Podcasts about Discogs

Well, it's Fathers Day. For me, that means another trip to the cemetery rather than a trip to visit my dad for dinner. I'm not looking for sympathy. That's just the way it is. I mean. That's life! And this episode's featured artist certainly saw his share of ups and downs during his incredibly influential and talented life. He was also my dad's favorite singer. This is the last of five of his solo albums my dad had. But we have heard sing him with the Harry James and Tommy Dorsey Orchestras as well. So, get ready to hear the man who went from pauper to king, a couple of times, in Volume 233: Frank's Life for Fathers Day. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Frank Sinatra – That's Life Label: Reprise Records – F 1020 Format: Vinyl, LP, Album, Promo, Mono Released: 1966 Genre: Jazz, Pop Style: Vocal, Swing Supported by a studio orchestra arranged and conducted by Ernie Freeman We will hear 6 of the 10 songs from this album. That's Life Written-By – Dean Kay and Kelly Gordon number 4 on the Billboard Hot 100 in 1966-67. It also reached number 1 on the Billboard Easy Listening chart. I Will Wait For You Composed By – Michel LeGrand and Norman Gimbel Somewhere My Love Composed By – Maurice Jarre and Paul Francis Webster Winchester Cathedral Written By – Geoff Stephens The New Vaudeville Band/September 26, 1966/Hit song The Impossible Dream  Composed By – Mitch Leigh and Joe Darion What Now My Love Composed By – Carl Sigman and Gilbert Bécaud I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #franksinatra #thatslife #musichistory #musicalmemories #vinylcollecting #vinylrecords #fyp

Time to take a road trip around this great country we call the US of A. And who better to be our tour guide than the incredible Ray Charles.  He had over 1,700 listings in discogs, the website I use to catalog my vinyl collections. And it's not easy to catalog just what genre this genius belongs to. Well, he belongs to them all: pop, blues, jazz, gospel, country, and rock. So get ready to hear a guy who once tried to sell an electric piano to Jake and Elwood Blues, “2,000 bucks and it's yours. You can take it home with you. As a matter of fact, I'll throw in the black keys for free!" In Volume 232: Ray on the Road. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Ray Charles – The Genius Hits The Road Label: ABC-Paramount – ABC 335, ABC-Paramount – ABC-335 Format: Vinyl, LP, Album, Mono Released: Sep 1960 Genre: Jazz, Funk / Soul Style: Rhythm & Blues We will hear 7 of the 12 tunes on this album. Alabamy Bound Written-By – Bud Green, Buddy DeSylva, and Ray Henderson Georgia On My Mind Written-By – Hoagy Carmichael and Stuart Gorrell Moonlight In Vermont Written-By – John Blackburn and Karl Suessdorf Mississippi Mud  Written-By – Harry Barris and James Cavanaugh Deep In The Heart Of Texas Written-By – Don Swander and June Hershey California, Here I Come Written-By – Al Jolson, Buddy DeSylva and Joseph Meyer Chattanooga Choo-Choo Written-By – Harry Warren and Mack Gordon I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

For this episode of Free With This Month's Issue we're joined by Sarah Daniels & Lisa Williams to discuss Melody Maker's New Kids On The Rock cd from October 1999The cd's tracklisting is1 - Feeder - Insomnia2 - Queens Of The Stone Age - If Only3 - Fear Factory - Edgecrusher4 - Coal Chamber - Tragedy5 - Machine Head - From This Day6 - Slipknot - Spit It Out7 - Lit - Quicksand8 - Cyclefly - Crawl Down9 - A - Monkey Kong10 - Clam Abuse - Message To Geri11 - Buckcherry - Dead AgainListen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/1679730-Various-New-Kids-On-The-RockHosts - Ian Clarke & Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsBluesky - https://bsky.app/profile/thismonthsissue.bsky.socialTikTok - https://www.tiktok.com/@freewiththismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes, plus We Dig Music & Pick A Disc at www.wedigpodcasts.com

This is a free preview of a paid episode. To hear more, visit wisdomofcrowds.liveWhy do artists try so hard to shock the public? Why is Kanye West singing about Hitler? Why are New York artists dabbling with fascism?The novelist and cultural critic Țara Isabella Burton joins Damir Marusic and Santiago Ramos to discuss these questions and more. Last week, Tara published an essay on Wisdom of Crowds titled “The Point of Pissing People Off.” In it, she tries to figure out whether there is something positive at work in transgression and provocation — something good that comes out of shocking art.All three of our conversationalists agree: Kanye is not really being transgressive. But is there a good version of transgression? Tara suggests that we should think about transgression as a genre, with a certain form and structure, that can either succeed or fail. Damir is skeptical of analyzing transgression, and prefers to think of it as a moment of ecstasy. Santiago wonders if transgression is important for self-knowledge, and something valuable for society as a whole.In the course of the conversation, many transgressive works and artists are discussed, among them: Piss Christ; Madonna; Georges Bataille; the Marquis de Sade; and more.In our bonus section for paid subscribers, Damir talks about the difference between analyzing transgressive art and consuming transgressive art, and why he prefers the latter; Damir discusses the difference between the punk rock of his day, where Reagan was the enemy, and the transgressive art today, which hails Trump as a leader; Tara, Santiago, and Damir trade thoughts about the French Revolution; Santiago tries to get Damir to explain what he means when he talks about “the stuff”; they discuss the question of whether love is as powerful as transgression; Damir talks about his favorite part of the Gospels; and Tara talks about kitsch.Required Reading and Listening:* Tara, “The Point of Pissing People Off” (Wisdom of Crowds).* Tara, Strange Rites: New Religions for a Godless World (Amazon).* Tara, Self-Made: Creating Our Identities from Da Vinci to the Kardashians (Amazon).* Damir's discography from his punk rock days (Discogs).* Damir's music with his band, The Miss (Bandcamp).* Kanye West, “Heil Symphony” (Spotify).* “Kanye West's ‘Heil Hitler' Song & Controversy Explained” (Yahoo! Entertainment). * The new Fiume Gallery in New York.* Piss Christ by Andres Serrano (Artchive).* Madonna, “Material Girl” (YouTube).* Michel Foucault, Discipline and Punish (Amazon).* Georges Bataille, Story of the Eye (Amazon).* Gustave Flaubert, Madame Bovary (Amazon).* Leo Tolstoy, Anna Karenina (Amazon).* Previous podcast episode where Damir says, “That's the stuff!” (Wisdom of Crowds).* Something Beautiful for God by Malcolm Muggeridge, a book about Mother Teresa (Amazon).Free preview video:Full video for paid subscribers below:

Den 19:e (!) säsongen kommer till vägs ände. I avsnitt 207 reflekterar vi över säsongen. Vi pratar om vår kommande skiva Eating The Swedish Underground - Vol. 2 som släpps 6/6, går på utställningen Total Metal (igen) och ser nyzeeländsk meckig döds sittandes. Säsongen avslutas stort av vår patron Tony Holmqvist som väljer ämne. Vi dyker ner i fenomenet skivsamlande och diskuterar vilken typ av samlare vi är, hur vinyler ska sorteras, vilka andra format som gillar, att äga dåliga skivor, vinylfärger, förstapressar, vinylhyllor, våra Discogs wantlists och mycket mer. Tack för det här halvåret. Hoppas er sommar blir bedrövlig!Låtlista:Circular Ruin - The Altering Altar (Eating The Swedish Underground - Vol. 2 / EAT Heavy Records)Ulcerate - Dissolved Orders (Stare Into Death And Be Still / Debemur Morti)Doom OST - At Doom's Gate (Doom OST / Id Software)Full Of Hell - Broken Sword, Rotten Shield (S/t / Closed Casket)Corrosion Of Conformity - Minds Are Controlled (Eye For An Eye / Tanglade)De Lyckliga Kompisarna - Dricka Sprit Och Hålla Käften (Le Som En Fotomodell / Birdnest)

BOGO this week only on SURFACE NOISE! For your freebie, here is the latest FREESTYLE!

