Podcasts about esl music

Eric Barkley is a son, a brother, a father, a lifelong chef, a one-time lover of baseball, and a guy who'd rather be nowhere else than casting his line in the lake.I was lucky enough to steal some time away from the chef, and he swung by of an evening so that we could talk R.E.M., Metallica, and Tool for Episode #24 of Badass Records Podcast.Eric was kind enough to walk us through his service-industry education and experience, and if you stick around for the end of our conversation, you'll find a nugget or two regarding gear for trout and bass fishing.As part of our musically based chat, though, I learned some cool things about Maynard James Keenan and his primary outfit. Fascinating guy. And so is Chef Barkley. I learned some cool things about him, too.copyright disclaimer: I do not own the rights to the intro/outro audio. They are both samples from a track called, “Marching into the Hate Machines (Into the Sun),” which comes from the 2005 Thievery Corporation release entitled The Cosmic Game (c/o ESL Music, Inc.) and features The Flaming Lips.

Jason Gerken is one of my favorite human beings on the planet and I barely even know him.As I was telling the guest from Episode #9, it feels like every episode I do is my new favorite conversation, and this one was no different.It takes a lot of courage to say yes to doing an interview about your life and your music and it takes even more to show up and see it through. I can't exactly say why, but I just had a hunch that our conversation in this one would be a hoot, and it did not disappoint.Jason has been behind the Shiner kit for some time now, and it was exciting to learn about the other projects he's participating in as well.He chose -- without hesitation -- Elton John's Goodbye Yellow Brick Road -- as his badass record, and that blew me away twice (once with how quickly he responded and the second time for how completely unaware I was that this record is so packed full of non-hit gems).Anyway, Jason and I touched on the local-music scene, back pain, lotus poses, beer being what's for dinner, record labels, bein' on tour, not being a mixologist, the whiskey-in-a-cup kinda bartender he is, Bandcamp, squirting, and STDs. And other stuff, too.Find Shiner stuff at shiner.net and him on the 'Gram as @meatsuit_jasongerken. Thanks for viewing and/or listening. Pass the episode on to a friend, eh?copyright disclaimer: I do not own the rights to the audio intro/outro. They are samples of "Un Simple Histoire," by Thievery Corporation (from their 2002 The Richest Man in Babylon album) c/o ESL Music, Inc., and "You Wish," off of Nightmares on Wax's In a Space Outta Sound (from 2006) c/o Warp Records Limited, respectively.

Jason Proffitt is a father, a retired beer-league goaltender, and one of the coolest cats you'll ever meet. Even when he's angry at you for playing shitty defense in front of his net.In this week's episode of Badass Records, Jason and I dissected musical snobbery, chatted about good, great, and goofy people, dipped our toes in the Frank Zappa and Jenny Lewis waters, and talked about a few pivotal points of our musical journeys, which -- for him -- included his introduction to The Cult's album, Electric. We also spent a decent chunk of time envisioning ourselves to be stand-up comedy experts, so take that forever it might be worth. We enjoyed the shit out of ourselves in this conversation and we hope you'll dig it, too.copyright disclaimer: I do not own the rights to the intro/outro audio. They contain clips from Thievery Corporation's "All That We Deserve" from their 2002 record, The Richest Man in Babylon, c/o ESL Music, Inc., and Groove Armada's "My Friend," from their 2001 release entitled Goodbye Country (Hello Nightclub), c/o Zomba Records LTD, respectively.

