Podcasts about Discogs

This playlist is 63% vinyl friendly. Very poor. The Vertere DG-1 Dynamic Groove. One commentator queried whether ‘the design wandered in the direction of form over function‘, but this, the company’s entry level version, was voted in What Hi-Fi‘s updated 2025 ‘20 very best turntables of (the magazine’s) lifetime‘… but it had detractors elsewhere. My first thought was ‘sandwich’ and lo and behold the review mentions the plinth’s ‘three layers of acrylic reinforced with a steel chassis to give a rigid yet well-damped structure‘ with that middle layer, from a distance, reminding me of some marbled cheese. Near £2k for one standard version spotted on eBay and £3550 for a DG-1S updated model, with a bullet pointed spec to match. When you get up to these prices (and way, way beyond) manufacturers are duty bound to work overtime to justify their prices. NB: Apologies. A bit of a glitch in recording my parts for this show but they just about do the job. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 149 On another day and in another frame of mind it could have gone to Baby Rose but much aided by a gorgeous key change backdrop, the gold star sticker goes to Banderas! It’s hard to tell though if their ‘There is no rehearsal. No second chance. No false start. No better circumstances… ‘ words of wisdom would change much with the type of peeps in their video. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Doubts Even Here (Instrumental) (Cargo Demo) (2019 Remaster) – Movement, Definitive Edition Boxset – Warner Music – 2023 Doubts Even Hear? I should coco, and if you want ‘tentative’ in your music then this has it in shed loads. My guess is this maybe wasn’t Hooky’s first stab at the track in the band’s rehearsal room but you can nearly hear him finding his way into and over the ARP Quadra’s strings. 05.15 COCTEAU TWINS – Road River and Rail (Live) – Stream only – 2026 Live in 1991 but only very recently uploaded to the net, a mixing desk recording from The Warfield, in San Francisco and a rare treat to hear Liz this clear in a gig setting. At your leisure, search out the rest of the gig. There’s no visual from the above show, so here’s a barely rescued – but previously unseen/unpublished – photo of mine. Liz and Simon soundchecking at Newcastle’s Tiffany’s, 19.4.84. Photo credit / copyright: Dec Hickey 08.37 JOHN CALE – Thoughtless Kind (M:FANS) – M:FANS, 2LP – Double Six – 2016 A pedestrian, sledgehammer beat and a more forceful take on the lyrics than found in the ex-Velvet Underground man’s original. To my ears, they’re better suited here. 13.59 EMERSON, LAKE & PALMER – Take A Pebble * – Emerson, Lake & Palmer, LP – Island – 1970 I bought this album maybe four or five years after release and without doubt after having heard maybe just one of the three tracks on it I had taken to. I wouldn’t have been listening to any radio that might have played this album, so I’m guessing I borrowed it from a mate – very likely Phil Harris or Tom Locke (RIP). Greg Lake’s vocals were the thing for me back then and on my National Panasonic SG-1070L I’d have skipped Keith Emerson’s often lengthy rock-orchestral leaning keyboard workouts from all three… and likewise it’s a massive edit on the show for Take A Pebble. 17.33 BABY ROSE – Stop The Bleeding – Through And Through, LP – Secretly Canadian – 2023 If I thought the vibrato in Baby Rose’s vocal on the last 41 Rooms’ show entry (‘Go’) reminded me of Anonhi/Antony and the Johnsons then this does so with knobs on… as it maybe sounds even more of a song and arrangement the latter could have penned. 21.17 A RACE OF ANGELS – Golden – Broadcast No. 1, CD only – Luv Classics – 2005 It’s not often a CD gets a visual look in on 41 Rooms but the majority of Broadcast No. 1’s tracks have been or are on course for inclusion… and there was no vinyl. A 21st century left field folk soul beaut. Saluting Yeofi Andoh once again. 23.56 KRAFTWERK – Boing Boom Tschak * – Electric Cafe, LP – Kling Klang / EMI – 1986 The German maestros with some playful mid ’80s electro. Who else could it be? 27.01 BESIDE (with BERNARD FOWLER) – Odeon (Dance Mix) – 12″ – Celluloid – 1984 In 1984 the only place I’d have heard this was on John Peel’s radio shows – and he was partial to some electro. With the other side playlisted on 41 Rooms years ago, that would make this Afrika Bambaataa-produced 12″ a bargain to me these days, at less than the price of a pint on Discogs. Back in 1984, ordering it on import from Bedford’s HMV (as I did) its £5.29 price tag would seemingly have between five and ten pints plus worth! 32.37 MIDNIGHT STAR – Midas Touch (Vocal Extended Remix) – 12″ – Solar – 1986 With Electro roots, some breezy mid ’80s glitzy dance which has aged far better than – ‘Look away now’ (or don’t look at all) – the clothes and hair in the video. 38.42 ROZALLA – Born To Luv Ya – 12″ – Pulse-8 – 1990 At some point, when I do get to wade through the Record Mirror‘s I have from the the late ’80s/early ’90s I’d put a quiet fiver on the late James Hamilton having used ‘bubbling’ in a review of this particular mix of the tune. Par for the course lyrics but given some decent beats Rozalla has a voice that more than matches. 43.00 THOMAS LEER – Forgive and Forget – 1982, CD only – Klanggalerie – 2015 When I first happened on the 1982 CD recordings I thought Leer had re-found his youthful energy in the ‘now’. It’s in the title, Dec… so, a ‘series of tracks for unreleased album circa 1982‘ states the man himself. That would put them around the time of his Letter From America and Contradictions EPs but way before the ‘pop’ album, The Scale Of Ten. Forgive and Forget is though definitely a dry run for that album’s belter, Control Yourself. 47.23 MINT ROYALE – I Don’t Care – See You In The Morning, CD only – Faith & Hope Records Limited – 2005 Aagghh, it’s another CD… but needs must, as no vinyl surfaced and by this point Neil Claxton was flying solo as Mint Royale. 51.48 OSCAR FARRELL (feat SAMPHA) – Dream Therapy (George FitzGerald remix) – Download only – ? – 2026 The So Far South EP original rightly has many admirers but I’m more with this moodier take. Screenshot 55.22 NOSTALGIX – Mess With Me – Download only – Confession – 2019 Out of Vancouver, British Columbia, she seems through the years to have occasionally just digitally floated singular tracks out there. 58.32 SUICIDE – Ghost Rider – Self-titled, LP – Red Star Records – 1977 There’d be a bunch of my early ’80s mates who’d have gone for the album but it’s only this track that grabbed me. 01.01.01 CABARET VOLTAIRE – Nag Nag Nag (Live 2025 Single Edit) – Download only (for now) – Mute – 2026 ‘Updating’ and then capturing – just ‘right’ – this classic track’s first live outing in forty five or so years could have gone wrong but all involved nailed it, and seeing as I caught four of the Cabs’ six gigs last year there’s a good chance I was in on this actual recording. In fact, given the advances in sound technology Nag is likely sounding better in the room than it would have done live back in 1979-82… something I never witnessed. 01.05.10 THE SOUND – Heartland (Mike Read session, 1980) – The BBC Recordings – 2CD only – Renascent – 2004 If Adrian Borland and crew were pushing for a radio session in their early throws (who wasn’t) I’d have thought John Peel would have got in there first. The band did subsequently do a Peel session but here Mike Read edged it and the band were firing. 01.08.19 JOY DIVISION – Warsaw – An Ideal For Living, 7″ EP – Enigma – 1978 I never owned this original 7″ but somewhere around 1980-81 and through the back pages of the inkie press I bought the subsequent 12″ from an ‘MJ’ in Crewe who reckoned in an enclosed note he’d leant Steve Morris £60 to pay for the sleeves. When I sold the single years later I thought I’d kept the note… but if I did, it then went AWOL. 01.10.40 TURNSTILE – Dreaming – Never Enough, LP – Roadrunner – 2025 They’ve eased up here on their early hardcore leanings which might go some way to why this tune gets a thumbs up from me and those who take occasionally take a punt on an album because of the sleeve could still be in for a shock. 01.13.00 TV21 – Ideal Way Of Life – A Thin Red Line, LP – Deram – 1981 Other tracks on the album have already graced 41 Rooms as indeed they did back in Winkles in 1981-82. 01.15.27 THE TEARDROP EXPLODES – Went Crazy – Kilimanjaro, LP – Mercury – 1980 Julian in 1980. Sounding ‘quirky pop’ in 2026? 01.18.03 NATURAL SCIENTIST – See Through You – 7″ – Dental Records – 1982 Even though I bought their Terminal Velocity debut 12″ at the time, this their follow up somehow by-passed me for four decades 01.22.07 IRMA THOMAS – My Heart’s In Memphis – My Heart’s In Memphis – The Songs Of Dan Penn, CD only – Rounder Records – 2000 Criminally, only seven thousand plus peeps have ever viewed the fan video online of Irma on an outside stage, live in New Orleans from 2003 and I nearly went with its muffled sound here, as the more she gets in to the song the more she really lives it. 01.25.53 STEVIE WONDER – (I) Don’t Know Why (I Love You) – 7″ – Tamla Motown – 1968-9 For the UK release Motown couldn’t quite make up there mind on the title – but this stark outpouring and arrangement is still a killer, even though it was maybe trumped for radio play by the lusher, romantic appeal of the b-side, My Cherie Amour. 01.28.25 MT JONES – I Don’t Understand – Joy, LP – ? – 2026 New(ish) blue-eyed retro soul with as much effort on the visual. A fab single but I’ve got a feeling an album of his accentuated vocal might be too much for me. We’ll see. 01.31.49 WILLIE HUTCH – Hurt So Bad – Season For Love, LP – RCA – 1970 Before his switch to maybe his more spiritual Brother’s Gonna Work It Out home of Motown. 01.34.39 BANDERAS – This Is Your Life (PanoΣigma Edit) – Stream only – ? – 2019 Just the one album, squarely aimed at the mainstream, and some cerebral tunes from these two shaven-headed girls. I’m not sure how much the decent lyrics and sumptuous key change helped but this was their biggest UK hit. Even in the sometimes throwaway nature of ‘pop’ charts, quality will out. 01.39.36 DIANA BROWN & BARRIE K SHARPE – Eating Me Alive * – 12″ – FFRR – 1992 ‘Weaving together many different dance music sounds of the late sixties/early seventies, including such as vintage Jackson 5 and Norman Whitfield era Temptations, Timmy Thomas beats and Chicago Transit Authority guitar chords (“I’m a man, yes I am, and I love you so”), this brilliant intensely driving jiggly chugger has been promoed as a twinpack with 0-104.7-0bpm Undisputed Mix Part 1 & Part II, 0-104.7bpm Original Groundbeat, 0-105.25-0bpm Funky Funky Sugar Heavy Groundbeat Mix, 0-105.4bpm One Trip Too Many Mix, more recently influenced grooving 115.8-0bpm Groundbeat House Ensemble/Instrumental, hi-hat hustled 118.7bpm Undercover Dub Mix 1 and 118.6bpm Undercover Dub Mix 2, Dianamite!‘ – James Hamilton, Record Mirror (Music Week), 20.6.92 Any time I re-edit etc I really should remember the source of the original… and there’s a heavy 41 Rooms re-edit going on here. Whatever. James Hamilton’s ‘vintage Jackson 5’ reference is spot on and the bridges and chorus are so strong they make the verses sound absolutely tepid. Weird. 01.45.08 RHYTHIM IS RHYTHIM – Strings Of Life (‘Original Piano Mix’) – 12″ – Transmat – 1987 ‘So enduringly popular and still steadily selling that it could follow A Guy Called Gerald up the chart, Derrick ‘Mayday’ May’s synthetic strings stabbed and sawed techno pioneeringly jerky instrumental leaper is now out here in its frantic acidic 130/129 1/5-130-0bpm Exclusive Remix, more scrubbingly hustling organ accented 128 1/5-127 4/5-128-128 1/5bpm Flam-boy-ant Mix, and piano emphasising jerkier 122 1/5-122-121 2/5-121 1/5bpm Piano Mix, flipped by the washing machine ‘sizzled’ 129-129 1/3bpm ‘Kaos’ plus the ‘Magic Juan’ Atkins created jiggly wriggling Model 500 ‘Off To Battle’ in its 125 2/3-126 1/5bpm 2emix and 126 1/5-126 2/3bpm Original Version‘. – James Hamilton, Jocks, 3.89 ‘Based on a piano sequence by May’s friend Michael James. He dropped in for a visit at May’s house and sat down to play a piano ballad he had been working on called, “Lightning Strikes Twice”. This piece went into May’s sequencer and was kept there until May decided to listen to it all the way through. He found some portions which interested him, and he started to work with it. The song was originally at 80 BPM before May increased the tempo, chopped it up into loops, and added percussion and string samples’. Wikipedia The history of this stark track is interesting. I called this ‘near punk like, house / techno’ on the show, what with its crude/rough arrangement feeling like it nearly takes four minutes to settle… just in time for it to sound like it’s breaking down on the outro! And it’s become a classic! Enough to warrant a bunch of remixes and the mighty ‘live with orchestra’ version that follows. 01.52.18 RHYTHIM IS RHYTHIM – Strings Of Life (Live, Weather Festival, Paris, France) – Stream only – 2015 Derrick May, with Francesco Tristano (ex-Aufgang) loving it big time on extra keyboards, with the weight of the full Philharmonic Orchestra Lamoureux, under the direction of Dzijan Emin… and all beautifully captured by ‘producer, Amos Rozenberg and Paramax Films in 4K with 9 Cinema cameras by Samuel Petit for Arte TV‘… it says somewhere. Strings Of Life, indeed. Catch the video in the usual places. Show 150 will upload April 5. Dec x The post Post Punk Plus Podcast Playlist 149 – Original upload 1.3.26 appeared first on 41Rooms.