When I featured this artist the first time on this show, he was still with us.  Unfortunately, Harry Belafonte passed away just a few weeks later.  This is the second record we will hear of the two my dad had from this singer. This was Harry's second LP in his illustrious career. While his first did hit number three on the Billboard charts. This was his first of two number one albums. So, get ready to hear one of the purest singing voices ever recorded in Volume 231: Simply Belafonte. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Harry Belafonte – Belafonte Label: RCA Victor – LPM 1150, RCA Victor – LPM-1150 Format: Vinyl, LP, Album, Mono, Rockaway Pressing Released: 1956 Genre: Pop, Folk, World, & Country Style: Calypso, Vocal, Folk We will hear 7 of the 11 songs from this album. Waterboy Written-By – Harry Belafonte Troubles Written-By – Harry Belafonte Matilda (This one made me get my bongo drums out) Written-By – Harry Thomas Noah (Next up a song of biblical proportions) Written-By – Harry Belafonte and William Attaway Scarlet Ribbons (For Her Hair) Written-By – Evelyn Danzig, Jack Segal Unchained Melody Written-By – Alex North, Hy Zaret Jump Down, Spin Around Written-By – H. Belafonte, Norman Luboff, and William Attaway I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #harrybelfonte #calypsomusic #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

We now pull out the final disk of this six record box set filled with memories of radio days past. Back in the days before television when you had to imagine what was being described. To the days of live happenings. Expected and extremely unexpected. This last LP features many news recordings that were captured as they happened from 1920 through the early 1940s. So get ready to hear history as it unfolded live to countless listeners around the globe during a time of financial turmoil and approaching world war in Volume 230: Golden Memories of Radio Record 6. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Jack Benny – Golden Memories Of Radio Label: Longines Symphonette Society – none Format: 6 x Vinyl, LP, Compilation, Mono, Maroon Labels Box Set Released: 1969 Genre: Non-Music Style: Radioplay We will hear 12 tracks from this album KDKA Election Returns/Pres. Coolidge Presents Charles Lindberg To Congress (The music world then honored him by naming a dance after Lindy. Check out episode ??? for details on that dance.) Eddie Cantor On 1929 Crash/Billy Sunday On Prohibition FDR Is Inaugurated (include some of the most famous words in presidential speech history) The King George V Funeral/Edward VIII Abdicates/King George VI Coronation In this segment we will hear from four leaders of three countries from the late 1930s and early 40s. The lead up and declaration of war: Hitler, Chamberlain, FDR, Churchill Hitler Declares War On Poland/Chamberlain Announces War/FDR "America Hates War"/Winston Churchill "Give Us The Tools" The Hindenburg Disaster I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #radiohistory #oldtimeradio #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

Oh we're back and it's probably the meanest we've been to an album on the show. Stone Sour's self titled debut is an ego-driven butt rock opus designed from start to finish to make you go "hey it's the guy from Slipknot." This album exists for one reason and one reason only; to make Corey Taylor a celebrity. Corey Taylor was upset that he had very little say in the writing process for Slipknot and he was alos upset that the meteoric success of Slipknot didn't come with my real celebrity because of the anonymous nature of Slipknot at the time. To fix this he decided to reform is original bar rock band Stone Sour with the dual goal of getting his name and face out in the public while also racking up radio hits that he could then take back to Slipknot to prove that he can write a successful song. A truly bizarre album that seems more like a marketing play to jump-start Corey Taylor as a brand rather that a pure artistic expression.The vinyl pressing I have here is a Record Store day repressing with alternate album artwork and a bonus live CD (which we did not listen to for this episode). It's a 180 gram pressing that sounds about as clean as you can hope for with a standard quality gatefold jacket. I picked it up from the half-off bin at Horizon Records years ago thinking it would be fun to revisit for nostalgia reasons and see if it holds up to my non-teenage ears. My conclusion? The second album was better. In the news corner today we take aim at the various bad actors, industry insiders, and of course Sharon Osbourne all coming together to tank the career of Irish rap group' KNEECAP for the crime of opposing the Israeli genocide of the Palestinian people during their Coachella performance. All of the usual "keep politics out of music" takes are here and just like always, they're dumb as hell and only seek to stifle speech that dares to question the imperial core. It's a fun one!Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSVHosted by Ausha. See ausha.co/privacy-policy for more information.

For this episode of Free With This Month's Issue we're joined by Hannah Oseland to talk about Metal Hammer's The Rock Machine 2001 Turns You On from April 2001 The cd's tracklisting is1 - Iommi (Ft Henry Rollins) - Laughing Man (In The Devil Mask)2 - Amen - Room Of Ruin3 - Sunna - Guinea Pig People4 - At The Drive-In - Guinea Pig People5 - Godhead - Break You Down6 - Slaves On Dope - Thanks For Nothin'7 - A Perfect Circle - Magdalena (Live From Phoenix)8 - Vex Red - Can't Smile (Demo)9 - Bare Jr - If You Choose Me10 - Snot - Absent11 - Crackout - Joey Lost His Mind12 - Placebo - Evil DildoYou can watch the At The Drive In TV Advert which was on the enhanced section of the cd here - https://youtu.be/0QAmZKh4GW0?si=bdWMyb8l2tiefQibListen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/2738806-Various-The-Rock-Machine-2001-Turns-You-On?srsltid=AfmBOopKtMXF-rWcd5Qb2v7gLyBiw4GonK5ZswkRj2sLl4vekyHWs9YHHosts - Ian Clarke & Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsBluesky - https://bsky.app/profile/thismonthsissue.bsky.socialTikTok - https://www.tiktok.com/@freewiththismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes, plus We Dig Music & Pick A Disc at www.wedigpodcasts.com

Happy mothers day. This one's for my mother who we lost ten years ago this month. As we go through this large record collection, I can tell which records my mom might have picked out. This is one of them. It's a self-titled debut album from a singer who already had a hit single and a starring role in a popular TV show. He was just a bit of a heartthrob. So get ready to hear a singer and actor who gave up that life to save lives in Volume 228: A Bobby Happy Mothers Day. More information about this album, see the Discogs webpage for it.  Credits and copyrights Bobby Sherman – Bobby Sherman Label: Metromedia Records – MD 1014 Format: Vinyl, LP, Album, Promo, Stereo Released: 1969 Genre: Pop We'll hear 6 of the 11 songs on this album. Little Woman Written-By – Danny Janssen Rainy Day Thought Written-By – Danny Janssen, Gary Young, Myrna Janssen, and Wally Keske This Guy's In Love With You Written-By – Burt Bacharach, Hal David Bluechip Written-By – Paul MacNeil Time Written-By – Bobby Sherman Seattle Written-By – Ernie Sheldon, Hugo Montenegro, and Jack Keller I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #bobbysherman #mothersday #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

We now pull out the third record from this seven disk box set. A record that features a relatively unknown work AND probably one of the most famous works in music history. Talk about a dichotomy.   This is music from the immortal Ludwig Van Beethoven. His symphonies live on in performances to this very day.   Plus I decided to play three movements from each symphony. I thought this joint needed some classing up.   So, settle in and get ready to hear the man who is said to have set music free in Volume 227: Beethoven's 4th & 5th.   For more information about this album, see the Discogs webpage for it.    Here is the promised Leonard Bernstein video.    Credits and copyrights   Beethoven, René Leibowitz, The Royal Philharmonic Orchestra, The Beecham Choral Society – The Nine Symphonies Of Beethoven Ludwig van Beethoven Label: Reader's Digest – RD 4-6 Format: 7 x Vinyl, LP Box Set Released: 1966 Genre: Classical Style: Romantic, Choral   This is record 3 of a 6 record set. We will hear two movements from the 4th Symphony and three from the 5th.   Symphony No. 4 In B-Flat Major, Op. 60 First Movement - Adagio; Allegro Vivace Second Movement - Adagio Fourth Movement - Allegro Ma Non Troppo   Symphony No. 5 In C Minor, Op. 67 First Movement - Allegro Con Brio Third Movement - Allegro Fourth Movement - Allegro   I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.   #beethoven #beethovensfifth  #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

This show has been flagged as Clean by the host. Eventually I will add all my Records on Discogs, but I also thought about posting about them on mastodon on: https://mastodon.social/@Freds_Vinyl_records I will post them when I have time, and also add Records that I have acquired since.Provide feedback on this episode.

