Podcast appearances and mentions of Stevie Nicks

In this episode of Car Con Carne, James VanOsdol welcomes Josh Chicoine, the creative force behind Cult Canyon, to discuss the release of the debut album, Smoke Tricks. The conversation delves into the evolution of Josh's musical projects, from the raw energy of the M's and the acoustic harmonies of Cloudbirds to the collaborative and sophisticated sound of Cult Canyon. Key Highlights: The Making of Smoke Tricks: Josh explains how the album, initially inspired by string arrangements recorded in 2019, was brought to life through a grant from the Department of Cultural Affairs and Special Events (DCASE). Creative Collaborations: The album features contributions from talented musicians like Alison Chesley, Susan Voelz, and Dave Max Crawford, as well as backup vocals from Melissa Busch-Wolford and Lindsay Weinberg. DIY Spirit: Josh shares his experiences with the DIY approach to music, from producing and promoting records to filming music videos with a GoPro and a vintage VHS filter. The Influence of Chicago: The city of Chicago serves as a backdrop for the album, with Josh reflecting on his relationship with the city and the local music scene. Second Hand News: Josh and James discuss his involvement in the Fleetwood Mac tribute band, Second Hand News, and the transgenerational appeal of the legendary band's music. Album Information: Item Details Artist Cult Canyon Album Title Smoke Tricks Release Date March 13, 2026 Label Rattleback Records Release Show The Hideout, March 14, 2026 This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote. Episode Transcript (Note: Auto-generated transcript; errors are possible) James VanOsdol: This right here is Car Con Carne. Car Con Carne is a Q101 podcast. I'm James VanOsdol. Car Con Carne is brought to you by Exploding House Printing. They’re based in Hermosa and they specialize in screen printing, embroidery, and custom merch for bands and brands. Check them out on explodinghouseprinting.com. Get a quote, see all the people, businesses, bands, and brands that they’ve worked with. Explodinghouseprinting.com. (Theme song plays) James VanOsdol: So, after the Golden Line EP a few years ago, Cult Canyon is set to release its debut album, Smoke Tricks, on March 13th. The album will be released on lovely vinyl via Rattleback Records and the release will be celebrated with a live show at The Hideout the following night. Josh Chicoine, whose creative resume is deep, impressive, and familiar, joins me in the car on a rainy, dreary, just kind of shitty transitional winter-into-spring night. Josh Chicoine: Muck, winter mix. James VanOsdol: Let’s talk about Cult Canyon. We’re here, the album’s almost out as we’re sitting here talking about it. Josh Chicoine: It is. James VanOsdol: A lot of us came to know you from your time with the M’s earlier this century. Have you metaphorically moved from the garage to the living room with these projects? Josh Chicoine: It feels like I have. I mean, there was definitely a lot of garage influences happening with the M's. Certainly a DIY spirit. James VanOsdol: That kind of raw immediacy. Josh Chicoine: Yeah, I think we were trying to—well, it was of the time too. So this was the early 2000s, there was a lot of that stuff rolling around. And we kind of fit into that mix and just wanted to bring our own little flavor, which is heavily melodic, a lot of singing, a lot of gang vocals, which is one of my favorite things to do. And still, I guess, pop ethos, you know? Major and minor chords, nothing crazy. But yeah, we got done with that and I started a three-piece singing group called Cloudbirds and did that for about three years with a couple of guys that were in the M’s also, Joey King and Glenn Russell. And that was definitely in the living room. That was acoustic guitars, sometimes we had electric, but mostly acoustic music and three-part harmonies and very folky. And it was a real welcome relief, I’d say, to almost 10 years of loud guitars and bashing drums and shouting vocals. James VanOsdol: You weren’t pounding kids anymore. Josh Chicoine: We were not. We were not, and we kind of got started late anyway. So by the time 2009 rolled around, I was probably in my mid-30s, early 30s, everybody was kind of getting into their 30s. So being on the road was just awful. I think I was about ready to have my first child. And so yeah, the whole kind of idea shifted. And so we just couldn’t sustain that. So being in a singing group and just three guys, a lot easier to organize practices and singing some sweet melodies and harmonies, and that was more my style. And I kind of chased that for a little while, and then I had a new band called Sabres and I tried to do the rock thing again in 2014 and self-released that record, put a lot of time into that record. And it was another big record. And I found out I was just really tired. The DIY thing is that you have to do it yourself. So that means producing the record, promoting the record, getting all the artwork together, getting five people—now more grown people—to get together for any rehearsal, any show. I thought it was going to maybe be a bit easier, but it just wasn't. It wasn't easy, so I had to put that down. James VanOsdol: DIY is hard. We’re doing DIY right now in a car on urban radio in 2026. I do it in my car with a couple of cheap—see how the world has shifted for us both. Josh Chicoine: It has. I might say for the better. James VanOsdol: One would argue or could argue that, yeah. We’re our own bosses. Josh Chicoine: I think so. Yeah, there you go. James VanOsdol: You’re the CEO of Cult Canyon. Josh Chicoine: I am the CEO of Cult Canyon. I have a lot of contributors and collaborators, which I’m very thankful for. James VanOsdol: Let’s talk about some of them. Alison Chesley is a contributor. Josh Chicoine: She is. She is actually appearing on the latest record. To go back to the Golden Line EP in 2019, so right before COVID, I released an EP called Josh Chicoine and it was called Dream Believers. And I was imagining this trajectory where the next bunch of songs would include a string quartet. And so in 2019, early 2019, I recorded three songs including with Susan Voelz, who’s a good friend also. James VanOsdol: She’s delightful. Josh Chicoine: Yeah, she’s delightful, she’s an old friend, she’s a great contributor, what a great spirit. And with her and a few other string players. And then COVID came, so I sat on this thing. And I sat on this thing for quite a while because part of the DIY situation that we’re in now is that there’s so much noise and there’s so many competing avenues for attention, including your couch doing nothing. That’s a big one. James VanOsdol: Yeah. Josh Chicoine: Yeah, so I sat on it and I didn’t know what I was going to do. And so I applied for a grant. It was really the Department of Cultural Affairs and Special Events here in Chicago, they have an individual artist program, DCASE. James VanOsdol: DCASE. Shout out to DCASE. Josh Chicoine: They have a grant program every year, and I applied and I said, you know, I’m coming back into making things and this is what I want to do. I want to make a rock record in the city of Chicago using Chicago musicians out of Chicago studios. And that was really the kind of impetus to be like, okay, what do I want this Cult Canyon thing to be? And so that’s when I looked back at those Golden Line songs, which are really lush string arrangements done by our good friend Dave Max Crawford of Poi Dog Pondering and the Total Pro Horns. And he does a fantastic job. I’ve been collaborating with him since the M’s, he did a lot of those string arrangements and horn arrangements and stuff, so he’s really adept and really tasteful. And so I was just like, why not bring it into everything that I’m doing and make Cult Canyon more of a catch-all and a place where, for one, I can do what I want and I can do it with others that I want to do it with, people that I love. And yeah, Alison Chesley, I met her through Susan because playing with quartets, you end up having a large stable of artists because people are busy or they want more money than you want to give them or can give them on any given night. So I was able to meet and reach out to a bunch of string players and continually find new ones in town that can fill a role for a time. And happily, Alison is on this record on a tune called Good Bad Habits. James VanOsdol: I love it. And the album sounds great. Now, we’re recording this right before it comes out, like I said. The album is Smoke Tricks. We’ve had—we, the public—have experienced some of it already. Real Sublime is a single. You shot a video for this one. Josh Chicoine: I did. James VanOsdol: Was that your house you shot it in? Josh Chicoine: That was at my house, yeah. James VanOsdol: Very tastefully appointed. Josh Chicoine: Thank you. That’s all due to my wife. James VanOsdol: You’ve got you in a convertible on the lakefront. Josh Chicoine: That’s my buddy Al’s ‘67 Oldsmobile. James VanOsdol: That’s badass. Josh Chicoine: Pretty badass. We all need a buddy like Al. Al’s the best. James VanOsdol: Convertible on the drive, clearly different time of year from when we’re recording this. Josh Chicoine: Yeah. James VanOsdol: And is that the lake you jumped into or did you shoot that— Josh Chicoine: Yeah, jumped into the lake. Another good friend of mine is a Great Lake jumper, Dan O’Conor. James VanOsdol: He’s a celebrated Great Lake jumper. Josh Chicoine: They continually celebrate Great Lake jumper. I think he did it for five years straight every day. And yeah, so I started going out there and doing that. So it wasn’t so far afield to imagine, because what are videos now? I don’t even know what they are. But for this one, it was like, all right, Al, let’s get in a car, let’s drive around. I got this GoPro, I’ll stick it to your car, drive around, and then let’s go to the lake and let’s jump in the lake. James VanOsdol: So it doesn’t necessarily tie back to the lyrics or the theme? Josh Chicoine: I don’t think so. I mean, but maybe somebody sees something that I don’t. I think that’s part of my MO, at least, is to leave enough fog to allow for some interpretation. But yeah, this is more of kind of a performance, roll around, get some good footage, put a 1989 VHS filter on it and make it look cool and get it out. James VanOsdol: And you’re a fan of film and what can be done with movies. Josh Chicoine: Yeah, for sure. I mean, I love film, I love movies, I love music movies. For eight years I was the co-founder and director of the Chicago International Movies and Music Festival. And we were all over the place throughout the city. And we would show movies from all over the world, like 33 countries usually were represented each year. And that was just, for me, was fascinating to figure out how to build something like that that could last and to raise money for it, you know, practicing all these adult skills that being in a van in a band on tour you’re not really practicing too much. James VanOsdol: Do you miss doing CIMMfest? Josh Chicoine: There’s a lot of it that I do. I really miss just the people and the spirit. I mean, we had an incredible group of volunteers that would come every year and really they were the ones that were able to activate this thing. And so I loved sitting around and dreaming, I loved building marketing materials, if only because then I could have something to go and take to people that I knew and a network that I was building. And I thought it was really a cool thing for the city and it really got me in touch with a lot of old friends and made so many new friends and it kept me—this was right after the M’s, and the M’s were kind of media darlings and played a lot of shows and, you know, I knew a lot of club owners and I knew publicists and I knew all that network. So it kind of allowed me personally to stay connected to that world. And coming out of there, that’s what my kind of career goals were. I was just like, okay, I want to stay in this world, I want to stay connected to these people. So it was my friend Ilko Davidov, who’s a Bulgarian filmmaker, and it was his concept. And I was just sort of the right person that was able to come and hoodwink a bunch of people into coming on board and giving me a bunch of money and being able to try to make this thing into a sustainable institution. We never quite got there. It’s always resource-light and operations-heavy. And never quite got there, but still just some great memories and really happy and really proud of what we were able to build. James VanOsdol: Thinking about film and music and making short music films, I’ve wondered this out loud on this podcast before, but I feel like this is a golden moment. This is the time for artists to explore that side of things. I mean, it’s not like the 1980s when I grew up, when videos were bankrolled by record labels and there were millions of dollars. Like, you grabbed a GoPro, you sit it on the dash—like, this is a real opportunity for creative expression, I think. I just don’t know if enough independent artists are taking advantage of it. Josh Chicoine: I mean, if you look at—I’ll have to disagree, I feel like, you know, the barriers are down and people now, everybody’s got a pretty decent camera in their pocket at all times. Since the barriers are down and since everybody’s got a camera, you can do whatever you want, put it up there, and not going to say it’s good, most of it’s not, most of it’s schlock. But you at least have the opportunity to make something that’s decent and the technology affords it. You don't even need to be great at editing. You can cobble stuff together. You really can. I mean, I use a really cheap editing software. James VanOsdol: Can I ask? Josh Chicoine: It’s called CapCut. And the same company, I can’t remember what they’re called, the TikTok corporation, ByteDance. It’s a ByteDance product. And I got it because it was cheap and another friend of mine was using it. And he was making some cool stuff, so I was just like, all right, I’m just going to dive in and start doing stuff. And so that’s what I did. James VanOsdol: That’s DIY. Roll up your sleeves, let’s get to it. Josh Chicoine: Yeah, it’s just—I had spent CIMMfest was so much about favors and so much about waiting for favors from people that you were either getting a deep discount from or not paying at all. And I know the pain, you know? And it’s real. So if you have any kind of means by which you can get a hold of this stuff, then it’s just about putting the work in and, you know, time is mine to give or throw away. So, yeah, it’s just sort of—I keep getting better and better, I mean other people can be the judge of that, but I feel pretty good about what I’ve been able to do with hardly any resources. James VanOsdol: It’s pretty cool. Josh Chicoine: Yeah, it’s pretty cool. James VanOsdol: All right, going back to this album Smoke Tricks again, available on March 13th. Bitter Birdies is how we begin. If you listen close, actually you don’t even need to listen that closely, there are dogs barking at the beginning of the song. Josh Chicoine: Yeah, Ralfy. James VanOsdol: I was going to ask. Josh Chicoine: It’s my doggie. James VanOsdol: And you were aware when you were