Thinking about buying rare vinyl online? Before you click “Buy,” listen to this episode of SURFACE NOISE — the podcast for new and serious record collectors alike. We start the show diving into some current events in the world of record collector sure to inspire you to perspire, including: (1) Another MoFi Release Misses the Mark (2) ERC Announces a Reissue That Asks "What is True Mono"? (3) Which Record Distributor is Now Slabbing Records For Sale? (4) The 2026 Rock N Roll HOF Noms: What They Got Right, and What They Didn't.   After some spirited debate

It's those guys again...SURFACE NOISE is back in the building! This latest trip around the turntable begins with a recap of some current events in our world of vinyl record collecting: (1) The latest 'Vinylphyle' titles are officially announced. What are they? (2) More drip from the "Pittsburgh George" collection on Discogs beginning tomorrow, February 20th. (3) A new IVC (Interscope Vinyl Collective) release was announced. Will you "Stay" for it? (4) A new Duran Duran reissue excites the masses. Hear about it!   From there, the panel discusses our main meat of the show: what would you do if you had to start your vinyl record collection from scratch? We break down the smartest ways to rebuild a vinyl collection from the beginning in today's record market, including a discussion on how new/returning collectors should choose their first records, whether to buy original pressings or modern reissues, how to avoid overpriced vinyl, and the best strategy for building a meaningful record collection without wasting money. From essential starter albums and collecting priorities to budget-friendly crate digging tips, this episode is packed with practical advice for both beginners and experienced collectors who want to rethink their approach. If you're new to vinyl collecting, upgrading your setup, or wondering what truly belongs in a core record collection, this conversation will help you build smarter, buy better, and focus on the music that matters. It's the show that aims to inform, entertain, and sometimes complain.  This. Is. SURFACE NOISE.   ⏬⏬⏬⏬   For more on host Concert Buddie: https://www.youtube.com/@ConcertBuddie https://concertbuddie.com IG: @concertbuddie   For more on Arnaldo (fidelios_frequency):  https://www.youtube.com/@fidelios_frequency IG: @fidelios_frequency   For more on Chris (Groove Seeker): https://www.youtube.com/@Groove_Seeker IG: @thegrooveseeker   For more on the immortal Jose Moreno Rahn (aka John Bong): https://www.youtube.com/@josemorenorahn https://auroracentralrecords.bandcamp.com   Returning to the madness is friend of the show Adam from The Freight: https://www.youtube.com/@TheFreightOfficial https://thefreight.bandcamp.com/album/tales-of-maybe IG: https://www.instagram.com/the_freight_official     For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com . . . . .   Don't forget to visit FOTS (friends of the show) Vinyl Storage Solutions for the BEST sleeves to protect your best records (and your worst). Save 10% using the code(s) below: CONCERTBUDDIE  

This full in-depth conversation features Michael Reinboth, founder of Compost Records, discussing the label's releases, its independent business philosophy, and the long-term life of vinyl culture.We explore how record catalogues continue to circulate through collectors and platforms like Discogs, and what it takes to sustain an influential record label for more than three decades.If you care about vinyl culture, independent labels, and how music lives beyond trends, this conversation is for you.Featured GuestMichael ReinbothFounder Compost RecordsCompost Records Official Websitehttps://www.compost-records.comCompost Records Instagramhttps://www.instagram.com/compostrecordsDiscogs Label Cataloguehttps://www.discogs.com/label/247-Compost-RecordsDecisive Podcast Series Official PlatformsYouTubewww.youtube.com/@DecisivePodcastSeriesApple Podcastspodcasts.apple.com/sa/podcast/podcast-series/id364388579Instagramwww.instagram.com/decisive_podcast_radio/Facebook Groupwww.facebook.com/groups/decisivepodcastseriesPodomaticwww.podomatic.com/podcasts/decisivepodcastseries

Happy Valentine's Day! Of course my dad had plenty of romantic music. So that's why we are able to do this special episode. There was a popular radio format known as Easy Listening. We listened to one of those stations from Cleveland when we were young. And there was one extremely popular orchestra that was the backbone of those radio station playlists. 101 Strings. So, get ready to hear the lush sound that immediately gets you into a romantic mood in Volume 253: Valentines is for Lovers.  For more information about this album, see the Discogs webpage for it.  Credits and copyrights 101 Strings – 101 Strings In A Symphony For Lovers Label: Somerset – P-4500 Format: Vinyl, LP, Album Released: 1957 Genre: Classical Style: Romantic We will hear all 7 songs on the album. Evening Star - From Tannhauser Written-By – Richard Wagner Barcarolle - From Tales Of Hoffmann Written-By – Jacques Offenbach Poem Written-By – Zdeněk Fibich Serenade Written-By – Franz Schubert 2nd Piano Concerto - 3rd Movement Written-By – Sergei Rachmaninoff Reverie Written-By – Claude Debussy Cradle Song Written-By – Johannes Brahms I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #valentinesday #valentines #romanticmusic #vinylcollecting #vinylrecords #musicalmemories #fyp

The show of record, talking records - SURFACE NOISE - is back to discuss whether vinyl record collecting is becoming too expensive for new collectors.

Andy talks about butternut donuts being discontinued, Lola licking the footrest, John Kilduff and Let's Paint TV, booking guests, Marty Supreme, a building blowing up, nothing good for lunch, Tool's no phone policy, and the unfixable error in Deep Purple's "Smoke on the Water". On Rachel's Chart Chat, Rachel from Des Moines is listening to side one and discussing the cover art of In Harmony 2 with Julie Klausner. Find the cover art for In Harmony 2 on the record's Discogs page here. Listen to a vinyl rip of In Harmony 2 at YouTube here.

