Podcast appearances and mentions of Sara Bareilles

#1 ACS #1107 (feat. Ed Cunningham, Alison Rosen and Bryan Bishop) (2013)#2 ACS #1110 (feat. Maria Menounos, Keven Undergaro, Sara Bareilles, David Wild, Alison Rosen and Bryan Bishop) (2013)Hosted by Superfan GiovanniRequest clips: Classics@adamcarolla.comSubscribe and Watch Clips on YouTube:https://www.youtube.com/@AdamCarollaCornerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

With the 25th Tribeca Festival about to kick off in New York City, we're joined by festival director Cara Cusumano for a preview of Tribeca's nonfiction lineup. Among the films slated to premiere are the latest from Oscar winner Ahmir "Questlove" Thompson, docs about musician Sara Bareilles, late NY Gov. Mario Cuomo, and artist Jean-Michel Basquiat, a film by California's First Partner Jennifer Siebel Newsom, and Playing POTUS, the Josh Greenbaum film about comedians who have done wickedly funny impersonations of U.S. presidents.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Like many of their fans, I discovered Corook's music on TikTok, and I was immediately charmed by the sweetness and humor and directness of their songs. Honestly, as someone who is newer to using TikTok — I only set up my page about a year ago — I've been surprised that many artists who are hugely popular there, with viral videos amassing millions of views, have relatively little exposure in more traditional music media. Which is silly, because there's some awesome shit on there, and as if music needs more arbitrary silos than it already has. Anyway, Corook has been one of my favorite TikTok discoveries and I was delighted when they agreed to get together over Zoom for this interview. Last week, Corook released a great new EP called “How Do I Relate To You?” that includes their latest viral hit “Scooby,” so look for that online now. In the interview we delve into the making of the EP and, as usual, all the important creative milestones leading up to it. We talk about the impact of a Linkin Park DVD their dad brought home, relating to Britney Spears, teaching themself guitar with help from YouTube, obsessing over Sara Bareilles, the piano as a tool for exploratory songwriting, going back to cowboy chords, learning how to go viral and then learning that going viral isn't all it's cracked up to be, collaborating like dads in a garage for their new EP, and more. 

Ten years on from Waitress' Broadway bow, we had a virtual chat with composer and lyricist Sara Bareilles to discuss the lasting and profound effect of the show, from its much-loved numbers to its now-instantly recognisable characters. What's more, Bareilles is working on a brand new musical, and reflects on this second-time experience as she prepares to bring it to the stage. Hosted on Acast. See acast.com/privacy for more information.

I keep noticing something in my work, in my friendships, even in myself: so many people are starving for permission.Permission to rest. To stop performing all the time. To tell the truth.Permission to become stranger, more tender, more sweet. Permission to become more fully themselves.So many of us learned that belonging required us to perform. We perform competence, pleasantness, productivity… We learned to shape-shift and contort ourselves to survive systems that could not fully hold us. And after a while, it's hard to remember who we really are underneath all that adaptation.The conversations I've had this season have each, in their own way, done what singer-songwriter Sara Bareilles calls “widening the road.” My guests' stories make room on the road for different ways of being powerful.  So today, I want to revisit some of those conversations, not just to reflect on what these guests learned about power, but to help you see yourself in their stories too. Because maybe what you need most right now isn't more advice. Maybe you need a little more permission.Listen to the full episode to hear:The common thread of truth about power that all of my guests have discoveredWhy stepping into our real power requires us to name and claim our unique powersHow power calls us to pause and truly witness and honor others and our environments in ways only we canLearn more about Valerie Black:The Change AgencyBecoming Power NewsletterCoachingResources:Ep 2.06 Walking Each Other Home: Power, Elderhood, and Belonging with Shirley ShowalterEp 2.07 Seen, Known, and Valued: Sarabeth Bickerton on Naming Your UniquenessEp 2.08 Arriving in Your Power with Brooke Edwards "Sweet Darkness," David Whyte

Global health officials are working to track down passengers who departed a hantavirus-stricken cruise ship weeks ago, including multiple Americans. Meanwhile, for the first time on Thursday, President Trump addressed the response to the deadly outbreak. Tom Hanson has the latest on the cruise ship and Dr. Celine Gounder breaks down what to know about the virus. Officials say local leaders in Arizona are pushing to remove Pima County Sheriff Chris Nanos, who is leading the investigation into the disappearance of Nancy Guthrie, after accusing him of lying about his past record. The mother of "Today" show co-host Savannah Guthrie has been missing for more than three months. A 67-year-old Beverly Hills widow was found dead on the floor below the staircase of her mansion. At first it appeared she fell over the railing, but as investigators looked into the case her death became more suspicious. Erin Moriarty reports. Former reality TV star Spencer Pratt, who is running as a Republican in the Los Angeles mayoral race, spoke exclusively to CBS News about his decision to run for mayor and his inexperience in politics, saying, "I may not have the experience, but I have the common sense to say this is not working." UFC president and CEO Dana White joins "CBS Mornings" to break down UFC 328, which is being held this weekend. The main event features undefeated champion Khamzat Chimaev defending his middleweight belt against former champion Sean Strickland. Australian musician Ben Abraham has worked with multiple singers, from Sara Bareilles to Ben Platt. The singer-songwriter speaks to "CBS Mornings" about the highs and lows of his music journey and how he hopes he can "make a difference" through his art. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