OoO did not intend to take a three-month hiatus, but we're glad to be back with idiotprogrammer, Robert Nagle.   DJ Poseur claims that DL is the best rock band to have its whole discography on Bandcamp on a “name your price” basis:  https://dolefullions.bandcamp.com/ Find S&S's debut on Discogs:  https://www.discogs.com/master/107485-SavathSavalas-Folk-Songs-For-Trains-Trees-And-Honey    STRUCTURE:  War in Europe for Ukrainian & Russian Music (to 9:25) Doleful Lions “Out Like a Lamb” (9:25-16:00) Other critics & genre, Lazarus as a song premise (16:00-24:00)  Being tame —> longevity? Bandcamp's future in licensing.  Downsides of consistency (24:00-27:52) Doleful Lions “Look Homeward Angel Numbers,” Ratings, RIYLs (27:52-31:17)  Comparison of very different album picks & Robert's thoughts on Savath & Savalas, how excited to be about mellow music (31:17-44:08) Savath & Savalas “Folk Songs for Trees, Trains and Honey” electronic music around the turn of the 21st century (44:08-48:45) AMG & Pitchfork on S&S & what ambient is and is not, elderly electronic listeners, live music & instrumental music, unpredictability in repetitive musical styles (48:45-1:00:30) What we listened to that our parents couldn't stand, DJ Poseur goes racist to describe styles of music he doesn't like in misinterpretation of a question about Thai musical tastes, Trip-hop & downtempo versus jazz & lounge music, RIYLs (1:00:30-1:06:25) Rating S&S (1:06:25 to conclusion).   In the Ukraine war intro, Robert does a great job with examples of how musicians on all sides are responding.  UKRAINIAN MUSIC FOREVER!! Robert's "Ukraine Pop Music is Cool" Playlist on Spotify. https://spoti.fi/3MnVNTn Also a Youtube playlist: https://bit.ly/3vMpeIL   As always, check out his blog for more media.  http://www.imaginaryplanet.net/weblogs/idiotprogrammer/  We also mention “Russian folk singers with a message” such as Alexander Rozenbaum.   Album reviews for “Out Like a Lamb”:  https://chicagoreader.com/music/local-indie-rockers-doleful-lions-have-long-been-overlooked-but-theyve-never-lost-their-spark/ , https://chicagoreader.com/music/local-indie-rockers-doleful-lions-have-long-been-overlooked-but-theyve-never-lost-their-spark/ .  AMG thinks very highly of them but hasn't updated their discography https://www.allmusic.com/artist/doleful-lions-mn0000141712 .  Two others get the Pitchfork treatment https://pitchfork.com/artists/1261-doleful-lions/ .    DJ Poseur can't take psychedelic folk rock revivalism very seriously due to Spinal Tap's “Listen to the Flower People”    “Out Like a Lamb” is RIYL:   The Beatles, The Beach Boys, His Name Is Alive, "Kumbaya", Junip/Jose Gonzalez, Simon & Garfunkel, Mamas and the Papas, Paul Simon, Jimmy Dale Gilmore, Papas Fritas. “Look Homeward Angel Numbers” is RIYL:  The Faint, Caesars, Many Birthdays, Dandy Warhols, Gentlemen DJ Poseur owns most of and recommends the entirety of the Hefty Records catalog for fans of instrumental, post-rock, experimental but still accessible downtempo electronica https://en.wikipedia.org/wiki/Hefty_Records .    The cohost and DJ Poseur disagree on whether DL would be RIYL or overall sounds similar to Of Montreal for their psychedelic chameleon rock discographies that vary over decades from the 1990s to the 2020s.   “Folk Songs for Trains, Trees and Honey” is RIYL:  Bonobo, Boards of Canada, Thievery Corporation (& full stable of ESL Music in Washington D.C. = Eighteenth Street Lounge Music), DJ Farina's “Mushroom Jazz”. The rest of S&S's discography is RIYL:  Devendra Banhart, Junip/Jose Gonzalez, Cass McCombs   A very old Pitchfork review of it:  https://pitchfork.com/reviews/albums/7007-folk-songs-for-trains-trees-and-honey/    Robert's favorite mellow music comes from Polly Scattergood & Goldfrapp, both comparable in his view to Stevie Nicks.  Also Australian singer Princess Chelsea . .

Ryan ESL is a Music Producer, best known for the song ‘Stanky Legg' by GS Boyz, but he has been able to work with some well-known musicians including Kanye West, Future, and Maxo Kreem. This episode is one I've been looking really forward to because he's not only a long-time friend. We met at Stephen F. Austin State University (SFA) in Nacogdoches, Texas – so he calls me by my first name and not by the stage name, which is a privilege only some get. Aside from that though, he's also produced some of the best beats I've ever heard, so naturally, I've been dying to pick his brain on music. It's definitely one of my favorite interviews and that's why the episode is a bit longer than the others because this one is a long time coming. His songs have also been featured on HBO's Insecure, and ABC's Blackish… And You can find more of his songs on soundcloud.com/ryanesl

Is this a podcast about a television series, or a podcast ABOUT a podcast about a television series? Craig takes a deep dive into “Blurryman,” the extremely meta season finale of the 2019 Twilight Zone reboot, then takes a shocking left turn partway through that threatens to change podcasting as we know it forever. Okay, that may be a slight exaggeration. Let’s just say this episode is not to be missed.   “Neither Here Nor There (‘Really? Another Revision?’ Revision)” by Twin Loops TWILIGHT ZONE MAIN TITLE AND END THEMES composed by Marius Constant, performed by Marco Beltrami and Brandon Roberts “Halloween (Main Theme)” composed and performed by John Carpenter, from Halloween: The Original Motion Picture Soundtrack (copyright 1983 by Varèse Sarabande Records) Miscellaneous cues from Hangover Square composed and conducted by Bernard Herrmann, from Hangover Square: The Original Motion Picture Soundtrack (copyright 1945 by Twentieth Century Fox Film Corporation) “The Sleeper Car” performed by Thievery Corporation, from the EP .38.45 (A Thievery Number) (copyright 1998 by ESL Music)   The Twilight Zone is a trademark of CBS, Inc. Between Light and Shadow: A Twilight Zone Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.