The Brazilian party starter unveils 60 minutes of sun-drenched house. Minas Gerais isn't the typical Brazil of postcards. Yet from this landlocked terrain emerged one of its most accomplished sons. As OMOLOKO, João Vitor has mastered the art of summoning summer on the dance floor. Armed with a pair of CDJs and a USB, he carries sun-kissed house dreams shaped by countless hours lost in Discogs rabbit holes, forgotten corners of YouTube and the dust of hidden record shops. Vitor was born in Rio Grande do Norte, in Brazil's northeast, before moving south as a child when his family set out in search of new opportunities—a well-worn path in the world's fifth-largest country. Adopting the alias OMOLOKO in the late 2010s, he quickly became a beacon in Belo Horizonte's bubbling electronic scene. Carrying sounds from home deep in his memory alongside a restless desire to make the world dance to his own findings, he carved out a singular voice with genre-hopping sets, grounded in an affection for infectious grooves and warm, rolling kicks. In recent years, Vitor's fine-tuning of his craft behind the decks have made him more than a familiar face at countless essential nightlife hubs around the world, from Panorama Bar to Dekmantel, São Paulo's Gop Tun to Ibiza's DC-10. His résumé, already impressive, is expanding nicely. So to mark the beginning of carnaval in Brazil, who better for RA.1025. Vitor's RA Mix draws deeply from the lineage of house's most celebrated names, alongside obscure gems your Shazam wouldn't dare recognise. With slow-cooking patience, the session follows wherever the language of dance leads: South African kwaito, diva vocal flashes, funk-laced deep house, vibraphone-led strides and salsa-laced drumwork. It's like a dream team of house offshoots, all meeting for the very first time at the beach. Read more at https://ra.co/podcast/1044 @OMOLOKOO

In episode 84 Comedian, Author, Musician & Journalist Marc Burrows joins us to talk about Kerrang's Club Kerrang - The Future Sound Of Music from August 1997.The cd's full tracklisting is -1 – Symposium - Introduction2 - 3 Colours Red - My Own Gauge3 - ManBREAK - Kop Karma4 - Radish - The You In Me5 - LK - Chicken Bone6 - Acrimony - The Bud Song7 - The Driven - Loaded Mama F8 - Cable - From Here You Can See Yourself9 - Tampasm - Hard Core Romantic10 - Daytona - Conversationalist11 - Iron Monkey - Fink Dial12 - The Dawn - Feel Like Living13 - Groop Dogdrill - Oily Rag14 - (sic) - Pocket RocketYou can find Marc's website at https://www.marcburrows.co.uk/ where you can buy the books he's written (Big recommendation for The Story Of The Christmas No. 1: Mistletoe & Vinyl, which was one of Colin's favourite books of last year but he's also written excellent books on Nirvana, The Manic Street Preachers, Marc Bolan & David Bowie in the 60s, & Terry Pratchett) plus his tour dates (He's touring his Britpop stand up show from all over the UK from March through to May 2026. I'll see you in Birmingham!)Find Marc on Instagram at https://www.instagram.com/20thcenturymarcListen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/3067167-Various-Club-Kerrang-The-Future-Sound-Of-MusicHost - Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Dig Podcasts network along with We Dig Music & Pick A Disc.Tiktok - https://www.tiktok.com/@freewiththismonthsissueTwitter – https://twitter.com/thismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes & podcasts at www.wedigpodcasts.com 

This week on Revinyl, Shawn and Craig kick things off with a look at Shawn's latest Discogs haul, featuring recent pickups from Hoodoo Gurus, Finn Brothers, and Pete Yorn, among others.From there, the fellas dive into their personal Shazam histories. Craig starts things off by running through his most recent 15 or so Shazams, while Shawn goes all the way back to 2013, when he first downloaded the app, uncovering years of spontaneous music discovery.The Shazam deep dive covers a wide musical range—from Lee Ann Womack to Sombr, from LCD Soundsystem to The Morning Benders, and plenty more along the way—highlighting just how unpredictable (and revealing) years of Shazam use can be.

Ever feel that little sting

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius This week, Mark and I continue our mini series about solo songs that could have been Yes songs and this time it's Jon Anderson's turn. As we did last week with Steve Howe, we listened to Jon's first three solo albums - Olias of Sunhillow, Song of Seven and Animation. We chose just one song from each record that we think could have worked on a Yes album and discussed our reasons. It was very interesting, once again, to note the dramatic differences in approach that Jon went through from 1976 to 1982. In some ways, I think Anderson went the opposite direction to Howe, as you'll hear. How does Jon Anderson's solo approach change over the years? How easy is it to spot songs that could have been on yes albums? Who collaborated with Jon on these three records? Let us know what you think in the comments below. https://youtu.be/AzntlOM_SfY?si=PrURqgPUFvxVrjnA https://youtu.be/Q2MhIq5cpJQ?si=zmkiTDPNr6IfgSxb https://youtu.be/v5uT9_9CXZw?si=g9p-u9rZnO8-0Sr5 The episode featuring Jeremy North that we mention contains recollections of seeing Jon Anderson and the New Life Band in 1980 From the Discogs page for the 2006 double CD, Jon Anderson With The New Life Band – Live In Sheffield 1980: Barry De Souza Christopher Rainbow Dick Morrissey Joe Partridge John Giblin Lee Davidson Morris Pert Ronnie Leahy https://youtu.be/jqUuk8RiFKY?si=8Y82rSQ-pa4yQGyl https://youtu.be/r2Gq71X_AZ0?si=tIqJ8WVrYcASRuEg https://youtu.be/h6E0utor4G0?si=5a-RcYwoGofF-lOl Barry Plummer 2026 Calendar is still available! ORDER HERE YMP Listener discount code - KVKBKC8Z Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer. Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world's greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you'll agree that Barry Plummer is, indeed, the Master of Images! (A flat shipping fee will be added at checkout depending on your location.) ORDER HERE Yes - The Tormato Story & Tales from Topographic Oceans - Yes Album Listening Guide Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyThomas DeVriesJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim StannardDouglas Caldwell Become a Patron!

We back! If you know, you know. The show of record, talking records - SURFACE NOISE - is looking at the potential future of our own record collecting journeys. After we hit on some current events in the hobby: Bob Weir's passing (RIP)

In episode 83 Mark Adams from the Shipwrecked & Comatose and Chuckyvision podcasts joins us again to talk about Q Magazine's Assorted! from December 1995The cd's full tracklisting is -1 – Cast - Finetime2 - Paul Weller - Stanley Road3 - Chemical Brothers - In Dust We Trust4 - Del Amitri - It Might As Well Be You5 - PJ Harvey - C'mon Billy6 - Portishead - Numb7 - Garbage - My Lover's Box8 - Suede - Shipbuilding9 - Leftfield - Inspection10 - Menswear - 125 West 3rd Street11 - Goldie - Still Life12 - Sheryl Crow - Run Baby Run13 - Tricky - Black Steel14 - Edwyn Collins - Out Of This World15 - Boo Radleys - Reaching Out From Here16 - Oasis - Champagne SupernovaListen to Mark's Red Dwarf podcast Shipwrecked & Comatose (also featuring Colin, and our other previous guests Matt Latham, Kurt North, & Carl Bryan) at https://pod.link/1514570118Listen to Mark's Chucky/Childsplay/Killer dolls podcast ChuckyVision at https://pod.link/1579168246Find Mark on Twitter at https://twitter.com/markadamshcListen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/455575-Various-AssortedHost - Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Dig Podcasts network along with We Dig Music & Pick A Disc.Tiktok - https://www.tiktok.com/@freewiththismonthsissueTwitter – https://twitter.com/thismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes & podcasts at www.wedigpodcasts.com 

For Marçal Prats, a DJ set is not a collection of tracks, but a study in fluid dynamics. He is a selector who prioritizes the natural evolution of sound, building his mixes with a steady, hypnotic patience that allows energy to rise imperceptibly. His approach is defined by a meticulous attention to flow, where transitions are not just functional bridges, but tools to nudge the mood from warm introspection to driving intensity. This dedication to crafting a unique experience is evident in his use of bespoke edits. Marçal Prats goes beyond standard tracklists, creating exclusive moments—such as his custom fusion of Imran Khan and Simon Vuarambon—to ensure the listener experiences something both familiar and completely new. For his exclusive MUSICUNEED debut, Marçal Prats executes this vision with precision. Opening with the atmospheric warmth of Melodic Breaks, the mix glides seamlessly into the driving depths of Deep Progressive House. It is a carefully constructed journey that moves from melodic euphoria to late-night tension, anchored by an exclusive, custom-made mashup at its peak. Follow & Support: Soundcloud: https://soundcloud.com/marcalprats Instagram:https://www.instagram.com/marcalprats/ Website: https://www.marcal.net/artwork-catalogue/ Discogs: https://www.discogs.com/artist/119204-Marçal-Prats?type=Credits&filter_anv=0 Spotify: https://open.spotify.com/artist/0kdvQl3eYBXZ27bEpae971

Inside this episode with your host, Mitch HamptonI grew up with both bookstores and record stores. Some of the first albums I bought were, aside from being large physical objects with quite elaborate artwork, were bought as part of the exploration inside of the record store. More often than not this involved ten year old me talking to older people about the new Return To Forever or Weather Report album or what this direct to disc Dave Brubeck album was all about. I loved speaking with Morgan Markowitz; this episode represents the most direct connection to how I learned about the arts in general and the importance of those physical spaces intended for public enjoyment that some of us call “third place”. To love music was for sixty plus years to be involved in one way or the other with some record storeMore on the wonderful Earth River Records Asheville's largest selection of Vinyl, Tapes & CDs with over 20,000 items both new and used! A second-generation vinyl legacy handed down from father to son! The first Earth River was based in Rochester, New York in the back of a headshop in 1968 and run by OG Owner Franklin Markowitz. Throughout the 70s & 80s the shop (and Franklin's huge vinyl collection) moved out west and based operations in Newport Beach, California. Franklin's family grew & Earth River Records expanded to multiple shop locations in Coos Bay, Eugene & Corvalis, Oregon. In the 90s & 2000s the shop was passed to Franklin's son Morgan and moved to Seattle, Washington. Earth River Records finally landed in Asheville, North Carolina in 2021. Coast to coast, we've got the most! Can't make it to the shop? Check us out on Ebay and Discogs.  We carry audio equipment, cassette tapes, CDs, DVDs, hundreds of vintage posters, signed memorabilia & more!We want to express our deep gratitude to each and every one of you. Western North Carolina and Asheville took another unprecedented hit from Helene. Those of us lucky enough to have made it through depend on our immediate community to survive here. And we have survived! We are still here because of YOU! (And sheer luck! The roof almost blew off our building. But it didn't!)The wonderful folks at Siam Thai fed the Woodfin community (and us) delicious food for free when our neighborhood was hungry. Mercy Chefs set up a kitchen two doors down. Travelling linemen, firefighters and responders came in looking for music and movies. Countless friends and customers reached out, checked in and helped each other. We weren't sure if the shop would make it in the wake of so much destruction and grief. But you kept our doors open! When the power came back on without internet service, suddenly all of this physical media had relevance again. People still needed to hear music, watch a comforting movie or play an old videogame. The whole town was transported back to pre-internet days.We are humbled and proud to be North Asheville's community record store!Earth River Records wishes you and yours all the best this year.See you soon! Links to everything Earth River Records Website ( it's fab): www.earthriverrecords.comEbay: https://www.ebay.com/str/earthriverrecordsDiscogs: https://www.discogs.com/seller/EarthRiverRecords/profileInstagram: https://www.instagram.com/earth_river_records/Facebook: https://www.facebook.com/earthriverrecords/#herbiehancock #andywarhol #music #recordstore #1970s #1980s #1960s #1950s #janefonda #exerecise #aerobics #jazz #rock #velvetunderground #loureed #stankenton #junechristy #thefourfreshman #cassettetape #8track #vinyl #spokenword #comedy #archive #antique #thriftstore #debbieharry #blondie #1979 #peaches #samgoody #towerrecords #samgoody #easylstening #heavymetal #deathmetal #rap #hiphop #countrymusic #folkmusic #longplaying #digital #analog