A Note from Jacob: Since my conversation with Matt, the 2026 Janice Jam at Sony Hall is OFFICIALLY SOLD OUT!  I am thrilled to welcome back my friend, actor Matt DeAngelis, to Jake's Take with Jacob Elyachar for an exclusive conversation!  Originally from Boston, Massachusetts, Matt grew up on showtunes and Boston sports. Matt studied theatre at the University of Southern Maine and The Boston Conservatory before heading down Route 95 to NYC in 2004. In June 2009, Matt got the call to make his Broadway debut in the Tony-winning production of HAIR with Tony Award winner Diane Paulus at the helm. Matt continued with that production, “Across the Atlantic Sea,” to the West End in the role of “Woof,” then launched the first national US Tour of HAIR, and was seen back on Broadway in the “Summer of Love” revival of HAIR. Following his time with the hippies, Matt launched the first national tour of Green Day's AMERICAN IDIOT as the “Representative from Jingletown”. Matt's cross-country adventures continued in 2014 with the first national tour of ONCE, where he played “Svec” and five instruments. Over the last five years, Matt has been a veteran of almost 2,000 performances.  Thankfully, Matt returned home to Broadway (again with Diane Paulus) in the hit musical WAITRESS, where he starred opposite Tony Award winner Jessie Mueller, two-time Grammy winner Jason Mraz, and seven-time Grammy nominee and the show's composer, Sara Bareilles. He then toured the country with the WAITRESS National Tour as Earl opposite his real-life wife, Christine Dwyer, as Jenna. Upon returning from the road, Matt was a part of developing the World Premiere of The Secret Life of Bees at The Atlantic Theatre Company, directed by Tony Award winner Sam Gold. He also appeared in Orpheus Descending at Theatre for a New Audience.  Matt DeAngelis also started the Janice Jam in memory of his mother, Janice, who passed from metastatic breast cancer in 2022. This annual event channels the magic of Broadway to honor those we've lost, uplift those fighting, and fund critical research. This event serves as a yearly celebration of Janice, her love for theater, and raising money for those affected by metastatic breast cancer.   An all-star group of performers is joining Matt and his wife, Christine Dwyer, this year. Ari Axelrod, Ashley Loren, Carrie St. Louis, Cassadee Pope, Derek Klena, Donald Webber Jr., Eric Michael Krop, Justin Matthew Sargent, Kara Lindsay, Laurie Hernandez, and Norm Lewis are all expected to participate in the show.  On this exclusive edition of The Jake's Take with Jacob Elyachar Podcast, Matt DeAngelis spoke about how Janice Jam partnered with Masquerade and previewed the sold-out event.  Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

The fan favourite musical WAITRESS, seen on Broadway and in the West End, is back on stage in a new UK Tour starring Carrie Hope Fletcher as Jenna.The musical, based on the film of the same name features a book by Jessie Nelson and a score from Sara Bareilles, and also stars Dan Partridge, Les Dennis, Sandra Marvin, Evelyn Hoskins, Mark Anderson, and more.Check out what Mickey-Jo thought of the new cast members including Carrie as well as how his feelings towards the show have developed, and what he discovered about it on my 5th visit...•00:00 | introduction02:14 | material / overview08:34 | Carrie Hope Fletcher as Jenna15:13 | the supporting cast20:35 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Al's algorithm is Taylor Swift and Sara Bareilles videos plus Tom Brady's hypocrisy. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

MORGXN, the Americana artist who just redefined what the Heartland means, joins Ben and Zach on Americana Curious for a conversation that you'll never forget.Early in his career, he was told he'd never make it in Nashville as an openly gay artist. So he left.But something pulled him back. Instead of abandoning the music… he decided to reclaim something bigger.The Heartland.Not as a place owned by a genre or a stereotype but as a place that BELONGS TO EVERYONE.Along the way, he's collaborated with Sara Bareilles and Walk the Moon, and even had a moment where Billie Eilish credited one of his songs as inspiration.But the most powerful moment in our conversation was this: “The heartland is everybody — white, black, gay, straight… the heartland is everybody.”And then he did something even more unexpected…He bought a farm outside Nashville. discovered 760 pawpaw trees on land the previous owner said was “dead”, and started building a life rooted in music, food, and community.It turns out the Heartland isn't just a place. It's a story we're ALL STILL WRITING TOGETHER!Ever been told you didn't belong somewhere… and later realized you were meant to redefine it?

In this episode of Working Class Audio, Matt welcomes engineer/mixer Joe Costa who has worked with Ben Folds. Sara Bareilles, William Shatner and many more.In This Episode, We Discuss:Ordering Lunch with William (Bill) ShatnerWorking with Ben FoldsMixing from HomeMoving to NashvilleBerklee School of MusicReading the RoomLinks and Show Notes:Joe On Instagram @costa71Watch the Interview on YouTubeMatt's Rant: Know Your ValueCredits:Guest: Joe CostaHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Grammy-winning singer and actress Sara Bareilles asks Handsome a fruitful question on this week's episode! Plus mud wrestling, driving all night, and an update from Kitty City. Don't forget to get tickets to our May 4 Live Show in LA!Handsome is hosted by Tig Notaro, Mae Martin, and Fortune FeimsterFollow us on social media @handsomepodMerch at handsomepod.comWatch Handsome on YouTubeThis is a Headgum podcast. Follow Headgum on Twitter, Instagram, and Tiktok. Advertise on Handsome via Gumball.fm.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Megan Falley takes over the mic to interview Glennon, Abby, and Sara Bareilles about Come See Me In the Good Light—their Oscar-nominated documentary honoring poet Andrea Gibson and the last year Meg and Andrea spent together. They each share why they said yes to the project, how the film changed the way they understand love, grief, and being fully alive, and why this isn't a story about death—it's a story about living more vibrantly right now. Come See Me in the Good Light  premiered at the 2025 Sundance Film Festival, where it won the Festival Favorite Award, and has since been named one of the National Board of Review's Top 5 Documentaries of the year, earning major honors including nominations at the Satellite Awards and Film Independent Spirit Awards. Now nominated for the Academy Award for Best Documentary — to be presented Sunday, March 15 — Come See Me in the Good Light can be streamed on Apple TV. For more episodes with our friends, Andrea, Meg, and Sara, check out:  The Bravest Conversation We've Had: Andrea Gibson Megan Falley Knows What Love Is An Unforgettable Double Date with Andrea Gibson & Megan Falley Let Our Sundance-Winning Film Remind You What Love Is with Megan Falley Watch OUR 1ST FILM – Come See Me in the Good Light: Meg Falley (& Andrea Gibson) Sara Bareilles: How to Remember Yourself Follow We Can Do Hard Things on:  Instagram — ⁠https://www.instagram.com/wecandohardthings⁠ TikTok — ⁠https://www.tiktok.com/@wecandohardthingsshow⁠

Today, I'm thrilled to announce my interview with Tony nominee Micaela Diamond. Tune in to hear some of the stories of her legendary career, including finding her voice in PARADE, acting opposite Ben Platt, what she learned from her debut in THE CHER SHOW, researching Cher's life and career, learning from Stephanie J. Block and Teal Wicks, getting notes from Ethan Coen in A PLAY IS A POEM, building the character of Fritz in HERE WE ARE, the monologues that were written for and cut from the piece, understudying Sara Bareilles in JESUS CHRIST SUPERSTAR, what attracted her to THE SEAT OF OUR PANTS, the adventure of starring in ROW at Williamstown, how THE SOUND OF MUSIC ignited her love of theater, learning to cook during the pandemic, her new starring role in THOROUGHLY MODERN MILLIE, and so much more. Don't miss this candid conversation with one of Broadway's best.