This weeks RIPEcast features a very special guest mix from Fort Knox Recording Artist Qdup. A Space Cowboy favorite, he has been making dance floors groove and butts move worldwide for a decade. Over the years, Qdup has released top selling tunes and remixes on many well received labels including Bombstrikes, Fort Knox Recordings, Bombastic Jam, Goodgroove, Air, ESL Music, Royal Soul, Boxon Records, MustBeat and his own Qdup Records imprint. Don't miss Qdub headlining at the upcoming LOVEBOAT HALLOWEEN event on Friday October 27th at Pier 70 in San Francisco. Event info and tickets are here: bit.ly/LBH17sc

Los Angeles-native singer/songwriter, Charlotte Bash, began performing at a young age and has sung at numerous venues internationally with the likes of John Mellencamp, Sara Bareilles, Aaron Carter, Marietta Simpson, Sylvia McNair, and Shahkar Bineshpajooh at The Microsoft Theatre at LA Live. She was classically trained as an opera singer at Indiana University’s Jacobs School of Music, but when she returned to L.A. she wanted to find her own sound that combined her classical training with the pop music she loved.  The sound she found is a unique musical experience that combines fantasy and reality, as demonstrated in her 2013 release of her coming of age EP, Journey to Me. Her newest project, “Princess Game”  was inspired by the electro indie pop scene coming out of Britain and Australia and is a theatrical journey through sonic landscapes that tell a powerful story. Afrolicious has established itself as one of the most legendary weekly parties in San Francisco and of the top live/electronic bands on the west coast. Started as a weekly dance party featuring DJ’s and brothers Pleasuremaker and Señor Oz  (Joe McGuire and brother Oz McGuire) alongside percussionists, MC’s and horn players, it has evolved with original music under the alias Afrolicious and a live band.  They have performed at venues like Red Rocks, Sierra Nevada World Music Festival, Electric Forest Festival, Snow Globe, Burningman, Sea of Dreams, and alongside such artists as Thievery Corporation, Jimmy Cliff, Fishbone, Rob Garza, Novalima, J.Boogie, and DJ Smash.  Afrolicious remixes and original productions can be found on labels such as ESL Music, Six Degrees Records, Akwaaba Music, Bagpak Music and more.

We have a big week lined up for y'all on The Armory Podcast with two extremely talented artists making their Armory debuts! To get things started we're honored to have QDup (aka Jason Brown) of Fort Knox Recordings on the 1s and 2s. Press play. Get down. Jason Brown (aka Jayclue) is Qdup, and has been making dance floors groove and butts move worldwide since late 2006. Over the years, Qdup has released top selling tunes and remixes on many well received labels including Bombstrikes, Fort Knox Recordings, Bombastic Jam, Goodgroove, Air, ESL Music, Royal Soul, MustBeat and his own Qdup Records imprint. Having remixed the likes of Fort Knox Five, DJ Love, Thunderball, Basement Freaks, All Good Funk Alliance and Ursula1000 to name a few, Qdup has garnered a spot as one of the most in demand artists for remixing friends of funk and breaks. Also known for his party mashing exclusive edits and re-rubs, he has gained a following via some of the webs hottest blogs, dropping secret weapon DJ tunes. As an established tastemaker, Qdup has been a contributor to the UK based Ghetto Funk blog since it's inception and has produced several tracks on their Icons series remix albums. 2013 saw Qdup break out on the summer festival scene in North America including Shambhala (Salmo, BC), BassCoast (Merritt, BC), Firefly Fest (DE, USA), Art Outside (TX, USA) and P.E.X. (MD, USA). With additional releases upcoming on Fort Knox Recordings, new collaborations, remixes, free downloads and DJ mixes in the works, 2014 is lining up to be a busy year for Qdup. For more information on Qdup visit: www.facebook.com/QdupMusic soundcloud.com/qdupmusic https://twitter.com/QdupMusic Artwork by www.jempanufnik.com

Eric Hilton, one half of the DC-based, internationally acclaimed Thievery Corporation, and Phil Hawken, his business partner at ESL Music, talked to us about how they built their business supporting artists, and what they see as a difficult future for promising young musicians.

Track names in play order:(number) Title - Artist - Album(1) A Gentle Dissolve [Shawn Lee Ping Pong Orchestra Remix] - Thievery Corporation - Esl Remixed: The 100th Release of Esl Music,(2) Make My Day - Waldeck - Ballroom Stories,(3) You Will See - Yosebu - I'll Be Waiting Till Dawn,(4) Portrait - Etro Anime - Globalounge vol. 2,(5) Un Simple Histoire (A Simple Story) - Thievery Corporation - The Richest Man In Babylon,(6) Byzantine Meditation - Antaeus - Illusions,(7) Let It Go - Etro Anime - Erotic Lounge (Sensual Passion),(8) Sunday - Sia - Colour The Small One,(9) More - Stanley Turrentine - The Sugar Man,(10) Space Cowboy - Eve St. Jones (orig. by Jamiroquai) - Jazz and 90's,(11) You've Gotta... - Sacred Spirit - Chillout Moods,(12) Autumn Leaves - DJ ATB,(13) Air from Orchestral Suite No. 3 in D Major - Johann Sebastian Bach - Battle Royale OST,(14) Addicted - Waldeck - Ballroom Stories,(15) I Could Never Forget (to Santana) - Tok Tok Tok - From Soul To Soul.Chilled Enough Episode 3

Origins welcomes ESL Music artist Ancient Astronauts for an exclusive mix. From old school hip hop legends to new school deep beat masters, the mix skips in and out of genres lacing hints of reggae with thick slabs of funk, creating an overarching vibe of just damn good hanging music.