Podcast appearances and mentions of simon garfunkel

March 22 at the Cohoes Music Hall, the music of Simon & Garfunkel performed by some of our greats in the Local 518.

Am Release-Tag seines neuen Albums «Through My Eyes» spielt Tobias Carshey heute eine Live-Session bei uns im Studio – inklusive Streicher-Ensemble und Pianist. Hühnerhaut-Momente sind garantiert, nicht nur bei der Cover-Version von «Bridge Over Troubled Water» von Simon & Garfunkel!

¿Te has preguntado por qué 'The Sound of Silence' de Simon & Garfunkel sigue resonando con fuerza hoy en día? En este episodio, paseamos por la historia y el impacto de esta icónica canción. Descubre cómo, a pesar de ser un tema de 1964, continúa vigente en la actualidad por los temas que trata, como la desconexión y comunicación en un mundo hiperconectado. Guion: Emma Mussoll Locución y edición: Margot Martín. Conoce los temas que suenan visitando nuestra web: https://elrecuentomusical.com/the-sound-of-silence-simon-garfunkel/ Este episodio de “El Recuento Musical” cuenta con la colaboración del Ministerio de Cultura y su financiación, a través de las ayudas para la promoción del sector del podcast, que se enmarcan dentro del Plan de Recuperación, Transformación y Resiliencia financiado por la Union Europea con los fondos Next Generation EU.

I'm thrilled to welcome British singer-songwriter Jo Hill onto Léim Thart with her stunning debut album, girlhood. The album is a testament to Jo's exceptional songwriting prowess, drawing inspiration from iconic legends like Queen, Boney M, The Beatles, Simon & Garfunkel, and Joni Mitchell, while also echoing the influence of contemporary acts such as Big Thief, Remi Wolf, and Kacey Musgraves.She brought me through the highlights of the album, going independent, connecting with her audience, 2025 plans, and even an unexpected Arabic lesson! girlhood. is a captivating blend of timeless and current sounds that has received multiple spins from BBC Radio 1 and a recent play from Elton John on his Rocket Hour Apple Music show.Watch this episode on YouTube HEREFollow Ruairí Egan / Léim Thart HERE

Die nächste Folge LIVME ist am Start: Heute geht Current Joys, das ambitionierte Projekt von Sänger, Songschreiber und Musiker Nick Rattigan. Sein neues Album 'East my Love' brach unsere Herzen und ist straighter Americana-Pop mit einer ehrfürchtigen Verneigung vor Bob Dylan sowie einem Cover von Simon & Garfunkel.

Paul Simon och Art Garfunkel, födda veckor emellan och vänner sedan barnsben kom genom mycket konflikt och kamp att bli några av musikhistoriens mest unika artister. Detta är historien om världens främsta folk-duo.Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:Paul Simon: a Life (Eliot, Marc, 2010)Simon and Garfunkel : together alone (Leigh, Spencer 2016)Simon and Garfunkel (Matthew-Walker, Robert 1984)Payola (Wikipedia, 2024)Simon and Garfunkel's Perfect Song (Polyphonic, 2018) Hosted on Acast. See acast.com/privacy for more information.

Paul Simon och Art Garfunkel, födda veckor emellan och vänner sedan barnsben kom genom mycket konflikt och kamp att bli några av musikhistoriens mest unika artister. Detta är historien om världens främsta folk-duo.Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:Paul Simon: a Life (Eliot, Marc, 2010)Simon and Garfunkel : together alone (Leigh, Spencer 2016)Simon and Garfunkel (Matthew-Walker, Robert 1984)Payola (Wikipedia, 2024) Hosted on Acast. See acast.com/privacy for more information.

heute u.a. Austellung über Solinger Künstler unterm Hakenkreuz; Simon Garfunkel singt mit seinem Sohn; Scala Kulturrätsel; Frage der Kultur: Brauchen wir mehr Redekunst für die Politik; Filmtipps: Gladiator 2 / Neues aus Lappland. Moderation: Sebastian Wellendorf. Von Sebastian Wellendorf.

Hello, Darkness, my old friend.. This week we'll hear everything BUT the Sound Of Silence as we journey across a Bridge Over Troubled Water with Simon & Garfunkel! They wrote and recorded their final album while the breakup was imminent. We'll talk about this career retrospective and try to count all the times these childhood best friends quit speaking (spoiler alert, it's a LOT). Then the Mixtaper has a golden ticket as he takes us from Jasper and Jinx to a worldwide boycott! Learn about the Peruvian anthem Paul Simon accidentally stole, the tape recorder party that birthed Cecilia, and the hundred hours the duo poured into The Boxer with us!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro4:11 Hello Darkness, My Old Friend...5:41 About Simon & Garfunkel21:32 About Bridge Over Troubled Water24:14 Breakup & Aftermath30:03 Awards & Accolades31:27 Fact Or Spin32:25 Jasper & Jinx36:16 Garfunkel Almost Won The Golden Ticket39:26 Garfunkel Went 4 Years Without Speaking42:34 Paul Simon Was Boycotted By The World47:23 Album Art48:42 Bridge Over Troubled Water53:30 El Condor Pasa (If I Could)56:34 Cecilia58:37 Keep The Customer Satisfied59:55 So Long, Frank Lloyd Wright1:02:03 The Boxer1:07:51 Baby Driver1:09:27 The Only Living Boy In New York1:11:22 Why Don't You Write Me1:12:26 Bye Bye Love (Live At Memorial Auditorium)1:14:38 Song For The Asking1:16:05 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Urban Staubli aus Wil/SG ist seit April dieses Jahres pensioniert. Doch Ruhestand ist für den pensionierten Hygieneberater ein Fremdwort. Wenige Tage nach seiner offiziellen Pensionierung machte sich der fitte Rentner mit dem Velo auf den Weg. Start: Südgriechenland. Ziel: Nordkap. Distanz: 6500 Kilometer. Nun ist Urban Staubli wieder in der Schweiz und erzählt von seinem Abenteuer. Begonnen hatte alles sehr früh. Als Bub, so Urban Staubli im Interview, sei er viel im öffentlichen Freibad gewesen. Damals habe es noch eine Jukebox im Badirestaurant gegeben. Und bei jedem Besuch habe er sich mit einem 20 Räppler das Lied: «El condor pasa» von Simon & Garfunkel abspielen lassen. Dies habe eine Sehnsucht nach der Ferne in ihm geweckt, die nie mehr verschwunden sei. Brieffreund in Polen Staubli wurde trotz Fernweh Krankenpfleger. Er habe immer viele Nachtwachen-Dienste übernommen, weil er da jeweils Zeit hatte, seinem Brieffreund in Polen zu schreiben. Bei einem Besuch dieses jungen Mannes in dessen Heimat, habe er sich definitiv in Land und Leute verliebt. Insgesammt war Staubli zwölf Mal in Polen. Zuerst allein, dann mit der eigenen Familie. Bubentraum Velotour durch Europa Schon als junger Mann hatte sich Staubli vorgenommen, eines Tages mit dem Velo ganz Europa zu durchqueren. Wegen der Familie und seiner beruflichen Karriere musste er diesen Wunsch allerdings immer hinten anstellen. 6500 Kilometer im Sattel Am 8. April deises Jahres startete Urban Staubli mit seinem Spezialvelo endlich die lang ersehnte Tour. Die ersten Kilometer seien die schwersten gewesen, so Staubli im Rückblick. Die Fahrt durch Polen und Albanien haben ihm am besten gefallen. Die Leute seien so liebenswürdig und gastfreundlich gewesen. Er habe fast nie im Zelt übernachten müssen. Fast immer hätte er ein Zimmer gefunden, oder es sei ihm sogar eine Unterkunft gratis angeboten worden. Am Ziel - und jetzt? Nach 4 Monaten auf dem Velo erreicht Urban Staubli sein Ziel: das Nordkap. Er ist sehr froh, es ohne Zwischenfall oder Unfall geschafft zu haben. Doch dann macht sich sehr schnell ein Gefühl der Leere breit. Was jetzt? Für einen guten Zweck Urban Staubli hat während seiner Tour Geld gesammelt. Damit will er zwei Hilfswerke unterstützen. Ein Hilfswerk, welches behinderte Kinder in Indien unterstützt und die Stiftung «Denk an mich». Diese sammelt Geld und ermöglicht damit Kindern und Angehörigen von Menschen mit einer Beeinträchtigung Ferien.