The Nutcracker: Concert Suite vs. Ballet Welcome back and Merry Christmas Eve. My girlfriend Karen and I partook in a Northcoast Christmas season tradition a week and a half ago for the very first time. And of course, my dad had a record for that.  It's not a vinyl record, but a shellac album set recorded nearly 100 years ago that probably belonged to my dad's dad. And it's filled with music from a US holiday tradition. But if you've ever seen the ballet it's connected to, you'll notice plenty of music missing. I'll tell you why as we go along. In fact, this is going to be a lengthy dive into the difference between the suite and the dance. So, get ready to hear the most notable themes from a fairytale ballet as Stokowski conducts Tschaikowsky in Volume 251: A Cleveland Ballet Christmas Tradition. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Pyotr Ilyich Tchaikovsky - The Philadelphia Orchestra Conducted By Leopold Stokowski – Nutcracker Suite, Op. 71a Label: Victor Red Seal – DM 265 Series: Musical Masterpiece Series Format: 3 x Shellac, 12", 78 RPM, Album, Reissue, Camden Pressing Released: in the mid 1940s, I am not sure of the release of this version. There many of them Genre: Classical Style: Romantic, Ballet We are listening to all 6 sides of this collection which includes 8 songs. Overture Miniature Marche  Dance Of The Sugar-plum Fairy Russian Dance  Arab Dance  Chinese Dance Dance Of The Flutes  Waltz Of The Flowers I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #nutcracker #christmastradition #tchaikovsky

Merry Christmas! My dad had a couple dozen records meant just for this time of year. So I HAD to come back for a Christmas Day music show. I talked a lot in yesterday's deep dive into the music of the seasonal favorite, The Nutcracker. So we're going to do a lot of listening in this one…and thinking about Christmas dinner pasts. This four record box set is filled with lots of holiday hits and some songs I've never heard before. Its source is one of the most beloved TV hosts and orchestra conductors from my youth. So get ready to hear that effervescent music from holidays past complete with a longed-for litany of my family's favorite holiday food items in Volume 252 A Champagne Christmas. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Lawrence Welk And His Champagne Music Makers – Merry Christmas From Lawrence Welk And His Champagne Music Makers Label: Reader's Digest – RDA-07-A Format: 4 x Vinyl, LP, Compilation Box Set Released:1970  Genre: Jazz, Pop, Folk, World, & Country Style: Polka, Easy Listening, Holiday We will hear 12 songs from the first two records in the box. Merry Christmas From Our House To Your House 'Twas The Night Before Christmas The Little Drummer Boy Carol Of The Bells The Christmas Song I Wanna Do More Than Whistle High On The Housetop Ho Ho Ho Record Santa Claus Is Coming To Town Here Comes Santa Claus Merry Christmas Day Sleigh Ride I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #merrychristmas #lawrencewelk #champagnemusic

Metal Geeks Episode 276: End of Year Geekery wraps up the year with Cary the Metal Geek alongside special guests Justin the Metal Detector from the Harsh Vocals podcast and Metal Mike Lawrence for an all-encompassing dive into metal, movies, TV, comics, and games. At the top of the show, the crew pays tribute to Rob Reiner, talks about Spinal Tap 2 heading to HBO Max, recaps live shows from Death Angel and Vio-lence, as well as Omnium Gatherum with Aether Realm and Hinayana, discusses Battle Beast and their new singer, and breaks down why rock and metal albums are dominating vinyl collectors lists, with nearly half of the most-collected releases on Discogs coming from the genre.  In What We're Watching, the Geeks cover Stranger Things Season 5, The Running Man, Fallout Season 2, Tournament of Champions: Christmas Edition, Wake Up Dead Man: A Knives Out Movie, Zootopia 2, and The Beatles Anthology Remastered, followed by What We Reading, What We Star Wars, and What We Marvel with Aliens vs. Avengers. On the gaming side, the episode dives into Meta Quest 3, Deadpool VR, Alien VR, Metroid Prime 4, Terminator 2: No Fate, Skate Story, Marvel Cosmic Invasion, Dispatch, and Keeper, plus a full recap of The Game Awards 2025, including reveals like Star Wars: Fate of the Old Republic, Resident Evil: Requiem, and Tomb Raider Catalyst. George lets loose in George Hates Metal, targeting Abduction's Truth Is as Sharp a Sword as Vengeance (Existentialismus) and Orbis de Ignis' Golden Snake (Ancestral Strides), before the episode closes with What We Jammin. Learn more about the Harsh Vocals podcast at www.harshvocals.com Stay updated on all our geekery by visiting our website at metalgeekspodcast.com or metalgeeks.net. Have opinions or ideas? Share them with us via email at msrcast@gmail.com. Follow us on Twitter, @metalgeeks, and @msrcast. We're also on Instagram at @metalgeeks. Connect with us on Facebook/MetalGeeks and join the Metal Geeks Society group.  Subscribe to Metal Geeks Podcast on iTunes, and if you enjoy the show, please leave a 5-star review and give us a like. You can also catch us on Apple Music, Stitcher, Google Play, and Spotify—add us to your playlist! Tune in and remember: Keep it Metal, Keep it Geeky!

Buy one, get one: a record collector's dream. In this case, the home office at SURFACE NOISE attempts their own version of that retailer mantra with BONUS TRAX. On this latest edition, the dais starts with a story about pricing gone haywire on some new releases, and how one record store owner made it right (and why you should buy from him if you get the chance).  Following that up, a lengthly discussion on some records that have gone MAD in cost/value of late, and whether or not these titles should be fetching such exorbitant prices or is Discogs simply "broken"? All that and more John Bong goodness for your earholes.  BONUS TRAX....Next!   ⏬⏬⏬⏬   For more on host Concert Buddie: https://www.youtube.com/@ConcertBuddie https://concertbuddie.com IG: @concertbuddie   For more on Arnaldo (fidelios_frequency):  https://www.youtube.com/@fidelios_frequency IG: @fidelios_frequency   For more on Jason Roxas: https://www.youtube.com/@JasonRoxas   For more on Chris (Groove Seeker): https://www.instagram.com/thegrooveseeker IG: @thegrooveseeker   For more information on David Bianco (Safe & Sound Texas Audio Excursion): https://www.youtube.com/@SafeAndSoundTXAudioExcursion IG: @audio_excursion   Back and better than ever, our dear Jose Morena Rahn (aka John Bong): https://www.youtube.com/@josemorenorahn https://auroracentralrecords.bandcamp.com   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com . . . . .   Don't forget to visit FOTS (friends of the show) Vinyl Storage Solutions for the BEST sleeves to protect your best records (and your worst). Save 10% using the code(s) below: CONCERTBUDDIE

For our December 2025 episode Sam Stokes who hosts the Den Of Ten, Reel Talk, & One Rules Them All podcasts on the Film Stories Network is back with us again to discuss Mojo's The Best Of 2025 cd from all the way back in December 2025!The cd's tracklisting is1 - Annie & The Caldwells - I Made It2 - Emma-Jean Thackray - Maybe Nowhere3 - Pulp - My Sex4 - Adrian Sherwood - Dub Inspector5 - Wet Leg - CPR6 - Big Thief - Los Angeles7 - David Byrne - Everybody Laughs8 - Stereolab - Immortal Hands 9 - Mavis Staples - Human Mind10 - Paul Weller - One Last Cold Kiss11 - Van Morrison - Stretching Out12 - Alan Sparhawk With Trampled By Turtles - Not Broken13 - CMAT - Iceberg14 - Jeff Tweedy - Lou Reed Was My Babysitter15 - The Tubs - Freak ModeGo listen to Sam's other podcasts!Den Of Ten - a podcast where Sam & a different guest debate their top ten of anything from Alternative 80s songs to regional accents.Reel Talk - where Sam & various guests discuss new movie releases.& One Rules Them All - a Lord Of The Rings podcast Sam cohosts with Baz Greenland, although to be honest they aren't nearly critical enough about how annoying Tom Bombadil is in the books.Listen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/35602597-Various-The-Best-Of-2025Hosts - Ian Clarke & Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsBluesky - https://bsky.app/profile/thismonthsissue.bsky.socialInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes, plus We Dig Music & Pick A Disc at www.wedigpodcasts.com

      Between Erwin Broers & Paul Asbury Seaman I have been exposed to a ton of excellent berlin-school music over the last couple years. Erwin continues his great string of mixes with this new one featuring the music of Wolfram Spyra. I was totally unfamiliar with this music before hearing this mix and now I'm thankful for the introduction. Here's what Erwin says about this mix: "In the mid-1990s, when interest for 'Kosmische Musik' (German)/'Cosmic Music' (English) regained, some Electronic Music artists chose to dig deeper into that first highly creative era, hence starting the 'Retro Berlin School' subgenre. Other artists merely borrowed certain elements (multi-facetted sequencing, layered soundscapes, space fx, Mellotron choirs,...) and then added their own spices to the sauce.  One of the artists that managed to create his own style of contemporary "Berlin School Electronic Music" is the German Fine Arts student (then), and musician, inventor and sound designer (now, dixit his own website) Wolfram Spyra (Kassel, 1964), aka "Der Spyra" or simply "Spyra". His style is somewhere between floating, rhythmic, meditative, downtempo and groovy, yes almost danceable. A very interesting blend of old skool and modern electronic ingredients! This mix is a chronological overview of 20 years of releases from 1997 till 2018." More information: Discogs: www.discogs.com/artist/13462-Spyra Website: www.derspyra.de Bandcamp: wolframspyra.bandcamp.com     Thanks for another great mix!   Cheers!   T R A C K L I S T : 00:00:00   Future Of The Past (2000 remix)(Homelistening Is Killing Clubs, 1995) 00:07:15   Non Disperdere Nell' Ambiente Part 1 (Future Of The Past, 1997) 00:17:20   Seeds (My Little Garden Of Sounds, 1997) 00:28:55   Sferics (Sferics, 1998) 00:36:18   Monotonous Stereo Part 1 (Etherlands, 1999) 00:41:50   Ωmega Est αlpha (Phonehead, 1997) 00:56:16   Mentalized (Elevator To Heaven, 2001) 01:10:24   We Don't Mind The Rain (Virtual Vices IV (w/ Pete Namlook), 2003) 01:16:10   Aireals (Orphan Waves, 2006) 01:23:38   Last Train To Philadelphia (High Phidelity, 2007) 01:32:44   Below (Gasoline 91 Octane, 2008) 01:43:16   SeQuest (SeQuest (w/ Christian Lang), 2010) 01:50:21   Staub Part 2 (Dunst, 2018) 02:01:20   end