Here's a trumpet player we've heard from before. He was a favorite of my dad's. He's also a favorite of mine. He's loud and powerful. He plays at just below a blatting level, but keeps in control with some of the most intricate music. He performed at halftime of the first Super Bowl and owned his own New Orleans jazz club. So get ready to hear a musician who could shift gears to play many styles of music, even being critiqued for that skill, in Volume 226: Hirt's Dixieland Horn. More information about this album, see the Discogs webpage for it.  Credits and copyrights Al Hirt – The Best Of Dixieland Jazz Label: Longines Symphonette Society – LWCP 1, Longines Symphonette Society – LWS 332 Format: Vinyl, LP, Compilation, Promo Released: 1968 Genre: Jazz Style: Dixieland We'll hear 6 of the 10 songs on this album. Darktown Strutters Ball Written by Shelton Brooks Stumblin' Written by Zez Confrey Wang Wang Blues Written by Henry Busse I Can't Get Started With You Written by Vernon Duke Just A Closer Walk With Thee Traditional Chicago Written by Fred Fisher I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #alhirt #dixielandmusic #trumpetsrule #musichistory #vinylrecordcollecting #vinylrecords

We're going to have a little extra fun with this episode. In fact, you might say I have high hopes for it. One of my dad's, and my, favorite artists is Willie Nelson. One of my favorite holidays is the day this episode drops, and I'm not talking about Easter. Some of the most favorite songs-to-record in music history are on this album. So famous, just the songs you'll hear have been recorded more than 63 hundred times. That's what you call standards. And the voice who sings them? A classic! We definitely need to take a toke of Indica for this one as we get mellow. So get ready to bake a mixture of melancholy and marijuana with one of the most recognizable voices in history singing some of history's most recognizable vocals in Volume 225: The Standard Stoner.  More information about this album, see the Discogs webpage for it.  Credits and copyrights Willie Nelson – Stardust Label: Columbia – JC 35305 Format: Vinyl, LP, Album, Promo, Terre Haute Released: 1978 Genre: Rock, Blues, Pop Style: Country Blues Georgia On My Mind Written-By – Hoagy Carmichael and Stuart Gorrell in 1930 A song record 1125 times All Of Me Written-By – Gerald Marks and Seymore Simons in 1931 Recorded 953 times Blue Skies  Written-By – Irving Berlin in 1926 Recorded 637 times Unchained Melody Written-By – Alex North and Hy Zaret in 1955 Recorded 708 times On The Sunny Side Of The Street Written-By – Dorothy Fields and Jimmy McHugh in 1930 Recorded 814 times Moonlight In Vermont Written-By – John Blackburn and Karl Suessdorf in 1944 Recorded 545 times Don't Get Around Much Anymore Written-By – Bob Russell and Duke Ellington in 1940 Recorded 611 times Someone To Watch Over Me Written-By – George and Ira Gershwin in 1926 Recorded 928 times I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #willienelson #standards #stoners #stonerholiday #420 #musicalmemories #musichistory #vinylcollecting #vinylrecords

On Today's SceneStop we go to 6197 Ball Road in Cerritos, Ca where a show happened with VISUAL DISCRIMINATION, A CHORUS OF DISAPPROVAL, HAYTERS ALLEY and BLACKSPOT. Enjoy this trip down memory lane and please share any and all comments and memories in the comments section!These videos are part of an ongoing video series chronicling the hardcore punk music scene. They are an addendum to the film Orange County Hardcore Scenester. This is a documentary I made that chronicles the 1990s hardcore punk scene. You can watch ORANGE COUNTY HARDCORE SCENESTER here: https://vimeo.com/ondemand/ochsOr, pick up the Orange County Hardcore Scenester DVD here:https://revhq.com/products/evanjacobs-orangecountyhardcorescenester-dvdSubscribe to ANHEDENIA FILMS UNLIMITED and watch every Anhedenia Film as many times as you like for $2 a month: https://vimeo.com/ondemand/afunlimitedCheck our Spot Recording on Discogs here:https://www.discogs.com/label/368103-Spot-Recording?srsltid=AfmBOoo9MqP4whFEBN-Lup3sK58ic2AWkYTMZqDAJPrfYEdGsfIKxcQS#visualdiscrimination #achorusofdisapproval#haytersalley#blackspot#cerritos#hardcorepunk#punkrock#straightedge #sxe#orangecountypunkrock#orangecountyhardcore#ochs#ochardcore

Finally. An episode that is less than 2 hours long. It helps that this week we're covering Seizures in Barren Praise by grind/crust band Trap Them. The album is only 10 tracks and 25 minutes total. Compared to the last few episodes this one just BREEZES by! It also helps that Seizures in Barren Praise by Trap Them happens to be one of my favorite albums of all time. Illegally downloading this album from some guy's blogspot page when I was 16 started a snowball effect that would alter how I listened to heavy music going forward which made this a bit of a nostalgia trip for me. We also do our best to parse through the loose plot that makes up the concept of not only this album but all of Trap Them's music up to this point. The vinyl I have here I believe is a second pressing, standard weight on ultra clear vinyl. It comes in a nice enough trifold jacket which shows off the album's full artwork done by Converge vocalist Jacob Bannon. The album sounds perfectly fine. Minimal surface noise but if we're being honest, any surface noise would get lost in the chaos of the album anyway. I picked this up a few years ago used from Pharmacy Records in Greenville which is, for my money, the best place in the upstate to find metal/punk/hardcore records. We're lucky enough to have a few decent record stores here in the upstate but if you're into heavy music at all, Pharmacy is the one you wanna go to. In the news corner this week we check in with our old pal Tim Lambesis and see what his old band members are saying about him. Hint: it's not good. We also check in with what's going on with Death Grips and Andy Morin to see what a new band member is saying about him. Hint: It's not good.Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSVHosted by Ausha. See ausha.co/privacy-policy for more information.

Nuggets curator Lenny Kaye joins Brown Acid creators Lance Barresi and Daniel Hall to celebrate their 20th volume of rescuing forgotten proto-metal singles from the early 70s, discuss rare vinyl discoveries, and preserving music that would otherwise be lost to time. Topics Include: Introduction of Lance Barresi, Daniel Hall, and Lenny Kaye. Lenny explains discovering Brown Acid at Other Music in Manhattan. Lenny compares Brown Acid's impact to how Nuggets defined garage rock. Discussion of what makes Brown Acid unique in music archaeology. How Jac Holzman gave Lenny the original idea for Nuggets. Daniel and Lance never expected Brown Acid to reach 20 volumes. Track-by-track discussion of Brown Acid Volume 20 begins. AfterFlash's "Cookbook" was originally a B-side. 500 copies was typical minimum pressing quantity in the early 70s. Lenny mentions pressing 1500 copies of Patti Smith's first single. Most Brown Acid records didn't come with picture sleeves. Discussion of Polvo, the first Mexican band on Brown Acid. Other international acts include bands from Australia, Sweden, UK, Canada. Three primary regions for Brown Acid music: Youngstown, Detroit, Texas. Osage Lute from Missouri is Lance's hometown connection. Osage Lute drummer Mike Lusher preserved extensive band history materials. Frozen Sun's "Jamm Pt 1" was from original master tape. Some records are so rare they have no Discogs sales history. Many original artists don't remember details about their recordings. Lenny mentions difficulty finding information when creating original Nuggets. The Banana Bros record isn't even listed on Discogs. Surprising connection: Banana Bros member was father of Permanent Records performer. Many Brown Acid discoveries happen through impossible coincidences. A horror movie soundtrack led to discovering one Brown Acid track. B-sides often better fit the Brown Acid aesthetic than A-sides. Lance must track down artists for proper licensing for each song. Some negotiations take years to complete. Nick Townsend credited for consistent audio mastering across compilations. RTI pressing plant provides consistent quality for Brown Acid vinyl. Paul Major writes the colourful track descriptions for Brown Acid. Lenny wrote the foreword for Brown Acid Volume 20's deluxe edition. Brown Acid 20th anniversary release party happening at Permanent Records Roadhouse. DJ Mr. Dibs creating special Brown Acid mixtape to celebrate milestone. Brown Acid preserves songs that would be lost without the project. The team has enough material licensed for many future volumes. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