Hoy hablaremos de la exitosa vida, hasta que Kubrick, el del cubo no, otro, apareció en su camino: Shelley Alexis Duvall, el boceto americano de Rossy de Palma. La pequeña Shelley nació en Texas el 7 de julio de 1949. Su madre era Bobbie Ruth Crawford, sí, como la supermodelo pero sin el luná, sin la cara y sin el cuerpo. Bobbie era realtora inmobiliaria que es cómo llaman allí a los de Technocasa. Su padre, Robert Duvall, el actor no, otro, era subastador de ganado convertido en abogado porque no tenía que cuidar de los 4 niños y pudo estudiar, porque si no te dise a ti Kike qué abogado. Y es que nuestra querida protagonista fue la mayor de sus 3 hermanos: Scott, Shane y Stewart, que quiero imaginar que tendría losojito de su hermana y no desaprovecharían la oportunidad de llamarlo “Stewie”. La pequeña Shelley pasó sus primeros años de Coria a Mairena y de Tomares a Espartinas por el trabajo de su padre hasta que al cumplir los 5 años su familia se estableció en Houston, tenemos un problema. La pequeña era muy artística y enérgica, por lo que se ganó el apodo de “Manic Mouse” por parte de su madre, un apodo que usan los americanos y que es como Mickey Mouse pero con los guantes y los botones amarillos, una mihita de hiperactividad y que na más que se le ocurren cosas como cagarse y pintarte la pared del pasillo como las cuevas de Altamira. Desde chica se interesó por la ciencia y en la adolescencia aspiraba a convertirse en científica, pero se estaría quedando sin batería que aspiró flojito. En 1967 se graduó en el High School, que es donde ellos hacen el BUP, y mientras se hacía un FP de nutrición y dietoterapia se metió de vendedora de AVON porque quería comprarse el Motorola ese que se abría. Alrededor de los 70 estaba Shelley en un cervezá de Química (también llamada fiesta de la primavera en los sitios donde no se hacían en medio el campo) y conoció al director Robert Altman que estaba rodando una película, corto de personal y de presupuesto, y que le pidió que saliera en el largometraje. Shelley se subió por primera vez a un avión, que la pobre había viajao menos que Jesús Puente, se bajó en Hollywood y apareció en la película, convirtiéndose en la fija discontinua de Altman. En 1970 se casó con uno que se puso celosito del éxito de su mujer y lo acabó mandando a por los avíos de la berza. Luego en 1976 conoció en Nueva York a Paul Simon, el de Simon&Garfunkel que no es Garfunkel y empezaron una relación hasta que se lo presentó a su amiga Carrie Fisher que se ve que amiga, amiga tampoco era. Durante toda esa década rodó más películas que Marisol, incluida “Nashville”, que es mu buen nombre pa una casa de robá y matá gente. También se la pudo ver con frecuencia en el Saturday Night Live con José Luis Moreno, que tiene una mansión que no se llama “Nashville” pero que por lo visto no es muy difícil de entrar. Las interpretaciones de Shelley siempre eran muy elogiadas aunque la película fuera más mala que “Anaconda”. Ganó el premio a mejor actriz en el festival de Cannes en 1977, la nominaban a los LAFCAS, los BAFTAS y los AFTAS, que la dentadura le dejaba el laito del labio de abajo como los pies de un peregrino del camino Santiago. En esta época Shelley tenía los ojos como Don Pimpon, la frente como Cortadura con marea baja y un canijaso que eso sólo se solucionaba echándole tocino al puchero. En 1980 Shelley obtuvo el reconocimiento internacional gracias a su interpretación de Wendy Torrance en “El Resplandor”, una película de Stanley Kubrick que agobió a nuestra Shelley más que Edwin a Daniel Sancho. El director le hizo repetir la escena del bate de baseball 127 veces, que ahora entiendo porque en la peli se la ve moviendo el bate con más malage que Tamara Falcó. Durante los últimos meses de rodaje tenía que estar llorando 12 horas al día 5 o 6 días a la semana, por lo que Duvall le dijo al director que “era muy difícil estar histérica durante tanto tiempo”, que ella no era Lidia Lozano. Altman, que desde un principio quedó fascinado por la alegría que desprendía Shelley veía que el tirano éste se la iba a cargar como actriz, así que la eligió para interpretar a Olivia en su adaptación cinematográfica de Popeye junto a Robin Williams. Anda, que tuvo menos ojo que Millán-Astray. A inicios de los 80 quiso dar un giro dedicándose al público infantil. Interpretó y produjo series y programas infantiles hasta 1992 que llegaron a ser nominados a los Emmy, y es que Shelley Duvall tenía una jartá de talento que nunca supimos valorar como se merecía. En 1989 conoció al músico Dan Gilroy y mira, como no roncaba y no se peía mucho, ya no cambió más. Con él se retiró a un rancho de Texas porque le salieron 3 seis seguidos. En 2016 la gente se asustó una mihita porque fue a un programa y la pobre mía no sabía dónde tenía el pie izquierdo. Pero el director de Toy Story 3, Lee Unkrich, vio el cielo abierto porque estaba haciendo un libro de “El resplandor” y llevaba años buscándola en tos laos menos en su casa. Unkrich confirmó que tenía la cabeza mejor Iñaki Gabilondo. En el 2022 regresó a la actuación con The Forest Hills y con menos dientes que el que se llevó el mecherazo de la Sole. Su estreno estaba previsto para el 2024. Desgraciadamente, el 26 de julio de este mismo año, Shelley Duvall nos dejaba a los 75 años de edad pero ustedes siempre podrán recordarla cada vez que conozcan a una fija discontinua o le echen un trocito de tocino al puchero.

Apple Musicに保存してある約10万曲を、敏感すぎるHSPならではの視点で曲解説を行う番組です。「HSPは一周回って超天才だ！」という感性をフルオープンして世界一前向きにHSPと非HSPの橋渡しを行なっています。 ▼パーソナリティ きらてん（強度のHSS型HSP／ラジオパーソナリティ） ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/hsshappyHsp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/kiraten⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ▼プロデュースPodcast番組： ・福永均の「繊維の泉」泉工業株式会社 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/72eSofcC7m4RmznIjZjLEl?si=a4474f70c0cc46c4⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ・アマノの「車の文句は俺に言え！」アマノボディーワークス ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/3NOunl5yUyRXJiOn9tByir?si=a54d45c8f4b24de5⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ▼今回ご紹介した曲 【The Sound of Silence】Simon & Garfunkel（1964年） ▼参考web 『ウィキペディア（Wikipedia）』 https://ja.wikipedia.org ▼番組で使用しているポッドキャスト機材： ・マイク：Yeti USB Microphone ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3T2wVo5⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ・オーディオインターフェース：フォーカスライト ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/49C4BQD⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ▼オウンドメディア・ポッドキャスト制作 株式会社ジョブオール ▼HSPラジオ きらてん公式サイト ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kiraten.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ▼ラジオお問い合わせ「HSPあるある」「リクエスト曲」はこちらから ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://forms.gle/wwG2FVNykJCYWtv26⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ▼「HSP音楽ノート」Spotifyプレイリスト ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/playlist/3yN7SsyJzO77aGmewS4YN4?si=d1c8025049c74638⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 当サイトではアフィリエイトプログラムを利用して商品を紹介しています。 #定期配信 #邦楽 #洋楽

