roy, Debendranath Tagore, Iswarchandra Vidyasagar, or Keshub Chunder Sen have generally been the focus. The book attempts to rescue Dutta from the clutches of academic amnesia, and to locate him as one of the foundational figures of intellectual refashioning among the common albeit educated public in nineteenth-century Bengal. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Sumit Chakrabarti's book Local Selfhood, Global Turns: Akshay Kumar Dutta and Public Culture in Nineteenth-Century Bengal (Cambridge UP, 2023) examines the works of Akshay Kumar Dutta (1820-1886), who can be seen as ideologically inhabiting the cusp between religion and rationalism - the two most crucial avenues of debate and discussion in the public sphere in nineteenth-century Bengal. While nineteenth-century Bengal has been an important discourse within South Asian history, major figures of reform such as Rammohun Roy, Debendranath Tagore, Iswarchandra Vidyasagar, or Keshub Chunder Sen have generally been the focus. The book attempts to rescue Dutta from the clutches of academic amnesia, and to locate him as one of the foundational figures of intellectual refashioning among the common albeit educated public in nineteenth-century Bengal. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Sumit Chakrabarti's book Local Selfhood, Global Turns: Akshay Kumar Dutta and Public Culture in Nineteenth-Century Bengal (Cambridge UP, 2023) examines the works of Akshay Kumar Dutta (1820-1886), who can be seen as ideologically inhabiting the cusp between religion and rationalism - the two most crucial avenues of debate and discussion in the public sphere in nineteenth-century Bengal. While nineteenth-century Bengal has been an important discourse within South Asian history, major figures of reform such as Rammohun Roy, Debendranath Tagore, Iswarchandra Vidyasagar, or Keshub Chunder Sen have generally been the focus. The book attempts to rescue Dutta from the clutches of academic amnesia, and to locate him as one of the foundational figures of intellectual refashioning among the common albeit educated public in nineteenth-century Bengal. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
Sumit Chakrabarti's book Local Selfhood, Global Turns: Akshay Kumar Dutta and Public Culture in Nineteenth-Century Bengal (Cambridge UP, 2023) examines the works of Akshay Kumar Dutta (1820-1886), who can be seen as ideologically inhabiting the cusp between religion and rationalism - the two most crucial avenues of debate and discussion in the public sphere in nineteenth-century Bengal. While nineteenth-century Bengal has been an important discourse within South Asian history, major figures of reform such as Rammohun Roy, Debendranath Tagore, Iswarchandra Vidyasagar, or Keshub Chunder Sen have generally been the focus. The book attempts to rescue Dutta from the clutches of academic amnesia, and to locate him as one of the foundational figures of intellectual refashioning among the common albeit educated public in nineteenth-century Bengal. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions
Sumit Chakrabarti's book Local Selfhood, Global Turns: Akshay Kumar Dutta and Public Culture in Nineteenth-Century Bengal (Cambridge UP, 2023) examines the works of Akshay Kumar Dutta (1820-1886), who can be seen as ideologically inhabiting the cusp between religion and rationalism - the two most crucial avenues of debate and discussion in the public sphere in nineteenth-century Bengal. While nineteenth-century Bengal has been an important discourse within South Asian history, major figures of reform such as Rammohun Roy, Debendranath Tagore, Iswarchandra Vidyasagar, or Keshub Chunder Sen have generally been the focus. The book attempts to rescue Dutta from the clutches of academic amnesia, and to locate him as one of the foundational figures of intellectual refashioning among the common albeit educated public in nineteenth-century Bengal. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
On Sept. 19, 2023, Father Uwe Michael Lang, a priest of the Oratory of Saint Philip Neri in London, gave a talk on “Continuity and Change in the History of the Roman Mass” in our Lyceum auditorium. The lecture was sponsored by the Basilica's Institute for Faith and Public Culture.