What happens when you treat vinyl not just as music, but as an asset class? In this episode of Numbers and Narratives, we sit down with Cory Huff, a self-described technology nerd and marketing enthusiast who helped build recommendation engines at Discogs, the world's largest music marketplace. We dig into how hardcore vinyl collectors think, why “collection value” matters more than taste, and what that means for building smarter recommendation systems in a world of rare pressings, promos, and blood-infused records.From there, we zoom out into Cory's career as a T-shaped marketer across B2B and B2C, from music and fine art to his current role as Director of Marketing at Andrews Cooper, a B2B engineering services firm building everything from automated eyelash machines to a phone-battery-powered defibrillator. We also talk about the “bike shed problem” in marketing, the danger of overstuffed job descriptions, why so many marketers are scared to ship bold ideas, and how to build data-driven, AI-powered workflows without losing the human judgment that makes campaigns actually resonate. If you care about marketing ops, recommendation engines, AI, and building a truly cross-functional career, this one's for you.https://www.linkedin.com/in/coryhuff/

Continuing the Rocker Death series, Part 6 sees a whole new lineup. From drug overdosage to straight up murder, you won't want to miss this! CREDITS & LINKS  MUSIC COURTESY OF:

Record nerd Harry Portnof started Greenway Records, revived Reverb Appreciation Society, and now leads Levitation's label operations - today we discuss the elaborate vinyl variants and the clear passion for music the Levitation festival inspires. Topics Include: Harry Portnof runs Greenway Records, Levitation, and Reverberation Appreciation Society labels. Dad blasted southern rock and Allman Brothers at excessive volumes throughout childhood. Discovered dad's CD collection, dove deep into classic rock discographies. Taught himself guitar in high school after getting kicked off tennis team. Found grandmother's records in attic with broken turntable playing in mono. Mesmerized by grooves holding information, felt more futuristic than digital files. Got Project turntable in college, started seriously collecting vinyl records. College dorm had file sharing programs to download everyone's music collections. Became obsessed with seven-inch singles and exclusive B-side hunting on Discogs. Studied accounting, got CPA, worked Manhattan while spending money on records. Brooklyn DIY scene 2010-12: Death by Audio, Glasslands, 285 Kent venues thriving. Third Man Records inspired with collectible releases, impossible to get from New York. Playing in surf rock cover band The Midnight Snacks around Long Island. Started Greenway with friend Joey's pop punk band, 300 hand-screened seven-inches sold. Online forum of ten new labels supporting each other, Greenway only one remaining. Artist Dan Curran created lino cut covers for first thirty Greenway releases. Met LA Witch outside Music Hall, promised European tour records in two months. LA Witch success led to more touring bands wanting Greenway releases. Met Levitation founder Rob Fitzpatrick backstage at Desert Daze festival in California. Pandemic hit, launched Levitation Sessions producing concert films with thirty bands. Suddenly working with dream artists like Ty Segall and The Oh Sees. Levitation started as Austin Psych Fest in 2008, became major three-day festival. Flash flood disaster canceled festival one year despite bands and fans arriving. Austin's psych legacy rooted in 13th Floor Elevators and Rocky Erickson era. Levitation Sessions are filmed concerts; Live at Levitation are actual festival recordings. King Gizzard bootleg program allows labels to press their live shows freely. Learned vinyl manufacturing hands-on at New Jersey plant, experimenting with color pours. Most proud of Frankie and the Witch Fingers KEXP recording for Record Store Day. Market tightened post-pandemic, had to adjust pressing quantities and strategy accordingly. Creates regional variants for Australia, UK, EU retailers using Precision Record Pressing. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Historic Papal Visit We haven't broken away from music for a while, but what have I told you before? My dad has a record for every occasion. 60 years ago yesterday, on October 4, 1965, Pope Paul VI visited the United States for a 14-hour trip that was entirely contained within New York City. The visit marked the first time a pope had visited the U.S. and included addressing the United Nations, meeting with President Lyndon B. Johnson, celebrating Mass at Yankee Stadium, and visiting the New York World's Fair.  It is estimated that at least 1 million people saw the pope in person, while 100 million watched his visit on television This record commemorates that historic day. So, get ready to hear the voice of a man that met with world leaders looking to find a path to peace among nations in Volume 249: A Pope Visits. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Pope Paul VI – An Historic Occasion: Pope Paul VI Visits New York City October 4, 1965 Label: MGM Records – E-4337-D Format: Vinyl, LP, Mono Released: 1966 Genre: Non-Music Style: Religious, Spoken Word We will hear 5 of the 8 tracks from this album. Leonardo Da Vinci Airport, Rome Kennedy Airport, New York United Nations Address Address To United Nations Staff Workers Kennedy Airport I do not own the rights to this recording. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #thepope #popepaulVI #musichistory #vinylcollecting #vinylrecords #musicalmemories #fyp

TJB South of the Border OK…I was having Tijuana Brass withdrawals. While I did play plenty of his music in Volume 222: A TJB Concert Rewind earlier this year, that was a special episode shortly after I saw Herb and the gang in concert. It's been over a year since I've pulled out one of the 11 records my dad had of one of his favorite groups. Since I grew up listening to his music, and have now seen him in concert three times, Alpert has been one of MY favorite artists as well. So, get ready to hear from this group's third album that features music from south of the border in Volume 248: Down Mexico Way. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Herb Alpert's Tijuana Brass – South Of The Border Label: A&M Records – LP 108 Format: Vinyl, LP, Album, Mono Country: Released: 1964 Genre: Jazz, Latin, Pop Style: Latin Jazz, Mariachi, Easy Listening, Bossa Nova We will hear 9 of the 12 songs on this album.  South Of The Border (Down Mexico Way) Written-By – Jimmy Kennedy and Michael Carr Hello, Dolly! Written-By – Jerry Herman Up Cherry Street Written-By – Julius Wechter Angelito (Little Angel usually meant for children) Written-By – Rene Herrera and Rene Ornellas I've Grown Accustomed To Her Face Written-By – . Songwriting duo of Alan Jay Lerner and Frederick Loewe. Better known as just Lerner and Lowe All My Loving Written-By – Paul McCartney  and John Lennon The Girl From Ipanema Written-By – Antonio Carlos Jobim, Norman Gimbel, and Vinicius De Moraes El Presidente Written-By – Sol Lake Mexican Shuffle Written-By – Sol Lake I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #herbalpert #tijuanabrass #musichistory #vinylcollecting #vinylrecords #musicalmemories #fyp

Ray Conniff Improvisations My father must have really loved the music of Ray Conniff. This is the sixth of eight albums from this arranger and orchestra leader in my dad's collection. This one has a bit of a twist to it. No. Not the dance. While the title of the album makes it seem like it will be a live album, that is not the nature of the concert here. Several of the songs you hear will be improvisations or interpretations of some pretty popular melodies from throughout time. So, get ready to hear those lush strings paired with those lyric-less vocals in Volume 247: A Conniff Concert. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Ray Conniff His Orchestra And Chorus* – Concert In Rhythm Volume II Label: Columbia – CL 1415 Format: Vinyl, LP, Album, Mono Released: 1960 Genre: Jazz, Classical Style: Listening We will hear 7 of the 12 songs on this album. An Improvisation On "Liebestraum" written by Franz Liszt An Improvisation On The Fibich "Poéme" written by Jacques Larue, Zdeněk Fibich An Improvisation On Chopin's "Nocturne In E-Flat" written by Frédéric Chopin Adapted By – Ray Conniff Yours Is My Heart Alone written by Harry B. Smith, Fritz Löhner-Beda, Franz Lehár, and Ludwig Herzer But it actually started life as Dein ist mein ganzes Herz translated back as Yours is my whole heart and first recorded in 1929. Smith added the lyrics about 1931 when the song changes to the English version on Second Hand Songs Dot com. Favorite Themes From Greig's A Minor Piano Concerto written by Edvard Grieg Warsaw Concerto written by Richard Addinsell I'll See You Again From the 1929 operetta Bitter Sweet (thought it was going to be Tequila for a second) written by Noël Coward I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #rayconniff #musichistory #vinylcollecting #vinylrecords #musicalmemories #fyp

On this episode of Shoving Wilco, Todd welcomes YouTube creator Steve Westman. Known for his channel The Audiophiles, Westman has built a reputation for his deep dives into vinyl pressings, mastering engineers, and the joy of record collecting. Together, they unpack what it means to experience Wilco on vinyl—why pressing quality matters, which engineers have shaped the sound we love, and how the physical medium continues to bring listeners closer to the band's music. They also discuss their favorite Wilco albums ON VINYL. The list is below, with links to Discogs! Steve's Picks (in no order):AM, 2025 Rhino HiFiBeing There, 2017 DeluxeSummerteeth, 2020 DeluxeYankee Hotel Foxtrot, 2022 Deluxe. Todd's choice: for YHF: 2002 European PressingA Ghost is Born, 2025 ReissueSky Blue Sky, 2007 MasterKicking Television, 2010 RSD ReleaseTodd's Picks (in no order):Cruel Country, 2023 OGThe Whole Love, 2024 Reissue Schmilco, 2016 OG (do not sleep on the Schmilco release)