We haven't reached into the great Franklin Mint section of my dad's collection for a while. Most of the episodes featuring the Greatest Jazz Recordings of All Time often get blocked by YouTube.  But I've really grown attached to this specific box set lately. It's filled with some great and legendary jazz singers. So get ready to hear a variety of voices with various styles in Volume 224: Big Band Bards Record 2. More information about this album, see the Discogs webpage for it.  Credits and copyrights Various – The Jazz Singers Label: The Franklin Mint Record Society – JAZZ2 Series: Institute Of Jazz Studies Official Archive Collection, The Greatest Jazz Recordings Of All Time Format: 4 x Vinyl, LP, Compilation, Red Vinyl Box Set Released: 1982 Genre: Jazz We will hear 7 of the 12 songs on this record. George Thomas With McKinney's Cotton Pickers - Baby, Won't You Please Come Home? Written by Charles Warfield, Clarence Williams Recorded July 28, 1930 Released on Victor Al Hibbler With Duke Ellington And His Orchestra - I'm Just A Lucky So And So  Written by Duke Ellington, Mack David Recorded November 26, 1945 Released on Victor Bing Crosby And The Mills Brothers - My Honey's Lovin' Arms Written by Joseph Meyer, Herman Ruby Recorded Januray 26, 1933 Released on Brunswick Records Johnny Hartman With The John Coltrane Quartet - Dedicated To You Written by Sammy Cahn, Hy Zaret, Saul Chaplin Recorded Maarch 7, 1963 Released on Impulse Records Ray Charles - It Had To Be You Written by Gus Kahn, Isham Jones Recorded June 23, 1959 Released on Atlantic Cab Calloway And His Orchestra - I Ain't Got Nobody Written by Spencer Williams, Roger Graham Recorded July 2, 1935 Released on Brunswick Records Metronome All Stars Featuring Billy Eckstine - How High The Moon  Written by Morgan Lewis, Nancy Hamilton Recorded July 9, 1953 Released on MGM Records I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #jazzmusic #earlyjazz #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

We now pull out yet another one of the seven Henry Mancini albums my dad had. He's one of my favorites too. This one is a follow up to Mancini Plays The Great Academy Award Songs, the album you heard in Volume 43: Mancini and the Oscar Winners. There's just something about his music. You just recognize the sound right away. So get ready to hear music from a composer arranger who had his hands on the scores for more than 100 big screen films in Volume 223: Mancini Movie Magic. More information about this album, see the Discogs webpage for it.  Credits and copyrights Henry Mancini – 12 Great Oscar Winners Volume 2 Label: RCA Victor – PRM-175 Format: Vinyl, LP, Mono Released: 1965 Genre: Stage & Screen Arranged By – Mr. Mancini Chorus – The Chorus Of Henry Mancini Orchestra – The Orchestra Of Henry Mancini Prepared Expressly For B.F. Goodrich We will hear 7 of the 12 songs on this album. Call Me Irresponsible Written By – Sammy Cahn and Jimmy Van Heusen High Hopes Written By – Sammy Cahn and Jimmy Van Heusen Never On Sunday Written By Manos Hadjidakis The lyrics to the English version of the song were written by Billy Towne Thanks For The Memory song composed by Ralph Rainger with lyrics by Leo Robin Over The Rainbow Written By – Yip Harburg and Harlold Arlen In The Cool, Cool, Cool Of The Evening Written By – Harold Carmichael and Johnny Mercer Swingin' On A Star Written By – Jimmy Van Heusen and Johnny Burke I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #henrymancini #oscarwinningmusic #musicalmemories #musichistory #vinylcollecting #vinylrecords

This week we have a special guest appearance for RTD Groove Ensemble, comprising Richard Zhao, Tristan Liu, and (Boogie Uncle) Danny - three Tāmaki collectors and music fans.who have found furtile fields seeking dusty nuggest from boxes in basements and record shelves across world, with extra special focus on the funkier end of Asian City Pop. Notebooks at the ready - prepare to update the Discogs wants list. Press the button!

This week we're talking about probably the most consequential album in Nine Inch Nails' history. The Downward Spiral was a monumental success, widely considered to be a masterpiece. The Fragile was largely panned as being too bloated and self-indulgent (even if it is their best album imo). After that Trent Reznor took a full 6 years to produce an album and it needed to be a hit. With Teeth is a sharp, focused, lean product compared to The Fragile, and because of that was a massive success spawning many of their biggest hits. If you're around our age and just a casual listener, most of the NIN songs you know are probably from this album. In the news corner this week we cover a viral tiktok of some white kids being obnoxious during a rap concert. So business as usual.Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSV Hosted by Ausha. See ausha.co/privacy-policy for more information.

This is going to be an extra fun episode. Many of the tunes have melodies you already know. Some tunes were created for this album. The trumpet player leading the band was part of some great music history in the form of some famous big bands, including some history he claimed on his own. So get ready to hear the last living member of the original Glenn Miller Orchestra in Volume 221: Every Twist You Take. More information about this album, see the Discogs webpage for it.  Credits and copyrights Ray Anthony And His Bookends – The Twist Label: Capitol Records – T 1668 Format: Vinyl, LP, Album, Mono Released: 1962 Genre: Jazz, Blues Style: Big Band, Rhythm & Blues, Twist We will hear 9 of the 12 songs from this album. The Twist Written-By – Hank Ballard Twistin' Alice Written-By – Don Simpson, Ray Anthony Twist Around Mister Written-By – Don Simpson, Ray Anthony Peter Gunn Twist Written-By – Henry Mancini Tequila With A Twist Written-By – Chuck Rio Twist And Rock Around The Clock Written-By – Jimmy De Knight, Max C. Freedman Mexican Hat Twist Arranged By – Don Simpson, Ray Anthony Bookend Twist Written-By – Don Simpson, Ray Anthony Bunny Hop Twist Written-By – Leonard Auletti, Ray Anthony I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #rayanthony #twist #thetwist #musichistory #vinylrecordcollecting #vinylrecords 

We're pretty confident about slapping the “AOTY contender” badge on this one: aya's second album hexed! is out on Hyperdub next week, and it has blown our tiny minds to pieces.The South London artiste joined us in the No Tags “studio” to reveal the pills, thrills and bellyaches behind the phenomenal follow-up to 2021's im hole. We talked about shaking off the curse of drink and drugs, embracing her teen metalcore past, putting worms in your mouth in the name of Art, and just who is the best aya on Discogs?We also debated donk as worship music, her plans to be the next Prince, and of course her favourite film.Dive in – but before you do, final call for No Tags with Paul Woolford at AVA London tomorrow! We'll be joined by AKA Special Request for a conversation at 1pm in the British Library's Knowledge Centre. Taganistas get a 20% off code. Skive work and pop down? We'll have a few No Tags books for sale too.If you're enjoying No Tags, that's just GREAT. We really love making it. Why not rate, review and subscribe on your podcast app of choice? We'd also ask you to consider subscribing to our paid tier, which costs £5 a month and helps us continue bringing you these regular podcasts (and it gives you a discount on our book.) Get full access to No Tags at notagspodcast.substack.com/subscribe

Support Night Clerk Radio on Patreon You should know that this episode was divinely ordained. The Discogs article below was posted by a listener on our Patreon Discord at the precise moment Birk was listening to a related album and thinking about this episode topic. As a result, you have to listen to us work our way through the landscape of Japanese Ambient in the 80s and 90s. We talk about the music of the time and how it might have arisen from changing material and technological conditions, the importance of funding cool art, and its resurgence in popularity over the past few years. Outro SampleSeiko 3 from Music For Commercials by Yasuaki Shimizu Read these Articles!Exploring Japan's Ambient Music Boom of the '80s and '90sThe Sabukaru Guide to Japanese Ambient MusicHow Japanese Ambient Music Became a Thing in AmericaKankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990Kankyo Ongaku: A Brief History of Japanese Ambient MusicA Beginner's Guide to '80s Japanese Ambient MusicSpace and Certainty: On the Rise of Japanese Ambient Music CreditsMusic by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky

Gee, imagine that! Another album featuring a trumpet player from my dad's collection. And a trumpet player we've heard from before. This time, we get to hear some great ragtime. This artist not only fronted his own band, but got his pedigree through some of the best big bands in history. So, get ready to hear a musician who had a movie made about his life in Volume 220: Red Hot Pennies. More information about this album, see the Discogs webpage for it.  Credits and copyrights Red Nichols And His Famous Pennies – Hot Pennies Label: Capitol Records – T 775 Format: Vinyl, LP, Album Released: 1956 Genre: Jazz Style: Ragtime Recorded in Capitol Tower on September 7 and 10, 1956. We will hear 6 of the 10 songs on this album. Louisiana written by Andy Razaf, J. C. Johnson, and Bob Schafer Marchin' With The Saints (aka When the Saints Go Marching In) (Traditional) Maple Leaf Rag written by Scott Joplin Blues At Midnight written by Ivory Joe Hunter Row, Row, Row written by William Jerome, and Jimmy Monaco Farewell Blues written by Elmer Schoebel, Leon Roppolo, and Paul Mares I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #rednichols #ragtime #dixielandjazz #musichistory #vinylrecordcollecting #vinylrecords 

There's an old business saying that goes, how do you eat a whale? One bite at a time.  In this episode we take several small bites and a couple of big ones from the incredible output of the composer Johann Sebastian Bach. Ahhhh Bach. And to continue that M*A*S*H connection right now in the opening, the scene goes, “Somehow... there's a mathematical precision about Bach, a complexity that adds up to actual simplicity. It goes beyond emotion.” So get ready to hear some of the more popular of the more than one thousand composed pieces from this master in Volume 219: Bite Sized Bach Record 1. More information about this album, see the Discogs webpage for it.  Credits and copyrights Johann Sebastian Bach - The Greatest Hits Album Label: Columbia Masterworks – MG 31261 Format: 2 x Vinyl, LP, Album, Compilation, Stereo Released: 1972 Genre: Electronic, Classical Style: Baroque, Classical We are listening to record one, sides one and two. We will hear 6 of the 8 tunes on this album. Air On The G String The Marlboro Festival Orchestra conducted by Pablo Casals Little Suite (From The Anna Magdalena Notebook) Arranged By – Thomas Frost The Philadelphia Orchestra  Conductor – Eugene Ormandy A Mighty Fortress Is Our God Arranged By – Arthur Harris The Philadelphia Orchestra  Conductor – Eugene Ormandy Jesu, Joy Of Man's Desiring Conductor – Zoltan Rozsnyai Orchestra – The Columbia Chamber Symphony Final Movement From Brandenburg Concerto No. 3 In G Major Synthesizer – Benjamin Folkman and Wendy Carlos Toccata And Fugue In D Minor Transcription By – Eugene Ormandy The Philadelphia Orchestra  Conductor – Eugene Ormandy I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #bach #classicalmusic #musichistory #vinylrecordcollecting #vinylrecords

This week we discuss the 6th full length album from one of my favorite bands since my high school days. Revocation's Great is our Sin is a great album that somehow still manages to be somewhat underwhelming? We talk about how having a such a consistent catalog and album release schedule can actually hurt the final product even if the final product is actually very good. We also do our best to try and answer the question of what hyper specific type of extreme metal Revocation is. Too thrashy to be death metal. Too death metal to be thrash. Too riff focused to be progressive. Too groovy to be technical death metal. Who knows.Also this week in the news corner we do our best to go over the case of Oceano and the Stolen Poster Art as well as give you a sneak peak and early review of the next Clipping album which gets released March 14th but we got an advanced copy by preordering the album. That's called journalism.Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSV Hosted by Ausha. See ausha.co/privacy-policy for more information.

Episode dedicated to Dino Baskovic (1974-2025) This is the third of four records from Connie Francis that my dad has in his collection. She WAS the top charting female US artist of the late 1950s and early 1960s.  Her popularity was due to her voice and being able to sing in multiple languages. And she was a hit maker during the early days of rock and roll. So get ready to hear a star who was estimated to have sold more than 200 million records worldwide in Volume 218: Rock and Roll Connie. More information about this album, see the Discogs webpage for it.  Credits and copyrights Connie Francis – Connie Francis Label: Metro Records – M-519 Format: Vinyl, LP, Album, Mono Released: 1964 Genre: Pop Style: Vocal We will hear 7 of the 10 tunes on this album. Someone Else's Boy Written-By – Athena Hosey and Hal Gordon Too Many Rules Written-By – Don Stirling and Harold Temkin I'm Gonna Be Warm This Winter (did I hear a little flash of an Elvis impersonation?) Written-By – Hank Hunter and Mark Barkan We Have Something More (Than A Summer Love) Written-By – Jennie Lee Lambert and Mickey Gentile It Happened Last Night Written-By – Earl Wilson, Leonard Whitcup and Slugger Wilson Two for the road with a double shot of Francis penned tunes Plenty Good Lovin' Written-By – Connie Francis Vacation Written-By – Connie Francis, Gary Weston and Hank Hunter I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #conniefrancis #earlyrockandroll #musichistory #vinylrecordcollecting

On Today's SceneStop we go to a place that recorded MANY seminal Orange County Hardcore bands... Spot Recording! Some of the bands that recorded there were Reason to Believe, Final Conflict, No For an Answer, Chain of Strength, Freewill, Visual Discrimination, Half Off, Against the Wall, PHC, INFEST, Haywire, and MANY more!Many thanks to  @newagerecordsinc  for handling the recording duties on this and providing a lot of facts and information. I also apologize for my lack of pens and stationary. Ewwwwww....These videos are part of an ongoing video series chronicling the hardcore punk music scene. They are an addendum to the film Orange County Hardcore Scenester. This is a documentary I made that chronicles the 1990s hardcore punk scene. You can watch ORANGE COUNTY HARDCORE SCENESTER here: https://vimeo.com/ondemand/ochsOr, pick up the Orange County Hardcore Scenester DVD here:https://revhq.com/products/evanjacobs-orangecountyhardcorescenester-dvdSubscribe to ANHEDENIA FILMS UNLIMITED and watch every Anhedenia Film as many times as you like for $2 a month: https://vimeo.com/ondemand/afunlimitedCheck our Spot Recording on Discogs here:https://www.discogs.com/label/368103-Spot-Recording?srsltid=AfmBOoo9MqP4whFEBN-Lup3sK58ic2AWkYTMZqDAJPrfYEdGsfIKxcQS#spotrecording#visualdiscrimination #chainofstrength#noforananswer#haywire#PHC#santaana #hardcorepunk#punkrock#orangecountypunkrock#orangecountyhardcore#ochs#ochardcore

Here's an album I thought was going to be unplayable when I saw the condition of the cover. I have no idea why the back and front are completely separated. And the bigger surprise is that my dad didn't put it back together with his usual black electrical tape patchwork. But I'm glad I didn't overlook it because of the condition of the cover when I listened to the music it wasn't covering very well. This was some great jazz that I didn't mind listening to several times while I was deciding on the songs for this episode. So get ready to hear a couple of musicians who were around for the birth of the cool in Volume 217: Gerry and Chet. More information about this album, see the Discogs webpage for it.  Credits and copyrights Gerry Mulligan Quartet Featuring Chet Baker – Gerry Mulligan Quartet Label: Pacific Jazz – PJ-1207 Series: West Coast Artists Series – 1 Format: Vinyl, LP, Mono Released: 1955 Genre: Jazz Style: Cool Jazz We will hear 7 of the 12 songs on this album. Frenesi written by Alberto Domínguez Lullaby Of The Leaves written by Joe Young and Bernice Petkere I'm Beginning To See The Light written by Duke Ellington, Harry James, Johnny Hodges, and Don George Jeru written by Gerry Mulligan Cherry written by Don Redman and Ray Gilbert Tea For Two written by Don Redman and Ray Gilbert Makin' Whoopee written by Gus Kahn, Walter Donaldson I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #gerrymulligan #chetbaker #cooljazz