recording the dog was part of it, right? Josh Chicoine: Yeah, well, my producer, my co-producer on this was Todd Rittmann and Todd Rittmann was in US Maple. I don’t know if you remember that band. Affiliated with Cheer-Accident, of course. James VanOsdol: Of course, always interesting. Josh Chicoine: Yes. Now he’s in Dead Rider, for everybody out there who’s watching, check out Dead Rider. Yeah, he’s fascinating, he’s got a great little studio called Shy Diamond Studio down in Logan, just north of Fullerton. And, you know, him and I kind of cobbled this thing together. And I never expected that the piano tracks were the final. So I would just make demos at my house and then I would send them to Todd and I’d be like, “Here’s what I’m thinking for this song,” and then we would try and fit it in somehow. And he was just—he’s like a maestro. He was just like, “I love it, you’re never taking away the dog’s bark. We’re keeping it in there 100%.” So I was like, “All right, let’s go.” Piano sounded fine, sounded good, it’s my piano in my living room. I loved it, and that’s my boy Ralfy. So he’s my spirit animal and I’m glad he’s on the record too. James VanOsdol: Good boy, Ralfy. Josh Chicoine: He’s a very good boy. James VanOsdol: On this song, I know you want people to interpret songs as, you know, as any artist would suggest, like you want to feel a connection, right? But you do mention “stuck here in Chicago” in that song. Were you feeling—do you feel a weird relationship with the city? Josh Chicoine: I think I love Chicago. It’s my favorite city. It’s especially my favorite city to come back to. I don’t know if you’ve ever leave for like a little while, but when you come back, it’s just like—ah. Especially when you’re driving back home and like you catch that first glimpse of the skyline. That is a moment. It’s real. So, I mean, when I got that grant from DCASE, it was like, “Oh no, now I got to write a record.” They called your bluff. Every time for me, at least, I decide to write a record, I have to figure out how to write a record again. And that—it’s like a lot of introspection and a lot of like, “Who am I now? What am I going to write about now?” And it takes a long—it took me a long time. And Bitter Birdies kind of came about based upon that piano that opens it up. I had that piece for a long time, but sort of like lyrically I wasn’t quite sure. And my wife and I are going to be married 25 years in June. James VanOsdol: Congratulations, that’s a big milestone. Josh Chicoine: Thank you. It’s been wonderful. But seven years into our relationship, there was a breakup. Post-college, I mean I was dating her since I was 19. I’ve known her for a long time. So yeah, moved to Chicago, joined a band, you know, our lives were diverging. And so we broke up. And she went—she quit her job, she was like working at a financial firm downtown. I was in a band, so you can see divergence. For sure. But yeah, she quit her job, she went on walkabout in Europe for six months. And I took myself back to that time. And that time was sort of very freeing and very fun at the beginning, and then the longing just really set in and, you know, the longer my notes and messages would go to her, the shorter and shorter that they came back to me. So it appeared like she was moving on and there was something really heart-wrenching about that for me. So yeah, that song was about that. So, you know, she was having this really great experience and seeing all new things and new people and I was here stuck in Chicago. So I was living in a loft space where Salvage One is now off of Hubbard, between Wood and Wolcott. With these crazy artist people and there were raves and I was making a bunch of music. So it was just like this Kevin Bacon Quicksilver life that I was living. And I just started to really miss her, no matter what I was just like, “What if she came back here and she lived with me in this hovel and we could do this together?” And that’s sort of the kind of emotional impulse that I felt from writing that and wanting to get out of it, you know, wanting to get out of that space. So nothing against Chicago, I love Chicago, but you know there’s definitely moments where you’re just like, “Okay, get me out of here.” James VanOsdol: Write what you know. Josh Chicoine: That’s I think what I came back to and when I was confronted with that idea and I keep a quote book and Louise Bourgeois said that, “If you’re not writing about yourself, then it doesn’t mean anything.” And I’m parsing—I’m screwing that quote up, but I really took that to heart. So I was like, “Okay, well then I am going to write about myself and my experiences because it’s all that I have really that I could feel a connection with.” Oh, it’s okay up there. I got an ambulance. Ambulance, police car, normal stuff. Stuck in Chicago. Here we are. James VanOsdol: Run Red Lights, which I don’t recommend. I mean, I recommend the song. Who’s doing the backup vocals on that? Josh Chicoine: Yeah, so that’s my friend Melissa and Lindsay. Melissa Busch-Wolford and Lindsay Weinberg. And they play with me in a Fleetwood Mac tribute band called Second Hand News. James VanOsdol: Good segue. I was going to ask about that. Because the backup vocals have a really nice texture in that song in particular. Josh Chicoine: Thanks. James VanOsdol: And that actually dovetails perfectly to the question about working and being part of Second Hand News because you play with those harmonies which are magical. Clearly you bring some of that back to Cult Canyon. Josh Chicoine: Yeah, I think it for me it’s always sort of been there. You can hear it in the M’s, you can hear it if you listen to Sabres, you can hear it there too. Certainly with Cloudbirds it was very much about the harmonies. And yeah, as I started to enter into this promo world of Cult Canyon, I was just trying to like think about things that were a common thread. And harmonies, singing—that’s how I kind of come up with ideas. I just kind of start with the voice, have something on the guitar that’s fine. I’m a mediocre guitar player but it’s really about voice and vocals. And so when I started playing in Second Hand News, you know, I had never been in a band with women before. I’ve played music with women before, but not in a band. So it was sort of like, “Oh, this whole another resource that I would love to bring into this project.” And they were so game and, you know, they brought their whole selves to it and I think it really shows in the recording. James VanOsdol: I love it. Since we’re on the topic of Fleetwood Mac, Tusk. Misunderstood classic or big awful mess? Josh Chicoine: Can it be both? Depends on which side you’re on, yeah. I was really naive about Tusk and I had it in my record collection just from a bunch of records that somebody gave me. And I think at one point the—because there’s two record sleeves in it—they both got kind of separated. So all of a sudden I had four record sleeves separated and I was like, “Wait a minute, this is a quadruple album? This is crazy.” But it wasn’t. There’s a record sleeve that hides another record sleeve that has the record in it. That’s how much money and wasteful money that they had. Because that’s coming off Rumours. Like, they could do whatever they wanted. Lindsey Buckingham could do whatever he wanted. And he really did. He really did. And some of it, you know, it could be argued that he shouldn’t have done it, but we still play a bunch of jams off of there. The title track to me is still one of the coolest songs of the 1970s. Super cool. I mean, there’s a lot on there that are really unheralded. Think About Me is another really good one that we love to play. James VanOsdol: Sara’s on that too, right? Josh Chicoine: Oh God, I’m going to get killed by my bandmates. Sara’s on there, yeah, it’s on there. Let’s say yeah, when no one’s looking it up. But yeah, we play Sara all the time and it’s like seven minutes long and the audience loves it and Melissa crushes it. And yeah, those are just really fun songs to play. And the audiences are crazy. It’s like there’s 18-year-olds there. James VanOsdol: I was going to say. Josh Chicoine: There’s 88-year-olds there. James VanOsdol: It’s one of those bands that is transgenerational. My daughter, who’s heading towards 21, Stevie Nicks is probably a top five artist for her. For her birthday a few years ago I took her to see Stevie Nicks at the United Center and it was this magical night for her. Like, we walked out of the United Center and she said, “I only cried three times.” I’m like, “What do you mean you cried?” “Well, you know, during Gold Dust Woman and... oh gosh, what else did she cry during? Dreams, Rhiannon, and Landslide.” Of course, classics. But I mean it is interesting how maybe millennials didn’t give a shit, but suddenly like Gen Z is full on board with Stevie Nicks. Josh Chicoine: I take it back to that dude who was on the skateboard chugging cranberry juice and all of a sudden Dreams became something. But it just feels like it’s cyclical. It keeps coming back, those songs are just so classic. Timeless, absolutely timeless. And the recordings of them were amazing. So it just seems like they’re just not going to go away, which is great for Second Hand News. Yeah, I mean we played the Metro a couple weeks ago. That’s amazing. James VanOsdol: That’s nuts. Josh Chicoine: Yeah. I love it. James VanOsdol: And to your point, like all ages get into it. That’s something you don’t get to experience necessarily in the M’s or Cult Canyon. Josh Chicoine: It’s different. Yeah, it’s different for sure. And I think that we—I’ve been told this by a lot of audience members after the show and they’re just like glowing coming out after scream-singing at us for two hours. And they just say like, “You bring so much joy.” And I really feel that. Like, we do. I mean the band is killer. And so the band in Second Hand News, the guitar player, bassist, drummer, Mike, Mike, and Dan, they play in Cult Canyon too. So they’re the ones who are the backing band on this Cult Canyon record. So I just was just enamored with this whole group and just because we had such good times together on stage and in front of giant crowds and harmonizing and singing and playing those classic songs. So it was just kind of a natural little pivot to bring them into my songwriting and I was really happy that they did. James VanOsdol: I love that. So Rattleback Records, easily a favorite record store of mine. Josh Chicoine: Mm-hmm. James VanOsdol: Releasing the album on vinyl. How important was it for you to have this as a record, as an LP? Josh Chicoine: It was critical for me. I think one of the things—so I released the Sabres record in 2014. And it kind of, like many, many, many, many, many records out there, it just kind of gets—it’s like, “Okay, it’s out there,” and then you tell your friends and then it just doesn’t really go anywhere. James VanOsdol: And that ambitious ordering of 500 records turns into, “Okay, we’re still sitting on 250.” Josh Chicoine: I have a lot of CDs. Let’s put it to you that way. Hit me up if you want a CD by Sabres. I’ll just give it to you. It’s got—anyway. Yeah, so I think I was determined to at least try and make a stink with this Cult Canyon record. And I really liked it. And so one of the first things I did was I talked to my friends in the AM Slingers, who are another Rattleback band and they’re friends of mine too. And I knew that Paul over at Rattleback had put out a 7-inch of theirs. And by put out, I mean he paid for it. So he facilitated the production and then, you know, created a connection between the band and the record store. Really love that idea, you know? It’s going to be DIY anyway, it’s all about building community bit by bit by bit. So I was introduced to Paul kind of—I don’t even remember when, it’s probably a year ago now, if not more. And he was really intrigued and I sent him a bunch of songs including the Golden Line EP, which he really loved. And that just gave me a lot of confidence, and so I took this Smoke Tricks record and I was like, “I’m really looking for somebody to help me out with this.” And he was game and continues to be game. James VanOsdol: I love that. Josh Chicoine: It was his dream to have a boutique record store. And that happened, and then it was his dream to have a boutique little tiny record label. So that happened. James VanOsdol: I’ve never been in that store, by the way, where it hasn’t been busy. Josh Chicoine: Oh good. James VanOsdol: No, I mean I love going there. Like, they’ve got one of the best, I think, mixes of new and used and their prices are very reasonable. Josh Chicoine: I agree. I agree. Yeah, they have a lot of cool chotchkies around, good t-shirt collection. It’s like a proper record store. James VanOsdol: And I mean if you’re one of those budget-bin divers like there’s dollar records, you’ll hurt your knees going through them, but I mean there’s occasionally gold to find in there. Josh Chicoine: I agree. It’s everywhere. James VanOsdol: But yeah, it’s a cool place, I mean right over there on Clark Street. And I love just that kind of brand extension for Rattleback. Like it makes so much sense. Josh Chicoine: I love that. I love that for Paul, I love that we were able to become a part of that and we’re putting on a showcase of Rattleback Records artists May 29th at the Burlington. James VanOsdol: Nice. Which for the record, one of the loudest rooms in Chicago. Josh Chicoine: That’s right. We’ll do what we can, but I mean it’s hard, it’s like a lot of hard flat surfaces and they didn’t do any soundproofing or nothing. So, yeah. James VanOsdol: That’s good. That’s part of its charm. Josh Chicoine: It’s part of the charm. Yeah, yeah, you know what you’re getting into when you go back there. Just bring earplugs, what’s the big deal? James VanOsdol: Just bring ear—that’s—if you bring earplugs, you’re good. Josh Chicoine: Yeah, that’s right. James VanOsdol: But if you go deaf, I mean who better to go deaf from? Josh Chicoine: Yeah, that’s a badge of honor. It’s a badge of honor. I mean it’s not a good recommendation, I would say. But if you want good earplugs, just go to Sensaphonics down there on Milwaukee Avenue. Shout out. Yesterday was National Hearing Day and I got myself fitted for a new pair of earplugs. James VanOsdol: Smart. Josh Chicoine: And it basically—it’s no joke. No, it’s no joke if you listen to a lot of live music. It basically just turns the volume down. The clarity is still there versus sticking toilet paper in your ears or those foam things. James VanOsdol: Exactly what they feel like. Or those like pool noodles shrunk down. Josh Chicoine: Yeah, that’s right. They’re good if you want to sleep. If you’re like on tour and everybody else snores in your hotel room, then those are really effective. James VanOsdol: For sure. All right, so Smoke Tricks is the album. It’s awesome. It comes out on March 13th. The Hideout is the release show on March 14th. And onward and upward. What a great record, you really did it. Josh Chicoine: Thanks, man. I really appreciate it. That was nice talking to you. Are we done? Is this the wrap? James VanOsdol: This is the wrap. Josh Chicoine: All right, love it. See omnystudio.com/listener for privacy information.