Real Country and Western Music We are pulling out the 6th record of this seven record set that has really grown on me over the four and a half years of this show. Reader's Digest has compiled 83 classic country and western songs and arranged them in themes…all completely unabridged, unlike stories we would usually see from that publication. One side of this record features songs from the dusty trail. The other side features theme songs from Western TV and Movies. So, get ready to hear what is technically Tumbling Tumbleweeds Part 6 in Volume 246: Western Trails. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Various – Tumbling Tumbleweeds Label: Reader's Digest – RDA-229 / A Format: 7 x Vinyl, LP, Compilation Box Set Released: 1982 Genre: Folk, World, & Country Style: Country We are pulling out Record six of this seven record box set and we'll hear eight of the 11 songs on sides K and L. Al Caiola - Theme From Bonanza written by Ray Evans, Jay Livingston This version was released in 1961 and became a hit song. Hugo Montenegro - The Good, The Bad, And The Ugly Il buono, il brutto, il cattivo  written by Ennio Morricone who first recorded it in 1966 Hugo released his version in December 1967 and it was a hit song. Roy Rogers (King of the Cowboys) with Orchestra conducted by Perry Botkin - Along The Navajo Trail written by Eddie DeLange, Dick Charles, Larry Markes They released this version in September 1945. The Sons Of The Pioneers - Along The Santa Fe Trail written by Al Dubin, Hugh Williams, Edwina Coolidge This version was released in 1955, more than 10 years after recording it. The Sons Of The Pioneers - Twilight On The Trail written by Louis Alter, Sidney D. Mitchell Released in March 1960. Al Caiola - Theme From The Magnificent Seven written by Elmer Bernstein Released in September 1960. Warren Barker - Theme From Gunsmoke written by Glenn Spencer, Rex Koury Barker recorded his version in 1959 Roy Rogers and Dale Evans with The Whippoorwills and Orchestra - Happy Trails This was the First recording on April 21, 1952 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #countryandwestern #wevegotbothkinds #oldcountrymusic #musichistory #vinylcollecting #vinylrecords #musicalmemories #fyp

Joy from Sammy and Joya Usually I don't title the episode exactly the same as the album I'm featuring, but this one was just too good not to use. Yes, we will hear the artist I think is the greatest showman who ever lived, but this record is really about Joya. She is not widely known today, despite her significant contributions, because of a combination of historical and social factors that often affected women and African American artists in jazz. But the gang at the Design Label teamed her up in 1957 with a fast rising star in Davis Jr to introduce her solo recordings to the world. So, get ready to hear a voice that brought joy when I saw him on stage and a voice that brought joy when I heard this record in Volume 245: Sammy Jumps With Joya. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Sammy Davis Jr., Joya Sherrill – Sammy Jumps With Joya Label: Design Records  – DLP 22 Format: Vinyl, LP, Album, Mono Released: 1957 Genre: Jazz We will hear 7 of the 10 songs from this album. Sammy Davis Jr. backed by Orchestra under the direction of Morton Stevens  – The Gypsy In My Soul Recorded in February 1953 written by Clay Boland and Moe Jaffe Joya Sherrill – Baby Me written by Lou Handman, Archie Gottler, Harry Harris Joya Sherrill  – Easy Street written by Alan Rankin Jones Joya Sherrill  – Between The Devil And The Deep Blue Sea written by Harold Arlen, Ted Koehler Joya Sherrill  – Thou Swell written by Richard Rodgers, Lorenz Hart Joya Sherrill  – The End Of A Love Affair written by Edward Redding Sammy Davis Jr. – Chloe written by Gus Kahn, Charles N. Daniels This was also recorded in 1957 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #joyasherrill #sammy #sammydavisjr #musichistory #vinylcollecting #vinylrecords #musicalmemories #fyp

Great Big Band Vocalists Most times when the Longines Symphonette Society put out albums, we had no idea who the musicians were. But sometimes they did give us all the information. And it's even rarer when they cram an album full of star singers. THIS is one of those albums. These Decca recording artists are still some of the best known. The songs, pure pop gold from the 1930s through 50s. So, get ready to hear a few memorable singers performing memorable songs in Volume 244: Big Band Vocals. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Various – The Great Vocalists Of The Big Band Era Label: Longines Symphonette Society – SY 5207, Decca – DL 734665 Format: Vinyl, LP, Compilation, Stereo, Gloversville press Released: Of course we don't know. See above label mentioning Longine Symphonette and how we've covered that before. Genre: Jazz, Stage & Screen Style: Big Band We will hear 6 of the 14 songs from this record. Ethel Merman and Fairchild and Carroll and Their Orchestra–It's De-Lovely This recording was released in 1936, the same year she sang it with Bob Hope in the Cole Porter musical Red Hot and Blue. Judy Garland With Victor Young And His Orchestra– Over The Rainbow written by Harold Arlen and E.Y. Harburg Released September 1939. This was the Hit song. It was first recorded for the Wizard of Oz. By the way, this song has been recorded 2,023 times according to Second Hand Songs dot com. Mary Martin with Eddy Duchin and His Orchestra-My Heart Belongs To Daddy written by Cole Porter This recording was released in 1939. Martin also was the original singer for the musical Leave It to Me! which premiered on November 9, 1938. Ella Fitzgerald With Chick Webb And His Orchestra–A-Tisket A-Tasket written by Van Alexander and Ella Fitzgerald It was released June 1938. She reprised that song with the Merry Macs for the 1942 Abbot and Costello movie Ride 'Em Cowboy. Pearl Bailey – Orchestra directed by Don Redman - Ciribirbin written by Harry James and Jack Lawrence from music by Alberto Pestalozza and Carlo Tiochet Released September 1954.  The song was first recorded by Ardito e Torre November 1910. Of course Harry James made it his theme song.  The Andrews Sisters With Vic Schoen And His Orchestra–Don't Sit Under The Apple Tree (With Anyone Else But Me) written by Charles Tobias and Lew Brown This version was released in May 1942. First recorded by Glenn Miller and His Orchestra - Vocal Refrain by Marion Hutton, Tex Beneke and The Modernaires on February 18, 1942. They didn't leave much room between versions back in those days. In fact six versions of that song were recorded in 1942. I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #musichistory #vinylcollecting #vinylrecords #musicalmemories

A trip into Trance - the dance music genre that launched a thousand cheesy synth lines and Euphoria compilations. Music journalist Niamh O'Connor (DJ Mag, AlphaTheta, Mixmag, Resident Advisor, Discogs) joins us to discuss how trance music is the sound of an Irish summer, and hyperlocally in Dun Laoghaire specifically. What is trance music? Trance music was primarily formed by producers in Germany, Netherlands and the Benelux countries in the early 90s where producers like German DJ Sven Väth fused techno-style beats with euphoric melodies, inspired by his time in Goa in india and listening to psychedelia. Paul van Dyk, Armin van Buuren, Tiësto and Ferry Corsten are some of the producers who were at the beginning of the genre. Trance is hypnotic, euphoric, bombastic and bright – making use of repetitive overpoweringly melodic arpeggio synth lines paired with percussive builds, drops and trance gates to induce – the trance state – a musical attempt to replicate the altered euphoric state of mind, and the feeling of being high in the club a aided by ecstasy and mind-altering drugs. Darude's ‘Sandstorm' is trance. Tiesto's ‘Adagio For Strings' is trance, Alice Deejay's ‘Better Off Alone' is trance. Robert Miles' ‘Children' is trance. Gigi D'Agostino's ‘L'Amour Toujours' is trance. The Big Brother theme song is trance.   Niamh joins us to enthuse about her favourite trance tunes, and talk to us about the DJs who are dropping trance in their sets these days. We go on a history of trance music, trance in an Irish context, leading through the '90's to the chart poptrance, psytrance and recent music influenced by Trance from FKA Twigs, Burial, Oklou and Danny L Harle. Are you ready? Let's open the trance gate! Niamh O'Connor's Substack / Instagram The Trance songs played on this episode. * Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord community Listen on Apple | Android  | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link  

Beautiful Hawaiian Music This is episode eleventeen hundred three thousand and forty-three of Spinning My Dad's Vinyl.  I might as well say anything I want anymore, because according to the liner notes on this album, the featured artist played all 32 instruments and sings like Bing Crosby. While the singer's voice does bear a remarkable resemblance to der Bingle, I had two Artificial Intelligence platforms arguing about if anything about Jack La Delle is real.  While I'll of course cover that story in a while, there is no mistaking the beauty of the music on this record, which I can only prove - through photos and videos for myself - the beauty of the island nation it represents. So get ready to hang loose, hang ten, then bid a sweet aloha in Volume 243: Hi-Fi Hawaii. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Jack La Delle – Hawaiian Holiday In Hi-Fi Label: Design Records – DLP 53 Format: Vinyl, LP, Album Released: 1958 Genre: Pop, Folk, World, & Country We will hear 6 of the 10 tunes on this album. Blue Hawaii written by Leo Robin, Ralph Rainger First recorded by Jack Denny and His Orchestra - Vocal by Sonny Schuyler on February 19, 1937. Sweet Leilani written by Harry Owens First recording by Ted Fio Rito and His Orchestra - Vocal Chorus by The Debutantes and Muzzy Marcellino on February 19, 1937 Song Of Old Hawaii written by Johnny Noble, Gordon Beecher First released by Al Kealoha Perry and His Singing Surfriders on August 15, 1938 Na lei o Hawaii (Song Of The Islands) written by Charles E. King First released by R. K. Holstein and Octette on June 1916. Sing Me A Song Of The Islands written by Mack Gordon, Harry Owens First recording by Ray Kinney and His Hawaiian Musical Ambassadors on December 19, 1941. It was released January 30 of 42. Aloha Oe written by Liliuokalani First recording by Quartet of Hawaiian Girls from Kawaihao Seminary on July 1, 1904 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #musichistory #vinylcollecting #vinylrecords #musicalmemories

Peter Gunn TV Music This is the fourth of six Henry Mancini albums we've heard from my dad's collection. This one is a little different, because most of the other records contained tunes that could have been released as singles or were the theme songs of movies. While you'll hear the theme song of a late 1950s TV detective show, you also get to hear the incidental music from the show. And I came to think of a couple of these tunes as some of Henry's best melodies. I'm also going to apologize in advance, but my show theme of skips, scratches, and pops is on full display in this episode. So get ready to hear music that was as much a star of the show as the actors in Volume 242: Mancini's Gunn. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Henry Mancini – The Music From Peter Gunn RCA Victor – LPM-1956, RCA Victor – LPM-1956 RE 2 Format: Vinyl, LP, Album, Reissue, Mono Released: 1959 Genre: Jazz, Pop, Stage & Screen Style: Space-Age, Theme from the sound track of the NBC-TV series "Peter Gunn" Recorded in Hollywood, August 26 and 31, and September 4 and 29, 1958. All the music for this recording session was composed by Henry Mancini. We will hear 6 of the 12 songs from this album. Peter Gunn Sorta Blue The Brothers Go To Mother's Fallout! The Floater Not From Dixie Peter Gunn for 100th Birthday I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #henrymancini #petergunn #oldTVmusic #musichistory #vinylcollecting #vinylrecords #musicalmemories 

Paul and Tim take a look at some unusual goings on over at Discogs. From drop shipping to flooding listings with incorrect items for a bait and switch......plus news and a lovely quiz.webuyrecordspod@gmail.com Written and produced by Paul Field and Tim Scullion Edited by Time Scullion.