For Shane's next pick of an album that has "been around awhile" he selects the iconic debut "Ten" by grunge legends, Pearl Jam. Even with Trevor's Seattle roots, and Shane's incessant teasing about being him being old, Trevor and Shane were too young to remember the grunge movement while it was happening. Nonetheless, these songs were and continue to be pervasive both in their lives and in the historical backdrop of rock music in general. Though Trevor didn't own this album growing up, and Shane may have only had a Napster copy, songs from this album were played on friend's older siblings boom boxes and '87 trans ams in the background of both their coming of age years. For all of these reasons, a wish for a vinyl copy made it's way onto Trevor's Discogs list years ago and finally into his hands this month as album number 2 of 3 in a gift box from Shane as he revealed his pick to Trevor. Trevor and Shane have fun breaking down each track, analyzing where Pearl Jam sits within rock's history, and attempting to define what the term "grunge" really means as elusive as it may be.  __________________________________________________________________________________ HOW TO CONNECT WITH ALBUM DIVERS: *You can submit your questions or comments about this episode or anything else on your mind here via our text line at: (502) 792-8080 *Leave us an audio message here: https://www.speakpipe.com/AlbumDivers We promise to respond and may even feature your thoughts on a future episode.  *Follow us on Facebook and Instagram at Album Divers *Email us at Albumdiverspodcast@gmail.com *Please subscribe and review wherever you get your podcasts!

Talk about your complete coincidences. The numbers 2-1-6 come up three times in regards to this episode. It's the episode number. It's the date this episode drops. The US version of dating things. And it's the area code of where this music was performed and recorded. Yes, I bought a lottery ticket today. Recordings of the Cleveland orchestra date back to 1928. Discogs dot com has them credited for well more than 800 either old 78 RPM records or 33 ⅓ Vinyl LPs. So, get ready to hear this 1967 recording of virtuoso showpieces from a virtuoso orchestra in Volume 216: The Classical 216. More information about this album, see the Discogs webpage for it.  For more information about the show, the episode script and the video version, check out the show's website. Credits and copyrights The Cleveland Orchestra, George Szell – One Hundred Men And A Perfectionist Label: Columbia – SOG-5 Series: The Sound Of Genius Format: Vinyl, LP, Compilation, Sampler, Stereo Released: 1967 I believe Genre: Classical Style: Classical, Romantic We will hear 6 of the 9 pieces on this album. Divertimento No. 2 In D Major, K. 131-Menuetto No. 2 Composed By – Wolfgang Amadeus Mozart L'Arlesienne Suite No. 2-Farandole Composed By – Georges Bizet Symphony No. 4 In A Major, Op. 90, "Italian"-Saltarello Presto Composed By – Felix Mendelssohn-Bartholdy "Die Meistersinger" Prelude Composed By – Richard Wagner Concerto For Orchestra-Intermezzo Interrotto Composed By – Béla Bartók Overture To "The Marriage Of Figaro," K.492 Composed By – Wolfgang Amadeus Mozart I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #clevelandorchestra #classicalmusic #vinylcollecting 

It's  special Valentine's Day episode of Spinning My Dad's Vinyl.  That means, of course, my girlfriend Karen gets to join me as we once again grab some music from one of the most romantic voices ever recorded. We featured this voice two years ago in our Valentines special and it's the third of five Nat King Cole records in his dad's collection. This was one of 30 albums Cole recorded for Capitol Records. So, get ready to hear the smooth velvety voice that sold more than nine million records in Special Volume: Nat's Very Thoughtful Valentine. More information about this album, see the Discogs webpage for it.  Credits and copyrights Nat King Cole, Gordon Jenkins And His Orchestra – The Very Thought Of You Label: Capitol Records – W-1084 Format: Vinyl, LP, Album, Mono, Scranton Pressing Released: Nov 1958 Genre: Jazz, Pop Style: Easy Listening, Vocal We will hear 6 of the 14 songs on this album The Very Thought Of You Written-By – Ray Noble Paradise Written-By – Gordon Clifford, Nacio Herb Brown This Is All I Ask Written-By – Gordon Jenkins Cherchez La Femme  Written-By – Bob Marcus and Lorenzo Pack I Found A Million Dollar Baby (In A Five And Ten Cent Store) Written-By – Billy Rose, Harry Warren, and Mort Dixon The More I See You Written-By – Harry Warren, and Mack Gordon I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #natkingcole #valentinesday #vinylcollector 

How are we only on record five of this great seven record set? Because I continue to find gold in this box set filled with legendary songs about the old west. Each record, or in this case each side of this collection had its own theme. Even with those guides, I might take a little poetic license when I name episodes like this.  One side of this record is about things South Of The Border. The flip side mentions a thing or two about Legends And Sagas. Some you may know. Some have some pretty odd twists if you ask me. So, get ready to hear plenty of "ahh aaahs" and stories about heroes and villains in what is technically Tumbling Tumbleweeds Record 5, Volume 214: Badlands. More information about this album, see the Discogs webpage for it.  Credits and copyrights Various – Tumbling Tumbleweeds Label: Reader's Digest – RDA-229 / A Format: 7 x Vinyl, LP, Compilation Box Set Released: 1982 Genre: Folk, World, & Country Style: Country We will be listening to record 5, sides 1 and 2.  We will hear 7 of the 12 tunes from this disk. Eddy Arnold - The Ballad Of Jesse James written by Billy Gashade Red Foley - Don't Let The Stars Get In Your Eyes written by Slim Willet Merle Travis - John Henry Unknown, but One of the earliest written copies of this ballad, prepared by a W. T. Blankenship was published about 1900 or slightly earlier. The Sons Of The Pioneers - A Gay Ranchero written by Francia Luban, Abe Tuvim, Juan José Espinosa The Sons Of The Pioneers - The Strawberry Roan written by Nat Vincent, Fred Howard, Curly Fletcher, J.E. Patterson Tex Ritter - Billy The Kid A traditional song Bob Wills & His Texas Playboys - South Of The Border (Down Mexico Way) written by Jimmy Kennedy, Michael Carr I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #oldcountrymusic #cowboymusic #vinylcollecting #spinvinyl

Die for the Flag appears the 1995 double 7” Where Quality is Job #1. It's listed on Discogs as track 1 on side F. The sides of the 7”'s are called sides “F” “U” “C” and “K OFF.”  Todd Congilliere of Recess Records interview: https://unscriptedmoments.libsyn.com/portage-la-prairie-ep-44 Extra backing music on this episode by Derrick Streibig: https://derrickstreibig.bandcamp.com/album/sometimes-things-dont-speak-that-way  

Text us your thoughts on the episode or the show!Explore the journey from stage acting to marketing operations with Cory Huff, Marketing Operations Manager at Discogs, as he shares insights on storytelling, personalization, and emotional intelligence in marketing. The episode highlights collaboration and the nuances between B2C and B2B marketing environments.• Investigation of storytelling as a powerful marketing tool • Discussion on personalizing marketing messages • Examination of the transition from B2C to B2B marketing • Insights on data challenges within marketing operations • Importance of team collaboration in marketing execution • Role of emotional intelligence for marketers • Strategies for implementing change within organizationsLink to the book Team Habits: How Small Actions Lead to Extraordinary Results hereEpisode Brought to You By MO Pros The #1 Community for Marketing Operations Professionals Find your next great hire in the MarketingOps.com community. Reach specific members seeking new opportunities by region, years of experience, platform experience, and more. Support the show