Jason Fraley marks the one-year anniversary of Ben Folds resigning as Artistic Advisor to the National Symphony Orchestra after Donald Trump's Kennedy Center takeover, sparking a chain reaction of artist cancellations. Folds joined the show in 2018 to discuss the launch of his Kennedy Center series "Declassified," pairing the NSO with popular musicians like Sara Bareilles and Jon Batiste. We're replaying it today as a reminder of all that was lost and could be again. (Theme Music: Scott Buckley's "Clarion")

Tomorrow from 11am to 7pm, some of the arts' biggest names including Lin-Manuel Miranda, Sara Bareilles and Constance Wu will appear on the steps of The Public to perform and protest in solidarity with the people of Minnesota. We speak to Saheem Ali and Alexa Smith, the associate artistic directors of The Public about "The People's Filibuster."

As the new year gets rolling, I've been trying to make room for what I call “the soul.” To me, this means being more receptive to those mysterious synchronicities, insights, and feelings so easily missed when I keep myself busy and distracted. Sometimes this energy comes from within, and sometimes it's a “postcard from God,” as Walt Whitman would say.Bernie With His Plough & The Great Horned OwlIt could be a lyric that aligns with something on my mind. The other day, I heard Elton John sing the lyric about the howling old owl in the woods (from “Goodbye Yellow Brick Road”). Though I've heard the line many times before, this time was different. Recently, each night when I take my dog out, I hear the haunting sound of a great horned owl in the woods behind my house.But what do I do with that synchronicity? Is it the owl itself - a symbol of wisdom, intuition, mystery, and the ability to see beyond illusion- that I should listen to? Maybe it's the lyric Bernie Taupin wrote for Elton about a desire to leave the superficial ego-driven world behind and return to a more grounded life - a more authentic self. Bernie was ready to leave the yellow brick road of striving for success. He wanted to go back to his plough and back to the howling old owl in the woods.Maybe it's both - the haunting sound of the owl and a longing to return “home.” Maybe the owl's saying, “Leave me alone already and just honor the mystery.” Maybe Bernie is telling me he'd love my simple, quiet life in rural Kentucky, a life that at times doesn't feel full enough.Contemplating Solitude With MertonA couple of days ago, while doing Qigong (meditative movements similar to Tai Chi), I wondered if there is a place nearby where people gather and move in these gentle ways. The first place that came to mind was the Abbey of Gethsemani, which is not far from here. Finding a group of monks, at least Trappist monks, doing Qigong, would be quite unlikely. Maybe if Merton were still around.Gethsemani was made famous by Thomas Merton, an influential spiritual writer and Trappist monk who lived at the monastery for 27 years. Four of those years, he spent mainly in his hermitage - a secluded cabin in the woods. “Not all of us are called to be hermits, but all of us need enough silence and solitude in our lives to enable the deeper voice of our own self to be heard at least occasionally.” - Thomas MertonBefore entering the Abbey at 26, Merton was worldly, raucous, and rebellious. Like Bernie and many of us, he struggled with the tension between a simple, humble life and a desire to engage with and influence the outside world.While at Gethsemani, Merton wrote over 70 books about contemplation, prayer, Eastern religions, interfaith dialogue and social justice, including his famous autobiography, “Seven Story Mountain.”What do I do with that? Merton did all of that while living a quiet life right here in my neck of the woods. Hmmmmmm….Reclaiming That Girl That Used to Be MineSometimes the soul provides a shift in how we think about ourselves and our lives. Sometimes, however, a postcard cuts right through all the analysis and goes straight to the heart.Yesterday, I saw a video reel of Sara Bareilles and Rufus Wainwright singing, “She Used to Be Mine.” Though I'd heard parts of this song before, I never stopped long enough to listen. Last night, with my reclaimed intention of receptivity, I did. Instead of landing on some great insight, I found myself in tears. Quickly, I pulled myself out, before sliding right back into those tears, tears that I realized I was grateful could still flow.When was the last time I cried? And why was I crying? And, why were so many of the people in the audience crying? The song is about losing one's self, and losing the connection to the child we once were - a universal loss that can make some of us ache, even at the age of 58, when we think we've done such a brilliant job of putting all of those parts of ourselves back together.Though no longer recognizing herself, she still remembers the girl she used to be. She sings with tenderness about that girl's imperfection, effort, goodness, and self-reliance. She questions what life would have been like if she could rewrite the ending for that girl.Sara Bareilles wrote this song for the 2016 Broadway musical, “Waitress.” The lead character sings it at the end of the second act when she has hit rock bottom. She is lost and struggling to remember who she is. Through the song, she mourns the loss of herself before starting to gain footing and for a moment taps into the strength and grit of that child she starts to reclaim.The story isn't over. We all have an opportunity to write the next act and to extend unconditional affection for the child that she describes as messy, but kind, lonely most of the time, but more, she is all of this “mixed up,” and “baked in a beautiful pie.”Why Here & Now?My long-held hope in sharing information online has been to balance the mind and spirit (the right and left brain). In recent times, I've leaned into the left-brain science. That's what people tend to read or listen to. That's what people need and can't easily find elsewhere. I'd forgotten, however, that expressing myself from my heart is something that I need. It is who I am. My own health and healing required much more than scientific information. It would be dishonest to only share part of that story.Even as a child, writing was my lifeline. It helped me find my place in the world. It gave me peace. That child wouldn't need to make sense of why the owl speaks to me at night. Or, why Bernie showed up with a plough in hand. Or, why Merton put down his pen and stepped out of his cabin to greet me in the woods. Or, even why Sarah, dressed as a waitress, crossed my path while singing a song I'd be sure was written just for me.But, I'm not only that child. I'm all grown up and can't help but wonder why these particular energies showed up now, beyond the fact that I created some space for them to do so? What would they have me know? I think, to embrace paradox and to remember that we are physical beings of this world, and also spiritual beings who transcend it. We need connection, and we need solitude. We are adults shaped by a lifetime of experience, and still vulnerable children filled with wonder and sometimes hurt. We are light, and we are shadow. And as Sara would say, we are all of this “mixed up and baked in a big beautiful pie.”Wishing you wholeness as you make your way through this year,CourtneyTo learn more about my discovery calls, non-patient consultations, or mentoring, please visit my website at:CourtneySnyderMD.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit courtneysnydermd.substack.com/subscribe