Savannah-based Southern Soul Americana artist CC Witt shares what it means to step into her own spotlight after years as one half of Lyn Avenue. In this candid Peach Jam Podcast conversation, she opens up about divorce, grief, creative renewal, and recording a new seven-song EP in Savannah and New York. If you care about independent music, artistic growth, and finding your authentic sound, this episode is for you.

On the Saturday February 28, 2026 edition of The Richard Crouse Show we'll meet Elyse Aeryn, a roots-rock singer-songwriter from Cape Breton, Nova Scotia. She spent nearly a decade in the pulp and paper industry—then, in her late 20s, walked away to chase the music that's always burned inside her. Her roots-rock sound fuses Stevie Nicks-inspired soul, with some Alanis, and memorable melodies. Her 2023 debut Joy State of Mind put her on the map with nominations and awards, and now, after overcoming a devastating motorcycle crash in 2025, she's back. Her sophomore album Everybody Loves You... is10 tracks of bold, emotionally resonant rock that features radio-toppers like 'Unstoppable.' Then, Joel Ryan from the indie band School House. After moving in together in 2021, three best friends, Mitchell Jackson, David Campbell and my guest Joel Ryan, discovered their new home was a century-old schoolhouse -  inspiring the name of their band School House, and giving them a dedicated space to create. Since then, the group has rapidly gained attention, opening for Canadian music icon Alan Doyle, being named Group of the Year at the 2024 Ottawa Music Awards, and having their debut release awarded Album of the Year by Faces Magazine. The band then secured a coveted spot in the 2024 Mariposa Folk Festival lineup by winning the Artist Showcase - where they were celebrated as “fan favourites” by the festival. In 2025, they further cemented their place as one of Canada's most exciting acts by winning the Boots and Hearts emerging artist showcase.

Episode #299 - Singer, Songwriter, and guitarist Damon Johnson has got his band Brother Cane getting ready to release their first new album in 28 years 'Magnolia Medicine' on April 28, 2026. Damon talks starting the band, songwriting for Stevie Nicks, writing with Brent Smith from Shinedown, playing with Alice Cooper, Thin Lizzy, and joining Lynyrd Skynyrd. We talk influences like Van Halen, Tom Petty, Black Crowes, Guns n Roses, naming his guitars, and so much more! Check out the custom playlist for Episode #299 here!Find Damon Johnson here:FacebookXInstagramTikTokYouTubeFind Brother Cane here:WebsiteFacebookXInstagramTikTokYouTubeFind Mistress Carrie Online:Official WebsiteThe Mistress Carrie Backstage Pass on PatreonXFacebookInstagramThreadsYouTubeCameoPantheon Podcast NetworkFind The Mistress Carrie Podcast online:InstagramThreads Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the things that always amazed me about the songs that became big hits in the pop era between the 1950s and the 1990s was the sheer variety of musical styles that topped the charts. When doing research for this show I went into a bit of a spiral looking at Billboard charts for the late 1970s, and I got stuck on the summer of 1978, with the amazing wealth of songs that were in the top 20 at the time. Some of the songs, of course have fallen into the mists of time because they don’t get the oldies airplay anymore, and that’s a shame because there’s still some very good stuff there. This was the Top 20 chart for the week ending August 19, 1978 according to The Real American Top 40 Wiki page: Commodores – Three Times A Lady (↔) Frankie Valli – Grease (↔) Donna Summer – Last Dance (↔) Rolling Stones – Miss You (↔) Foreigner – Hot Blooded (↔) A Taste Of Honey – Boogie Oogie Oogie (↔) Pablo Cruise – Love Will Find A Way (↔) Barry Manilow – Copacabana (↔) Walter Egan – Magnet And Steel (↔) Andy Gibb – An Everlasting Love (↔) Olivia Newton-John – Hopelessly Devoted To You (↔) Joe Walsh – Life’s Been Good (↔) Toby Beau – My Angel Baby (↔) Atlanta Rhythm Section – I’m Not Gonna Let It Bother Me Tonight (↔) Evelyn King – Shame (↑4) Exile – Kiss You All Over (↑2) Steve Martin – King Tut (↔) Chris Rea – Fool (If You Think It’s Over) (↑3) Earth Wind & Fire – Got To Get You Into My Life (↑10) Jackson Browne – The Load-Out/Stay (↔) Pretty much all of these songs, I wouldn’t mind listening to again. And that’s not always the case with songs at this level of the charts. (“Having My Baby,” anyone?) We have here a mix of disco, R&B, retro pop, ballads, a live track, a novelty song, a soundtrack title,  about a half-dozen well-established acts and three one-hit wonders (I’m not counting Steve Martin there because it’s a novelty). And they’re all at varying levels of “good”! All of this is prologue to the fact that Stevie Nicks was in the thick of the music industry for a three-year period, either as a writer, a lead or a backup singer. All of which cemented her in the musical firmament. If she’d done nothing else after 1979, she’d still be fondly remembered. But in addition to being all the things above, she was also a muse for several artists, much of which we’re covering in this episode. I bumped into some problems with regard to quantifying songs about her, but I did my best and I’d be curious to know what you may think I’ve overlooked, because there were a few I did research on and got nowhere.

Tenille Townes is a two-time JUNO Award and 17-time CCMA Award-winning artist whose heartfelt storytelling and soulful vocals have earned her international acclaim. She's toured alongside icons including Stevie Nicks, Shania Twain, George Strait, and Miranda Lambert, and became the first female artist in Mediabase Canada history to score two No. 1 singles. With global tours across Europe, the UK, and North America, Townes continues to connect deeply through her introspective songwriting and powerful live performances. www.TenilleTownes.com  www.Instagram.com/tenilletownes  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.comFollow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer          

Ever argued over what makes a voice truly unique? We go all-in on that question and discover why “unmistakable” beats “perfect” almost every time. From Cher and Sinatra to Tom Waits, Stevie Nicks, and Bob Dylan, we debate tone, phrasing, range, and the magic test: can you spot them in one note?We kick off with a left-field warm-up on Texas Roadhouse—founder geography, 34-degree cutting rooms, 36-degree beer, fresh-daily bread, and how grassroots roll drops double as smart local marketing. Then it's a tight country news sweep: Ella Langley's triple-chart moment, Jason Aldean's milestone perspective against legacy greats, the Country Music Hall of Fame's American Currents signal, the Braves Country Fest lineup, new drops from Luke Combs to Charlie Crockett, a classic country tour package, and a Lee Brice single stirring up “country nowadays” debate. The throughline is clear: country's center is widening and listeners are picking winners across lanes.Our chart check balances mainstream and indie, spotlighting why a hold at number three means something different than a quick climb to one, and how pop-country crossovers, storytelling, and rock edges share the same field. Then a rapid-fire trivia duel (rock and country) transforms fun facts into a map of genre evolution—Zeppelin's first name, Master of Puppets in 1986, who ripped the Beat It solo, Opry induction stats, Chris Gaines, and more.The mailbag brings the sharpest industry insights. Can an artist be “outlaw” with label money? What's smarter today: 20-track albums or a disciplined singles drip? Is vinyl a real revenue lane or a nostalgia-forward merch play? Who owns the masters when singers go solo—and what can they do about it? We unpack strategy, contracts, and fan behavior without the fluff.Episode LinksVonray: https://jayfranze.com/episode1/Jason Hale: https://jayfranze.com/episode55/Kyle Fields: https://jayfranze.com/episode79/Lucy Becker: https://jayfranze.com/episode86/Mark Badolato: https://jayfranze.com/episode140/Send a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

In this Season 8 episode, I discuss Stevie Nicks' hit album, 24 Karat Gold: Songs From the Vault, giving a quick history of how the album came together, a rundown of the songs, my ranking of the songs, and my overall rating of the album.

Dave Stewart is a true music icon. Born in Sunderland in 1952 his first love affair was with football – dreaming of a career playing for the Black Cats, but a knee injury and his parents' divorce changed his entire outlook. Music filled a hole - despite a music teacher who described his dreams as ‘idiotic' it became his passion, inspired by his Dad's high-tech (for the 70s!) stereo system, a Robert Johnson blues album and some eye-opening teenage experimentation with acid.He signed to Elton John's record label shortly after leaving school and after several false starts he met Annie Lennox in 1976 and formed a band together called The Tourists – a pre-curser to the significantly more successful 80s project The Eurythmics .In the 45 years since then Dave has done it all – as an artist he's a Grammy winner, as a producer he's won multiple Brit Awards, as a song-writer he's won the prestigious Silver Clef award, he's won a Golden Glove for composing a song with Mick Jagger for Alfie and in 2024 he teamed up with Joss Stone to write a musical version of The Time Traveller's Wife. It's hard to put his contribution to music into context because his impact on popular music is so vast.Let me list just SOME of the artists he's produced, written for or recorded with:Paul McCartney, Bono, Aretha Franklin, Alison Moyet, Bryan Ferry, Sinead O'Connor, No Doubt, Jon Bon Jovi, Bob Geldoff, Bryan Ferry, & Stevie Nicks. In fact in 2011 he briefly formed a supergroup comprised of himself, Mick Jagger, Joss Stone, Damian Marley and A.R. Rahman.He's one of the great innovators – in 1998 his album SlyFi became the first album to be released on the internet – it predates Google, and MySpace and Facebook wouldn't be launched for another SEVEN years.Now in his early 70s he continues to inspire – until Covid he owned and ran a creative members club in London, and through his production company Dave Stewart Entertainment he continues to push musical boundaries and work with some of the world's biggest names in music.Enjoy our chat with an icon. Cheers! Hosted on Acast. See acast.com/privacy for more information.

Our 1977 series continues with an absolute banger of a album. Russ and Lauren from the Beer's Al podcast and Jaxfuneatsdrinks.com join Dayton to discuss favorite tracks, duds, behind the scene shenanigans and Rumours. https://jaxfuneatsdrinks.com/Send a textTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcast https://www.youtube.com/@DockingBay77podcast https://dockingbay77pod.buzzsprout.com

Pat's quest for knowledge in museums is once again misinterpreted as a desperate call for help and love. Which two players co-signed the Dodgers spending, making us think a cap isn't going to ever be something the MLBPA agrees to? Mike Tannenbaum joins the show to shed light on his love life and salary negotiations. I'm Over It: Pat tried to chat up a girl at a Stevie Nicks' cover band show! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pat's quest for knowledge in museums is once again misinterpreted as a desperate call for help and love. Which two players co-signed the Dodgers spending, making us think a cap isn't going to ever be something the MLBPA agrees to? Mike Tannenbaum joins the show to shed light on his love life and salary negotiations. I'm Over It: Pat tried to chat up a girl at a Stevie Nicks' cover band show! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pat's quest for knowledge in museums is once again misinterpreted as a desperate call for help and love. Which two players co-signed the Dodgers spending, making us think a cap isn't going to ever be something the MLBPA agrees to? Mike Tannenbaum joins the show to shed light on his love life and salary negotiations. I'm Over It: Pat tried to chat up a girl at a Stevie Nicks' cover band show! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pat's quest for knowledge in museums is once again misinterpreted as a desperate call for help and love. Which two players co-signed the Dodgers spending, making us think a cap isn't going to ever be something the MLBPA agrees to? Mike Tannenbaum joins the show to shed light on his love life and salary negotiations. I'm Over It: Pat tried to chat up a girl at a Stevie Nicks' cover band show! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pat's quest for knowledge in museums is once again misinterpreted as a desperate call for help and love. Which two players co-signed the Dodgers spending, making us think a cap isn't going to ever be something the MLBPA agrees to? Mike Tannenbaum joins the show to shed light on his love life and salary negotiations. I'm Over It: Pat tried to chat up a girl at a Stevie Nicks' cover band show! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On a tant raconté Rumours, l'album de Fleetwood Mac qui figure parmi les plus vendus de tous les temps, comme l'album des problèmes de couple de ses membres, qu'on en finit par oublier que, si certaines histoires d'amour finissent mal, elles n'en sont pas moins toutes belles quand elle commencent, grandes pourvoyeuses de joies, d'espoir et de lendemains qui chantent.Ainsi nous retrouvons la jeune Stevie Nicks, dix-huit ans, dans la Calfornie « peace and love » des années 60, elle se trouve dans une salle fort bruyante, le verre à la main, quand un garçon nommé Lindsey Buckingham monte sur scène avec sa guitare. Il joue sérieusement, très concentré, presque trop pour son âge. Oh, il ne cherche pas à séduire les filles en jouant au surdoué perdu dans un univers magique. Stevie le regarde faire et comprend immédiatement que ce garçon-là ne va pas seulement compter dans sa vie : il va en devenir le centre.Très vite, ils se mettent ensemble. Le couple quitte l'université, enchaîne les petits boulots, rentre le soir dans des appartements trop chers pour lui. Il y a des factures sur la table, un matelas posé à même le sol, peu d'argent, mais une guitare toujours à portée de main. Lindsey travaille les arrangements de ses morceaux avec une précision presque obsessionnelle. Stevie écrit dans des carnets, parle de ce qu'elle ressent, de ce qu'elle vit, de ce qu'elle espère. Ils avancent à deux au jour le jour, convaincus que la musique finira bien par payer.Et de fait 1973, enfin, ils enregistrent un disque à deux, Buckingham Nicks, dans lequel ils mettent tout : leur voix, leur amour, leurs tensions aussi. Mais quand l'album sort, il passe totalement inaperçu et le couple-duo se retrouve avec le sentiment d'avoir tout donné pour rien.Pendant ce temps, un groupe anglais à succès, Fleetwood Mac, est dans le doute alors qu'il doit enregistrer son dixième album. Déjà qu'il avait perdu son fondateur et compositeur, Peter Green, auquel il avait survécu miraculeusement, voilà que son remplaçant se barre aussi. Il reste un nom, c'est vrai, un public fidèle, mais plus vraiment de direction et les deux derniers fondateurs Mick Fleetwood et John Mac Vie se demandent sérieusement si l'aventure va continuer.Et là, alors que Mick Fleetwood est à Los Angeles pour tester le son d'un studio, il reste pétrifié lorsqu'il entend l'enregistrement témoin qu'un technicien a lancé. Cette guitare ! Claire, précise, originale. Mais qui est-ce ? Lindsey Buckingham.Fleetwood pense avoir trouvé le guitariste qui va sauver son groupe. Lindsey écoute sa proposition, puis précise calmement que s'il vient, ce sera avec sa femme Stevie car ils fonctionnent ensemble. Le croirez-vous, Fleetwood Mac accepte. Quand Stevie Nicks et Lindsey Buckingham rejoignent le groupe en 1975, ça s'entend immédiatement sur leur l'album qu'ils vont intituler Fleetwood Mac, tout simplement, comme si l'arrivée de ce jeune couple marquait un nouveau départ. Leurs voix se répondent, se complètent. Sur scène, ils se regardent, se soutiennent. Le succès arrive vite, il est prodigieux, la belle histoire de ces deux jeunes musiciens sans le sou, convaincus que l'amour et la musique suffit à tout faire tenir debout.