The Ultimate Nashville Stars Here's a nice little compilation album with some pretty big names on it. The recordings you are about to hear sold millions of copies combined. And they all came from a town at the heart of country music smack dab in the heart of Tennessee. So get ready to hear wall-to-wall solid gold from wall-to-wall talent in Volume 241: Nashville Souvenirs. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Various – Souvenirs Of Music City U.S.A. Label: Plantation Records – PLP-506 Format: Vinyl, LP Released: 1978 Genre: Folk, World, & Country We will hear 10 of the 20 songs on this album. I got a little carried away. Jeannie C. Riley – Harper Valley P.T.A. written by Tom T. Hall Released in August 1968 Charlie Rich – Sittin' And Thinkin' written by Charlie Rich First recorded on August 9, 1962 and released in October of that year. Gordon Terry – Johnson's Old Gray Mule is attributed to Thomas Westendorf, who wrote the song in 1884, but it's listed as traditional on Second Hand Songs dot com. Released in March of 1957. Rita Remington – Feel My Love Written by Rita Remington and Shelby S. Singleton  Released in January of 1977 Roy Orbison – Sweet And Easy To Love written by Sam Phillips recorded on December 14, 1956 and released on January 24, 1957. David Allan Coe – Got You On My Mind Written by Howard Biggs and Joe Thomas Released August of 1977 more than 10 years after recording it. Willie Nelson – Night Life written by Myles Goodwyn, Walt Breeland, Paul Buskirk, and Willie Nelson Released in September of 1965. Carl Perkins – Blue Suede Shoes Written by Carl Perkins Recorded and released in December 1955. Elvis did his version just three months later. Johnny Cash – I Walk The Line Written by Johnny Cash recorded on April 2, 1956 and released May 1. Little David Wilkins– Just Blow In His Ear Written by Bill Way, John Reynolds, and Johnny Bienstock Released in 1969 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #nashvillesound #musiccity #musichistory #vinylcollecting #vinylrecords #musicalmemories

On this episode, we react to the stats collected for this recent Loudwire article titled The Most Collected Albums By 11 Big Prog Rock Bands (on Discogs): https://loudwire.com/most-collected-prog-rock-albums-discogs/ Do any of the results surprise you? Join the discussion!

Nick Aguilar of Frankie and the Witch Fingers and Slaughterhouse is a vinyl maniac! Today we discuss his collection, his obsession, the rarities and a life of music & record collecting. Topics Include: Nick Aguilar plays drums in multiple bands including Frankie and the Witch Fingers Currently focusing mainly on Frankie due to busy touring schedule ahead Extensive tour dates planned through end of year across US and Europe Considers himself a music fan first, musician second since childhood Dad played tapes during Nick's colic as baby, introducing classic rock Father went to San Pedro High School with future Minutemen members Dad chose commercial fishing over music after graduation in 1976 San Pedro's shipping port culture shaped the local music scene Nick has surpassed his dad's music knowledge over the years Started collecting at age 11 when neighbor gave away record collection First records included Rolling Stones "Some Girls" and Led Zeppelin "Physical Graffiti" Still regrets not taking Buzzcocks "Singles Going Steady" from that collection Casual collecting through school, seriously ramped up after high school graduation Pandemic period 2020-2022 massively accelerated his collecting and cataloging habits Taught himself DJing during lockdown to play records for people Discovered new genres like soul, funk, kraut rock through deep diving Got lucky buying expensive records cheap before current inflated market Focuses on 45s and 12-inches that work well for DJing Extreme organization needed to juggle multiple bands, touring, collecting, DJing Record store strategy: always hit new arrivals section first Holy grail wants include The Litter and James Knight records Uses both Discogs hunting and in-person digging at stores Thrift store finds getting much rarer as market knowledge spreads Appreciates reissue labels like Numero Group for discovering rare music Limited record shopping time while touring due to tight schedules Favorite shops include Breakaway in Austin and Academy in NYC Most expensive purchase: Helen Smith soul record for $2,900 on credit Most sentimental record: The Frighteners, reminds him of deceased friend Keeps multiple copies of key records for DJing versus home listening Band creates multiple vinyl variants through their Greenway Records label See Frankie and the Witch Fingers and order their vinyl here. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

The Voice of Louis Armstrong My dad's favorite trumpet player also was an extremely popular vocalist. I have documented many trumpet players who have also recorded their singing voices during the course of this show. Rarely do they commit to a full record of it. And none were as famous for it. This musician popularized a singing style, while making some of the hottest jazz records in the 1920s and 30s with his trumpet. So, get ready to hear the gravely voice of the guy they called pops in Volume 240: A Singing Satchmo. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Louis Armstrong – Satchmo Sings Label: Decca – DL 8126 Format: Vinyl, LP, Album Released: 1955 Genre: Jazz We will hear 7 of the 12 songs on this album Someday You'll Be Sorry (Louis Armstrong and the Commanders) Written-By – Louis Armstrong Sincerely (Sonny Burke and His Orchestra) Written-By – Allen Freed, Harvey Fuqua Your Cheatin Heart (Sy Oliver Orchestra) Written-By – Hank Williams April In Portugal (Louis Armstrong and His Orchestra) Written-By – Jimmy Kennedy, Raul Ferrao Kiss Of Fire (Louis Armstrong and His Orchestra) Written-By – Lester Allen, Robert Hill The Gypsy (Louis Armstrong and the Commanders) Written-By – Billy Reid Takes Two To Tango Written-By – Al Hoffman, Dick Manning I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #louisarmstrong #satchmo #musichistory #vinylcollecting #vinylrecords #musicalmemories

Dixieland Veterans My dad loved his Dixieland music. Even when he had no idea who was performing it. This is a perfect album for that mindset, because this budget label doesn't even get all of the tunes listed correctly on the cover and label, let alone tell us who's performing on it. And even though the title of this episode leans toward anonymous musicians, today's technology might have helped. And then again. It might not have. So, get ready to hear some hot jazz recordings from an album re-released without naming the artists in Volume 239: Unknown Dixieland.  For more information about this album, see the Discogs webpage for it.  Credits and copyrights Unknown Artist – Dixieland! Label: Omega Disk – OSL 63 Format: Vinyl, Stereo, LP Released: mid 1960s best my research could tell Genre: Jazz Style: Dixieland We will hear all 7 songs from this album. Buck Clayton - trumpet Jo Jones - drums Vic Dickenson - trombone Pee Wee Russell - clarinet Lou Carter - piano Bud Freeman - tenor saxophone Omega was a budget record label based in Hollywood run by the International Pacific Recording Corporation, which also produced reel-to-reel tapes on their Omegatape label. Battle Hymn Of The Republic [Traditional] Pee Wee Blues written by Pee Wee Russell, Nat Pierce Synthetic Blues written by Tim McEwan and Tyler Lyle Strike Up the Band NOT Chiribiribin as both discogs and the record album itself listed here. written by George Gershwin, Ira Gershwin Billboard March written in 1901 by John N. Klohr, and dedicated to the Billboard music-industry magazine. Blue Blues written by Nick Mulder When The Saints Go Marching In Traditional I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #dixielandmusic #musichistory #vinylcollecting #vinylrecords #musicalmemories

Maynard Ferguson's Hot Trumpet We now get to feature the second of two albums my dad had of MY favorite trumpet player. In fact, I haven't seen a rock band more times than I've seen Maynard Ferguson and his big band. This musician was known for his energetic charts, youthful big band members, soaring high notes, and most importantly his music education at the high school level. So, let's crank this up to a double high C and give Maynard the blazing, brass-heavy tribute he deserves in Volume 238: Maynard's Horn. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Maynard Ferguson – Around The Horn With Maynard Ferguson Label: Emarcy – MG 36076 Format: Vinyl, LP, Album Released: 1956 Genre: Jazz Style: Cool Jazz We will hear 6 of the 12 songs on this album. All of the music on this album was written by Bill Holman. Mrs. Pitlack Regrets Never You Mind Ain't Life Grand Open Sesame C'est La Blues Wildman I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #maynardferguson #bigbandjazz #trumpetsrule #musichistory #vinylcollecting #vinylrecords #musicalmemories

Here's a voice we've heard before. It was during a 78 RPM Sunday when we had plenty of her shellac to fill a show. This singer went on to have her own TV show where she sang many of the pop hits from that time. In fact, the tunes that made it on this album were among the most requested from her show. So, get ready to hear an artist known as the Singin' Rage in Volume 237: A TV Page For more information about this album, see the Discogs webpage for it.  Credits and copyrights It's A Good Day written by Peggy Lee, Dave Barbour (I Wanna Go Where You Go, Do What You Do) Then I'll Be Happy written by Cliff Friend, Lew Brown, Sidney Clare Sometimes I'm Happy written by Vincent Youmans, Irving Caesar, Clifford Grey Crazy Rhythm written by Roger Wolfe Kahn, Joseph Meyer, Irving Caesar Darling, Je Vous Aime Beaucoup written by Anna Sosenko Gypsy written by Billy Reid Gypsy In My Soul written by Clay Boland, Moe Jaffe Happy Days Are Here Again written by Milton Ager, Jack Yellen I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #pattiepage #musichistory #vinylcollecting #vinylrecords #musicalmemories