Sometimes perspectives change...It's a new year and it's a new episode as we're already knee deep into Shortlists and Awards season consideration and it makes sense.  We had the pleasure of talking with Singer/Songwriter/Composer/Actor Sara Bareilles about her song 'Salt Then Sour Then Sweet' which was used in the new documentary on Apple+ 'Come See Me In The Good Light'.'Come See Me in the Good Light' is a poignant and unexpectedly funny love story about poets Andrea Gibson and Megan Falley facing an incurable cancer diagnosis with joy, wit and an unshakable partnership. Through laughter and unwavering love, they transform pain into purpose, and mortality into a moving celebration of resilience.I'll admit that when watching this for the first time, I actually felt a little uncomfortable watching as I was having trouble with as it made me uncomfortable watching it as it felt in conflict with my own emotions about being a care giver for a family member with terminal cancer, I felt uncomfortable viewing it all.  That is until the end credits and this song came on....Using the words of Andrea Gibson after she died, what Bareilles and Brandi Carlile do here is sum up what is a horrible emotional experience into a 3.5 minute experience that had this critic blubbering in tears.I had the pleasure of sitting down with Sara to talk about how she got involved in the project, the pressure of a job like this, working and repurposing someone else's art and the importance of storytelling leading with love.'Come See Me in the Good Light' is on Apple+ now.

Jaron Lanier, E. Glen Weyl, and Taylor Black join Beauty at Work for a wide-ranging conversation on artificial intelligence, innovation, and the deeper questions of meaning, faith, and human flourishing that surround emerging technologies.Jaron Lanier coined the terms Virtual Reality and Mixed Reality and is widely regarded as a founding figure of the field. He has served as a leading critic of digital culture and social media, and his books include You Are Not a Gadget and Who Owns the Future? In 2018, Wired Magazine named him one of the 25 most influential people in technology of the previous 25 years. Time Magazine named him one of the 100 most influential people in the world. Jaron is currently the Prime Unifying Scientist at Microsoft's Office of the Chief Technology Officer, which spells out “Octopus”, in reference to his fascination with cephalopod neurology. He is also a musician and composer who has recently performed or recorded with Sara Bareilles, T Bone Burnett, Jon Batiste, Philip Glass, and many others.E. Glen Weyl is Founder and Research Lead at Microsoft Research's Plural Technology Collaboratory and Co-Founder of the Plurality Institute and RadicalxChange Foundation. He is the co-author of Radical Markets and Plurality and works at the intersection of economics, technology, democracy, and social institutions.Taylor Black is Director of AI & Venture Ecosystems in the Office of the Chief Technology Officer at Microsoft and the founding director of the Leonum Institute on Emerging Technologies and AI at The Catholic University of America. His background spans philosophy, law, and technology leadership.In this second part of our conversation, we talk about:1. The idea that modern technology and AI, in particular, have taken on religious or idolatrous qualities2. Why the Talmud offers a powerful model for collective intelligence without erasing individual voices3. The dangers of excessive anonymity in digital systems and AI training4. The idea of “superintelligences” as collective human systems like corporations, democracies, and religions5. Vatican-led efforts toward algorithmic ethics and the protection of human dignity6. Where Glen and Jaron disagree about human-centered AI7. AI as a tool for metacognition8. How imagination, storytelling, and shared meaning can shape the future of innovationTo learn more about Jaron, Glen and Taylor's work, you can find them at: Jaron Lanier - https://www.jaronlanier.com/ Glen Weyl - https://glenweyl.com/ Taylor Black - https://www.linkedin.com/in/blacktaylor/ Books and Resources mentioned:You Are Not a Gadget (Jaron Lanier)Who Owns the Future? (Jaron Lanier)Radical Markets (Eric Posner & E. Glen Weyl)Plurality (Audrey Tang & E. Glen Weyl)The Human Use of Human Beings (Norbert Wiener)The Fellowship of the Ring (J.R.R. Tolkien)This season of the podcast is sponsored by Templeton Religion Trust.Support the show

Jaron Lanier, E. Glen Weyl, and Taylor Black join Beauty at Work for a wide-ranging conversation on artificial intelligence, innovation, and the deeper questions of meaning, faith, and human flourishing that surround emerging technologies.Jaron Lanier coined the terms Virtual Reality and Mixed Reality and is widely regarded as a founding figure of the field. He has served as a leading critic of digital culture and social media, and his books include You Are Not a Gadget and Who Owns the Future? In 2018, Wired Magazine named him one of the 25 most influential people in technology of the previous 25 years. Time Magazine named him one of the 100 most influential people in the world. Jaron is currently the Prime Unifying Scientist at Microsoft's Office of the Chief Technology Officer, which spells out “Octopus”, in reference to his fascination with cephalopod neurology. He is also a musician and composer who has recently performed or recorded with Sara Bareilles, T Bone Burnett, Jon Batiste, Philip Glass, and many others.E. Glen Weyl is Founder and Research Lead at Microsoft Research's Plural Technology Collaboratory and Co-Founder of the Plurality Institute and RadicalxChange Foundation. He is the co-author of Radical Markets and Plurality and works at the intersection of economics, technology, democracy, and social institutions.Taylor Black is Director of AI & Venture Ecosystems in the Office of the Chief Technology Officer at Microsoft and the founding director of the Leonum Institute on Emerging Technologies and AI at The Catholic University of America. His background spans philosophy, law, and technology leadership.In this first part of our conversation, we discuss:1. How aesthetic experience shapes worldview, imagination, and intellectual vocation2. The historical rivalry between artificial intelligence and cybernetics3. The danger of treating AI as an object of faith or a replacement for human meaning4. The psychological and spiritual costs of assuming people will become obsolete5. A tension between two different modalities of beautyTo learn more about Jaron, Glen and Taylor's work, you can find them at: Jaron Lanier - https://www.jaronlanier.com/ Glen Weyl - https://glenweyl.com/ Taylor Black - https://www.linkedin.com/in/blacktaylor/ Books and Resources mentioned:You Are Not a Gadget (Jaron Lanier)Who Owns the Future? (Jaron Lanier)Radical Markets (Eric Posner & E. Glen Weyl)Plurality (Audrey Tang & E. Glen Weyl)The Human Use of Human Beings (Norbert Wiener)The Fellowship of the Ring (J.R.R. Tolkien)This season of the podcast is sponsored by Templeton Religion Trust.Support the show

This past Sunday, at the Gathering, we considered what makes Christmas unique among all the holidays and featured the most beautiful, brilliant, and talented children, singing some Christmas classics for us. The band also performed songs by Lauren Daigle, Sara Bareilles, and others... but the kiddos stole the show!