Think the Grammys always reward the biggest voices? We put that idea on trial. From Luke Combs and Blake Shelton to Eric Church and Martina McBride, we map the stunning list of country heavyweights with multiple nominations and zero wins—and ask what those numbers really say about merit, timing, and taste. Then we widen the lens: Jelly Roll's breakout sweep, Zac Top's historic Traditional Country win, and how a single new category can rewrite a career's story overnight.We keep the momentum with a packed news slate: Lainey Wilson's cryptic “Can't Sit Still” teasers and possible Netflix tie‑in, Hardy's cinematic multi‑generational collab featuring Tim McGraw, Eric Church, and Morgan Wallen, Tim McGraw's Pawn Shop Guitar tour routing through Fenway Park, and The Voice's two‑hour season launch after the Winter Games. Along the way, we talk performance versus polish, the role of auto‑tune in modern crossovers, and why some artists soar on stage even if the trophies never land.Our community brings the heat with the Question of the Day: name an artist who left a famous band and built a real solo legacy. From Michael Jackson, Phil Collins, Stevie Nicks, and Peter Gabriel to Darius Rucker and Peter Cetera, your picks fuel a rapid-fire tour through rock, country, pop, and beyond. We balance it with a transparent look at the business: do labels still help, or are they just advances with branding? Is touring truly profitable for rising acts in vans and trailers? And how do indie artists build durability when playlist spikes fade?We round it out with a sharp chart rundown—main and indie—plus a 2006 flashback to Carrie Underwood, Rascal Flatts, Keith Urban, Sugarland, Miranda Lambert, and George Strait, showing how yesterday's storytelling still shapes today's sound. If you love country music, industry strategy, and a lively back-and-forth that doesn't hedge, this one's for you.Enjoyed the show? Subscribe, share it with a friend, and leave a review with your pick for the greatest solo career after a famous band—we'll feature favorites next week.Episode LinksTom Harding: https://jayfranze.com/episode30/Dalila Mya: https://jayfranze.com/episode102/Mark Badolato: Send a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Home Into a House – Hayden Baker No Way to Know – The Red Clay Strays C.C. Waterback – Tony Martinez & The Reeves Brothers White T-Shirt Blue Jeans – Deluxe Rodeo Back In The Bottle – Randy Houser Everybody Knows – The Chicks Huck Finn – Roland Whitt Prove You Wrong (feat. Stevie Nicks & Maren Morris) – Sheryl Crow The Gambler – Kenny Rogers Yanceyville Jail – Missy Raines & Allegheny

Born in Bar Harbor, Maine, Jude Johnstone began writing songs at about age 8.  At 18, she was "discovered" by Bruce Springsteen's saxophonist, Clarence Clemons.  After spending some time in New York and New Jersey under his wing, in 1979, she moved to Los Angeles, where her songs quickly became sought after by other artists. She has been covered by Bonnie Raitt, Emmylou Harris, Bette Midler, Johnny Cash, Stevie Nicks, Mary Black, Jennifer Warnes, Trisha Yearwood and more, including a #1 song for Yearwood's debut album called "The Woman Before Me" which earned her a BMI award. Her songs then appeared on 8 other Yearwood cds. She also penned the title track to Johnny Cash's 1997 Grammy winning album "Unchained." Jude has released 9 cds of her own that run the gamut from Celtic, Gospel, Americana, to Jazz, Blues, and even Big Band. She has been featured on the CBS Early Show, and NPR Radio's "Morning Edition." Her songs have also been on several television shows including "Nurse Jackie",  "Army Wives" and "Lie To Me."Jude has opened shows for Jackson Browne, Emmylou Harris, Bonnie Raitt, Richard Thompson, Shawn Colvin, Chris Hillman, 10,000 Maniacs, David Crosby and many others and toured Europe under her own name numerous times. "If Jude Johnstone is not yet a musical household name, she sure as hell should be." Henry Carrigan, No Depression"Turning emotional pain into art is a tricky business.Sometimes I wonder if the end result is worth it.Jude Johnstone makes a good case that it is."Rodney Crowell"Jude's fertility, in regards to songwriting, is truly awe inspiring." Bonnie Raitt..."She's patently a master at capturing the heart's dark and desperate moments, just as she's capable of  encouraging belief in its resurrection." Mike Davies, Roots and Branches/The BeatTheme song: “Hollywood Faded' by Luna Halo@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com

David Senra: Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Jimmy Iovine is the co-founder of Interscope Records, Beats by Dre, and the USC Jimmy Iovine and Andre Young Academy. Iovine is widely regarded as one of the most influential figures in the modern music industry. Growing up in the Red Hook neighborhood of Brooklyn, New York, Iovine was raised in an Italian working-class family.  He began working as a recording engineer in the early 1970s, and went on to engineer landmark albums including Bruce Springsteen's Born to Run and John Lennon's Rock 'n' Roll and Walls and Bridges, before transitioning into production with Patti Smith's Easter, Tom Petty's Damn the Torpedoes, Stevie Nicks' Bella Donna, and U2's Rattle and Hum. In 1990, Iovine co-founded Interscope Records with Ted Field. Under his leadership, the label became one of the most dominant forces in popular music, launching or elevating the careers of Dr. Dre, Tupac Shakur, Nine Inch Nails, No Doubt, Eminem, 50 Cent, Lady Gaga, and Kendrick Lamar. He rose to become chairman of Interscope Geffen A&M Records. In 2006, he and Dr. Dre co-founded Beats by Dre, which Apple acquired in 2014 for $3 billion — the largest acquisition in Apple's history at the time. Iovine subsequently helped launch Apple Music in 2015 before departing Apple in 2018. His accomplishments include being inducted into the Rock & Roll Hall of Fame in 2022 with the Ahmet Ertegun Award, being honored by the Recording Academy's Producers & Engineers Wing during Grammy Week 2012, co-founding the USC Jimmy Iovine and Andre Young Academy in 2013 with a $70 million donation alongside Dr. Dre, launching the Iovine and Young Center high school program in Los Angeles in 2022 with additional locations in Atlanta and Inglewood, and donating to the city of Compton during the COVID-19 pandemic to fund medical supplies, testing, and meals for residents. https://davidsenra.com/episode/jimmy-iovine Made possible by Ramp: ⁠https://ramp.com⁠ Eight Sleep: https://eightsleep.com/senra Function: https://functionhealth.com/senra Chapters (00:00:00) Introduction: The Corny World of Fame (00:00:54) The Impact of Social Media on Fame (00:01:27) Chasing Greatness: Personal Reflections (00:02:10) Technological Shifts in the Music Industry (00:03:24) The Streaming Service Dilemma (00:05:34) The Artist's Perspective on Streaming (00:06:39) Early Career and Influences (00:09:40) The Importance of Humility (00:11:19) Working with the Best: A Career Retrospective (00:13:07) The Role of Brutal Honesty (00:15:00) Navigating the Music Industry (00:33:50) The Birth of Beats by Dre (00:46:14) The Music Industry's Customer Problem (00:46:44) Vertically Integrating Culture and Fashion (00:47:13) Building Beats: From Music Videos to Headphones (00:48:03) Marketing is Empathy (00:50:28) The Journey of Beats Music (00:59:09) The Future of the Music Industry with AI (01:14:40) The Bend in the Pipe: Harnessing Fear and Obsession (01:29:12) Comparing Work Approaches with Dr. Dre (01:30:50) The Tortured Path to Success (01:32:41) Balancing Happiness and Ambition (01:35:22) The Importance of Peace and Therapy (01:49:30) Learning from Legends (01:55:57) The Influence of Bono and Dre (02:00:15) California Dreams and Career Milestones (02:07:20) Final Thoughts and Reflections Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to this week's episode of When Words Fail, Music Speaks—the podcast that explores how melody and lyric become a lifeline in the toughest moments.I'm your host, James Cox, and today I'm sitting down with folklaur—the soulful indie‑folk artist behind the hauntingly intimate album Leaves & Letters. Hailing from Philadelphia, Laura (who cleverly turned her English‑major love of stories into the moniker “folklaur”) invites us into the quiet spaces where her music lives—those still‑water moments that linger long after the final note fades.In our conversation we wander through Philly's vibrant but underrated live‑music scene, swap stories about cheesesteaks and creative compromises, and dig deep into the paradox of being alone to connect with a community. Folklaur shares how she balances raw emotion with lyrical storytelling, wrestles with perfectionism in the studio, and discovers that the most powerful songs are often the ones that feel imperfect.We also get a rapid‑fire “lightning round” that reveals her late‑night writing ritual, her love for silence before a track, the word she over‑uses (community), and the artists who shape her—Taylor Swift, Stevie Nicks, Noah Kahn, and Greasy Abrams.If you've ever felt unheard, wrestled with anxiety, or simply crave music that feels like a gentle, honest conversation, stay tuned. By the end of this episode you'll understand why Folklore believes that “music heals because it's real,” and you'll leave with a renewed sense that you matter—just as her songs intend.Press play, settle in, and let the healing power of Folklore's music speak.

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, we are once again putting a spotlight on great collaborations so we are featuring duets for the second time. On today's episode, Andy Atherton is watching, “Stop Draggin' My Heart Around” by Stevie Nicks & Tom Petty from 1981.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=H5i7j0VhEHw

INTRO (00:24): Kathleen opens the show drinking an Bluewing Berry Wheat Ale from Flyway Brewing Company in Little Rock, AR. She reviews her weekend in Hot Springs, AR hanging with race horses and eating the best pizza she's ever had in her life.    TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   TASTING MENU (2:39): Kathleen samples Mikey V's Ranch Flavored Fried Garlic and Frank's Red Hot Spicy Gummy Bears.   COURT NEWS (22:27): Kathleen shares news involving Dolly's 80th birthday, Martha Stewart launches a skin care line, Taylor Swift is the youngest inductee into the Songwriter's HOF, and Stevie Nicks adds to her 2026 Tour schedule.    UPDATES (32:44): Kathleen shares updates on Australia's new social media ban, Michael Jackson's Bubbles the Chimp is thriving in Florida,    FRONT PAGE PUB NEWS (45:39): Kathleen shares articles on the 10 rising restaurant chains that will take over in 2026, Oklahoma City Zoo's newly born langur, there's a mystery buyer who purchased a Wyoming ranch 4x the size of NYC, thousands of fans celebrate the life of Grateful Dead founder Bob Weir, Colorado moves forward with a plan to reintroduce wolverines into the wild, and Gen Z replaces problematic women referred to as “Karen” with “Jessica.”   HOLY SHIT THEY FOUND IT (41:35): Kathleen reads about an uncontacted South American tribe in the Amazon, and rare images of Europe's “ghost cat' are captured in the Doupov Mountains, Doomsday fish encountered in Monterey Bay.    WHAT ARE WE WATCHING (28:44): Kathleen recommends watching “Heated Rivalry” on HBO Max.    SAINT OF THE WEEK (1:20:16): Kathleen reads about St. Andrew, patron saint of Scotland and golfers.   