This is a free preview of a paid episode. To hear more, visit wisdomofcrowds.liveIt's the summer doldrums, so this week, Wisdom of Crowds is taking a break from politics and war and Trump. Instead, we are talking about culture. Our guest, Paul Elie, is one of the leading culture and religion writers in the United States. His words have appeared in the New Yorker, the Atlantic, and the New York Times. Paul's latest book, The Last Supper: Art, Faith, Sex, and Controversy in the 1980s, tells the story of artists in the 1980s who grappled with religious ideas and stirred up controversy while doing so. U2, Madonna, Andy Warhol, Piss Christ, Sinead O'Connor and many more play a role in a masterful, novelistic retelling of that fateful decade in American cultural history.Damir Marusic is curious about Paul's concept of “crypto-religiosity,” which Paul uses to describe an abiding sensibility in 1980s art and culture. Is it actually a unique category? Aren't all Americans crypto-religious to a greater or lesser degree? Isn't that the legacy of Protestantism? Santiago Ramos pursues a different line of questioning. What might a healthier relationship between institutional religion and cryptically-religious artists look like?In our bonus section for paid subscribers, Damir and Paul compare the 1980s music scene with that of the 1990s; Damir explains why the 1990s felt “less devotional and more ecstatic”; Paul talks about his first time listening to “Smells like Teen Spirit”; Santiago and Paul discuss the coming culture of “ex-vangelicals”; Santiago confesses to not having his s**t together in his 20s; Damir asks: “How can you do good punk rock if Bill Clinton's the president?”; the three discuss why Trump hasn't yet generated a counterculture or artistic resistance; Santiago mentions Macklemore's Gaza song; Paul and Santiago discuss “radtrads,” and the coming rebellion against radtrads; Paul tells Damir why he should be religious; Paul explains why electoral politics is our modern day bread and circuses; and more!Required Reading:* Paul Elie, The Last Supper: Art, Faith, Sex, and Controversy in the 1980s (Amazon). * Paul Elie, The Life You Save May Be Your Own: An American Pilgrimage (Amazon).* Julia Yost, “The Scandal of Dogmatism” (Compact). * Damir Marusic, “The Pursuit of Passion for its Own Sake” (WoC). * Damir's discography from his punk rock days (Discogs).* Damir's music with his band, The Miss (Bandcamp).* CrowdSource, “Protest Music” (WoC). Free preview video:

After setting the stage by understanding producer Felton Jarvis's career leading up to his early collaborations with Elvis, we continue to investigate and interrogate the fan belief that he was singularly to blame for the "syrupy" overdubs that diminished the "pure" unfinished tracks. Helped along by a 1980 interview done between Felton and Jerry Flowers of RCA in which the producer talks about his career retrospectively, Justin and Bec trace Felton's journey as Elvis hires and hand-picks him to be his exclusive producer, taking Felton away from RCA and other artists so that Elvis can, as a largely autonomous artist whose only studio commitments during this decade are to send periodic deliverables to RCA, work at his own pace and create the kind of recordings that he truly wants. But was Felton truly to blame for the overindulgent strings and horns that were added to Elvis's music, or is there someone else that we've collectively overlooked? And has the narrative been all wrong and the way we even talk about "overdubs" been clouded by a widespread "rockist" misunderstanding of both Elvis and Felton, their respective jobs and tastes, and misunderstood expectations of the kind of music both fans & critics thought Elvis "should" be making?  The duo examine Elvis's live performances in relation to his studio work, touch on a few more non-Elvis records produced by Felton, and even revisit the 1981 "Guitar Man" project Felton spearheaded before his early death to see if it provides clearer insight into the producer's preferences and tastes. For Song of the Week, Bec makes a promise that "It Won't Be Long," covering the recording cut from "Double Trouble," while Justin goes prospecting because he's pretty sure "There's Gold in the Mountains" still to be dug up from "Kissin' Cousins." Some of the resources consulted for this and the last episode included, even if not quoted or mentioned in the final episode: Felton Jarvis's 1980 Interview with Jerry Flowers of RCA William Bozeman: "Felton Jarvis: The Man Behind the Music" from Elvis Express Magazine Peter Guralnick: Careless Love: The Unmaking of Elvis Presley Roben Jones: Memphis Boys: The Story of American Studios Rick Hall: The Man from Muscle Shoals: My Journey from Shame to Fame Norbert Putnam: Musical Memories, Volume 1 Ernst Jorgensen: Elvis Presley - A Life in Music Ernst Jorgensen & Peter Guralnick: "Elvis Day By Day" and "The Complete Masters" Ernst Jorgensen, Johnny Mikkelsen & Erik Rasmussen: Reconsider Baby: The Definitive Elvis Sessionography Elvis Music FAQ by Mike Eder Alanna Nash: "Revelations from the Memphis Mafia" & "The Colonel" Luther Moore: "Felton Jarvis Re-Appraised" from Elvis: The Man & His Music magazine Brian F. White's Interview with Norbert Putnam: https://www.brianfwright.com/interviews/norbert-putnam Michael Nesmith: Infinite Tuesday - An Autobiographical Riff TapeOP's Interview with Chip Young: https://tapeop.com/interviews/124/chip-young Various reviews, articles, editorials, and interviews compiled from across Elvis Australia, Elvis Information Network, Elvis-History-Blog, Elvis Monthly, Strictly Elvis, Arjan Deelan as well as Discogs, KeithFlynn.uk, Elvisconcerts.com and other resources online.

In this episode of Shoving Wilco, we sit down with music journalist and author Bob Mehr to explore the HiFi resurrection of Wilco's debut album, A.M.. Thirty years after its original release, A.M. is getting the audiophile treatment as part of Rhino's HiFi series — and it's never sounded better. Bob joins us to talk about the making of the album, his liner notes for the reissue, and how A.M., once seen as a modest debut, now shines with new dimension and clarity.Go here to get the record. Below is Todd's Discogs review: Unreal how good this is. Kevin Gray's work here is absolutely stunning. I've heard A.M. in every format—CD, stream, vinyl—for most of my life, but I've never heard it like this. Instrument separation is razor sharp, and Jeff's vocals are undeniably front and center—as they should be—but everyone else is brought forward too. It's cohesive and full without sacrificing presence. No one feels tucked away. This isn't a nostalgia trip. This is A.M. finally getting the respect it deserves sonically.

This is a free preview of a paid episode. To hear more, visit wisdomofcrowds.liveWhy do artists try so hard to shock the public? Why is Kanye West singing about Hitler? Why are New York artists dabbling with fascism?The novelist and cultural critic Țara Isabella Burton joins Damir Marusic and Santiago Ramos to discuss these questions and more. Last week, Tara published an essay on Wisdom of Crowds titled “The Point of Pissing People Off.” In it, she tries to figure out whether there is something positive at work in transgression and provocation — something good that comes out of shocking art.All three of our conversationalists agree: Kanye is not really being transgressive. But is there a good version of transgression? Tara suggests that we should think about transgression as a genre, with a certain form and structure, that can either succeed or fail. Damir is skeptical of analyzing transgression, and prefers to think of it as a moment of ecstasy. Santiago wonders if transgression is important for self-knowledge, and something valuable for society as a whole.In the course of the conversation, many transgressive works and artists are discussed, among them: Piss Christ; Madonna; Georges Bataille; the Marquis de Sade; and more.In our bonus section for paid subscribers, Damir talks about the difference between analyzing transgressive art and consuming transgressive art, and why he prefers the latter; Damir discusses the difference between the punk rock of his day, where Reagan was the enemy, and the transgressive art today, which hails Trump as a leader; Tara, Santiago, and Damir trade thoughts about the French Revolution; Santiago tries to get Damir to explain what he means when he talks about “the stuff”; they discuss the question of whether love is as powerful as transgression; Damir talks about his favorite part of the Gospels; and Tara talks about kitsch.Required Reading and Listening:* Tara, “The Point of Pissing People Off” (Wisdom of Crowds).* Tara, Strange Rites: New Religions for a Godless World (Amazon).* Tara, Self-Made: Creating Our Identities from Da Vinci to the Kardashians (Amazon).* Damir's discography from his punk rock days (Discogs).* Damir's music with his band, The Miss (Bandcamp).* Kanye West, “Heil Symphony” (Spotify).* “Kanye West's ‘Heil Hitler' Song & Controversy Explained” (Yahoo! Entertainment). * The new Fiume Gallery in New York.* Piss Christ by Andres Serrano (Artchive).* Madonna, “Material Girl” (YouTube).* Michel Foucault, Discipline and Punish (Amazon).* Georges Bataille, Story of the Eye (Amazon).* Gustave Flaubert, Madame Bovary (Amazon).* Leo Tolstoy, Anna Karenina (Amazon).* Previous podcast episode where Damir says, “That's the stuff!” (Wisdom of Crowds).* Something Beautiful for God by Malcolm Muggeridge, a book about Mother Teresa (Amazon).Free preview video:Full video for paid subscribers below:

BOGO this week only on SURFACE NOISE! For your freebie, here is the latest FREESTYLE!

Nuggets curator Lenny Kaye joins Brown Acid creators Lance Barresi and Daniel Hall to celebrate their 20th volume of rescuing forgotten proto-metal singles from the early 70s, discuss rare vinyl discoveries, and preserving music that would otherwise be lost to time. Topics Include: Introduction of Lance Barresi, Daniel Hall, and Lenny Kaye. Lenny explains discovering Brown Acid at Other Music in Manhattan. Lenny compares Brown Acid's impact to how Nuggets defined garage rock. Discussion of what makes Brown Acid unique in music archaeology. How Jac Holzman gave Lenny the original idea for Nuggets. Daniel and Lance never expected Brown Acid to reach 20 volumes. Track-by-track discussion of Brown Acid Volume 20 begins. AfterFlash's "Cookbook" was originally a B-side. 500 copies was typical minimum pressing quantity in the early 70s. Lenny mentions pressing 1500 copies of Patti Smith's first single. Most Brown Acid records didn't come with picture sleeves. Discussion of Polvo, the first Mexican band on Brown Acid. Other international acts include bands from Australia, Sweden, UK, Canada. Three primary regions for Brown Acid music: Youngstown, Detroit, Texas. Osage Lute from Missouri is Lance's hometown connection. Osage Lute drummer Mike Lusher preserved extensive band history materials. Frozen Sun's "Jamm Pt 1" was from original master tape. Some records are so rare they have no Discogs sales history. Many original artists don't remember details about their recordings. Lenny mentions difficulty finding information when creating original Nuggets. The Banana Bros record isn't even listed on Discogs. Surprising connection: Banana Bros member was father of Permanent Records performer. Many Brown Acid discoveries happen through impossible coincidences. A horror movie soundtrack led to discovering one Brown Acid track. B-sides often better fit the Brown Acid aesthetic than A-sides. Lance must track down artists for proper licensing for each song. Some negotiations take years to complete. Nick Townsend credited for consistent audio mastering across compilations. RTI pressing plant provides consistent quality for Brown Acid vinyl. Paul Major writes the colourful track descriptions for Brown Acid. Lenny wrote the foreword for Brown Acid Volume 20's deluxe edition. Brown Acid 20th anniversary release party happening at Permanent Records Roadhouse. DJ Mr. Dibs creating special Brown Acid mixtape to celebrate milestone. Brown Acid preserves songs that would be lost without the project. The team has enough material licensed for many future volumes. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8