This past Sunday, at the Gathering, we considered what makes Christmas unique among all the holidays and featured the most beautiful, brilliant, and talented children, singing some Christmas classics for us. The band also performed songs by Lauren Daigle, Sara Bareilles, and others... but the kiddos stole the show!

Melbourne's low-key superstar Ben Abraham has written monster hits and performed at the GRAMMYs. He also started a tradition of wildly popular Christmas gigs co-starring his famous mates performing new music and classic carols. Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme.See omnystudio.com/listener for privacy information.

"Come See Me In The Good Light" is a 2025 American documentary film directed by Ryan White, following poet/activist Andrea Gibson and Megan Falley as they navigate an examination of love and mortality after Gibson is diagnosed with terminal ovarian cancer. Singer-songwriters Sara Bareilles and Brandi Carlile serve as among the executive producers; they co-wrote a song for the documentary, "Salt Then Sour Then Sweet," with Gibson. The film had its world premiere at the 2025 Sundance Film Festival, where it received positive reviews and won the Festival Favorite Award. Bareilles was kind enough to spend some time talking with us about her work and experience working on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Apple TV+. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Pearl Harbor Remembrance day. Entertainment from 2003. Deleware became the 1st state, Jet stream discovered, 1st instant replay used, 1st execution by lethal injection. Todays birthdays - Clarence Nash, Ted Knight, Ellen Burstyn, Harry Chapin, Gary Mooris, C, Thomas Howell, Sara Bareilles. Chuck Yeager died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Stand up - Lucacris feat. ShawnaI love this bar - Taby KeithBirthday - The BeatlesBirthdays - In da club - 50 Cent http://50cent.com/Donald Duck theme songI'm alright - Kenny LogginsCats in the cradle - Harry ChapinBaby bye bye - Gary MorrisLove song - Sara BareillesExit - It's not love - Dokken http://dokken.net/

On the December 7 edition of the Music History Today podcast, two movie musicals premiere, the Animals end, Greg Lake passes away, & happy birthday to Harry Chapin, Sara Bareilles, & Aaron Carter For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday 

In this episode, I dive deep into one of the most empowering songs of my life: “Brave” by Sara Bareilles. This song didn't just inspire me — it helped transform me. I'm sharing how it pushed me out of my insecurity, helped me find my voice, and even gave me the courage to handle a very uncomfortable work conversation (thank you, Sara!). Join me for a heartfelt, funny, and honest look at the lyrics, the message, and the impact this anthem had on my own journey toward confidence and self-expression. If you've ever needed a little push to speak up or step into who you really are, this episode is for you.Sara Bareilles - Brave (Official Video)What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

Text the showJulia is a bass player based in New York.Her credits include artists like Hozier, Sam Smith and Sara Bareilles. Amongst many other things, we discussed growing up with a musical dad, the importance of physical health on tour, and leaving ballet behind.I hope you enjoy our conversation as much as I did(Recorded 5th November 2025)Support the showFollow me on Instagram - @nategrooveSubscribe to support the show - https://www.buzzsprout.com/2058148/supportAny questions or guest suggestions, please email nwinsessionwith@gmail.com

Don't mind the puns in this one, but we're entering the “home stretch” of 2025 as we discuss how to “level the playing field” for us, as blind Blue Jays fans, when comparing baseball radio broadcast with that done on television on this Monday after the Big Game. This week on Outlook it's a MLB Mixed Bag show as we're joined, virtually, by BF Barry until he can join us in studio soon--to lament the close call in Game Seven of this year's World Series against the Los Angeles Dodgers. We give a post-series blow-by-blow of watching the games together, the three of us, with Barry's international perspective, along with brother/co-host Brian's info about the father-son connection (Dan and Ben Shulman who broadcast on TV and radio respectively), and a special Radio Western connection to Dan Shulman who used to call Western Mustangs games, and an example of an exciting moment from the final game, using a clip of the radio broadcasters to illustrate the unique playing field levelling for those of us who cannot see the games visually. Shout out to both Ben Shulman and Chris Leroux for calling the games on the radio as it seems the TV broadcasters more often get recognized. Then sister/co-host Kerry shares about her Halloween (first year going trick-or-treating) in a while, alongside learning some sad news about an old classmate, all the while describing using her friend's daughter's plastic sorcerer's staff as white cane for the evening plus the haunted house they walked through, a notion truly scary to Kerry in most circumstances. First episode after clocks went back (a lack of sleep for some of us) as we three are all hyped up with the close call loss, a series so close to being a win for the Jays and for Canada, as emotions run high with Kerry sharing what it's like, looking back at one whole year now since the worst guy for the job got voted back in the Whitehouse - so from one horror to another and the disappointment all across the country, we end with a song from Obama's POV. "No man's ignorance will ever be his virtue.” —Seriously, from This American Life, written by Sara Bareilles, sung by Leslie Odom Jr. https://www.youtube.com/watch?v=hI8TCA3fJcs

We’ve been doing these shows where we don’t book any guests, where we fill the hour with your calls, calls about anything, everything. These shows are fun for us, and they seem to be fun for you, too. So we did another one. This hour, the conversation winds around to a local landmark, stomping, poetry, firewood, music, sprickets, bibliographies. … Anything. (Seemingly) everything. MUSIC FEATURED (in order): Appalachian Morning – Paul Winter Perfect Fit – Van Morrison Salt Then Sour Then Sweet – Sara Bareilles, Brandi Carlile Conservative Christian Right Wing Republican Straight White American Males – Todd Snider Window To The World – Shawn Colvin CUT FOR TIME I’d Miss the Birds – Joy Oladokun, Sheryl Crow Keeper – Courtney Marie Andrews Certified Senior Citizen – Mose Allison Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Edit Piaf once famously sang “Je Regrette Rien” (I Regret Nothing), and listening to the following heart wrenching live performances, I'm reminded that anyone claiming that spiritual stance must be in denial - or, crowing in battered defiance in order to buttress themselves against the memory of life's cavalcade of pain and tortured conscience. For who can sincerely state that they have no regrets? No harsh word you wish you could have retracted?; No unsubstantiated suspicion that poisoned the well of a friendship or a faithful love?; Are you discounting the abuses large and small that have piled up so high that, somehow, you've become numb to them?; What about the road not taken…?These songs tell tales about the burden of living under the crushing weight of regret. If you don't shed a tear listening to them, your fluids need replenishing. The divine Spanish diva, Luz Casal singing Jackson Browne's “These Days”, accompanied by the writer and his ride or die Sancho Panza, David Lindley on his keening fiddle is like hearing a penitent sinner's weary confession; and, then there's the  incomparable Rufus Wainwright, in a duet with Sara Bareilles, delivering her own anthem with a thrilling operatic intimacy. THESE DAYS / LUZ CASAL, JACKSON BROWNE, AND DAVID LINDLEYThe preternaturally wise Jackson Browne was sixteen when he wrote “These Days” for Nico, who intoned it with a teutonic world weariness that spoke volumes. What did he know then about regrets? Certainly, the intervening years have instructed the now 76 year old songsmith in all the permutations of tragedy, yet somehow, he has managed to valiantly soldier on, staying creative, performing, and advocating for humanity.  There is something almost mystical about the voice of Luz Casal, and the delicacy with which she interprets Jackson's lyrics that transcends her heavily accented pronunciations. The words are sometimes hard to follow - but not the meaning - that's never lost. Time collapses as the message of this song, originally brought into being by the foreign born Christa Paffgen - and resurrected now, almost 60 years later, by this Goddess, comes full circle to enfold the aging songwriter in the arms of his own mortality. SHE USED TO BE MINE / SARA BAREILLES AND RUFUS WAINWRIGHTSara Bareilles wrote She Used to Be Mine as a show stopper for her Broadway musical, Waitress, and it's a barn burner. Here, in combination with the musical magus, Rufus Wainwright it morphs into something entirely different from it's template: it has become a religious act of forgiveness and redemption - an acknowledgment of life's profound losses, and at the same time an appreciation for what was - a ritual of devotion that celebrates living in all its ecstasy and futility - the duality of darkness and light, love and death. First Rufus sings alone, then Sara… but, when they harmonize the full extent of the love that was lost, and yet remains, lifts us up to the realization of the eternal knowledge that love is never lost. It is a requiem.