This hour, a look at the cultural significance of the apple, from Adam and Eve to keeping the doctor away. Plus: growing apples, the future of apples, and we compare apples and oranges. GUESTS: Martha Bayless: Director of Folklore and Public Culture and a Professor of English and Folklore at the University of Oregon. She is also the founder of the Early English Bread Project, which studies the role of bread in early medieval English culture David Bedford: Senior Research Fellow in the Department of Horticultural Science at the University of Minnesota. His team is responsible for creating the Honeycrisp, SweeTango, Zestar, and Rave apple varieties, among others Dan Pashman: Creator and Host of The Sporkful podcast Join the conversation on Facebook and Twitter.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Today on Scope Conditions: when is racial status a unifying force in politics?Shared experiences of prejudice and discrimination can sometimes help create shared political identities within and across racial minority groups and strong incentives for collective mobilization. But as our guest today points out, neither race nor racial-minority status maps neatly onto patterns of political coalition-building. Consider, for instance, the lack of an enduring political alliance between African-American and Afro-Caribbean communities in places like New York City or the absence before the 1970s of a Latino political identity encompassing Mexican-Americans, Cuban-Americans, and Puerto Ricans.Dr. Jae Yeon Kim, a senior data scientist at Code for America, has been thinking a lot about the conditions under which groups with shared experiences of racialization and discrimination join forces politically, and when political action is organized instead around other social markers like class and ethnicity. In his article “Racism Is Not Enough: Minority Coalition Building in San Francisco, Seattle, and Vancouver,” published in Studies in American Political Development, Jae unpacks a revealing comparison in patterns of mobilization and alliance-formation across the Chinatowns in these three cities. These cities all shared a long history of pervasive and violent anti-Asian racism – which one might have thought would generate a collective race-based political identity. But while Asian coalitions formed to fend off the gentrification of San Francisco's Chinatown, Vancouver's ethnic-Chinese population allied with their southern European neighbors, rather than fellow Asian-Canadians, in their fight for affordable housing.Jae tells us why that is by comparing patterns of residential segregation versus integration that shaped the logic of coalition-building in these three sites. We discuss how he gained analytical leverage for this comparison by looking at different exogenous shocks – natural disasters and duration of Japanese internment – that generated different patterns of settlement.We also talk with Jae about his broader work on how the experience of racism affects political identities and behaviors. We discuss a study he conducted with Nathan Chan and Vivien Leung that shows how Donald Trump's anti-Asian rhetoric affected Asian-Americans' partisan leanings. Jae also tells us about a paper with Reuel Rogers that problematizes the concept of “linked fate” and that analyzes the formation of race-based political identities as contingent processes that hinge heavily on elite strategies and historical dynamics.Works discussed in the episode:Chan, N., Kim, J., & Leung, V. (2022). COVID-19 and Asian Americans: How Elite Messaging and Social Exclusion Shape Partisan Attitudes. Perspectives on Politics, 20(2), 618-634. doi:10.1017/S1537592721003091Dawson, Michael. A Black Counterpublic?: Economic Earthquakes, Racial Agenda(s), and Black Politics. Public Culture 1 January 1994; 7 (1): 195–223Dawson, Michael. Behind the Mule: Race and Class in African-American Politics (Princeton 1994).Kim, Jae Yeon. "Racism is not enough: Minority coalition building in San Francisco, Seattle, and Vancouver." Studies in American Political Development (2020): 195-215.
Emily Copeland is married and has two kids, a 16-year-old son and an 11-year-old daughter, whom she has always homeschooled. Emily comes from a ministry background and recently moved to Delaware from coastal North Carolina, so her husband could step into a pastoral role. Emily loves sharing tips, ideas, and resources to help others lead well while educating her children at her website, TableLifeBlog.com. She is working toward her BA in Communication Studies, focusing on Rhetoric and Public Culture (minoring in Theology). She loves homeschooling and is grateful for all that it gives her family, but is also excited to be in those more independent years so that she can think of what life after homeschooling may look like. Emily loves reading, visiting museums, and exploring her new area when she has some downtime. Thank you for listening to the A+ Parents podcast. If you love the show, don't forget to subscribe, share and leave us a review. Also, follow us online at www.aplusparents.com www.mrdmath.com or on our social channels @MrDMathlive @aplusparentspodcast Also, host Dennis DiNoia has a new book out NOW called “Teach: Becoming Independently Responsible Learners. Order your copy: https://aplusparents.com/teach OR on Amazon https://www.amazon.com/dp/B09X2B3MG8/ref=cm_sw_r_sms_api_i_DDH16A3BD5X79CSFSQXB To learn more about Mr.D Math Live Homeschool classes, visit: https://mrdmath.edu20.org/visitor_class_catalog?affiliate=10252228
Dr. Chad Pecknold, the Basilica's Resident Theologian for the Institute for Faith and Public Culture, shares part three of his three-part Lenten series on Suffering and Divine Mercy, which was recorded on March 14, 2023, in our Lyceum Auditorium.
Dr. Chad Pecknold, the Basilica's Resident Theologian for the Institute for Faith and Public Culture, shares part two of his three-part Lenten series on Suffering and Divine Mercy, which was recently recorded in our Lyceum Auditorium.
Dr. Chad Pecknold, the Basilica's Resident Theologian for the Institute for Faith and Public Culture, shares part one of his three-part Lenten series on Suffering and Divine Mercy, which was recently recorded in our Lyceum Auditorium.