In our annual check-in with renowned mastering engineer Kevin Gray, he reflects on a very busy 2025 that included his Rhino High Fidelity versions of Fleetwood Mac and Lindsey Buckingham and Stevie Nicks' long-out-of-print Buckingham Nicks. How did Gray and fellow mastering engineer Chris Bellman feel about Rhino releasing separate versions of Buckingham Nicks mastered by each of them? Gray also discusses the Rhino High Fidelity John Coltrane: 1960-1964 Mono box, for which he revisited some albums he'd previously mastered in stereo. Gray's RHF version of T. Rex's Electric Warrior followed the label's reel-to-reel tape release of that album—which should sound better? Of course, we had to address the hullabaloo sparked by Gray's comments on Caropop a year ago criticizing the One Step pressing process. Was he surprised? Does he feel vindicated? Other topics covered: Gray's Blue Note Tone Poet work with producer Joe Harley; the jazz albums Gray is recording and releasing on his Cohearent Records label. What's in store for 2026?

Dennis is joined via Zoom by author Jon Imparato to talk about his new memoir The Good Inside the Grief, in which he writes about everything from his Catholic childhood to his challenging relationship with his father to volunteering to man the shaving cart and shaving AIDS patients at the height of the pandemic. Jon also talks about the moving and surprising reactions he's gotten to it so far and what it was like to write about such difficult topics as losing three lovers to AIDS, having two difficult heart-to-hearts with his father 45 years apart and getting sexually assaulted by a guy he met in acting class at 19. He also writes about working with gay youth at the LA LGBT Center, teaching writing to queer seniors at Triangle Square in LA and discovering the magic of being in "vagina world" when he booked Eve Ensler's The Vagina Monologues as his first big show as Director of the Cultural Arts Department of the Center in the late 90's. Other topics include: why he used to call people for two rings and then hang up, the pleasure of Sunday Sauce, befriending a Canadian soldier while traveling in Bali and having it change his life forever, the wisdom of Betty White and a psychic Stevie Nicks story that will blow your mind. https://www.jonimparatowriter.com/

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠In this segment of Notorious Mass Effect, Analytic Dreamz provides a detailed analytical breakdown of Ella Langley's massive breakout single “Choosin' Texas,” released October 17, 2025, as the lead track from her upcoming sophomore album.Born May 3, 1999, in Hope Hull, Alabama, Ella Langley fuses traditional country twang with rock grit, drawing from influences like Willie Nelson, Stevie Nicks, and Miranda Lambert. After her 2024 project Hungover (and deluxe Still Hungover) and the 2× Platinum CMA multi-award-winning duet “You Look Like You Love Me” with Riley Green, Langley solidifies her solo rise with this co-write featuring Miranda Lambert (on co-writing, background vocals, and co-production with Luke Dick and Joybeth Taylor).“Choosin' Texas” delivers upbeat Southern grit, heartfelt themes of lost love to a “Texas woman,” and confident storytelling inspired by Lambert's personal tales. Debuted live in February 2025 and performed at the 2025 CMA Awards, the track exploded organically through touring, fan engagement, TikTok/Shazam traction, and radio momentum—no major media syncs required.Chart dominance as of January 2026 includes: #1 on Billboard Hot Country Songs (first career No. 1), fastest solo female climb to Top 10 Country Airplay this decade (8 weeks, breaking records), #1 on UK Country Airplay for multiple weeks, #1 on Apple Music Country, and #1 Best Country Song of 2025 on Spotify/Billboard. It achieved Top 5 on the all-genre Billboard Hot 100 (dated Jan. 10, 2026), a rare feat for a solo female country artist this century (only the 12th since 2000), plus Top 5 on US Spotify all-genre streaming. Over 70+ million Spotify streams fuel its crossover success in a male-dominated format.Analytic Dreamz examines the song's record-breaking radio impact, international reach, Miranda Lambert's public praise, viral speculation (denied by Langley), and how it positions her as a culturally resonant, commercially powerhouse new country star entering 2026 with CRS New Faces spotlight and more momentum ahead.Join Analytic Dreamz for this no-fluff, data-driven deep dive into one of 2025-2026's defining country anthems. Stream “Choosin' Texas” now and lock in for more Notorious Mass Effect.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Andy eulogizes Bob Weir then talks about Ari Aster being more interesting than his films, Yorgos Lanthimos' 2025 film, Bugonia, Emma Stone's interesting choices, the missing My Bloody Valentine albums on streaming services, Cate Le Bon being a better producer than a musician, Marcello Hernández's Netflix special, Andy's new favorite pasta sauce, Swords2's song "失望吗", and Vinnie Vincent's $4,000 album, Guitarmageddon. On Rachel's Chart Chat, Rachel from Des Moines delivers part 2 of her overview of Stevie Nicks' solo singles. Follow Rachel on Last.fm here. You can find a Stevie Nicks Singles playlist Rachel created for this episode here.

Welcome to the Internet 1-7-2026 … A Not-So Fun Fact for Gen Xers …JoJo will never wear a diaper …When your Netflix Password gets shared too many times …If the Stevie Nicks song “Landslide” was about an actual “Landslide”

Happy new year! Andy pushes through a cold to talk about what he's been up in the new year and gives one ominous prediction for 2026. Also, we listen to a clip of Bostonians' resolutions from back when 1976 rolled into 1977 and multiple clips of a man who wants to show Billie Eillish his stuff. On Rachel's Chart Chat, Rachel from Des Moines delivers her 200th Chart Chat! This week is part 1 of an overview of Stevie Nicks' solo singles. Follow Rachel on Last.fm here.

Country took some wild turns this year, and we sift through every twist with one big question: what actually deserves the spotlight? We kick off by ranking the top country albums of 2025, weighing the case for Tyler Childers at the summit, poking holes in Morgan Wallen's lower-than-expected slot, and making room for Eric Church, Thomas Rhett, and a few traditional voices that feel older than retro yet strangely fresh. Expect strong opinions, sharper jokes, and a running thread about why some records stick while others burn out fast.The conversation opens up when we tackle the greatest male-female collaboration. Dolly Parton and Kenny Rogers ultimately take the crown for chemistry and timeless storytelling, but not without a fight from Conway and Loretta, Tom Petty and Stevie Nicks, and even rock-forward duos like Lizzy Hale and Corey Taylor. That debate draws a line between technique and feeling: perfect vocals are nice, but songs that live in your bones win the replay war. We also break down how live-in-studio recording changes everything—from headphone mixes to “more me” monitor boxes—and why capturing a band in motion often beats the sterile shine of overproduction.Episode LinksTom Harding: https://jayfranze.com/episode30/Billie Jo Jones: https://jayfranze.com/episode98/Dalila Mya: https://jayfranze.com/episode102/Send us a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Patrick explores the impact of Maya Hawke's recent abortion comments and the way celebrity narratives shape young audiences, then pivots to parenting, addressing concerns about balancing family life and faith. Calls bring raw dilemmas: faith in fractured families, facing estrangement, and what it means to see Church teachings lived, not just heard. Audio: Maya Hawke, daughter of Ethan Hawke and Uma Thurman, is thankful that her parents aborted her sibling - https://x.com/LilaGraceRose/status/1995270025868161345 (01:14) Sebastian (email) - How did you and Nancy manage extracurricular activities with such a large family? (17:53) Tommy – I’m married but we were never blessed with children. Should we get an annulment? (20:27) Patty - Instead of not listening to Stevie Nicks, I pray for her while I’m listening. (25:57) David - Do you have the Inquisition book in Spanish? (33:03) Sandra - What is the role of parents of young adult kids? What is the Catholic perspective on this? I feel that there is a culture of estrangement. (34:22) Peter - My brother-in-law directed a movie where the heroine has an abortion. (44:59) Charlie - Are you obligated to go to Confession for sins committed in dreams? (47:44) Originally aired on 12/08/25

"When It Comes To Love" The Massachusetts-born Michael Bluestein got a quick run out of the musical gates and started studying classical piano by age nine, so it's no surprise that the young prodigy's trajectory found him studying at Berklee College of Music. With his B.A. under his belt, Bluestein headed west and wound up in San Francisco, where he spent a decade putting out his own music and working as a venerated sideman and session player with Jon Evans, Will Bernard, Matt Chamberlain, Kitty Margolis, Kenny Washington and Mary Stallings. He has toured and recorded with Shelby Lynn, Boz Scaggs, Stevie Nicks, Burt Bacharach, Enrique Iglesias and Rodger Hodgson. He joined Foreigner in 2008 and that's where he's been ever since, but he's also putting out music under the Beat Glider moniker. Filled with undeniable groove and musical dexterity, Beat Glider is a careening and moving dose of chillwave. Michael talks to us about his San Francisco days and importance of putting oneself out there in the artistic community. www.foreigneronline.com www.bombshellradio.com www.stereoembersmagazine.com www.alexgreenbooks.com IG + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

A surprise not-totally-festive edition of Radio Clash, where I talk about a bird I think about a lot (the lost Kauaʻi ʻōʻō bird – apologies for the transliteration but those special symbols will likely gum up the works in the feed and tags) and what Christmas means to me now… I play some new and old mashups and original music – some of which is my favourites of the year, but mostly older since I don’t listen to music in the same way anymore. Loving the new Saint Etienne and Lily Allen albums though, and K-Pop Demon Hunters (DERPY 4EVAH!) and new-ish music from B. Dolan, Hallmighty and Lankum. Buckingham Nicks album gets a timely re-release (are they talking again?) so talk about that and the legendary Coffee Plant demos – and visit Aidan Moffat and RM Hubbert’s Christmas Ghost Stories album…and play the last of my choices from Tom Rasmussen’s amazing Body Building album. And some festive? festering? tracks that have been on ice stuck at the North Pole since Xmas two years ago. Joy to the world and all that, there’s a theme about wanting 2026 to be a lot less shit…but not that hopeful, concentrating on what Xmas is supposed to be about, rather than all the capitalism, food and tradition. Peace on earth for all would be a nice place to start? Not So Flappy Bird But I Bet It’s Ghost Is Angry (2:27, 201Mb) Captain Obvious – What Believing Sounds Like (Huntr/x vs Journey) Bill McClintock – Sleigh Bitch –Explicit– (Carpenters and Buckcherry) B Dolan – Fight Naked Lambrini Girls – God’s Country Problem Patterns – Christmas Number One Obscurest Vinyl – The Secrets Your Asshole Keeps Instamatic – Cranes In The Waterfall (Solange vs Stone Roses) Saint Etienne – Sweet Melodies Lewis Scarole – Moonlight Banquet (Mike Oldfield & Maggie Reilly vs Bloc Party) Lankum – Ghost Town Xinon – Merry Christmas Mr Lawrence (One Gameboy Remix) Mike Anthony – Why Can’t We Live Together Tom Rasmussen – Joy Aidan Moffat and RM Hubbert – Weihnachtsstimmung HallMighty – Drive Home Alone For Christmas (The Cars vs. Chris Rea ft Olivia Rodrigo) Jenny Stardust – My Arms Are Just Fuckin’ Stuck Like This Piers Faccini , Ballaké Sissoko – One Half Of A Dream One True Pairing – The World Said No [Domino Recording Co] Black Box Recorder – Do You Believe in God? Ben Folds – Still (Reprise) Lindsey Buckingham & Stevie Nicks – Crystal Minor Arth – This Used To Be My Playgound Love (Air vs Madonna) Aidan Moffat and RM Hubbert – Ode to Plastic Mistletoe Buckingham Nicks – Nomad (aka Candelbright) David Gilmour – Between Two Points (with Romany Gilmour) Tom Rasmussen – This Is How We Walk on the Moon SOPHIE & Hannah Diamond – Always and Forever Lily Allen – Fruityloop tbc aka Instamatic – Happy Novacaine Year (Green Day vs ABBA) tbc aka Instamatic – Chasing Epilogues (Snow Patrol vs Daft Punk)