Host Meg Wolitzer presents three imaginative and funny reworkings of classic stories.  In Ginny Hogan's “Phantoms and Prejudice,” Jane Austen's Bennet sisters learn about ghosting.  The reader is Sara Bareilles.  Anthony Marra invents a plausible reason for murder in his reworking of Poe's “The Tell-Tale Heart,” read by Mike Doyle.  And Michael Cunningham turns Jack into an entrepreneur in “Jacked,” read by Jim Parsons. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this conversation, I'm joined by Wendy Parr an Holistic Vocal + Artist Development Coach, and Founder of The Parr Method. Wendy has spent 30 years in the entertainment industry empowering recording artists to develop their authentic voice with confidence and consistency under any circumstance. The philosophy of The Parr Method is to help artists identify mental and physical limitations, find their power through presence and emotion, and impart tools + knowledge to expand on their ability. Wendy's tried and true approach has amplified artists from developing to Grammy award winning icons. The Parr Method guided A Great Big World from their 1st vocal session to a GRAMMY. Parr Method Alumni include: Melanie Martinez, Zoe Kravitz, Regina Spektor, Sara Bareilles, Ballistik Boyz, PVRIS, Qveen Herby, Isabel LaRosa, Edis + more Wendy shares their journey in music, starting from a young age and navigating the complexities of the music industry. They emphasize the importance of authenticity, finding one's unique voice, and the role of collaboration in artistic growth. The discussion also touches on balancing passion with the business side of music, embracing change, and the significance of personal growth in an artist's journey. The speaker offers valuable advice for emerging artists, encouraging them to lean into their strengths and pursue what they love.To learn more visit her website.You can follow Wendy on socials here. Please reach out if you have any requests for topics or training sessions and be sure to check out the free trial of ⁠Rockit's Voice Coaching Club⁠ over on Patreon.Your membership supports the growth of this podcast and the development of your vocal skills too! Win Win!To learn about private coaching or to join one of my retreats, visit the website! www.rockitvocalstudios.comBe sure to follow ⁠@rockitvocalstudios⁠ on social for more tips and to keep up to date with all the latest info.⁠Join the mailing list⁠ for offers, and updates as well as exclusive info. Stay connected for updates, promotions and be the first to know about special events by joining my mailing list! No spam, just valuable singing tips and studio updates! 

Sara Bareilles has built a career on being brave enough to tell the truth, even when it hurts. In this episode of No Filter, she opens up about the story behind her breakthrough hit Love Song... and it’s not what you think. Sara reflects on the pressures she faced growing up, the challenges of trying to fit in, and a letter she once wrote to her 17-year-old self. Along the way, she shares the lessons she’s learned about resilience, creativity, and finding your voice in a world that often tells you to stay small. Her hit musical Waitress is now coming to Australia, and if you’ve ever needed a reminder that it’s never too late to start again, this conversation and Sara’s music, will give it to you. For more information and tickets to see Waitress go here. THE END BITS: Listen to more No Filter interviews here and follow us on Instagram here. Discover more Mamamia podcasts here. Feedback: podcast@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message, and one of our Podcast Producers will get back to you ASAP. Rate or review us on Apple by clicking on the three dots in the top right-hand corner, click Go To Show then scroll down to the bottom of the page, click on the stars at the bottom and write a review CREDITS: Guest: Sara Bareilles Host: Naima Brown Senior Producer: Bree Player Audio Producer: Tina Matolov Video Producer: Josh Green Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Hello Wholigans! On today's episode of Who's There, our weekly call-in show, we see page 95 of the Shakira Animorphs book before taking your calls about Lauren/Hilaria's DWTS exits, the experience of eating Tyra's HOT ICE CREAM (thanks, Australian Wholigans), Junglepussy's big role in OBAA, Sara Bareilles' wedding to Joe Tippett, Gianni Paolo's friendship with a failed Chad Powers star, the concept of "dew," and more. Call 619.WHO.THEM to leave questions, comments & concerns, and we may play your call on a future episode. Support us and get a ton of bonus content over on ⁠Patreon.com/WhoWeekly⁠. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In this World Mental Health Day episode of The Unfolding: Presented by The Loveland Foundation, host Rachel Keener welcomes Grammy Award–winning artist Sara Bareilles for a deeply personal conversation. Rachel introduces Sara not just as a celebrated musician, but as someone who has shown genuine commitment to supporting Black women's mental health through her connection with the Loveland Foundation.Sara shares her experiences with mental health, discussing the stigma around therapy and self-care. She and Rachel explore the role of community, vulnerability, and connection in healing.Sara also explains how songwriting is her form of journaling to process fear, anxiety, and grief. She speaks about losing close friends and how those experiences shape her upcoming album, which focuses on themes of loss, healing, and renewal. A reminder of joy, not as fleeting, but as resistance and restoration, is threaded throughout. The episode reminds us of the power of music, therapy, and community to carry us through.More about Sara Bareilles:Sara Bareilles is an award-winning singer, songwriter, actor, producer, activist, and New York Times best-selling author whose accolades to date include two Grammy® Awards, three Tony® Award nominations, and three Primetime Emmy® Award nominations. As a recording artist and songwriter, she has sold more than 3 million albums and 15 million singles in the U.S., and her songs have been streamed more than 3.5 billion times worldwide. On Broadway, she composed music and lyrics for Waitress, stepping into the lead role both on Broadway and in the West End. Other musical theater credits include her Tony-nominated performance as ‘The Baker's Wife' in Stephen Sondheim and James Lapine's Into the Woods, a song on the Tony Award-nominated score for SpongeBob SquarePants, and an Emmy Award-nominated appearance as Mary Magdalene in NBC's “Jesus Christ Superstar Live.” She plays Dawn Solano on the Emmy-nominated musical comedy series “Girls5eva”, the third season of which is streaming now on Netflix, and is currently at work on a musical theater adaptation of Meg Wolitzer's best-selling novel The Interestings, alongside author Sarah Ruhl.–The Unfolding: Presented by The Loveland Foundation podcast is an additional resource not only to the public but also to our therapy fund cohort members. The Loveland Foundation therapy fund and resources are only made possible through support from our community. At The Loveland Foundation, we are committed to showing up for communities of color in unique and powerful ways, with a particular focus on Black women and girls. Our resources and initiatives are collaborative and they prioritize opportunity, access, validation, and healing. Since our founding, the Therapy Fund has provided financial support for therapy to over 13,000 Black women, girls, and non-binary individuals across the country.Links:Join The Abundance Collective: https://thelovelandfoundation.org/abundanceSupport the show: https://give.thelovelandfoundation.org/give/436656/#!/donation/checkoutFollow Sara on Instagram: https://www.instagram.com/sarabareillesFollow The Loveland Foundation on Instagram: https://www.instagram.com/thelovelandfoundation/Visit the Loveland Foundation's website: https://thelovelandfoundation.org/Support the show