- “Fraintendimenti – Quando la Bibbia ti fa inciampare”, con Ernesto Borghi.In questa ultima puntata di “Tempo dello Spirito” in versione estiva, il professor Ernesto Borghi affronta il tema che sta al cuore della fede cristiana: l'annuncio della resurrezione di Cristo. Testimoniare la resurrezione è forse il compito più difficile per ciascuna persona credente.- Musica. “Seven Psalms” è il titolo di un'opera di Paul Simon, il cantautore e musicista statunitense celebre in tutto il mondo fin da quando era parte dello storico duo Simon & Garfunkel. In questa opera, l'artista si confronta con i grandi temi della vita e della morte, in un disco coinvolgente che propone una spiritualità anche molto terrena.- “Leggere i Salmi: la lode, la supplica, la protesta”, a cura di Daniele Garrone.Il professor Daniele Garrone, docente di Antico Testamento alla Facoltà valdese di Teologia di Roma, presenta l'ultimo Salmo, il 150. Nel Salmo che conclude il Salterio, colpisce l'estensione universale, cosmica della lode. Ogni essere che ha in sé l'alito di vita donato da Dio, è chiamato a lodarlo.

SIMON & GARFUNKEL Sounds of Silence ARTISTS INCLUDE Tina Turner, Van Morrison, The Beatles, Melanie, We Mavericks, Khristian Mizzi, Emmylou Harris, and Thelma Houston & Pressure Cooker.   SENSATIONAL GUITARISTS INCLUDE Glenn Cardier, Mark Knopfler (Dire Straits), Jeff Beck (Tina Turner), Paul Wookey, Eric Clapton (The Beatles), and Santana. COPYCATS ARE COOL CATS! ORIGINAL VERSION— THE SOUND OF SILENCE—ACOUSTIC COVER VERSION — THE SOUND OF SILENCE—ELECTRIC SIMON & GARFUNKEL   James Gee as in, Gee, I thought about being ‘nice' today. It's the thought that counts.   www.singersongwritersandsensationalguitarists.com

Hello, darkness, my old friend[^1]. That's what he said as he walked into the office for the first time. I was sitting in the morning sun[^2], feeling a bit out of place in the new environment. He introduced himself with, "This is a story of a girl"[^3], though obviously not about him. We laughed, and I thought, "Once upon a time, not so long ago"[^4], two strangers started their journey. We quickly found common ground. He said, "Come gather 'round people, wherever you roam"[^5]. I nodded and replied, "I was working part-time in a five-and-dime"[^6]. From that day, we became fast friends. He had a way of saying, "Oh, what a night"[^7], no matter how the day went. Every morning, he greeted me with, "It's a beautiful day"[^8]. Together, we faced the corporate grind, believing that with a little help from my friends[^9], we could get through anything. One afternoon, he turned to me and said, "You can't always get what you want"[^10]. We laughed, agreeing that, "Here comes the sun"[^11], always brightened the darkest times. As time passed, we started hanging out after work. He'd often say, "Hey Jude, don't make it bad"[^12], whenever I was down. In return, I'd remind him, "Lean on me, when you're not strong"[^13], and he did. We shared countless memories, from late-night talks to weekend adventures. I remember, "It's been a long day without you, my friend"[^14], when he was on vacation, but we always reconnected like no time had passed. One evening, as we sat by the fire, he said, "If you're lost, you can look and you will find me"[^15]. I smiled and replied, "This will be our year, took a long time to come"[^16]. Our friendship was unbreakable. Years turned into decades, and even as life changed, our bond remained strong. He once said, "We've only just begun to live"[^17], and I knew he was right. In the end, "The love you take is equal to the love you make"[^18]. --- [^1]: The Sound of Silence by Simon & Garfunkel [^2]: Dock of the Bay by Otis Redding [^3]: Absolutely (Story of a Girl) by Nine Days [^4]: Livin' on a Prayer by Bon Jovi [^5]: The Times They Are A-Changin' by Bob Dylan [^6]: Raspberry Beret by Prince [^7]: December, 1963 (Oh, What a Night) by The Four Seasons [^8]: Beautiful Day by U2 [^9]: With a Little Help from My Friends by The Beatles [^10]: You Can't Always Get What You Want by The Rolling Stones [^11]: Here Comes the Sun by The Beatles [^12]: Hey Jude by The Beatles [^13]: Lean on Me by Bill Withers [^14]: See You Again by Wiz Khalifa ft. Charlie Puth [^15]: Time After Time by Cyndi Lauper [^16]: This Will Be Our Year by The Zombies [^17]: We've Only Just Begun by The Carpenters [^18]: The End by The Beatles

Terza manche della gara tra Colonne Sonore di Bollicine, che a fine estate decreterà quale tra le 40 in gara è la preferita dai nostri ascoltatori. Tutte le settimane è possibile votare sul nostro www.bolliblog.com in base al vostro gradimento. Tra gli altri, in questa puntata si sono "scontrati" due tra i film preferiti degli ascoltatori, Il laureato con la colonna sonora di Simon & Garfunkel e l'opera rock Jesus Christ Superstar.

Cerramos los programas dedicados a Simon & Garfunkel con muchas versiones de sus clásicos, algunas sorprendentes.

☕️ Buy me a coffee: https://www.everyonelovesguitar.com/support  

Découvrez l'histoire fascinante derrière l'album La 7ème vague de Laurent Voulzy, une compilation de reprises surprenante dans la carrière de cet artiste emblématique.Après 30 ans de carrière, Laurent Voulzy a fait le choix inattendu de publier un disque de reprises, une première dans son parcours. Motivé par l'envie de créer un album estival, idéal pour les vacances, il a sélectionné avec soin une vingtaine de classiques des années 60, allant des Beatles aux Alessi Brothers, en passant par Charles Trenet et Hugo Frayer.Enregistré dans une ambiance décontractée en seulement 6 mois, contre plusieurs années habituellement, La 7ème vague révèle un Voulzy plus insouciant, loin de son exigence et de son perfectionnisme légendaires. Avec un invité de marque, Simon Garfunkel, cet album aux sonorités pop et variété estivales nous invite à nous détendre au coucher de soleil.Mais pourquoi ce titre La 7ème vague ? Laurent Voulzy s'est inspiré d'une croyance selon laquelle la 7ème vague de l'océan serait la plus forte, la plus haute et la plus belle. Un clin d'oeil plein de poésie pour un album aux airs de vacances

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Brad Birzer. Brad is the Russell Amos Kirk Chair in American Studies and Professor of History at Hillsdale College. He is also the co-founder of and Senior Contributor at The Imaginative Conservative, and the author of a number of books, including Neil Peart: Cultural (Re)Percussions. Find him online at bradbirzer.com or @bradleybirzer on Twitter.Brad's Music Pick: YesTell the moon dog, tell the march hare! We take you close to the edge of the south side of the sky this week as we discuss the early adventures of Britain's answer to all the questions raised by hippies during the Seventies, the New Age of Atlantic: Yes. Yes were one of the pillars of British progressive rock music, but also (perhaps surprisingly) a major commercial success in America long before their peers. They were also a truly singular band during their lengthy heyday; the band underwent endless lineup changes as personalities clashed and artistic visions ran amok, and yet they have always sounded like themselves and nobody else successfully has.Starting with local janitor Jon Anderson on countertenor vocals, Pete Banks on Hendrixian guitar, Tony Kaye on groovy late-Sixties B3 organ, fussily precise jazz drummer Bill Bruford keeping time, and Chris Squire playing a bass so aggressive it intimidates people into crossing to the other side of the street, Yes exploded out of London's club-gigging scene after drawing inspiration from watching a newly born King Crimson play the circuit. Their early style mixed originals -- first halting, then increasingly assured -- with spectacularly imaginative covers of everything from West Side Story to Buffalo Springfield and Simon & Garfunkel. But as Banks was jettisoned for Steve Howe, and then Tony Kaye traded in for Rick Wakeman, Yes ascended from a series of records beginning with The Yes Album and Fragile (1971) to superstardom, with all that entailed: sidelong songs, triple live albums, and extended soaks in the topographic oceans. All set to some of the most inscrutable lyrics but gorgeous music written during the decade.So turn on your lava lamp and get ready to call over valleys of endless seas as you and I climb crossing the shape of the morning -- it's time to sink into a elevated musical fantasy world created by Yes during this, the first part of their career. We take the story up through Tales from Topographic Oceans (1973); next time around, we'll get a relayer to go for the one without too much drama, but for now click play and enjoy the sound of perpetual change. 

In hour one, Mike & Jason look back at the previous day in sports (3:00), they talk the Oilers tying things up in their WCF series versus the stars (6:00), plus they try and break down Drance's odd Simon & Garfunkel take in relation to Hughes & Hronek (27:00).  This podcast is produced by Andy Cole and Greg Balloch. The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Media Inc. or any affiliate.

In hour three, Mike & Jason talk Canucks with The Athletic Vancouver's Thomas Drance, who also defends his Simon & Garfunkel take (3:00), plus the boys tell us what they learned (27:00). This podcast is produced by Andy Cole and Greg Balloch. The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Media Inc. or any affiliate.

Jamie and Drance are in full offseason mode. Are Quinn Hughes and Filip Hronek the same as Simon & Garfunkel? What are the timelines for getting deals done with UFA's this summer? The Canucks are at risk of losing their best penalty killers. Another year operating under LTIR for the Canucks. Nils Hoglander will absolutely come up in conversation in trade talks. Can Hoglander be a more valuable piece than he's been? At some point you can have too much of the same thing, you need different flavours.  This podcast is produced by Dominic Sramaty & Lina SetaghianThe views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Media Inc. or any affiliate.

In the latest episode of Jagbags, Len and Beave try to discuss the music of Paul Simon (and his music for Simon & Garfunkel), but instead wind up devoting at least a quarter of the episode to the 1980 Art Garfunkel stone classic film "Bad Timing". Tune in for 45-minute playlists, discussions of our favorite Simon and Garfunkel LPs and songs, favorite Paul Simon albums, a discussion of various books and documentaries on Paul Simon's storied career -- and all the "Bad Timing" you can handle! ULTIMATE JAGBAGS!

Connecticut politician goes to D.C. to declare Connecticut the pizza capitol of the US. what will New York have to say about this? Lou and Dave take text messages on the greatest duos in history. Who do you like? Jordan & Pippen, Simon & Garfunkel, Funk and Wagnall? Danbury Mayor Roberto Alves checks in.

A demobbed King reclaims his crown, the Wichita Lineman crew triumph again, the sound of 1976 reappears in 1980, a choreographer jives with a cat, the Cosmo Smallpiece of millennial R&B plays fast and loose with co-writing credits, and a player gets played right back.YouTube playlist // Spotify playlist // extra tracks & bonus bitsTo join in with the voting, please submit your 1st, 2nd and 3rd favourites, plus your "most bad and hated" selection, to:The Patreon Supporters Club // X: @whichdecadetops // Facebook // whichdecadeistops@gmail.comThe voting deadline for this episode is 6pm UK time, Monday 13th May 2024. Hosted on Acast. See acast.com/privacy for more information.

In Episode #169 of The XS Noize Podcast, host Mark Millar delves deep into a compelling dialogue with Mollie McGinn and Orlaith Forsythe, the dynamic Irish rock duo behind Dea Matrona. This discussion focuses on their eagerly awaited debut album, 'For Your Sins,' which is set to captivate listeners worldwide on May 3rd. Originating from shared school corridors, Mollie McGinn and Orlaith Forsythe's journey began with their mutual passion for rock 'n' roll. Their early days were spent busking on the lively streets of Belfast, breathing new life into classics such as Led Zeppelin's 'Whole Lotta Love' and Simon & Garfunkel's 'Homeward Bound'. This grassroots musical adventure has now culminated in the release of their debut album, For Your Sins, on May 3rd, marking a significant milestone in their career. Throughout this interview, Mollie and Orlaith offer an intimate glimpse into their unique bond, forged in the halls of their school and strengthened amidst the echoes of their street performances in Belfast. They share insights into the creative process behind For Your Sins, revealing the depth of their artistic vision and the evolution of their sound from the cobblestones to the studio. Previous XS Noize Podcast guests have been Elbow, Crowded House, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Nick Heyward, Steven Wilson, Matt Goss, Billy Nomates, Tom Meighan, Toyah Wilcox, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies. Listen via YouTube | Apple Podcasts | Spotify | Stitcher | RSS – Find The XS Noize Music Podcast's complete archive of episodes here.

Fred Lipsius was the extraordinary saxophonist and arranger for Blood Sweat & Tears. He's a 3x Grammy winner with 9 Gold records. He arranged “Spinning Wheel”, “Hi-De-Ho” and “You Made Me So Very Happy”, three of BS&T's biggest hits. And he's performed with artists like Simon & Garfunkel, Janis Joplin, Thelonious Monk and many more. And he's got a new album out called Facets Of Love.My featured song is “Miles Behind” from my “lost” 1994 debut album of the same name. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“MILES BEHIND”, Robert's first album, was recorded in 1994 but was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------‘THE SINGLES PROJECT” is Robert's new EP, featuring five of his new songs. The songs speak to the ups and downs of life. From the blissful, joyous “Saturday Morning” to the darker commentary of “Like Never Before” and “The Ship”. “This is Robert at his most vulnerable” (Pop Icon Magazine)Reviews: “Amazing!” (Top Buzz Magazine)“Magical…A Sonic Tour De Force!” (IndiePulse Music)“Fabulously Enticing!” (Pop Icon Magazine)“A Home Run!” (Hollywood Digest)Listener Reviews:Saturday Morning:”A neat and simply happy song!””It's so cute and fun. It's describing a world I wish I lived in every day!”Like Never Before:”Great message!””Great song, very perceptive lyrics!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Fred:www.fredlipsius.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comPGS Store - www.thePGSstore.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Rory Cooper. He's a partner at Purple Strategies, a corporate reputation and advocacy agency in Alexandria, Va., a former George W. Bush and Eric Cantor aide, and a longtime Republican strategist. He's on Twitter at @rorycooper.Rory's Music Pick: Simon & GarfunkelIf you enjoyed Political Beats' episode on the solo career of Paul Simon with Rory Cooper from a year and half ago, then kick right back after the Labor Day weekend and start feelin' groovy while listening the epic George Lucas/Peter Jackson prequel extravaganza that is our discussion of Simon & Garfunkel! Yes, Rory has returned to discuss a pop duo formerly known as “Tom & Jerry,” whose music dominated both American and U.K. airwaves in the late Sixties. With three #1 hits, nine more top 20 singles, two #1 albums, and their names attached to one of the decade's most beloved films, we think it likely that you're already somewhat familiar with Simon & Garfunkel. But this, like our Paul Simon episode, is the rare episode in which neither of your two esteemed hosts were actually deeply familiar with the albums (as opposed to the radio hits). How could this have happened? All is explained while we are rejoined by Rory Cooper, a guy who knows all the stories and loves Paul Simon's music so much he named his kid after one of these songs. In this episode, we explore the origins of Paul Simon and Art Garfunkel as schooldays choirboy friends in Queens, their brief “teen idol” phase as Tom & Jerry, and their -- rather awkward -- rebirth in the early Sixties as folkies on a Greenwich Village scene that resolutely disdained them for purported inauthenticity. Simon & Garfunkel's 1964 debut album flopped so badly that Simon went to England and Garfunkel simply went back to school, until a Columbia producer desperate for a hit overdubbed electric backing onto a forgotten song from that debut called “The Sound of Silence.”And the rest is history. Simon & Garfunkel's career resumed in a haste as “Sound of Silence” hit the top of the charts in January 1966, and what followed was a series of increasingly assured acoustic folk/pop/rock hits that culminated by the late Sixties in immortal and gnomic songs like “Mrs. Robinson,” “America,” and “The Boxer.” From being a pale imitator of Bob Dylan's “intelligent folk” music, Simon & Garfunkel had evolved into a different, singular sound, anchored around Garfunkel's peerlessly pitch-perfect high tenor voice and Simon's insistently rhythmic sense of guitar-work and arrangement.Although the pairing did not -- and could not, for many reasons -- last long, it ended in a supreme achievement: Bridge Over Troubled Water (1970), a record whose commercial dominance and omnipresence in its day has been exceeded only by its subsequent critical reputation. And that was it; Garfunkel left for an acting career, and Simon for a solo one. (A brief reunion in the early Eighties went nowhere.) And that was for the best: They will forever be remembered for going out on the highest possible note. What happened next has already been discussed, but for now, enjoy the groovy Sixties and Paul Simon's orthogonal, acutely self-conscious place within them as we count the cars on the New Jersey Turnpike, all gone to look for America. 

Liverpool born, Manhattan based broadcaster, podcaster, and filmmaker Roger Bennett hosts multiple podcasts and TV shows focussing on soccer/football through his Men in Blazers Media Network. He's also a published author releasing his memoir 'Reborn in the USA: An Englishman's Love Letter to his Chosen Home' in 2021; which debuted at #1 on The New York Times Bestseller List.

Als junge Primarlehrerin hat Esther Schütz in den 80er Jahren auch Sexualpädagogik unterrichtet. Später machte sie sich selbständig und gründete das Institut für Sexualpädagogik ISP in Uster, das sie über 20 Jahre leitete. Ihr Lehrbuch «Praxis der Sexualpädagogik» wurde vom Bundesamt für Gesundheit ausgezeichnet und hat den Schweizerischen Kinder- und Jugendmedienpreis «Die rote Zora» gewonnen. In Musik für einen Gast bei Eva Oertle spricht Esther Schütz über ihren Weg zur Sexologin und ihre Arbeit mit Paaren in der Sexualtherapie. Sie erzählt aber auch, wie sie nach einer langjährigen Beziehung mit einem Mann zur Partnerschaft mit einer Frau fand und welche Erinnerungen die Ballade «Bridge over troubled water» von Simon & Garfunkel in ihr weckt. Erstsendung: 15. Mai 2022

"Marijuana Magic: Enhancing Exercise and Easing PainLarry Mishkin discusses the debut of the song "Sugaree" by the Grateful Dead, sharing interesting facts about its origins and performance history. Additionally, he presents three stories from Marijuana Moment, highlighting how medical marijuana is linked to reduced pain and lower opioid dependency in chronic pain patients, enhances the runner's high and reduces pain during exercise, and improves the quality of life for military veterans while reducing their prescription drug use. Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast  July 31, 1971: Astronauts Drive on the Moon1971: Apollo 15 astronauts David Scott and James Irwin drive the Lunar Roving Vehicle on the surface of the moon. It's the first off-planet automobile ride. Rumor has it that sometime during the show, Jerry stopped playing, pointed to the moon, and said, “just think, right now there are men sleeping on THAT” Confession, I listened to almost the entire show and was not able to locate that moment so I cannot confirm Jerry said it, but it sounds like something he might say and either way is just another cool Dead story to pass along. INTRO:                Sugaree                           Track No. 3                           Start – 1:14                            Sugaree" is a song with lyrics by long-time Grateful Dead lyricist Robert Hunter and music by guitaristJerry Garcia.[1] It was written for Jerry Garcia's first solo album Garcia, which was released in January 1972. As with the songs on the rest of the album, Garcia plays every instrument himself except drums, played by Bill Kreutzmann, including acoustic guitar, bass guitar, and an electric guitar played through a Leslie speaker. Released as a single from the Garcia album, "Sugaree" peaked at #94 on the Billboard Hot 100 in April 1972 and was Garcia's only single ever on that chart.[2]The song was first performed live by the Grateful Dead on July 31, 1971, at the Yale Bowl at Yale University,Even though it was on Jerry's solo album, it was clearly a Dead song from the start and here it is debuted by the Dead six months before the Garcia album's release. Maybe not the best version ever, but it is the first. Ultimately played 361 times by the Dead. Last played on July 8, 1995, the penultimate Dead show Always one of good buddy Mikey's favorite Dead songs, “What's shaking Sugaree?”.  Shout out to Mikey, Alex, Andy, Lynn, Harold who just saw Tedeschi Truck this past weekend at Red Rocks.  My wife and I had to miss it this year, but I know they all rocked out.  And, they were joined by Lori and Monte, more good Chicago friends, and Lori was part of the group at the Joanie Jam with Judy and Andy.  So lots of great musical cross relationships developing all the time.  THAT IS WHY WE GO TO SHOWS!   SHOW #1:                   Mr. Charlie                                    Track No. 4                                    Start – 1:15             This is also the breakout version of this song.  It was played a total of 50 times after its debut on 7/31/71 in New Haven, the same show at which Sugaree debuted. It was played at all 22 shows of the Europe '72 tour, including its last performance on May 26, 1972 at the Lyceum Ballroom in London, the last show of that famous tour. Lyrics by Robert Hunter, music by Pigpen.  It was Pig's song and as his time in the band dwindled, so did some of his tunes.  No post-Pig resurrection of the song by the band.Never released on a studio album, there are rumors of a planned album following Workingman's and American Beauty that would have included this song as well as Bertha, He's Gone, Loser, Brown Eyed Women, Ramble on Rose, Tennessee Jed, The Stranger (Two Souls in Communion), etc.  Might have even been enough tunes for a double album. Story is that the Dead abandoned it when they decided to get out of their Warner Bros. record deal. SHOW #2:          Hard to Handle                             Track No. 12                             Start – 1:06           "Hard to Handle" is a 1968 song written by American soul singer Otis Redding along with Al Bell and Allen Jones. Originally recorded by Redding, it was released in 1968 as the B-side to "Amen" (shortly after the singer's sudden death in 1967). The song also appears on the 1968 album The Immortal Otis Redding. Redding's version reached number 38 on the Billboard R&B chart and number 51 on the pop chart.[1]American rock band the Black Crowes covered the song for their 1990 debut album, Shake Your Money Maker, reaching number 26 on the Billboard Hot 100 with their rendition.Hard To Handle was performed by the Grateful Dead about 90 times between March 15, 1969 at the Black and White Ball, opened the show with it (The ball is the Bay Area's largest black-tie street party and a tradition since 1956 - a night for high society and just plain folks to mingle in gowns and tuxedoes around Civic Center Plaza to listen to music. ) and August 1971. It was subsequently performed only twice, on December 30 and 31, 1982, with Etta James taking the vocals and support from the Tower of Power horns.Another fun Pig lead that, like most of his other songs, died with him. SHOW #3:                  Sugar Magnolia                                    Track No. 24                                    3:10 – 4:23Still relatively new in the Dead's repertoire, I like the musical jam in this version and so does the crowd. We all know the lyrics but it is this kind of jamming that made this a Dead standard and favorite among Deadheads.  This version is still early enough that it appears in the middle of the second set, not yet having moved to its almost always spot as a second set closer.  Always sad when they get to the obvious set closer, but when it was Sugar Mag we all felt a lot better.   Notes from Deadheads mentioned this as one of the highlights of the show. SHOW #4:                  Darkness Jam                                    Track No. 28                                    0:56 – 2:06the 'Darkness' jam from the 1969 Youngbloods song, Darkness, Darkness which was done a few times in 1970; the most well-known version is in the 9/19/70 Not Fade Away where it's very clear. (They also do the China Cat riff in that NFA, which they did frequently (and at greater length) in the fall of 1971.). Played 4 times by the Dead in concert.  This is the LAST one. Darkness Darkness - Darkness, Darkness" is a song written by Jesse Colin Young in 1969, which has been covered by many artists. Young's band The Youngbloods released a version on their 1969 album Elephant Mountain. They released a version of the song as a single twice: in 1969, which reached #124 on the Billboard chart,[1] and in 1970, which reached #86 on the chart.[2] One of the various themed jams played by the Dead in their early years also including:Feelin' Groovy Jam - is basically four chords based on the 1966 Simon & Garfunkel song, and was frequently done in Dark Stars from '69-'72.Tighten Up Jam - The Tighten Up jam was a very common Latin-style jam theme in 1970. It's often called a proto-Eyes jam since Weir plays two repeating jazzy chords that are rhythmically similar to the opening of Eyes of the World; but they were commonly thought to be from Archie Bell & the Drells' 1968 tune.Mind Left Body Jam:      The Mind Left Body jam originated in the Planet Earth Rock n Roll Orchestra (PERRO) sessions (The Planet Earth Rock and Roll Orchestra (PERRO) is a nickname given to some artists who recorded together in the early 1970s.[1] They were predominantly members of Jefferson Airplane, the Grateful Dead, Quicksilver Messenger Service, and Crosby, Stills, Nash & Young .[2] ), where we can hear an early, faster version of the four descending chords. Paul Kantner took this riff for his 1973 song 'Your Mind Has Left Your Body,' which Garcia played pedal steel on. Garcia in turn adapted it into a Grateful Dead theme, which first showed up on occasion in '72, but started regularly entering the jams in fall '73. It added a transcendental feeling to many shows up through '74Spanish Jam:       Weir based the Spanish Jam on the song 'Solea' on Miles Davis' album Sketches of Spain, sometime in late '67 when the Dead started recording Anthem of the Sun. As it was, a little bit of the Spanish Jam actually got on the album, in the form of a short Davis-flavored trumpet break from Phil in the middle of Born Cross-Eyed (after the verse, "Think I'll come back here again, every now and then, from time to time"). For a moment, it seems like Garcia and the band are about to break into the Spanish Jam, but they quickly cut back to the song.... OUTRO:       Uncle John's Band                        Track No. 30                        1:28 – 2:44             An early version of an all time classic.  Already a crowd favorite, clapping, sing along.  Can't go wrong with an Uncle John's Band at the end of a show – actually closed out with Johnny B. Goode – no encore.  Other great stories of this show at Yale, runs in with the cops, gate crashers, gallons of electric Kool Aid at the gates.  Just another typical Dead show, but at one of the country's most prestigious schools.  Even the Ivies loved the Dead.      Still working on stories John Mayer says goodbye:            “These tours with @deadandcompany exist on an almost otherworldly plane – everyone, on stage and in the crowd, meets up in this shared dream, and on the last night, after the final note is struck, we leave it all on the stage. We bow, we hug, we share our love for one another and then… we disappear. I fly through the dead of night and wake up at home, where my ears ring, my heart sings, and I'm left with this mix of fatigue, joy, accomplishment, and deep appreciation for what I was able to be a part of,” Mayer shared. “I can feel the connected, collective experience of thousands of others who wake up feeling the same. I'll never get over the profound beauty and uniqueness of this, and we'll never in our lifetime see the likes of @bobweir@mickeyhart and @billkreutzmann, playing beyond all perceived limitations and expectations. It's nothing short of remarkable. Thank you one and all for allowing me a seat on this transcendent ride. ”     “Dead & Company is still a band – we just don't know what the next show will be,” Mayer wrote on social media. “I speak for us all when I say that I look forward to being shown the next shaft of light… I know we will all move towards it together.”

This week we bring you a very special surprise. Tim is in the Netherlands harassing the Dutch so Garrett pulled together a solocast. It is the second installment of the Band Breakups and Bitter Feuds series for the show. Episodes dedicated to telling the story behind the downfall of the world's biggest bands. This week we're talking first about folk superstars Simon & Garfunkel, followed by the pseudo punk new wave pop machine known as The Police. Two short stories highlighting the lowlights that led to their demise. Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com

On this Episode: Buzz is takin' a walk with Mark Rivera. Rivera has worked with Hall & Oates, Tycoon, Peter Gabriel on his groundbreaking So album – where Rivera played on "Sledgehammer" and "Big Time", Simon & Garfunkel, John Lennon, Billy Ocean, and Eagles guitarist Joe Walsh.Rivera has played with Billy Joel and his band since 1982 *****Thank you so much for listening to the TAKIN' A WALK PODCAST SHOW hosted by Buzz Knight!  Listen to more honest conversations with a compelling mix of guests ranging from musicians, authors, and insiders with their own stories. Get inspired, get motivated, and gain insights from honest conversations every week that can help you with your own journey. Follow us on Facebook, Twitter, and Instagram, and be part of this blessed family.Website: https://takinawalk.com/Twitter: https://twitter.com/thebuzzknightLinkedIn: http://linkedin.com/in/buzzknightLinkfire: https://lnk.to/takinawalk Please consider subscribing, leaving a review, and sharing it with your friends and family!Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

On this Promo/Upcoming Episode: Buzz is takin' a walk with Mark Rivera. Rivera has worked with Hall & Oates, Tycoon, Peter Gabriel on his groundbreaking So album – where Rivera played on "Sledgehammer" and "Big Time", Simon & Garfunkel, John Lennon, Billy Ocean, and Eagles guitarist Joe Walsh.Rivera has played with Billy Joel and his band since 1982 *****Thank you so much for listening to the TAKIN' A WALK PODCAST SHOW hosted by Buzz Knight!  Listen to more honest conversations with a compelling mix of guests ranging from musicians, authors, and insiders with their own stories. Get inspired, get motivated, and gain insights from honest conversations every week that can help you with your own journey. Follow us on Facebook, Twitter, and Instagram, and be part of this blessed family.Website: https://takinawalk.com/Twitter: https://twitter.com/thebuzzknightLinkedIn: http://linkedin.com/in/buzzknightLinkfire: https://lnk.to/takinawalk Please consider subscribing, leaving a review, and sharing it with your friends and family!Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

Simon & Garfunkel is one of the greatest musical duos of all time. But before “The Sound of Silence” filled the airwaves, the pair's debut album was a total flop. So much so that the partnership effectively split. Then their producer called – he'd remixed their best song. Hosted on Acast. See acast.com/privacy for more information.

Was this musical partnership a timeless classic or a barely functional soap opera nearly running off the rails at every turn? Simon & Garfunkel were a great example of why it should be illegal for pop culture media to refer to musical artists as "geniuses." It's only a matter of time before even the most marginally talented hack would start to believe it's actually true. There are at least three stories in this episode that could only happen due to pure, unbridled narcissism. Is it even possible to cover the entire trainwreck when there's this much material to work with? The only way to know is to press play and find out why Simon & Garfunkel sucks! --- Send in a voice message: https://podcasters.spotify.com/pod/show/yfbspod/message

Ok. This seems like an obvious one. If you think we definitely should've heard this album by now, we're not going to argue with you. Be that as it may, we've corrected this oversight. But can anyone explain the beef that Paul Simon seems to have with Bob Dylan?? Follow us on Instagram @brothersinsong

Does Simon and Garfunkel's "The Sound of Silence" issue a prophetic warning concerning Artificial Intelligence (AI)? If so, what is the warning? A timely message with the growth of Artificial Intelligence tools such as Chat GPT should we be concerned? Hosted on Acast. See acast.com/privacy for more information.

In 1968, Simon & Garfunkel was fast becoming one of the major folk-pop acts of the time, and this album, along with their songs being used in the hit film "The Graduate", was just the thing to push them into the mainstream, for better (great music) or worse (the break between the duo). And the theater kids are all here for this! Even the stuff I personally believe they shouldn't be here for. Let's discuss Simon & Garfunkel's concept album, "Bookends"!

Making his debut on the program, it's Johan Englen! And he's bringing the oldest album we've listened to for the show, Simon & Garfunkel's Bridge Over Troubled Water. It's one of the most critically adored albums of all time, but how will it sit with our hosts? Don't forget to like/subscribe/share if you enjoyed! And follow us on our socials (and Patreon) @AlesandAlbums --- Support this podcast: https://podcasters.spotify.com/pod/show/ales-and-albums/support

History of National Poetry Writing Month National Poetry Writing Month (also known as NaPoWriMo) is a creative writing project held annually in April in which participants attempt to write a poem each day for one month. NaPoWriMo coincides with National Poetry Month in the United States of America and Canada. This website is owned and operated by Maureen Thorson, a poet living in Washington, DC. Inspired by NaNoWriMo, National Novel Writing Month), she started writing a poem a day for the month of April back in 2003, posting the poems on her blog. When other people started writing poems for April and posting them on their own blogs, Maureen linked to them. After a few years, so many people were doing NaPoWriMo that Maureen decided to launch an independent website for the project. My History with National Poetry Writing Month I started writing poetry in 1988 after I had been exposed to T.S. Elliot in my honors English class in high school. In 1992 I started reading my poetry publicly at Espresso Europia Coffee Shop in Abilene Tx while I was in the United States Air Force. While living in Rockford Illinois I published my first book of poetry Throwing Yourself at the Ground and Missing in 2007 followed by Postcards From Someone You Don't Know in 2008 Wisdom From the Sack in 2010 and Shaving Crop Circles In My Chest Hair in 2017. You can get copies of all of these books in my merch section. In 2020 I started publishing my podcast version of the challenge and those can be viewed here for 2020 and here for 2021. What I am doing differently for Poetry Month For 2023 I am not going to be just writing poems in April, I will be writing poems all year round. Also, since I will be writing all year round, I am using a different source for my prompts. There is a blog called Think Written and you can find it here. I will also be performing these works at Katora Coffee House here in Fredericksburg Virginia on their Friday Night Snaps Open Mic Poetry reading. Some of the podcast episodes you will hear will be a live recording of me reading the poem to a live audience, other times I will be reading it in the comfort of my home studio. I do plan on posting my work to the NaPoWriMo site and interacting with the poets there and see if they want to read their work on this podcast. Todays Poetry Prompt Sound of Silence: Take some inspiration from the classic Simon & Garfunkel song and describe what silence sounds like.  No Thing 10 April 2023  Laying down, ready for sleep  The fan is set for high (even in the winter)  And the music is set for introspection through jazz  Drowning out the usual high-pitched squeal that has become my swan song  I am prepared to enter the ethereal lands  Being alone with my thoughts  Is the quickest way to insanity  The voices that plagued my mother  Descend with vengeance  Ready to eliminate any respite shown me  Nightly I sonically excavate  The landscapes of my awake and sleeping mind  Reliving mistakes I have made  And paying for them dearly  In ways only my mind can torture me  One moment would be nice  To be able to turn off the thoughts and dreams  To not think, fear, be anxious  Just that total blankness of a new sheet of paper  Or an empty canvas  I do not afford myself such luxuries  But to have that one moment  Where nothing comes in or goes out  Would only fuel the idea  That my brain is flawed  That the internal demons   Who wanted to silence this voice   Have won the war against me  There will be no peace in our time  Sign Up for the Create Art Podcast Newsletter Or Subscribe Here Reaching Out To The Podcast To reach out to me, email timothy@createartpodcast.com I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation. Email: timothy@createartpodcast.com YouTube Channel: Create Art Podcast YT Channel IG: @createartpodcast Twitter: @createartpod Special Message If you have found value in this podcast please feel free to share it with a friend as that is the best way to find new podcasts. I want this to be a 5-star podcast in your eyes so let me know what you would like to see. Speaking about sharing with a friend, check out my other podcast Find A Podcast About where I help you outsmart the algorithm and find your next binge-worthy podcast. You can find that podcast at findapodcastabout.xyz.

R&SRNR_174 – “THEY PLAYED ON THE MOST HITS” There's one group of recording artists that played on more hits than anybody else in the history of rock, pop, and country music. It's the Wrecking Crew – an amorphous collection of studio musicians based in Los Angeles from the late 1950s through the early 1970s. They backed countless acts in a wide variety of genres, including rock, pop, folk, and jazz. You heard them supporting such stars as the Beach Boys, Jan & Dean, Frank Sinatra, Nancy Sinatra, Paul Revere & The Raiders, and the Mamas & Papas. Also, the Byrds, the Monkees, Gary Lewis & The Playboys, Ike & Tina Turner, and Simon & Garfunkel, among many others. The Wrecking Crew remained mostly anonymous until a 2008 documentary film by Denny Tedesco, the son of the Wrecking Crew's most prolific guitarist, Tommy Tedesco. Now, Denny Tedesco has even more Wrecking Crew history, and he shares it with our resident Rockologist, Ken Deutsch. We'll sample 30 hit selections from the Wrecking Crew's distinguished discography, along with more of the greatest rock and roll stories on record.  Here it all here.

In this episode we're venturing inside the complicated world of the Nashville music biz. Michael Amos Cody joins me to talk about his novel ‘Gabriel's Songbook', which follows starry-eyed Gabriel Tanner on his quest to strike it big as a singer-songwriter in the Music City in the 1980s. In the final segment, Frye Gaillard and Peter Cooper drop by to talk about the real Nashville music scene in the 1980s. Frye is an historian and author of such books as ‘A Hard Rain: America in the 1960s', ‘The Southernization of America', which he co-wrote with Pulitzer Prize-winner Cynthia Tucker, and ‘Watermelon Wine: The Spirit of Country Music'. Peter is the Country Music Hall of Fame and Museum's senior director, producer, and writer. HIGHLIGHTS:Christopher Cross's buried guitar lead on “Ride Like the Wind”Suzi Quatro's convincing argument for including Simon & Garfunkel in a rock novelThe Appalachian setting and culture for part of the novel ‘Gabriel's Songbook' and what Appalachia means to Michael and the character Gabriel: food, religion, family, community, mountain musicThe complexities and difficulties of an image-driven music business during the MTV 1980s on singer-songwriters, like Gabriel, who don't fit the moldMichael's own experience as a young musician in Nashville during this timeHow Michael's relationship with his wife, Leesa, inspired the relationship between Gabriel and Eliza in ‘Gabriel's Songbook'The passion that Michael still feels for making musicFrye and Peter talk about the differences between the ‘70s and '80s Nashville music scene and business MUSIC AND MEDIA IN THE EPISODE IN ORDER OF APPEARANCE:Free Country Instrumental Music/No Copyright Background Music“Born the Run” by Bruce Springsteen“Ride Like the Wind” by Christopher Cross“April Come She Will” by Simon & Garfunkel“Mountain Dew” by The Stanley Brothers“Lookin' for Love” by Johnny Lee“Mexican Radio” by Wall of Voodoo“Best I've Ever Seen” by Michael Amos Cody“Leesa, Listen” by Michael Amos Cody“Soulmates” by Michael Amos Cody“You've Got Something I Need” by Michael Amos Cody“The Sweetest Gift” by Dolly Parton, Linda Ronstadt, and Emmylou Harris“Better Class of Losers” by Randy Travis“Molly Dear” by Jonathan Byrd“I Came for the Gold” by Michael Amos Cody LINKS: Michael Amos Cody's website: https://michaelamoscody.com/Michael on Twitter, @DrMacOdeMichael on Instagram, @michaelamoscody Frye Gaillard's website: https://fryegaillardauthor.com/Frye on Facebook, @FryeGaillard Peter Cooper's website: https://www.petercoopermusic.com/Peter Cooper on Facebook, @PeterCooper Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/Christy Alexander Hallberg on Twitter, @ChristyHallbergChristy Alexander Hallberg on Instagram, @christyhallbergChristy Alexander Hallberg's YouTube channel, https://www.youtube.com/channel/UCfSnRmlL5moSQYi6EjSvqag

Celebrating the great short songs of all-time.• Clint breaks down "Stay" by Maurice Williams and The Zodiacs• Rich breaks down some highlights of The Beatles' sub-2 min tracks.• Clint reviews the Paul McCartney show at Fenway Park.• Clint breaks down The Letter by The Box Tops• Quickfire round includes The Rolling Stones, Simon & Garfunkel, The Grateful Dead, and more.• Let's Go To The Comments• This week's guest Jeff Symonds  

Celebrating the great short songs of all-time.• Clint breaks down "Stay" by Maurice Williams and The Zodiacs• Rich breaks down some highlights of The Beatles' sub-2 min tracks.• Clint reviews the Paul McCartney show at Fenway Park.• Clint breaks down The Letter by The Box Tops• Quickfire round includes The Rolling Stones, Simon & Garfunkel, The Grateful Dead, and more.• Let's Go To The Comments• This week's guest Jeff Symonds  

Nate is away, so Aaron spends an hour with Burlap to Cashmere's Steven Delopoulos talking about his story growing up in NY and NJ in a very Greek family, the nature of God, songwriting, storytelling, and his latest passion project related to Simon & Garfunkel.  For more about Steven, visit his website. If you have thoughts or questions that you'd like the guys to address in upcoming episodes or suggestions for future guests, please drop a note to piratemonkpodcast@gmail.com.   The music on this podcast is contributed by members of the Samson Society. For more information on this ministry, please visit samsonsociety.com.  Support for the women in our lives who have been impacted by our choices is available at sarahsociety.com.

Neil Giraldo was born in 1955 in Cleveland, Ohio. Immersed in the culture of his beloved Sicilian ancestry, his parents Anthony and Angela Giraldo instilled the love of music at a young age, giving Neil his first guitar at the age of six, with the hopes that he and his sister, Priscilla, who played the accordion, could entertain family and friends with songs from the old country after church on Sundays. As Neil got older, his mentor, Uncle Tim, introduced him to revolutionary bands like The Yardbirds, The Kinks, The Rolling Stones, and all the other great guitar-driven rock ‘n' roll bands of the 1960s. Finding new and innovative ways to shadow path his way into songs, Neil developed a discipline early on of not just playing along to his favorite artists but creating different parts for himself within those tracks. At the same time, the budding guitar artist also became proficient on piano by continuously practicing along to Chuck Berry (Johnnie Johnson), Fats Domino and Jerry Lee Lewis records. His interest in percussion instruments soon followed, practicing the drums to Simon & Garfunkel albums he explored how different rhythms could alter the complexion of songs. These practices and disciplines created the foundation for his future success as an innovative record producer and musician. Giraldo began his professional career in 1978 as a key member of the Rick Derringer band after competing against 200 other guitarists for the position. It wasn't long before Rick discovered Giraldo's piano playing prowess and quickly put those skills to work in the studio for the recording Guitars and Women. In the spring of 1979, Mike Chapman introduced Giraldo to an up-and-coming singer named Pat Benatar who had recently signed to Chrysalis Records. While impressed with the young vocalist, Chapman felt she needed a musical partner who could facilitate the creation of a sound both identifiable and powerful. Over the years Neil has produced some of their biggest hits including “Love is a Battlefield” and “We Belong.” With a back catalog of more than 100 songs written and more than 45 million records sold, Giraldo has written, produced, arranged, and recorded for Pat Benatar, John Waite, Rick Springfield, Kenny Loggins, Steve Forbert, The Del Lords, Beth Hart, The Coors, and others, which include many Grammy-nominated and Grammy-winning hits. Today, Giraldo's career is as dynamic and diverse as ever. He is in the process of completing two books – one an autobiographical novel, one a motivational book on the psychology of creating. He is further expanding his Bel Chiasso entertainment company, which is developing a variety of television, film and Broadway theater projects. On May 16th 2016 Neil founded Three Chord Bourbon to celebrate creativity, community, and tradition by bringing together the award-winning musician and producer's love of whiskey and music with his passion for conversations with family and friends. Inspired by the simplicity yet infinite expressions of the three chord progression — the foundation of the blues — Neil collaborated with master blender and distiller, Ari Sussman, to bring together notes of a variety of bourbons and create a distinctive taste in whiskey that balances simplicity and complexity in perfect harmony. Neil has utilized this new platform to assist emerging musicians via Three Chord Musical Ambassador program. Learn more at ThreeChordBourbon.com Show Highlights: 05:40 – The origination of his company Three Chord Bourbon and specifically how the “Strange Collaboration” line was created. 09:05 – The power and necessity of integrity, intuition, & gratitude. Neil pays tribute to his father. 12:30 – How Neil got started playing music. Neil pays tribute to his mother and her value of discipline. Also, how he was introduced to Rock-n-Roll and how his cousin “Skeeter” influenced his guitar playing. 18:50 – How intuition & feel is the key to his playing and production styles; being present and how “over-thinking” destroys creativity.  Also a deep dive into how he values producing and dissecting songs. 26:30 – A deep dive on Neil's “percussive” style of playing guitar. 35:00 – Neil's mission & vison of Three Chord Bourbon. It's all about giving back to musicians and teaching them how to do the “business” side of music. 46:00 – How Neil has progressed as a husband, father, & leader.  Neil also talks about the power of extreme confidence that is coupled with humility and teachability. 53:00 – A discussion around limiting beliefs & self-doubt. Neil talks about the necessity of drive, tenacity, and confidence.  Neil also talks about how to use a “chip-on-your-shoulder” mentality in a positive way. 61:00 – Saying yes to the Universe, chance encounters, and the creation of his collaboration with Pat Benatar. This show is made possible by MetPro.  Invest in your health. Be the best version of yourself. Optimize your nutrition and fitness increases energy, creativity, and productivity.  Visit MetPro.co/dose to receive a free month of coaching.