We once again pull out the most popular orchestra leader in my dad's collection. This is a follow-up album to a popular record my dad does not have. Both titles reference the Ira and George Gershwin tune S'Wonderful from the 1927 Broadway musical Funny Face. Of course Conniff arranged all of these standards by using a chorus singing tones and not lyrics, which created his own recognizable style. So, get ready to hear another in the great line of Space-Age composers performing music you heard on stage and screen in Volume 213: Ray's Marvelous.  More information about this album, see the Discogs webpage for it.  Credits and copyrights Ray Conniff And His Orchestra – 'S Marvelous Label: Columbia – CL 1074 Format: Vinyl, LP, Repress, Mono Released: 1958 Genre: Jazz, Pop Style: Easy Listening, Space-Age We'll hear 6 of the 12 songs on this record. The Way You Look Tonight Written-By – Dorothy Fields and Jerome Kern They Can't Take That Away From Me Written-By – The writing team of Ira and George Gershwin I've Told Ev'ry Little Star Written-By – the writing team of Oscar Hammerstein II and Jerome Kern You Do Something To Me Written-By – Cole Porter Where Or When Written-By – The writing team of Richard Rodgers and Lorenz Hart As Time Goes By Written-By – Herman Hupfeld I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #rayconniff #easylistening #vinylcollecting #oldvinyl

Congratulations to the Ohio State Buckeye football team for winning their ninth national championship.  If you grew up in Ohio, especially in the 1960s and 70s, you were probably an OSU fan no matter where you ended up going to college in the state. My parents certainly were and they instilled the love of Buckeye football on us as well. During the early 1970s, the Bucks' offense featured a back who is still the only two-time winner of the Heisman Trophy, given to the country's best player each year. Archie Griffin. But we're here to listen to one of those albums that my dad collected over the years more for what's on it than to really listen to it. In fact it doesn't look like he did much playing of this one at all. This record recaps in great detail the 1974 season which ended in a Rose Bowl loss to USC for the national championship. You are going to hear some very familiar names if you are an older college football fan. And I'm going to do something different. I'm going to play the whole album with only one interruption at the end of side one. Each side is 45 minutes long. So get ready to hear Ohio football history through the voice of Marv Homan to celebrate the 2024 NCAA Football Championship in this Special Volume: History of a Champion; O-H-I-O For more information about this album, see the Discogs webpage for it. https://www.discogs.com/release/6751440-Marv-Homan-Great-Moments-In-Ohio-State-Football-A-Tribute-To-Woody-Hayes Credits and copyrights Marv Homan – Great Moments In Ohio State Football - A Tribute To Woody Hayes Label: Fleetwood Records – FMS 1009 Format: Vinyl, 12", 33 ⅓ RPM, Compilation, Stereo Released: 1975 Genre: Non-Music Style: Spoken Word I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

My dad seemed to have an album for every occasion.  I can't tell you how appropriate the timing is to play this record for you. Oh wait…yes I can…and will. This is truly in the vein of “the more things change the more they stay the same.” And it's all portrayed using some of the main characters of an all time classic movie. Tomorrow the United States of America swears in its 47th president, who, of course, was also the 45th president. We will not be making any commentary on the results of the most recent election itself, but we will be reflecting on many similarities of current events to what you are about to hear. So, get ready to listen to a comedy recording performed right about the time Richard Nixon was getting elected as the 37th president 53 years ago in Volume 212: Inauguration Italian Style. More information about this album, see the Discogs webpage for it.  Credits and copyrights The Firsta Family – The Firsta Family Label: Poppy – PYS5706 Format: Vinyl, LP, Stereo Released: 1972 Genre: Non-Music Style: Comedy, Spoken Word We will hear 10 of the 17 tracks on this album. The Godfathers Inauguration Mama Presidentes Tour First Cabinet Eating White House Garage Sale  Group Confessional  Papa Presidente's Security Breakfast Problem Family Portrait The Late Show I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #comedyalbum #inauguration #godfather

I've mentioned this a few times on this show. The Latin beat was extremely popular when my dad was a teenager and beyond. This record is a combination of taking that Latin beat, this time from a specific country, and arranging it with a plush orchestra. The orchestra conductor who arranged this music was considered the leader in a genre that infiltrated hundreds of radio stations in the 1960s. It's still a term widely used to describe this sound. So get ready to hear the captain of the easy listening movement in Volume 211: Percy's Cuba. More information about this album, see the Discogs webpage for it.  Credits and copyrights Percy Faith And His Orchestra – Malagueña (Music Of Cuba) Label: Columbia – CS 8081 Format: Vinyl, LP, Album, Stereo Released: 1958 Genre: Jazz, Latin Style: Easy Listening, Afro-Cuban Jazz, Rumba, Samba, Cha-Cha We'll hear 6 of 14 tunes from this album. Malagueña Written-By – Ernesto Lecuona El Manisero (The Peanut Vendor) Written-By – Marion Sunshine, Moises Simons, and Louise Wolfe Gilbert El Bodeguero Written-By – Richard Egues Siboney Written-By – Ernesto Lecuona Mama Inez Written-By – Elisio Grenet Para Vigo Me Voy (Say, Sí Sí) Written-By – Al Stillman, Ernesto Lecuona, and Francia Luben I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #percyfaith #vinylcollecting #easylistening #oldvinyl

Welcome to season five. We start out 2025 with a trumpet player you've heard twice before. This is the last of his records in my dad's collection. When I first came across him, 165 episodes ago, I realized quickly that I had been missing out on listening to another great trumpet player in my youth. His previous episodes are on my play-often list. The arrangements on this record call for his playing to be smooth and lyrical, but we know he had a famous solo that was brash and beautiful. So, get ready to hear from a musician who was the jokester of the Cab Calloway orchestra for over a decade in Volume 210: Jonah Style. More information about this album, see the Discogs webpage for it.  Here's the promised link: Read the Jonah Jones New York Time Obituary.  Credits and copyrights The Jonah Jones Quartet – Great Instrumental Hits Styled By Jonah Jones Label: Capitol Records – T1557, Capitol Records – T-1557 Format: Vinyl, LP, Album, Mono Released: 1961 Genre: Jazz Style: Swing, Easy Listening Bass – John Brown Drums – George Foster Piano – Teddy Brannon We'll hear 7 of the 12 songs on the album. The Poor People Of Paris Written-By – Marguerite Monnot, and Rene Rouzard Dansero Written-By – Lee Daniels, Richard Hayman, and Sol Parker The Third Man Theme Written-By – Anton Karas, and Walter Lord Lisbon Antigua Written-By – Paul Portela Soft Summer Breeze Written-By – Eddie Heywood, and Judy Spencer Serenata Written-By – Leroy Anderson Cherry Pink And Apple Blossom White Written-By – Louiguy (real name Louis Guglielmi) I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #jonahjones #trumpetsrule #jazzmusic #oldjazz

Happy 2025 everyone! Rob, Greg and Steve are in studio with Don Mancuso and Ron Rocco from the band Black Sheep, one of the legendary Lou Gramm's early works. Sit back for some awesome history and a fantastic story.Stay tuned after the show for a song from Black Sheep, "Power to Heal". Sit back and enjoy! Keep on staying safe and supporting those local businesses and musicians.We have no rights to the music. All rights to the Black Sheep.Black Sheep on Discogs

Have to put one more FREESTYLE log on the fire as we close 2024! Following the latest SURFACE NOISE A-Side, our vinyl enthusiasts got an update on Arnaldo's difficulties with a recent Discogs situation from the seller POV, we talked about Beyonce's performance on Christmas Day during Netflix's foray into the NFL, and a few more vinyl tidbits before the year closes. Thank you for your continued support of Vinyl Community Podcasts and our related shows - cheers to a warm Happy New Year, and continued vinyl luck in 2025!   For more on Concert Buddie: https://www.youtube.com/@ConcertBuddie https://concertbuddie.com   For more information on Arnaldo (fidelios_frequency): https://www.youtube.com/@fidelios_frequency   For more on Jason Roxas: https://www.youtube.com/@JasonRoxas   For more on David Bianco (Safe & Sound Texas Audio Excursion): https://www.youtube.com/@SafeAndSoundTXAudioExcursion https://www.whatnot.com/user/vinyl4ever/shop     For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com   . . . . .   Don't forget to visit FOTS (friends of the show) Vinyl Storage Solutions for the BEST sleeves to protect your best records (and your worst). Save 10% using the code(s) below: VCP10   https://vinylstoragesolutions.ca      