In episode 153 of the 81allout podcast we interview the award-winning author and historian - and one of modern India's most renowned biographers - Ramachandra Guha. Support 81allout on Ko-Fi Talking Points: In search of the memories of India's first great cricketer - Palwankar Baloo Does the Bombay school of batting begin with the remarkable P Vithal? How the city of Bombay is a main character in Corner of a Foreign Field The Parsee influence in the history of Indian cricket CK Naydu's epochal 153 against the MCC team in 1926-27 The evolution of the game in post-independence India Race, caste, religion, and nation - the fissures around Indian cricket The India v Pakistan match in Manchester in 1999 - with their soldiers at war Participants: Ramachandra Guha (@ramguha) Siddhartha Vaidyanathan (@sidvee) * Buy War Minus the Shooting by Mike Marqusee | Buy Cricket Beyond the Bazaar by Mike Coward Books Discussed: Corner of a Foreign Field - Ramachandra Guha - Amazon; Spin and Other Turns - Ramachandra Guha - Amazon; Cricket, Public Culture, and Making of Post-Colonial Calcutta - Souvik Naha - Cambridge University Press; A Stroke of Genius - Gideon Haigh - Amazon; On Warne - Gideon Haigh - Amazon; Beyond a Boundary - CLR James - Amazon; Cricket Country - Prashant Kidambi - Amazon; Pundits from Pakistan - Rahul Bhattacharya - Amazon; Fire in Babylon - Simon Lister - Amazon; Cricket: the game of life - Scyld Berry - Amazon; Late Cuts - Vic Marks - Amazon
Welcome to another 'beta' episode of a brand new show with May Lee, Kelly Hu and Tamlyn Tomita, or MKT!* On this episode, we unveil the official title of the show and why we chose it! We also catch up on our recent travels, which include a serious sailing adventure, a festival in Okinawa that only happens every 5 years and wine tasting in Paso Robles with the fur babies. We also try and unpack the results of the midterm elections. IMPORTANT NOTE: This episode was recorded just hours before the GOP clinched control of the House and a day before Speaker Nancy Pelosi stepped down as Democratic leader. The star of this episode, however, is none other than the late, great, gorgeous Anna May Wong. She just became the first Asian American to be featured on U.S. currency, but do people really know her full story? We invited Professor Shirley Lim, an expert in all things Anna May, to dig deeper into the life of the trailblazing actress, fashion icon and activist. Show Notes:Professor Shirley Lim's books,"Anna May Wong: Performing the Modern""A Feeling of Belonging: Asian American Women's Public Culture, 1930–1960"*Shoes Off Inside will soon migrate to its own platform under the new title. We will make this as seamless as possible when it happens!
Lessons in resilience in the second wave of the Covid-19 pandemic in India. Focusing on the second wave of the Covid-19 pandemic in India between April and December 2021, Rustom Bharucha's timely essay reflects on four interconnected realities that haunted this ongoing crisis--death, grief, mourning, and extinction. How do we cope with multiple deaths and the dislocation of rituals when the act of mourning is either postponed or denied? What roles do political surveillance, censorship, the regulation of lockdowns, and the sheer indifference to the lives of people play in the containment of civil liberties? Through vivid examples of photography, theater, dance, visual arts, and the cultures of everyday life, this meditative essay illuminates both the horror of the pandemic as well as its unexpected intimacies and revelations of shared suffering. Against the destruction of nature and the disrespect for the nonhuman, The Second Wave: Reflections on the Pandemic Through Photography, Performance, and Public Culture (Seagull Books, 2022) offers lessons in resilience through its reflections on the ethos of waiting and the need to re-envision breath as a vital resource of self-renewal and resistance. Garima Jaju is a Smuts fellow at the University of Cambridge. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Vampire Insider: An AMC Anne Rice's Immortal Universe After Show
Welcome to the unofficial podcast after show for AMC's Interview with the Vampire. Join Joann, Marc, and Kristina as they react to the fifth episode "A Vile Hunger for Your Hammering Heart". If you haven't watched this episode yet, beware, because here be spoilers. The Vampire Insiders are giving you their hot trash hot takes, discussing how the series is diverging from (or remaining true to) the source material, who their stand out characters are, and what's going on in the character arcs for the four main characters. They also include a couple of fun segments: Easter Egg (and fan theories and conspiracies) of the week and body count. Count on Joann to be sassy and controversial, Kristina to look for the academic why of things, and Marc to be...well... a LOT. Special thanks this week to our twitter followers who submitted topics that they wanted to hear us discuss. Those subjects are peppered throughout and made this a lively conversation. We are grateful that you come to listen to us each week and if you do enjoy us, please share us with a friend. Follow VI on twitter @vampire_insider or Marc at @marceatspeach, Kristina @kristinagenx and Joann @justblockme_1; on Facebook at vampire insider and on reddit at VampireInsider. Sources: Giesler, Audrey. n.d. “Encompass Encompass Madame Bovary Syndrome: The Female Protagonist's Plight Madame Bovary Syndrome: The Female Protagonist's Plight.” https://encompass.eku.edu/cgi/viewcontent.cgi?article=1815&context=honors_theses. McNulty, Bridget. 2017. “What Is an Unreliable Narrator? - Narration | Now Novel.” Now Novel. September 28, 2017. https://www.nownovel.com/blog/unreliable-narrator/. https://www.masterclass.com/articles/what-is-an-unreliable-narrator-4-ways-to-create-an-unreliable-narrator-in-writing Alexander, E. 1994. “‘Can You Be Black and Look at This?': Reading the Rodney King Video(S).” Public Culture 7 (1): 77–94. https://doi.org/10.1215/08992363-7-1-77. Tillet, Salamishah. 2020. “Endless Grief: The Spectacle of ‘Black Bodies in Pain.'” The New York Times, June 19, 2020, sec. Arts. https://www.nytimes.com/2020/06/19/arts/elizabeth-alexander-george-floyd-video-protests.html. --- Send in a voice message: https://podcasters.spotify.com/pod/show/vampire-insider/message
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