Sherry Jacoby is a Newmarket, Canada–based singer-songwriter who brings personal stories to life through song. Blending acoustic pop/rock with indie folk, she crafts music for the romantic heart, drawing inspiration from Sara Bareilles, Ingrid Michaelson, and Colbie Caillat. Her musical journey began with piano lessons from her mother.… Read the rest

Join Kris McPeak and co-host Annie Pruitt in this episode of the Top Five Podcast as they dive into the letter 'E' in their A to Z song series. This week, they discuss songs that evoke a range of emotions including happiness, sadness, jealousy, and loneliness. Featuring tracks from artists like Avril Lavigne, Kelly Pickler, Jimmy Eat World, Nina Simone, Travis Tritt, and many more, Kris and Annie share personal anecdotes and explain why these songs made it to their top five lists. Don't miss their interesting picks and delightful banter about music's powerful role in capturing our feelings.   Tune back in later for THE PLAYLIST    00:00 Introduction and Greetings 00:32 Exploring Songs About Emotions 01:31 Jealousy: Avril Lavigne's 'Girlfriend' 02:42 Sadness: Kelly Pickler's 'I Wonder' 04:09 Depression: Jimmy Eat World's 'The Middle' 05:38 Happiness: Nina Simone and Travis Tritt 07:18 Heartbreak: REM's 'Everybody Hurts' 10:16 Loneliness: Cowboy Junkies' 'I'm So Lonesome I Could Cry' 11:58 Feeling Groovy: Simon and Garfunkel 13:02 Empathy and Courage: Coldplay and Sara Bareilles 15:26 Indecisiveness: Scissor Sisters' 'I Can't Decide' 16:39 Anxiety: Pat Benatar's 'Get Nervous' 18:13 Recap and Conclusion

Hey guys—so I've been deep into working on the second book, which has me going back through a bunch of the older conversations. One that really stood out again was with Steve Goold. If you don't know, Steve is actually the Steve of Steve's Donut. He's also played with Sara Bareilles, Owl City, Mat Kearney, and Scary Pockets, to name a few. But more than the resume, I was reminded how insightful he is. There's this part where he talks about there being no neutral notes—like, every note carries weight, it's never just filler. That idea has been rattling around in my head ever since I revisited the chat. Steve just put out his first release under his own name, a live recording called Solo Improvisations On Drumset, and you can watch the whole thing on YouTube HERE. STEVE'S BIG FAT FIVE: - Artist – Pearl Jam Album – Vs. Release Year – 1993 Key Track – “Go” Drummer – Dave Abbruzzese - Artist – Owsley Album – Owsley Release Year – 1999 Key Track – “Oh No the Radio” Drummer – Chris McHugh - Artist – Jeff Buckley Album – Grace Release Year – 1994 Key Track – “Mojo Pin” Drummer – Matt Johnson - Artist – Happy Apple Album – Body Popping – Moon Walking – Top Rocking Release Year – 2000 Key Track – “Where Does a Stranger Go on Christmas Eve?” Drummer – Dave King - Artist – Dogs of Peace Album – Speak Release Year – 1996 Key Track – “The Truth” Drummer – John Hammond - Get Your Copy of the Drummers on Drumming Book Today!

This past Sunday at Storyline's Gathering, we concluded our summer series on the stories Jesus told by examining the way he concluded the most famous speech in the history of the world. The band performed songs by Sara Bareilles, Elton John, Pat Barrett, and more.

This past Sunday at Storyline's Gathering, we concluded our summer series on the stories Jesus told by examining the way he concluded the most famous speech in the history of the world.The band performed songs by Sara Bareilles, Elton John, Pat Barrett, and more.

Are you ready to hear Andy & Steph get busy (phillips, that is)?? Steph & Andy talk about season one of the Tina Fey-produced "Girls5Eva." Steph explains the stigma of Sara Bareilles! Andy explains why he can't watch TV alone anymore! And Andy & Steph compare their experiences printing off pictures of the Spice Girls in the '90s. Check out our No Skips playlist at https://open.spotify.com/playlist/6NWZ1ETlRqC9s7gcVIoTFWcheck out our patreon at patreon.com/dumbfun Hosted on Acast. See acast.com/privacy for more information.