Ending the year with a number of my favorite purchases this past year. Maybe one or two of these I actually "dug" up somewhere - the Dick Drew Trio was something I pulled out from deep under other record racks in a store in Las Vegas last May, for instance, but I also bought several of these via Discogs. Record collecting continues to change in ways that make it less familiar to me - many records are now status symbols for wealthy people to show off rather than listen to, when previously they were "status" symbols for many of us in terms of our digging commitment or record knowledge. Actual "digging" for records isn't something I've had as much time for, but still what I love. But shout out to the amazing dealers who are out there with the rusty shovels every week, finding these gold nuggets for the rest of us! And huge, huge thank you to all the people tuning into the podcast - you are massively appreciated! Tracklist: Raffy Bushman, Latin Tempo, Sambalanco Trio, Dick Drew Trio, Masaru Imada Trio, Milcho Leviev, Frank Cunimondo Trio, Morning Sky, Jazzbois, Aquila, Johnny Costa, Billy Harper Quintet

Ever had a terrible experience with an online record buyer? A guy (or gal) that was simply the WORST to deal with? Put on a warm fire, sit back in a good chair, pour a beverage of choice and listen as Arnaldo (Fidelios_Frequency) shares a tale following the latest SURFACE NOISE (A-Side) that would irritate any person trying to sell records. Following some discussion on the latest Rhino Hi-Fi release of The Stooges (self titled debut), another crack in the case is made when it's discovered that the buyer has now listed his own copy of Arnaldo's record for sale on his Discogs store. Is it a "switcheroo" scenario? Is there flim-flam afoot? Only you can solve a mystery, and a mystery we have on our hands during the latest FREESTYLE here on Vinyl Community Podcasts!   For more on Concert Buddie: https://www.youtube.com/@ConcertBuddie https://concertbuddie.com   For more information on Arnaldo (fidelios_frequency): https://www.youtube.com/@fidelios_frequency   For more on Jason Roxas: https://www.youtube.com/@JasonRoxas   For more on Jose Moreno Rahn: https://www.youtube.com/@josemorenorahn https://auroracentralrecords.bandcamp.com   For more on guest Josh Norrid (Hi-Fidelity Records): https://hi-fidelityrecords.com https://www.youtube.com/@hi-fidelityrecords   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com   . . . . .   Don't forget to visit FOTS (friends of the show) Vinyl Storage Solutions for the BEST sleeves to protect your best records (and your worst). Save 10% using the code(s) below: VCP10   https://vinylstoragesolutions.ca

I began the Pullin from the Stacks podcast just over 10 years ago, publishing my first episode on October 19, 2014. The name is from the classic Digable Planets cut "Pacifics," a song which has a lot of meaning to me. I think I actually messed up and called it "Pullin from the Crates" for that first episode. The first record I played was a cover of Herbie Hancock's "Maiden Voyage" by the Jazz Piano Quartet. The first record I play on this episode is a different "Maiden Voyage" cover, this time by the Dalton Jazz Ensemble, a school band record I found at Recollect Records in Denver years ago. One of my favorite songs, I still search out any version I can. The next record is the first record I ever put on my Discogs "want list," Michael Sardaby's "Gail," after hearing a soundclip on Youtube one day. Even back then it was going for more money than I'd ever spent on a piece of wax. A few years later, I sold my old copy of Eminem's first 12" for a couple hundred, and immediately went to see if there were any copies of "Gail" available at the same price - and there were! I feel so lucky to have snagged one. The next record is from one of my favorite jazz compilations, this one out of Hungary in the early 70s. I highly recommend it, the whole record is gorgeous, it's called "Modern Jazz Anthology X" and folks are sleeping on it! Staying in the same part of the world, I was introduced to Romanian jazz legend Johnny Cretu Raducanu after hearing a few Electrecord releases he had played on. The cover of this 10" and his own cover of Charles Mingus's "Haitian Fight Song" drove me to track down a copy online. The whole record is stunning. Speaking of stunning it is hard to find words to describe the beauty of this masterpiece by Winston Mankunku Ngozi, often referred to as South Africa's John Coltrane. It is a desert island record. The following tune, from the Roy Haynes Trio, is one I heard on Karriem Riggins masterful mix, "Music Kaleidoscope," and had to track down. I found it one weekend in a super random record store deep in Long Island. The Chucho Valdes represents my love of Cuban jazz; while I didn't find this record during my time in Havana, I did get hip to Mr. Valdes and months afterword dug this out of a crate on the floor under a table at the WMFU record fair. The Milton Banana cut I play here is from the first record of his I bought, I think at Human Head back in the day. He's killing it on the drums!! I don't remember when I first heard this RF 45 - maybe Junior played it? - but it's a gem, had to track one down. And Green Caterpillar man...I first heard this when Rev Shines played it YEARS ago on KBOO during Jumbo's "Beat Jeopardy" show. I remember being like "wtf is this?!?!?" - took many years to find a copy. I bought this off a dude in Colorado on Amazon.com in like 2015 for about $80. Clean. No regrets on that. The Soul Surfers cut here is just crazy to me, I think someone posted it on IG and I took notice. And finally, this beautiful cover of Kendrick Lamar by my guy Sly 5th Ave released by my people DJ Center and Footlong Development is a stone cold classic. I can't count all the DJ gigs I end with this 45 or all the people coming up to the turntables to see what it is. This is not the end of the podcast. There will be more episodes, though probably less often, as has been the case for much of 2024. Hoping to get back on a schedule of 1-2 episodes a month, possibly with some special guests. Speaking of guests, I want to thank everyone who's contributed a guest set these past ten years! Alex Stange, DO77, Duiji Mshinda, John Morrison, DJ Center, J. Rawls, Bruce Phillips, Evolve-One, LateBloomer and dflush, Daniel Littlewood, the DadBodRapPod, and Waffles Hidalgo. Much respect! And the biggest thank you goes out to everyone who's tuned in once or a hundred times, downloaded, subscribed, told their friends, or talked shit. It's all appreciated.

Legendary Melvins drummer Dale Crover is back on the show and this time he's bringing some friends! AAL and EHA of Low Flying Hawks are making their podcast debut to celebrate two new albums: Low Flying Hawks' Makebelieve coming out October 25 and Dale Crover's awesome new solo album Glossolalia, out now! In our chat, we talk about the writing process for the latest LFH album, the residual affects of the pandemic that still linger for artists, taking two years to create the album this time around, and the idea that mystique brought something tangible to music and artists. Then we sequel over to Dale Crover's awesome guests that he got on his latest solo record, the story of how he got Tom Waits to say “yes” to being a part of the title track, him opening as a DJ on the upcoming Red Kross European run, and the pros of modern music recording compared to the time crunch the Melvins had early on. Petar and Sylvia discuss Kerry King's answer in who he thinks can portray him in a Slayer biopic film, Sick New World coming back to Vegas and bringing an Acid Bath reunion with it, just accepting their would never be an Acid Bath reunion years ago to our surprise, Jake E. Lee getting shot while walking his dog, and Deftones setting a record with there demo tape on Discogs. Song: Low Flying Hawks “Suspension of Disbelief” Song: Low Flying Hawks “Out for Blood” Song: Dale Crover “I Quit” Featuring Kim Thayil of Soundgarden Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week's crop of actor-musician hyphenates got their thespian starts in films of the 1980s: Corey Feldman, Keanu Reeves (Dogstar), Kevin Bacon (the Bacon Brothers), and Kiefer Sutherland. Copyright-compliant Gin Blossoms tracks and workout-cooldown music prompted thoughts about perfectly good outdoor-restaurant entertainment, the artistic practice that capitalism tries to stifle, and whether pretty boys want to be told they're smart (and vice versa). Strange things are afoot at the Circle MASTAS, so grab one of Kiefer's hats and have a listen. Intro and outro by Andrew Byrne; special thanks to Amanda. For more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Harsh but fair, Discogs commenter TwoOneFive "Comeback King" by Corey Feldman '90s Soundtrack Flashback, Episode 04: Romeo + Juliet River's Edge