It's a banner day here on the pod, Slushies. We welcome a very special guest, American Poetry Review's Elizabeth Scanlon to the table as we discuss three prose poems from Sara Burant. Dagne sends out birthday wishes to Canada's own Margaret Atwood while Lisa shows the team her Margaret Atwood-as-saint candle. We note the recent poetry trend towards raising the profile of female visual artists whose work has been overlooked during their lifetimes. Artists like Sonia Delaunay, mentioned in Burant's poem “Fields,” and Hilma af Kilmt, whose art inspired Didi Jackson's recent book “My Infinity.”  The mention of a clay pipe in one poem sends Marion running for a treasure her husband found while mudlarking. Kathy cops to her blue-collar resistance to a precious ars poetica and we discuss what it takes to win her over in the end. Elizabeth relates how John Ashbery likens waiting for a poem to a cat's finicky arrival. We note Frank O'Hara's notion of “deep gossip,” name checking his own friends along with celebrities in his poems, a gesture Burant employs in her poem “Heat wave.” And we come full circle with a shout out to American Poetry Review's own podcast where Elizabeth interviewed Margaret Atwood during the pandemic. As always, thanks for listening! At the table: Dagne Forrest, Samantha Neugebauer, Elizabeth Scanlon, Kathleen Volk Miller, Marion Wrenn, Lisa Zerkle, and Lillie Volpe (sound engineer) Bio: Sara Burant's poems, reviews, and collaborative translations of Paul Éluard's poems have appeared in journals such as OmniVerse, Pedestal, periodicities, Ruminate, and The Denver Quarterly. Her work has been honored with a fellowship from Oregon Literary Arts and a residency at Playa. At 55, she received an MFA in Poetry from Saint Mary's College of California. She's the author of a chapbook, Verge. Fields after Frank O'Hara And the truck driver I was made in the image of has a tattoo reminiscent of a Sonia Delaunay on her chest. And on her upper left arm, a nude torso of Apollo reminiscent not only of Rilke but of the male figure who loved her passionately in a dream—my god, he knew how to kiss and be kissed and knew her better than she'll ever know herself. Nobody sees these tattoos except her, looking in the mirror in a cheap motel's bathroom. At home she has no mirrors, just the phone she occasionally snaps a selfie with to make sure she has no spinach or gristle lodged between her teeth before heading to the bar. Actually, the truck driver I was made in the image of is undercover. She's really a Jungian analyst. Those cows in another dream, her heaviest self, chewing the cud of the past, farting, trampling the delicate vegetation, forming a tight circle around the calves when threatened, bellowing when all else fails. Hauling 30 tons in her 35-ton rig, she speeds past field after field which are all the same field. Oh field of dreams, why hasn't she built you? Instead she deletes photos to make room for more photos, wondering why this sunset, that face, this puddle's reflection, that abstract painting. She fished and caught and couldn't filet the tender meat that smelled too much like drowning. One rainy winter in Paris she nearly did drown. Creeping water-logged from museum to museum, finally she clung to Cézanne's misshapen fruit as if to a buoy. The apples and pears, just one man's apprehension of apples and pears, not thoughts inside thought-balloons, not some parable of ancient September. Just tilting tabletops, shapes, colors, the suggestion of shadows and light. Ars poetica For the chickens I save tidbits, potato skins, and the outer cabbage leaves which make me think of hats. The red wobble of the hens' combs and the smell of their fecal heat, unaccountably dear to me. Awaiting a match to warm me, I chew on a clay pipe's stem, contemplating the waning moon of its bowl and my pink lipstick past. The silence behind words spoken or thought clucks softly in my inner ear. Sitting inside, I can't help looking out, a lifting, carrying blue, the wind's little pull on the earlobe of my heart. Lately I've been cutting paper into shapes that mean Feed me or Take me to your leader, wishing I'd been taught to name feelings as they arise. Tenderness for the apple still hanging from winter's limb. Loneliness drunk down with morning's darjeeling. There are conspirators for beauty. Like rabbits, they leave tracks in the snow. Like geese, they arrow through hallways of night. Without sentiment or self-pity they gaze at certain slants of light. They chip away the ice with a pick to get at the lock. Then they pick the lock. And oh, what a view. I want to walk in the dark to get there, not following anyone's directions. To enter the fortune teller's crystal ball with bread in my pocket and a botanist's loupe. Though I don't know your name, I move forward only beside you, your imaginary hand in mine.  Heat wave The woman at the table next to mine gives up loud-talking in favor of song, but it's not looking for love, it's looking for FUN—& feeling groovy. Maybe I should warn her—today's theme isn't love or fun, it's submarine & skedaddle, it's danger-danger, hold your breath & sound. This avalanche of heat, these record-shattering days. See the breakage piling up on sidewalks so hot the barefoot babies weep as they learn to toddle. Maybe, as you like to point out, I'm catastrophizing, when what I really want is to feel groovy again. To butter my skin with baby oil & sizzle, walking barefoot along the burning sand, Bradford Beach where I fell in love unrequited for the umpteenth time. Back then, who was counting? Back then summer lasted for years & still wasn't long enough. 1978, despite Mother's reservations, I saved my babysitting money for a ticket to Fleetwood Mac at County Stadium. Eilleen, Maggie, Liz, Jean, Mary, me—& Stevie Nicks & Christine McVie, the elm trees & long summer dusk of those women's voices. A dusk so filled with the orange, violet & chartreuse silk of its immense flag flying above, beside & through you, you neglect to notice shadows splotching the periphery & forget your curfew. I didn't notice much, so stoned I was, we were, melting into the moment's spotlessness, our adolescent hips grooving, our tan arms waving, here, now, this, this, this—I mean there, then, that, that, that—no one yet suspended for drinking, no one yet strung out, dropping out, running off with boys to Oregon or Wyoming, limping home pregnant or in rags. The elms, gone. Mom, Vince, Rob & Christine McVie, too. I've had to swear off many things due to poor digestion—but oblivion, I'd still like to indulge in that sometimes, diving into it like a bee into a flower, a morning glory, its dumb, purple, one day only show. 

Dave Barry talks ho-ho-horrible gifts for the holidays on new Greg Cote Show podcast, out now! Plus major announcement about show, Cyclone are jai-alai champs, Dolphins/Canes, Stevie Nicks and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dave Barry talks ho-ho-horrible gifts for the holidays on new Greg Cote Show podcast, out now! Plus major announcement about show, Cyclone are jai-alai champs, Dolphins/Canes, Stevie Nicks and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

MUSICRoger Daltrey of The Who is now SIR Roger Daltrey. He was knighted by Prince William at Windsor Castle on Wednesday. It's in recognition of not only his musical achievements, but also his charity work. Here he is on the award, and what his younger self and band would've thought back in the day. https://consequence.net/2025/12/sir-roger-daltrey-knighted/ Sharon Osbourne has given her first interview since the death of her husband Ozzy this past July.Appearing Wednesday on the British TV show Piers Morgan Uncensored, hosted by her longtime friend, she opened up about his health struggles, doing his final show this past July 5th in Birmingham, England, their last conversations and much more. You can watch the show on YouTube, and here are a few excerpts:Sharon Osbourne on the last two weeks of Ozzy's life. OC:...in seven years. :27 [Courtesy of Piers Morgan Uncensored]"He was so happy Piers afterwards. And he kept looking at the papers and he goes to me, 'I never knew so many people like me.' But that was the way he was. I mean, he knew he was famous, but not to the amount that people loved him. It's a whole different thing. And he was just so happy. Happier than we'd seen him in seven years."Sharon Osbourne on dreams Ozzy was having the last week of his life. OC:...he was ready. :26 [Courtesy of Piers Morgan Uncensored]"He was having dreams the last week of his life. He was seeing people that he never knew. I said, 'Well, what kind of people?' He goes, 'All different people. And I just keep walking and walking and I'm seeing all these different people every night. And I go back there and I'm looking at these people and they're looking at me and nobody's talking.' And he he knew. He was ready." Sharon also talked about the first time she and Ozzy met, when they fell in love, how she will never want to get married again, how if she didn't have kids she would have killed herself when he died, and the thing she misses most is holding his hand.On a lighter note, she also talked about how she wanted to get back at Roger Waters for the negative things he said about Ozzy after he died. And that was by sending him a Tiffany box filled with feces, which she used to do to critics who wrote negative reviews about Ozzy's shows without being there. When she did, it was her infant son Jack's poop that would be used.She ultimately decided against it, saying, “Even that is a waste, to send [crap] to him. It's a waste because he's really insignificant. But I just thought, anybody that passes has a family… you don't do that.” (Sharon's not the first musician's wife to do that. Paul and Linda McCartney sent some of their daughter Stella's poop to a journalist who earned their trust, then betrayed them.)Going forward, Sharon says she's continuing to work on an Ozzy bio-pic and that she knows who she wants to play him. When asked if it was Yunglbud she didn't confirm nor deny.https://youtu.be/aaLMsEJKZEQ Kurt Cobain's MTV Unplugged Martin D-18E has been donated to the Royal College of Music London by Peter Freedman, who paid $6,010,000 for it at an auction in 2020. Megadeth have released a trailer for Behind the Mask, the documentary and listening event for their self-titled album that will be in theaters on January 22nd. Watch it on YouTube.Blumhouse Games has released a mini-documentary about Robin Finck of Nine Inch Nails scoring the new horror video game Sleep Awake. Watch it on YouTube.Trailer for new U.K. documentary on David Bowie's final years titled "David Bowie - The Final Act" has been released https://ruralradio.com/rrn/abc_news/trailer-for-new-uk-david-bowie-documentary-released-abcid0409636a/ Guns N' Roses have announced the openers for their summer tour -- rappers Public Enemy will open for them when they are here at Busch Stadium in August. The Eagles, Stevie Nicks, Kings of Leon, Lorde and The Black Keys are among the headliners at the 2026 New Orleans Jazz & Heritage Festival, commonly known as Jazzfest.The first weekend, April 23rd to the 26th, will feature Stevie Nicks, Rod Stewart, Kings of Leon, Lorde, Jon Batiste, Tyler Childers, David Byrne, Jason Isbell and the 400 Unit, St. Vincent, Irma Thomas, The Isley Brothers and The Revivalists.The second weekend, April 30th through May 3rd, features will feature the Eagles, Teddy Swims, The Black Keys, Widespread Panic, Earth, Wind & Fire, Tedeschi Trucks Band, Alabama Shakes, Ziggy Marley, Lake Street Dive, Mavis Staples, Little Feat and Rickie Lee Jones.Passes go on sale tomorrow (Friday) at nojazzfest.com. TVJohn Stamos is joining the next season of Netflix's "Hunting Wives" show. https://www.foxnews.com/entertainment/john-stamos-cast-hunting-wives-drama-wife-questions-potential-nude-scenes Sigourney Weaver will appear in Amazon Prime's live-action series of Tomb Raider https://www.the-independent.com/tv/culture/sigourney-weaver-tomb-raider-phoebe-waller-bridge-b2883033.html MOVING ON INTO MOVIE NEWS:"Ella McCay" (PG-13) Trailer - A comedy starring (British actress) Emma Mackey as an idealistic young woman trying to juggle family problems while taking over her mentor's job as governor once he accepts a cabinet position in Washington. Woody Harrelson is her sexually irresponsible father, Jamie Lee Curtis is her supportive aunt, and Albert Brooks plays her political mentor. (20%)"Silent Night, Deadly Night" (R) Trailer This is the second remake of a 1984 slasher about a kid who witnesses his parents being murdered by a guy in a Santa suit . . . then grows up, puts on a Santa suit himself, and goes on his own killing spree. It stars Rohan Campbell from "The Monkey" as your killer Santa, and Ruby Modine from "Happy Death Day" as a true crime junkie (slash) his love interest. (84%)"How the Grinch Stole Christmas" (PG) Trailer The 25th anniversary re-release of the live action movie starring Jim Carrey as the Grinch, Taylor Momsen (from The Pretty Reckless) as Cindy Lou Who, and Christine Baranski as the woman who secretly has feelings for the Grinch. (50%)Will Smith hit with another major scandal—longtime friend turns on him in $3 million lawsuit Everybody's getting into the year-end roundup business. Even the deliciously gay hookup app Grindr!!! Here's a sample of their 2025 wrap-up:Mother of the Year: Lady GagaDaddy of the Year: Pedro PascalMother-In-Training: Sabrina CarpenterShow of the Year: "Overcompensating", Prime VideoAlbum of the Year: "Mayhem", Lady GagaSong of the Year: "Abracadabra", Lady GagaGay Dictionary . . . The Phrase on Everyone's Lips: Delulu. (Short for "delusional".)Hottest Man of the Year: Jonathan Bailey (Fiyero in the "Wicked" movies)Movie of the Year: "Kpop Demon Hunters"Bulge of the Year (!!!): Bad BunnyGayest Fashion Trend: Slutty little glassesBest Beef: Cardi B vs. Nicki MinajMost Bears: IrelandHighest Percentage of Twinks: Switzerland AND FINALLYWe all know the debate about "Die Hard". But there are plenty of other films that spark the same argument, "Is this actually a Christmas movie?" Here are 13 more:1. Every "Harry Potter" movie (2001 - 2011). All the "Potter" flicks . . . with the possible exception of the last one . . . have some kind of yuletide vibe . . . or at least a wintry one.2. "Batman Returns" (1992). One of the big set pieces is the lighting of the Gotham Christmas tree.3. "Eyes Wide Shut" (1999). Even though it was released in July, it takes place over Christmas.4. "Gremlins" (1984). This one has Christmas written all over it. And also little green, murderous demons.5. "First Blood" (1982). The first of the "Rambo" films has a Christmas tree in the background of one scene. So . . . Christmas movie!!!6. "Trading Places" (1983). There's a Christmas party, and Dan Aykroyd as a drunken Santa waving a handgun. But it doesn't end on December 25th. If it's a Christmas movie, then it also qualifies as a New Year's movie.7. "Kiss Kiss Bang Bang" (2005). This one takes place during the Christmas season in L.A. And it was released in November.8. "Edward Scissorhands" (1990). Kind of a no-brainer.9. "Lethal Weapon" (1987). Another one of those action movies that HAPPENS to take place around Christmas.10. "Rocky" (1976). This might be the greatest American holiday film of all time, because it includes Thanksgiving, Christmas, and New Year's. And also punching.11. "Hook" (1991). The scenes in the real world, outside Neverland, are set at Christmas. 12. "Iron Man 3" (2013). The whole movie plays out around Christmas.13. "The Nightmare Before Christmas" (1993). Is it a Christmas movie or a Halloween movie? Why not both?AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Patrick explores the impact of Maya Hawke's recent abortion comments and the way celebrity narratives shape young audiences, then pivots to parenting, addressing concerns about balancing family life and faith. Calls bring raw dilemmas: faith in fractured families, facing estrangement, and what it means to see Church teachings lived, not just heard. Audio: Maya Hawke, daughter of Ethan Hawke and Uma Thurman, is thankful that her parents aborted her sibling - https://x.com/LilaGraceRose/status/1995270025868161345 (01:14) Sebastian (email) - How did you and Nancy manage extracurricular activities with such a large family? (17:53) Tommy – I’m married but we were never blessed with children. Should we get an annulment? (20:27) Patty - Instead of not listening to Stevie Nicks, I pray for her while I’m listening. (25:57) David - Do you have the Inquisition book in Spanish? (33:03) Sandra - What is the role of parents of young adult kids? What is the Catholic perspective on this? I feel that there is a culture of estrangement. (34:22) Peter - My brother-in-law directed a movie where the heroine has an abortion. (44:59) Charlie - Are you obligated to go to Confession for sins committed in dreams? (47:44)

On today's MJ Morning Show:Fester was stuck in trafficFester's weekendMorons in the newsPassengers flying and bearing giftsWoman breaks into and trashes a Daytona McDonald'sBucs coverageStevie Nicks' concert... MJ and Michelle were thereTampa one of top cities for singlesHead Coach Bowles visits the morning showWoman thinks she has the follow up to "6-7"DM from Ryan, who wants a message from Milton FludgecowDM from listener on a cruiseWeathly Americans more likely to 'skip scan' at self-checkout"Pit Porn"Thrift Shop findWhat's the 'load limit' in a supermarket?Athlete claims over Sprite Zero SugarA guy makes the wrong deposit into a bankDisney has pulled Aerosmith from the "Rockin' Roller Coaster"Howard Franklin Bridge speed down to 55Look out on the roads... Waymo is now in TampaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The radio careers of Mike Boyle and Paul Heine, have taken them from legendary radio stations to the influential world of trade journalism.  They both share inside stories from their days behind the mic and their pivotal roles at publications like FMQB and Billboard Radio Monitor, painting a vivid picture of an era when radio and records were at the cultural crossroads.Listen in as Mike and Paul recount remarkable encounters with iconic artists: Donny Osmond causing office pandemonium, one-on-one moments with Stevie Nicks and Ronnie James Dio, and unforgettable interviews with Howard Stern and Frank Zappa. From witnessing history in Berlin as the Wall came down to swapping stories from behind-the-scenes at conventions and concerts, this episode is packed with nostalgia, industry insights, and lessons on navigating career transitions.Season 5 is off to a great start with more intimate, heartfelt looks into the friendships, the risks, and the evolution of radio from the personalities who helped shape it.You can download or stream every episode of AIRCHECK from Apple Podcasts, and Spotify. You can also listen on YouTube. Ask your Smart Speaker to “Play Aircheck Podcast”.If you're a radio vet with a story to tell we want to hear from you.Email us at Aircheckme@gmail.comFollow us on Facebook: facebook.com/aircheckmeTell us what you think and your favorite episode!

MUSICSublime are getting into the traveling festival business.The band's Me Gusta festival will start May 9th in Fort Worth, Texas and is billed as featuring a "lineup hand-picked to represent the crossroads of reggae and punk." There's a date also slated for June 27th at a city to be announced in Oregon, with more dates to be revealed soon.The Me Gusta name comes from the band's song "Caress Me Down" and the line "me gusta mi reggae, me gusta punk rock." https://www.megustafest.com/ New releases from Billie Eilish, Billy Joel, Sammy Hagar, Talking Heads and Warren Zevon are among the highlights of Record Store Day's Black Friday lineup.There are 175 limited-edition items on either vinyl or CD slated to drop that day. Check out the complete list at RecordStoreDay.com, or read on for our Top 25 picks.Cage the Elephant - Live From The Vic - 2-LP. This was recorded in 2011 at the famed Chicago venue.Creed - Live in San Antonio (11/14/1999) - 2-LP. This is Creed's first live album. Billie Eilish - Live - 10-inch EP. Live recordings from Amazon's Songline series, never before released physically.Fleetwood Mac - Fleetwood Mac: Live 1975 - 2-LP This captured parts of two shows on the band's first tour with Stevie Nicks and Lindsey Buckingham.INXS - Live From Royal Albert Hall, London, 1986 - LP. This was recorded in June 1986. Jelly Roll - Beautifully Broken (Pickin' Up The Pieces) - LP. This features 13 tracks from the digital deluxe version of Jelly Roll's 2024 album, Beautifully Broken. Van Halen - Live at Wembley 1995 - LP. This features eight tracks recorded at London's Wembley Stadium on June 24th, 1995 on the Balance TourScott Weiland - "If I Could Fly"/"Barbarella (Live)" - 7-inch. This features a previously unreleased song from the late Stone Temple Pilots singer. TV The 2025 CMA Awards pulled in 6.04 million viewers on ABC last week. That's an all-time low. https://www.whiskeyriff.com/2025/11/25/cma-awards-hit-another-all-time-ratings-low-in-2025/ Check out the first teaser for the four-part docuseries, "Sean Combs: The Reckoning", produced by his rival 50 Cent. It hits Netflix on December 2nd. https://www.hollywoodreporter.com/music/music-news/netflix-diddy-documentary-50-cent-trailer-release-date-1236435362/ Guy Fieri ripped his quad muscle in half, and has to use a wheelchair for eight weeks. https://nypost.com/2025/11/25/entertainment/guy-fieri-hospitalized-after-quad-exploded-during-flavor-town-food-fight-shoot/ Dr. J.D. Dorian and Scrubs are coming back! https://decider.com/2025/11/24/abc-shares-first-look-at-scrubs-reboot-footage-inside-retrospective-promo-see-the-sacred-heart-gang-back-in-action/ MOVING ON INTO MOVIE NEWS:AMC Theatres has announced an intriguing deal for popcorn lovers on Cyber Monday, they're selling an "AMC Popcorn Pass", which gets you a 50% discount on a large popcorn every day of the week . . . plus one free refill per day. https://www.hollywoodreporter.com/movies/movie-news/popcorn-amc-theatres-offers-half-off-discount-pass-1236435291/ AND FINALLYWhat's a movie where the villain is much cooler than the hero?" https://www.reddit.com/r/movies/comments/1p53ija/whats_a_movie_where_the_villain_is_much_cooler/ A song to ‘play us out' – people are listening to our show and taking our creativity. There is a new country song about how there's no kids named Gary anymore… https://www.youtube.com/watch?v=OJm3gYqKehAAND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this powerful finale to the Divine Feminine series, Jenn Nizza is joined by Doreen Virtue to break down how modern culture is reshaping spirituality—especially through major artists like Taylor Swift and Stevie Nicks. They expose how witchcraft, goddess symbolism, and New Age ideas are being woven into music and entertainment in ways that feel harmless, yet carry real spiritual influence.Drawing from their backgrounds as former psychic mediums, Jenn and Doreen offer rare inside perspective on why these trends are spreading so quickly, what makes them spiritually dangerous, and how the enemy uses subtle imagery to pull people away from the truth.Whether you've been following the series or are listening for the first time, this episode will challenge your thinking, sharpen your discernment, and point you back to the only true source of identity and light: Jesus Christ.A must-listen finale packed with truth and insight.In case you missed it--Part 1 - The Danger of the Divine Feminine and the Hope of Jesus with Doreen VirtuePart 2 - Katy Perry, Beyoncé, and the Spiritual Seduction of the Divine Feminine with Doreen VirtuePart 3 - Lady Gaga, Goddess Worship & the Divine Feminine Deception with Doreen Virtue FOLLOW JENN NIZZA:- Follow Jenn on Instagram- Follow Jenn on TikTok- Follow Jenn on YouTube- Get Jenn's books

Subscribe to Throwing Fits on Patreon. One kernel after another. This week, Jimmy and Larry are ping-ponging back and forth on new boot goofin', watching your boy absolutely cook up during the New York Comedy Festival, bridge and tunnel dual citizenship, dining next to the selfie final boss, the girlies love their reference photos, James' closet sale for a good cause, haggling for charity, Lawrence saw Geese's cover set at Blue Note thanks to the fine folks at Chase Sapphire Reserve, make sure you follow everybody and everything on Instagram because it could get you on the good kind of watchlist, Park Slope open marriage lore, Stevie Nicks has still got it, is the industrial Boomer concert complex too dialed, spoiler-free big picture thoughts and reactions from the Marty Supreme screening because actual detailed reviews are embargoed, is it too early to already call Our Legacy Work Shop x C.P. Company collab of the year, memories from the Massimo Osti archive in Bologna, gender-affirming surgery for men since more famous micropenises are in the news, MAGA loses their mind over a pink J.Crew sweater, the new quarter-zip (and match) trend, and more.

On today’s explosive episode of Stinchfield, Grant dives head-first into one of the biggest scandals quietly sitting in plain sight: the truth about Jeffrey Epstein. Grant lays out the case that Epstein wasn’t just some rogue billionaire predator — he was a deep-state CIA asset, a government operative who raked in hundreds of millions of dollars doing the dirty bidding of America’s most corrupt institutions. And now, in one of the greatest political jiu-jitsu moves we’ve ever seen, President Trump has rope-a-doped the Democrats into releasing the Epstein files… files that are poised to blow the lid off decades of elite corruption and implicate the very people who demanded their release. Former State Department official Mike Benz joins Grant to Break it all down. Then Grant turns to Stevie Nicks’ disturbing admission about aborting her child because motherhood would have interfered with her career. She said it proudly… almost casually. Grant calls it what it is: the most honest — and the most selfish — explanation for abortion you’ll ever hear. He pushes back on the cultural glorification of “choice,” exposing how this mindset reduces human life to an inconvenience and celebrates personal ambition over innocence. And finally, Grant exposes the Muslim Brotherhood’s long-term plan to infiltrate every level of the U.S. government. From local offices to federal agencies, their own documents outline a strategy of cultural penetration, political takeover, and institutional capture. Grant breaks down how their networks operate, who’s funding the pipeline, and why America’s leaders refuse to take this threat seriously — all while radical ideology spreads through our universities, bureaucracies, and political class. https://GrantLovesGold.com www.EnergizedHealth.com/Grant www.PatriotMobile.com/Grant Https://Twc.Health/Grant Use "Grant" for 10% Off See omnystudio.com/listener for privacy information.

INTRO (00:24): Kathleen opens the show drinking a Champagne Velvet Premium Pilsner from Upland Brewing Company. She reviews her quick trip to NYC, debating Fantasy Football strategies with Kelly Clarkson and drinking martinis with friends at the King Cole Bar.    TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   COURT NEWS (24:12): Kathleen shares news announcing that Chappell Roan is inducting Cyndi Lauper into the Rock & Roll HOF, Stevie Nicks and Lindsey Buckingham are back on speaking terms, and Dolly Parton's Songteller hotel has started taking reservations for 2026.    TASTING MENU (1:22): Kathleen samples Chick-Fil-A Waffle Potato Chips, Crunchmaster Ranch Rice Crackers, and Cabot Creamery Sharp Cheddar Popcorn.    UPDATES (31:45): Kathleen shares updates on Prince Andrew's removal from Royal life, Meta's Reality Labs posts an astronomical loss, Elon Musk's Boring Company breaks ground in Nashville without government approval, and the expedition to locate Amelia Earhart's plane is halted.   HOLY SHIT THEY FOUND IT (45:00): Kathleen reveals that an extremely rare white Iberian lynx has been photographed in Spain.    FRONT PAGE PUB NEWS (46:20): Kathleen shares articles on Billie Eilish telling billionaires to be more philanthropic, Utah's governor signed into law a new controversial coffee bill, the NFL announced that Sting will headline an intimate “Super Bowl LX Studio 60” concert, Barcelona bans Airbnb, Mormon women are getting an upgrade in their sacred undergarments, mysterious blue dogs are spotted roaming near the Chernobyl site, and the former child actor who appeared in JAWS as a boy is named the police chief of the same Martha's Vineyard town where the move was shot.    SAINT OF THE WEEK (1:11:11): Kathleen reads about Saint Bernadette, patron saint of the sick, the poor, and families.    WHAT ARE WE WATCHING (19:00): Kathleen recommends watching “The Road” on Paramount +, and “John Wayne Gacy: The Devil In Disguise” on Peacock.    FEEL GOOD STORY (1:09:55): Kathleen shares a story about a 105-year old Irish woman who has revealed her secret to long life is staying single, drinking daily, and never giving up on gambling.   

MUSICTwenty One Pilots, will pay tribute to The White Stripes, covering "Seven Nation Army" at the Rock & Roll Hall of Fame Induction Ceremony on November 8th in Los Angeles. Sad New Details on the Passing of Limp Bizkit Bassist Sam RiversSome really tragic news today about the death of Sam Rivers, the original bassist for the nu-metal band Limp Bizkit. New details are coming out about the circumstances of his passing, and it's just heartbreaking. Former Hole and Smashing Pumpkins bassist Melissa Auf Der Maur will publish her memoir Even the Good Girls Will Cry: A ‘90s Rock Memoir on March 17th. https://www.dacapopress.com/titles/melissa-auf-der-maur/even-the-good-girls-will-cry/9780306833755/ You're not gonna believe this, but it's true; Stevie Nicks and Lindsey Buckingham are now on speaking terms. https://www.nme.com/news/music/stevie-nicks-and-lindsey-buckingham-back-on-speaking-terms-break-down-frozen-love-on-song-exploder-podcast-3903657 Carrie Underwood is on top of the country world. She's now the highest Recording Industry Association of America-certified female country artist of all time. https://www.billboard.com/music/country/carrie-underwood-riaa-certification-country-woman-1236101161/ NEW RELEASESAvatar's Don't Go in the Forest contains "Tonight We Must be Warriors."The Pretty Reckless's Taylor Momsen's Pretty Reckless Christmas includes her duetting with herself as a kid from The Grinch Who Stole Christmas.The Cars' Heartbeat City: Deluxe Edition is a four CD and one LP box set that adds unrelesaed mixes and a full concert.Radiohead's Hail to the Thief Live Recordings 2003-2009 gets released on CD and vinyl.The Who's Who Are You: Super Deluxe Edition is a massive box set with 71 unreleased tracks.Everclear's Sparkle and Fade 30th Anniversary Edition adds eight bonus tracks.Trivium's Struck Dead EP is their first new music in four years. TVGayle King is expected to leave her role as an anchor on CBS Mornings after 14 years with the morning show. https://variety.com/2025/tv/news/gayle-king-cbs-mornings-anchor-out-1236565036/ MOVING ON INTO MOVIE NEWS:IN THEATERS"Bugonia" (R) Trailer· Emma Stone is a corporate CEO who is kidnapped by Jesse Plemons . . . an unhinged conspiracy theorist who is convinced that she's an alien and that her company's experiments are the cause of his mother's illness.· He starts out by SHAVING HER HEAD so she can't communicate with the other aliens. (???) And he's not above torturing her to get what he wants . . . a trip to her mothership so he can make a case to save humanity."Anniversary" (R) Trailer (Opened Wednesday)· Diane Lane and Kyle Chandler are celebrating their 25th anniversary when their son brings home his new girlfriend, a former student who publishes a book with radical ideas that lay the foundation for a "unified" single-party, political system.· Things take a dark turn for the family once the book becomes a best seller and America falls more and more under the influence of the new Deep State, whose symbol is a new flag where the stars have moved to the center of the stripes."Stitch Head" (PG) Trailer (Opened Wednesday)· A light-hearted animated twist on Frankenstein's monster, where Stitch Head (voiced by Asa Butterfield) rallies the castle's other monsters to defend themselves against a greedy circus owner and suspicious townsfolk. Your favorite Halloween song, "Monster Mash", is going to be made into an animated movie. https://deadline.com/2025/10/monster-mash-song-miramax-movie-1236599994/ "The Conjuring" universe will live on with a TV series and a prequel movie. https://people.com/the-conjuring-new-prequel-after-last-rites-success-11840396"Yellowstone" creator Taylor Sheridan is developing a live-action "Call of Duty" movie. https://consequence.net/2025/10/taylor-sheridan-call-of-duty-movie-paramount/ The first trailer for Scream 7 is out and Sidney Prescott (Neve Campbell) is back! The new movie finds Ghostface coming after Sidney, her daughter Tatum (a tribute to Rose McGowan's character from the first film), and her husband. https://www.youtube.com/watch?v=UJrghaPJ0RY Robert Englund, who plays legendary villain Freddy Krueger in A Nightmare on Elm Street, served as a marriage witness for two fans ahead of their Halloween wedding. https://people.com/robert-englund-was-marriage-witness-for-a-nightmare-on-elm-street-fans-exclusive-11836520 Jesse Eisenberg is donating his kidney to a person in need. You know, Lex Luthor in Zack Snyder's DC Extended Universe . . . or Mark Zuckerberg in "The Social Network". AND FINALLYHere is Lern's Top 6 Favorite Scary Movies that you should watch this weekend:1. The Witch2. The Shining3. Hereditary4. The Conjuring5. It Miniseries, or the new movies, whatever!6. Return to OzHappy Halloween!AND THAT IS YOUR CRAP ON CELEBRITIES!Follow The Rizzuto Show @rizzshow on all your favorite social media, including YouTube, Facebook, Twitter, Instagram, TikTok, and more. Connect with The Rizzuto Show online at 1057thepoint.com/RizzShowSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On September 5, 1973, the first and only Buckingham Nicks album was released. It wasn't a huge hit, but it was how the world was first introduced to the music of Stevie Nicks and Lindsey Buckingham, before they went on to become members of Fleetwood Mac. Their time together in Fleetwood Mac led to some of the best-selling, most critically acclaimed, and most influential albums of all time. Their individual talents, their musical chemistry together, and the ups and downs of their romantic relationship all eventually became legendary. And yet, despite all that, the Buckingham Nicks album went out of print not long after it came out. For over 50 years, it wasn't available, until it finally got re-mastered and re-released in September 2025. So for this episode, I spoke to both Stevie Nicks and Lindsey Buckingham about the making of one of the songs from that album, called “Frozen Love.” It's the only song on the album where they're credited as co-writers, and it's the song that led Mick Fleetwood to invite Lindsey Buckingham to join Fleetwood Mac. But Lindsey would only join if Stevie could, too, and that's how that story began. So this episode is about a beginning and an ending. It's the story of how Stevie and Lindsey first met, and how they made "Frozen Love," and how that song really led to the end of their band. I also want to mention that not only was Buckingham Nicks out of print for all those decades, no one has heard the isolated tracks that you're about to hear. To make this episode, there was an epic search for the original master tape from Sound City, the studio where they recorded the album with producer Keith Olsen. It took months, but the tape was finally tracked down and digitized, and it feels very special to be able to present this for the first time here, along with the memories and stories from Lindsey Buckingham and Stevie Nicks. For more info, visit songexploder.net/buckingham-nicks.

INTRO (00:24): Kathleen opens the show drinking a “Wicked Aunt Tammy” Double IPA from Sea Quake Brewing in Crescent City, CA. She reviews her weekend of shows in Monterey and Santa Rosa, and raves about her experience seeing Stevie Nicks live in Detroit.    TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   COURT NEWS (17:35): Kathleen shares news announcing that Stevie Nicks had an unbelievable show in Detroit, and Snoop Dogg is going to commentate the 2026 Winter Olympics.    TASTING MENU (6:54): Kathleen samples Le Chipstier Francais Braised Chicken chips, Safeway Fudge Mint Cookies, and Sonoma Pizza Crisps.    UPDATES (19:34): Kathleen shares updates on the Cracker Barrel logo fiasco, the Louvre jewelry heist, Prince Andrew is being removed from Royal Lodge, Kenny Chesney is extending his residency at the Vegas Sphere, and the mystery of the missing Picasso “Still Life With Guitar” painting is solved.    HOLY SHIT THEY FOUND IT (41:03): Kathleen reveals that a the image of a rare Bornean clouded leopard has been captured on a trail cam in Indonesia.    FRONT PAGE PUB NEWS (42:52): Kathleen shares articles on the recent NBA betting scandal, Japan's new Prime Minister used to drum in a heavy metal band, the CEO of Target has a new business plan, the CIA has disclosed that details of operation Acoustic Kitty, the new longest flight in the world is over 19 hours, a Virgin Atlantic passenger downs 15 cans of wine and attacks her traveling partner, and the birthplace of Halloween is Ireland.    SAINT OF THE WEEK (1:17:14): Kathleen reads about St. Kateri Tekawitha, patron saint of ecology.    WHAT ARE WE WATCHING (18:52): Kathleen recommends watching “Murdaugh: Death In The Family” on Hulu.  FEEL GOOD STORY (1:06:42): Kathleen shares a story about Canada's first-ever whale sanctuary in Nova Scotia.

MUSICBon Jovi will return to the road for their first tour since 2022 when Jon Bon Jovi lost his voice, which required surgery.This announcement comes after a much documented vocal cord surgery and rehab process seen in their Hulu docu-series Thank You, Goodnight: The Bon Jovi Story. Jon says, “I've spoken extensively on my gratitude but I will say it again, I'm deeply grateful that the fans and the brotherhood of this band have been patient and allowed me the time needed to get healthy and prepare for touring. I'm ready and excited!”The shows are:7/7, 9, 12 & 14 - New York, NY - Madison Square Garden8/28 - Edinburgh, SCO - Murrayfield Stadium8/30 - Dublin, IE - Croke Park9/4 - London, UK - Wembley StadiumAll dates are subject to change and tickets for New York go on sale on October 31st at 10am ET at BonJovi.com. Barbie just released a second Stevie Nicks doll, this time inspired by the cover of her solo debut album, "Bella Donna". She wears a flowy white dress and tall white boots, and comes with a microphone and a black top hat. https://creations.mattel.com/products/barbie-music-series-stevie-nicks-bella-donna-doll-jbj45· Fans are convinced that Fleetwood Mac are set to reunite for their 50th anniversary after Stevie Nicks and Lindsey Buckingham both shared lyrics from one of their early songs on Instagram. https://societyofrock.com/fleetwood-mac-50th-anniversary-reunion-rumors/ The Cult's Ian Astbury and Billy Duffy have revealed that they're splitting for a spell after their current tour wraps up. https://themusicuniverse.com/the-cult-announces-touring-hiatus/ Last week's death of founding KISS guitarist Ace Frehley is under investigation by the Morris County, New Jersey Medical Examiner. https://www.tmz.com/2025/10/22/ace-frehley-toxicology-report-new-jersey/ The official documentary about the late Iron Maiden's second singer Paul Di'Anno, Di'Anno: Iron Maiden's Lost Singer, will be released next year. Di'Anno died a year ago this past Tuesday, October 21st, at 66 from an aortic dissection after being in poor health for a number of years. https://www.instagram.com/p/DQGF3FXDf0D/ Metallica's Kirk Hammett, a diehard horror fan, has shared his three most cherished pieces of memorabilia from the genre. His three picks, as shared on 'The Metallica Report' podcast, are: https://open.spotify.com/show/3lQ1tOcsLQsgBViuttVzAX?si=779842bdf6094add&nd=1&dlsi=576f94cecc504624 TOP TALK SHOWS GUESTS:Jimmy Fallon has Nobody Wants This actress Kristen Bell and Dave Franco from Regretting You.Stephen Colbert has Ben Stiller and comic Tig NotaroSeth Meyers has Leslie JonesDON'T MISS TV:Grey's Anatomy (ABC)Georgie and Mandy's First Marriage (CBS)Ghosts (CBS)Hell's Kitchen (FOX)Special Forces: World's Toughest Test (FOX)Law & Order (NBC)All listings are subject to change.The widower of Suzanne Somers has helped create an AI clone of the late actress. https://variety.com/2025/tv/news/suzanne-somers-ai-clone-created-after-death-1236558266/ HGTV is making sure to give viewers fresh episodes of House Hunters all of next year. https://variety.com/2025/tv/news/hgtv-house-hunters-400-episodes-property-brothers-spinoff-1236558906/ MOVING ON INTO MOVIE NEWS:Check out the trailer for the Eddie Murphy documentary, "Being Eddie". https://www.hollywoodreporter.com/movies/movie-news/eddie-murphy-netflix-doc-favorite-tv-show-ridiculousness-1236406944/ Apple TV made a five-part docuseries about Martin Scorsese, unimaginatively titled "Mr. Scorsese". It includes interviews with the biggest names in showbiz. But one guy will not be in there: Joe Pesci. Director Rebecca Miller says he was the only person to say NO. AND FINALLY If you're struggling to decide what to watch for a spooky movie night, a comedy might be a winner for everyone, even the scaredy cats.Here's a list of the 15 Best Horror Comedies AND THAT IS YOUR CRAP ON CELEBRITIES!Follow The Rizzuto Show @rizzshow on all your favorite social media, including YouTube, Facebook, Twitter, Instagram, TikTok, and more. Connect with The Rizzuto Show online at 1057thepoint.com/RizzShowSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Next week, I'm going to be publishing an episode with Stevie Nicks and Lindsey Buckingham about the making of the song “Frozen Love,” from their only album as the duo Buckingham Nicks. That song is what eventually led to them joining Fleetwood Mac. So in anticipation of next week's episode, I thought it would be great to go back seven years and revisit this Fleetwood Mac episode from 2018, about the making of “Go Your Own Way.” I hope you enjoy it, and I hope you'll come back to hear the Buckingham Nicks episode.-Lindsey Buckingham is a singer-songwriter, a guitarist, and a producer. In 1974, he joined the band Fleetwood Mac, along with Stevie Nicks, his girlfriend at the time. A few year later, in 1977, Fleetwood Mac released the album Rumours, which would go on to sell over 40 million copies and become the eighth highest-selling album in history. In this episode, Lindsey Buckingham breaks down “Go Your Own Way," a song he wrote for that album about his relationship with Stevie Nicks.For more, visit songexploder.net/fleetwood-mac.