A conversation with singer-songwriter Sara Bareilles and psychologist Dacher Keltner, recorded at the New York Times Well Festival, moderated by Dan. All three of them have dealt with anxiety and continue to work with it, and they discuss the ways they look for joy and sustainable wellness.  Related Episodes: Sara Bareilles: Anxiety, Anger, and Art The Evolutionary Case for Kindness | Dacher Keltner This Scientist Says One Emotion May Be the Key to Happiness. Can You Guess What It Is? | Dacher Keltner   Get ready for another Meditation Party at Omega Institute! This in-person workshop brings together Dan with his friends and meditation teachers, Sebene Selassie, Jeff Warren, and for the first time, Ofosu Jones-Quartey. The event runs October 24th-26th. Sign up and learn more at eomega.org/workshops/meditation-party-2025.   Join Dan's online community here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris

Get ready for Part 2 of my set from The Cuff on June 29th at Seattle Pride. This is the back half of my closing set on Sunday night with the most wonderful crowd a DJ could ask for. I pulled out my remix of "Brave" by Sara Bareilles, which I haven't played in 8 years. And I took a bit of a risk by ending the night with the full 1998 Extended Pride Remix by Junior Vasquez of Cyndi Lauper's "True Colors" - this remix has meant so much to me over the years, but I've never played it live. With Cyndi's farewell tour happening this summer, it felt like the right moment. The remix starts out high energy before slowing down tempo and dropping into the original song, before building back up again to its crazed crescendo... it gives folks that romantic moment at the end of the night to slow dance and reflect on what Pride might mean to them. It's a moment that always resonated powerfully with me when I heard this track on many NYC Pride weekends and I wanted to share this moment - a part of Junior's legacy (the set also features his "Rocketman" Arena anthem) - with a new generation.  And then, of course, the set ends with the ending track of all ending tracks... as the last dance of the night. Next up... my full set from Purgatory at Gifford House in Provincetown on July 3rd!

As a 4/1 myself, I to give real insight on this rare Human Design profile. This episode covers the real 4/1 experience - that foundation-seeking line 1 paired with relationship-focused line 4, why we're like trains on tracks (you can ride along but we're not changing course), and why the whole "bonus life" thing is honestly kind of annoying. Plus examples from fellow 4/1s who've stayed true to themselves no matter what the world wanted from them. What we covered in this episode:• Why 4/1s are only 2% of the population • The oak tree analogy and what it actually means to be "fixed fate" • Why we look steady on the outside but feel uncertain on the inside • How that line 1 foundation-seeking pairs with line 4 relationship focus • Real examples: Eminem, Sara Bareilles, and Lena Dunham (all 4/1s!)The thing about being a 4/1 is that people see this solid, dependable energy – and yes, we are that. But we're also constantly researching, constantly building those foundations of knowledge because we genuinely want to feel secure enough to share what we've learned.Whether you're a 4/1 or you love someone who is, understanding this profile helps everything make sense. Why we can't just "go with the flow." Why our networks matter so much. Why we'll bend to keep the peace but won't actually change who we are.Timestamps:00:00 Welcome and Intro03:10 Community Call04:24 Intro to Profiles10:28 House Analogy13:44 Why is the 4/1 so rare?20:34 Line 123:39 Line 426:44 Fixed Fate?33:43 My experience as a 4/141:34 If you love a 4/1...43:43 Bonus Life?46:31 Challenges of 4/1 Profile50:22 4/1 Generators nad Manifesting Generators53:40 4/1 Projector56:22 4/1 Manifestor57:55 4/1 Reflector01:02:14 Eminem01:10:31 Sara Baraeilles01:17:19 Lena Dunham01:25:15 Wrap Up 4/1 Profile01:25:55 ICX of the WeekListen if you want the real experience of a 4/1 and what it's actually like to live as this profile.P.S. – If you're a 4/1 listening to this, please reach out and let me know if this resonates. We rare ones need to stick together.

Sugar, butter! We've got a tasty treat for you this week with Rach's pick, Waitress. Ty can sing all of the songs from the hit musical by Sara Bareilles, but he can't pick Keri Russell out of a lineup. To be fair, Ty also didn't know that the Gilmore Girls were a mother/daughter duo. We dygress. What he lacks in CW show knowledge, he makes up for in the kitchen. Join us this week as Ty takes us through his other passion, baking! It only takes a taste! 

The Best Advice We've Ever Received Today, Glennon, Abby, and Amanda remember – and share! – the best advice they've ever received: How to honor your needs and become the ultimate expert of you;   Why we all need a friend who believes in our greatness;  How to encourage your kids to live open-hearted;  And why Glennon's truest thing is that she doesn't know anything.   Plus, we hear from two pod treasures – Sara Bareilles and Glennon's 7th grade government teacher, Mrs. Yalen – on their best advice. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sara Bareilles broke out as a pop-music star in the late two-thousands. But she's gone on to have a very different kind of career, writing music for Broadway and eventually performing as an actor on stage and on television.  At the New Yorker Festival, in 2024, she played her early hit “Gravity,” and spoke with staff writer Rachel Syme about the pressures of fame, aging, and why she prefers working in theatre. “There's so much competition in the music industry. I'm not a competitive person; I don't understand it. It's not that theatre isn't competitive, but there's this feeling—everybody's so happy to be there. Like, ‘We got a show, guys, and we don't know how long it's going to last!' ” 

1. Abby shares with Sara the great personal impact Sara's music has made on her life. 2. Sara and Glennon bond over the joy of solitude, the underrated gifts of being heavy-hearted, and the fact that “there are too many things to be worried about at all times” to be lighthearted. 3. When you are in deep stress, do you try to sabotage your job, relationship, etc.? (Before this conversation, Amanda thought it was just her.) 4. How playfulness and joy – connecting to the little kid who grew up into you – are vital to loving yourself.  5. Sara's beautiful journey with medication for depression and anxiety – and how she learned her anxiety often arises from an unexpressed need.  About Sara: Sara Bareilles is a Tony Award and Emmy Award nominated actor, and Grammy Award winning singer and songwriter. On Broadway, Sara composed music and lyrics for Waitress, in which she was also the lead. Sara also produced original music and executive produced the musical drama series Little Voice. She plays Dawn Solano on the Emmy-nominated musical comedy series Girls5eva, and stars as The Baker's Wife in the Broadway revival Into the Woods. TW: @SaraBareilles IG: @sarabareilles To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Glennon, Abby, and Amanda remember – and share! – the best advice they've ever received: - How to honor your needs and become the ultimate expert of you;  - Why we all need a friend who believes in our greatness; - How to encourage your kids to live open-hearted; and - Why Glennon's truest thing is that she doesn't know anything.  Plus, we hear from two pod treasures – Sara Bareilles and Glennon's 7th grade government teacher, Mrs. Yalen – on their best advice. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices